english language and creative writing degree

English (Creative Writing), BA

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At a Glance: program details

• Location: Tempe campus
• Additional Program Fee: No
• Second Language Requirement: No

• Initial Math Course: MAT 142 - College Mathematics

Required Courses (Major Map)

Major Map on-campus archive

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Program Description

The BA in English with a concentration in creative writing focuses on the study and practice of the literary arts, with courses in poetry, fiction and creative nonfiction.

Students gain practical experience through writing workshops and internship opportunities.

The undergraduate program features an outstanding faculty whose many books have received major national and international recognition.

In addition to the guidelines in the Concurrent Program Options section below, students interested in pursuing concurrent or second baccalaureate degrees in The College of Liberal Arts and Sciences are advised to visit The College's website for more information and requirements.

Admission to the Creative Writing Concentration (Fiction & Poetry)

Portfolio submission period opens: february 20, 2023, portfolios due: march 17, 2023 by 5:00pm, submit here: spring 2023 creative writing concentration  .

Note: You need to be logged into your ASU Gmail account to connect to the portfolio submission form.  

About the Creative Writing Concentration

The Creative Writing Program encourages all interested students, regardless of their field of study, to join our community of writers through beginning and intermediate workshops in fiction and poetry (ENG 287/ENG 288 , ENG 387/ENG 388), diverse special topics courses (ENG 394/ENG 494), and various, exciting writing events held on campus. 

Interested students*, who have already taken beginning and intermediate workshops, and are committed to continuing their study of Creative Writing, have an opportunity to develop their skills in supportive, highly focused workshops through the Creative Writing Concentration. Instruction in the tradition(s) to which concentration students can aspire and uphold, and from which they may draw inspiration, will be provided by the Creative Writing Program's nationally recognized faculty of writers.

Please note that acceptance into the Creative Writing Concentration is restricted.   Students must submit a portfolio for review and be offered a seat in the advanced workshops. (Please see the "Portfolio Review Guidelines" below.) 

*Students interested in pursuing both fiction and poetry at the 400-level, must check with their academic advisor to ensure that the necessary courses (ENG 487, ENG 488, ENG 498: Fiction, ENG 498: Poetry) will fit their degree plan. Students must submit two portfolios--one in fiction, one in poetry--to be considered for admittance into advanced coursework in both areas. 

Students pursuing the Creative Writing Concentration must either select as their major the bachelor's in English with a concentration in creative writing upon being admitted to ASU or, after entering the university, meet with an English advisor to change to this major and concentration.  Non English-majors will be evaluated on a case-by-case basis.

• To complete the concentration, English majors who have already declared themselves in the creative writing concentration must maintain a cumulative GPA of 3.00 or higher in their major.
• Concentration students must complete the two advanced courses in their genre (ENG 487 and ENG 498 in poetry, or ENG 488 and ENG 498 in fiction). Note that enrollment into these courses is restricted. Spaces are limited. Students must submit a portfolio and be selected to move forward.  (See the "Portfolio Review Guidelines" below.)
• Transfer students must seek advisement as to whether they will be able to successfully fulfill the creative writing concentration requirements.
• PLEASE NOTE :  Students admitted to begin 400-level coursework through the Fall 2020 Portfolio Review will start their coursework in Spring 2021. ENG 488 (fiction) will be taken in the Spring semester. The capstone course, ENG 498, will be taken in the Fall 2021 semester. ENG 487/488 and ENG 498 may not be taken simultaneously. 
• The next portfolio review for fiction will be offered in Fall 2022. The next portfolio review for fiction and poetry will be offered in Spring 2023.
• Students are only allowed to apply for the creative writing concentration twice during their time at ASU.

Portfolio Submission: How to Apply

Submit your completed portfolio online via the link below. Your portfolio should include:

1.     COVER SHEET (Available Online)

2.     CREATIVE WRITING SAMPLE

     a.      Poetry Sample: 5 poems

     b.      Fiction Sample: 1 piece of fiction of at least 5 double-spaced pages and not longer than 10 double-spaced pages

3.     PERSONAL STATEMENT (2 double spaced pages or 500 words)

     a.    Discuss your interest in the relevant genre (poetry or fiction)

     b.     What do you hope to gain from the creative writing concentration

4.     CRAFT ESSAY (2 double spaced pages or 500 words)

     a.     Submit an essay on a single poem or short story focusing an element(s) of craft you learned from the piece, how that craft element(s) works within the poem/story, and  why this aspect of craft is pertinent to your own writing

     b.     Please provide textual examples from the creative piece in your essay

5 .      SUBMIT: SPRING 2023 CREATIVE WRITING CONCENTRATION

        NOTE: You need to be logged into your ASU Gmail account to connect to the portfolio submission form. 

Further Information  

To receive further information about the bachelor's in English with a concentration in creative writing, make an appointment to speak with English undergraduate advisor at 480-965-3168. You may also contact Creative Writing Program Manager, Justin Petropoulos ( [email protected] ), RBH 152.

Portfolio Review Guidelines

Admission Requirements

All students are required to meet general university admission requirements.

Transfer Options

ASU is committed to helping students thrive by offering tools that allow personalization of the transfer path to ASU. Students may use the Transfer Map search to outline a list of recommended courses to take prior to transfer.

Change of Major Requirements

A current ASU student has no additional requirements for changing majors.

Students should refer to https://changingmajors.asu.edu for information about how to change a major to this program.

Flexible Degree Options

Accelerated program options.

This program allows students to obtain both a bachelor's and master's degree in as little as five years. It is offered as an accelerated bachelor's and master's degree with:

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Website | Locations: TEMPE,ONLNE

Acceptance to the graduate program requires a separate application. During their junior year, eligible students will be advised by their academic departments to apply.

Next Steps to attend ASU

Learn about our programs, apply to a program, visit our campus, affording college, tuition calculator, scholarships, financial aid, career outlook.

Degree programs in English prepare students for graduate studies in a number of programs, including English, creative writing, education, law and business. They also lead to a variety of careers in diverse fields. Employers seek those with strong writing, communication and critical thinking skills. Some of the most common professions for English majors are in the fields of:

• nonprofit service

Graduates often find roles where they spend time:

• developing web content
• managing public relations
• writing professional and technical content

Example Careers

Students who complete this degree program may be prepared for the following careers. Advanced degrees or certifications may be required for academic or clinical positions. Career examples include but are not limited to:

Writers and Authors

• Growth: 3.7%
• Median Salary*: 73150
• Growth: -4%
• Median Salary*: 73080

English Language and Literature Teachers, Postsecondary

• Growth: 1.2%
• Median Salary*: 74280

Poets, Lyricists and Creative Writers

Secondary school teachers, except special and career/technical education.

• Median Salary*: 62360

Public Relations Specialists

• Growth: 6.1%
• Median Salary*: 67440

Search Marketing Strategists

• Growth: 13.4%
• Median Salary*: 68230

Technical Writers

• Growth: 6.9%
• Median Salary*: 79960

* Data obtained from the Occupational Information Network (O*NET) under sponsorship of the U.S. Department of Labor/Employment and Training Administration (USDOL/ETA).

Global Opportunities

Global experience.

Studying abroad expands students' perspectives by exposing them to new and distinct cultures, communities and people. Students can explore the English language at a deeper level through an extended lens of dialects, literature and terminology in one of more than 300 study abroad programs.

Students can enhance their resumes with the educational experience and heightened cultural competency, communication and critical thinking skills they acquire through study abroad programs.

The College of Liberal Arts and Sciences recommends these study abroad programs for students majoring in English with a concentration in creative writing .

Program Contact Information

If you have questions related to admission, please click here to request information and an admission specialist will reach out to you directly. For questions regarding faculty or courses, please use the contact information below.

• [email protected]
• 480/965-3168

Enter a Search Term

English language and literature, ba.

• New York City

Writing Success Starts Here

Whether your interest lies in journalism, creative writing, literature, linguistics, publishing, teaching, or law, the BA in English Language and Literature at Pace University offers three concentrations and several combined degree options to develop your specific interests. Choose a concentration in creative writing, literature, or linguistics and consider adding a double major in related fields. This program will open doors in virtually any field, such as journalism, publishing, communications, business, the arts, law, and education.

Make Main Character Moves

• Beyond the classroom, you will have the opportunity to learn from prominent poets and authors who visit campus, publish your own work in Aphros, our literary magazine, and gain hands-on experience working on The Pace Press, our undergraduate student newspaper.
• You will be guided by our outstanding faculty of authors, editors, and world-renowned scholars with diverse research interests and expertise.
• You will develop the in-demand skills you need for success in today’s competitive job market: top-notch writing, insightful critical analysis, and clear, organized thinking.

Take Courses Like…

Courses in this major are wide-ranging and will challenge your intellect. Our curriculum is unique and innovative in how it combines creative and analytic skills and traditions. Our fun and rigorous coursework prepares you to collaborate and think creatively in whatever you go on to do.

• ENG 316 Writing Comics and Graphic Novels
• LIT 375 The Black Arts Movement
• ENG 217 Language, Linguistics, and Discrimination

“Be sure to consider one of our accelerated programs, all of which give you the opportunity to earn a BA and a graduate degree in fewer years than doing each program separately.”

• English Language and Literature, BA/MS in Publishing (5 years)
• English Language and Literature, BA/MST in Adolescent Education (5 years)
• English Language and Literature, BA/JD in Law (6 years)

Add Opportunities And Experiences

As an English major, you’ll join a rich and vibrant community of writers, scholars, and activists. Together with faculty, you might attend plays and performances, learn from visiting luminary writers and poets such as Wayne Koestenbaum, Rumaan Alam, and Patricia Spears Jones, present your creative work at open-mic nights, or help edit and publish our longstanding literary journal, Aphros . You might go on field trips with faculty to archives like the Interference Archive—a trove of materials related to social and political activism—or learn how to write and publish your own ‘zine or graphic novel. Or you might work closely with faculty as a part of the university’s Undergraduate Research Programs on topics as diverse as “The Origins of Black Theatre in Downtown NYC” or “Linguistic Features in Contemporary Women’s Language.” Every spring, the department awards up to $15,000 to the best student writing produced by our majors and minors in multiple genres. And, our courses are all capped at 15, 20, or 25 students, so you get a real chance to know one another and your faculty. We look forward to having you join our community!

"As an English major, I was able to combine the opportunities of the big, bustling city with a more intimate classroom setting”—Jordan Little ’18, Elementary School Art Teacher

Choose Your Career

What are you going to do with a degree in English? The sky’s the limit! English majors have the opportunity to combine a rigorous and rewarding academic experience with all New York City has to offer to burgeoning creative professionals. Recent English majors have landed prestigious internships with:

• The National Book Foundation
• Penguin Random House
• Macmillan-St. Martin’s Press
• David Black Literary Agency
• The PEN America Foundation

in areas such as:

• Social Media
• Fundraising
• Copywriting
• Digital Content Management
• … and more.

For three years running, English majors have won multiple spots in Pace University’s prestigious Storytelling Fellowship for Equity and Inclusion program, funded by the Mellon Foundation.

Career Options

Our recent alumni are currently employed at:

• Bantam Books
• Simon and Schuster
• Nancy Yost Agency
• The Morgan Library
• Weill-Cornell

While other recent graduates have gone on to earn Master’s degrees and PhDs from schools such as Northwestern University, The New School, Georgetown University, Fordham University, UCLA, the University of Edinburgh, and the University of Virginia.

• English majors earn comparable median salaries to STEM majors (Source: HumanitiesWorks.org)
• English majors have a lower probability of being underemployed than business majors (Source: HumanitiesWorks.org)
• English majors have among the highest average scores on the GMAT, LSAT, MCAT, and GRE (Source: HumanitiesWorks.org)
• Hunting for Soft Skills, Companies Scoop Up English Majors ” Wall Street Journal

Online English – Creative Writing, BA

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Program at a Glance

• In State Tuition
• Out of State Tuition

Learn more about the cost to attend UCF.

Inspire and engage others through your creative writing skills.

You’re full of bold ideas, innovative concepts and compelling thoughts. In studying the craft of creative writing you are taking your place beside those who use language, literature and writing to shape our world.

Through UCF Online’s creative writing courses, you’ll become an expert communicator with a deep appreciation of fiction, poetry and non-fiction prose. This program will guide you through an understanding of rhetoric, communication and literary structure within a diverse array of texts. You’ll also stretch your imagination as you hone your own craft, learning how to construct poignant arguments, think critically and develop original creative content for fiction and nonfiction genres.

Written communication is one of the most enduring, flexible and sought-after skills in today’s employment landscape. With your online creative writing degree you’ll be poised for a career in a variety of fields, including law, editing and publishing, teaching, consulting and more. Get started today and earn your BA in Creative Writing.

Undergraduate Application Deadlines

Ready to get started, course overview, fiction writing workshop.

An intermediate level fiction writing workshop for English majors; group analysis and criticism; close reading of contemporary fiction and fiction theory.

Advanced Poetry Writing Workshop

Intensive writing practice in poetry. Peer critique and group discussion of original manuscripts.

History of Prose Style

Close study of style and craft in exemplary works of fiction and creative nonfiction from various time periods.

Skills You'll Learn

• Learn how to self-edit and provide constructive feedback to others, helping you refine your writing and improve your overall craftsmanship.
• Generate unique ideas, explore unconventional perspectives, and approach problems from various angles.
• Cultivate your ability to gather relevant data, evaluate sources and critically assess different perspectives, which can be applied to various professional settings.

Career Projections

Annual Job Openings

Job Growth Between 2019 - 2029

Source: Lightcast™ . 2023

Career Opportunities

• technical writer

Related Online Programs

• Writing and Rhetoric, BA
• Career and Technical Education, BS
• English - Technical Communication, BA

What to Know About Creative Writing Degrees

Many creative writing degree recipients pursue careers as authors while others work as copywriters or ghostwriters.

Tips on Creative Writing Degrees

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Prospective writing students should think about their goals and figure out if a creative writing degree will help them achieve those goals.

Many people see something magical in a beautiful work of art, and artists of all kinds often take pride in their craftsmanship. Creative writers say they find fulfillment in the writing process.

"I believe that making art is a human need, and so to get to do that is amazing," says Andrea Lawlor, an author who this year received a Whiting Award – a national $50,000 prize that recognizes 10 excellent emerging authors each year – and who is also the Clara Willis Phillips Assistant Professor of English at Mount Holyoke College in Massachusetts.

"We all are seeing more and more of the way that writing can help us understand perspectives we don't share," says Lawlor, whose recent novel "Paul Takes the Form of a Mortal Girl" addresses the issue of gender identity.

"Writing can help us cope with hard situations," Lawlor says. "We can find people who we have something in common with even if there's nobody around us who shares our experience through writing. It's a really powerful tool for connection and social change and understanding."

Creative writing faculty, many of whom are acclaimed published authors, say that people are well-suited toward degrees in creative writing if they are highly verbal and enjoy expressing themselves.

"Creative imaginative types who have stories burning inside them and who gravitate toward stories and language might want to pursue a degree in creative writing," Jessica Bane Robert, who teaches Introduction to Creative Writing at Clark University in Massachusetts, wrote in an email. "Through formal study you will hone your voice, gain confidence, find a support system for what can otherwise be a lonely endeavor."

Read the guide below to gain more insight into what it means to pursue a creative writing education, how writing impacts society and whether it is prudent to invest in a creative writing degree. Learn about the difference between degree-based and non-degree creative writing programs, how to craft a solid application to a top-notch creative writing program and how to figure out which program is the best fit.

Why Creative Writing Matters and Reasons to Study It

Creative writers say a common misconception about their job is that their work is frivolous and impractical, but they emphasize that creative writing is an extremely effective way to convey messages that are hard to share in any other way.

Kelly Caldwell, dean of faculty at Gotham Writers Workshop in New York City, says prospective writing students are often discouraged from taking writing courses because of concerns about whether a writing life is somehow unattainable or "unrealistic."

Although creative writers are sometimes unable to financially support themselves entirely on the basis of their creative projects, Caldwell says, they often juggle that work with other types of jobs and lead successful careers.

She says that many students in her introductory creative writing class were previously forbidden by parents to study creative writing. "You have to give yourself permission for the simple reason that you want to do it," she suggests.

Creative writing faculty acknowledge that a formal academic credential in creative writing is not needed in order to get writing published. However, they suggest, creative writing programs help aspiring authors develop their writing skills and allow space and time to complete long-term writing projects.

Working writers often juggle multiple projects at once and sometimes have more than one gig, which can make it difficult to finish an especially ambitious undertaking such as a novel, a play for the screen or stage, or a well-assembled collection of poems, short stories or essays. Grants and fellowships for authors are often designed to ensure that those authors can afford to concentrate on their writing.

Samuel Ace, a published poet and a visiting lecturer in poetry at Mount Holyoke, says his goal is to show students how to write in an authentic way that conveys real feeling. "It helps students to become more direct, not to bury their thoughts under a cascade of academic language, to be more forthright," he says.

Tips on Choosing Between a Non-Degree or Degree-Based Creative Writing Program

Experts note that someone needs to be ready to get immersed in the writing process and devote significant time to writing projects before pursuing a creative writing degree. Prospective writing students should not sign up for a degree program until they have reached that sense of preparedness, warns Kim Todd, an associate professor at the University of Minnesota College of Liberal Arts and director of its creative writing program.

She says prospective writing students need to think about their personal goals and figure out if a creative writing degree will help them achieve those goals.

Aspiring writers who are not ready to invest in a creative writing degree program may want to sign up for a one-off writing class or begin participating in an informal writing workshop so they can test their level of interest in the field, Todd suggests.

How to Choose and Apply to a Creative Writing Program

In many cases, the most important component of an application to a writing program is the writing portfolio, writing program experts say. Prospective writing students need to think about which pieces of writing they include in their portfolio and need to be especially mindful about which item they put at the beginning of their portfolio. They should have a trusted mentor critique the portfolio before they submit it, experts suggest.

Because creative writing often involves self-expression, it is important for aspiring writing students to find a program where they feel comfortable expressing their true identity.

This is particularly pertinent to aspiring authors who are members of minority groups, including people of color or LGBTQ individuals, says Lawlor, who identifies as queer, transgender and nonbinary.

How to Use a Creative Writing Degree

Creative writing program professors and alumni say creative writing programs cultivate a variety of in-demand skills, including the ability to communicate effectively.

"While yes, many creative writers are idealists and dreamers, these are also typically highly flexible and competent people with a range of personal strengths. And a good creative writing program helps them understand their particular strengths and marketability and translate these for potential employers, alongside the more traditional craft development work," Melissa Ridley Elmes, an assistant professor of English at Lindenwood University in Missouri, wrote in an email.

Elmes – an author who writes poetry, fiction and nonfiction – says creative writing programs force students to develop personal discipline because they have to consistently produce a significant amount of writing. In addition, participating in writing workshops requires writing students "to give and receive constructive feedback," Elmes says.

Cindy Childress, who has a Ph.D. in English from the University of Louisiana—Lafayatte and did a creative writing dissertation where she submitted poetry, says creative writing grads are well-equipped for good-paying positions as advertising and marketing copywriters, speechwriters, grant writers and ghostwriters.

According to the Bureau of Labor Statistics, the median annual compensation for writers and authors was $63,200 as of May 2019.

"I think the Internet, and writing communities online and in social media, have been very helpful for debunking the idea that if you publish a New York Times Bestseller you will have 'made it' and can quit your day job and write full time," Elmes explains. "Unless you are independently wealthy, the odds are very much against you in this regard."

Childress emphasizes that creative writing degree recipients have "skills that are absolutely transferable to the real world." For example, the same storytelling techniques that copywriters use to shape public perceptions about a commercial brand are often taught in introductory creative writing courses, she says. The ability to tell a good story does not necessarily come easily to people who haven't been trained on how to do it, she explains.

Childress says she was able to translate her creative writing education into a lucrative career and start her own ghostwriting and book editing company, where she earns a six-figure salary. She says her background in poetry taught her how to be pithy.

"Anything that we want to write nowadays, particularly for social media, is going to have to be immediately understood, so there is a sense of immediacy," she says."The language has to be crisp and direct and exact, and really those are exactly the same kind of ways you would describe a successful poem."

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Bachelor of Science in Creative Writing – English

Transfer credits, next start date, explore the fundamentals of creative writing and english to help you take a step forward in your career.

Do you have a passion for storytelling and are looking to develop your writing skills? Do you want to ensure you are as prepared as possible for your future career? Liberty University’s 100% online Bachelor of Science (BS) in Creative Writing – English can give you a fundamental knowledge of the English language and practical skills that can make a difference in your career outlook.

Various types of creative works are covered in your classes, which can help mold you into a more well-rounded author. If you are interested in developing a deep understanding of the English language and how it can be used to communicate through stories, Liberty University’s Bachelor of Science in Creative Writing – English may be the right fit for you.

Why Choose Liberty’s Bachelor’s Degree in Creative Writing with a Concentration in English?

At Liberty, we seek to ensure our students receive the best education possible – regardless of subject area. Our professors have real-world experience and are specially equipped to help you develop the skills needed to distinguish yourself as an author.

Our mission here at Liberty University is to Train Champions for Christ . We teach all our courses from a Christian worldview. This gives our BS in Creative Writing – English a unique perspective on how communication is used in many media forms.

Because our degree is 100% online, you can take classes while maintaining your current commitments – both personal and professional. We are here to come alongside you and help you succeed without putting your life on hold. Partner with us, and we can work together to prepare you for an exciting career in creative writing.

What Will You Learn in Our Bachelor of Science in Creative Writing – English Degree?

Liberty University’s 100% online Bachelor of Science in Creative Writing with a concentration in English contains courses designed to teach you marketable writing skills in a wide variety of genres, including poetry, novellas, memoirs, theater, and film. Other courses will cover editing for publishing, methods and materials of research, print and digital publishing, writing for cultural engagement, and a creative writing workshop.

You also can take several elective English and/or writing courses as part of your specialization. Some of the topics you could study include American literature, English literature, world literature, inspirational writing, grant writing, and fashion writing. This gives you the unique opportunity to tailor your degree to your interests and prepare specifically for your desired future career.

Featured Courses

• WRIT 201 – Introduction to Creative Writing
• WRIT 303 – Writing Poetry
• WRIT 304 – Novellas
• WRIT 400 – Editing for Publishing

Highlights of Our Bachelor of Science in Creative Writing – English Degree

• We are recognized by multiple institutions for our academic quality, affordability, and accessibility . Our commitment to excellence also helped us rank in the top 10% of Niche.com’s best online schools in America . Earning your online degree from a nonprofit university with this kind of recognition can help set you apart from others in your field.
• Your success is our success, which is why we are committed to providing quality academics at an affordable tuition rate. While other colleges are increasing their tuition, we have frozen tuition rates for the majority of our undergraduate, graduate, and doctoral programs for the past 9 years — and counting.
• To continue our mission of providing affordable education,  electronic textbooks are provided for all undergraduate courses at no cost to you. As a full-time student, this could save you an estimated $800-2,000 per year on textbooks!
• You can complete this online creative writing degree in as little as 3.5 years!
• You can mix and match several English and writing electives to make your degree tailored to your interests and goals.
• Liberty University holds institutional accreditation through the Southern Association of Colleges and Schools Commission on Colleges ( SACSCOC ).

Bachelor of Science in Creative Writing – English Degree Information

• This program falls under the College of Arts and Sciences .
• Download and review the Degree Completion Plan .
• View our Undergraduate Arts and Sciences Course Guides (login required).

Apply Now      Request Info

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Liberty University is dedicated to providing world-class educational experiences to military students from all over the globe. Whether you are a current service member, discharged or retired from service, or the spouse of a service member or veteran, we are here to support you every step of the journey.

As a thank-you for your dedication and service to our country, Liberty is honored to serve and support you in your pursuit of online education by offering the following benefits:

• Tuition discounts – $250 per credit hour for undergraduate courses
• Additional discount for veterans who serve in a civilian capacity as a First Responder (less than $565 per course)
• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)
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Potential Career Opportunities for Bachelor of Science in Creative Writing – English Graduates

Admission requirements for undergraduate online degrees.

Applicants must have a 2.0 or above cumulative GPA for admission in good standing. Please visit our  admission requirements page  for more detailed admissions-related information. 

All applicants must submit the following:

• Admission application
• Application fee*
• Official college transcripts
• Unofficial college transcripts may be accepted with a completed official transcript request form**
• Students may be allowed to enroll in up to 12 credit hours with Liberty with the submission of an unofficial high school transcript and our High School Self-Certification form
• Proof of English proficiency (for applicants whose native language is other than English)

*There is no upfront application fee; however, a deferred $50 application fee will be assessed during Financial Check-In. This fee is waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required.

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Creative Writing and Literature Master’s Degree Program

Unlock your creative potential and hone your unique voice.

Online Courses

11 out of 12 total courses

On-Campus Experience

One 1- or 3-week residency in summer

$3,220 per course

Program Overview

Through the master’s degree in creative writing and literature, you’ll hone your skills as a storyteller — crafting publishable original scripts, novels, and stories.

In small, workshop-style classes, you’ll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and description. And you’ll learn to approach literary works as both a writer and scholar by developing skills in critical analysis.

Program Benefits

Instructors who are published authors of drama, fiction, and nonfiction

A community of writers who support your growth in live online classes

Writer's residency with agent & editor networking opportunities

Personalized academic and career advising

Thesis or capstone options that lead to publishable creative work

Harvard Alumni Association membership upon graduation

Customizable Course Curriculum

As you work through the program’s courses, you’ll enhance your creative writing skills and knowledge of literary concepts and strategies. You’ll practice the art of revision to hone your voice as a writer in courses like Writing the Short Personal Essay and Writing Flash Fiction.

Within the creative writing and literature program, you will choose between a thesis or capstone track. You’ll also experience the convenience of online learning and the immersive benefits of learning in person.

11 Online Courses

• Primarily synchronous
• Fall, spring, January, and summer options

Writers’ Residency

A 1- or 3-week summer master class taught by a notable instructor, followed by an agents-and-editors weekend

Thesis or Capstone Track

• Thesis: features a 9-month independent creative project with a faculty advisor
• Capstone: includes crafting a fiction or nonfiction manuscript in a classroom community

The path to your degree begins before you apply to the program.

First, you’ll register for and complete 2 required courses, earning at least a B in each. These foundational courses are investments in your studies and count toward your degree, helping ensure success in the program.

Getting Started

We invite you to explore degree requirements, confirm your initial eligibility, and learn more about our unique “earn your way in” admissions process.

A Faculty of Creative Writing Experts

Studying at Harvard Extension School means learning from the world’s best. Our instructors are renowned academics in literary analysis, storytelling, manuscript writing, and more. They bring a genuine passion for teaching, with students giving our faculty an average rating of 4.7 out of 5.

Bryan Delaney

Playwright and Screenwriter

Talaya Adrienne Delaney

Lecturer in Extension, Harvard University

Elisabeth Sharp McKetta

Our community at a glance.

80% of our creative writing and literature students are enrolled in our master’s degree program for either personal enrichment or to make a career change. Most (74%) are employed full time while pursuing their degree and work across a variety of industries.

Download: Creative Writing & Literature Master's Degree Fact Sheet

Average Age

Course Taken Each Semester

Work Full Time

Would Recommend the Program

Professional Experience in the Field

Pursued for Personal Enrichment

Career Opportunities & Alumni Outcomes

Graduates of our Creative Writing and Literature Master’s Program have writing, research, and communication jobs in the fields of publishing, advertising/marketing, fundraising, secondary and higher education, and more.

Some alumni continue their educational journeys and pursue further studies in other nationally ranked degree programs, including those at Boston University, Brandeis University, University of Pennsylvania, and Cambridge University.

Our alumni hold titles as:

• Marketing Manager
• Director of Publishing
• Senior Research Writer

Our alumni work at a variety of leading organizations, including:

• Little, Brown & Company
• New York University (NYU)
• Bentley Publishers

Career Advising and Mentorship

Whatever your career goals, we’re here to support you. Harvard’s Mignone Center for Career Success offers career advising, employment opportunities, Harvard alumni mentor connections, and career fairs like the annual on-campus Harvard Humanities, Media, Marketing, and Creative Careers Expo.

Your Harvard University Degree

Upon successful completion of the required curriculum, you will earn the Master of Liberal Arts (ALM) in Extension Studies, Field: Creative Writing and Literature.

Expand Your Connections: the Harvard Alumni Network

As a graduate, you’ll become a member of the worldwide Harvard Alumni Association (400,000+ members) and Harvard Extension Alumni Association (29,000+ members).

Harvard is closer than one might think. You can be anywhere and still be part of this world.

Tuition & Financial Aid

Affordability is core to our mission. When compared to our continuing education peers, it’s a fraction of the cost.

After admission, you may qualify for financial aid . Typically, eligible students receive grant funds to cover a portion of tuition costs each term, in addition to federal financial aid options.

What can you do with a master’s degree in creative writing and literature?

A master’s degree in creative writing and literature prepares you for a variety of career paths in writing, literature, and communication — it’s up to you to decide where your interests will take you.

You could become a professional writer, editor, literary agent, marketing copywriter, or communications specialist.

You could also go the academic route and bring your knowledge to the classroom to teach creative writing or literature courses.

Is a degree in creative writing and literature worth it?

The value you find in our Creative Writing and Literature Master’s Degree Program will depend on your unique goals, interests, and circumstances.

The curriculum provides a range of courses that allow you to graduate with knowledge and skills transferable to various industries and careers.

How long does completing the creative writing and literature graduate program take?

Program length is ordinarily anywhere between 2 and 5 years. It depends on your preferred pace and the number of courses you want to take each semester.

For an accelerated journey, we offer year round study, where you can take courses in fall, January, spring, and summer.

While we don’t require you to register for a certain number of courses each semester, you cannot take longer than 5 years to complete the degree.

What skills do you need prior to applying for the creative writing and literature degree program?

Harvard Extension School does not require any specific skills prior to applying, but in general, it’s helpful to have solid reading, writing, communication, and critical thinking skills if you are considering a creative writing and literature master’s degree.

Initial eligibility requirements can be found on our creative writing and literature master’s degree requirements page .

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

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Bachelor of Arts in English, Creative Writing Concentration

On this page:

• Why Choose Creative Writing Concentration in English?

Real-World Experience

Success stories, academics and curriculum, why choose creative writing concentration in english .

The Creative Writing concentration in English offers students a full series of introductory and advanced creative writing courses, in addition to practical guidance on publication. Building on a strong basis in literature and language studies, students have the opportunity to develop their skills in either fiction writing or poetry writing as well as to take elective coursework in playwriting and creative non-fiction. The majority of courses are intensive workshops with a focus on peer and faculty comments, the study of craft, and the reading of contemporary and classic literature. The concentration culminates in a capstone course and the completion of an extended creative project. Graduates of our program include novelists Chitra Bannerjee Divakaruni and Alexandria Constantinova Szeman and poet Rachel Danielle Peterson. The English Department Visiting Writers Series brings nationally known poets and writers to campus for readings and workshops. The English Club, an organization open to all students, hosts open mikes and coffee-house style readings each year.

View the English program profile for sample occupations, average salary, and employment projections. 

Some recent real-world projects for English Department students include:

• A grant-funded pilot episode of a children’s television show to air on PBS ThinkTV.
• A series of videos focused on veteran experiences.
• Writing internship opportunities exist with local organizations. Past organizations have included  The Antioch Review, Heavy Feather Review,  Antioch Writers’ Workshop, The Jewish Federation of Greater Dayton, Dayton Visual Arts Center, and elsewhere.
• The Vibrant Visiting Writers’ Series open to the public. Past writers have included Xhenet Aliu, Philip Metres, Kaveh Akbar, Paige Lewis, Amina Gautier, and others.

View the Bachelor of Arts in English program information and degree requirements in the Academic Catalog.

Graduation Planning Strategy (Four Year Plan) (PDF)

Any student eligible for admission to the College of Liberal Arts is eligible for admission to the Creative Writing, Literature, Professional Writing, and Teaching English to Speakers of Other Languages concentrations in English. Non-native speakers of English seeking admission to any undergraduate major program in English must meet one of the following minimum language proficiency requirements:

• PEARSON PTE: 58, or
• Students who show proof of successful completion of an Intensive English Program from an accredited Institution or program accepted by international admissions are exempt from the requirement to take an approved English Proficiency exam.

Review the admission requirements and complete the admission application . Identify whether you will be majoring in English.

If you are a current student and wish to change majors, go to the WINGS Express major/minor change request form and change your major. If you are an undecided/exploratory student, talk to your advisor about majoring in English.

Take the Next Step

Finding the right college means finding the right fit. See all that the College of Liberal Arts has to offer by visiting campus.

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Master's in Creative Writing Online MA Degree Program

Earn a Master's in Creative Writing

• $637/credit (36 credits)
• Inclusive creative writing community
• 24/7 online access – attend class at your convenience
• 100% online – no residency required
• 4 genre options for concentrations
• Complete in as few as 15 months, or at your own pace

Master's in Creative Writing Online Program Overview

Ignite your imagination and jump-start your professional writing career with a Master of Arts (MA) in English and Creative Writing online at Southern New Hampshire University. Learn to use the written word to effectively tell your story and share your ideas with the world. By studying literature and the way accomplished authors have perfected their art, you'll be prepared to enter a number of industries as a creative writer. 

This English and creative writing graduate program fosters your imagination and creativity with a perfect balance of critical analysis and craft, along with an emphasis on literary theory and the history of the English language. You also have the freedom to choose from 4 genre concentrations or to combine your choice of genre courses if, for example, you're interested in both fiction and screenwriting.

This specialized creative writing master's degree can help you develop an ability to communicate in any career path you choose to follow, including:

• Marketing and communications

If you've always dreamed of starting your own novel, writing a collection of poetry or developing your screenplay, you'll gain the foundation you need through this program.

At the end of the program, you'll either complete a creative thesis or submit a portfolio of creative writing, along with a retrospective essay.

.st0{fill:#21386D;} What You'll Learn

• Integrate form, language and literary works into writing style and voice
• Expand upon your own creative process
• Create original literary works of publishable quality
• Reflect on goals, process and ethos as a creative writer
• Use technology as a tool to stylize and promote creative work

.cls-1 { fill: #21386d; } How You'll Learn

At SNHU, you'll get support from day 1 to graduation and beyond. And with no set class times, 24/7 access to the online classroom and helpful learning resources along the way, you'll have everything you need to reach your goals.

Concentration Options

You'll also have the option to master a specialized skill set with one of our 4 genre-focused concentrations .

Fiction Literature has long been a source of inspiration, both for readers and writers. In Southern New Hampshire University's online MA in English and Creative Writing with a concentration in Fiction degree, you can find your creative voice and tell your story. Your knowledge can grow beyond a basic understanding of plot building, narrative, voice and character as you push your creative boundaries. Hone your craft for the kind of fiction you've always dreamed of bringing to life through novels, short stories, children's literature and more. In this degree program, you'll have the opportunity to explore whichever genres in fiction pique your interest, from horror and sci-fi to fantasy, young adult, romance and more.  The art of storytelling has deep historical and societal roots, and it is critical to cross-cultural communication. In your MA in Creative Writing online degree program, you’ll study the work of published writers to help you develop your own creative writing skills. You’ll focus on why authors make specific creative decisions to develop a deeper understanding of fiction in all of its forms, all while writing your own works of fiction. If you decide to pursue this concentration, you'll take a capstone course designed around completing your thesis in your fiction genre of choice. At the culmination of your coursework, you’ll create your own manuscript and apply what you've learned about your own creative voice to your work. If you feel it's time to put pen to paper to tell a tale, this program is for you. "I chose the fiction concentration [because] I believe it will give me a wider range in skills and training that will make me more attractive as a writer," said student Joshua Yarbrough . "Great and imaginative storytelling is always needed, and by having this concentration, it will open doors and avenues in a wide range of projects." Career outlook: Whether you're looking to pen the next great fiction novel, or you'd like to specialize in short stories that capture the imagination for a period of time, this concentration can give you the tools you need to become successful in your field. The MA in English and Creative Writing with a concentration in Fiction can also lead to numerous career opportunities, as this program does more than just expose you to literature and help you develop new writing skills. You can apply the creative skills you gain to any profession, from scriptwriting to marketing. The U.S. Bureau of Labor Statistics reports the median annual wage for writers and authors was $73,150 in 2022. 1 Courses include: Fiction Fundamentals Genres: Fantasy, Sci-Fi and Other Popular Fiction Fiction Thesis Writing Fiction Thesis Completion Request Info Apply Now Nonfiction In the MA in English & Creative Writing with a concentration in Nonfiction degree, you'll learn how and why writers craft nonfiction narratives. These tools can help you develop factual material based on research and experiences of your own - or someone else's. The creative writing master's degree can help you gain insights into publishing, broadcasting and professional production while you explore your creative boundaries. At the culmination of the program, you'll develop your own professional-quality piece of nonfiction, one that takes you deep into subjects that matter to you and helps you develop the skills you need for great storytelling. MA English & Creative Writing nonfiction graduate Alec Biron '17 '21G particularly enjoyed the combined emphasis on creative writing and literature. "While the curriculum allowed me to select a unique genre of creative writing to develop my nonfiction thesis," he said, "it also allowed me to explore traditional forms of literature that I love, such as medieval British and feminist genres." Career outlook: Nonfiction is the art of telling real stories - ones that people can learn from, relate to and understand. It covers a wide range of styles and subjects, encompassing everything from personal essays, autobiographical writing and memoirs, to marketing, travel writing and magazine features. Given the many career paths you could take by adding a concentration in nonfiction writing to your degree, it's worth noting some potential career paths you could explore. During a time when remote work is on the rise, you could consider a career writing freelance nonfiction stories for traditional print magazines and digital publications. Or, if telling stories for brands excites you, you could work in advertising as a copywriter and see your words on websites, billboards, emails, commercials and other types of advertisements. "Employers have been impressed by not only my achievement of a master’s degree, but also by the publications I've subsequently written for following my education," said Biron. If you like finding ways to make factual yet complex topics more digestible, you may enjoy the role of technical writer. According to the U.S. Bureau of Labor Statistics, technical writers earned a median annual salary of $79,960 in 2022. 1 Courses include: Non-Fiction Fundamentals Non-Fiction Thesis Writing Non-Fiction Thesis Completion Request Info Apply Now Poetry Develop the skills you need to convey your poetic vision with a MA in English and Creative Writing with a concentration in Poetry . The poetry concentration within our online creative writing graduate program can take you to a new level of analysis, appreciation and understanding of this art form. Foster your love of verse with the inspiration, passion and creative peer collaboration that only SNHU's concentration in poetry can bring. This curriculum focuses your study of literature on a genre where every word and line counts. Here, you'll be able to use your imagination to create imagery that moves and inspires readers and writers alike. This creative writing graduate program challenges you to gain an appreciation for how the unique craft and vision of poetry is critical to learning to think, understand and communicate with the world at large. Throughout this online program, you’ll broaden your understanding of the art of poetry. You'll also dive deeper into structure, tone and rhythm while analyzing the work of renowned poets. Upon completion of the program, you’ll develop your own manuscript of poetry, one that allows you to expand on subjects you're passionate about. "I chose a poetry concentration because I am a poet at heart, and my career revolves heavily around creative writing, specifically poetry and accessible arts programming," said NaBeela Washington '21G . "I wanted to make sure that my studies preserved time to truly focus on poetry and developing my manuscript and network and connection to other authors." Career outlook: Whether it's getting your own poetry published or becoming the next great poet laureate that interests you, a career in poetry is sure to be one filled with passion for your work. You could work for nonprofits to promote local poetry in your area, or become the poetry curator for an array of journals, magazines and even bookstores. And the ability to write clever, concise and compelling copy is also a great fit for advertising and marketing positions. "Before SNHU, I hadn’t been published since middle school," said Washington. "And before completing the program, I would be invited to read my work at a Poetry Series in Takoma Park, MD; I would start a literary journal, Lucky Jefferson, and I would go on to be published several more times in publications like The Cincinnati Review and The Washington Writers’ Publishing House, even winning an award for my journal and building a network of more than 6,000 writers and artists." Her list of accomplishments doesn't stop there. "I’ve been invited to speak on panels about my work in the literary world as well as to help found a roundtable for Editors of Color," she said. "It's really nice realizing that I could accomplish my goals and that I believed in myself." Courses include: Poetry Fundamentals Poetry Thesis Writing Poetry Thesis Completion Request Info Apply Now Screenwriting We live in an increasingly visual society. The online Master of Arts in English and Creative Writing with a concentration in Screenwriting program at Southern New Hampshire University is an advanced exploration of the world of film and video, from shorts and episodic serials to feature-length blockbusters and documentaries. This concentration is based on a comprehensive study of film, with a special focus on story structure, character development and creative writing. At the culmination of the degree program, you'll have developed your own screenplay that you can then share with others and put out into the world if you so choose. While an understanding and analysis of literature – whatever the genre – is at the core of this MA degree, the screenwriting concentration places a special emphasis on visual storytelling. Designed by experienced and distinguished faculty, this master’s in screenwriting program can give you a powerful understanding of how story, character, theme, action, visuals and dialogue intertwine to create an immersive experience. In this concentration, you'll also have the opportunity to work closely with peers and faculty to workshop your pieces, which can help push your creative work to new heights. Take it from José Roldan Jr. '17G who, with the support of his friends, family and his SNHU advisor, was able to enroll in the online MA in English and Creative Writing with a concentration in Screenwriting program while balancing his full-time job and full-time performance schedule, along with additional acting gigs and auditions.  "That support just allowed me the strength to say, 'You know what? I can get this done. There are so many people who believe in me to do it, that I can get it done,'" Roldan said. "It wasn't easy, but it's possible. It's possible." Career outlook: Whether you dream of writing for the big screen one day or writing scripts at a regional level, in the screenwriting concentration you can hone your craft for television, commercials, news, feature films, short films and even video games. There are multiple ways you could use this degree in the media world, from adapting an existing work into a movie or writing your own script, to working closely with producers on funding and producing projects. While the U.S. Bureau of Labor Statistics reports the median annual wage for writers and authors was $73,150 in 2022, it also reports that producers and directors earned a median annual wage of $85,320 the same year. 1 Courses include: Screenwriting Fundamentals Fiction and Film Screenwriting Thesis Writing Screenwriting Thesis Completion Request Info Apply Now if (typeof accordionGroup === "undefined") { window.accordionGroup = new accordion(); } accordionGroup.init(document.getElementById('322677cfabe042d9a55551dc7b079012')); Career Outlook

Whether it's telling your story or telling someone else's, your online master's in creative writing can equip you with detailed knowledge about the worlds of publishing, communications, copywriting and the role of the professional writer. As world markets continue to shift toward a demand for online education and digital media technology, the technical skills learned in this program should continue to be in demand for a long time. The enhanced writing and communication skills you'll develop can be applied to many professions, from publishing, print and film to journalism and marketing.

Read more about Jacob Powers in this Q&A.

"The major takeaway I have gotten from my classes is that there is a viable career in literature, creative writing, and English," said student Joshua Yarbrough . "I feel confident in having the necessary skills to either work for myself or an employer and the training I have received at SNHU has made it possible."

.cls-1 { fill: #21386d; } Job Growth

According to the U.S. Bureau of Labor Statistics (BLS), employment of writers and authors is projected to grow 4% – about as fast as average for all occupations –  through 2032. 1

.cls-1 { fill: #21386d; } Salary

The BLS reports the median wage for writers and authors was $73,150 in 2022. 1

Understanding the Numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors — like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

The master's in creative writing is also ideal if you're interested in pursuing your PhD or teaching at the collegiate level. Additionally, the MA in Creative Writing is also a great option for high school instructors or other educators who wish to level up their salaries, as well as those whose districts require a Master of Arts for sustained career growth.

"I believe there’s a nice balance here for the program — for students who wish to pursue publication, we offer the tools, resources and faculty to help guide them. For students who wish to advance in their current career, or learn creative writing skills but also strengthen other skills (like editing, proofreading, etc.), the program offers that, as well," Powers said.

SNHU does not guarantee that the completion of this program will result in endorsements or rank and salary increases for teachers and strongly encourages interested individuals to contact their state education licensure board prior to enrolling. SNHU provides additional information for education-related outcomes on our Licensure and Certification Disclosures page.

Where Could You Work?

Graduates of the online master's in English and creative writing program will find that, according to the BLS¹, there is opportunity for employment in a variety of fields, including:

Self-Employment

Tech companies, public relations, start your journey toward an online english and creative writing degree, why snhu for your master's in creative writing flexible with no set class meeting times, you can learn on your schedule and access online course materials 24/7. affordable as part of our mission to make higher education more accessible, we’re committed to keeping our tuition rates low. in fact, we offer some of the lowest online tuition rates in the nation. prior coursework and work experience could also help you save time and money. snhu’s transfer policy  allows you to transfer up to 12 credits from your previous institution. you could also earn college credit for previous work experience . respected founded in 1932 , southern new hampshire university is a private, nonprofit institution with over 160,000 graduates across the country. snhu is accredited by the new england commission of higher education (neche), a regional accreditor, which advocates for institutional improvement and public assurance of quality.  recently, snhu has been nationally recognized for leading the way toward more innovative, affordable and achievable education: “most innovative” regional university honors from u.s. news & world report each year since 2015 a $1 million grant from google.org to explore soft skills assessments for high-need youth recognition as a 2017 digital learning innovator by the online learning consortium network at southern new hampshire university, you'll have access to a powerful network of more than 300,000 students, alumni and staff that can help support you long after graduation. our instructors offer relevant, real-world expertise to help you understand and navigate the field. plus, with our growing, nationwide alumni network, you'll have the potential to tap into a number of internship and career opportunities. 93.6% of online students would recommend snhu (according to a 2022 survey with 17,000+ respondents). discover why snhu may be right for you . admission requirements expanding access to quality higher education means removing the barriers that may stand between you and your degree. that’s why you can apply at any time and get a decision within days of submitting all required materials: completed free application undergraduate transcripts, which we can retrieve for you by submitting a transcript request form acceptance decisions are made on a rolling basis throughout the year for our 5 graduate terms . master's degree candidates must also submit a personal statement. students with an undergraduate gpa below 2.75 are eligible for provisional acceptance. how to apply if you’re ready to apply, follow these simple steps to get the process going: complete free graduate application submit undergraduate transcripts work with an admission counselor  to explore financial options  and walk through application process if (typeof accordiongroup === "undefined") { window.accordiongroup = new accordion(); } accordiongroup.init(document.getelementbyid('e835202be13f4497bc29372de09b8f42')); get the skills you need.

Alec Biron '17 '21G

"The skills that I learned in nonfiction writing have helped me to build a career in freelance journalism and content writing."

Courses & Curriculum

The master's in creative writing online exposes you to powerful examples of writing and provides you with an outlet to refine your skills as a writer. SNHU is home to the New Hampshire Writer’s Project and is also a destination for nationally recognized writers who perform readings and participate in workshops and lectures. This can give you additional context and insight into the industry you'll eventually be joining. All of our courses were also created by subject matter experts in their field, many of whom are critically acclaimed writers themselves.

Not only are the courses created by experts, they're taught by them, too. Just ask student Joshua Yarbrough .

"I have worked with professors who are well versed and accomplished in their field," he said. "They have provided valuable feedback to me in terms of preparing for my next steps as a writer and educator."

If you're looking for a degree program with collaboration built in, look no further. The online MA in English and Creative Writing has an added emphasis on peer workshops for additional feedback. Each concentration requires students to take three workshops, so you'll have the chance to fine-tune your editing and proofreading skills both for your peers and for yourself.

You'll also be required to take one of two teaching courses, Seminar in Writing Instruction or Online Teaching Experience . This can give you a background for teaching creative writing or English composition, depending on which interests you more. As a whole, this degree program is highly customizable, allowing you to focus on what types of creative writing interest you most.

In addition to working on your writing craft, you'll take several literary courses that focus on analysis and reflection, while learning about the history of the publishing industry. This can give you the chance to sharpen your editing and professional communication skills, while also giving you the edge you need to advance your writing career.

Graduate Alec Biron '17 '21G agrees. "One course that stood out to me, in particular, was “The Editor”. This course was both writing and editing intensive, allowing us to review the work of our peers while optimizing our own narratives," he said. "The Editor went beyond simple proofreading, and taught me how to edit for structure, character development, syntax, language and tone."

You'll also have the choice of four literary genres:

• Screenwriting

Or, you can customize your program and study multiple genres.

What's more, there's plenty of opportunity to build your network and hone your craft outside of normal class time. Once enrolled, you'll have access to SNHUconnect, a community built exclusively for our online learners. With plenty of clubs and events at your disposal, you might find that the Creative Writing Review Club is right up your alley. Wrote a few poems and want a critique? Need an audience to run your plot ideas by? Here, you can share your nonfiction, fiction, poetry and screenplay works – and even seek peer revising if you desire.

Joan Garner

Joan Garner came from a family of activists. Now she’s earning her master’s in creative writing to write her family’s story.

“The classes that I am taking are helping me in writing the book by stretching my limitations as a writer,” she said.

Read Joan’s story.

Minimum Hardware Requirements Component Type   PC (Windows OS)   Apple (Mac OS)   Operating System  Currently supported operating system from Microsoft.   Currently supported operating system from Apple.  Memory (RAM)  8GB or higher  8GB or higher  Hard Drive  100GB or higher  100GB or higher  Antivirus Software  Required for campus students. Strongly recommended for online students.  Required for campus students. Strongly recommended for online students.  SNHU Purchase Programs  Visit Dell   Visit Apple   Internet/ Bandwidth  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  Notes:   Laptop or desktop?   Whichever you choose depends on your personal preference and work style, though laptops tend to offer more flexibility.  Note:   Chromebooks (Chrome OS) and iPads (iOS) do not meet the minimum requirements for coursework at SNHU. These offer limited functionality and do not work with some course technologies. They are not acceptable as the only device you use for coursework. While these devices are convenient and may be used for some course functions, they cannot be your primary device. SNHU does, however, have an affordable laptop option that it recommends: Dell Latitude 3301 with Windows 10.  Office 365 Pro Plus  is available free of charge to all SNHU students and faculty. The Office suite will remain free while you are a student at SNHU. Upon graduation you may convert to a paid subscription if you wish. Terms subject to change at Microsoft's discretion. Review system requirements for  Microsoft 365 plans  for business, education and government.  Antivirus software:  Check with your ISP as they may offer antivirus software free of charge to subscribers.  if (typeof accordionGroup === "undefined") { window.accordionGroup = new accordion(); } accordionGroup.init(document.getElementById('f756dce5bd874c61855f6f6e92d88470')); University Accreditation

Tuition & Fees

Tuition rates for SNHU's online degree programs are among the lowest in the nation. We offer a 25% tuition discount for U.S. service members, both full and part time, and the spouses of those on active duty.

Tuition rates are subject to change and are reviewed annually. *Note: students receiving this rate are not eligible for additional discounts.

Additional Costs: Course Materials ($ varies by course). Foundational courses may be required based on your undergraduate course history, which may result in additional cost.

Frequently Asked Questions

Why is Poetry Important? Celebrating National Poetry Month

Actor Stephanie Gould Surprised Onstage With Diploma Delivery

Associate Dean of Liberal Arts Dr. Robert Denning: A Faculty Q&A

1 Bureau of Labor Statistics, U.S. Department of Labor, Occupational Outlook Handbook, on the internet, at:

• https://www.bls.gov/OOH/media-and-communication/writers-and-authors.htm (viewed Oct. 25, 2023)
• https://www.bls.gov/ooh/media-and-communication/technical-writers.htm (viewed Oct. 25, 2023)
• https://www.bls.gov/OOH/entertainment-and-sports/producers-and-directors.htm (viewed Oct. 25, 2023)

Cited projections may not reflect local and/or short-term economic or job conditions and do not guarantee actual job growth.

• Staff & students

BA (Hons) English with Creative Writing

UK and international students need to apply through UCAS.  Except those inside the Crimea Region/Sevastopol, the so-called Donetsk People's Republic (DNR) / Luhansk People's Republic (LNR), Cuba, Iran, North Korea or Syria who need to use our  alternative application form.

Course information

Entry requirements.

A-level: BBB BTEC: DDM IB: 33 points overall with Three HL subjects at 655

3 years full-time or 4-6 years part-time

English and Creative Writing

Course overview

Combine the study of literature with the practice of creative writing. You’ll graduate with the ability to be informed and curious about literature, and with the imagination to turn that curiosity into creativity.

This flexible BA English with Creative Writing degree allows you to choose topics related to American literature and culture, comparisons of literature across different cultures and art forms (also known as comparative literature), and study diverse aspects of language use in linguistics modules. Your literary and creative studies will be supported by lectures and seminars that will give you practical advice to help you improve your essay writing and refine your research strategies.

Why study BA English with Creative Writing at Goldsmiths

Goldsmiths' Department of English and Creative Writing is one of the most established and long-running creative writing centres in UK Higher Education, and many of our graduates are now leading writers and editors in their field.

Our location on the doorstep of central London means that you will have easy access to one of the most diverse, historic, and dynamic literary centres in the world. We’re regularly visited by literary guest speakers, and our students have recently enjoyed events with Ali Smith, George Saunders, Bernadine Evaristo, Nikesh Shukla, Michael Rosen, Eimear McBride and Howard Jacobson. Our forward-thinking approach to the fields of creative writing and literary studies is supported by our hosting and running of the Goldsmiths Prize, awarded annually to work that pushes the boundaries of the novel.

Who studies English and Creative Writing at Goldsmiths

Since 2010, twelve of our alumni have gone on to win the prestigious Eric Gregory Award, awarded annually by the Society of Authors for a collection by British poets under the age of 30. Other recent alumni have gone on to win the Ted Hughes Award for poetry, the Somerset Maugham Award, the Rathbones Folio Prize, the Rooney Prize for Irish Literature, the Sunday Times Young Writer of the Year, The Guardian & 4th Estate Short Story Prize, the European Union Prize for Literature, the Dylan Thomas Prize, the White Review Poetry Prize, with other graduates being shortlisted for the Forward Prize and the TS Eliot Prize.

Many of our students go on to study on leading international MA and MFA and PhD programmes, including on our own leading MA in Creative and Life Writing programme.

Why Goldsmiths

While our graduates are the best advocates of our teaching of English and Creative Writing at Goldsmiths, our teaching staff of celebrated writers and scholars are ready to support you and your work as a Goldsmiths student. If you want to chat about life and learning here, be it our literature modules, our assessments, what your week might look like as an undergraduate in the Department of English and Creative Writing, or what goes on in our creative writing workshops, we are happy to hear from you.

Contact the department

If you have specific questions about the degree, contact Dr. Jack Underwood .

What you'll study

Note about optional modules (if available): The below is indicative of the typical modules offered, but is not intended to be construed or relied on as a definitive list of what might be available in any given year. The module content and availability is subject to change.

Each level of the degree includes a single year-long creative writing module taught by creative writing practitioners and active researchers. Each of these modules must be passed in order to progress to the next level and (in the case of the final module) for you to be awarded the degree. 

In your first year, you'll take the following compulsory modules:

You will also choose one of the following option modules:

In your second year, you'll take the following compulsory modules:

You'll then take 75 credits of modules from an approved list. This list is published annually by the Department of English and Creative Writing , and includes the Goldsmiths Elective. This elective allows you to choose a module from a related subject in another department.

A minimum of 30 credits must be a module based on pre-1800 literature.

Examples of recent modules include:

In your final year, you'll take a compulsory Project Development module for 30 credits. With your remaining credits you'll choose from a list of optional modules produce annually by the Department, including at least 30 credits from pre-1800 literature.

Recent modules have included:

You also choose modules (worth a total of 90 credits) from a list published annually by the  Department of English and Creative Writing

Teaching style

This programme is mainly taught through scheduled learning - a mixture of lectures, seminars and workshops. You’ll also be expected to undertake a significant amount of independent study. This includes carrying out required and additional reading, preparing topics for discussion, and producing essays or project work.

The following information gives an indication of the typical proportions of learning and teaching for each year of this programme*:

• Year 1 - 13% scheduled learning, 87% independent learning
• Year 2 - 12% scheduled learning, 86% independent learning, 2% placement
• Year 3 - 12% scheduled learning, 86% independent learning, 2% placement

How you’ll be assessed

You’ll be assessed by a variety of methods, depending on your module choices. These include portfolios of original creative writing and critical commentaries on your work for each of the workshops, coursework portfolios, long essays and examinations (various timescales and formats).

The following information gives an indication of how you can typically expect to be assessed on each year of this programme*:

• Year 1 - 63% coursework, 38% written exam
• Year 2 - 85% coursework, 15% written exam
• Year 3 - 100% coursework

*Please note that these are averages are based on enrolments for 2022/23. Each student’s time in teaching, learning and assessment activities will differ based on individual module choices. Find out more about how this information is calculated .

Credits and levels of learning

An undergraduate honours degree is made up of 360 credits – 120 at Level 4, 120 at Level 5 and 120 at Level 6. If you are a full-time student, you will usually take Level 4 modules in the first year, Level 5 in the second, and Level 6 modules in your final year. A standard module is worth 30 credits. Some programmes also contain 15-credit half modules or can be made up of higher-value parts, such as a dissertation or a Major Project.

Download the programme specification .

Please note that due to staff research commitments not all of these modules may be available every year.

We accept the following qualifications:

A-level: BBB BTEC: DDM International Baccalaureate: 33 points overall with Three HL subjects at 655 Access: Pass with 45 Level 3 credits including 30 Distinctions and a number of merits/passes in subject-specific modules Scottish qualifications: BBBBC (Higher) or BBC (Advanced Higher) European Baccalaureate: 75%, preferably including English. Irish Leaving Certificate: H2 H2 H2 H2

Additional requirements

Grade B in A-level English Literature/A-Level English Language and Literature/A-level English Language is required if you have studied A-Levels. Alternatively, an equivalent English subject will be accepted e.g. Grade 5 in IB Higher Level English.

International qualifications

We also accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world .

If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification ) of 6.5 with a 6.5 in writing and no element lower than 6.0 to study this programme. If you need assistance with your English language, we offer a range of courses that can help prepare you for degree-level study .

Alternative qualifications

See our full list of undergraduate entry qualifications .

We welcome students with a range of educational experiences. If you believe you may not meet the standard qualification requirements we would still encourage you to apply because we consider all aspects of your application when making a decision.

We’ll pay particularly careful attention to your personal statement, which is your opportunity to demonstrate your interest in the subject you’ve applied for. Your referees are also welcome to include any relevant contextual comments around your academic achievements. We’ll look at all these things when making a decision on your application, as well as your qualifications and grades.

Fees & funding

Annual tuition fees.

These are the fees for students starting their programme in the 2024/2025 academic year.

From August 2021 EU/EEA/Swiss nationals will no longer be eligible for 'Home' fee status. EU/EEA/Swiss nationals will be classified as 'International' for fee purposes, more information can be found on our fees page .

• Home - full-time: £9250
• Home - part-time: £4625
• International - full-time: £19640

If your fees are not listed here, please check our undergraduate fees guidance or contact the Fees Office , who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time under a student visa. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment .

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page .

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments. Please check the programme specification for more information.

Funding opportunities

We offer a wide range of scholarships and bursaries, and our careers service can also offer advice on finding work during your studies. Find out more about funding your studies with us .

We are a centre of excellence for poetry. Recent BA graduates include Rachael Allen, whose debut poetry collection Kindgomland was published by Faber in 2019 to great acclaim, and who now works as Poetry Editor for Granta; Poet and non-fiction writer Sophie Collins, is author of the ground-breaking non-fiction work, Small White Monkeys: On Self-expression, Self-help and Shame published by Bookworks in 2018, and a collection of poems, Who Is Mary Sue? Published by Faber in 2018, and selected as a Poetry Book Society Choice. Sophie was awarded a Fellowship by the Royal Society of Literature as part of its inaugural 40 Under 40 scheme in 2018, and is now a lecturer in creative writing at the University of Glasgow; Ella Frears is author of Shine, Darling, her debut collection published by Offord Road Books in 2020, which was shortlisted for both the Forward and TS Eliot Prizes, as well as being selected as a Poetry Book Society Recommendation; Cecilia Knapp was named Young Person’s Poet Laureate for London in 2020 and has been widely commissioned and held residences internationally. Her theatre pieces Finding Home and Losing the Night both opened to sell out London runs at The Roundhouse before touring the UK. Her debut novel Little Boxes is forthcoming from The Borough Press (Harper Collins.) while her debut poetry collection Peach Pig will be published by Corsair in 2022. She curated the anthology Everything is Going to be alright: Poems for When you Really Need Them, published by Trapeze in 2021; Aria Aber is the author of the critically acclaimed poetry collection Hard Damage, published by University of Nebraska Press in 2019. After graduating from Goldsmiths, Aria left to study an MFA in Creative Writing at New York University,  before winning a 2020 Whiting Award in Poetry and continuing her practice as a Wallace Stegner Fellow in Poetry at Stanford University; other recent poetry publications by former undergraduates include Glass by Emily Cooper, published by Makina Books, Platinum Blonde by Phoebe Stuckes, published by Bloodaxe, Earth Sign and HYPERLOVE by Naomi Morris, published by Partus Press and Makina Books, with an exciting debut pamphlet by Eve Esfandiari Denney, expected in 2022 with Bad Betty. Our poets’ successes have been matched in recent years by our prose writers. Four novels which began as creative writing dissertations and portfolios have since been published or acquired for publication: Sara Jafari’s debut novel The Mismatch was published by Penguin in 2021, started life on the Creating the Text module, while Marlowe Granados’ best-selling debut, Happy Hour, also published this year by Verso, formed part of Marlowe’s third year creative writing dissertation. Similarly, Abi Andrews debut, The Word for Woman is Wilderness, published by Serpent’s Tail in 2018, was first aired in a workshop taken during her third year on the BA Hons English Creative Writing programme, as did Paddy Crewe’s debut novel, Yip, which will be published in hardback in spring 2022 by Doubleday. Kandace Siobhan Walker’s short story Deep Heart, was winner of the 2019 4th Estate and Guardian short story prize (Kandace was also winner of the 2020 White Review Poetry Prize) and she is also working on her debut novel and collection of poetry; Goldsmiths Creative Writing BA and MA graduate, Dizz Tate’s debut novel Brutes is scheduled for publication by Faber in February 2023. Aside from literary forms, Goldsmiths undergraduate creative writing alumni also include a number of exciting non-fiction writers and journalists: Daisy Jones, who is Associate Editor of VICE UK and author of ALL THE THINGS SHE SAID: Everything I Know About Modern Lesbian and Bi Culture, published by Hachette in 2021; Charlie Brinkhurst Cuff is Award-winning journalist, book editor, columnist and podcast host. She is currently a Senior Staff Editor at the New York Times having enjoyed a celebrated tenure as Editor-in-Chief at gal-dem magazine. She has also written for the  Guardian, Observer, ipaper and Metro, and has worked as weekend editor and writer at Dazed. Excitingly, her debut collection of non-fiction, Black Joy will be published under the Penguin imprint in hardback on 2nd September 2021; Felix Petty, now executive editor at i-D Magazine, following on from his time as music editor for TANK.

About the department

English Major

Jaredd Craig  

How did literature evolve from Chaucer to Toni Morrison, from a time before the printing press to our modern digital landscape?

Stanford’s English curriculum features a team-taught, yearlong core sequence that traces the big picture of literature’s development from the Middle Ages to the present. Each class offers a lively exploration of key literary themes, movements, and innovations. English majors also learn critical tools for analyzing literature through three broad course requirements, in poetry, narrative, and methodology. Students gain a contextual framework and are prepared to take the department’s wide range of electives.

Courses for the 2023-2024 academic year are available now! Find them here .

English Major Core Requirements

The English Department’s required core courses introduce you to a body of knowledge and fundamental skills that are essential for you to master if you are to flourish as a reader, writer, and critic. After taking a basic set of courses with your classmates, you should find yourself able to reflect in common with them on the enterprise of interpretation and expression, even as you pursue your particular interests and passions through elective course work.

ALL ENGLISH MAJORS ARE REQUIRED TO TAKE THE FOLLOWING CLASSES: 

• ENGLISH 160: Poetry and Poetics 
• ENGLISH 161: Narrative and Narrative Theory 
• One WISE class (ENG 5 Series) 
• 10 series 
• 11 series 
• 12 series 
• One pre-1800 historical literature class

JOSHUA COLEMAN

Emphases and Electives

The English major offers a number of emphases, which help you to focus your literary study in a particular area, whether you’re seeking to learn the art of creative writing, or to understand the philosophical power of literature.  Your chosen emphasis will help you to select a group of electives or cross-listed courses in other departments that give a coherent shape to your interests.

This field of study is not declared in Axess. It does not appear on either the official transcript or the diploma. This program provides for the interests of students who wish to understand the range and historical development of British, American and Anglophone literatures and a variety of critical methods by which their texts can be interpreted. The major emphasizes the study of literary forms and genres and theories of textual analysis. In addition to the degree requirements required of all majors and listed above, students must complete at least 35 additional units of courses consisting of:

• Seven additional approved elective courses, only one of which may be a creative writing course, chosen from among those offered by the Department of English. In place of one of these seven elective courses, students may choose one upper-division course in a foreign literature read in the original language.

This subplan is printed on the transcript and diploma and is elected in Axess. Students should meet with the Director of Undergraduate Studies, awoloch [at] stanford.edu (Alex Woloch) , concerning the Literature and Philosophy focus. This track is for students who wish to explore interdisciplinary studies at the intersection of literature and philosophy while acquiring knowledge of the English language literary tradition as a whole. In addition to the degree requirements required of all majors and listed above, students must complete at least 40-50 additional units of approved courses including:

• PHIL 80 Mind, Matter, and Meaning (WIM): Prerequisite: introductory philosophy course.
• Gateway course: ENGLISH 81 Philosophy and Literature. This course should be taken as early as possible in the student's career, normally in the sophomore year.
• Aesthetics, Ethics, Political Philosophy: one course from PHIL 170 Ethical Theory series.
• Language, Mind, Metaphysics, and Epistemology: one course from PHIL 180 Metaphysics series.
• History of Philosophy: one course in the history of Philosophy, numbered above PHIL 100 Greek Philosophy.
• Two upper division courses of special relevance to the study of Philosophy and Literature. Both of these courses must be in the English department. A list of  approved courses  is available on the Philosophy and Literature web site.
• Two additional elective courses in the English department.
• One  capstone seminar  of relevance to the study of Philosophy and Literature.

This subplan is printed on the transcript and diploma and is elected in Axess. This track provides a focus in British and American literature with additional work in French literature; German literature; Italian literature; or Spanish literature. These subplans appear on the diploma as follows: English & French Literature, English & German Literature, English & Italian Literature, and English & Spanish Literature. In addition to the degree requirements required of all majors and listed above, students must complete at least 40 additional units of approved courses including:

• Four elective courses chosen from among those offered by the Department of English, one of which may be a creative writing course.
• A coherent program of four courses in the foreign language literature, read in the original language, approved by the Director of Undergraduate Studies in English and by the relevant foreign language department.

This subplan is printed on the transcript and diploma and is elected in Axess. This program is intended for students who wish to combine the study of one broadly defined literary topic, period, genre, theme or problem with an interdisciplinary program of courses (generally chosen from one other discipline) relevant to that inquiry. These courses should form a coherent program and must be relevant to the focus of the courses chosen by the student to meet the requirement. Each of these courses must be approved in advance by the Interdisciplinary Program Director. In addition to the degree requirements required of all majors and listed above, students must complete at least 40 additional units of approved courses including:

• Five elective literature courses chosen from among those offered by the Department of English. Students must select two of these courses in relation to their interdisciplinary focus.
• Three courses related to the area of inquiry. These courses may be chosen from disciplines such as anthropology, the arts (including the practice of one of the arts), classics, comparative literature, European or other literature, feminist studies, history, modern thought and literature, political science, and African American studies.
• In addition, students in this program must write at least one interdisciplinary paper. This may be ENGLISH 197, Senior Honors Essay; ENGLISH 199, Senior Independent Essay; ENGLISH 194 or 198, Individual Research; or a paper integrating the material in two courses the student is taking in two different disciplines.

For more information about the interdisciplinary emphasis,  please read these guidelines . 

This subplan is printed on the transcript and diploma and is elected in Axess.This program is designed for students who want a sound basic knowledge of the English literary tradition as a whole and at the same time want to develop skills in writing poetry or prose. In addition to the degree requirements required of all majors and listed above, students must complete at least 40 additional units of approved courses, in either the prose or poetry concentration:

English and Creative Writing (Prose)

• One beginning prose course: ENGLISH 90 series, Fiction Writing or ENGLISH 91 series, Creative Nonfiction
• One short story literature seminar
• One intermediate prose course: any ENGLISH 190 series or 191 series
• One beginning poetry course: ENGLISH 92 series, Reading and Writing Poetry 
• 20 units of elective literature courses (One of the courses may be fulfilled with a creative writing workshop)

English and Creative Writing (Poetry)

• One beginning poetry course: ENGLISH 92 series, Reading and Writing Poetry
• One literature course in poetry approved by a Creative Writing Professor
• One intermediate poetry course: any ENGLISH 192 series
• One beginning prose course: ENGLISH 90 series, Fiction Writing or ENGLISH 91 series, Creative Nonfiction (Can be fulfilled with a prose literature seminar)

Thought Catalog

Honors in English

Are you getting beyond the two-week, 6-8 page English paper? Have you wanted to challenge yourself to think deeply and to write at length? Are you curious about what it means to produce knowledge in English studies? Have you wondered what extended supervised research in English entails? Would you like to earn a capstone achievement to your degree?

If so, consider pursuing Honors.

What is the Honors Program?

The Honors Program in English is open to all undergraduate English majors regardless of career aspiration or post-graduation plans. Honors students have entered a wide variety of careers: medicine, law, business, marketing, journalism, industry, doctoral programs in English and other disciplines, teaching, and arts administration, to name a few. Students who complete the Honors Program are awarded the degree BAH (Bachelor of Arts with Honors).

The program involves intensive study of a research topic of your choosing supervised throughout your senior year by a faculty member and a graduate student mentor. With these one-on-one mentorships, you will produce a 40-60 page honors thesis and will develop supportive peer friendships with others in the Honors cohort. The Honors Program aims to be both an inspirational and aspirational forum for advanced literary study. It cultivates a lively intellectual environment within which you can test your ideas, germinate sophisticated critical approaches to historical and/or contemporary texts, and build interpretative, analytical and compositional skills that will have a lasting impact on your intellectual and professional life wherever the future takes you.

Interested students are invited to attend the English Honors Info Session on Thursday, February 29 at 12:00pm in the Terrace Room.

How do I apply?

Admission to the Honors Program is selective; the deadline for 2024-25 admission is  Friday, April 19th, 2024 at 4pm . 

Application Form

Application form must contain the following items:

• A one-to-two page proposal (see below)
• A writing sample from an English course
• A brief letter or email from one faculty member who has agreed to serve as thesis advisor
• The name of an additional faculty referee who could comment if necessary on your writing abilities
• An unofficial transcript (a cumulative 3.7 GPA in English is required, although the Honors Director will look at all compelling aspects of a candidate’s application) If you are unable to access your transcript, please email Alice Staveley, staveley [at] stanford.edu (staveley[at]stanford[dot]edu) .

What is a thesis proposal?

The thesis proposal should give your reader a strong sense of the intellectual merits of your project. What author(s) and text(s) do you wish to study? What particular critical arguments do you foresee interrogating by means of these texts? What historical period(s) will inform your research? What have you discovered already about this topic? What further questions or research avenues might you need to pursue to refine your approach?

Curriculum Details

• Once applicants are selected for admission to Honors in early May of their junior year, a more detailed prospectus with bibliography is due at the end of Spring quarter.
• Students accepted into the Honors Program may participate in the voluntary, fully funded Bing Honors College , a residential boot camp held every September for thesis writers across the university. Confirmed Honors students are invited to register online for Bing Honors College in May-June of their junior year.
• Honors students take 15 units of Honors in their senior year: 5 units (English 196A. Senior Honors Seminar) in Autumn + 10 thesis units (English 197. Senior Honors Essay) distributed over the Winter and Spring.
• Theses are due in early May . In mid-May, students present their research at a year-end department Colloquium open to friends, family, faculty, mentors, and the wider Stanford community. Plan to invite those who have supported you throughout your undergraduate years!

Recent Thesis Titles

• Spools, Hats, and Handbags: Narrative Entropy in the Plays of Samuel Beckett
• “I Have a Story to Share”: The Personalization of the National Epic in  Moby-Dick  and  Heart of Darkness
• Spatial Setting, Malleable Maps: Los Angeles in Yamashita’s  Tropic of Orange
• “Instant Nostalgia”, or, Longing under Late Capitalism in Thomas Pynchon’s  Bleeding Edge
• Utterance in Exile: Monstrous Aesthetics in Old English Verse
• “by whyche they came to honour”: Reputation in Malory’s  Le Morte d"Arthur
• How Milton’s Rhythms Work
• Graced By Another: Gabriel Marcel and the Experience of Intersubjectivity In Flannery O’Connor’s  A Good Man Is Hard to Find
• Books vs. Bombs: Reading Objects in Michael Ondaatje’s  The English Patient
• Kincaid’s Carnival: Performance, Identity, and the Reader in  A Small Place
• Masks, Origins, and Copies in Chang-Rae Lee’s  Native Speaker
• The “African” Novel at Bookshelf’s Edge (and the Online Afterlife of Chimamanda Ngozi Adichie)
• Magical Orality in Tess Uriza Holthe’s  When the Elephants Dance

Testimonials

Read what former honors students say about their experience:

“I look back on writing my thesis as one of my best Stanford experiences.” --Bhavya Mohan (‘06), Doctoral Student in Marketing at Harvard University

“Great program. The critical thinking skills I gained from the honors English program are surprisingly very useful in medical school.” --Anne Ritchie (‘08), Medical Student at UCSF

“I believe participating in honors absolutely helped me in my job search (even in a completely different field). Having it on my resume gave me confidence and usually made an impression on people I interviewed with. […] To anyone considering the honors program: Do it, do it, do it!” --Melinda Kilner (‘10), Process Designer at Inkling

“…students learn ways of thinking and self-confidence that stay with them throughout their life, beginning with the challenges of the first job searches and first job experiences. Still 6 years into my work, I consciously apply the skills I learned, and these have been vital to my ability to succeed.” --Edward Boenig-Liptsin (‘06), Program Manager at Google

“I remain immensely grateful for my experience in the honors program. I am currently pursuing a doctorate in another field after spending several years working as an art critic and editor—positions I no doubt would have been reluctant to assume, if not for the confidence I gained through writing a thesis.” --Joanna Fiduccia (‘06), Doctoral Student in Art History at UCLA

“I would wholeheartedly recommend the English honors program to anyone considering it. It enhanced my critical writing skills, taught me how to tackle a large research project, but more importantly, it was FUN.” --Aysha Pamukcu (‘07), Public Interest Lawyer & Editor

“[Honors] substantially influenced my ability to write, to consolidate a very large amount of information, to work with self-discipline, and to engage with a territory of critical writers and [their] works. Best of all, it gave me confidence that I CAN write coherently and with purpose at length!” --Rachel Kolb (‘12), Rhodes Scholar, Masters Student in Literature at Oxford University

“I think that participating in the honors program and being able to discuss a major independent research project made an impression on my post-graduate employers in the publishing industry.” --Alison Law (‘10), Production Editor at No Starch Press

How to think about Honors

Although students apply for honors in their junior year, if you are interested in the possibility of eventually applying, talk to your individual professors or the Honors Director, Alice Staveley, at any time during your undergraduate career from first year and beyond. Thesis topics are vast and various and can take many different forms. Think about what courses, writers, or ideas have most animated your imagination; what connections keep coming back for you across multiple platforms, inside or outside the classroom; what writers you have sampled and enjoyed, but whose lives and careers you wish to investigate more fully; parse the literary history or critical methods core courses to follow up with seminar courses that broaden your study of a particular theory, writer, theme, or historical period; take courses outside the department that might compliment your literary interests (for instance, a course on 19th century British history if you’re interested in the 19th century British novel, etc.). Drop by professors’ office hours! They are there waiting, eager, and willing to talk about any number of topics with you that, over time, may well become your thesis.

Literary texts do not live in a vacuum

They emerge from particular historical circumstances, they are influenced by earlier texts, and, if they are sufficiently strong, they change the literary tradition in which they are produced. That’s why our sequence of Historical Courses (English 10, 11, and 12) introduces you to some of the most important developments of English and American literature from its origins to the present.

A history of representing the self in words

Historical watersheds such as the invention of printing, the Protestant Reformation, the expansion of the British Empire, the Great War, and the creation of the internet; the rise and fall of genres such as romance, the epic, and the novel; the genesis of literary movements such as Humanism, Romanticism and Modernism -- all this and more is part of the story of English and American literature. By the time you have finished the historical sequence, you should have a good sense of what questions to ask yourself–and what contexts to research–when you read any text, from a Renaissance sonnet to a contemporary science fiction novel.

Harry Cunningham

Literary history in the big picture

In addition to our historical sequence, a pre-1800 course will offer indepth attention to a particular writer or historical question, or else will trace fundamental literary questions across a wide expanse of time, to highlight the nature and importance of historical change and the nature of literary development.  How has the idea of a theater changed from the York Corpus Christi play (15th c.) to Arthur Miller’s  Death of a Salesman  (1949)?  By encountering these and other topics, you should learn how the histories we tell depend on the questions we ask, the assumptions we bring to the historical record, and the archive we establish. You should also learn how much is at stake when we declare what is pre-modern, what is modern, and what is post-modern.

Mastering interpretive methods

Our methodology requirements, Poetry and Poetics and Narrative and Narrative Theory, introduce you to some of the most important interpretive methods we use to bring literary texts to life. In the first, you learn about poems as formal artifacts that tell their own history of human expression. In the second, you learn to think about story telling from a technical perspective. What is it? How does it work? How has it changed over time? In addition, a "Writing Intensive Seminar in English" (WISE) course will introduce you to a range of critical methods, while offering a writing-intensive experience in a small seminar environment. WISE courses also satisfy our Writing in the Major (WIM) requirement.

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• Creative Writing

The English Major: Creative Writing Option

Note!  The requirements below took effect in Summer 2022 .  If you declared your major before then, please see the old requirements .  If you have questions about which version of the major applies to you, please contact HAS .

The Creative Writing Concentration prepares students not only to be more effective communicators and artists, but also creative problem solvers and more nuanced critical thinkers. By situating small, student-oriented writing workshops alongside literary models, Creative Writing classes enhance the broader study of literature and critical theory, helping students gain a greater understanding of the social and cultural forces informing their work. A student completing the program is more able to situate themselves in a larger aesthetic and social context and make more meaningful, informed decisions about their own artistic practice. In addition, through the intense practice of creative writing, students are able to see the world more clearly, in a more nuanced and meaningful manner, and apply these skills to a wide variety of work and life situations.

This page describes the English Major Concentration in Creative Writing. For the major's other option, see English Language, Literature, and Culture ,.

Students enrolled in the Creative Writing Concentration will complete a major consisting of 65 ENGL credits, at least 30 of which must be completed in residence at the University of Washington. A maximum of 20 credits in 200-level courses may count toward the English major, and may be used to fulfill the distribution requirements.

Creative writing students’ coursework is distributed as follows:

• ENGL 202: Introduction to English Language and Literature
• A sequence of creative writing workshops: ENGL 283: Beginning Verse Writing, ENGL 284: Beginning Short Story Writing, ENGL 383: The Craft of Verse, and ENGL 384: The Craft of Prose
• 15 credits in Historical Depth
• 15 credits in Power and Difference
• Two 400-level Creative Writing seminars ( Please see the  400-level Creative Writing workshop registration instruction page  for instructions on registering for these courses)

Please note: Creative writing students do *not* need to complete either ENGL 302 (satisfied by 383 & 384) or the senior capstone (satisfied by two 400-level CW classes), required for the major in Language, Literature, and Culture. All creative writing courses satisfy the Genre, Method, and Language distribution area, so Creative Writing students do not need to complete this area separately.

Applying to Creative Writing:

Applicants to the Creative Writing option must have already declared, or be eligible to declare, the English: Language and Literature major .

Applications for the Creative Writing option are accepted in autumn, winter, and spring quarters only, and should be submitted through this online application form   by the third Friday of the quarter at 4:00pm . Applications to creative writing are not accepted in summer quarter.

Eligibility Requirements

To be eligible to apply for the Creative Writing option, you must

• have already declared, or be ready to declare, the English major program ;
• have completed ENGL 202, 283 (beginning verse writing) and ENGL 284 (beginning short story writing) or transfer equivalents.

Application Procedure:

Please submit online ONE complete attachment that includes the items below, by 4:00pm on the third Friday of autumn, winter, or spring quarter (no applications accepted in summer):

1. Undergraduate Creative Writing Option Application (PDF)

RIGHT-click the above link and save it as a PDF to your computer. Fill out the form using Acrobat Reader. Save your changes. Then combine it with the following materials:

Transcripts for all college work completed, both at the UW and elsewhere (these are additional sets of transcripts, separate from the transcripts you will have supplied as part of your application for the major):

• Unofficial UW Transcript : Even if this is your first quarter after transferring to the UW, you should submit an unofficial UW transcript, available through the MyUW system ;
• Complete set of Unofficial transcripts from all schools from which you have transfer credit : We need the information contained in the complete transcript from each transfer school; the transfer summary on a UW unofficial transcript is not sufficient. Photocopies of transcripts are acceptable.

2. A Writing Sample of 3-5 poems and 5-10 pages of fiction (preferably a complete story). Fiction should be double-spaced, with 12pt font (Times New Roman) and 1" margins:

• Review writing sample guidelines and be sure to submit literary fiction and poetry
• Be sure to proofread carefully.

Admission decisions are based primarily on the potential a student exhibits in his or her writing sample - grades and GPAs are usually not at issue. Admission decisions are sent to applicants by e-mail, normally within two weeks of the application deadline.

Completion of the requirements above does not guarantee admission.

Students who are denied admission to the Creative Writing option will continue to be English majors, and may complete the requirements for the literature BA in English. They may apply for the Creative Writing option one additional time, but if they are denied admission then, they must complete the literature major or elect another major in another department.

Distribution Areas:

The majority of English courses are distributed among three overlapping areas: Historical Depth, Power & Difference, and Genre, Method, and Language. Creative Writing students are required to complete 15 credits in two of these areas, Historical Depth and Power & Difference, with the remainder of their coursework focusing on Creative Writing workshops. 

Some courses can count towards both "Historical Depth" or "Power & Difference"; however, each course can ultimately only be used to fulfill one requirement. For example, ENGL 351 is listed under both “Historical Depth” and “Power and Difference" but it will only count in one of those categories in a student's degree progress. The student may choose (and can change their mind, shuffling courses as long as they are enrolled).  Students noticing issues with how these classes are applying to the distribution areas in their degree audit can contact an advisor at   Humanities Academic Services Center  (HAS), A-2-B Padelford Hall  for support. 

Descriptions of each area, along with the courses fulfilling it, are available below. 

Historical Depth:

People have been speaking, reading, and writing in English for more than a thousand years, producing literature that is at once timeless and deeply informed by the time in which it was written. Cultural artifacts from the English-speaking world have shaped, and been shaped by, social movements and historical conditions around the globe, as has the language itself. With this in mind, English majors are required to take 15 credits focused on materials produced before 1945, with at least 5 of those credits focused on materials produced before 1700. Distributing coursework in this way helps students to understand the depth, richness, and variability of English literature, language, and culture across time, and dramatizes how the ways we organize history affect the stories we tell about it. These courses open up past worlds that are in some ways totally alien and in others very similar to our own, revealing that what seems real and true to us can radically alter over time. Entering into these past realities offers a new perspective on the present and develops our capacity to imagine alternative futures.

Historical Depth Courses:

• ENGL 210 Medieval and Early Modern Literature, 400 to 1600
• ENGL 211 Literature, 1500-1800
• ENGL 225 Shakespeare
• ENGL 310 The Bible as Literature
• ENGL 320 English Literature: The Middle Ages
• ENGL 321 Chaucer
• ENGL 322 Medieval & Early Modern Literatures of Encounter (P&D)
• ENGL 323 Shakespeare to 1603
• ENGL 324 Shakespeare after 1603
• ENGL 325 Early Modern English Literature
• ENGL 326 Milton (GML)
• ENGL 351: Writing in the Contact Zone: North America 1492 - 1800 (P&D)
• ENGL 376: Introduction to Middle English Language (HD)
• ENGL 422 Arthurian Legends (GML)
• ENGL 212 Literature, 1700-1900
• ENGL 300: Reading Major Texts (can also count as pre-1700 depending on texts)
• ENGL 303 History of Literary Criticism and Theory I (GML)
• ENGL 312 Jewish Literature: Biblical to Modern (P&D)
• ENGL 314: Transatlantic Literature and Culture (P&D)
• ENGL 315: Literary Modernism (GML)
• ENGL 327 Narratives of Bondage & Freedom (P&D)
• ENGL 328 Eighteenth Century Literature & Culture
• ENGL 329 Rise of the English Novel (GML)
• ENGL 330 English Literature: The Romantic Age
• ENGL 331 Globalization & Nationalism in the Age of Empire (P&D)
• ENGL 332 Nineteenth Century Poetry (GML)
• ENGL 333 Nineteenth Century Novel (GML)
• ENGL 335 English Literature: The Victorian Age
• ENGL 336 English Literature: Early Twentieth Century
• ENGL 337 The Modern Novel (GML)
• ENGL 338 Modern Poetry (GML)
• ENGL 352 Literatures of the United States to 1865 (P&D)
• ENGL 353 American Literature: Later Nineteenth Century
• ENGL 354 American Literature: Early Twentieth Century
• ENGL 373: History of the English Language (GML)
• ENGL 380: Special Topics in History
• ENGL 385: Global Modernism (P&D)

Power and Difference:

Literature, language, and culture have been shaped by and in turn shape systems of power. Such systems include capitalism, colonialism, imperialism, and hierarchies of race, status, caste, sex, gender, and sexuality. Over time, systems of power elevate some voices and stories and marginalize and silence others. English majors are required to take at least 15 credits focused on how systems of power operate in and through literature, language, and culture. These courses explore the evolving relationship of literature, language, and culture to structures of violence and dispossession and center critical perspectives that have been marginalized or silenced. They embrace alternative ways of learning about the past and present, and the impress of the former on the latter. They highlight the complex, sometimes contradictory ways in which literature and culture mediate systems of power. In so doing, Power and Difference courses foster our imagination of more just and equitable futures.

Power and Difference Courses:

• ENGL 207: Introduction to Cultural Studies (GML)
• ENGL 208: Data and Narrative (GML)
• ENGL 256: Introduction to Queer Cultural Studies (DIV) (GML)
• ENGL 257: Introduction to Asian American Literature (DIV)
• ENGL 258: Introduction to African American Literature (DIV)
• ENGL 259: Literature and Social Difference (DIV)
• ENGL 265: Introduction to Environmental Humanities (DIV, GML)
• ENGL 307: Cultural Studies
• ENGL 308: Marxism and Literary Theory
• ENGL 311: Modern Jewish Literature in Translation
• ENGL 312: Jewish Literature: Biblical to Modern (HD)
• ENGL 314: Transatlantic Literature and Culture (HD)
• ENGL 316: Postcolonial Literature and Culture (DIV)
• ENGL 317: Literature of the Americas (DIV)
• ENGL 318: Black Literary Genres (DIV, GML)
• ENGL 319: African Literatures (DIV)
• ENGL 322 Medieval & Early Modern Literatures of Encounter (HD)
• ENGL 327 Narratives of Bondage & Freedom (HD)
• ENGL 331 Globalization & Nationalism in the Age of Empire (HD)
• ENGL 339: Globalization & Contemporary World Literature (GML)
• ENGL 340: Irish Literature (P&D)
• ENGL 349: Science Fiction & Fantasy
• ENGL 351: Writing in the Contact Zone: North America 1492 - 1800 (HD)
• ENGL 352: American Literatures to 1865 (HD)
• ENGL 355: Contemporary American Literature
• ENGL 357: Jewish American Literature and Culture (DIV)
• ENGL 358: African American Literature (DIV)
• ENGL 359: Contemporary American Indian Literature (DIV)
• ENGL 361: American Political Culture After 1865 (DIV)
• ENGL 362: Latino Literary Genres (DIV, GML)
• ENGL 364: Literature & Medicine
• ENGL 365: Literature & Environment (GML, DIV)
• ENGL 366: Literature & Law
• ENGL 367: Gender Studies in Literature (DIV)
• ENGL 368: Women Writers (DIV)
• ENGL 372: World Englishes (DIV) (GML)
• ENGL 379: Special Topics in Power & Difference
• ENGL 385: Global Modernism (HD)
• ENGL 386: Asian American Literature (DIV)
• ENGL 466: Queer and LGBT Literature (DIV)
• ENGL 478: Language and Social Policy (DIV) (GML)
• ENGL 479: Language Variation and Language Policy in North America (DIV, GML)
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English Language and Creative Writing

• UCAS code Q3WV
• Entry year 2025 or 2024
• A level requirements AAB
• Duration Full time 3 Years

Top reasons to study with us

2nd for Linguistics

The Times and Sunday Times Good University Guide (2024)

6th for Creative Writing

The Complete University Guide (2024)

6th for English

The Guardian University Guide (2024)

We are one of the largest departments for the study of language in the country and one of the most highly rated in the world (3rd for Linguistics in the QS World Rankings, 2024).

Do you want to combine creating original fiction with an in-depth study of the English language? Then this is the degree for you.

At Lancaster, all Creative Writing students combine writing with study in another subject. You’ll be taught Creative Writing through lectures, readings, practices and discussion in regular tutor-led workshops by practising writers. As a student on the English Language and Creative Writing degree, you’ll join a thriving community, where you can get involved with the Writing Society, poetry nights, and spoken word events in the city. You’ll have the chance to develop your writing skills, cultivating a strong feel for words and their meaning within context.

Our Linguistics and English Language department is one of the largest in the UK. You could be analysing sound patterns or learning more about the tones, nuances and registers of the English language. The two different focuses of this degree reinforce and complement each other perfectly.

In your first year you’ll study the core modules of English Language and Introduction to Creative Writing. You will build up a writing portfolio throughout the year, which counts towards your final mark, and you will have the opportunity to work in small groups to offer supportive constructive criticism on each other’s work. In the second year you’ll move on to Stylistics and Intermediate Creative Writing Workshop. You’ll also be able to select modules such as Discourse Analysis, Creative Non-Fiction: Genre and Practice and English Phonetics. We also offer a series of lectures on the business of being a writer.

Your final year is made up of an Advanced Creative Writing Workshop and options such as a dissertation, Forensic Linguistics or Poetry and Experiment.

Many English Language graduates go on to work in education, publishing, the media and information technology. It is a subject that is useful in fields involving international communication, such as science, trade and international relations. As well as writing, this degree combination is particularly well-suited for careers in publishing, journalism, editing and PR.

Your department

• Linguistics and English Language Faculty of Arts and Social Sciences

Creative Writing at Lancaster University

“You get so much freedom in terms of what you write and what you’re interested in, and you’re really encouraged to follow that”. Discover how you could forge your Creative Writing journey at Lancaster University.

Applying from the USA?

We welcome students from across the United States to join our thriving department and make the application process as easy as possible.

We accept a range of qualifications including APs, Honors/Advanced or College-level classes.

Linguistics or English Language?

We offer BA degrees in Linguistics, English Language, and Linguistics and English Language. Which programme is right for you depends on your interests.

Linguistics

Our Linguistics degree is focussed on general principles of language, including its properties, development, variation and use.

English Language

Our English Language degree focusses on how these issues relate to English in particular, including the sounds and structures of English, its history, its regional and global varieties, and its use in areas like politics, the media, and advertising.

Linguistics and English Language

Our combined degree Linguistics and English Language gives you the best of both worlds.

Linguistics and English Language at Lancaster University

“The sorts of things that you learn about can change your whole world view”. Hear from students and teaching staff on what it’s like to study Linguistics and English Language at Lancaster University.

Your degree encourages you to cultivate a highly creative approach to projects and fosters a keen sense of imagination, as well as skills in data analysis, and the synthesis and presentation of results. These are the kinds of skills that today’s employers value.

Typically, our graduates are interested in jobs in:

• Speech and Language Therapy
• Teaching (primary, secondary, and English as a foreign Language abroad)
• Journalism, Media and Publishing
• Speech Technology
• Public Relations

Some of our graduates continue their studies at Lancaster or other institutions and undertake postgraduate studies or professional training in the field of languages or linguistics.

Entry requirements

Grade requirements.

A Level AAB

IELTS 6.5 overall with at least 5.5 in each component. For other English language qualifications we accept, please see our English language requirements webpages.

Other Qualifications

International Baccalaureate 35 points overall with 16 points from the best 3 Higher Level subjects

BTEC Distinction, Distinction, Distinction

We welcome applications from students with a range of alternative UK and international qualifications, including combinations of qualification. Further guidance on admission to the University, including other qualifications that we accept, frequently asked questions and information on applying, can be found on our general admissions webpages.

Contact Admissions Team + 44 (0) 1524 592028 or via [email protected]

International foundation programmes

Delivered in partnership with INTO Lancaster University, our one-year tailored foundation pathways are designed to improve your subject knowledge and English language skills to the level required by a range of Lancaster University degrees. Visit the INTO Lancaster University website for more details and a list of eligible degrees you can progress onto.

Contextual Offers

Our Contextual Offer Scheme recognises the potential of applicants whose personal circumstances may have impacted their exam results.

Course structure

Lancaster University offers a range of programmes, some of which follow a structured study programme, and some which offer the chance for you to devise a more flexible programme to complement your main specialism.

Information contained on the website with respect to modules is correct at the time of publication, and the University will make every reasonable effort to offer modules as advertised. In some cases changes may be necessary and may result in some combinations being unavailable, for example as a result of student feedback, timetabling, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes and new research. Not all optional modules are available every year .

Within our flexible Part I system, this 40-credit module runs over the course of the year and introduces students to the field of English Language. It is organised into eight units that cover:

Visual English and English Vocabulary

This unit covers the development of English spelling, including changes in letters and punctuation. We also look at the origins and development of English vocabulary and the complexities involved in defining fundamental units, such as words.

English Sounds and Structures

This unit explores the building blocks of speech, the workings of the human vocal tract, and how we can analyse and transcribe speech. It then builds upon this to examine how smaller units are combined into grammatical structures, while teaching a framework for the analysis of sentence structure.

Media English

This unit considers how media genres have developed, such as how language is used on TV, in newspapers and online. It also explores how language is used across a range of media, including political speeches, advertising, and campaigning, and how social media may be influencing language in real-time.

English Dialects

In this unit, you’ll explore the richness of English dialects, understanding where they came from and how they might change in the future. In doing so, we’ll also examine how English spread around the world and whether there’s such a thing as ‘standard English’.

Analysing English in Use

This unit will teach you fundamental skills in discourse analysis, allowing you to develop a set of tools for analysing texts and their contexts. This includes analysing how language is used to frame political topics, techniques for persuasion, and language and power.

Creative English

What is the difference between ‘ordinary’ and ‘literary’ language? In this unit, you will explore creative uses of English, spanning literature, poetry and metaphors. We will also think about creativity in everyday language, showing how seemingly ordinary speech and writing contains boundless novelty and verbal artistry.

Changing English

One of the most fundamental characteristics of language is that it changes over time. But why does language change? In this unit, you’ll explore the origins of English, how it has changed over time, and how we can use databases of historical language to track changes in writing.

Teaching English

English is the most widely spoken language in the world, but the majority of speakers learn it as a second language. In this unit, you’ll explore issues and opportunities in the teaching of English as a second language, including classroom interaction and the current best practices on how to teach a language.

This year-long module is focused on the development of your own writing. You will be encouraged to experiment with various forms and genres, to explore new approaches in drafting and editing your own work, and to develop the gentle art of responding to the work of fellow students. The lectures will introduce you to a range of exciting texts and helpful terminology, and offer insight from published authors. The follow-up workshops allow you to practice technique, mature your voice, and nurture your writerly instincts.

Within our flexible Part I system, this 40-credit module runs over the course of the year and introduces students to the field of Linguistics. It is organised into six units that cover:

Structures of Language

This unit focusses on the core areas of linguistic description: phonetics, phonology, morphology, syntax, semantics and pragmatics. The unit introduces students to the structure and meanings of words and sentences as well as the way words and sentences are understood in specific contexts of use.

Language Beginnings and Endings

This unit explores the evolution of language in our species, the way children acquire language and the way second languages are learned as children and adults. It also considers how language can be impaired and how and why languages die out.

Language and Society

This unit considers how languages differ according to social variables like class, gender and region. It also considers the relationship between language and politics and language and culture. The implications of multilingualism and issues of language policy and planning are also addressed.

Language Variation and Change

This unit explores different modalities of language including writing systems and sign language. It also explores the relationships between different languages and the way languages can change over time. Diversity in the world’s languages and the effect language may have on the way people think are also addressed.

Applied Linguistics

In this unit, students are introduced to some of the areas where knowledge and methods from linguistics are applied. You’ll explore the contributions that linguistics has made to areas like forensic science, computer science, health communication, education and literacy.

Methods of Linguistics

In this unit you’ll be introduced to some of the research methods relied on in linguistics, including both qualitative and quantitative methods. You’ll explore the different ways that data is collected and analysed in linguistics through ethnography, corpus linguistics, surveys and experiments.

This year-long module is the gate-way to the second and third year experience of Creative Writing. You will be able to write in any literary genre, drawing on the accompanying half-units or exploring new areas of creative work. You will develop a portfolio of creative writing, supported by peer and tutor feedback. A lecture series will increase the professionalisation of your writing.

The module is concerned with the linguistic analysis of literary texts, and particularly with the relationship between linguistic choices on the one hand and readers’ interpretations on the other. It deals with all three main literary genres: poetry, prose fiction and drama. Topics typically include:

• Foregrounding in language: deviation
• Foregrounding in language: parallelism
• Figurative language and thought
• Metaphor, metonymy and pain in verbal and visual art
• Narrative and point of view
• Fictional minds 1: point of view and mind style
• Speech and thought presentation
• Fictional conversations and characterisation
• Fictional minds 2: conversation and autistic characters
• Demonstration stylistic analysis: flash fiction

This short module provides support for students transitioning from year one to the more independent work expected in year two and beyond. It gives students the opportunity to reflect on the feedback from their coursework and exams in year one, as a foundation for developing the level of academic writing required in subsequent coursework. It also develops students’ awareness of the resources available from the library and how these may be accessed and used, particularly for independent research in coursework and the dissertation, and offers early alerts to the Careers service and planning for life after university. All majors and joint majors with either Linguistics or English Language must take this module in their second year.

This module examines explanations of how we acquire our first language. We bring psycholinguistics and theoretical linguistics together to describe and explain the processes a child goes through in learning their first language. We also look at some more advanced issues such as bilingualism, language impairments, and language development in deaf children. The module is an introduction to language acquisition studies, psycholinguistics and theories of mind and language – looking particularly at the wide spectrum of different explanations for language acquisition.

This module enables you to explore topics, techniques, and methods involved in memoir and life writing, as well as the risks and opportunities – technical, ethical and personal – inherent in this form. Through a series of seminars and workshops we will explore set texts, generative writing prompts, and give and receive feedback on works in progress. You will work towards the creation of your own memoir text – either a short stand-alone work or works, or a chapter / section from a proposed longer work. In addition, you will be supported in developing independent research to set your own work in its context in your reflective essay.

The module aims to introduce students to the critical analysis of spoken and written discourse in contemporary social contexts. It provides a range of resources and techniques for analysing texts, and enables students to apply them in looking at use of language as one aspect of social processes and change in postmodern society. Methods include functional grammatical analysis of clauses and sentences, analysis of text cohesion and generic structure, conversational and pragmatic analysis of dialogue, and intertextual and interdiscursive analysis. With a focus on spoken data and conversation analysis, we will also address written texts and introduce Critical Discourse Analysis and provide a focus on institutional discourse.

If you follow this course you will:

• develop your capacity for language analysis;
• learn to apply academic knowledge and analysis to real world issues and problems;
• develop a critical stance towards your social environment in its language aspects;
• question and challenge social and intellectual authority and knowledge, including what is taught on the course.

The module will cover important aspects of English grammar, stressing the sense in which grammar (in English and in general) is not an abstract system of arbitrary rules but is motivated by meaning and shaped by usage. We will apply this so-called functionalist perspective not only to present-day English but also to the way in which certain grammatical constructions have developed over time. Topics typically include:

• The purpose of (studying) grammar
• Simple sentences
• Word classes
• Grammatical functions
• Sentence structures and functions
• Types and structure of phrases
• Complex sentences
• The passive: form(s) and function(s)
• The grammar of spoken English

This course will provide students with an introduction to the phonetics of English. We will embark on a detailed examination of speech production, including the anatomy and physiology of the tongue, lips and larynx. In addition to this, we will cover different ways of representing speech, including transcribing phonetic variation using the International Phonetic Alphabet, and acoustic phonetics – the analysis of the physics of sound. Along the way, we will apply some of the above concepts to understanding phonetic variation in English, including various kinds of social and geographical variation.

This module introduces students to a range of technologies that require specialist treatment of linguistic data to function. Students will engage with technologies that require text databases (such as text categorisation technologies), as well as technologies that make use of the human speech signal (such as speech recognition and speaker recognition technologies). Students will not only learn about how these systems work, but they will also start to develop the coding skills required to build them. The module will be assessed by two reports that evaluate the performance of language technologies under different data conditions, reflecting the kind of development tasks undertaken in the technology industry.

In this module you will examine the language of ‘legacy’ as well as ‘newer’ media and how it interacts with other modes (for example, images). In the first half of the module, you will typically explore topics relating to ‘legacy’ media including but not limited to the structure of news, news values, broadcast talk, patterns in news discourse. In the second half of the module, you will typically examine topics relating to ‘newer’ media including but not limited to the ethics of social media data collection, hate speech, mis-/dis-information, social media advocacy and activism. You will learn how a range of approaches from linguistics - for example, discursive news values analysis, corpus linguistics, corpus-assisted discourse analysis, multimodal discourse analysis, (digital) conversation analysis, digitally mediated discourse analysis - can be applied to study topics relating to ‘legacy’ and ‘newer’ media.

This module provides an opportunity for students to explore language, learning and teaching. A particular focus is on classroom language, including whole class, paired and group work situations. This includes consideration of the role of technologies. We will look at a wide span of educational contexts, as we examine language and learning from the early years of schooling to looking at talk in tertiary education. We will see that language varies greatly in character and purpose according to who is involved and for what purpose. We will compare the language and learning opportunities that arise in whole class situations with pair and group work. What do students gain when they work collaboratively to help one another? What kind of teacher questions and responses promote greater learning opportunities? Do some kinds of interaction limit the potential for learning?

Using data from actual primary, secondary and/or post-secondary classrooms, students will develop their ability to analyse classroom language to explore how language fosters and/or sometimes hinders learning. This course will be of particular interest to those students who are curious about language and education, or who are considering working in educational contexts.

This course is complemented by LING209 Literacy and Education. The two modules alternate, so LING209 runs one year and then LING218 runs the following year. Most students therefore have the chance to take both modules, one in their second year and the other in their third year.

This module examines explanations of how language evolved in humans. We explore the evolution of the human language capacity drawing on evidence from linguistics, evolutionary theory, primatology and (paleo)anthropology. We consider language as a cognitive adaptation and ask what it is an adaptation for, e.g. instruction in tool making, as a form of social bonding, or as a means of winning a potential mate. We consider the phylogenetic development of language within the species as well as what cognitive and communicative abilities in non-human primates might reveal about the origins and functions of human language.

This module will allow students to undertake a short period of work experience with an employer in the North-West. Students spend forty hours working for an organisation which employs graduates in English Language and Linguistics, or a charity relevant to speech and language therapy. Placements are sourced by the Faculty Careers Team and include positions in areas such as publishing, marketing, social media, advertising, and speech and language therapy. Workshops prepare students for their chosen placement and training is provided. The module aims to give students a flavour of what it might be like to work in their chosen industry, in addition to developing graduate skills such as teamwork, taking direction from managers, confidence and independent working.

How does our lived experience translate into poetry? And how does poetry crystallize or transform experience through language and form? These and many other questions are explored in this module as we read as well as write poetry; for the writing of poetry is dependent not only your experience but also your abilities as a reader and interpreter of poems. We will look at the base structures of poetry – from the line-ending to more complex forms like sonnets and sestinas; and you will be encouraged to seek out new reading as a result of seminar discussion. Finally, you are expected to keep a journal of your poems and thoughts throughout the course, the contents of which will be used to create the reflective essay for your portfolio.

This module provides the students with theoretical and methodological insights into the field of Pragmatics, which is the discipline of language use in context. We will examine linguistic phenomena such as speech acts, (im-)politeness, the (c-)overt expression of intentions and the ways in which empathy is communicated.

We will consider how human beings progressively acquired the ability to express increasingly complex social meanings (e.g. referring to common sense knowledge when they make a statement) out of comparatively more basic ones (such as merely giving orders or asking questions).

This module provides students with knowledge about how speakers from different cultures and sociocultural backgrounds use language in different ways.

What is short fiction as a literary form? The module approaches this question by exploring its unique opportunities and challenges. We will look at examples of modern and contemporary short stories from around the world (including work by Katherine Mansfield, Herve le Tellier and Walter Mosely) to see how the form can be manifested, pushed, pulled, and made malleable.

Critical and creative engagement with these set texts will allow you to see how key techniques of narrative, voice, imagery, and dialogue can be tailored for short fiction. You will put these techniques into practice through a series of writing exercises and in your own submissions for tutor and peer feedback, as you build towards a portfolio of original short fiction; this will be accompanied by a critical reflection where you can explore your strategies for writing in this form.

In this module you will learn to produce, describe, and transcribe all the sounds in the World's languages. We will describe the physiology of how different sounds are produced and will look at the acoustic characteristics of particular sounds. You will practise transcribing all sounds within the International Phonetic Alphabet, and will learn examples of where sounds are used. For example, we spend time looking at the occurrence of click sounds in South African languages and at how pitch variation is used in tone languages. Seminars will cover the practical aspects to sound production, and we will also spend some time learning how to use computers for speech analysis.

This module will cover central concepts around word order, case marking, agreement, alignment, animacy, definiteness and valency changes and teach you to analyse new data from the world’s languages in terms of these topics. You will learn to critically evaluate the extent to which the structures of the world’s languages are shaped by cognition and communication. You will also learn how linguists provide explanations for why languages are structured the way they are, given the functions they serve. It is expected that you will acquire a better understanding of the structure of English as a result of seeing how English differs from other languages.

We all know when an ad has caught our attention, and whether it works for us or not, but what precisely is responsible for these effects? In this module, we will learn how to take ads apart using tools taken from linguistics, rhetoric, and semiotics. We will explore how ad writers make use of the different levels of language: for instance, how they exploit sounds and spellings; how they toy with word meanings and word associations; how they manipulate, and sometimes break, the rules of standard grammar. We will also explore how ads interact with other texts and consider the relationship between words and pictures. As well as analysing ads themselves, we will also learn how to test out our intuitions about them, by investigating how the words, structures and visuals used in the ads are employed in other kinds of texts.

The module aims to enable you to write for the theatre and develop your awareness of the processes by which a written script makes its way to performance. You will be taught through weekly seminars/workshops in which you will explore the effects that different staging approaches and performance strategies have on your scripts.

The module usually ends with a performance showcase at the Dukes Theatre, Lancaster, in which you will be actively involved; the showcase will allow you to reflect upon your work in the light of audience feedback.

Over the course of the module, you will develop your own writing styles and gain an awareness of the professional requirements of playwriting.

This module seeks to helps you write imaginatively about places and/or landscapes. You will be able to write poetry, prose fiction, or non-fiction as we explore the broad field of nature, environmental, and place-writing. You will study major texts that engage with different kinds of place and landscape – from fields and forests to rivers and urban edgelands – and explore your own emergent interests in place-writing. You will be encouraged to consider your own work as part of a larger, ongoing literary conversation about place, and to explore those places and landscapes that interest and excite you. The module also contains an element of fieldwork, linking the act of physically walking through a landscape to the practice of reading and writing about it.

This year-long module forms the core Creative Writing offering in your final year, and allows you to write in any literary genre. You will be encouraged to draw on the other creative writing modules you are taking and to explore new areas of creative work as you develop your portfolio. Throughout, you will be supported by feedback from both your tutor and fellow students.

This module develops the key techniques studied in the second-year module, ‘Short Fiction: Genre and Practice.’ It explores endings that use misdirection and ‘the reveal,’ as well various forms/genres of short stories, such as flash fiction, the ghost story, and rewriting fairy tales. As we go, we will be discussing several contemporary short stories, experimenting through writing exercises, and workshopping student drafts. You will thus develop a portfolio of your own original short stories, which is accompanied by a critical reflection on your use of form and technique. The module ends with tips on sending work for publication.

The module seeks to provide a closer look at selected aspects of language structure and how they are analysed within various theoretical frameworks. It aims to develop a critical awareness of theoretical constructs and the extent to which they influence not only analyses but also the choice of data to be analysed. Students will also be taught to evaluate the appropriateness of specific analyses for individual languages or facets of language. By the end of the module, you should have a good knowledge of the basic principles, notions and structures of Cognitive Linguistics, particularly of Cognitive Grammar.

In addition, you should develop:

• the competence to analyse linguistic (corpus) data in terms of these theoretical constructs;
• an appreciation of the sense in which Cognitive Linguistics is grounded in cognitive psychology, and how this is different from formalist frameworks such as Generative Grammar and its derivatives.

This module focuses on the contemporary field of English Language Studies. In particular, it will look at corpus linguistics - a research specialism at Lancaster University - and its application to areas such as the description of English grammar.

The module's programme of lectures will begin with a detailed introduction to the method before moving on, later in the term, to discuss the applications and implications of the method. Meanwhile, lab-based seminars will allow students to acquire and exercise practical skills with the computational tools (such as concordance software) required by the area of study.

This module will explore the writing of reviews, essays, and cultural reflection, through the development, in a workshop environment, of your own work, combined with directed reading of a selection of contemporary work. The terms ‘essays’ and ‘reviews’ will be interpreted broadly; you will, then, study the essay as a form that has evolved over the last four hundred years as a commentary on human existence, at both the deepest and most trivial level; and you will study the review as a form which, at its best, sets its subject in a cultural and personal context.

We will start with taught sessions covering the planning and designing of research in Linguistics and English language. We will cover topics including identifying and accessing relevant literature; formulating answerable research questions; working with data; and ethics and responsibilities in research. This is assessed through a short dissertation proposal. You will then carry out the research project planned in your proposal, working independently but with guidance from a supervisor. This culminates in the second assessment which is your written dissertation.

This module will introduce students to the oldest genre of writing there is: tragedy. We will explore the theory and philosophy which have informed it, and the history of its development through time, with a strong emphasis on Western culture across a wide range of traditions, concerns, and themes. This module aims to help you see just how many choices are available to the writer approaching tragedy. Each week, we will discuss the set texts and respond creatively to them. This format will enable you to reflect on, and adapt, the choices made in the set texts to create tragedies of your own which are innovative and informed, while also giving you a better critical understanding of the field.

The module will cover the two main sub-areas of the field, i.e. forensic phonetics and forensic linguistics more generally. Following a general introduction on the nature and history of forensic linguistics, lectures will focus on the two main questions forensic linguists concern themselves with: what does a text say, and who is (are) its author(s)? The issues of trademarks and lie detection do not fit into either of these, but will be covered as well. All aspects of the field will be illustrated with reference to specific (court) cases, which will also help shed light on the evolving status of forensic linguistic evidence in courts of law.

This module is about sociolinguistics, and in particular about how language relates to identities at different levels. This includes how individuals use language to signal their membership of particular social groups, and how different kinds of social groupings, such as peer groups, communities and nations, identify themselves through language.

The module will focus on three important areas of variation in language within society: gender, ethnicity and class. It will discuss the key research in each of these. Both theoretical and applied aspects of topics will be covered. The notion of ‘Identity’ provides the course with a unifying theme.

This module aims to broaden and deepen your capacity for language analysis applied to real social issues and problems and to encourage you to evaluate research critically and undertake your own data collection and analysis.

This module investigates how English varies at any given time and how it changes over time. It introduces you to the (socio)linguistic dimensions along which the language can vary and to the (extra)linguistic processes accounting for the ways in which it has changed. Attention is paid: to all domains of English, ranging from its sounds and structures to its usage; to the methods used by linguists to study variation and change in the language; and in particular to the close relationship between linguistic variation and change. The module covers key theoretical research in the field but also encourages you, especially in the seminars, to undertake your own data collection and to critically apply models and concepts presented in the lectures.

The module combines classic philosophical approaches with recent state-of-the-art experimental evidence to address a central topic in modern cognitive science: Does the language we speak affect the way we think? And as a result, do speakers with different cultural and linguistic backgrounds think differently? These questions form the core of the so-called linguistic relativity hypothesis, which will be the focus of this module. The module begins by laying down the foundation of the cognitive mechanisms underpinning the interaction between language and thought, such as working memory, semantic memory, and the structure and nature of meaning representations in the brain. The module then examines in detail the different ways in which language may affect thinking and give rise to cross-cultural and cross-linguistic differences between different populations, different individuals, and during first and second language development. Throughout, emphasis will be given to the different experimental methods used and the kinds of evidence that can inform our understanding of the linguistic relativity hypothesis.

In this module you will examine, through both set reading and writing prompts, the unique features of long fiction. Through tutor presentations and discussion of set texts, the workshopping of creative writing in progress, and the writing of synopses and other planning documents, you will develop competence in approaching a long fiction project. You will thus learn to: find strategies for planning and structuring; choose point of view and tense; develop plot; work with setting; address themes and characterisation; experiment with form; and write an ending. You may work in any adult genre you wish, but we will focus on literary, historical and science fiction, as well as both speculative and crime genres

This module aims to challenge received structures of poetic language through a close reading of poets who opened up new frontiers of 20th/21st century literature through their approaches to language. In each seminar, there will first be a close reading of work by a published poet, from Alice Oswald to Ezra Pound, looking at how they stretch or break the lyric formula; and then your own poetic experiments are workshopped.

In week two, there is a basic introduction to Ludwig Wittgenstein's famous theory of language games, with each subsequent poet examined in the light of how they try to break the rules of the game. Your own experiments will be very much encouraged, as either continuations of the radical departures first implemented by the poets in question, or your own attempts to break from comfortable notions of confessional or lyric poetry.

Psycholinguistics is the study of the psychology of language, which is one of the abilities that makes humans unique. It can cover topics in social psychology, developmental psychology, cognitive psychology and neuropsychology. The exact topics we cover vary each year depending on who is teaching on the module, but we aim to balance these areas and include topics on how children learn language and to read, how language is used in social interaction, how adults process sounds, words and sentences, and what happens when children fail to learn language normally or when adults suffer from brain damage.

This module will provide students with an opportunity to work as classroom volunteers in primary or secondary schools over the course of one term.

This module investigates some of the theoretical aspects to speech production and sound structure across the World's languages. We will spend time discussing and evaluating different frameworks for modelling phonetics and phonology, for example generative and usage-based approaches. Then, we will examine some case-study areas which challenge existing theories, for example intonational phonology and the study of historical sound change. This module aims to contribute to questions such as 'How are groups of sounds structured so that we can understand language?' or 'How are sounds stored and processed in the mind?'

This year-long course offers an in-depth exploration of the Gothic mode from the vantage point of the early twenty-first century. It is split into five sections: Defining, Localising, Salvaging, Haunting and Transforming. These themes have been chosen to enable the combination of traditional Gothic concepts (ghosts, monsters) with new theoretical ideas addressing a range of topics including gender, sexuality, decolonisation, and environmental crisis. A small selection of nineteenth- and twentieth-century texts, incorporating both canonical and less familiar works, introduce key concepts and establish a foundation for approaching a diverse and challenging collection of contemporary works. These will cover anglophone writing in a variety of literary forms, including long and short-form fiction, drama, and the graphic novel. Asking the question of what Gothic *does*, rather than what Gothic *is*, the module aims to challenge preconceived opinions, boldly enter difficult territories, and show how Gothic may be used as a critical tool to address some of the most pressing questions facing contemporary Western culture.

What are the constraints and opportunities of writing for children and young adults? By reading, analysing, and responding creatively to a range of texts, you will become more familiar with: contemporary practitioners of writing for young people; the expectations of the audience; and the opportunities for innovation.

The module begins with picture-books, and concludes with young adult novels. You will come to appreciate the complexities of writing fiction for young people, exploring everything from the constraints of paper engineering to the opportunities of a multi-modal narrative in picture books; and from the constraints of coming-of-age tropes to the opportunities for fresh, inventive language in YA fiction.

You will be asked to engage in a close reading of the texts studied and to respond creatively to them.

This module will introduce students to writing for games of all kinds, both digital and pen-and-paper. We will explore the basic principles of collaborative narrative experience as we seek to engage both critically and creatively with this new and extremely popular branch of contemporary writing. text currently is as follows could you kindly adapt new text please The weekly workshops are currently supplemented by a weekly, evening Games Study Night in the University Library to explore existing games, play-test your own, and enjoy the Library’s rich collection of board games.

This module will build on the second-year module ‘Writing Poetry,’ thus deepening your engagement with both writing and reading process. We will explore poetic form through a wide-ranging selection of poems, and consider form as a tradition that has been questioned, adapted, subverted, upcycled, reaffirmed. We will focus, in particular, on forms regularly employed or reimagined in the twentieth century and more recently.

Fees and funding

We set our fees on an annual basis and the 2025/26 entry fees have not yet been set.

As a guide, our fees in 2024/25 were:

Fees and funding information

Additional costs for this course

You will be able to borrow many books free of charge from the university library, however most students prefer to buy their own copies of at least some of the texts. Costs vary depending on whether these are bought new or second hand.

There may be extra costs related to your course for items such as books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation, you may need to pay a subscription to a professional body for some chosen careers.

Specific additional costs for studying at Lancaster are listed below.

College fees

Lancaster is proud to be one of only a handful of UK universities to have a collegiate system. Every student belongs to a college, and all students pay a small college membership fee which supports the running of college events and activities. Students on some distance-learning courses are not liable to pay a college fee.

For students starting in 2023 and 2024, the fee is £40 for undergraduates and research students and £15 for students on one-year courses. Fees for students starting in 2025 have not yet been set.

Computer equipment and internet access

To support your studies, you will also require access to a computer, along with reliable internet access. You will be able to access a range of software and services from a Windows, Mac, Chromebook or Linux device. For certain degree programmes, you may need a specific device, or we may provide you with a laptop and appropriate software - details of which will be available on relevant programme pages. A dedicated IT support helpdesk is available in the event of any problems.

The University provides limited financial support to assist students who do not have the required IT equipment or broadband support in place.

Study abroad courses

In addition to travel and accommodation costs, while you are studying abroad, you will need to have a passport and, depending on the country, there may be other costs such as travel documents (e.g. VISA or work permit) and any tests and vaccines that are required at the time of travel. Some countries may require proof of funds.

Placement and industry year courses

In addition to possible commuting costs during your placement, you may need to buy clothing that is suitable for your workplace and you may have accommodation costs. Depending on the employer and your job, you may have other costs such as copies of personal documents required by your employer for example.

The fee that you pay will depend on whether you are considered to be a home or international student. Read more about how we assign your fee status .

Fees are set by the UK Government annually, and subsequent years' fees may be subject to increases. Read more about fees in subsequent years .

We will charge tuition fees to Home undergraduate students on full-year study abroad/work placements in line with the maximum amounts permitted by the Department for Education. The current maximum levels are:

• Students studying abroad for a year: 15% of the standard tuition fee
• Students taking a work placement for a year: 20% of the standard tuition fee

International students on full-year study abroad/work placements will be charged the same percentages as the standard International fee.

Please note that the maximum levels chargeable in future years may be subject to changes in Government policy.

Scholarships and bursaries

Details of our scholarships and bursaries for students starting in 2025 are not yet available. You can use our scholarships for 2024-entry applicants as guidance.

Download the course booklet to find out more about Lancaster University, how we teach Creative Writing and what you'll study as a Creative Writing student.

Download the course booklet to find out more about Lancaster University, how we teach Linguistics and English Language and what you'll study as a Linguistics and English Language student.

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The information on this site relates primarily to 2025/2026 entry to the University and every effort has been taken to ensure the information is correct at the time of publication.

The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses. In exceptional circumstances that are beyond the University’s reasonable control (Force Majeure Events), we may need to amend the programmes and provision advertised. In this event, the University will take reasonable steps to minimise the disruption to your studies. If a course is withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to request that you are considered for an alternative course or withdraw your application. You are advised to revisit our website for up-to-date course information before you submit your application.

More information on limits to the University’s liability can be found in our legal information .

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We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. View our Charter and other policies .

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Get info and updates, ba (hons) english language and creative writing, book your virtual open day, key information, typical offer:, fees: see below, ucas code: q1w1, institute code: h36, study abroad option, work placement option.

The University of Hertfordshire is committed to welcoming students with a wide range of qualifications and levels of experience. The entry requirements listed on the course pages provide a guide to the minimum level of qualifications needed to study each course. However, we have a flexible approach to admissions and each application will be considered on an individual basis.

Clearing entry requirements

We’re committed to welcoming students with a wide range of qualifications and levels of experience. Over Clearing, we’ll be taking a flexible approach so if you don’t have the advertised grades, please submit a clearing application via our online application form or by calling our Clearing hotline on 0300 303 6300 , and we’ll review and consider your application on an individual basis.

Additional requirements

GCSE : Grade 4/C in English Language and 4/D Mathematics

Access course tariff: An overall merit profile in 45 credits at Level 3.

All students from non-majority English speaking countries require proof of English language proficiency, equivalent to an overall IELTS score of 6.5 with a minimum of 5.5 in each band.

If you do not have the required IELTS or equivalent for direct entry on to your degree programme, our  Pre-sessional English and International Foundation courses can help you to achieve this level.

For more details on the University of Hertfordshire's entry requirements, please visit our  Undergraduate Entry Requirements page.

Find out more about  International Entry Requirements .

GCSE : Grade 4/C in English Language and Mathematics.

All students from non-majority English speaking countries require proof of English language proficiency, equivalent to an overall IELTS score of 6.0 with a minimum of 5.5 in each band.

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Why choose this course?

• no. 13 in the UK for English (2023 Guardian League Table)
• Be taught by award-winning poets, fiction and non-fiction writers
• Optional modules in forensic and clinical linguistics

Do you have a story to tell, or have you always wanted to be a writer? Perhaps you want to learn how to be a critical reader or gain a greater understanding of the craft or writing? Through the BA English Language and Creative Writing, you’ll gain a better understanding about the English Language, as well as the process of writing so that you can find your voice, whether as linguist, a poet, playwright, or novelist.

In English Language you’ll learn all about the building blocks of language. Where does it come from? Why is Worcester spelt one way, but pronounced so differently? You’ll also look into the scientific study of everything to do with language. We offer a stimulating and supportive environment in which you can explore your ideas and understand how to use language effectively. Our English Language lecturers are also published researchers who work in different areas of applied linguistics. Our creative writing modules are taught by lecturers who are themselves award-winning practitioners and who bridge the gap between creative and academic approaches to literature. They include our poetry lecturer Wayne Holloway-Smith, winner of the Poetry Society’s Geoffrey Dearmer Prize and Seamus Heaney Prize nominee. 

What's the course about?

In your  first year , you’ll explore the building blocks of language. You’ll learn the basics of phonetics, which is the study of speech sounds, grammar and you’ll work on your academic writing skills. For Creative Writing, you’ll learn how to become a writer, looking at building words in fiction genres and writing for the screen. There are a few optional modules for you to choose too, including language and mind and language in the media. 

In your  second year , you’ll continue looking at grammatical structures and phonetics. All other modules are optional. You’ll choose from a range of modules, from vocabulary to language in society. You can choose to learn how to write plays, learn the art of the poem and look at literature. You’ll even have the option to study a module on English language teaching to speakers of other languages.  

Work placement/study abroad option:  Between your second and final year, you’ll have the option to study abroad or do a work placement for up to a year. Not only will this give you an amazing experience to talk about but will also give your CV a boost. If you’d rather go straight to your final year, that’s absolutely fine too. 

In your  third year , you can undertake a Creative Writing project in either poetry or prose. This is the culmination of three years of writing studies. You can choose to do an English Language project as well, where you’ll independently research an area of linguistics of your choice. You’ll take a two hour weekly short story writing workshop, where you produce your own writing and discuss this with your course mates. Other modules include clinical linguistics, child language and meaning and context.

For a complete overview of each module, see the ‘What will I study?’ section below.

Your main campus is College Lane

This is where the creative arts, science and health-related subjects are based. This means you’ll share the campus with future nurses, scientists, artists and more. You can use the common rooms to relax with friends, work out in the 24-hour gym or have a drink in our on-campus pub or cafes. We also have restaurants for you to eat in or grab something on the go. Our Learning Resources Centres are open 24/7, which means you can study whenever suits you best. Want to pop over to the other campus? You can take the free shuttle bus or walk there in just 15 minutes.

What will I study?

Degree programmes are structured into levels, 4, 5 and 6.  These correspond to your first, second and third/final year of study.  Below you can see what modules you’ll be studying in each.

An opportunity for an amazing experience, which will help make you stand out from the crowd. With more and more companies working internationally, experience of living in another country can make a great impression on future employers.  

This course offers you the opportunity to enhance your study and CV with a sandwich year abroad. The University has partnerships with over 150 universities around the world, including the USA, Canada, Asia, Africa, Australia, South America and closer to home in Europe.  

If you study abroad between your second and third year of study, you’ll pay no tuition fee to the partner university and no tuition fee to us either. We’ll ask you to make your decision in your second year, so there is plenty of time to think about it. 

Find out more about Study abroad opportunities  

Please note Erasmus+ funding is only available until May 2023. For students starting their course in September 2022 and wishing to study abroad in 2023-24 or 2024-25, please refer to the Turing Scheme .

Graduate with invaluable work experience alongside your degree and stand out from the crowd.  

This course offers you the opportunity to enhance your study and CV with a work placement sandwich year. It’s a chance to explore career possibilities, make valuable contacts and gain sought after professional skills.  

Our dedicated Careers and Employment team are here to help guide you through the process.

If you take up a work placement between your second and third year of study, at the University of Hertfordshire you’ll pay no tuition fee for this year. We’ll ask you to make your decision in your second year, so there is plenty of time to think about it. 

Find out more about work placements  

You’ll get a personal tutor to guide you through your course, all the way to graduation.

You might also want or need extra support during your time with us. Rest assured, no matter what you study, we’ve got you covered. For help with study skills, including referencing, essay writing and presentations, you’ll have access to our academic support services. You can attend workshops, 1-to-1 sessions, and online tutorials. Both our LRCs (Learning Resources Centres) run drop-in study skills sessions. And the best thing is, it’s all free.

Alumni Stories

Meet alex olney who has applied his skills in communication to the gaming industry. he is currently a senior video producer at nintendo life..

University experience

While not his first choice of university, Alex is grateful that he applied to the University of Hertfordshire through Clearing as whilst at the University he discovered and explored his passion for everything linguistic. This passion has had a profound impact on his life since graduating.

He says, ‘Studying a language gave me confidence and a deeper understanding of human and non-human communication and has allowed me to create a distinct idiolect that identifies me as a creator and, more importantly, entertains tens of thousands of people every day.’

He credits his success to the support he received from his lecturers who encouraged him throughout his studies: ‘The lecturers were not only well informed about the subject matter but had a genuine passion for language.’ He states that they pushed him to explore languages so much so that ‘it became a driving force in my everyday life.’

Alex also believes that the transferable skills he learnt while at the University have helped him throughout his professional life including time management. He states that he learnt effective time management skills to ensure that he never leaves projects and deadlines to the last minute and plans out in advance what is required.

Alex really enjoys his current role at Nintendo Life as he likes the hands on nature of producing content but would eventually like to manage and become a head of the video editing department.

Eleanor Pilcher

Meet Eleanor Pilcher who since graduating in 2016 has taken the publishing industry by storm. Eleanor currently works as a Marketing Manager at Avon, HarperCollins Publisher.

University experience and employability

Eleanor is a keen writer with great creative ambitions. During her degree she undertook a six-month internship at a literary agency in her final academic year. In 2016, shortly after her studies, Eleanor landed a placement at Penguin before getting a job in publishing recruitment. After developing her skills within the industry and amassing and impressive amount of knowledge and experience, Eleanor began her current role at HarperCollins Publishers.

Eleanor's degree encompassed a broad spectrum of critical, analytical and evaluative skills and helped shape her as a writer. Throughout her studies she had been writing a novel, which she submitted to literary agencies after being encouraged by her tutor to do so. It was Eleanor's passion for writing that uncovered her interest in working for a literary agency. Due to the fantastic lecturers on her course and the invaluable industry networks available to students, Eleanor managed to secure impressive opportunities in her chosen industry that have informed her career.

Sher recognises the impact the University has had on getting her to where she is today. 'For me the advice and feedback I received on both my History essays and Creative Writing finals was incredibly useful to my academic and professional development. I learnt to take criticism and to harness it and also write more because of it.'

Ambitions for the future

Eleanor has established herself in her chosen industry yet still has ambition to continue pursuing new goals. On her hopes for the future, she says: 'I hope to run a marketing department within a publishing company, possibly the one I'm at now. I hope to publish a novel and continue my freelance writing and public speaking on the side.'

• View our Alumni profiles Alex Olney Eleanor Pilcher

International/EU applicants without pre-settled status in the UK

Apply through our international/EU application portal

Home and EU applicants with pre-settled/settled status in the UK

Apply using the links below:

UK Students

• £9250 for the 2024/2025 academic year

EU Students

• £15500 for the 2024/2025 academic year

International Students

*Tuition fees are charged annually. The fees quoted above are for the specified year(s) only. Fees may be higher in future years, for both new and continuing students. Please see the University’s Fees and Finance Policy (and in particular the section headed “When tuition fees change”), for further information about when and by how much the University may increase its fees for future years.

View detailed information about tuition fees

Read more about additional fees in the course fact sheet

Other financial support

Find out more about other financial support available to UK and EU students

Living costs / accommodation

The University of Hertfordshire offers a great choice of student accommodation, on campus or nearby in the local area, to suit every student budget.

View detailed information about our accommodation

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English Language and Creative Writing BA(Hons)

This course is for you if you are passionate about the study of English language and ambitious to apply your knowledge of the subject to innovative creative writing practice.

On this course you will study a wide range of genres, historical periods and styles and engage with political, cultural, and social ideas to develop your own imaginative work.

The course will suit students who are excited about the idea of exploring the structure and evolution of language in relation to their own creative writing. Award-winning tutors will help you develop your knowledge of the forms and techniques of powerful texts and respond imaginatively to historical and contemporary writing.

You will get the opportunity to work with local publishers and authors to further develop your professional understanding of writing. Trips and projects enable you to work beyond the classroom and be motivated by inspirational writers. 

Location Brighton: Moulsecoomb

UCAS code Q310

Full-time 3 years

Apply now with UCAS for 2024

Entry criteria

Entry requirements

A-level or BTEC Entry requirements are in the range of A-level BBB–BCC (120–104 UCAS Tariff points), or BTEC Extended Diploma DMM–MMM. Our conditional offers typically fall within this range.

A-levels must include at least one of English literature, English language, English language and literature, sociology or psychology.

International Baccalaureate 26 points, with three subjects at Higher level.

Access to HE Diploma Pass with 60 credits overall. Humanities, history or politics courses preferred. At least 45 credits at level 3.

Studied before or got relevant experience? A qualification, HE credits, or relevant experience may count towards your course at Brighton, and could mean that you do not have to take some elements of the course or can start in year 2 or 3. 

English language requirements IELTS 6.0 overall with a minimum of 5.5 in each element. Find out more about the other English qualifications that we accept .

International requirements and visas

We can help you meet our English language or academic entry requirements.

Visit our language centre

For English language preparation courses.

Visit our International College

For degree preparation courses.

Visas and immigration advice

Applying for a student visa

Check out our step-by-step guidance.

Flexible admissions

When you apply to Brighton we want to hear about who you are. Grades are never the whole picture; we're interested in things like creativity, resourcefulness, persistence and the capacity to think big and find new ways of doing things. And we recognise that not everyone has the same background. That's why we treat everyone who applies as an individual. We recognise many qualifications and we care about all of your achievements and the experiences you've had that set you apart.

Find out more

Course content

Course structure

Full-time students have 10–11 hours contact time a week in lectures, seminars and workshops, but you are also expected to carry out independent study. Part-time study is possible and can be tailored to suit individual needs.

There are placement opportunities available in the second year as well as field trips to theatres, museums, schools, retirement villages and other community organisations. You are also welcome to study abroad after your second year.

Our courses are reviewed and enhanced on an ongoing basis in order to make sure that what you learn with us is relevant and that your course enables you to develop appropriate skills. When you apply to study with us, we will inform you of any new developments in your chosen programme through Student View .

Please enable targeting cookies in order to view this video content on our website, or you can watch the video on YouTube .

Chloe Price explains how the English Language and Creative Writing degree course has positively challenged her, the support she’s had from staff and how she has found living in Brighton

Explore the cultural and critical concepts of belonging and unbelonging. You'll situate yourself as an emerging, socially responsible writer in the wider world by engaging with diverse writings that explore themes of migration and movement, home and displacement, search for a community, and our relationship to the environment and different spaces.

This module will introduce you to practices of storying the self in writing and digital media. Through creating a first person story combining audio script, music and still image, you will engage with the expressive complexities of autobiographical representation. The module will also give you the creative writing tools to experiment with storying the self in a variety of written genre.

This module introduces issues around language and society. You will develop an understanding of language as a social phenomenon, including the interplay of individual linguistic choices and social structures. You'll also expand your abilities to synthesise materials, think critically and communicate effectively about the relationship of language and society.

This module explores intercultural communication in a technologically connected world. Through examining communication in national and individual-level communities and groups, you'll investigate how different narratives and positions emerge. You will explore the challenges and opportunities of intercultural communication in a complex, interconnected and inequitable world shaped by technology and other global forces.

This module provides a solid foundation in research methodologies and methods. It will develop your abilities in reading, processing and critically assessing analytical research. It will also build your skills in investigating language and linguistic patterns.

Explore the concept of a professional writerly identity, and consider a ‘writing life’ in personal, local and global terms. Through studying and by contact with professional writers, you will investigate writing as self-expression, craft, process and profession; curating a writerly identity/ persona; developing your writing towards your future career; and the writing life and its implications on the global stage, for example as an act of resistance to inequalities.

• Stories that Transform: Reading and Writing for Change
• Research and Practice
• Image and Text: The Language of Comics and Graphic Novels
• Power and Persuasion
• Travel Narratives Through Time and Space
• Twentieth-century Literary Experiments
• Queer Writing
• Literature and Art History
• Introduction to Journalism
• Contemporary Narratives and Society
• Writing for Stage, Radio and Screen
• Professional Practice and Placement
• American Literature 1850–1945
• Intercultural Communication in the Workplace
• Multilingualism

*Option modules are indicative and may change, depending on timetabling and staff availability.

Placements 

In year 2 you take a placement module which will allow you to gain professional experience in industries such as publishing, broadcasting, social media marketing, PR and the charity sector. 

Recent placement hosts include:

• Action Medical Research
• Action Tutoring
• Airstream Photo Booth
• Brighton Dome
• British Forces Broadcasting Services
• Epoque Press
• Factory Films
• The Old Market Theatre
• Little Green Pig
• Men’s Health Magazine

In year 3 you can choose the Community Placement module aimed at further building your professional experience. This is 30 to 50 hours of voluntary work with a not-for-profit or community organisation. The placement is assessed and contributes to your degree.

Mia Kurian, graduate

“My placement was with Metropolitan City Church Brighton as their Social Media Manager. I learnt a lot about myself and my interests and the type of career I may want to pursue. I got to try my hand at website design, something I had never done before, and it was a great opportunity for me to expand my creativity. Professionally, I gained a lot of experience that has been extremely useful in my career today. I learnt about creating brand cohesion and creating a brand image from scratch, something I’ve never done before.

"I absolutely loved it. It was an incredible learning experience as well as insightful. It allowed me to learn a lot about myself and the future I want. My placement manager was lovely and supportive and allowed me the freedom to explore my creativity.”

• Dissertation
• Brighton Rocks: Final Year Show
• Community Placement: Theory in Practice
• Russian Literature and Culture: The Golden Age and Beyond
• (Re)viewing Shakespeare
• Apocalypse, Utopia and Dystopia
• Literature and Philosophy
• Post-war American Literature
• Women's Writing and Feminist Theory
• Restoration Drama
• Adaptations
• Creative Writing Project
• Goths: Texts and Contexts
• Victorian Sexualities
• Brighton Rocks
• Writing the Contemporary
• Postcolonial Literatures
• European Literatures and Film
• Language, Culture and Ideology
• World Englishes
• Language of Gender and Sexuality
• Language, Law and the State: The Politics of Force
• Approaches to Analysing Discourse
• English Language Teaching
• Citizen Journalism: Theory and Practice
• From Script to Screen
• Analysing Big Data: Quantitative Methods in Language Research

Lab facilities

Mithras House is home to all our School of Humanities and Social Science courses. It has a series of ‘labs’, which may be used for teaching on your course or in your independent research work. Life lab A comfortable space with lounge furniture intended for qualitative research with larger groups. Due to its relaxed layout and naturalistic environment, the space is suited to research using focus groups, research using observation-based methods and child research.

The space is also used for teaching on some social science courses, as well as for dissertation research for projects.   City lab A space designed for collaborative student learning. It is used by students and staff involved in the university’s Global Challenges programme, our collective mission to contribute towards solutions to tackling the pressing issues facing our world. Design lab A space housing our extensive collection of historic dress and textiles, which are used in some teaching on our History of Art and Design courses . It has the space and equipment to work on textile projects. Displays created by students on these programmes are on view in the social spaces of the building.

Stats lab A specialist workspace with computing equipment for statistical analysis and projects involving video and audio editing software. The lab is accessible as a study space to students on psychology courses. 

It is also available to students studying courses involving video and audio recording and editing, such as politics degrees and our creative writing programmes. The stats lab contains eight soundproof booths for recording or transcribing interviews undertaken as part of dissertation research.   VR and eye tracking lab This lab is used for psychological research, specifically eye-tracking research and virtual reality research. Equipment includes an electroencephalography (EEG) headset and Electrodermal Activity (EDA) equipment.

Take a virtual tour of the labs available

Meet the team

Dr Bea Hitchman, course leader

Dr Beatrice Hitchman has written two novels. Petite Mort (Serpent's Tail, 2013), nominated for the Authors' Club Best First Novel Prize, the Polari Prize, the HWA Debut Novel Prize and the Desmond Elliott Prize, and serialised as a ten-part Radio 4 drama. Her research sits at the intersection of critical and creative writing. Read Bea's full profile.

Other staff who teach on the course include:

• Dr Jess Moriarty (pictured)
• Dr Craig Jordan-Baker
• Dr Barbara Chamberlin
• Simon Wilkinson
• Dr Vy Rajapillai
• Dr Julie Everton
• Dr John McCullough
• Eleanor Knight .

Dr Jess Moriarty

More about this subject at Brighton

Creative Writing MA students write on wellbeing

Take a look at some of the work produced by our Creative Writing MA students who have been spending time as writer in residence for the Centre for Arts & Wellbeing at the university.

Reading to get you thinking for our Creative Writing MA

Whether you’re an applicant, or thinking of applying, why not whet your appetite with some of the course reading?

Literature prizes awarded to top performing English students

English Literature and Creative Writing BA(Hons) students Angelica Blake-Lawson and Olivia Woods-Jones have been awarded the Peter James English & Creative Writing Breakthrough Awards scooping £500.

Take a look at Mithras House, home to our Humanities and Social Science courses

Whether you are an art historian or a psychologist, a creative writer or a criminologist, as a student in our school you will be studying in our newly renovated Mithras House building.

Read more from our blog

Prepare for your career

Your English Language and Creative Writing degree provides subject knowledge and expertise and opportunities to put what you learn into practice with work-related experience.

• You will develop valuable transferable skills such as a critical thinking and writing, independent research and analysis.
• The course will equip you with excellent presentation, written and oral communication skills.
• Option modules in your second and third years span subjects including documentary filmmaking, philosophy, teaching and conversation analysis enabling you to tailor your degree to your specific career ambitions.
• A programme of visiting writers and publishing professionals give you a window into the publishing industry.
• You can opt to take a voluntary placement as part of the course and complete a practical project with a local community or voluntary organisation.
• Workshops and spoken word events will help you find your writing voice and you will also be encouraged to enter competitions to build your confidence as a writer.

Extracurricular activities which can add to your skillset and experience include:

• the Performance and Community Research and Enterprise Group which celebrates, challenges and researches the various modes of performance (voice, body, space, movement, language, sound, texture, shape, words).
• the student-led Creative Writing Society.

Showcasing your talent 

The Scrivener series of talks runs twice a semester giving you the chance to talk with a professional writer about their work. This then feeds into open mic nights where you can showcase your work

As a Creative Writing student you will have the opportunity to organise your own academic conference in your final year, centred around celebrating you and your fellow students’ work. Students organise all aspects of the event and present work at the conference.

All Creative Writing students receive a weekly email digest of writing competitions and opportunities. Our aim is to encourage you to get your work to a wider audience, and think about the future.

Royal Literary Fund Fellow 

If you want professional feedback on any aspect of your writing, from an essay to a manuscript, you can book a one-to-one tutorial with our resident Royal Literary Fund Fellow .

The sessions are free, confidential and independent of the university. 

You can get advice on

• academic writing style and how to answer essay questions. 
• all aspects of your writing, such as developing and structuring an argument to improving style.

What can I do with a language and creative writing degree?

English Language and Literature degree graduates gain a broad range of skills applicable in a variety of industries, such as:

• advertising
• copywriting, editing and proofreading
• speech and language therapy

High-profile graduates from our English programmes include Paris Lees, Tanaka Mhishi and Munroe Bergdorf.

Graduates from our English programmes have gone on to careers in:

• social media marketing
• English tutorship
• SEO Executive
• broadcasting
• public relations 

This degree opens up a range of postgraduate study options. At Brighton, for example, you could progress to:

• Creative Writing MA
• Journalism MA
• Secondary English PGCE .

You could also choose to complete your PhD at Brighton alongside our team of world-leading researchers.

Supporting your employability

Outside of your course, our Careers Service is here to support you as you discover (and re-discover) your strengths and what matters to you. We are here for you throughout your university journey as you work towards a fulfilling and rewarding career.

Connect with our careers team

• Find part-time work that you can combine with your studies.
• Find, or be, a mentor or get involved with our peer-to-peer support scheme.
• Develop your business ideas through our entrepreneurial support network.
• Get professional advice and support with career planning, CV writing and interview top tips.
• Meet potential employers at our careers fairs.
• Find rewarding volunteering opportunities to help you discover more about what makes you tick, and build your CV.

Whatever your career needs, we are here to help. And that's not just while you are a student, our support carries on after you've graduated.

Find out more...

Fees and costs

Course fees

UK (full-time) 9,250 GBP

International (full-time) 15,900 GBP

The fees listed here are for the first year of full-time study if you start your course in the academic year 2024–25 .

You will pay fees for each year of your course. Some fees may increase each year.

UK undergraduate and some postgraduate fees are regulated by the UK government and increases will not be more than the maximum amount allowed. Course fees that are not regulated may increase each year by up to 5% or RPI (whichever is higher).

If you are studying part-time your fee will usually be calculated based on the number of modules that you take.

• Fees, bursaries, scholarships and government funding info for UK and international undergraduate and postgraduate students
• Student finance and budgeting while studying
• About the university’s fees by checking our student contract and tuition fee policy (pdf).

What's included

You may have to pay additional costs during your studies. The cost of optional activities is not included in your tuition fee and you will need to meet this cost in addition to your fees. A summary of the costs that are included and any extras that you may be expected to pay while studying a course  in the School of Humanities and Social Science in the 2022–23 academic year are listed here.

• For some assessments you may be required to print large format posters for presentations at a cost of £5–£10 per poster.
• Most coursework submissions are electronic but you may wish to print notes and should budget up to £100 for printing.
• Course books are available from the university but you may wish to budget up to £200 to buy your own copies.
• Some courses include an optional placement module for which students will need to cover the costs of travel to and from the placement and DBS checks as required.
• Supervision fees: £1,170 for each full year. Estimated based on £45 per hour with fortnightly meetings. In some agencies, supervision will be provided at no cost. Where students have to pay, the cost will only begin when supervision begins.
• Personal counselling/therapy: £2,000–£2,800 over the course. Estimated based on £40 per hour.
• For a number of courses you will have the opportunity to attend field trips and off-site visits. These are optional and are not required to pass your course but under normal circumstances we would expect a budget of approximately £150 per year will cover the costs of particular trips. The amount spent would be based on location and number of trips taken.
• You will have access to computers and necessary software, however many students choose to buy their own hardware, software and accessories. The amount spent will depend on your individual choices but this expenditure is not essential to pass any of our courses.

You can chat with our enquiries team if you have a question or need more information. Or check our finance pages for advice about funding and scholarships as well as more information about fees and advice on international and island fee-paying status.

Location and student life

Campus where this course is taught

Moulsecoomb campus

Two miles north of Brighton seafront, Moulsecoomb is our largest campus and student village. Moulsecoomb has been transformed by a recent development of our estate. On campus you'll find new Students' Union, events venue, and sports and fitness facilities, alongside the library and student centre.

Over 900 students live here in our halls, Moulsecoomb Place and the new Mithras halls – Brunswick, Goldstone, Hanover, Preston and Regency.

Moulsecoomb has easy access to buses and trains and to all the exciting things happening in our home city.

Accommodation

We guarantee an offer of a place in halls of residence to all eligible students . So if you applied for halls by the deadline you are guaranteed a room in our halls of residence.

Brighton: Moulsecoomb

Halls of residence We have self-catered halls on all our campuses, within minutes of your classes, and other options that are very nearby.

You can apply for any of our halls, but the options closest to your study location are:

• Mithras Halls are stylish new high-rises in the heart of the student village at our revitalised Moulsecoomb campus with ensuite rooms for more than 800 students.
• Varley Park  is a popular dedicated halls site, offering a mix of rooms and bathroom options at different prices. It is around two miles from Moulsecoomb campus and four miles from the city centre, and is easy to get to by bus.

Want to live independently? We can help – find out more about private renting .

Modern accommodation at Moulsecoomb

Relaxing in halls near the campus

Student Union social space at Moulsecoomb

About Brighton

The city of Brighton & Hove is a forward-thinking place which leads the way in the arts, technology, sustainability and creativity. You'll find living here plays a key role in your learning experience.

Brighton is a leading centre for creative media technology, recently named the startup capital of the UK.

The city is home to a national 5G testbed and over 1,000 tech businesses. The digital sector is worth over £1bn a year to the local economy - as much as tourism.

All of our full-time undergraduate courses involve work-based learning - this could be through placements, live briefs and guest lectures. Many of these opportunities are provided by local businesses and organisations.

It's only 50 minutes by train from Brighton to central London and less than 40 minutes to Eastbourne. There are also daily direct trains to Bristol, Bedford, Cambridge, Gatwick Airport, Portsmouth and Southampton.

Moulsecoomb campus map

Support and wellbeing

Your course team

Your personal academic tutor, course leader and other tutors are all there to help you with your personal and academic progress. You'll also have a student support and guidance tutor (SSGT) who can help with everything from homesickness, managing stress or accommodation issues.

Your academic skills

Our Brighton Student Skills Hub gives you extra support and resources to develop the skills you'll need for university study, whatever your level of experience so far.

Your mental health and wellbeing

As well as being supported to succeed, we want you to feel good too. You'll be part of a community that builds you up, with lots of ways to connect with one another, as well having access to dedicated experts if you need them. Find out more .

Sport at Brighton

Sport Brighton

Sport Brighton brings together our sport and recreation services. As a Brighton student you'll have use of sport and fitness facilities across all our campuses and there are opportunities to play for fun, fitness or take part in serious competition. 

Find out more about Sport Brighton .

Sports scholarships

Our sports scholarship scheme is designed to help students develop their full sporting potential to train and compete at the highest level. We offer scholarships for elite athletes, elite disabled athletes and talented sports performers.

Find out more about sport scholarships .

Stay in touch

Ask a question about this course

If you have a question about this course, our enquiries team will be happy to help. 01273 644644

Subscribe to our School of Humanities blog to find out about student and staff news, and events.

Find out more about how the academic year and degree courses are organised , and about learning and assessment activities you might get to grips with at Brighton. More specific information about this course is detailed in the programme specification (linked below). You can find out also about the support we offer to help you adjust to university life.

Course and module descriptions on this page were accurate when first published and are the basis of the course. Detailed information on any changes we make to modules and learning and assessment activities will be sent to all students by email before enrolment, so that you have all the information before you come to Brighton.

Discover Uni

Discover Uni enables you to compare information when choosing a UK university course. All UK universities publish Discover Uni data on their website.

Programme specification

The programme specification is the approved description of each course. They give a detailed breakdown of the content and structure of the course, and are updated following course changes.

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English and Creative Writing

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Thank you for considering an application.

Here's what you need in order to apply:

• Royal Holloway's institution code: R72

Make a note of the UCAS code for the course you want to apply for:

• English and Creative Writing BA - QW38
• Click on the link below to apply via the UCAS website:

Key information

Duration: 3 years full time

UCAS code: QW38

Institution code: R72

Campus: Egham

English and Creative Writing (BA)

By combining the study of creative writing with English, you'll become an informed and critical reader as well as a confident and expressive writer - whether specialising as a poet, playwright, or author of fiction.

Studying at one of the UK's most dynamic English departments will challenge you to develop your own critical faculties. Learning to write creatively and critically analyse in tandem, you'll be exposed to a huge variety of literature while you develop your own writing practice. Studying English will allow you to place your writing within a wider cultural context of literature throughout history, considering key texts and acquiring a sound understanding of significant periods, genres, authors and ideas.

Modules are taught by nationally and internationally known scholars, authors, playwrights and poets who are specialists in their fields who write ground-breaking books, talk or write in the national media and appear at literary festivals around the world.  This means the course you take covers the most up-to-date ideas, whether in Creative Writing, Victorian Literature, Shakespearean studies or contemporary literature.

Find your voice as a writer and develop writing techniques, learn how to create, criticise and shape an artistic work: a valuable life skill with uses beyond writing poetry, plays or novels. From journalism and website creation to advertising and academic publishing – you'll be able to use the skills you pick up in character, voice, ambiguity, style and cultural context.

• Writing practice at the heart of your learning experience.
• Taught by high-profile, award-winning writers.
• Create and shape artistic work – ideal skills for a career in media or publishing.
• Choose one of three distinct pathways: fiction, poetry, or playwriting.
• Access to a thriving culture of creative writing.

From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.

Course structure

Core modules.

In this module you will develop an understanding of a range of literary and cultural writing forms through reading, discussion and practice. You will look at poetry, drama and prose fiction alongside stand-up comedy, adaptation, translation, songwriting, and other forms of creative expression and articulation. You will learn how to offer clear, constructive, sensitive critical appraisals, and how to accept and appropriately value criticism of your own work.

In this module you will develop an understanding of a range historical perspectives on the function, forms, and value of creative writing. You will look at the genesis of particular genres, such as the short story, the novel and the manifesto, and consider relationships between historical genres and the contemporary writer. You will interrogate your own assumptions about creative writing and critically examine the relationship between creative writing and society.

In this module you will develop an understanding of the origins, developments and innovations of the novel form. You will look at a range of contemporary, eighteenth and nineteenth-century novels and learn to use concepts in narrative theory and criticism. You will consider literary history and make formal and thematic connections between texts and their varying socio-cultural contexts. You will examine novels such as 'The Accidental' by Ali Smith, 'Things Fall Apart' by Chinua Achebe and 'North and South' by Elizabeth Gaskell, analysing their cultural and intellectual contexts.

In this module you will develop an understanding of a variety of major poems in English. You will look at key poems from the Renaissance to the present day. You will engage with historical issues surrounding the poems and make critical judgements, considering stylistic elements such as rhyme, rhythm, metre, diction and imagery. You will examine poems from Shakespeare to Sylvia Plath and analyse topics such as sound, the stanza and the use of poetic language.

In this module you will develop an understanding of how to think, read and write as a critic. You will look at the concepts, ideas and histories that are central to the ‘disciplinary consciousness’ of English Literature, considering periodisation, form, genre, canon, intention, narrative, framing and identity.

You will choose two from the following:

• Playwriting

This module concentrates on a particular mode of writing, genre, theme, issue or idea. You will be encouraged to make creative work in relation to the focus, and develop your writing practice in relation to wider contexts relevant to the contemporary writer.

Creative Writing Special Focus courses are open to both creative writing and non-creative writing students.

You will choose one of the following modules. Each of these modules consists of a year-long independent project, working closely with a staff supervisor from the appropriate field.

• Playwriting 2

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

• All modules are core

Develop your skills in the close reading and critical analysis of Middle English poetry, focusing on set passages from three important fourteenth century texts: Chaucer’s Troilus and Criseyde, Langland’s Piers Plowman, and the anonymous Sir Gawain and the Green Knight. The module invites you to think about how poets understood the status of Middle English as a literary language, in comparison with Latin and French.

The Lord of the Rings regularly shows up in lists of 'The Best Books of All Time', and Tolkien continues to inspire interest and imitation for all kinds of reasons. You will examine Tolkien’s work from the perspective of his engagement with Old English poetry, a subject which constituted an important part of his scholarly activity. You will look at his three main Old English poems (in the original and in translation) and Tolkien’s two most popular works of fiction, The Lord of the Rings and The Hobbit.

In this module you will explore a major literary genre which attracted all the great poets of late medieval England: the dream vision. It considers the use of the genre in the works of Chaucer, Langland and the Gawain-poet, as well as examining the visions in mystical writing. These authors’ treatments of the genre repeatedly ask us to reflect on the relationship of literature to experience, poetic authority and identity, and the development of English as a literary language.

Romance was one of the most popular genres of secular literature in late medieval England. You will begin by looking at the Arthurian romances of Chretien de Troyes, before going on to consider works by Chaucer, the Gawain-poet and Sir Thomas Malory. You will examine romances set in the mythical British past, in the classical cities of Troy, Thebes and Athens, and in the more recognisable landscapes of medieval England and France. Attention will be paid throughout this module to the often inventive and unpredictable ways in which medieval romance works to articulate specific historical and cultural anxieties.

In this module you will develop an understanding of the Anglo-Saxon riddling tradition. You will look at a wide range of Exeter Book Riddles, learning to translate Old English Poetry into modern English. You will consider techniques of textual analysis and personal judgement to form clearly expressed critical examinations of texts. You will consider various perspectives on Anglo-Saxon culture and literature and analyse riddles on topics such as animals, religion, heroic life and runes.

This module explores in-depth three supreme examples of Shakespearean comedy, tragedy and historical drama: Richard III (1592-3), A Midsummer Night's Dream (1595-6), and Macbeth (1606).

The texts covered in this module span virtually the whole period in which early modern English drama flourished: from Marlowe in c.1593 to 1634. The texts range from famous plays like Macbeth and The Tempest to little-known comedies like The Wise-woman of Hogsden. Two central texts will be The Witch of Edmonton and The Late Lancashire Witches, plays which deal with historically documented witchcraft accusations and scares. Non-dramatic texts about witchcraft are also included for study, including news pamphlets, works by learned contemporaries expressing their opinions about witchcraft, and popular ballads.

Charting a progression from Galenic humoral theory to Cartesian dualism, you will consider the representation and significance of corporeality in sixteenth- and seventeenth-century texts. Reading Renaissance plays and poetry alongside anatomical textbooks, manuals of health, erotica, and philosophical essays, the module seeks to contextualise the period's literary treatment of the body.

This module offers the opportunity to study one very important and characteristic aspect of Milton’s Paradise Lost: his depiction of Eden, the paradise that was lost at the fall. Throughout his account of Paradise, Milton works to make the loss of Paradise poignant by lavishing on it all his evocative powers as a poet. You will spend at least three sessions looking at Milton's epic, covering aspects such as Edenic sex and marriage, Eden’s fauna and flora, and work in Eden. Throughout the module images of Paradise will be given attention, starting with Hieronymus Bosch's 'The Garden of Earthly Delight'. Alongside artworks, you will look at some of the Bible scholarship which tried to locate the site of Paradise, and deduce its fate.

An introduction to English literature from the Norman Conquest to the birth of Chaucer. This period has been described both as a period of political crisis and also as a period of cultural renaissance. It saw the conquest and colonization of England, the rise of new forms of scholarship and spirituality, and, according to some accounts, the development of new ways of thinking about national and individual identity

Explore the Victorian concept of the 'sensational' across a range of novels dating from the height of the sensation period in the 1850s and 60s. Together, we will examine some of the magazines in which these novels were originally serialized. Issues such as the role of public spectacle, the first detectives, advertising, domestic crime and the demonic woman will be explored in relation to the cultural and social context of this novelistic genre.

This module, which is designed to enable non-creative writing students to try a creative writing module, will give you the opportunity to work through some issues associated with short-story and/or novel writing. Classes will alternate seminar discussions of aspects of the craft of writing with workshops in which you will interact critically and creatively with others' work.

Examine a range of novels by gay and lesbian writers in Britain and Ireland which have emerged in the wake of the AIDS catastrophe and queer theory. You will focus on interesting though rather peculiar trends in the post-queer novel: queer historical and biographical fictions, and explore the reasons behind the dominance of these approaches in recent gay and lesbian literature.

With the appointment of Carol Ann Duffy as the first woman Poet Laureate for the United Kingdom in 2009, poetry by women became publicly validated as never before. Setting fresh horizons for women’s poetry, Duffy joined Gillian Clarke who has served as National Poet of Wales since 2008; Liz Lochhead was appointed Scots Makar in 2011, and Paula Meehan was appointed in 2013 to the Ireland Chair of Poetry. By careful reading of two collections by each poet, you will assess how each poet has moved from a position of rebellion, liminality or minority into the very heart of the cultural institution.

Discover the 'dark' topics of late-Victorian and Edwardian literature. Perhaps the most important cultural influence on these texts is the negative possibility inherent in Darwinism: that of 'degeneration', of racial or cultural reversal, explored in texts like Wells's The Time Machine, and often related to the Decadent literature of Wilde and others.

An introduction to American literature via the tradition which David Reynolds labels 'dark reform'; a satirical and often populist mode which seek out the abuses which lie beneath the optimistic surface of American life, often through grotesque, scatological, sexualized and carnivalesque imagery. You will explore the contention that because of America's history, with its notions of national consensus and fear of class conflict, political critique in America has often had to find indirect expression.

This module will familiarise you with a range of influential critical and theoretical ideas in literary studies, influential and important for all the areas and periods you will study during your degree.

An introduction to the literature of the English Renaissance, beginning in the 1590s with erotic narrative poems by Christopher Marlowe and William Shakespeare, and concluding with John Milton's drama, Samson Agonistes, first published in 1671. Marlowe and Thomas Middleton represent the extraordinarily rich drama of the period, while John Donne and Andrew Marvell are the most famous of the so-called metaphysical poets. A feature of the module is the attention given to situating these works in their historical and cultural contexts.

Between the English Revolution and the French Revolution, British literature was pulled by opposing cultural forces and experienced an extraordinary degree of experimentation. The eighteenth century is sometimes called The Age of Reason, but it is also called The Age of Sensibility. It was dominated by male writers, but also facilitated the rise of the woman novelist and the emergence of coteries of intellectual women. It continued to be an essentially rural nation, but London grew to be the biggest city in the world and industrialisation was beginning to herd workers into towns. This module explores some of the tensions and oppositions which were played out in the literature of this period.

This module is framed by the personal: it begins with Queen Victoria’s private diaries of her happiest days in Scotland, and ends just beyond the Victorian period, with one troubled man’s intensely-felt account of his Victorian childhood. You will look at examples of the novelistic form, including sensation, Romantic, domestic realist and sentimental novels. Some of the works you will study are well-known and truly canonical, while others will be excitingly unfamiliar; all, however, will contribute to a sense of the variety and contradictions inherent in being Victorian.

This module will introduce you to a broad range of literatures from the period 1780 to 1830. The module aims to problematise and scrutinise the idea of Romanticism as a homogenous literary movement and to raise awareness of the range of competing literary identities present in the period.

Providing an introduction to the study of literary modernism, a period of intense experimentation in diverse sets of cultural forms.  This module deals with issues such as modernist aesthetics; genre; gender and sexuality; the fragment; time and narration; stream-of-consciousness; history, politics and colonialism; technology, and the status of language and the real.

The principal aim of this course is to immerse second-year literature students in the world of digital tools for exploring literature. Through extensive hands-on use of online parsing tools, algorithmic methods for assessing aspects such as word co-association, various types of visualization packages and a great deal more besides, students will realise the remarkable affordances of digital tools in reading and interpreting texts.

Explore British drama staged during the first half of the twentieth century against a backdrop of two world wars. The plays studied place the values of their age under scrutiny, to raise questions about social justice, spiritual choices, class and gender inequalities. Theatrical genres were under just as much pressure as the cultural values they sought to convey; the ten plays studies during the course reflect a range of evolving genres, from the well-made play, the play of ideas, social comedy, to poetic drama.

This module aims to develop your advanced writing skills for academic attainment and employability. You will be introduced to key forms of writing from a variety of professional contexts. An initial focus on the academic essay will enable you to develop writing from more familiar experience.

A project involving designing and promoting a virtual exhibition will introduce you to the writing skills needed in heritage professions and group work. Real life writing and editing tasks introduced by industry professionals from the world of publishing will provide you with practical experience to share with potential employers. You will also be introduced to the requirements of pitches, policy briefs, and the work of writing in the legal professions.

A comprehensive study of three of Shakespeare's most difficult and most disturbing plays, collectively known as the ‘problem plays’: Troilus and Cressida, All’s Well That Ends Well and Measure for Measure. You will develop a detailed knowledge and understanding of the plays, both as individual works of dramatic art and as a group of texts sharing distinctive concerns and techniques.

In this module you will develop an understanding of representations of the body in Renaissance Literature. You will look at a broad range of canonical and non-canonical literature including medical, philosophical and theological texts. You will learn to use diverse critical and theoretical approaches and consider topics including bodily metamorphosis, foreign bodies and gendered bodies. You will examine poetry from writers such as John Donne and Philip Sidney and plays from writers such as William Shakespeare, Christopher Marlowe and John Webster.

An advanced introduction to debates about the philosophy of literature. This module is structured around three key questions: the ethics of literature, what literature is presumed to reveal and the relationship between literature and its interpretation.

This module will introduces you to a number of theorists of tragedy, and a number of significant tragic texts (in dramatic and other idioms) from Classical Greece to the present day. All works not written in English are studied in translation. You will explore a variety of theories of tragedy with specific attention to a range of tragic works in various modes: plays, novels, poetry and film.

Focusing primarily on Joyce’s major work Ulysses while putting it into context with Joyce’s other work, you will have the opportunity of getting to know and getting to enjoy what has been described as ‘the greatest novel of the 20th century’. You will examine it in various contexts, including Joyce’s other writings and the various critical approaches that have found inspiration from Joyce, whether new critical, humanist, post-structuralist, politicizing, feminist, historicizing or textualist responses to his work.

This module explores aspects of nineteenth-century literature, science and culture in some depth and brings well-known works like Charlotte Brontë's Villette, Eliot's Middlemarch and Dickens's Our Mutual Friend into conversation with the evolutionary thought of Charles Darwin, the social investigations of Henry Mayhew and nineteenth-century writings on psychology. You will look at a number of genres, including novels, poetry, journalism, science writing, autobiography, history, art criticism and examine elements of contemporary visual culture.

The objective of this course is to prepare literature students for work in the creative industries by developing their use of digital technologies in responding to literature. In using digital technology to respond to literature both critically and aesthetically, literature students can become adept at various practices that are of immediate, valuable use in the creative industry workplace. This course will cultivate these practices, show how they grow organically out of a love for reading and writing, and demonstrate how they are skills that are in great demand in a wide range of creative workplaces.

In this module you will consider a range of contemporary and experimental poetic writing and consider writing practices in relation to contemporary theory and criticism. You will look at the methods, processes and techniques used by experimental and innovative writers becoming familiar with a range of methodologies for making your own poetic practice.

In this module you will address the relationship between literature and the visual arts from c.1760 to the 1890s. You will look at theoretical issues of how the visual and the verbal arts are defined and consider their compatibility through a number of case studies of visual-verbal interactions from the period studied. You will also address the rise of the visual as the dominant cultural form of the Victorian period, tracing the development of illustrated media and new visual technologies including photography and early cinema, and the concomitant rise of the new phenomenon of the art critic - the professional interpreter of images - in the 1890s.

This module focuses on a key moment in mid-20th century art and culture: the period when the New York Schools of poetry, painting and composition emerged in parallel. In the postwar period, the city took over from Paris as the centre of contemporary art. Abstract Expressionism quickly achieved global popularity, establishing the Museum of Modern Art as the world’s leading contemporary art museum. However, other cultural currents also made a great impact on their respective disciplines. The witty, fast-moving work of the New York School Poets (Frank O’Hara, John Ashbery, Kenneth Koch, Barbara Guest and James Schuyler) challenged the authority of High Modernism in the field of poetry. The radical music of John Cage and Morton Feldman posed a similar challenge to established European composers. The leading proponents of these tendencies did not work in isolation from other disciplines. The poets, for example, wrote about art and Cage and Feldman were both inspired, in different ways, by painters such as Rauschenberg and Guston. This module examines all three fields and the relations between them.

The 1930s was a decade of extremes: extreme financial instability (after the Wall Street Crash of 1929) and extreme politics, with the rise of Fascism and Nazism in Europe. British colonialism was showing fractures; there was a war in mainland Europe (in Spain), and the increasing threat of another World War, which eventually came to pass. Could it be that it closely - all too closely - resembles the decade that we’re living in now – with the rise of nationalisms, extreme ideologies, unstable international relations, following on from a colossal crash in the financial markets? What can we learn about our world by reading fiction from the 1930s?

Examine fictional representations of the girl across a range of texts, from Charlotte Brontë's eponymous Jane Eyre through to Antonia White's Catholic schoolgirl, Nanda and Ian McEwan's remorseful Briony Tallis. As well as enabling an exploration of female development and subjectivity, you will also engage with a range of questions relating to sexuality and desire, place and belonging, knowledge and resistance, art and creativity.

In this module you will study a broad range of writing for children from the nineteenth through to the twenty-first century.

The end of the various colonial empires in the middle of the twentieth century saw an explosion of literatures from the newly emergent postcolonial societies. Rather than provide a survey of the field of postcolonial studies, this module aims at engaging the recent debates in postcolonial writing, theory and criticism. You will critically examine a range of postcolonial novels from Britain’s erstwhile empire, paying attention to issues such as the boons and contradictions of writing in the language of the colonial powers, the postcolonial reclamation of the Western canon etc. and focussing on genres such as postcolonial realism, modernism, magic realism, and science fiction. You will pay close attention to novels and their historical legacies of colonialism and resistance.

In this module you will consider two immediate, present-day concerns. The first is currently very much in circulation in English political culture and the media: what is and should be the relationship between England and continental Europe? How involved is and should the first be with the second? How close are they, how distant should they be? The second sounds rather more academic or theoretical, but is also at issue in the wider culture and involves us all. Over the past two decades, many thinkers and writers have announced that we have arrived at 'the end of modernity', and many more have declared that we are'post-modern', that we inhabit a 'postmodern condition'. Yet round about us, all the time, we hear of one kind of enthusiastic 'modernization' or another. What sense can we make of this?

Geoffrey Chaucer’s Canterbury Tales are among the greatest literary achievements of the middle Ages. Chaucer describes a group of pilgrims, drawn from all parts of late medieval English society, who enter into a tale-telling competition on their way to Canterbury. Their stories include romances, fabliaux, saints’ lives and beast fables, and address themes of love and sorrow, trickery and deception, fate and free will, satire, tragedy and magic, as well as raising questions about the nature and purposes of storytelling itself. In this module you will read The Canterbury Tales in detail in the original Middle English. You will examine how the tales relate to their literary and cultural contexts, and read them in the light of different schools of modern criticism. You will also have the opportunity to read a range of earlier writers who influenced Chaucer, including Ovid, Boethius, Dante and Boccaccio, and later writers who responded to him, including Lydgate, Hoccleve and Dryden.

In this module you will study the complete career of Charles Dickens (1812-1870), looking at eight novels in their historical and cultural contexts. You will examine Dickens's life and times, and the cultural discourses that shaped his fiction; the serialisation and illustration of his work, and the themes, forms and structures of his writing. You will also consider the richness and specificity of Dickens' actual work.

In this module you will have the opportunity to read in detail and in chronological order the full range of works by Oscar Wilde, from his early poetry to his last letters. Wilde’s work has captured the widest possible public attention since his death in 1900, and his readers and audiences are spread across the globe. His work is intensely literary and profoundly political yet it is popular and fleet-of-foot. And just as his output is exceptionally varied, so too the questions which arise from its study will take students in many directions. Aesthetic poetry, the role of the critic, the construction and betrayal of national and sexual identities, symbolist drama, platonic dialogue, fairy tale, farce, satire, wit: these are some of the topics you will examine.

Often described as the most difficult and influential poems of the twentieth-century, T. S. Eliot's "The Waste Land" is undoubtedly one of the key Modernist texts. You will you look at Eliot's 1922 poem, along with a selection of his critical writings, engaging in an intensive reading experience in which you will examine ideas about composition, structure, voice, time, myth and intertextuality.

The dissertation is an opportunity for you to undertake a substantial piece of independent work in an area of your choice, and so to deepen your understanding of literature, culture and critical theory.

Teaching & assessment

You’ll be taught through a combination of lectures and seminars, and participate in study groups, essay consultations and guided independent study, plus you will produce a portfolio of creative work.

You will be assigned a Personal Tutor and have access to many online resources and the University’s comprehensive e-learning facility, Moodle.

In your first year, you will work in small groups of just four or five students focusing on study skills such as close reading, essay writing and presentation and self-editing. As you progress through your degree, these tutorials focus on your own personal development, for instance preparing your CV.

You will also take a study skills course, designed to equip you with and enhance the writing skills you will need to be successful in your degree. This course does not count towards your final degree award but you are required to pass it to progress to your second year.

All undergraduate degree courses at Royal Holloway are based on the course unit system. This system provides an effective and flexible approach to study while ensuring that our degrees have a coherent and developmental structure.

Entry requirements

A levels: aaa-aab.

Required subjects:

• A in an essay-based Arts and Humanities subject at A-Level
• At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.

Where an applicant is taking the EPQ alongside A-levels, the EPQ will be taken into consideration and result in lower A-level grades being required. For students who are from backgrounds or personal circumstances that mean they are generally less likely to go to university, you may be eligible for an alternative lower offer. Follow the link to learn more about our  contextual offers.

We accept T-levels for admission to our undergraduate courses, with the following grades regarded as equivalent to our standard A-level requirements:

• AAA* – Distinction (A* on the core and distinction in the occupational specialism)
• AAA – Distinction
• BBB – Merit
• CCC – Pass (C or above on the core)
• DDD – Pass (D or E on the core)

Where a course specifies subject-specific requirements at A-level, T-level applicants are likely to be asked to offer this A-level alongside their T-level studies.

English language requirements

All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start of your course.

The scores we require

• IELTS: 7.0 overall. Writing 7.0. No other subscore lower than 5.5.
• Pearson Test of English: 69 overall. Writing 69. No other subscore lower than 51.
• Trinity College London Integrated Skills in English (ISE): ISE IV.
• Cambridge English: Advanced (CAE) grade C.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here .

Undergraduate preparation programme

For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.

Upon successful completion, you can progress to this degree at Royal Holloway, University of London.

Taking a degree in English sets you up with great prospects for future employability. On the course itself we place a strong emphasis on your future employability, meaning the skills that you gain won’t just be applicable to the study of English.

Although many of our students go on to further study in literature and other fields, skills such as research, presentation, teamwork, negotiation and communication will prepare you for a wide range of career opportunities.  

Fees, funding & scholarships

Home (UK) students tuition fee per year*: £9,250

EU and international students tuition fee per year**: £23,800

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about  funding options , including  loans , scholarships and bursaries . UK students who have already taken out a tuition fee loan for undergraduate study should  check their eligibility  for additional funding directly with the relevant awards body.

**The tuition fee for UK undergraduates is controlled by Government regulations. The fee for the academic year 2024/25 is £9,250 and is provided here as a guide. The fee for UK undergraduates starting in 2025/26 has not yet been set, but will be advertised here once confirmed.

**This figure is the fee for EU and international students starting a degree in the academic year 2024/25, and is included as a guide only. The fee for EU and international students starting a degree in 2025/26 has not yet been set, but will be advertised here once confirmed.

Royal Holloway reserves the right to increase tuition fees annually for overseas fee-paying students. Please be aware that tuition fees can rise during your degree. The upper limit of any such annual rise has not yet been set for courses starting in 2025/26 but will be advertised here once confirmed.  For further information see  fees and funding  and the  terms and conditions .

***These estimated costs relate to studying this specific degree at Royal Holloway during the 2024/25 academic year, and are included as a guide. General costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.

English Undergraduate Admissions

Admissions office: +44 (0)1784 414944

Source: Complete University Guide, 2024

Source: National Student Survey, 2023 (Creative Writing)

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The Master of Fine Arts degree in Creative Writing is the recognized terminal degree which offers the minimum professional training deemed necessary by the major schools in the United States for university and college teaching and for positions in the publishing industry. It is also the degree most frequently held by professional writers.

Criteria for Admission to the Program

• Students applying for admission to the MFA degree program generally have completed a bachelor’s or master’s degree in English from an accredited institution with a 3.2 GPA in upper-division English courses, meet university admission requirements, and submit evidence of creative ability in fiction or poetry (10 pages poetry, 20-30 pages fiction). For each annual cycle, applications are due by January 15, when review will begin.  
• When an undergraduate degree has been completed in a program having different requirements from those of CSULB or in some field other than English, additional preparation may be required before the student can be considered for classified status in the degree program.  
• At the time of the student’s conditional classification into the program, an examining diagnostic committee consisting of at least two instructors in the student’s field of specialization and at least one other faculty member must approve and evaluate the student’s work no later than the end of his/her first full year in residence and judge whether the student should continue in the program.  
• The student shall present a written appeal to the MFA Coordinator.
• Within ten (10) working days of receipt of a written appeal by a student, the MFA Coordinator shall refer the appeal to an ad hoc committee consisting of three tenured creative writing faculty not involved with the issue.
• The committee shall meet in formal sessions holding hearings at separate times for the student and for the faculty involved to gather information and evidence relevant to the issue.
• After deliberation, the committee shall present its findings to the MFA Coordinator within thirty (30) working days from the origination of the committee. (Working days do not include periods of time between semesters.)
• The MFA Coordinator shall inform the concerned student in writing of the committee’s decision.
• Attain fully classified status.
• Remove all undergraduate deficiencies as determined by the graduate advisor, the department chair, and the dean of graduate studies.
• Submit a program of courses for approval by the student’s faculty advisor.
• Up to 24 units of credit from a Master of Arts program in Creative Writing may be acceptable after review and approval by the faculty evaluation committee.

Requirements for the Master of Fine Arts in Creative Writing.

The MFA degree is a 48-unit degree normally requiring full-time residency. Course requirements are arranged according to the following structure.

(32 units chosen in consultation with faculty advisor)

Take one of the following pairs in Year 1:

• ENGL 505A - Seminar in Prose Writing (4 units)
• ENGL 505B - Seminar in Prose Writing (4 units)
• ENGL 506A - Seminar in Poetry Writing (4 units)
• ENGL 506B - Seminar in Poetry Writing (4 units)

Take one of the following pairs in Year 2:

• ENGL 605A - Advanced Seminar in Prose Writing (4 units)
• ENGL 605B - Advanced Seminar in Prose Writing (4 units)
• ENGL 606A - Advanced Seminar in Poetry Writing (4 units)
• ENGL 606B - Advanced Seminar in Poetry Writing (4 units)

Take in both fall and spring of Year 2:

• ENGL 590 - Directed Reading (3 units)
• ENGL 696 - Seminar in Theory, Criticism, and Research (4 units)
• ENGL 698 - Thesis (1-6 units)

(16 units chosen in consultation with a faculty advisor) from 400-, 500- and 600-level English Department courses.

A student wishing to take a course in another department must obtain advance written approval from an MFA advisor. A student may not enroll in any 500-level course if he or she earned credit for the class at the 400-level as an undergraduate at CSULB. Up to six units total of 400-level coursework may be taken to fulfill the electives requirement, subject to the following restrictions:

• A student may not enroll in any 400-level Creative Writing course if he or she earned credit for that class as an undergraduate at CSULB.
• A student may not enroll in any 400-level Creative Writing course that is in his or her own degree focus.
• A student wishing to take any 400-level course must obtain advance written approval from an MFA advisor.

Both fiction and poetry specializations

Both fiction and poetry specializations share a common core of courses which offer study in literary history, theory, and research. The remainder of the courses offer students the opportunity to develop additional skills in their particular area of related interest. The program culminates in a major creative project (novel, short story collection, or poetry collection) of publishable quality.

Single Subject Teaching Credential in English

For information, refer to the undergraduate Option in English Education

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2024 duke english creative writing scholarship awards, april 23, 2024.

Quantá Holden | Duke English | Digital Communication Specialist

Duke English is delighted to share the 2024 Creative Writing Scholarships honorees. Each year, Duke English faculty members nominate undergraduate students for one of the Creative Writing Scholarships based on the exceptional work they submitted in one or more of their creative writing courses. The Creative Writing Committee selects the winners of the prestigious William M. Blackburn, Francis Pemberton, and Margaret Rose Knight Sanford Scholarships. Students nominated must be eligible for financial aid to receive these scholarships.

2024 Creative Writing Scholarship Recipients:

Frances Pemberton Scholarship Awarded to a junior or senior pursuing the study of creative writing.  This scholarship was created by the Trustees of The Mary Duke Biddle Foundation in memory and in honor of Francis Pemberton's service to the Biddle Foundation.

Ryan Copeland , ‘25

Margaret Rose Knight Sanford Scholarship Awarded to a female student who demonstrates particular promise in creative writing.  This scholarship was established in recognition of the untiring efforts of Margaret Rose Knight Sanford on behalf of Duke University.

Ali Thursland , ‘24

William Blackburn Scholarship Recognizes outstanding achievement in the field of creative writing.  Established in 1962 by students and friends of Professor William Blackburn (1899-1969) who first began teaching creative writing at Duke.

Jocelyn Chin , ‘24 Sage Cooley , ‘25 Joshua Lee , ‘26 Rani Teddy , ‘26

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• Area II: 18th & 19th Century
• Area III: Modern & Contemporary
• Criticism, Theory or Methodology Courses
• Creative Writing Courses
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• Secondary Faculty
• Instructors and Affiliated Faculty
• Graduate Students
• David L. Paletz Creative Writing Guest Series
• Faculty Books
• Recent Work Online
• Faculty Works-in-Progress Series
• Novel Dialogue Podcast
• The Wellian Magazine
• Master of English Alumni
• J.D./M.A. Alumni
• All Alumni Profiles
• Alumni Profiles
• Assisting Duke Students