philippine literature in english essay

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Literary: the contemporary philippine essay - introduction.

Ramon Guillermo , University of the Philippines Diliman Martin V. Villanueva , Ateneo de Manila University Follow

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Publication date.

Literary: The Contemporary Philippine Essay

Recommended Citation

Guillermo, R., & Villanueva, M. V. (2016). Literary: The contemporary Philippine essay - Introduction. Kritika Kultura, 0(26), 618–625. https://ajol.ateneo.edu/kk/articles/77/838

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The Philippine Literature

The literary forms in philippine literature.

by: Christine F. Godinez-Ortega

The diversity and richness of Philippine literature evolved side by side with the country’s history. This can best be appreciated in the context of the country’s pre-colonial cultural traditions and the socio-political histories of its colonial and contemporary traditions. The average Filipino’s unfamiliarity with his indigenous literature was largely due to what has been impressed upon him: that his country was “discovered” and, hence, Philippine “history” started only in 1521.

So successful were the efforts of colonialists to blot out the memory of the country’s largely oral past that present-day Filipino writers, artists and journalists are trying to correct this inequity by recognizing the country’s wealth of ethnic traditions and disseminating them in schools and in the mass media.

The rousings of nationalistic pride in the 1960s and 1970s also helped bring about this change of attitude among a new breed of Filipinos concerned about the “Filipino identity.”

Pre-Colonial Times

Owing to the works of our own archaeologists, ethnologists and anthropologists, we are able to know more and better judge information about our pre-colonial times set against a bulk of material about early Filipinos as recorded by Spanish, Chinese, Arabic and other chroniclers of the past.

Pre-colonial inhabitants of our islands showcase a rich past through their folk speeches, folk songs, folk narratives and indigenous rituals and mimetic dances that affirm our ties with our Southeast Asian neighbors.

The most seminal of these folk speeches is the riddle which is tigmo in Cebuano, bugtong in Tagalog, paktakon in Ilongo and patototdon in Bicol. Central to the riddle is the talinghaga or metaphor because it “reveals subtle resemblances between two unlike objects” and one’s power of observation and wit are put to the test. While some riddles are ingenious, others verge on the obscene or are sex-related:

Gongonan nu usin y amam If you pull your daddy’s penis

Maggirawa pay sila y inam. Your mommy’s vagina, too,

(Campana) screams. (Bell)

The proverbs or aphorisms express norms or codes of behavior, community beliefs or they instill values by offering nuggets of wisdom in short, rhyming verse.

The extended form, tanaga, a mono-riming heptasyllabic quatrain expressing insights and lessons on life is “more emotionally charged than the terse proverb and thus has affinities with the folk lyric.” Some examples are the basahanon or extended didactic sayings from Bukidnon and the daraida and daragilon from Panay.

The folk song, a form of folk lyric which expresses the hopes and aspirations, the people’s lifestyles as well as their loves. These are often repetitive and sonorous, didactic and naive as in the children’s songs or Ida-ida (Maguindanao), tulang pambata (Tagalog) or cansiones para abbing (Ibanag).

A few examples are the lullabyes or Ili-ili (Ilongo); love songs like the panawagon and balitao (Ilongo); harana or serenade (Cebuano); the bayok (Maranao); the seven-syllable per line poem, ambahan of the Mangyans that are about human relationships, social entertainment and also serve as a tool for teaching the young; work songs that depict the livelihood of the people often sung to go with the movement of workers such as the kalusan (Ivatan), soliranin (Tagalog rowing song) or the mambayu, a Kalinga rice-pounding song; the verbal jousts/games like the duplo popular during wakes.

Other folk songs are the drinking songs sung during carousals like the tagay (Cebuano and Waray); dirges and lamentations extolling the deeds of the dead like the kanogon (Cebuano) or the Annako (Bontoc).

A type of narrative song or kissa among the Tausug of Mindanao, the parang sabil, uses for its subject matter the exploits of historical and legendary heroes. It tells of a Muslim hero who seeks death at the hands of non-Muslims.

The folk narratives, i.e. epics and folk tales are varied, exotic and magical. They explain how the world was created, how certain animals possess certain characteristics, why some places have waterfalls, volcanoes, mountains, flora or fauna and, in the case of legends, an explanation of the origins of things. Fables are about animals and these teach moral lessons.

Our country’s epics are considered ethno-epics because unlike, say, Germany’s Niebelunginlied, our epics are not national for they are “histories” of varied groups that consider themselves “nations.”

The epics come in various names: Guman (Subanon); Darangen (Maranao); Hudhud (Ifugao); and Ulahingan (Manobo). These epics revolve around supernatural events or heroic deeds and they embody or validate the beliefs and customs and ideals of a community. These are sung or chanted to the accompaniment of indigenous musical instruments and dancing performed during harvests, weddings or funerals by chanters. The chanters who were taught by their ancestors are considered “treasures” and/or repositories of wisdom in their communities.

Examples of these epics are the Lam-ang (Ilocano); Hinilawod (Sulod); Kudaman (Palawan); Darangen (Maranao); Ulahingan (Livunganen-Arumanen Manobo); Mangovayt Buhong na Langit (The Maiden of the Buhong Sky from Tuwaang–Manobo); Ag Tobig neg Keboklagan (Subanon); and Tudbulol (T’boli).

The Spanish Colonial Tradition

While it is true that Spain subjugated the Philippines for more mundane reasons, this former European power contributed much in the shaping and recording of our literature. Religion and institutions that represented European civilization enriched the languages in the lowlands, introduced theater which we would come to know as komedya, the sinakulo, the sarswela, the playlets and the drama. Spain also brought to the country, though at a much later time, liberal ideas and an internationalism that influenced our own Filipino intellectuals and writers for them to understand the meanings of “liberty and freedom.”

Literature in this period may be classified as religious prose and poetry and secular prose and poetry.

Religious lyrics written by ladino poets or those versed in both Spanish and Tagalog were included in early catechism and were used to teach Filipinos the Spanish language. Fernando Bagonbanta’s “Salamat nang walang hanga/gracias de sin sempiternas” (Unending thanks) is a fine example that is found in the Memorial de la vida cristiana en lengua tagala (Guidelines for the Christian life in the Tagalog language) published in 1605.

Another form of religious lyrics are the meditative verses like the dalit appended to novenas and catechisms. It has no fixed meter nor rime scheme although a number are written in octosyllabic quatrains and have a solemn tone and spiritual subject matter.

But among the religious poetry of the day, it is the pasyon in octosyllabic quintillas that became entrenched in the Filipino’s commemoration of Christ’s agony and resurrection at Calvary. Gaspar Aquino de Belen’s “Ang Mahal na Passion ni Jesu Christong Panginoon natin na tola” (Holy Passion of Our Lord Jesus Christ in Verse) put out in 1704 is the country’s earliest known pasyon.

Other known pasyons chanted during the Lenten season are in Ilocano, Pangasinan, Ibanag, Cebuano, Bicol, Ilongo and Waray.

Aside from religious poetry, there were various kinds of prose narratives written to prescribe proper decorum. Like the pasyon, these prose narratives were also used for proselitization. Some forms are: dialogo (dialogue), Manual de Urbanidad (conduct book); ejemplo (exemplum) and tratado (tratado). The most well-known are Modesto de Castro’s “Pagsusulatan ng Dalawang Binibini na si Urbana at si Feliza” (Correspondence between the Two Maidens Urbana and Feliza) in 1864 and Joaquin Tuason’s “Ang Bagong Robinson” (The New Robinson) in 1879, an adaptation of Daniel Defoe’s novel.

Secular works appeared alongside historical and economic changes, the emergence of an opulent class and the middle class who could avail of a European education. This Filipino elite could now read printed works that used to be the exclusive domain of the missionaries.

The most notable of the secular lyrics followed the conventions of a romantic tradition: the languishing but loyal lover, the elusive, often heartless beloved, the rival. The leading poets were Jose Corazon de Jesus (Huseng Sisiw) and Francisco Balagtas. Some secular poets who wrote in this same tradition were Leona Florentino, Jacinto Kawili, Isabelo de los Reyes and Rafael Gandioco.

Another popular secular poetry is the metrical romance, the awit and korido in Tagalog. The awit is set in dodecasyllabic quatrains while the korido is in octosyllabic quatrains. These are colorful tales of chivalry from European sources made for singing and chanting such as Gonzalo de Cordoba (Gonzalo of Cordoba) and Ibong Adarna (Adarna Bird). There are numerous metrical romances in Tagalog, Bicol, Ilongo, Pampango, Ilocano and in Pangasinan. The awit as a popular poetic genre reached new heights in Balagtas’ “Florante at Laura” (ca. 1838-1861), the most famous of the country’s metrical romances.

Again, the winds of change began to blow in 19th century Philippines. Filipino intellectuals educated in Europe called ilustrados began to write about the downside of colonization. This, coupled with the simmering calls for reforms by the masses gathered a formidable force of writers like Jose Rizal, Marcelo H. del Pilar, Mariano Ponce, Emilio Jacinto and Andres Bonifacio.

This led to the formation of the Propaganda Movement where prose works such as the political essays and Rizal’s two political novels, Noli Me Tangere and the El filibusterismo helped usher in the Philippine revolution resulting in the downfall of the Spanish regime, and, at the same time planted the seeds of a national consciousness among Filipinos.

But if Rizal’s novels are political, the novel Ninay (1885) by Pedro Paterno is largely cultural and is considered the first Filipino novel. Although Paterno’s Ninay gave impetus to other novelists like Jesus Balmori and Antonio M. Abad to continue writing in Spanish, this did not flourish.

Other Filipino writers published the essay and short fiction in Spanish in La Vanguardia, El Debate, Renacimiento Filipino, and Nueva Era. The more notable essayists and fictionists were Claro M. Recto, Teodoro M. Kalaw, Epifanio de los Reyes, Vicente Sotto, Trinidad Pardo de Tavera, Rafael Palma, Enrique Laygo (Caretas or Masks, 1925) and Balmori who mastered the prosa romantica or romantic prose.

But the introduction of English as medium of instruction in the Philippines hastened the demise of Spanish so that by the 1930s, English writing had overtaken Spanish writing. During the language’s death throes, however, writing in the romantic tradition, from the awit and korido, would continue in the novels of Magdalena Jalandoni. But patriotic writing continued under the new colonialists. These appeared in the vernacular poems and modern adaptations of works during the Spanish period and which further maintained the Spanish tradition.

The American Colonial Period

A new set of colonizers brought about new changes in Philippine literature. New literary forms such as free verse [in poetry], the modern short story and the critical essay were introduced. American influence was deeply entrenched with the firm establishment of English as the medium of instruction in all schools and with literary modernism that highlighted the writer’s individuality and cultivated consciousness of craft, sometimes at the expense of social consciousness.

The poet, and later, National Artist for Literature, Jose Garcia Villa used free verse and espoused the dictum, “Art for art’s sake” to the chagrin of other writers more concerned with the utilitarian aspect of literature. Another maverick in poetry who used free verse and talked about illicit love in her poetry was Angela Manalang Gloria, a woman poet described as ahead of her time. Despite the threat of censorship by the new dispensation, more writers turned up “seditious works” and popular writing in the native languages bloomed through the weekly outlets like Liwayway and Bisaya.

The Balagtas tradition persisted until the poet Alejandro G. Abadilla advocated modernism in poetry. Abadilla later influenced young poets who wrote modern verses in the 1960s such as Virgilio S. Almario, Pedro I. Ricarte and Rolando S. Tinio.

While the early Filipino poets grappled with the verities of the new language, Filipinos seemed to have taken easily to the modern short story as published in the Philippines Free Press, the College Folio and Philippines Herald. Paz Marquez Benitez’s “Dead Stars” published in 1925 was the first successful short story in English written by a Filipino. Later on, Arturo B. Rotor and Manuel E. Arguilla showed exceptional skills with the short story.

Alongside this development, writers in the vernaculars continued to write in the provinces. Others like Lope K. Santos, Valeriano Hernandez Peña and Patricio Mariano were writing minimal narratives similar to the early Tagalog short fiction called dali or pasingaw (sketch).

The romantic tradition was fused with American pop culture or European influences in the adaptations of Edgar Rice Burroughs’ Tarzan by F. P. Boquecosa who also penned Ang Palad ni Pepe after Charles Dicken’s David Copperfield even as the realist tradition was kept alive in the novels by Lope K. Santos and Faustino Aguilar, among others.

It should be noted that if there was a dearth of the Filipino novel in English, the novel in the vernaculars continued to be written and serialized in weekly magazines like Liwayway, Bisaya, Hiligaynon and Bannawag.

The essay in English became a potent medium from the 1920?s to the present. Some leading essayists were journalists like Carlos P. Romulo, Jorge Bocobo, Pura Santillan Castrence, etc. who wrote formal to humorous to informal essays for the delectation by Filipinos.

Among those who wrote criticism developed during the American period were Ignacio Manlapaz, Leopoldo Yabes and I.V. Mallari. But it was Salvador P. Lopez’s criticism that grabbed attention when he won the Commonwealth Literay Award for the essay in 1940 with his “Literature and Society.” This essay posited that art must have substance and that Villa’s adherence to “Art for Art’s Sake” is decadent.

The last throes of American colonialism saw the flourishing of Philippine literature in English at the same time, with the introduction of the New Critical aesthetics, made writers pay close attention to craft and “indirectly engendered a disparaging attitude” towards vernacular writings — a tension that would recur in the contemporary period.

The Contemporary Period

The flowering of Philippine literature in the various languages continue especially with the appearance of new publications after the Martial Law years and the resurgence of committed literature in the 1960s and the 1970s.

Filipino writers continue to write poetry, short stories, novellas, novels and essays whether these are socially committed, gender/ethnic related or are personal in intention or not.

Of course the Filipino writer has become more conscious of his art with the proliferation of writers workshops here and abroad and the bulk of literature available to him via the mass media including the internet. The various literary awards such as the Don Carlos Palanca Memorial Awards for Literature, the Philippines Free Press, Philippine Graphic, Home Life and Panorama literary awards encourage him to compete with his peers and hope that his creative efforts will be rewarded in the long run.

With the new requirement by the Commission on Higher Education of teaching of Philippine Literature in all tertiary schools in the country emphasizing the teaching of the vernacular literature or literatures of the regions, the audience for Filipino writers is virtually assured. And, perhaps, a national literature finding its niche among the literatures of the world will not be far behind.

source: http://www.seasite.niu.edu

Essay on Philippine Literature

Students are often asked to write an essay on Philippine Literature in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Philippine Literature

Introduction to philippine literature.

Philippine Literature is a treasure of written or spoken works from the Philippines. It includes stories, poems, songs, and other creative pieces. This literature is a reflection of the country’s history, culture, and experiences of its people.

Pre-Colonial Period

Before the Spanish came to the Philippines, Filipinos already had their literature. They told stories, sang songs, and recited poems. These were passed down from one generation to the next by word of mouth. This period was rich in legends, folk tales, and epics.

Spanish Colonial Period

During Spanish rule, Philippine literature was heavily influenced by the Spanish. Many Filipinos learned to write in Spanish. They created religious and secular works, like poems, plays, and novels. This period also saw the rise of the “Awit” and “Corrido”, popular verse forms.

American Colonial Period

The American period brought English to the Philippines. English became a medium for Filipino writers. They wrote in different genres such as short stories, novels, and essays. This period also saw the birth of Philippine newspapers in English.

Modern Philippine Literature

Today, Philippine literature is a mix of many influences. It includes works in Filipino, English, Spanish, and other local languages. Modern writers explore themes like identity, history, and social issues. They continue to enrich Philippine literature with their creative works.

250 Words Essay on Philippine Literature

What is philippine literature.

Philippine Literature is a treasure of stories, poems, and plays written by Filipinos. These works are written in different Filipino languages, English, and Spanish. They show the rich culture and history of the Philippines.

Before the Spanish came to the Philippines, Filipinos already had a rich tradition of literature. They told stories, sang songs, and recited poems. These were passed down from generation to generation. They were not written, but they were remembered and shared.

When the Spanish came, they introduced new forms of literature. They brought religious books, which had a big effect on the literature of the Philippines. Many Filipinos began writing in Spanish. They wrote about their lives, their beliefs, and their struggles.

American Period

When the Americans took over, English became the main language for writing. Filipinos started writing novels, short stories, and poems in English. They also wrote about their experiences during the American period.

Today, Philippine literature is a mix of different languages and styles. Some writers continue to write in English and Spanish. Others write in Filipino and other local languages. They write about many things, like love, war, and social issues.

In conclusion, Philippine Literature is a rich and diverse field. It shows the Filipino spirit through its stories, poems, and plays. It is a mirror of the Filipino soul, reflecting its joys, sorrows, hopes, and dreams.

500 Words Essay on Philippine Literature

Philippine literature is a rich tapestry of written and spoken works from the Philippines. It includes stories, poems, plays, and essays that reflect the country’s history, culture, and people. The language used in these works can be English, Spanish, or any of the local dialects.

Historical Background

The history of Philippine literature can be traced back to the pre-colonial era. Before the Spanish arrived in the 16th century, Filipinos already had their own system of writing known as “Baybayin.” They shared tales and poems through oral tradition. These early works often focused on myths, legends, and folktales.

The Spanish colonial period introduced new forms of literature. Filipinos began writing in Spanish and used literature to express their thoughts and feelings about the colonial rule. The most famous work from this period is “Noli Me Tangere” by Jose Rizal, a novel that criticizes Spanish friars.

The American period saw the use of English in Philippine literature. This era produced many talented writers who used English to write about the Filipino experience.

Types of Philippine Literature

Philippine literature comes in many forms. The most common are short stories, novels, poems, and plays. Short stories and novels often tell about everyday life in the Philippines or historical events. Poems can be about love, nature, or social issues. Plays often deal with social and political issues.

Themes in Philippine Literature

The themes in Philippine literature are diverse. Many works deal with social and political issues, such as poverty, corruption, and the struggle for freedom. Others explore themes of love, family, and friendship. There are also works that focus on the beauty of the Philippine landscape and the richness of its culture.

Significance of Philippine Literature

Philippine literature is important because it reflects the Filipino experience. It shows how Filipinos think, feel, and live. It also helps preserve the country’s culture and history. By reading Philippine literature, we can better understand the Philippines and its people.

In conclusion, Philippine literature is a treasure trove of stories, ideas, and emotions. It tells us about the past, present, and potential future of the Philippines. It allows us to see the world through the eyes of Filipinos. Despite the changes in society and technology, Philippine literature continues to thrive and inspire. It remains a vital part of the country’s cultural heritage.

This brief overview of Philippine literature gives you a glimpse into the rich literary tradition of the Philippines. There’s a lot more to discover, so don’t stop here. Keep reading, and let the words of Filipino writers touch your heart and mind.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

• Essay on Philippine Independence
• Essay on Philippine Festivals
• Essay on Philippine Economy

Apart from these, you can look at all the essays by clicking here .

Happy studying!

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Philippine Authors and Their Works – Some Legendary Authors In PH

Here are some of the most famous philippine authors and their works that left remarkable mark in the ph literature..

PHILIPPINE AUTHORS AND THEIR WORKS – These are the legendary Filipino authors and their remarkable contributions.

The Philippine literature has improved greatly over time. We have authors who write fully in Filipino, while others scribbled their thoughts and letters in English adapting the Western style and language. But what most definitely will be of significance is how these creations have shaped and enriched the literature of the country.

Meet some of the most legendary and iconic authors from the Philippines below and a few of their masterpieces:

• She wrote the 1990 novel  Dogeaters which won the American Book Award and was declared a finalist for the National Book Award. She also created the play Mango Tango which happened to be her first-ever play.
• He is one of those writers who deeply tackled social justice and issues. He created Rosales Saga – a a five-volume work. He is one of the most widely read Filipino authors. In 1980, he won the Ramon Magsaysay Award for Literature.
• He is a National Artist. He published a work at the age of 17 and his skill has made him won a scholarship from an essay contest where he topped. Among his most famous works is The Woman With Two Navels .
• She wrote numerous books, short stories, and poems which told the lesser-known facts about the life of a Filipino. Fish-Hair Woman is one of her greatest stories that narrated the story of a woman who fell in love with an Australian soldier. Her works Rita’s Lullaby and White Turtle won the international Prix Italia Award and the Steele Rudd Award, respectively.
• He is popularly called Butch Dalisay, his pen name. He lived and got imprisoned in the time of Martial law. his writings include Killing Time in a Warm Place (his first novel) and Soledad’s Sister  (his second novel). In his career, he has won 16 Palanca awards.
• He is a poet, author, and a teacher. His Eye of the Fish: A Personal Archipelago won the PEN Open Book Award and an Asian American Literary Award. 
• Our very own national hero is a prolific writer. He wrote Noli me Tangere  and  El Filibusterismo m, which, at current times, is deeply discussed in academic institutions. Mi Ultimo Adios is the last poem he wrote before his execution.
• Functions Of Communication – Basic Functions Of Communication
• Nature Of Communication – Elements, Process, and Models Of Communication

What can you say about this? Let us know!

For more news and updates, follow us on  Twitter: @ philnews_ph Facebook:  @PhilNews  and; YouTube channel  Philnews Ph .

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Literary Journal of the Philippine South

Katitikan Issue 5: Writes and Rights

Introduction

Our Voices, Words of Law Ria Valdez

Ang Batang sa Pangpang Mark Alden Arcenal

Ang Kuwento ni Lola Mina John Carlo S. Gloria

Ang Mga Naulila Mark Anthony Angeles

Baldado Mark Anthony Angeles

Biting Mouths, Bitten Hands Kent Reymark Tocayon

Cybora Malaya

Dark Side of the City Shinnen Cahandig

Executive Order Mark Anthony Angeles

Feli Ariel B. Logroño

Ikalawang Kamatayan Malaya

Makit-an Pa Nako Siyang Galaroy-laroy sa Kilid-kiliran Cyrus Adrian C. Rom

Messenger John Carlo S. Gloria

Nanaghoy ang Dahili sa Ginbiktan Rey B. Araneta

Nataran Ronan R. Lingatong

Pamainit Ronnel Victor Kilat

Pilipinas, 2026 John Carlo S. Gloria

The Call of the Dead Catlyn Rose Laurente

The Slaying of the War Crab Junelie Anthony Velonta

The Symphony of Frogs Ava Arnejo

A friend asks if I’ve been writing Andre Aniñon

Across the Multiverse Hezron Pios

Bato nga Ginoo Gilford Doquila

Dagat-dagatang Putik John Rafael M. Alcantara

Evidence Alyza Taguilaso

For Simon Raphael Salise

From the Top of the Bridge Liane Carlo R. Suelan

Hukayin Natin ang Langit Gerald Castillo Galindez

Karayom Jason Federigan Pozon

Lesson in Immunology Andre Aniñon

Makinang de Pedal Jason Federigan Pozon

Manikin Jason Federigan Pozon

Medida Jason Federigan Pozon

No Loitering Allowed Aki Dueñas

Sa Mga Hantatawo Ivan Ridge Arbizo

The students are overjoyed Andre Aniñon

Tumbang Preso Harvey Castillo

Reclaiming Narratives: EliBarra Fix-it Fanfiction as a Queer Reparative Reading of Noli Me Tangere Sean Marcus Ingalla

Salt and Coffee David Madriaga

Visceral Gershom Mabaquiao

May Sarong Kulibangbang Jobert Grey Landeza

Nauli Man Lagi Ka? Dan Ian Niño B. Jaducana

Pagpangandam Yudi Santillan III

Troll Mark Andy Pedere

Katitikan Issue 4: Queer Writing

Ang Pagwiwika ng Bakla, Ang Pagbabakla ng Wika Abner Dormiendo

A Boy, Inarticulate John Rey Dave Aquino

Ako Gilford Doquila

Ang Libro ni Maria Shinnen Cahandig

Birthday Daniel C. Geraldez

Bukas Ulit ng Gabi John Llyod Sabagala

Kumpisal KC Daniel Inventor

Kung Pwede Lang Eljay Castro Deldoc

Kuya Macoy Liane Carlo R. Suelan

Man-og KC Daniel Inventor

Pag-alala kay Jose Garcia Villa Eric Abalajon

Paruparo Jamil R. Figuracion

Sodom at Gomorrah KC Daniel Inventor

They Don’t End Up Together Sievney Quidet

Thirdy Arnold Matencio Valledor

Aftermath Kristoff Peralta

Akó/Akò Leo Cosmiano Baltar

Alagwa Paul Joshua Morante

Ang mga Soltero sa Bailehan KC Daniel Inventor

Babae Ako! Lenard R. Diaz

Dance Mai Santillan

Dead Chicken Theo Itchon

Doorknobs F. Jordan Carnice

Hanggang sa ang Verbo ay Magkatawang-tao Daryl Pasion

In our Understanding the Self class Vhinz Dacua

Kahel Leo Cosmiano Baltar

Kintsugi Jhio Jan A. Navarro

Kon Wala Imong Letra Sa LGBTQIA Jan Angelique Dalisay

Monsoon Madness Leo Fernandez Almero

Muni-muning Pagyakap sa Pagiging Mapag-isa’t Malaya sa Ilalim ng Buwan at Ibabaw ng Kamatayan John Lloyd Sabagala

Sa Bayo KC Daniel Inventor

Sa Darating Leo Cosmiano Baltar

The Garden of Beings Jan Angelique Dalisay

To Leonard Matlovich Elvis A. Galasinao Jr.

Maupay (At Mga Katagang Waray na Di Ko Malilimutan) Raya Martinez

My Other Name Gilford Doquila

Ganito ang Pinangarap Kong Kasal Eljay Castro Deldoc

Pigil-Gigil Andyleen C. Feje

Katitikan Issue 3: (Re) Imaginations

What Comes Next Sigrid Gayangos

The Ticket Rochelle Ann T. Molina

Walang Susing Musoleyo John Paul Albiola

Taglunod, Tagsunog Erika Carreon

Quaranfic Gabriela Baron

How Sitio San Roque turned into a Garden Reil Benedict Obinque

Lamiraw Cesar Miguel Escaño

Ghosts Erika Carreon

Partes Brixter Tino

Bastardo Mirick Paala

Daan Mirick Paala

Pula Ang Unang Kulay ng Bahaghari Mirick Paala

Calle Burgos R.B. Abiva

Elehiya ng Talisain Jhio Jan Navarro

Panauhin Joshua Mari Lumbera

Mga Bulong ng Isang Bugkot Mula sa Biringan City Mark Bonabon

Mula ng Tuwa Namin Dennis Andrew Aguinaldo

anunugba Jennifer Ebdani

awit sa langgam Jennifer Ebdani

Infinite Backyard Choreography Hezron Pios

Hip-hop in the Time of Appendicitis Hezron Pios

Night Walkers Rochelle Ann Molina

Salaysay ng Hindi Ko Sinali sa Opisyal na Ulat Ben Aguilar

Utang Ben Aguilar

Wika ng Pagdamay Kristoffer Aaron Tiña

Ang mga Hindi Nakarating Kristoffer Aaron Tiña

Tiket Ronel Osias

Stay at Home Ronel Osias

Affected Sectors Ana Margarita Nunez

Santol Jenelyn Garcia

Sa May Divisoria Jules Yuan Roldan

Demolisyon Jules Yuan Roldan

The Social Semiotics of Our Sensibility Lakan Uhay Alegre

Hugas-Kamay Ram Meris

Doktor Wakwak Sharon Almocera

Somora Jayne Arianna Grace Gotera

Katitikan Issue 2: Places and Spaces

Looking at Space and Place: The Navigation of Meaning Making Thomas Leonard Shaw

Ang Huling Sayaw ni Sebyo May Morales Dolis

Rectokado Cesar Miguel Escaño

Echoes of Pasig Matthew Jacob Ramos

Sanayan Lang ang Pagpatay Gabriela Baron

Ulan-init Hannah Lecena

City lines Andrea Lim

It is snowing in your country Christian Baldomero

There is a boy in the island Christian Baldomero

Cleaning the Attic F Jordan Carnice

Sky Over Cairns F Jordan Carnice

A Philosophy of Water Ma. Carmie Flor Ortego

The placenta of evening stars Ian Salva?a

Amihan Ian Salvana

Cartography Jose Kervin Cesar Calabias

Ang Hiniling Ko’y Umulan Andre Gutierrez

Ang Karamdaman ng Dagat Joshua Mari Lumbera

Heometriya ng lungkot Liberty Balanquit

Ka-wala-kan Stud Jader

Lawalawa Arthur David

Pagkatunaw Arthur David

Hasmin Arthur David

Petsay Ma’y Bakwit Din Emman Lacadin

Bakal Dos at Uno R.B. Abiva

Ang Kalsadang Puno ng Pananagimsim Renz Rosario

Lawag Renz Rosario

Creative Nonfiction

Here, There, Everywhere: Catching Up with Criselda Yabes Charles Sanchez

My Trilingual Career Francis C. Macansantos

Baybayin All Over Her Face Kevin Amante

Choosing to Stay Home Astrid Ilano

Labada Andrew Bonifacio Clete

Luyag ‘Da’ra’y Anino  (A Kingdom of Shadows) Christopher Gozum

Katitikan Issue 1: Maiden Issue

(Re)Solving the South(ern) Puzzle: Katitikan as Alternative Discourse Thomas Leonard Shaw

Among the Bissayans of Zvbv Carlos Cortes

Ang Kalibotan Gawas sa Kalibotan Omar Khalid

Ang Kataposang Sugilanon ni Borges Al Osiris Ingking

Ang Panugid Alang sa Buwan Richellet Chan

Badjao Mahika Realismo

Baryo Tae Elizabeth Joy Quijano

Festival of Lights Camille Bagaipo

Galit si Eba Gabriela Baron

Geriatrics Susan Evangelista

HEXOPUS: The Six-Limbed Lad Charles Sanchez

Honasan Cesar Miguel Escano

Katayan sa Palihan Steno Padilla

Manananggal Mahika Realismo

Manananggal ng Sitio Toledo Gabriela Baron

Pulubi Mahika Realismo

Sampaguita Mitch Balladares

Tides of the Sea Alanna Michelle Escudero

Two Women of Bantayan Danton Remoto

A Brief Meeting King Llanza

At Napagod ang Hagdan John Christopher Lubag

Biyaya ng kutob Liberty Notarte Balanquit

Candy Keeps an Island Alive Breia Gore

Ensemble Christine Marie Magpile

Gawat Rene Boy Abiva

(hI)Law-as Elvin Ruiz

kamatis march Stud Neil Jader

kung bakit laging may patugtog sa SM Marlon Lester

Kung Paano ang Maghimay Johann Vladimir Espiritu

Pantalon Arthur David San Juan

Subukan Mong Bumangon, Isang Hatinggabi, At Pagmasdan ang Nahihimbing Mong Magulang Mark Anthony Salvador

The Mermaid Speaks Nico Pablo

The Underside of Healing King Llanza

Tinagutlo nga Pag-aninaw sa Tinuboran Jovanie Garay

To Mother Mai Santillan

Urban Jungle Lakan Uhay Alegre

uwan: siya ug ako Ivanie Michmir

What the Brooke’s Point Farmer Taught Me Nico Pablo

White Bodies Splayed on White Sand Alfonso Manalastas

Critical Essay

Excavating the Trauma: Notes on the Teng Mangansakan’s Forbidden Memory Ivan Emil Labayne

The Settler Settles In: Locating a Space for the Settler in Rogelio Braga’s Colon Ana Margarita Nunez

Entre Medio del Fin (In the Middle of the End) Ryanne Murcia

Our Voices, Words of Law

The symphony of frogs, the slaying of the war crab.

Kathang Pinoy

Filipino in thoughts and words.

Famous Essays and Speeches by Filipinos

• My Husband's Roommate
• Where is the Patis?
• I Am A Filipino
• This I Believe
• The Philippines A Century Hence by José Rizal  (Translated by Charles E. Derbyshire) Part I
• The Philippines A Century Hence by José Rizal  (Translated by Charles E. Derbyshire) Part II
• The Philippines A Century Hence by José Rizal  (Translated by Charles E. Derbyshire) Part III
• The Philippines A Century Hence by José Rizal  (Translated by Charles E. Derbyshire) Part IV
• The Indolence of the Filipinos by José Rizal  (Translated by Charles E. Derbyshire)
• The Filipino Is Worth Dying For
• 1983 Arrival Speech of Ninoy Aquino