graphic design phd thesis

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110 Fantastic Graphic Design Thesis Ideas To Succeed

Graphic Design is an art where professionals plan and practice creating visual and textual content to deliver messages. In today’s world, it’s the most innovative and most effective way for businesses to connect with their consumers.

Graphic design has many forms, from a simple business logo to a complex page layout on a website. The magazine covers, posters, logos, business cards, websites, and mobile apps are only a few examples of what graphic design businesses can deliver as their concept to their clients and audience. A good graphic designer should know how to attract people by displaying innovative and appealing content. Hence, it’s crucial to master the ways to express ideas creatively.

Why Is Graphic Design Thesis Important for Students?

Creating an excellent thesis using some unique and intricate graphic design research topics is essential to have a successful career in this field. Also, it’s crucial to do graphic design research to wow potential employers for good prospects. The thesis paper is the gist of what you have learned for your bachelor’s degree in university life; therefore, it’s vital to showcase creative thinking and impressive skills. There are tons of thesis ideas for graphic design that allow the students to be creative and show their full potential. To help you ace your graphic design research paper, we will be discussing every step of creating the thesis in detail.

Creating A Winning Thesis Proposal for Graphic Design

For the best graphic designing thesis project, students should have strong writing skills and complete knowledge of visual design principles. Moreover, students should know the advanced application of the skills they have learned. Furthermore, choosing the topic according to your grade in school, college or university is essential. Senior students can choose a thesis topic from the several graphic design senior thesis topics available online. Sometimes people attend workshops to learn the art of creating an impressive graphic design research paper. We have simplified the thesis writing process for students who are not keen to participate in workshops. People who have some knowledge may also benefit from the blog as it provides simple tips that you can follow to get started. Here are some things to keep in mind when preparing and writing you graphic design dissertation:

Have a catchy introduction. A perfect intro will create a good impression and would encourage the reader to read on. Therefore, it’s essential to choose a passionate topic as anything written with heart can easily catch the reader’s attention. Unleash your artistic side to express yourself eloquently. It’s better to start with a short introduction. Keep it brief so that you can capture the reader’s attention.
Create a strong problem Statement. Knowing the background of the problem or the topic you are dealing with allows you to create a convincing problem statement. In this part of the thesis, you will highlight your research question around the cause of your research. You should write a page-long description of evaluating various options and choose the most suitable one. This part of the graphic design research doesn’t have to be elaborate.
Include an Aim and Objectives of the Study section. Use this part of the thesis to provide reasons why the chosen topic is significant. Let the reader know about your intent behind the research. These are the outcomes that you hope to achieve from your project. Also, use this part of the graphic design writing to display the objectives behind your research. The reader should have all the answers to why you want to address the highlighted graphic design issues.
Describe the method you use. In this section of your thesis, describe the methodology you will use to attain your goal. You should highlight all the methods available, compare them and select the most viable option. You can add details about the software, print media, or any other media platform you have used to complete your graphic design writing.
Prepare a literature review. Creating a literature review is an integral part of the project as it contains details of the type of research you carried out and how you conducted them. Also, it provides a theoretical framework for your dissertation, giving the reader an insight into where you started, the ideas you chose, and where the concepts have brought you.
Highlight the key ideas, scope, and limitations of the study. Coming towards the end of your research, you should specify the critical objectives attained from the project. Also, the project’s scope should identify the advanced uses and the limitation of the concept discussed in the thesis. Keep your content original and take as much thesis help you need from the sources available for an outstanding dissertation.

Graphic Design Thesis Topics

According to your interest, there are many topics you can look for on the internet for your graphic design thesis topic. We have researched to compile the 110 most interesting graphic design research paper topics; you are sure to find the best one for your thesis. From environment enthusiast to an art school student, our diverse topics will help you find the best topic for your thesis.

Best Graphic Design Thesis Topics

Uses Of Graphic Design To Create Environmental Awareness
Current And Future Trends In The Commonly Used Software For Graphic Designs
Design And Culture Expectations
Enhancing Understanding Through Visual Imaging
The New Graphic And Media Designs
The Fall Of Desktop Publishing
Development Of Web Animation.How The Internet Shaped Animation Content
The Evolution Of Newspaper Ads In The Technological Era
Role Of Personality In Arts
Set Creation In The Film Industry Using Graphic Design
Theme Design For Restaurants
Elements Of Persuasion And Graphic Design
Commercial Design: Dealing With The Clients To Facilitate Feedback
Organisationational Branding And Websites.
Role Of Visual Hierarchy To Create Customer Perception Of E-Commerce Stores
Art Directors: Transformational Heads
How Graphic Designs Are Used In The Making Of Directories
Role Of Graphic Design In The Evolution Of Modern Cinema
Creating A Colorful Classroom
Typeset: Principles And Techniques
How Color Theory Effects Graphic Design
How To Smartly Use Space In Design Esthetics
Effect Of Organizational Branding And Logos On Sales
Use Of Graphic Design For Social Commentary And Street Art
Use Of Graphic Design For Movie Festival Promotion
Newspaper Ads And Graphic Design. How They Mold Consumer Buying Behavior
Graphic Designing Tools And How The Industry They Have Impacted The Industry
How Does Color Psychology Trigger Emotions? A Case Study On Baker-Miller Pink

Top Graphic Design Thesis Ideas

A Case Study On Renowned Graphic Designers Of The Time
Influence Of Tv On Graphic Design
Role Of Computers In The Evolution Of Graphic Design
How Graphic Design Is Used In Game Interfaces To Attract Consumers
Importance Of Balance In Creating Impressive Visuals. A Graphic Design Basic
Conventional Designing Software Vs. Online Graphic Designing Tools. Which Is More Convenient?
How Does Visual Heuristics Help In Segmenting The Viewer’s Attention?
Use Of Graphic Design For Political Satire
How Brands Use Negative Spacing To Affect The Subconscious Minds Of Consumers
Role Of Web Graphics In Creating Visitor’s Trust
Defining Consumer Perceptions To Web Designs
Theories Of Graphic Design. Application And Importance In The Design Industry
Human Psychological Connections And Color Selection
How Online Gaming Trends Have Changed
Impact Of Theory Of Repetition On Consumer Buying Behavior
Multimedia Design And How It Has Changed The World Around Us
Importance Of Graphic Design To Generate Sales For Online Service Providers
Evolution Of Digital Art Over The Years
Graphic Design In The 20th Century
Advertisement And The Subliminal Messages
Use Of Powerpoint Presentations To Create Amazing Designs
Graphic Design Trends In The 21st Century

Excellent Thesis Ideas for Graphic Design

Propaganda Posters: Political Messages
How Email Marketing Has Changed
Development Of Career Paths In Graphic Design
Essentials Of Business Branding
How Graphic Design Revolutionized Product Packaging
Redesigning A Book Cover
Growth Of Graphic Design Over The Years
Evolution Of Vehicle Wraps Using Graphic Design
Cost-Benefit Analysis Of Investing In A Graphic Designer
Analyzing The Role Of Colors In Graphic Design
Trade Show Displays And Signage To Create Attention
Analyzing Various Techniques Used By Graphic Designers
Use Of Graphic Design To Create Infographics
Exploring How Service Design Impacts Visual Information
Studying The Application Of Graphic Design In Advanced Technology
How Does The Use Of Warm Colors Help Viewers Connect With Your Facebook Posts
A Case Study On Consumer Psychology-Difference Between Warm And Cool Colors
Use Of Graphic Design To Create Images For Blogs
Use Of Artificial Intelligence In Graphic Design
Photo Collages And Their Importance For Youngsters
Evaluating The Value Of The Visual Design Structure

Interesting Graphic Design Research Topics

Impact Of Artistic Sensibility In Graphic Design
How Banners To Aid In Conveying Messages
Analyzing Average Budget For Graphic Design Projects
Importance Of Graphic Design Education Across Borders
Impact Of Appealing Products On Consumer Choices
Retargeting Ads To Reach Out To The Target Market More Efficiently
Perspectives Of People On Visual Communication Design Education
Learning How To Apply The Theory To The Graphic Design Course
Analyzing The Trends In Graphic Design During The Past Decade
Graphic Novel-A Literature Review
Business Cards. An Essential For Businesses
Relationship Between Pop Culture And Graphic Design
Recognizing The Qualities Of A Professional Graphic Designer
Using Secondary Research To Explore The Various Features Of Web Design
Creative Coloring Books For Kids
Outcomes And Impact Of Graphic Design On The Consumer Market For The Top Brands Of The Country
Reinterpretation Of A Classic Book Cover
How Does The Design Language Trigger Brand Retention In The Minds Of Customers
Use Of Animation To Create Beautiful Postcards
10-Minute Projects That Will Amaze You

Graphic Design Senior Thesis Topics

Use Of Graphic Design To Create A Plant Identifying App
Flat Logo Designs V/S Gradient Logo Designs. A Case Study On The Automobile Industry
Use Of Computer Graphics And Advertisement To Change Consumer Behavior
Effect Of Contrast Colors To Drive Consumer Buying Behavior
Passion Project: Following Your Dream
How Businesses Use Brochures To Attract Sales
Use Of Print Media And Advertisements To Change Consumer Buying Behavior
Logos. Essential For A Business Image
How Clothing Brands Use Graphic Design To Create Designs
20th Century Evolution Of Computer Graphics
A Case Study On Computer Graphic Designers
Impact Of Using Filters In Videos To Gain Customer Attention And Sales
Use Of Psychological Triggers In Graphic Design To Create Customer Loyalty
Effect Of Limited Financial Plan On Graphics
Commercial Distinctiveness And Graphic Design
A Case Study On The Top Marketing Agencies Of The Country
A Case Study On Apple. How It Molds Consumer Buying Behavior
How Does The Consumer Remember Your Brand? A Case Study On Louis Vuitton
Impact Of Design To Create Sales For E-Commerce Stores

Is Your Graphic Design Thesis Due Soon?

When you start your thesis, you may encounter various graphic design issues, but keep your eyes on the master’s degree and keep working hard. You can also hire low-cost native writers for your project plan by googling “Do my research for graphic design thesis.” These professionals will provide complete research for your thesis topic, as well as high-quality content, and will also proofread your thesis when you are done. Moreover, writing professionals offer reliable services, so you don’t have to worry that your thesis idea will get stolen or hacked.

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How to write the perfect design dissertation

Tutors and students from top design colleges share their advice.

Studying design is about crafting a great design portfolio that will wow potential employers, right? Well, yes. But don't discount the importance of astute creative thinking, and expressing yourself eloquently through the written word. In short, your design dissertation matters.

"I don't believe that design students should be focused entirely on portfolio work," argues Myrna MacLeod , programme leader for Graphic Design at Edinburgh Napier University. "They should also be able to demonstrate an interest in the contexts that underpin their work, and the histories and connections that have informed our practice."

5 top tips for graduate designers

"Think of a dissertation as an opportunity, not a burden," urges Craig Burston , Graphic and Media Design course leader at London College of Communication (LCC). "It gives us visually-minded people an opportunity to demonstrate that we too can construct arguments and distil complex notions."

As Burston points out, this is not just an academic exercise: the power of persuasion is often key to success as a commercial designer. "Clients seek clarity, and project concepts or proposals need to be put into context," he says.

Read on to discover some top tips from leading tutors and their students for nailing your design dissertation…

01. Treat it like a design brief

"A great dissertation should be a designed artefact, and portfolio-worthy in its own right," says Burston. And like a design brief, it should be about solving a problem: "Make sure it has clearly stated aims, strong focus, and doesn't lack opinion or rhetoric," he adds.

Best laptops for graphic design

"The value of a designed dissertation as a portfolio piece is that it's a holistic view of the individual," agrees Sarah James , senior lecturer in Visual Communication at Arts University Bournemouth (AUB).

"It shows, type, editorial, research and aesthetic skill, as well as the personal interests and convictions of the individual."

For her AUB dissertation on responsive type, Maarit Koobas conducted an extensive research process

James identifies AUB student Maarit Koobas , who investigated responsive type in both her dissertation and final project, as a particularly strong example of this. "Her design version was one of the most authentic, restrained and elegantly expressive I have ever received," she enthuses.

Koobas conducted a huge amount of initial research into both the contexts in which responsive type can be seen – such as advertising, product design, science and material cultures – and the theories behind its analysis, including semiotics, philosophy and politics. "Creating and analysing ideas, before they end up in your portfolio, is what design is all about," argues Koobas.

5 must-read books for design students

02. Write about your passion

"To develop essay questions, AUB students are asked to consider what they love, hate or are puzzled by in their practice – essentially, what moves them," says James.

"A poor dissertation is inauthentically chosen for ease as opposed to interest," she adds. "It rambles and blusters, using complex language to mask insufficient research."

"You can tell a mile off when the writer isn't interested," agrees Burston. "How can you expect the reader to care about it if you don't? Write about something that reflects your interests, focus and direction. I've read fascinating dissertations on topics as diverse as patterns in nature, and Brutalist car parks. Make me interested in what interests you."

Research by Napier graduate Fiona Winchester on typography in graphic novels

For Edinburgh Napier graduate Fiona Winchester , this topic turned out to be typography in graphic novels. "I love reading them, but I think people still don't take them seriously as an art form, which is a shame," she says. For her dissertation, she conducted qualitative interviews using modified pages with and without imagery (shown above).

Her advice is simple: "Narrow down your idea to be as precise as possible. The smaller your question, the easier it is to research and try to answer it."

If you're struggling to get the ball rolling on the actual writing process, Winchester advocates starting with whichever bit you have ideas for. "If you're stuck, it's so much easier to write in whatever order it comes to you, and then edit it into a dissertation, than to try write straight through from beginning to end," she insists.

03. Don't be afraid to talk to people

"I always think my students get the most out of the new streams of knowledge they find from talking to people," says McLeod. "It breaks down barriers and allows them to find answers to problems. Hopefully they will adopt that approach when designing for people also."

In some cases, this can involve interviewing your design heroes. "Students are very surprised when they send a question to Stefan Sagmeister , Milton Glaser or Michael Wolff and they reply with the most precious nugget of knowledge," smiles McLeod.

But remember: it's your dissertation, so don't get lazy and expect your interview subject to do all the heavy lifting.

Kaori Toh's CSM dissertation on Mapping as a Creative Agency: Revelations and Speculations in the Age of Infrastructure

In other cases, it could be as simple as asking friends or family to help proofread. "It is quite daunting writing such a large body of text," admits Kaori Toh , a recent graduate from Central Saint Martins, whose dissertation explored the politics of design and technology.

"I often felt I'd get lost in all that text and research," she confesses. "Therefore, I would often send my drafts to a couple of friends to have them look through, and keep my writing cohesive."

04. Reflect on your design practice

Most of all, dissertations are an opportunity to reflect on, and develop, your creative process as a designer. "Ultimately, it's your job to make your work relevant and credible, and the dissertation helps you learn how to do this," adds Burston.

Of course, writing doesn't always come easily to visually minded people – and Burston highlights the fact that dyslexia is not uncommon amongst designers.

"You're not on your own – in our profession, quite the opposite in fact – so do seek academic support, and just enjoy thinking and writing about 'stuff' that informs your practice," is his advice.

Entitled New Faces, Tom Baber's thesis at LCC discusses the craft of type design in the 21st century, inspired by his own experience creating a working typeface: Elephant Grotesk

One of Burston's stand-out students from this year, Tom Baber , welcomed support from the university to help with his dyslexia. Baber's dissertation focused on type design, and particularly the extent to which the longwinded design process is worth the effort, compared to using an existing typeface.

"I saw it as an opportunity to approach other type designers and see what they thought. Turns out I'm not the first to ask the question," he smiles. "Writing my dissertation helped me change from a 'maker' mentality to a 'designer' mentality, and be more critical of my ideas."

15 things they didn't teach you at design school
The skills every design graduate needs
5 alternative routes into design education

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Graphic Design Dissertation Topics & Titles

Published by Grace Graffin at January 4th, 2023 , Revised On August 16, 2023

Looking for some exciting graphic design research topics for your dissertation? We’ve got you covered. Get your graphic design dissertation topics from our experts.

Whether you’re a student or an active professional, graphics design needs you to be spontaneous. This implies possessing the power to return with distinctive and original work once functioning on a client’s project or a graphic design thesis for your lecturer. It’s one profession that depends entirely on creativity.

Graphic design is in the spotlight everywhere in the United States of America. From easy ad ways that we might read on the TV to advanced animation styles and interactive deposit exhibitions.

This helps to produce an array of various opportunities for finishing a fascinating and innovative graphic design dissertation, with there being a variety of various topic square measures that are prone to more analyses.

A graphic design dissertation is conducted to check your information and learning capabilities. In graphic designing dissertations, you may complete your study on the impacts and effects of style components in varied business sectors of the globe. This may assist you in building an understanding of how things are operating within the skilled world.

If you’re dawdling pondering a groundbreaking graphic designing dissertation topic, then you should stop pondering this much. Bobbing up with a dissertation topic isn’t a piece of cake.

It needs considerable expertise and business information to search out that one drawback already there; however, no one highlighted it. Ideation is a robust method that comes before generating a subject for your dissertation.

Your graphic design thesis topic is barely nearly as good as your graphic-style dissertation plan. Each square measure is interconnected.

So, you’re a graphic designing student with complete command over all the main subjects of your field. However, you have got no clue about the way to write a dissertation. The bulk of graphic planning students can relate to it. To return with a graphic designing dissertation topic, you need information and knowledge of dissertation writing.

Another thing to be mindful of when selecting a topic is the availability of literature since undergraduate and graduate-level dissertations . Unlike PhD. Dissertations, have a smaller scope and do not aim to change course or invent a new concept, so the available literature can be of great help in determining the goal, content, and methodology .

The supporting evidence can help you to fortify and strengthen the arguments presented in your dissertation. At ResearchProspect, we make sure that you choose a topic that is relevant, recent, and interesting. We understand the challenges of being a media student, as with each passing day, something new comes up that takes the world by storm.

Considering the dynamic nature of your subject, our team suggests topics that will help in getting approval you’re your professors instantly. You can also get back to us to either edit the topic or add a few missing elements.

Want to know what essay structure and style will work best for your assignment?

Problem fixed! We can write any type of essay in any referencing style. We ensure every essay written is beyond your expectations.

2022 Graphic Design Dissertation Topics

Topic 1: critical interpretation of the effectiveness of using graphic designing in advanced marketing strategies to increase conversion of the target audience by the uk retailers..

Research Aim: The aim of this study is to critically interpret the effectiveness of using graphic design in advanced marketing strategies to increase conversion of the target audience by UK retailers.

Objectives:

To identify the suitability of graphic designing for marketing purposes.
To demonstrate the relevance of using graphic designing in advanced marketing to increase conversion of the target audience in the UK retail sector.
To provide valid recommendations to UK retailers about how they can strategically use graphic designing in advanced marketing practices aiming to increase conversion of the target audience.

Topic 2: Investigating the growing practice of graphic designing to use visual arts in healthcare, an initiative by the NHS.

Research Aim: The aim of this research study is to investigate the growing practice of graphic design to use visual arts in healthcare. For an insightful understanding, the study will focus on the initiative taken by the NHS.

To analyse the relevance of using graphic design to create visual arts specifically for healthcare purposes.
To describe the initiative taken by the NHS for creating visual arts with the help of graphic design and their purposeful utilisation in healthcare.
To recommend strategies to ensure the best level of use of graphic design for creating visual arts in healthcare thereby meeting the goals of the NHS.

Topic 3: A critical study on the current trend of graphic communication by using graphic designs to strengthen brand identity and recognition in the UK online fashion brands.

Research Aim: The present research study aims to describe the current trend of graphic communication by using graphic designs to strengthen brand identity and recognition in UK online fashion brands.

To study the ongoing trend of graphic communication by using graphic designs and their effectiveness.
To examine how the UK online fashion brands rely on graphic communication to strengthen brand identity and recognition by using the means of graphic designing.
To provide a set of recommendations for ensuring the best level utilisation of graphic designs for improved graphic communication.

Topic 4: Examining the benefits of extensive use of graphic designs in branding to ensure cost and time efficiency in UK SMEs.

Research Aim: The aim of this study is to examine the benefits of extensive use of graphic designs in branding that can ensure cost and time efficiency in UK SMEs.

To carry out a discussion on the advantageous effects of graphic designing in the area of marketing.
To determine how branding can be improved by using graphic designs, which leads towards cost and time efficiency in UK SMEs.
To suggest the best possible strategies and ways of using graphic designs to improve time and cost efficiency in UK SMEs.

Topic 5: Critically analyse the relevance of using 3d printing and CAD software by professional graphic designers referring to the practice in the UK construction industry.

Research Aim: The aim of this study is to analyse the relevance of using 3D printing and CAD software by professional graphic designers. The research study will focus on the activities and use of these technologies in the UK construction industry.

To make a clear idea about the use of 3D printing and CAD software by graphic designers.
To shed light on the use of 3D printing technology and CAD software used by graphic designers in the UK construction industry.
To provide valid recommendations to the UK construction companies for helping graphic designers with the use of 3D printing and CAD software.

Graphic Design Dissertation Topics

Topic 1: graphic design and commercial distinctiveness.

Research aim: This dissertation topic can elaborate on how organizations and companies rely on graphics to be distinctive and different brands in the town. You can also emphasize how significant graphic design is to mould your business and increase more sales.

Topic 2: Role of graphic design in web design development

Research Aim: Graphic design plays a vital role in web development. In your dissertation, you can tell how graphic design appeals to the audience and how it can bring traffic to your website. As a graphic designer, you can also tell the history of web development and the role played by a graphic designer.

Topic 3: Visual Hierarchy in Consumers Preception

Research Aim: Visual Hierarchy is one of the most necessary principles behind attractive web design is the distinction between a website that strategically influences user flow that “looks nice.” You can add the importance of visual hierarchy in the design.

Topic 4: Psychology and its effects on Designing:

Research Aim: Psychology data helps build the look which can make users perform the actions they’re expected, like creating an acquisition or contacting the team. Designers may see psychological science as an advanced approach to enhance the look.

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Topic 5: Challenges in graphic designing

Research Aim: There are many challenges that graphic design faces in the industry. You can highlight topics such as Visual Branding and Project direction in your dissertation.

Topic 6: Photographic theory and graphic design.

Research Aim: In this dissertation topic, you can explain which tools are used by graphic designers and photographers. For what purpose tools are used, and what are the similarities in them.

Topic 7: Graphic design in Great Britain of 1978.

Research Aim: In this dissertation topic, you can discuss the evolution of graphic design during this period of Great Britain in 1978. Discuss how these movements increased the passion for graphic design and what its impact was on youth.

Topic 8: The evolution of graphic design in the 20th century.

Research Aim: In this research paper, you can elaborate on how graphic designing was introduced in the 20th century. How people took it, and how did graphic designing become popular.

Topic 9: Graphic design and corporate identity

Research Aim: You can discuss how graphic designing helped in the evolution of corporate identity. Discuss how brand logos helped increase companies sales by graphic designing, also add a part to empower people towards graphic designing.

Topic 10: Graphic design and mass communication

Research Aim: In this dissertation topic, you can tell how graphic design helps send messages to others by different means, i-e: images or videos. You can also discuss how graphic design works in marketing and how far it is successful.

Topic 11: Graphic design with a low budget

Research Aim: Discuss in your dissertation paper the possibilities to create a graphic product with a low budget. You can also name some companies or individuals who make graphic design on a low budget.

Topic 12: Influence of TV on Graphic Design

Research Aim: There was a need for visual language at the time of TV birth . Many individuals worked on this and set the standards that still influence what is shown on TV.

Topic 13: Computer graphic designers

Research Aim: This would be the best topic to discuss how computer graphic designers helped increase the scope of graphic designing. Does this profession still attract people? Does this profession still worth it?

Topic 14: Paul Rand and his graphic design

Research Aim: In this dissertation paper, you may write about this well-known graphic designer who created many memorable logos and made many contributions to graphic designing. You can also quote other designers too who can be an inspiration for others.

Topic 15: Trends in Graphic Designing

Research Aim: Graphic design has so much innovation from the last decade till now. In your dissertation topic, you can discuss some main trends like 3d design and typography, Art deco and Isometric design etc.

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Topic 16: Women and graphic designing

Research Aim: Women have fought for equal chances in every field, like leadership, economic platforms, and politics. You can elaborate on how women are more creative and how they are taking part in graphic designing and making marks.

Topic 17: Development of career path in graphic designing

Research Aim: In your dissertation paper, you can tell that the typical graphic designer career path starts with the junior designer, which leads to senior designers, art directors, motion artists, web developers, and many more careers. You can empower youth to opt for these professions.

Topic 18: Use Of Artificial Intelligence In Graphic Design

Research Aim: AI is one of the most demanding and latest niches in IT. You can elaborate on how AI to help designers to make designs faster, efficiently, and cheaply. Moreover, you can talk about how AI can also take over designing and neglect humanly efforts.

Topic 19: How Graphic Design Revolutionized Product Packaging

Research Aim: Appealing and fanaticizing product packaging can play an essential role in increasing your sales. You can tell how packaging can attract consumers to buy the product. For example, vibrant colours are used in cosmetic packaging

Topic 20: Website Design and Sales

Research Aim: Improving your website’s style will boost its credibility, which will cause multiplied sales for your company. You can add how an appealing website can make your sales double or more increased .

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How to find graphic design dissertation topics.

To find graphic design dissertation topics:

Research recent design trends.
Analyze design challenges or innovations.
Explore cultural or social aspects.
Review design history and theory.
Consider cross-disciplinary ideas.
Select a topic that resonates with your passion and career aspirations.

Graphic Design Dissertation Topics (28 Examples) For Research

Mark Jun 22, 2020 Jun 20, 2020 Graphic Design No Comments

A good graphic designer knows how to attract people by using appealing and innovative work ideas. When working on the thesis, it is important to choose an attractive dissertation topic. To help you out, we have prepared a list of graphic design dissertation topics, which are interesting and useful. The list of graphic design dissertation […]

The following list of graphic design research topics includes some of the most interesting topics to work on. You can select any research topic on graphic design for your project from this list and tweak it a bit to make it yours or you can let us help you in preparing a proposal and brief on the chosen dissertation topic in graphic design.

List of Graphic Design dissertation topics

Studying the evolution of graphic designing during different periods.

A cost-benefit analysis of investing for hiring an experienced graphic designer.

Analysing the main stages of development of the graphic design industry.

An analysis of the role of colours in graphic design: the best and worst choices.

A review of the approaches used by male and female graphic designers.

Exploring the relationship between signage and mobile map for indoor wayfinding.

To study the impact of visual information in service design.

An evaluation of designing career paths in graphic design.

Studying the graphic design theory research and application in advanced technology.

An analysis of the usage of artificial intelligence in today’s graphic design.

Studying the trends in layout design of feature articles in outdoor magazines.

To examine the graphic design as an instrument of identity assertation for indigenous people.

Evaluating the aesthetic values of the two-dimensional visual design structure.

A literature review of the basic graphic designs.

Studying the importance of artistic sensibility in graphic designing.

Analysing the role of brainstorming and mocking up design ideas.

An analysis of the projecting budgets and schedules in graphic designing.

Studying the importance of design education beyond boundaries in the 21st century.

A review of the new perspectives on visual communication design education.

An empirical study of applying narrative theory to graphic design courses.

An investigation of creativity in graphic designing education from psychological perspectives.

Studying the end-users challenge graphic designers intuition through visual-verbal co-design.

An analysis of the trends in graphic design over the past decade.

Exploring the factors that contributed to the evolution of digital art.

A literature review on the graphic novel.

Analysing the relationship between graphic design and pop-culture.

Identification of the qualities that a professional graphical designer must possess.

Exploring the distinctive features of web-design using secondary research.

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Graphic Design

Graphic design (mfa).

Program overview The graphic design program focuses on the development of a cohesive, investigative body of work, also known as the student’s thesis. At Yale, the graphic design thesis is conceived as a loose framework within which each student’s visual method is deployed across many diverse projects during the two-year course of study. While every thesis project is unique, there are several common features: a focus on methodology, the application of a visual method to studio work, and the organization of the work in a thoughtfully argued written document and “Thesis Book.”

The individual collection of graphic design work by each student is supported on several levels simultaneously: studio work led by faculty meeting weekly; small six-person thesis groups meeting biweekly; individual sessions with writing and editing tutors; and lectures, presentations, and workshops.

Facilities The School of Art provides digital lab facilities however all graphic design students are expected to have their own personal computer. Each student has a designated work space in the design studio loft and has access to equipment including bookbinding materials, wide format printers, a RISO duplicator, Vandercook press, and work spaces in the School of Art buildings. More resources supporting interdisciplinary projects including motion capture and VR is available at the nearby Center for Collaborative Arts and Media. In addition, students draw on the extraordinary resources of Yale University courses, conferences, films, lectures, and museums, and especially the extensive research and rare book collections of Sterling, Haas, and Beinecke libraries.

Two-year and preliminary-year programs Each year, up to ten students are admitted into the two-year graphic design program, and up to eight students are admitted into the preliminary-year program. Two-year program students typically have a BFA in Graphic Design and are expected to have substantial and distinguished professional experience. Students applying to the preliminary-year program typically have relevant experience in a field of study outside design and demonstrate evidence of strong visual acuity. After successful completion of the preliminary year, these students automatically continue on in the two-year M.F.A. program.

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Credit Requirements

Last edited by: Julian Bittiner

Typical Plan of Study

Preliminary-Year The preliminary year has a required studio course sequence and additional electives are not recommended.

Fall Art 710a, Preliminary Studio: 6 credits Art 264a2, Typography: 3 credits Art 370a, Designing with Time, Motion and Sound: 3 credits Art 468a, Advanced Graphic Design: Series and Systems: 3 credits

Total minimum credits for fall term: 15

Spring Art 711b, Preliminary Studio: 6 credits Art 265b, Expression, Structure, and Sequence: Typography: 3 credits Art 369b, Interactive Design and the Internet: 3 credits Art 469b, Advanced Graphic Design: History, Editing, and Interpretation: 3 credits

Total minimum credits for spring term: 15

First year There are 3 required courses in the first year of the two-year program, totaling 15 credits. The remaining 15 credit requirements for the year must be fulfilled through a combination of studio and/or academic electives.

Fall Required courses: Art 720a, 1st-year Graduate Studio: 6 credits Art 949a, Critical Practice: 3 credits

6 credits from design elective sequence:

Design electives offered: Art 743a, Letterform Design: 3 credits Art 744a, Moving Image Methods: 3 credits Art 750a, Programming as Writing: 3 credits

Spring Required courses: Art 720b, 1st-year Graduate Studio: 6 credits

3 academic credits and 6 credits from design elective sequence:

Design electives offered: Art 742b, Networks & Transactions: 3 credits Art 743b, Letterform Design: 3 credits Art 745b, Total Typography: 3 credits

Second year minimum credits There are 4 required courses in the second year of the two-year program, totaling 18 credits. The remaining 12 credit requirements for the year must be fulfilled through a combination of studio and/or academic electives.

Fall Required courses: Art 720a, 2nd-year Graduate Studio: 6 credits Art 739a, Degree presentation: 3 credits

6 credits of academic and/or from design elective sequence:

Design electives offered: Art 740a, Intermediality: Topography: 3 credits Art 752a, Mobile Computing: 3 credits

Spring Required courses: Art 730b, 2nd-year Graduate Studio: 6 credits Art 739b, Degree presentation: 3 credits

Design electives offered: Art 752b, Print to Screen: 1.5 credits Art 762b, Exhibition Design: 3 credits

Yale GD MFA Alumni 1998–2023

Staff & students

MPhil/PhD Design

Course information.

2-4 years full-time or 4-8 years part-time

Course overview

Goldsmiths’ Department of Design postgraduate research programmes offer you the opportunity to redefine design research in a community of design practice.

The MPhil/PhD programme in Design is aimed at practitioners and scholars of design, and those in related disciplines, who wish to develop a theoretically engaged, critically aware and empirically informed approach to design, design education, design research and design practice. The programme builds on and contributes to the Department’s internationally renowned approaches to inventive, experimental, and creative research where design’s relation to the social is placed centre stage.

Our programmes

Practice-based mphil/phd.

The practice-based programme explores new approaches to, or applications of, existing knowledge by means of design practice. For PhD, the research will create new knowledge by means of practice research. Your thesis will integrate an original body of practice and a written component providing critical analysis of your practice, critical assessment of relevant literature and practice and describe the method of research. Assessment is by thesis and viva voce.

MPhil includes a written component of between 20,000 and 30,000 words.
PhD includes a written component of between 30,000 and 60,000 words.

Thesis-based MPhil/PhD

provides a written account of your research and contribution to knowledge on a subject related to design. The MPhil thesis will form provide a distinct contribute to the knowledge of a subject related to design and the PhD thesis will provide an original contribution to knowledge on a subject related to design. Both include a critical assessment of relevant literature and describe the method of research. Assessment is by thesis and viva voce.

Word count:

MPhil has a written thesis of between 30,000 and 60,000 words.
PhD has a written thesis of between 60,000 and 100,000 words.

Recent PhD completions include:

Empirical Speculation and Prototyping Futures in the Refugee Crisis.
The Housing Database Made Visible: Regenerative politics, participation and design.
Re-scripting Organisations: Inventing the designer-in-residence.
Curating Issues of Concern: Mediating critically engaged design.
Making Algorithms Public: Rendering visible the operations and politics of algorithmic systems.
Space for Boundary – Space as Place: An investigation into the design of architectural boundaries in residential mass housing, in the context of urban sustainability.
Re-doing Patient Experience Through Design-led Research: Considering the multiplicity and ontological politics of multiple sclerosis.
Designing the Future? How can speculation play a role in improving foresight for science and technology policymaking?
Making Home: Agency, precarity and the internet of things.
Designing for Ambivalence: A designer’s exploration of the competing discourses offered by smartphones to mothers and their young children.
Controlled Prototyping Environments: Reconceptualising location through participatory and embodied design practice.
What's Happening? Explorations in the strategising and unfolding of free-form design events.

Find out more about research degrees at Goldsmiths .

Funding Opportunities

Students on this programme will be eligible to apply for funding, including:

CHASE funding . Please see the Fees & Funding section below for more details.
SeNSS . Find out more about SeNSS Studentships and how to apply.

Browse our Scholarships Finder to learn about funding opportunities.

Contact the department

If you have specific questions about the degree, contact Professor Alex Wilkie (programme convenor) .

Entry requirements

You should normally have (or expect to be awarded) a good 2:1 or 1st class honours degree, and a taught Masters in a relevant subject area.

You might also be considered for some programmes if you aren’t a graduate or your degree is in an unrelated field, but have relevant experience and can show that you have the ability to work at postgraduate level.

International qualifications

We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.

If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification ) of 7.0 with a 7.0 in writing and no element lower than 6.5 to study this programme. If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study .

Fees, funding & scholarships

Annual tuition fees.

These are the fees for students starting their programme in the 2024/2025 academic year.

Home - full-time: £TBC
Home - part-time: £TBC
International - full-time: £TBC

If your fees are not listed here, please check our postgraduate fees guidance or contact the Fees Office , who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time under a student visa. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment .

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page .

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments.

Funding opportunities

Find out more about postgraduate fees and explore funding opportunities . If you're applying for funding, you may be subject to an application deadline.

CHASE (Consortium for the Humanities and the Arts Southeast England) funding

Goldsmiths is one of nine leading research institutions that are part of CHASE, the Consortium for the Humanities and the Arts Southeast England.

CHASE funds more than 56 studentships per year. These studentships cover:

Tuition fees each year (this is currently £4,327 per year for full-time study)
A maintenance grant each year (this is currently £17,009 per year for full-time study; including London weighting)
Funding for research training

For more information about applying for AHRC studentships, please see the Consortium for the Humanities and the Arts South-East England AHRC funded Doctoral Training Partnership (CHASE) website, and be sure to check guidelines for prospective students.

How to apply

You apply directly to Goldsmiths using our online application system.

Before submitting your application you'll need to have:

Details of your education history , including the dates of all exams/assessments
The email address of your referee who we can request a reference from, or alternatively an electronic copy of your academic reference
Contact details of a second referee
A personal statement – t his can either be uploaded as a Word Document or PDF, or completed online

Please see our guidance on writing a postgraduate statement

If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)
A visual portfolio if relevant (see below for details)
Details of your research proposal

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

Before you apply for a research programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.

Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body.

If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.

Visual portfolio

For the purpose of the initial application it is recommended that you prepare a portfolio of material documenting your previous work. We typically ask for a ten-page annotated portfolio in the form of a PDF file which you can upload when you apply.

Research proposals

The proposal should be between 1,500 and 3,000 words in length (not including references). The key consideration in drafting the proposal should be clarity.

Your research proposal should be organised using the following headings:

Title: be concise and explicit;
Introduction: introduce the questions and issues central to your research / identify the field of study in broad terms / indicate how you expect your research to contribute to the field;
Research background and questions: expand on your introduction – look at key sources, texts and approaches in the field / consider how your proposal differs from and contributes to existing work / consider how it extends our understanding of particular questions or topics / also briefly indicate how your previous studies, professional and/or other experience contributes to your understanding of the field and your preparedness for undertaking research training;
Research design: outline the methodology you will employ / consider resources and facilities needed / forms of analysis;
Schedule of work: how you plan to complete the project within the period of the award – this could include a timetable for researching and writing;
References: a list of works cited in your proposal, such as: books, journal articles, web sites and prior art and design.

For more detailed information, contact the Design department by email: [email protected]

The level of detail required under each heading will depend on the specific project. The key requirement is that the proposal communicates a clear programme of enquiry and investigation. It should demonstrate that you are capable of framing your own agenda for research and that you have a sense of the larger field to which you wish to make a creative and critical contribution.

Supervisors

An initial suggestion of who you think might be an appropriate supervisor for your research is useful both for directing your application to appropriate members of staff and in determining a good match between your research and the Department. Please see the description of Design staff research interests for details.

When to apply

You can make an application to study for an MPhil or PhD with us at any time of the year, for the academic starting the following October.

We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place conditional on you achieving a particular qualification. If applying for a Design Star studentship, please note applications typically close in February.

If you're applying for external funding from one of the Research Councils, make sure you submit your application by the deadline they've specified.

Selection process

Admission to many programmes is by interview, unless you live outside the UK. Occasionally we'll make candidates an offer of a place on the basis of their application and qualifications alone.

Find out more about applying .

Learning & teaching

Postgraduate seminar series.

Design Matters is the Department of Design 's postgraduate research seminar series that both compliments the Goldsmiths-wide research training programme and delivers design-specific support to postgraduate design students.

The seminars take place on a regular basis over the academic year and are designed to support the requirements of students studying for written and practice-based doctorates. As such, the seminar series includes a rich and relevant mix of sessions including the practical demands that student’s face, such as the craft of writing, presentation skills and examination expectations and procedures, as well as scholarly issues, such as the strategies for undertaking a literature review, the methodological assumptions and the theoretical challenges of design research.

The seminar series also includes invited speakers, ranging from recently minted doctors to eminent design scholars who are asked to reflect on their academic biographies and provide guidance and insights on careers with a doctorate in design.

Design Matters seminars have, in the past, been complimented by The Design and Social Seminar Series, namely the Data Practices seminars. Here, students were given the opportunity to engage with scholars and practitioners involved in various data related interests, from citizen science projects to new forms of coding.

Similar programmes

MA Design: Expanded Practice

This course is a radical post-disciplinary programme for practitioners who want to push the boundaries of what design can be and do. During this MA we work with you to transform your practice as a critical and social undertaking.

MA Designing Education

The MA in Designing Education is a unique programme that enables students to explore the relationship between designing and education, through radical pedagogies, design thinking methods, creative processes, and practical applications of design.

International

Accommodation.

Everything you need to know about student housing, private accommodation, how to apply and more

Open days, tours and country visits

FLEET LIBRARY | Research Guides

Rhode island school of design, index to graphic design graduate theses: subject.

Thesis Year / Student Name
Across Departments
By Department

Browse by Subject

Adult learning

Advertising

Aesthetics (Philosophy)

African Americans - race identity

African Americans - representation

AIDS (Disease) - prevention

Application software

Appropriation (Art)

Architecture

Art - reproduction

Art and race

Art and science

Art and society

Arts and society

Art - exhibition techniques

Artistic collaboration

Artists' books

Auditory perception

Augmented reality

Autobiographical memory

Black lives matter movement

Book design

Botswana - social life and customs

Boundaries (Philosophy)

Calligraphy, Arabic

Children's plays

Chinese calligraphy

City planning

Classification

Colonies - Africa

Color in design

Communication and culture

Communication in...

Communication in design

Computer algorithms

Computer graphics

Computer programming

Computer software

Concept mapping

Concrete poetry

Contrast (Philosophy)

Context (Linguistics)

Corporate image - design

Cosmography

Creation (Literary, artistic, etc.)

Creative process

Critical thinking

Cuban American artists

Decolonization

Deconstruction

Decoration and ornament

Design - education

Design - history

Design - methodology

Design - philosophy

Design - psychological aspects

Design - social aspects

Design - study and teaching

Design and technology

Desktop publishing

Dialectic in art

Digital media

Discourse analysis

Documentation

Environmental ethics

Ethnographic films

Exhibitions - design

Fashion merchandising

Feminist theory

Filipinos - social life and customs

Fishing in art

Form (Aesthetics)

Gender identity

Gestault psychology

Gifts (Philosophy)

Global positioning system

Globalization

Graphic arts - design

Graphic arts - history

Graphic arts - philosophy

Graphic arts - political aspects

Graphic arts - psychological aspects

Graphic arts - research

Graphic arts - social aspects

Graphic arts - study and teaching

Graphic arts - technique

Graphic design (Typography)

Graphical user interfaces

Grids (Typographic design)

Group identity

Handmade paper

Haunted houses

Hispanic Americans

Human body (Philosophy)

Human-computer interaction

Human information processing

Image (Philosophy)

Image processing

Imaginary places in mass media

Implication (Logic)

Indigenous peoples

Information behavior

Information commons

Information resources

Information technology

Information visualization

Inspiration

Installations (Art)

Interactive multimedia

Interpersonal relations

Irrationalism (Philosophy)

Jesus Christ

John Street (Providence, RI)

Knowledge management

Language and culture

Language and languages

Layout (Printing)

Linguistics

Literary form

Logos (Philosophy)

Logos (Symbols)

Mackintosh, Charles Rennie

Mass media and language

Mathematics in art

Meaning (Psychology)

Measurement

Museum techniques

Music and language

Narration (Rhetoric)

Nature (Aesthetics)

Nature - effect of human beings on

Olympics - posters

Oral interpretation of fiction

Performance - philosophy

Performance art

Photograph albums

Photography

Photomontage

Place (Philosophy)

Play (Philosophy)

Popular culture

Postmodernism

Power (Philosophy)

Printing - layout

Printing - Turkey

Product counterfeiting

Public spaces

Puerto Ricans - ethnic identity

Reality television programs

(The) Red Shoes

Repetition (Aesthetics)

Representation (Philosophy)

Rimbaud, Arthur

Self (Philosophy)

Senses and sensation

Shared virtual environments

Signs and signboards

Signs and symbols

Smartphones

Social integration

Social interaction

Social marginality

Social media

Sociolinguistics

Space perception

Spirituality

Storytelling

Surveillance detection

Sustainable design

Synesthesia

System design

Technology - aesthetics

Technology - moral and ethical aspects

Technology and civilization

Teletext systems

Time and art

Time management

Time measurements

Toy and movable books

Transnationalism

Type and type-founding

United Arab Emirates

Universal design

Urban ecology

User interfaces

Video rental services

Videotex systems

Virtual reality

Visual communication

Visual literacy

Visual perception

Visual sociology

Visualization

Web sites - design

Web typography

White Mountains (NH and ME)

Wit and humor

Women in technology

Work in art

Work - philosophy

Written communication

Next: Thesis Year / Student Name >>
Last Updated: Mar 1, 2024 10:35 AM
URL: https://risd.libguides.com/graphtheses

School of Art and Art History

Graduate program in graphic design.

The graduate graphic design program focuses on development of individualized, advanced design thinking and design education processes.

The MA artist statement and MFA thesis in graphic design allow innovative exploration of topics relevant to the delicate balance of theory and practice.

In the graduate workshop, students explore a range of contemporary topics including social engagement and advocacy, sustainability, communication methods and models, user experience, and emerging modes of visual literacy. This course, along with a shared graduate graphic design studio space, invites free exchange of ideas among peers.

Through teaching and research assistantships, graduate students in this program are provided valuable experiences in the processes specific to contemporary graphic design education. As a result of these unique teaching and assistantship opportunities, past graduates of the graphic design MFA program now hold teaching positions at national and international colleges and universities.

Graphic design faculty

3d design faculty.

Bradley Dicharry

Serina Sulentic

Jeremy Swanston

DigitalCommons@RISD

Home > Graphic Design > Graphic Design Masters Theses

Graphic Design Masters Theses

RISD’s graduate program in Graphic Design prepares students for professional practice by emphasizing the roles of social context, media and aesthetics in the production of visible language systems. As a reflection of the discipline itself, the program encourages a nimble and intelligent response to constant change and burgeoning technology, while building a strong foundation of formal, aesthetic and analytical knowledge.

Individual thesis investigation is central to the final year of MFA study and culminates in the comprehensive presentation of work representing an original voice for visual and verbal expression of design thinking. The thesis should be equal parts exploration, explanation, provocation and contribution. Guest critics participate throughout the year and in the year-end thesis review, which offers a forum for critical dialogue focused on each student’s contribution to the field of graphic design. All MFA candidates also submit a written thesis and as a group participate in the RISD Graduate Thesis Exhibition , a large-scale public show held annually.

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License .

Theses from 2023 2023

Making Then Meaning , Ben Denzer

Form Follows Feeling Follows Form , Harshal Duddalwar

Making time: Gentle invitations for radical slowness , Lian Fumerton-Liu

Superbland , Dougal Henken

Crossover Logics , Serena Ho

Connective Movements , Ian Keliher

Invisible Systems , Mina Kim

Press Play , Karan Kumar

Searching for New Landscapes , Halim Lee

Moving at the Speed of Trust , Sun Ho Lee

Access in Ambiguity , Moritz Lónyay

Infinitely Incredible Configurations , Jenni Oughton

Virtual Fantasy , Joey Petrillo

Surfacing: a (loose) manual on unlayering / stuff-making and hypervisibility , Zoë Pulley

OtherWorldly Gestures , Sadia Quddus

Input / Output , Zach Scheinfeld

Particular Proceedings , Ingrid Schmaedecke

Writ In Water , Jack Tufts

Theses from 2022 2022

Ports of entry , Forough Abadian

Capture, control, circulate : can we queer regulatory power in Graphic Design? , Adie Fein

Alien Encyclopedia , Zengqi Guo

Re-order the order of thing , Yingxi Sabrina Ji

Openness , Qiwen Ju

! , Nick Larson

Oral History Interview with Preston McClanahan, November 8, 2022 , Preston McClanahan, Holly Gaboriault, and RISD Archives

Connect: translating complexity through visual simplification , Ilhee Park

Other realms , Louis Rakovich

Slow ruptures; slow formations , Asta Thrastardottir

Theses from 2021 2021

Open articulations , Matthew Bejtlich

Paperwork , Romik Bose Mitra

Community, harana & karaoke: towards a theatrical design , Ryan Diaz

Personal positioning system , Laura Diez de Baldeon

Parentheses asterisk ellipses , Everett Epstein

Refiguring relations , Daphne Hsu

CTRL SHIFT , Kit Son Lee

Jettisoning the frame: strategies for designing at the threshold , Will Mianecki

Future as medium , Georgie Nolan

Elsewhere: impressions of sense & nonsense , Madeline Woods

The relativity of value , Lai Xu

Theses from 2020 2020

My millennial Asian fetishized American fantasy , Seyong Ahn

Temporal collisions , Lizzie Baur

Strata : lessons in latency , Mukul Chakravarthi

Re: Ornament , Aleks Dawson

A very large array , Hilary duPont

Oh wait, is this a loop? , Carl-Gustaf Ewerbring

Counter formation , Fabian Fohrer

Binge [Fantasy reality] , Elena Foraker

How to do things with things , Emily Guez

Skew-morphic dream , Yoonsu Kim

Ancient hyper present , Sophie Loloi

EthnoGraphemes , Vaishnavi Mahendran

U+16E99 , Bobby Joe Smith III

Something to see here , Weixi Zeng

Theses from 2019 2019

Record : from signal to atmosphere, and the spaces between silence and noise , Amy Auman

Plenty : wanting, choosing,, overwhelming unloading , Christopher Cote

Among : a series of enactments , Joel F. Kern

Let's meet over there / Eury Kim. , Eury Kim

Lateral movements : in multifaceted time and space , Jieun Kim

Making common , Elaine Lopez

Standards, rules, setting , Robert McConnell

Abjad orientations , Mohammed Nassem

Softweave , Annaka Olsen

Groundwork , Marcus Peabody

Body of work , Oliva de Salve Villedieu

Cosmosis , Angela Torchio

Re-creation : a package design for daily life , Wei-Hao Wang

Interface philosophy , June Yoon

Theses from 2018 2018

This is public work , Nick Adam

Haunt : casual surrealism , Cara Buzzell

Placefulness , Ellen Christensen

Anachropomorphism! , Carson Evans

Lingua Franca , Tatiana Gomez Gaggero

Field guide : collected studies of a symbiont , Jennifer Livermore

Tiny Diasporas , Angela Lorenzo

Reading rooms , Jinhwa Oh

Space, Junk , Brandon Olsen

Hyperlink : connecting space, time, language, and technology , Marie Otsuka

Constellations , Maria Rull Bescós

Squishy Play , Lauren Traugott-Campbell

Monument for feeling : Notes from the Archivist , Melissa Weiss

Theses from 2017 2017

Otra vez : hierarchy as designer , Jordyn Alvidrez

Double takes : secular magic & empathic vision , Lake Buckley

Playgrounds , Cem Eskinazi

Content-aware : investigating tools, character & user behavior , Llewellyn Hensley

Space as a practiced place , Elizabeth Leeper

Frame-work , Drew Litowitz

Scripting allographs , June Shin

Our measured world : a poetic translation , Minryung Son

Identity production , Boyang Xia

Design syncopations , Mary Yang

Theses from 2016 2016

Hyphen nation: a reconciliation , Lynn Amhaz

Rapid response , James Chae

Continuum of significance , Diane Lee

Live edges: all possible adjacencies , Rebecca Leffell Koren

Practice makes practice , Gabriel Melcher

Dimensional flatland: Beamer, drone, flash drive , Scarlett Xin Meng

Traversing languagescapes , Desmond Pang

Theses from 2015 2015

Multiple influences: from witnessing language to performing it , Viviane Jalil

Speculative politics -fictionalized spectacle , Prin Limphongpand

Theses from 2014 2014

Speculative archives : an index , Sameer Farooq

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Shaping the Digital Dissertation

Section ii. shaping the digital dissertation in action.

12. The Digital Thesis as a Website: SoftPhD.com, from Graphic Design to Online Tools

Texte intégral.

1 Emeline Brulé and Anthony Masure, ‘Le design de la recherche: normes et déplacements du doctorat en (...)

1 In France, the official deposit of a PhD thesis is the PDF/A file. However, the submission of an A4 manuscript remains required. 1 The purpose of these requirements is to guarantee the evaluation and archiving of PhD theses. However, these standards pose several problems.

2 Jacques Derrida, De la grammatologie (Paris: Minuit, 1967).

3 Anthony Masure, ‘À défaut d’esthétique: plaidoyer pour un design graphique des publications de rech (...)

2 In the field of art or design, the burden of these ‘presentation standards’ can become counterproductive. Requirements to use Times font body 12, double-spaced, etc., suggest that the PhD in art and design would mainly be ‘about’ practices (outside the PhD thesis). This opposition between content (idea) and form (depreciated matter) has been criticized since the end of the 1960s by the French philosopher Jacques Derrida. 2 One can thus wonder how the same format can serve radically different purposes, as if the composition, the font, the choice of paper, the arrangement of the blocks, etc., did not necessarily cut a so-called ‘external meaning’. 3

4 Virginia Kuhn, ‘Embrace and Ambivalence’, Academe , 99.1 (2013), 8–13, https://eric.ed.gov/?id=EJ100 (...)

5 Lev Manovich, The Language of New Media (Cambridge, MA: MIT Press, 2001).

3 On another level, this gap between academic traditions and contemporary reading and writing practices runs the risk of research avoiding contemporary issues. 4 More and more research is focusing on ‘natively’ digital materials: videos, websites, interactive installations, video games, data sets, etc. The A4 and PDF formats are not adapted to these subjects, other than through ‘fixed’ screenshots, to embody the instability and dynamics of ‘new media objects’. 5

4 In terms of access to knowledge, printed versions of PhD theses can only be consulted in French university libraries. One might think that online PDFs could answer this access problem. PDF (Portable Document Format) is a page description language designed by Adobe in 1992 to preserve the formatting of a document regardless of the program used to read it: it is therefore more an ‘intermediate’ printable file than a document suitable for reading on screen. PDF, for example, is not responsive (resizing blocks on a phone, etc.). In addition, PDF is poorly indexed by search engines and does not easily allow links to specific sections.

5 In the United States, theses are mainly accessed via ProQuest Dissertation & Theses Global (PQDT Global), a paid indexing service. Designated as an official offsite repository for the USLibrary of Congress, PQDT Global emphasizes access to the ‘full text’ (extracted from PDF’s files). This is another way of inducing a certain type of format and excluding divergent experiments.

6 One can therefore wonder about the persistence of A4 and PDF formats at a time when knowledge is mainly carried out on the Web and with half of the views coming from mobile phones. It seems clear that understanding digital culture and web languages would be positive contributions to a PhD. While HTML was originally created in 1993 to describe and share scientific documents, why do so few (French-language) PhD theses deal with the possibilities of the Web? What could provide a rethinking of the modes of writing and knowledge transmission?

7 To answer these questions, this article will rely mainly on a specific example. Indeed, it was during the writing of a PhD thesis in aesthetics (design) under the supervision of philosopher Pierre-Damien Huyghe at the University of Paris 1 Panthéon-Sorbonne (2008–14) that I was confronted with these issues. Entitled ‘Program Design, Ways of Doing Digital’, this PhD thesis examines the notion of ‘program’ (software). The main corpus is a set of philosophical texts, historical events and design projects. The matter of situating design within my thesis arose quite quickly. I decided, in agreement with my PhD supervisor, to carry out a demonstrative design work on the thesis. To achieve this, I designed various complementary editorial productions: a graphically designed printed version, an interactive PDF file and a dedicated website ( www.softPhD.com ). The arguments developed in the PhD thesis are thus replayed by these demonstrative objects.

8 This article proposes, as a first step, to analyze this work in order to show its goals and extensions. We will see secondly how a few French PhD theses (recently defended or about to be) integrate Web media. Finally, we will ask ourselves more broadly about the role of digital technologies in research practices.

Graphic design, thinking by shaping

9 In France, the printed version of a PhD thesis is required in most defense committees. This medium is for many people the easiest to read. I had to think about its visual form before considering making another digital version. Entirely written in the proprietary Adobe InDesign software (images are not directly embedded in the file, which reduces its weight), the graphic form of the printed version of my PhD thesis echoes the argumentation. My PhD thesis is thus composed of nine parts, alternating historical and conceptual ‘elements’. The different parts of the PhD thesis can be read independently and in any order. The fact that design is not—in my opinion—a ‘discipline’ allows me to use creativity in writing methods.

10 The main text is accompanied by thumbnails placed in the margins. These pictures are numbered continuously so that the reader can find them in a larger format at the end of each chapter. Iconography does not have an illustrative role: pictures are sometimes ‘indirect’ links to the text. It is why they are grouped in autonomous picture boards at the end of each chapter. These blue background picture boards can thus be read separately. They offer another point of view on the concepts. A reminder of the pagination in square brackets allows readers to link the picture books with the current text. The black and blue bichromy unifies the whole PhD thesis. On the level of type, the texts are composed in Mr Eaves Sans—a sans-serif typeface designed by Zuzana Licko in 2010 for the Emigre type foundry—chosen for its legibility and for its humanist forms. The long quotations, indented on the left, are composed in Mrs Eaves XL, a companion serif typeface. As you can see in Figure 1, the alternation between the sans-serif and the serif produces a visual rhythm that allows readers to navigate the text.

Fig. 1 Masure, ‘Program Design’, 2014, double page with thumbnails. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

Fig. 2 Masure, ‘Program Design’, 2014, picture boards. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

Fig. 3 Masure, ‘Program Design’, 2014, alternation between current text and picture books. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

6 Adeline Goyet, acommeadeline , http://www.acommeadeline.fr

11 The layout was finalized by graphic designer Adeline Goyet. 6 It has been designed to provide the reader with a comfortable reading environment (the manuscript contains one million characters). More importantly, the aim was to allow graphic design choices to make sense in regard with the PhD concepts and methodology. The blue background, for example, changes the edge of the PhD thesis into an iconic appearance. The edge points out that the chapters of the thesis are clearly designed as independent. The cross-referencing picture system evokes hypertextual navigation. The table of contents highlights the come and go between historical and conceptual elements, as well as the presence of two appendices (a fiction and a translation). The fiction replays the concepts contended in the thesis in the form of an exhibition project. This ‘curatorial fiction’ presents a selection of works and projects that connect concepts to tangible initiatives. This method of writing infuses my current research practices.

Fig. 4 Masure, ‘Program Design’, 2014, edge of the printed thesis. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

12 This non-spectacular layout presents a negotiation with the current standards, some of which could not be redefined: A4 format, number of characters per page, bibliographical notations, white background of the cover, etc. Since design always has to work under constraints, these cannot forbid any attempt at innovation—the most limiting constraints are internalized by researchers in a kind of self-censorship. The current context of academic research in Design, still new in France, allows for a softness that will probably be more complicated if things become fixed and stabilized: here, it is essential to maintain a form of flexibility.

SoftPhD.com, Thesis as a Website

7 Anthony Masure, ‘Les versions numériques des thèses de doctorat’ (November 9, 2017), Anthony Masure (...)

13 The starting point of my PhD thesis questioned conventional forms of reading and multimedia publishing. Thus, it became obvious that I should produce an online version that was as accessible as possible. If I had only produced a printed version, the format would have been in contradiction with my subject matter. The idea of producing a website hosting the full content of the thesis was born of my initiative, after discussion with my thesis supervisor Pierre-Damien Huyghe. 7 We both thought that this idea about media was important, and that it could be generalizable outside of arts and humanities.

8 OpenEdition , http://books.openedition.org

9 Cairn , https://www.cairn-int.info/

14 As I inquired about what existed in France, I quickly realized that cases were scarce, except for digital extensions of PhD theses (videos, interactive interfaces, etc.) playing as ‘supplements’ to the main text. In 2014, as far as I know, one of the only PhD theses defended in France to have been fully put online (not in PDF) was that of the philosopher Alexandre Monnin. Its Philoweb.org website (2013) has since been deactivated by its author for technical reasons related to the complexities of updates of WordPress and its CommentPress plugin. More generally, if online publication platforms like OpenEdition 8 or Cairn 9 (dedicated to books and articles and not to PhD theses) attend to readability, still their interfaces are difficult to modify. Similarly, self-hosting content management systems (CMS) such as WordPress or Lodel produce ‘bloated’ source code. They favor the use of predetermined templates, without any real creative work.

15 The unfortunate example of the technical problems at Philoweb.org overlaps with one of the arguments in my PhD thesis. Contemporary digital environments are mainly characterized by the industry of coding. This leads to a stack of unintelligible programs. It is therefore necessary to use, when possible, source code that we can master and understand. For these reasons, I chose to design my PhD thesis website without using a CMS. I wanted to establish a relationship between the technical structure and what I contend in the PhD thesis about the readability of the code. In the spirit of openness, all texts were placed under Creative Commons BY-NC-SA license.

16 This programming work (PHP/CSS/JS) began in July 2014, just after the PDF and printed versions were submitted. I started by ‘cleaning’ the source code generated from an HTML export from Adobe InDesign. The most laborious aspect was to check all the contents, accents, references, etc. I then built a simple and coherent reading interface with the printed version (same colors, font, etc.), which works at different screen resolutions, including mobile interfaces. A settings menu allows you to adjust the font size and to switch the whole site to a black background. This control of the look and feel is very helpful for persons with visual impairments. Each subsection has its own URL, and can therefore be cited and indexed separately. A section of the website gathers some references collected after the PhD thesis. The jury was able to consult the online version before the defense (November 2014, four months after the submission of the print version), and highlighted its presence as an important element of the research. This website is, in my opinion, the ‘true’ version of the PhD thesis.

Transfer of Knowledge

17 This work is not intended to be replicated as it is: each researcher must define what s/he is willing and able to do. For my part, I wanted to renew the PhD thesis reading experience. If we want to move standards that we consider obsolete, then we must try to open other paths. It is a matter of balance: if the design is too experimental, it could fail at legitimizing the method. For this reason, I wrote a foreword that included notes on the format for readers who do not necessarily grasp the stakes of graphic design.

Fig. 5 Masure, website http://www.softPhD.com , 2014, interface variations. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

Fig. 6 Masure, website http://www.softPhD.com , 2014, additional resources page. Picture by Anthony Masure, http://www.softphd.com , CC BY-NC-SA.

18 The visual form has a very important didactic and is relevant for a teaching role, since it allows us to question how we address each other, how we show ourselves and what we show. The visual homogenization of most PhD theses makes them difficult to read for a broader public, which is in turn counter-productive if we wish to share knowledge. With a website, the presence of pictures and a little interactivity, access becomes easier and accessible to a wider audience. From the beginning, my ambition was to address interface designers and computer developers, an audience not used to reading academic texts. With a dedicated website, I could more easily make my PhD thesis appear in search engines.

10 Anthony Masure, Design et humanités numériques (Paris: B42, 2017).

19 In retrospect, this strategy has worked fairly well. The site is consulted approximately twenty times a day and the PDF has been downloaded more than 2000 times since it went online in 2014. This website allows me to easily find fragments, references, etc., for my own work or to send them to someone as a link. Contrary to what one might think, the fact that the PhD thesis is fully available online has not kept publishers from showing interest in my work. Indeed, making theses fully available online can be a distinct advantage, precisely because the feedback we get from readers can enrich the conversation. In this way, I subsequently published the essay Design et humanités numériques , 10 part of which is taken from the PhD thesis.

Future of Online Publishing

20 This work was defended in November 2014. With almost four years of hindsight, beyond the improvement of the consultation interface, a number of improvements seem relevant:

To further complete the contents of the PhD thesis. In addition to supplementary content (videos, etc.), one could imagine an English translation, which could be achieved in a collaborative way.

11 Julien Taquet, ‘Behind Paged.js’ (July 22, 2018), PagedMedia.org , https://www.pagedmedia.org/pagedj (...)

Overcome the opposition between printed format (InDesign) and Web (code editor), which means doing the job twice. This would involve designing a ‘web to print’ publishing workflow. Web technologies, via CSS Print style sheets, make it possible to define printable layouts. These are now sufficiently strong to be able to compete with traditional layout software. We can think here of free software like Paged.js. 11 This kind of publication workflow would also make it easier to consider other reading formats such as ePub.

12 Antoine Fauchié, ‘Un mémoire en dépôt’ (April 3, 2018), Quaternum.net , https://www.quaternum.net/20 (...)

13 Distill , https://distill.pub

Implement ‘versioning’ via platforms like GitHub/GitLab. The PhD thesis would be written in a technical environment using Git protocol in order to keep track of the different versions of the text. This method, which comes from software development, is still little used in the context of research content. We can consider here Antoine Fauchié’s MA thesis, 12 or Distill journal, 13 which use this approach. This method would also have the advantage of allowing the reader to download the sources in .txt/markdown format. The content can thus be easily republished, modified, etc.

Use the semantic Web and standardize reference notation. This would involve using protocols such as BibTeX, authority databases, etc., so that the contents of the PhD thesis can interact with other datasets.

Other Online PhD Theses Defended in France

21 Since my defense in 2014, some other cases of online PhD theses have appeared, which are important to mention:

14 Saul Pandelakis, ‘L’héroïsme contrarié: formes du corps héroïque masculin dans le cinéma américain (...)

22 • Saul Pandelakis’ film thesis, ‘The Hero Who Came Undone: Representation of the Heroic Male Body in American Cinema 1978–2006’, defended in 2013, was subsequently put online on the GitBook service, 14 itself based on the GitHub platform. GitBook uses Git protocol to manage different versions of the same document, to facilitate proofreading, etc. Making his PhD thesis available in a browser allows Pandelakis’s thesis to be read more easily in fragments (the summary being displayed on the left), at any screen resolution.

Fig. 7 Pandelakis, ‘The Hero Who Came Undone’, PhD thesis, online version, 2016. Picture by Saul Pandelakis, https://piapandelakis.gitbooks.io/l-heroisme-contrarie/content

15 Nolwenn Maudet, ‘Designing Design Tools’ (PhD dissertation, University Paris-Saclay, 2017), https:/ (...)

16 Open Source Publishing, ‘HTML2Print’ (2014), http://osp.kitchen/tools/html2print

23 • Nolwenn Maudet’s PhD thesis on the human-machine interface was put online shortly after its defense. 15 Her PhD thesis was written entirely in HTML in a code editor (Sublime Text). It was then transformed into printable PDF via the HTML2Print tool developed by the designers of the Belgian Open Source Publishing collective. 16 The online version offers a carefully edited interface, visible in both the work on the navigation menu, type (Spectral, Production Type foundry) and the management of pictures, references, or hypertext links. The texts are released under CC BY-NC-SA license.

Fig. 8 Maudet, ‘Designing Design Tools’, 2017, design process. Picture by Nolwenn Maudet, https://designing-design-tools.nolwennmaudet.com/, CC BY-NC-SA.

Fig. 9 Maudet, ‘Designing Design Tools’, 2017, design process. Picture by Nolwenn Maudet, https://designing-design-tools.nolwennmaudet.com/, CC BY-NC-SA.

24 • The only other example to date is currently being created by Robin de Mourat, a doctoral student in design. His PhD thesis on academic publication formats (2013–), is currently being prepared at University of Rennes 2 under the supervision of Nicolas Thély (professor in digital art, aesthetics and humanities). Robin de Mourat has developed a writing tool, Peritext, that allows scientific resources to be arranged in a modular and semantic way. His PhD thesis will thus be put online using Peritext.

Fig. 10 Robin de Mourat, ‘Peritext Program’, 2017. Picture by Robin de Mourat, https://peritext.github.io/ , CC BY-SA.n

17 HASTAC, ‘Workshop: What is a Dissertation? New Models, Methods and Media’, HASTAC , http://bit.ly/re (...)

25 These three examples collectively incorporate many of the improvements I suggested. They show that online PhD theses are far from being constructed using fixed approaches. They take many forms depending on the subject and technological advances. 17 It is striking to note that the rare examples of online PhD theses defended in France are the initiative of people claiming to belong to the fields of art and design. We hope that these initiatives will be able to find extensions in other academic disciplines so that the knowledge produced during PhD theses can reach a wider audience. The Web shows that there is a difference between what is published (and which can remain confidential) and what is public (which can be easily read, shared, etc.).

Towards New Frontiers for the PhD

18 Marcello Vitali-Rosati, ‘Les chercheurs en SHS savent-ils écrire?’ (March 11, 2018), The Conversati (...)
19 Marcello Vitali-Rosati, ‘Stylo: un éditeur de texte pour les sciences humaines et sociales’ (June 3 (...)

26 Beyond the transmission and valorization of knowledge, online PhD theses raise the question of PhD theses frontiers and research methodologies. Digital technologies introduce new paradigms that modify the very notion of writing. This begs the question as to why most researchers keep on using Word, 18 even though this proprietary word processing software is not adapted to scientific requirements and contemporary digital culture. With his team, literature researcher Marcello Vitali-Rosati developed the free software Stylo. 19 Stylo is a markdown semantic text editor adapted to the humanities and social sciences to generate both printed and online documents. This kind of approach makes it possible to rethink the place of writing in intellectual activity: the ‘tools’ of writing are never neutral and strongly engage what is produced.

27 Online PhD theses also question the boundaries of the PhD. While in France the debates on research-creation are multiplying, they will also have to be helped by reflections on the future of the PhD. The text should remain the central element of knowledge building. But how can the PhD theses also integrate, in addition to pictures, other modes of expression that are not considered simple ‘annexes’? How to evaluate PhD theses that modify norms and habits? The evaluation of such practices will undoubtedly require the development of new criteria for assessment and legitimization. While waiting for the latter, doctoral students engaging in this type of approach will therefore have to equip themselves with teaching skills and didactics to make the value of their work understood.

20 Tim Berners-Lee, Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web (N (...)

28 The projects analyzed in this chapter show that taking digital culture and web languages into account can help to renew PhD theses. The editorial process of constructing a PhD thesis would therefore benefit from anticipating knowledge transfer. We would then join the initial ambition of the Web, namely a library of scientific documents thought of as a social movement rather than as a technical prowess. 20 The sharing of the computing capacities of machines had made it possible, something unexpected at the time, to gather and transfer knowledge on a global scale. Increasingly threatened by the pressures of capitalism, the defense of this ‘free culture’ should be the main challenge of academic research.

Bibliographie

Bibliography.

Berners-Lee, Tim, Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web (New York: Harper Collins, 1999).

Brulé, Emeline, and Anthony Masure, ‘Le design de la recherche: normes et déplacements du doctorat en design’, Sciences du Design , 1 (2015), 58–67, https://doi.org/10.3917/sdd.001.0058

Cairn , https://www.cairn-int.info/

Derrida, Jacques, De la grammatologie (Paris: Minuit, 1967).

Distill , https://distill.pub

Fauchié, Antoine, ‘Un mémoire en dépôt’ (April 3, 2018), Quaternum.net , https://www.quaternum.net/2018/06/04/un-memoire-en-depot

GitBook , https://www.gitbook.com

Goyet, Adeline, acommeadeline , http://www.acommeadeline.fr

Kuhn, Virginia, ‘Embrace and Ambivalence’, Academe , 99.1 (2013), 8–13, https://eric.ed.gov/?id=EJ1004358

Manovich, Lev, The Language of New Media (Cambridge, MA: MIT Press, 2001).

Masure, Anthony, ‘À défaut d’esthétique: plaidoyer pour un design graphique des publications de recherche’, Sciences du Design , 8 (2018), 67–78, https://doi.org/10.3917/sdd.008.0067

Masure, Anthony, Design et humanités numériques (Paris: B42, 2017).

Masure, Anthony, ‘Les versions numériques des thèses de doctorat’ (November 9, 2017), Anthony Masure , http://www.anthonymasure.com/conferences/2017-11-versions-numeriques-theses-doctorat

Maudet, Nolwenn, ‘Designing Design Tools’ (PhD dissertation, University Paris-Saclay, 2017), https://designing-design-tools.nolwennmaudet.com/

Mourat, Robin de, ‘Peritext Program’, https://peritext.github.io/

OpenEdition , http://books.openedition.org

Open Source Publishing, ‘HTML2Print’ (2014), http://osp.kitchen/tools/html2print

Pandelakis, Saul, ‘L’héroïsme contrarié: formes du corps héroïque masculin dans le cinéma américain 1978–2006’, (PhD dissertation, University Paris 3, 2016), https://piapandelakis.gitbooks.io/l-heroisme-contrarie/content/

HASTAC, ‘Workshop: What is a Dissertation? New Models, Methods and Media’, HASTAC , http://bit.ly/remixthediss-models

Taquet, Julien, ‘Behind Paged.js’ (July 22, 2018), PagedMedia.org , https://www.pagedmedia.org/pagedjs-sneak-peeks/

Vitali-Rosati, Marcello, ‘Les chercheurs en SHS savent-ils écrire?’ (March 11, 2018), The Conversation , https://theconversation.com/les-chercheurs-en-shs-savent-ils-ecrire-93024

Vitali-Rosati, Marcello, ‘Stylo: un éditeur de texte pour les sciences humaines et sociales’ (June 3, 2018), Sens-public.org , http://blog.sens-public.org/marcellovitalirosati/stylo

1 Emeline Brulé and Anthony Masure, ‘Le design de la recherche: normes et déplacements du doctorat en design’, Sciences du Design , 1 (2015), 58–67, https://doi.org/10.3917/sdd.001.0058

3 Anthony Masure, ‘À défaut d’esthétique: plaidoyer pour un design graphique des publications de recherche’, Sciences du Design , 8 (2018), 67–78, https://doi.org/10.3917/sdd.008.0067

4 Virginia Kuhn, ‘Embrace and Ambivalence’, Academe , 99.1 (2013), 8–13, https://eric.ed.gov/?id=EJ1004358

7 Anthony Masure, ‘Les versions numériques des thèses de doctorat’ (November 9, 2017), Anthony Masure , http://www.anthonymasure.com/conferences/2017-11-versions-numeriques-theses-doctorat

11 Julien Taquet, ‘Behind Paged.js’ (July 22, 2018), PagedMedia.org , https://www.pagedmedia.org/pagedjs-sneak-peeks/

12 Antoine Fauchié, ‘Un mémoire en dépôt’ (April 3, 2018), Quaternum.net , https://www.quaternum.net/2018/06/04/un-memoire-en-depot

14 Saul Pandelakis, ‘L’héroïsme contrarié: formes du corps héroïque masculin dans le cinéma américain 1978–2006’, (PhD dissertation, University Paris 3, 2016), https://piapandelakis.gitbooks.io/l-heroisme-contrarie/content/; GitBook , https://www.gitbook.com

15 Nolwenn Maudet, ‘Designing Design Tools’ (PhD dissertation, University Paris-Saclay, 2017), https://designing-design-tools.nolwennmaudet.com/

17 HASTAC, ‘Workshop: What is a Dissertation? New Models, Methods and Media’, HASTAC , http://bit.ly/remixthediss-models

18 Marcello Vitali-Rosati, ‘Les chercheurs en SHS savent-ils écrire?’ (March 11, 2018), The Conversation , https://theconversation.com/les-chercheurs-en-shs-savent-ils-ecrire-93024

19 Marcello Vitali-Rosati, ‘Stylo: un éditeur de texte pour les sciences humaines et sociales’ (June 3, 2018), Sens-public.org , http://blog.sens-public.org/marcellovitalirosati/stylo

20 Tim Berners-Lee, Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web (New York: Harper Collins, 1999).

Table des illustrations

Is the Head of Research at HEAD—Genève (HES-SO). He is a graduate of the École Nationale Supérieure (ENS) of Paris-Saclay, where he studied design. He is a research fellow of the lab LLA-CRÉATIS at Toulouse—Jean Jaurès university. His research focuses on social, political and aesthetic implications of digital technologies. He cofounded the research journals Réel-Virtuel and Back Office . His essay Design et humanités numériques ( Design and digital humanities ) was published in 2017 by Les Éditions B42 (Paris). Website: http://www.anthonymasure.com

Du même auteur

Archéologie des notifications numériques in Écologies de l’attention et archéologie des media , , 2019

Knowledge Production in the Arts and Humanities

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PhD Program

PhD in Design

Scholarly research is an important cornerstone that distinguishes professions from trades. Research and practice-oriented disciplines, like design, grow and remain relevant only if their professionals constantly contribute to and expand this body of knowledge.

Our Doctor of Philosophy in Design invites design practitioners and teachers, aspiring design researchers and experienced professionals with a passion for design — to proactively engage with and build into this growing body of design research. It urges introspective designers with years of practical experience to validate and formalize theories, tools and techniques within the scholarly framework. And encourages research in the fertile fields where design intersects with science, humanities, arts, and education.

To pursue a PhD here, your research must match our Faculty's areas of interest . As a first step, go through these and contact the concerned faculty to develop your proposed research.

If you meet the eligibility criteria and there is an opening for your area of research, you may complete the formalities of application through the IITB Admission Portal.

The commitment for our PhD is long term requiring a minimum of 3 to 4 years. Apart from strong commitment, you require good analytical abilities, excellent language skills, tenacity, self-motivation, and open-mindedness, along with humility and a willingness to learn.

For details on the timeline of PhD research work at IDC School of Design, refer to this page: PhD Timeline .

PhD Course Structure

Encouraging design research in India, our course is currently flexible and inclusive. For details on the course structure and credit requirements, refer to this page: PhD Course Structure .

Eligibility To know about the eligibility criteria and the different PhD categories, refer to this page: PhD Eligibility Criteria .

PhD Application

All formalities of admission must be done through the IIT Bombay website. For all details related to the admission and application process, please visit the PhD Admission page: PhD Admission - IDC School of Design

IDC accepts applications through IITB-Monash PhD Program as well. For details regarding the program, please visit: IITB-Monash PhD Program .

Future Prospects

Our PhD scholars go on to become teachers and mentors. Many build careers in academics or design research. Some develop business ideas or design methods, while others pursue post-doctoral research.

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School of Art

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Ph.D. in Fine Arts

School of Art Fine Arts Doctoral Program (Art)

Fine arts doctoral program (art).

The Art track of the Fine Arts Doctoral Program centers on art praxis, which we define as theoretically informed action aimed at creating change in academic, social, and community contexts. We have chosen the word "praxis" instead of "practice" to signal a different relationship to theory than assumed by the theory-practice binary, and to indicate a fundamental difference between MFA programs in studio practice and the PhD. For Aristotle, praxis meant an action that is valuable in itself, as opposed to that which leads to creation, and for scholars of modernity from Marx to Lefebvre, praxis was, and remains, infused with an ethical and political imperative, and designated a more grounded and intentional mode of social and political transformation.

The Art track is part of a College-wide Fine Arts Doctoral Program , which includes students focusing on music, theatre, dance, and visual art. All areas of the Fine Arts Doctoral Program require a series of core courses that bring together students from across the College for innovative interdisciplinary and collaborative inquiry. These core courses support the art area's commitment to blurring disciplinary boundaries through original modes of investigation.

Students conduct interdisciplinary research integrating methodologies from a home discipline related to Art with methodologies from disciplines of Music, Theatre, and Dance housed at other Schools in the J.T. & Margaret Talkington College of Visual and Performing Arts or the University at large. Such interdisciplinarity is not simply additive, but transformative, blurring the chosen disciplines and even fundamentally altering them.

This program is for

studio artists who want to transform their approach to making into a methodology for research,
scholars who want to intervene in their home discipline by proposing novel ways of conducting research,
curators and cultural practitioners who want to do community-engaged projects, and
educators who want to rethink inquiry and develop meaningful practices organized around art and images that transform engagement through interdisciplinary initiatives.

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How to apply.

Interested candidates applying for admission to the Fine Arts Doctoral Program for Fall 2023 can do so through the Texas Tech University Graduate School portal.

A complete application - via the Graduate School application portal - will include the following:

Official transcripts of all previous college-level study
Official G.R.E. score report (The GRE score requirement has been waived for Fall 2024-entering applicants)
3 letters of recommendation
Current resumé or curriculum vitae
A scholarly writing sample (10-30 pages of academic writing)
Art portfolio (optional)
Statement of intent (800 words maximum; see tips on writing statements of intent). Please indicate in your statement the faculty members in the FADP(Art) program (see below) with whom you would like to work.
For international students: passport and additional documents that prove your eligibility to study in the United States
Registration fee

ENTRANCE QUALIFICATIONS

For acceptance into the doctoral program, the applicant must have completed a master's degree, or its equivalent, with emphasis in some area of the visual arts. Every effort is made to select candidates who show strong scholarship and professional competence. Applicants who have not taken at least 15 hours of art history, art criticism, art education, arts administration, aesthetics, and/or visual culture courses at the college level may be required to meet the 15-hour minimum in the form of leveling courses taken here at TTU, which will not count toward the 60-hour minimum in the doctoral degree plan.

While the Fine Arts Doctoral Program (Art) takes applications year-round, please take into consideration the following dates:

JANUARY 15th for Fall semester entry, with full financial consideration.

OCTOBER 15th for Spring semester entry, with available/limited financial consideration.

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ONLINE CATALOG INFORMATION

Student success, school of art alumni.

Class of 2012

Sara Peso White

Class of 2015

Bryan Wheeler, dissertation: “Painting ‘Section' or Painting Texas: Negotiating Modernity and Identity in the Texas New Deal Post Office Murals.” Lecturer in the School of Art and College of Media and Communication.

Class of 2016

Yuan-Ta Hsu

Lina Kattan, dissertation: “Conflicted Living Beings: The Performative Aspect of Female Bodies' Representations in Saudi Painting and Photography.” Associate Professor of Visual and Performing Arts, University of Jeddah, Saudi Arabia.

Class of 2017

Norah Alqabba, dissertation: “Globalization and the Role of the Sharjah Biennale in the Transformation of Saudi Contemporary Sculpture”

Class of 2019

Kimberly Jones, dissertation: “Women in Contemporary Israeli Cinema”

Katharine Scherff, dissertation: “The Virtual Liturgy: An Examination of Medieval and Early Modern Ritual Objects as Media Technology.” Full-time Lecturer at TTU, Art History and Global Art Program, Affiliated Faculty Medieval and Renaissance Studies Center.

Jared Stanley, dissertation: “Working Through Grief: Continuing Bonds in the New Golden Age of American Television.” Division Chair, Division of Art and Design, School of Fine Arts and Communication, Bob Jones University.

Class of 2020

Niloofar Gholamrezaei, dissertation: “Photographic Images, Distanced Realism, and the State of Being Modern in the Works of Mohammad Ghaffari and Otto Dix.” Assistant Professor of Visual Arts and General Education, Regis College.

Class of 2021

Ahmad Rafiei, dissertation: “Objects in Motion: Global Interactions and Cross-Cultural Exchange from Safavid to Twentieth-Century Iran.” Curatorial Fellow, Toledo Museum of Art, 2021-2024.

Sylvia Weintraub, dissertation: “Do-It-Yourself (DIY) Online: Why Making Matters on Pinterest.”

Assistant Professor of Art Education in the department of Visual and Theatre Arts at the University of Tennessee at Martin.

Class of 2022

Corina Carmona, dissertation: “Re-membering a Coyolxauhqui Pedagogy: Creative and Cultural Praxis at the Intersection of Ethnic Studies and Fine Art”

Deepika Dhiman, dissertation: “Using Autoethnography and Visual Storytelling to Examine How Identity is Informed by Social Normative Behavior in India and the United States”

Class of 2023

Kathryn Kelley: “Creatives Engage with Spontaneous Self-Affirmation as a Part of Their Writing Practices”

Quest ions?

Contact the interim coordinator.

Andrés Peralta, PhD Interim FADP Coordinator

Fine Arts- Art Doctoral Program Faculty

Klinton Burgio-Ericson, PhD

Kevin Chua, PhD

Theresa Flanigan, PhD

Rina Little, PhD

Jorgelina Orfila, PhD

Andrés Peralta, PhD

Maia Toteva, PhD

Heather Warren-Crow, PhD

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Ready for your thesis cover design?

After years of hard work it’s time for your thesis cover design. I’d love to help you with it! Together we’ll make a personal and beautiful design. Are you interested? Please contact me!

Thesis cover illustration with invitations for PhD defense

Your thesis design, your story

your PhD is a scientific achievement as well as a personal journey. It contains not only science, but also a big part of your spare time and life. If someone takes up your thesis, we want to make that person curious with the thesis design. Curious to open up your book and read more. But also, what I really like, is that your thesis design reflects you as a person. That can be very subtle in color choice and style or only visible to those who really know you. In this way we’ll get something unique. Every person is different, every taste is different and every subject is different. Combining these gives a new thesis design every time again.

What can I do for you?

Almost everything, except the text itself :-). Think about:

Invitations

Backgrounds of your powerpoint slides

The layout of the inside

On the basis of your thesis cover I always come up with extra ideas that add something to your design. For inspiration have a look at my lay-out page!

Unfortunately I don’t do designs for bachelor or master theses as well as designs for those who do their PhD at a university outside the Netherlands. I want to be fully updated about all the regulations regarding your cover and I want to know the printer we are cooperating with well. So I’m sure we will deliver a beautiful book. If you are working/living abroad, but your defense is still in the Netherlands of course that’s not a problem at all.

What does a thesis cover design cost?

The total cost depends on your wishes and things as the number of pages if you want us to do the layout. I’ll be happy to talk to you on the phone and hear what you wish for your thesis design. Of course, that’s for free.

No inspiration? I’ll help you!

Don’t worry if you don’t have any idea for your thesis design. You borrow my brain, which is always full of ideas. I ask you the right questions, so I know who you are and what your thesis is about. Based on that my brain starts to work and an idea will pop up that suits you and your subject. No preparation needed 🙂

Positive energy!

The design of your thesis cover is a great proces. You’ll see it will give you new energy. We’ll talk about who you are, what you want to radiate and we explore your taste. You’ll get a new, creative view on your thesis and you can picture the end result: a real book. You’ll have written a real book! There are only a few people who can say that.

Is there still space?

I want to maintain my personal way of working and high quality designs. Therefore I only have a few spaces each month. Please contact me at least four months before your defense.

Would you like to see more of my designs?

Then as a final note: you can see I posted several designs on my website to give you an idea of what I have done before. However, this is just a small selection. If you’d like to see more please visit my Pinterest page . I try to keep the Pinterest page updated as well as possible so you can see all my designs.

How does it work?

Intake conversation for your thesis design.

During our first conversation (on the phone) I’ll ask you about the subject of your PhD and I try to get to know you a little bit. I’d like to know who you are so I can make a design that suits your subject as well as you as a person. The first conversation takes about an hour. Then I’ll ask you to send me some pictures of things that appeal to you. We’ll talk about them during our second conversation (also on the phone). The second talk is to give me an idea of your taste and will take about half an hour.

Concept phase

After our two conversations I design a concept thesis cover. The concept is just about the idea for the cover. It consists of a sketch and a color palette. As soon as you agree to the idea I will execute the design.

Design phase

I make the whole design for your thesis cover and I send it to you as a PDF file.

Correction round

We can adapt the thesis one more time. This round is meant for small changes. We can finetune the last things.

Print ready file of your thesis design

You’ll get your files as a pdf with the right print marks for the printer. This you can forward to the printer of your thesis. From the printer you will get a print proof of your thesis. It’s usually the best to ask for a paper print proof. On paper you always see different things then on a screen. At most printers, the paper print proof is included in the price.

A memory to hang on your wall

All my designs start with a handmade sketch. What happens next is usually partly or complete handwork depending on what I think will suit you best. I love handwork, since I feel it still has the most authentic feel to it. Very often my designs are therefore completely handmade. The only thing I do on the computer is to add the title. This means that there is an original painting. The painting stays with me to start with, but if you are interested it’s possible to buy it from me . In that way you have a nice memory to put on your wall. If I executed your design partly or completely on the computer, we can have it printed in a bigger size via a specialized printer .

I see you have a medical background. My thesis is about a completely different subject. Can you still help me?

Sure, I can. I’m very interested in a broad range of sciences. I really enjoy learning from all the different PhD students and subjects I work with. I’d love to help you!

I do see designs on your website that I like, but ‘my’ design is not there, is that a problem?

Because my way of working is very personal, every design is made for a specific person with their specific subject. You are unique and even more unique combined with your subject. Therefore you won’t find an already existing thesis that completely satisfies your needs. It’s simply not there yet. In case you’d like to have a style that you don’t see on my website you can always talk to me about that. I’m open for every new idea. If I think I won’t be able to do what you want, I’ll honestly tell you.

I love my thesis design so much, I would like to use it for my business card. Is that allowed?

The design is made only for the thesis cover. If you want to use it for something else we’ll have to make a new price deal.

Can you also print my thesis?

I’m a designer and not a printer. You need to print your thesis at a professional printer. I’ll make sure the design is completely ready for print. I know all the big thesis printers in the Netherlands and they know me, so I can cooperate with any of them. A printer that I can very much recommend is Ridderprint . I think they deliver very good quality for a good price. They are also very communicative. A good quality print is very important for you and for me too, since your design is your and also my business card.

Thesis gallery

Please take your time to have a look at my thesis gallery. Because it’s impossible to show everything on the website, every now and then I move some designs to my Pinterest page . I try to keep that up to date as well as I can, so you can see everything.

Thesis cover

Thesis cover illustration

Thesis cover design

Did I make you curious? Let me help you!

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"echoes & edges," a graphic design thesis exhibition.

A blue, gray and white poster for the "Echoes & Edges" exhibition.

Date & Time: April 15, 2024 from 09:00 AM - 04:00 PM

Event Sponsors: Graphic Design, Stuckeman School, Exhibitions

College of Arts and Architecture students who are wrapping up their studies for their master of fine arts degrees with a concentration in graphic design this spring are hosting a thesis exhibition of projects dedicated to enhancing lives through human-centered design April 15-19 in the Borland Project Space (125 Borland Building, University Park).

Titled “Echoes and Edges,” the exhibition will be open from 9 a.m. to 4 p.m. daily with a reception to be held from 5-7 p.m. April 17. The three graduating students will be on hand to discuss their projects, which are digital applications (apps) that are focused on self-improvement. Viewers will be able explore how each project brings creativity and intention together to encourage better well-being and offer solutions to elevate the human experience.

Forough Yazdan Panah will give an artist’s talk on her app, titled “Flourish,” at noon on April 16. Flourish is tailored to generate greater empathy and understanding of the diverse range of human experiences. To appreciate and validate the lived experience of highly sensitive individuals, the app is also designed for them to cope with intense stress and pressure, be productive and perform self-care. The app considers the impact of societal expectations on mental health, emotional expression and identity formation, particularly among marginalized populations and highly sensitive individuals.

Jordan Wolf’s app, titled “Gracefully,” is a mobile app to foster forgiveness among young adults. She will present her artist’s talk at noon on April 18. Gracefully encourages forgiveness as a form of self-care and highlights its profound impact on one’s health. Through guided reflections and interactive exercises, users cultivate forgiveness habits, enhance emotional resilience and foster better well-being. Gracefully provides a transformative digital space for users to engage in this vital practice.

Negar Dehghan’s app, titled “Glucomood,” is designed for adolescents with Type 1 diabetes (T1D). She will present an artist talk at 3 p.m. April 18 to discuss her project. Glucomood addresses the dual challenges of diabetes management and mental well-being with functions for tracking blood glucose levels and mood to understand their correlation, a journal for personal reflections, meditation exercises designed to address the specific challenges of living with T1D and interactive games that encourage the adoption of healthy lifestyle habits. Glucomood also includes a community section that enables users to connect, share their experiences and support each other.

The master of fine arts degree with a concentration in graphic design is offered by the Stuckeman School in conjunction with the School of Visual Arts in the College of Arts and Architecture.

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CHANNEL 26: Graphic Design Senior Thesis Exhibition

April 17, 2024

Cullis Wade Depot Art Gallery, Visual Arts Center Gallery

Poster Design for Channel 26 Graphic Design Senior Exhibition

Visit msstate.design for exhibition details.

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Graphic Design Education within the Art School 169 Moving from Vocational to Academic Learning 173 Graphic Design Teaching Models 178 ... This thesis is about the role of creativity in graphic design and the significance of critical thinking skills in the development of creativity in practice. It addresses the
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110 Fantastic Graphic Design Thesis Ideas To Succeed. Graphic Design is an art where professionals plan and practice creating visual and textual content to deliver messages. In today's world, it's the most innovative and most effective way for businesses to connect with their consumers. Graphic design has many forms, from a simple business ...
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01. Treat it like a design brief. "A great dissertation should be a designed artefact, and portfolio-worthy in its own right," says Burston. And like a design brief, it should be about solving a problem: "Make sure it has clearly stated aims, strong focus, and doesn't lack opinion or rhetoric," he adds. Best laptops for graphic design.
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A graphic design dissertation is conducted to check your information and learning capabilities. In graphic designing dissertations, you may complete your study on the impacts and effects of style components in varied business sectors of the globe. This may assist you in building an understanding of how things are operating within the skilled ...
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A study of Barbour (2016) titled "A study of teaching methods to enhance creativity and critical thinking in graphic design" the researcher stated that Graphic designers play many roles as problem ...
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List of Graphic Design dissertation topics. Studying the evolution of graphic designing during different periods. A cost-benefit analysis of investing for hiring an experienced graphic designer. Analysing the main stages of development of the graphic design industry. An analysis of the role of colours in graphic design: the best and worst choices.
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About the Program. As a graduate student pursuing the graphic design track, you will focus on design theory, process, and methods related to design practice and research. You will collaborate with faculty members to develop designed objects and information resources that will enhance people's lives. The program integrates theory with practice ...
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Program overview. The graphic design program focuses on the development of a cohesive, investigative body of work, also known as the student's thesis. At Yale, the graphic design thesis is conceived as a loose framework within which each student's visual method is deployed across many diverse projects during the two-year course of study.
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This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design.
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The MPhil thesis will form provide a distinct contribute to the knowledge of a subject related to design and the PhD thesis will provide an original contribution to knowledge on a subject related to design. Both include a critical assessment of relevant literature and describe the method of research. Assessment is by thesis and viva voce.
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Index to Graphic Design Graduate Theses: Subject. Find Graphic Design graduate theses by subject, thesis year, student name, interviews, across or by department. Subject.
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In France, the official deposit of a PhD thesis is the PDF/A file. However, the submission of an A4 manuscript remains required.1 The purpose of these requirements is to guarantee the evaluation and archiving of PhD theses. However, these standards pose several problems. In the field of art or design, the burden of these 'presentation standards' can become counterproductive.
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The mainmatter starts the count ---i.e., page 1--- with Chapter 1; but I have no idea where the frontmatter should begging the counter. For example, in a PhD thesis typically there is a page with the title, a quote, an abstract, a dedicatory, table of contents, list of figures, list of tables, list of acronyms.
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The design of your thesis cover is a great proces. You'll see it will give you new energy. We'll talk about who you are, what you want to radiate and we explore your taste. You'll get a new, creative view on your thesis and you can picture the end result: a real book. You'll have written a real book!
"Echoes & Edges," a graphic design thesis exhibition
College of Arts and Architecture students who are wrapping up their studies for their master of fine arts degrees with a concentration in graphic design this spring are hosting a thesis exhibition of projects dedicated to enhancing lives through human-centered design April 15-19 in the Borland Project Space (125 Borland Building, University Park).
CHANNEL 26: Graphic Design Senior Thesis Exhibition
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How to write the perfect design dissertation

01. Treat it like a design brief

02. Write about your passion

03. Don't be afraid to talk to people

04. Reflect on your design practice

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Graphic Design Dissertation Topics & Titles

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2022 Graphic Design Dissertation Topics

Topic 2: Investigating the growing practice of graphic designing to use visual arts in healthcare, an initiative by the NHS.

Topic 3: A critical study on the current trend of graphic communication by using graphic designs to strengthen brand identity and recognition in the UK online fashion brands.

Topic 4: Examining the benefits of extensive use of graphic designs in branding to ensure cost and time efficiency in UK SMEs.

Topic 5: Critically analyse the relevance of using 3d printing and CAD software by professional graphic designers referring to the practice in the UK construction industry.

Graphic Design Dissertation Topics

Topic 2: Role of graphic design in web design development

Topic 3: Visual Hierarchy in Consumers Preception

Topic 4: Psychology and its effects on Designing:

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Topic 5: Challenges in graphic designing

Topic 6: Photographic theory and graphic design.

Topic 7: Graphic design in Great Britain of 1978.

Topic 8: The evolution of graphic design in the 20th century.

Topic 9: Graphic design and corporate identity

Topic 10: Graphic design and mass communication

Topic 11: Graphic design with a low budget

Topic 12: Influence of TV on Graphic Design

Topic 13: Computer graphic designers

Topic 14: Paul Rand and his graphic design

Topic 15: Trends in Graphic Designing

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Topic 16: Women and graphic designing

Topic 17: Development of career path in graphic designing

Topic 18: Use Of Artificial Intelligence In Graphic Design

Topic 19: How Graphic Design Revolutionized Product Packaging

Topic 20: Website Design and Sales

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