assignment movie review

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“ The Assignment ” is a film that arrives in theaters having already inspired vast outpourings of anger from two groups —the transgender community, which appears to be offended by its very premise, and action buffs, who are put off both by the premise (albeit for different reasons) and what they feel is a lazy execution that fails to offer the requisite thrills. While I am sympathetic to the complaints of both groups (somewhat more for the former) and recognize that it is indeed deeply flawed in many areas, I cannot quite agree with either. This is a modestly scaled B-movie by one of the best genre filmmakers of our time, Walter Hill , that has enough skill and personality going for it to make it worth checking out, even if it doesn’t quite live up (or down, depending on your perspective) to its borderline sleazy premise.

And what is that premise, you ask? In a nutshell, Frank Kitchen ( Michelle Rodriguez … just keep reading) is a ruthless San Francisco hitman who runs afoul of Dr. Rachel Kay ( Sigourney Weaver ), a brilliant but deranged surgeon who has lost her license for conducting various rogue experiments. Frank kills Dr. Kay’s brother, and the good doctor seeks vengeance and experimental research into the importance of physical identity on the psyche. She arranges with crime boss Honest John Hartunian ( Anthony LaPaglia ) to have him grab Frank and bring him to her secret lab, where she proceeds to perform gender reassignment surgery on him. Dr. Kay asserts that the surgery will take away Frank’s desire to kill. Needless to say, Frank sees things a little differently, and, once she discovers that the surgery cannot be reversed, she methodically hatches a grisly revenge plot on everyone involved with her transformation from Honest John and his goons all the way up to Dr. Kay. Helping Frank in her quest is Johnnie ( Caitlin Gerard ), a nurse with whom Frank had a one-night stand before his transformation and who doesn’t seem particularly nonplussed by recent developments, though it seems that she may be harboring a few secrets of her own.

At first blush, one can easily understand why the transgender community might be a tad put off by the very existence of “The Assignment,” but the actual film is nowhere near as offensive as it might initially seem. For one thing, the film as a whole is so willfully and deliberately pulpy in tone (I could easily see a short version of this tale fitting perfectly into the confines of a “ Sin City ” film) that it is hard to take the alleged provocations on display with any degree of seriousness—this is a film that is so archetypal in nature that the sort-of sweethearts at its center are literally named Frank(ie) and Johnnie. Additionally, to suggest that Frank is meant to represent all transgender people is nonsense because he is clearly not one himself, and, outside of the obvious physical construct, little about him changes after undergoing his forced surgery. I would also point out that no less of a filmmaker than Pedro Almodovar used the notion of unwilling gender reassignment surgery as a plot point in his own unabashed genre exercise, “ The Skin I Live In ,” and no one seemed especially put off by it even though the deployment there was arguably more questionable from a taste perspective than what is seen here.

That said, “The Assignment” is still a problematic work in many ways from a purely cinematic perspective. The screenplay by Hill & Denis Hamill (which Hill has been toying with since the late ‘70s) is an awkward construction with much of the story presented in a series of flashbacks, as the now-incarcerated Dr. Kay recounts the story to another psychiatrist ( Tony Shalhoub ). This concept is especially problematic since Hill is at his best when he allows characters to define themselves purely through their actions instead of relentlessly explaining themselves as they do here. The film also screams out for a more overtly stylized visual treatment in the vein of something like his great “ Streets of Fire ”—a fact underlined by the occasional bits of black-and-white photography and comic book-style transitions—that might have also helped to underscore the kind of pulpy approach Hill was clearly going for. Another big problem, at least at first, is the casting of Michelle Rodriguez as Frank. There is nothing wrong with her performance but the early scenes in which she portrays the male version of Frank, complete with a wildly unconvincing beard and a lingering close-up of his genitalia for good measure, do inspire a few bad laughs right when the film is trying to establish itself. For some viewers, it may never recover from that.

For those who can get beyond that, “The Assignment” contains plenty of points of interest. Sigourney Weaver is pretty much a blast throughout as the snidely condescending doctor who sets all of the events into motion. As for Rodriguez, once she sheds the beard, her performance improves greatly. Obviously, we know she can do the steely-eyed badass stuff as well as anyone else but she also gets a couple of quieter moments amidst the chaos where she displays a more vulnerable side without stepping out of character—in one, she consults a doctor about whether the surgery can be reversed and begins shyly inquiring about certain personal details regarding her new equipment. In the other, she is about to go to bed with Johnnie when she realizes that she has no idea of how to approach lovemaking from a female perspective. (“You’ll do fine,” she is reassured in a line that is both funny and strangely touching.) As for Hill, while he is clearly working with a lower budget than usual here (with Vancouver substituting, not too convincingly, for San Francisco), he is still able to establish a convincingly noir attitude toward the material and the scenes of violence are done in a spare and economical style that is a relief from the over-the-top pyrotechnics of most current action films. (He also gets bonus points for employing Giorgio Moroder to deliver a cheerfully retro synth score.)

It is easy to see how the dramatic excesses of the plot could prove offensive to the transgender community, though I can just as easily see “The Assignment” one day becoming a cult favorite in the way that the once-controversial “ Cruising ” would eventually find some fans within the gay community that once scorned it. As an exercise in unapologetic pulp fiction, it gets the job done in a smart, efficient and slyly subversive manner. As the latest entry in the Walter Hill filmography, it definitely belongs on the second tier. Even though it may not be the equal to a classic like “ The Driver ” or “Streets of Fire,” it will do until that next masterwork does come along.

Peter Sobczynski

A moderately insightful critic, full-on Swiftie and all-around bon vivant , Peter Sobczynski, in addition to his work at this site, is also a contributor to The Spool and can be heard weekly discussing new Blu-Ray releases on the Movie Madness podcast on the Now Playing network.

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Film credits.

The Assignment (2017)

Rated R for graphic nudity, violence, sexuality, language and drug use.

Michelle Rodriguez as Frank Kitchen / Tomboy

Sigourney Weaver as Dr. Rachel Kay

Tony Shalhoub as Dr. Ralph Galen

Caitlin Gerard as Johnnie

Anthony LaPaglia as Honest John Hartunian

Paul McGillion as Paul Wincott

Walter Hill

Writer (story)

Denis Hamill

Cinematographer

James Liston
Phil Norden
Giorgio Moroder
Raney Shockne

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The Assignment Reviews

Stylistically, it’s one of Hill's most accomplished works of recent years, but unfortunately a lot of that gets lost in the shuffle with the execution of its narrative.

Full Review | Original Score: 4/10 | Sep 29, 2023

While this is an assuredly mixed bag that’s not as funny as it seems to think it is, the instantly harsh first wave of reaction is way off.

Full Review | Jan 12, 2023

Even moving beyond its sticky politics, The Assignment is simply a lousy film.

Full Review | Original Score: 1.5/4 | Nov 16, 2021

Damned shame Walter Hill had to go out like this, "transphobic" or not.

Full Review | Original Score: 1/4 | Sep 30, 2021

...fraught and deeply problematic, graphically violent and irredeemably stupid. Rodriguez is fine, but the reason this film sticks with you is Weaver, who has never been meaner or funnier...

Full Review | Sep 10, 2021

A pulp thriller about a hitman's revenge. And at the same time, a showcase of well-known, quality actors.

Full Review | Original Score: 3/5 | Jan 26, 2021

It's a stupid movie, incompetently constructed and completely oblivious to the poor taste in which it presents the issues of gender fluidity and expression. This film is trash. Don't watch it.

Full Review | Original Score: 1/5 | Sep 24, 2020

Grindhouse groupies will have something to celebrate with the latest offering from maverick auteur Walter Hill, the simultaneously shameless, trashy, and generously entertaining The Assignment.

Full Review | Original Score: 3.5/5 | Oct 8, 2019

'The Assignment', with its tone changed, is a mere food product that goes from a research drama to pure and hard-acting film in its final stretch. [Full Review in Spanish]

Full Review | Aug 21, 2019

It's vintage meat-and-potatoes Hill, but any sense of low-brow, comic book fun continually crashes against a concrete wall made of one-note performances and a lunkhead, monologue-heavy script.

Full Review | Original Score: 3/5 | Mar 29, 2019

The Assignment feels like a case where the audacity of the premise and the talent attached to the project kind of supercede the ultimate quality of the film, making it a must see for Hill or Weaver fans. Aside from that premise, the film struggles.

Full Review | Nov 6, 2018

So much of "The Assignment" is offensive. Rodriguez and Weaver both try to enhance the lousy material, but these fine actors deserve better than this lousy B-movie

Full Review | Nov 18, 2017

Terrific noir thriller. Rodriguez is daring, provocative and sensational as a hitman. A must-see, so rent or buy it.

Full Review | Aug 11, 2017

Instead of giving Millennials the heroic gender transition that they demand, Hill insists that we think deeper - perhaps about the media's popularizing of sex reassignment and the painful complications that such a choice entails.

Full Review | May 1, 2017

...a real curiosity and is probably destined for cult status.

Full Review | Original Score: 3/5 | Apr 11, 2017

On the one hand, this thriller starts out with a ludicrous, wrong-headed idea, but on the other hand, as directed by Walter Hill, it's so skillful and pulpy that it could become a cult classic.

Full Review | Original Score: 3/5 | Apr 9, 2017

Transphobia is the least of this mindless exercise's multitude of problems, beginning with the fact that the premise is so laughably implausible.

Full Review | Original Score: D | Apr 8, 2017

Under Hill's direction, Weaver doesn't seem to enjoy a moment of her sociopathy. But she's not the only one. Everyone gets a walloping here, if not a bullet to the head, in this grimy attempt at film noir.

Full Review | Apr 7, 2017

Hill, working with co-writer Denis Hamill, is going through the motions as far as the main revenge storyline is concerned.

Full Review | Original Score: 2/4 | Apr 7, 2017

Rodriguez and Weaver are riveting. This lurid B-movie has cult following written all over it.

Full Review | Original Score: B plus | Apr 7, 2017

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The assignment, common sense media reviewers.

Violent thriller irresponsibly tackles transgender themes.

A Lot or a Little?

What you will—and won't—find in this movie.

Gender reassignment surgery is portrayed as an exp

Main character Frank is a hired killer who commits

Gender reassignment surgery, which can be life-aff

Brutal shootings/killings. Blood sprays/spurts. De

Full-frontal male and female nudity. Sex scene wit

Frequent strong language includes "f--k," "f--king

Brands of hormone tablets Premarin and Prevara are

Secondary character snorts cocaine on-screen. Scen

Positive Messages

Gender reassignment surgery is portrayed as an experiment and punishment performed against someone's will. The film suggests that revenge can be warranted, offering satisfaction after trauma. However, glimpses of empathy can be found in the darkest of moments.

Positive Role Models

Main character Frank is a hired killer who commits violent acts and seeks revenge after being the victim of non-consensual gender-reassignment surgery. Frank generally shows little regard for others' lives but does have a strong determination to survive and extends empathy toward a dog and a character he has grown to care for, despite her double-crossing behavior. Dr. Rachel Jane puts scientific discovery before others' suffering, cruelly experimenting on unhoused people. She's arrogant and vengeful and shows no remorse for her actions.

Diverse Representations

Gender reassignment surgery, which can be life-affirming (if not life-saving) for individuals, is portrayed here as non-consensual and experimental, used as a punishment. Frank tries to get his surgery reversed, saying he thought it's what he wanted, which plays into damaging narratives about people changing their minds about surgery. Pre-surgery Frank is played by cisgender female actor Michelle Rodriguez in a mustache, beard, and chest plate, and she puts on a deep voice. Post-surgery Frank has a relationship with a woman; during sex, he says "I'll do what I can," implying that intimacy between two female bodies is somehow lesser than heterosexual sex. Offensive moments include a male doctor asking a female doctor whether she commits crimes because she didn't have a good sex life. Female bodies are sexualized, including Frank using his naked breasts to distract other men. A psychiatric hospital is referred to as the "nut house." Racist language is used toward a Chinese character, including "chinky" and "Chinaman." There's some ethnic diversity within the cast -- Rodriguez is Dominican-Puerto Rican and there are actors of Chinese and Middle Eastern descent in supporting roles.

Did we miss something on diversity? Suggest an update.

Violence & Scariness

Brutal shootings/killings. Blood sprays/spurts. Dead bodies. Kicking, beating. Streaming blood. Bloody wounds. Brief images of surgery relating to non-consensual gender reassignment, with gory, bloody cotton/bandages. Hypo needle held to neck. Attempted sexual assault, followed by perpetrator being beaten to death with a baseball bat. Passing mention of death of father and brother. Reference to dog fighting and killing dogs.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Full-frontal male and female nudity. Sex scene with thrusting (includes tearing open condom wrapper). Woman in sexy underwear; there's mention of paying for sex, implying that she's a sex worker. References to "pimps" and "hookers."

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Frequent strong language includes "f--k," "f--king," "motherf--king," "bulls--t," "s--t," "s--thead," "t-ts," "ass," "a--hole," "bastard," "douchebag," "piss," "hell," "goddamn," and "idiot," as well as racial slurs ("chinky" and "Chinaman").

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Brands of hormone tablets Premarin and Prevara are mentioned and taken by a character.

Drinking, Drugs & Smoking

Secondary character snorts cocaine on-screen. Scenes of heavy drinking straight from liquor bottles. Social drinking. Drugs shown, including hormone tablets taken by lead character.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The Assignment is an action/thriller with an irresponsibly handled topic at its core: The main character, an assassin, is given gender reassignment surgery against his will, changing his body from male to female. The content is extremely mature, including graphic nudity (male and female full frontal), bloody shootings, beatings, and killings, and brief but semi-graphic sex scenes. Language includes "f--k," "s--t," and "a--hole," plus racist terms like "chinky" and "Chinaman." Characters use drugs, including cocaine, and the main character occasionally drinks alcohol (sometimes too much). Due to the mature (and badly handled) themes and violent and sexual content, the movie is appropriate only for older teens and adults. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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What's the Story?

In THE ASSIGNMENT, a prickly, Shakespeare-and-Poe-quoting surgeon, Dr. Rachel Kay ( Sigourney Weaver ), lives in a psychiatric hospital and is interviewed by Dr. Ralph Galen ( Tony Shalhoub ). She tells her story in flashback. Her brother, in trouble with gangsters, becomes the target of an assassin named Frank Kitchen ( Michelle Rodriguez ). Dr. Kay subsequently kidnaps Frank and performs non-consensual gender reassignment surgery on him as revenge. And so Kitchen awakens in a female body, and, after searching for a way to reverse the procedure (and failing), decides to get his revenge on everyone connected to Dr. Kay -- all the way up to dangerous, well-protected gangster "Honest John" ( Anthony LaPaglia ).

Is It Any Good?

This thriller starts out with a ludicrous and irresponsibly handled idea. Even directed in a pulpy, creative way by Walter Hill (who worked with Weaver on Alien as producer and is best-known for directing action classics like The Warriors and 48 Hrs. ), The Assignment struggles to escape its misguided premise. Certainly the film is inauthentic, casting cisgender female actor Rodriguez to play both pre- and post-surgery versions of a male character. And though The Assignment tries to praise trans people for their courage, its portrayal of gender reassignment surgery as a punishment plays into damaging narratives. When real-life discrimination against trans people is a huge problem in society, it makes it difficult to concentrate on the movie's redeeming features.

Talk to Your Kids About ...

Families can talk about The Assignment 's violence . Does it feel gratuitous or necessary? What impact does the pulpy nature of the filmmaking have? Does associating it with comic book violence change how you view it?

The film centers on a character who has non-consensual gender reassignment surgery as a punishment. What message do you think this sends about surgery for transgender people? Why is it important to be conscious and careful about portrayals like this on-screen?

How does the movie portray drinking and drug use ? Does it make substance use seem enjoyable? Glamorous? Or does it seem sad/desperate? Are there consequences ?

Movie Details

In theaters : April 7, 2017
On DVD or streaming : June 6, 2017
Cast : Michelle Rodriguez , Sigourney Weaver , Tony Shalhoub
Director : Walter Hill
Inclusion Information : Female actors, Latino actors, Middle Eastern/North African actors
Studio : Saban Films
Genre : Action/Adventure
Run time : 95 minutes
MPAA rating : R
MPAA explanation : graphic nudity, violence, sexuality, language and drug use
Last updated : November 6, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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The Assignment

Where to Watch

Michelle Rodriguez (Frank Kitchen) Tony Shalhoub (Dr. Ralph Galen) Anthony LaPaglia (Honest John) Caitlin Gerard (Johnnie) Ken Kirzinger (Nurse Becker) Darryl Quon (Jin Tao) Brent Langdon (Dr. Turley) Sigourney Weaver (Doctor Rachel Jane) Caroline Chan (Ting Li) Adrian Hough (Sebastian Jane)

Walter Hill

After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.

Recommendations

More about The Assignment

Walter hill’s the assignment is a pulp fairy tale without a clue.

There are three things worth knowing about Walter Hill’s wacky pulp exercise The Assignment . The first is that the …

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Review: Seeking Revenge for ‘The Assignment’ She Didn’t Want

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By Glenn Kenny

April 5, 2017

Walter Hill is a smart veteran genre filmmaker (“48 Hrs.,” “Southern Comfort,” “Last Man Standing”) who’s never been above a little lurid sensationalism. But using forced gender-reassignment surgery as a major plot hinge for his latest movie, “The Assignment,” is arguably a miscalculated provocation.

In a story built on multiple flashbacks and flash forwards, the viewer learns of a hired killer named Frank Kitchen (Michelle Rodriguez) who is abducted and made into a woman by a mad, disgraced plastic surgeon whose brother was killed by Frank. This is not as novel a hook as it might initially sound: At times, Mr. Hill’s movie, which he wrote with the longtime journalist Denis Hamill, plays like an EC Comics mutation of Pedro Almodóvar’s 2011 film, “The Skin I Live In.”

“The Assignment” is not overtly transphobic , as such, though I’d stand down to anyone calling it insensitive. (It’s been criticized by Glaad and other gay, bisexual and transgender groups.) But male-gaze presumptuousness is only its most immediate glaring problem. The tricksy structure doesn’t have much of a payoff (even though Mr. Hill constructs sequences with deft fluidity). And the role of the surgically altered assassin defeats poor Ms. Rodriguez. Utterly recognizable behind a fake beard during her scenes as a man, she signals her post-surgery confoundedness by making like Marlon Brando in “The Wild One” or “On the Waterfront.” (Sigourney Weaver has a better, easier time of it as the haughty surgeon.)

Because Mr. Hill is still, in most respects, Mr. Hill, a lot of the movie is more watchable than it has a right to be. But ultimately, “The Assignment” ends up being ridiculous even by its own nonsensical standards.

Rated R for extreme violence, sexuality, nudity, drug use and, sure, language. Running time: 1 hour 35 minutes.

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The Assignment (1997)

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The assignment | blu-ray review.

Picked up by Saban Films for US distribution, a retitled version hit theaters, (but barely, and after it was already made available on VOD) in April of 2017, and was subsequently slaughtered by culture critics unable to deliberate the gender politics of a vengeance narrative refusing to play by the rules of good taste. That said, despite some questionable choices, it’s a pulp-fueled grungy neo-noir and a marvelously campy Sigourney Weaver manages to smooth over the film’s jarringly jagged edges.

In present day San Francisco, brilliant but demented surgeon Dr. Rachel Kay (Sigourney Weaver) is being reevaluated by a psychiatrist (Tony Shalhoub) who has been charged with determining if the woman, deemed clinically insane, is now mentally fit to withstand trial. It seems she was found wounded on an operating table with the bodies of several corpses around strewn about in her illegal underground clinic where she frequently experimented on ‘disposable’ people her hired thugs would fetch. The good doctor insists she didn’t murder her bodyguards, which instead was the work of an assassin, Frank Kitchen (Michelle Rodriguez), a man she had taken vengeance on two years prior by drugging him and performing sex reassignment surgery to turn him into a woman. But there’s no record of a man or woman with such a name, and no evidence to suggest anyone else was at the scene of the crime. But as Dr. Kay tells her tale, the odyssey of Frank’s transition, and how it played into the current state of affairs, is revealed.

Those concerned with a cisgender woman portraying a reluctant trans woman (the same audience members, who, by default, must also believe LGBT performers can only portray LGBT characters defined by their representative letter) should note Hill isn’t the first director to formulate a revenge plot around forced sex reassignment, recently explored in Pedro Almodovar’s The Skin I Live In (2011), and with greater complexity by Rainer Werner Fassbinder back in 1978 with In a Year with 13 Moons . Rather, this plot device would seem to belong to a particular subgenre of body horror. But Hill and screenwriter Denis Hamill amp up the camp of both those auteurs with this treatment, which also resembles a plot point of Hill’s underrated 1989 neo noir Johnny Handsome . As evidenced by the comic book swipe transitions Hill recently formulated in a director’s cut of his classic The Warriors (1979), this is clearly supposed to be entertaining pulp, and clearly not as a logical representation of an actual transgender trajectory (as evidenced by a slick and magical surgical transition, reminiscent of vintage Hollywood studio films where marred beauty was always easily restored).

As Frank, Rodriguez is front and center (her most notable leading performance since 2000 breakout Girlfight ), voiced with a gruff machismo, and leading the film through a series of flashbacks, involving a swath of vengeful killings which do little to enliven the film with any real energy (likewise, a rather wan supporting turn from Caitlin Gerard as nurse Johnny seems to be on hand merely for a surprise reveal). The formulation of Frank’s punishment is much like the Penelope Cruz character of Don’t Tempt Me (2001), a mobster turned into a woman as part of her punishment while residing in hell. The point of Hill’s film isn’t to degrade or demean, but instead exists on a spectrum depicting and dealing with inherent cultural misogyny—if a punishment worse than death is to exist as a woman, the film underlines the continual problematic notions of gender in a world where men are considered superior (to borrow a snatch from Madonna, “Because you think being a girl is degrading”). The psychological shadings of (re)Assignment aren’t so layered or cerebral as this would suggest, and in many ways the film resembles exploitation cinema in style and tone.

However, what makes The Assignment of automatic note is a deliriously funny performance from a deadpan Sigourney Weaver as the psychotic Dr. Rachel Kay, the actor’s first real turn calibrated specifically for camp. A pretentious and privileged surgeon, she’s interviewed in a straitjacket by physician Tony Shalhoub—why and how she ended up in such a position is revealed through large swaths of exposition, divulged via chewy chunks of mocking banter where Weaver belittles her colleague through literary allusions to Poe and Shakespeare. A generous amount of withering monologues delivered by her unhinged surgeon buoy the film with some priceless comic relief.

On the technical side, DP James Liston manages to make the film look like one of Hill’s 80s action titles (with Canada standing in for San Francisco), while increasingly meticulous intertitles announcing specific times and locations eventually mutates into an exaggerated, ongoing joke. And perhaps best of all is a phenomenal synth score from none other than Giorgio Moroder adding an additional layer of grungy ambience, marking The Assignment as a gem for those who can appreciate bold, retro style spliced with button pushing genre.

Disc Review:

It’s no surprise to see The Assignment receive a bare bones home entertainment release, although this high-definition presentation with 5.1 DTS-HD Master Audio in widescreen 2.39:1 doesn’t do the minuscule budget of the film any real favors. A lack of any significant bonus features also instills a sense of neglect from all corners, despite the noted controversy the film engaged and its defense from Hill and his two leading ladies, who also notably supported the film during its release.

Filmmaking Portraits: A two minute montage of behind-the-scenes pictures of Hill and his cast members set to the film’s score comprises the lone extra features.

Final Thoughts:

Perhaps destined as an uninformed punchline for unacceptable representations of transgendered characters, The Assignment (which kept the moniker Tomboy for its UK release) is not a film about being transgendered. Its attempt to be a brutal condemnation of immorality and masculinity, however tone-deaf, provides the loquacious crux of an old-fashioned revenge thriller from a maverick director whose greatest slight was delivering a compromised product hobbled by a meager budget and a distracting lead performance from Michelle Rodriguez.

Film Review: ★★★½/☆☆☆☆☆ Disc Review: ★★★/☆☆☆☆☆

Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2021: France (Bruno Dumont), Passing (Rebecca Hall) and Nightmare Alley (Guillermo Del Toro). He was a jury member at the 2019 Cleveland International Film Festival.

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How to Write a Movie Review

Last Updated: March 13, 2024 Fact Checked

wikiHow is a “wiki,” similar to Wikipedia, which means that many of our articles are co-written by multiple authors. To create this article, 179 people, some anonymous, worked to edit and improve it over time. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 5,575,203 times. Learn more...

Whether a movie is a rotten tomato or a brilliant work of art, if people are watching it, it's worth critiquing. A decent movie review should entertain, persuade and inform, providing an original opinion without giving away too much of the plot. A great movie review can be a work of art in its own right. Read on to learn how to analyze a movie like a professional film critic, come up with an interesting thesis, and write a review as entertaining as your source material.

Sample Movie Reviews

Writing an Intro for a Movie Review

Step 1 Start with a compelling fact, quote, or opinion on the movie.

Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"– against terrorist groups, against international rivals, against other political parties. But few of them understand the cold, destructive, and ultimately hollow thrill of revenge as well as the characters of Blue Ruin. "
Review in a nutshell: "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."
Context or Background Information: " Boyhood might be the first movie made where knowing how it was produced–slowly, over 12 years, with the same actors–is just as crucial as the movie itself."

Step 2 Give a clear, well-established opinion early on.

Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.
Great Movie: ABC is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."
Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."
Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue."

Step 3 Support your opinions with evidence from specific scenes.

Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't as good. The mid-movie prison scene in particular, where the camera never leaves their faces, shows how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."
Bad: " Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur – in heels."
Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance."

Does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
Does the film seem to have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals.
Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers.

Composing Your Review

Step 1 Follow your thesis paragraph with a short plot summary.

When you name characters in your plot summary, list the actors' names directly afterward in parenthesis.
Find a place to mention the director's name and the full movie title.
If you feel you must discuss information that might "spoil" things for readers, warn them first.

Step 2 Start to talk about the film’s technical and artistic choices.

Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."
Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."
Music and Sound: " No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."
Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze."

Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible.
Present both the facts and your opinion. For example, you might state something such as, "The Baroque background music was a jarring contrast to the 20th century setting." This is a lot more informative then simply saying, "The music was a strange choice for the movie."

Step 4 Use plenty of examples to back up your points.

Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""
Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."
Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments – moments that could only be captured over 12 years of shooting – make Linklater's latest an essential film for anyone interested in the art of film."

Polishing Your Piece

Ask yourself whether your review stayed true to your thesis. Did your conclusion tie back in with the initial ideas you proposed?
Decide whether your review contains enough details about the movie. You may need to go back and add more description here and there to give readers a better sense of what the movie's about.
Decide whether your review is interesting enough as a stand-alone piece of writing. Did you contribute something original to this discussion? What will readers gain from reading your review that they couldn't from simply watching the movie?

Studying Your Source Material

Step 1 Gather basic facts about the movie.

The title of the film, and the year it came out.
The director's name.
The names of the lead actors.

Step 2 Take notes on the movie as you watch it.

Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review.
Take note of patterns you begin to notice as the movie unfolds.
Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.

Step 3 Analyze the mechanics of the movie.

Direction: Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director. If you've seen other movies directed by the same person, compare them and determine which you like the most.
Cinematography: What techniques were used to film the movie? What setting and background elements helped to create a certain tone?
Writing: Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you?
Editing: Was the movie choppy or did it flow smoothly from scene to scene? Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well-chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors, so this could still affect the film.)
Costume design: Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it?
Set design: Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you? If the movie was filmed in a real place, was this location well-chosen?
Score or soundtrack: Did it work with the scenes? Was it over/under-used? Was it suspenseful? Amusing? Irritating? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them.

Community Q&A

If you don't like the movie, don't be abusive and mean. If possible, avoid watching the movies that you would surely hate. Thanks Helpful 1 Not Helpful 1
Understand that just because the movie isn't to your taste, that doesn't mean you should give it a bad review. A good reviewer helps people find movie's they will like. Since you don't have the same taste in movies as everyone else, you need to be able to tell people if they will enjoy the movie, even if you didn't. Thanks Helpful 2 Not Helpful 0
Structure is very important; try categorizing the different parts of the film and commenting on each of those individually. Deciding how good each thing is will help you come to a more accurate conclusion. For example, things like acting, special effects, cinematography, think about how good each of those are. Thanks Helpful 1 Not Helpful 0

↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/terminology_and_starting_prompts.html
↑ https://www.spiritofbaraka.com/how-write-a-movie-review
↑ https://www.nyfa.edu/student-resources/9-tips-for-writing-a-film-review/
↑ https://en.oxforddictionaries.com/writing-help/top-tips-for-writing-a-review
↑ https://writingcenter.unc.edu/tips-and-tools/summary-using-it-wisely/
↑ https://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/film-review-1.original.pdf
↑ https://www.dailywritingtips.com/7-tips-for-writing-a-film-review/
↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/film_writing_sample_analysis.html
↑ https://learning.hccs.edu/faculty/onnyx.bei/dual-credit/movie-review-writing-guide
↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
↑ https://www.grammarly.com/blog/how-to-write-a-movie-review/
↑ https://gustavus.edu/writingcenter/handoutdocs/editing_proofreading.php
↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
↑ https://edusson.com/blog/how-to-write-movie-review

About This Article

To write a movie review, start with a compelling fact or opinion to hook your readers, like "Despite a great performance by Tom Hanks, Forrest Gump never overcomes its weak plot." Then, elaborate on your opinion of the movie right off the bat so readers know where you stand. Once your opinion is clear, provide examples from the movie that prove your point, like specific scenes, dialogue, songs, or camera shots. To learn how to study a film closely before you write a review, scroll down! Did this summary help you? Yes No

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How to Write a Movie Review for College

Table of contents

You’ve been asked to watch the recently released movie, Joker.

You squeal with joy. “Best assignment ever,” you say, and the next thing you know, you’re asked to write a movie review on it.

If only reviewing a movie was as enjoyable as watching it. Am I right, or am I right?

You might know by now that writing a movie review for college isn’t all fun and games. It’s serious business - just like any other academic writing assignment.

A movie review is meant to be a holistic evaluation and analysis of the movie. You’re expected to share your opinion on the technical and creative aspects while providing thorough evidence to back up your statements.

The purpose of a film review is to help the reader decide whether they need to watch it. There is no right or wrong point of view - everything depends on your approach, attention to detail, and how you choose to demonstrate your personal opinions.

If you’re stressing about how to write a movie review for college - read on to learn how you can ace this assignment and submit a winning review.

How to Write a Movie Review for College in 6 Steps

Writing a movie review helps instructors review your critical thinking, analytical, and evaluation skills. It takes careful planning and exemplary writing skills.

Here’s a step-by-step guide on writing a movie review for college (and doing a great job at it!).

Watch the Movie (More Than Once) and Take Notes

Remember - you’re watching the film as a critic and not as just another audience which means you need to be extremely vigilant while watching it.

When you sit down to watch the movie, sit with a notebook and make it a point to take notes. You cannot expect to remember every little point after watching a three-hour-long film.

Note-taking enables you to jot down your thoughts and makes it easier to organize them during the writing stage. Take notes about critical dialogues, characters, and scenes that stood out. Look out for patterns and assess how the movie made you feel.

Apart from that, it also looks into the underlying themes and technical aspects such as the film-making technique used or cinematography.

While writing a movie for college, one watch is certainly not enough. Watch it at least two to three times. Let the first time be purely about watching the movie for what it is. After that, you can go on to re-watch it with the objective of reviewing or critiquing it.

Do Background Research

In the case of a movie review writing assignment, the movie is undoubtedly your go-to source and the holy grail, but it’s not enough.

Consider researching the director, the year it came out, what was the socio-political environment like, what were the director’s motivations, whether there was any inspiration behind the movie, where it was shot, etc.

Doing this additional reading will give you valuable insights that will help you write a qualitative and well-rounded movie review.

Analyze the Movie in Parts

How will you write a movie review if you don’t know what you’re watching it for?

It’s a good idea to analyze it in parts.

Crucial elements you must consider during your movie analysis

direction - how did the director translate the script into a film, can this movie be compared to his/her previous films, etc.;
cinematography - what are the camera angles and shots, what is the filming technique, what is the lighting technique, and how does it impact the scenes, etc.;
writing - how developed are the characters, was the plot predictable, how does it start and end, how are the dialogues, etc.;
acting - how would you judge the actors’ performances, etc.;
music - how does the music and background score accentuate the story;
editing - how to do the scenes transition, did the cuts seem realistic and smooth, how was the length, etc.;
costume and set design - were they appropriate to the era and the theme, etc.

Let this serve as a checklist while you’re watching the movie and making your notes.

Here’s a useful video by The Misfit Pond on how to analyze movies

Create an Outline

Now that you have your notes and analysis-ready, you can go on to the next stage - writing.

The first step of this stage is to create an outline that forms the skeleton of your paper and gives it direction. The idea is to jot down the sub-headings and include the points you plan on including under each of them.

This is the ideal structure of a movie review for the college

Introduction - start with a hook and include basic details of the movie such as name, year of release, director, actors, and central theme. This paragraph should end with the thesis statement;
Summary - provide a concise summary of the plot;
Analysis - discuss the film’s creative and technical aspects while enlisting its strengths and/or weaknesses;
Opinion - put forth your opinion objectively while backing it up with evidence;
Conclusion - reinstate your thesis and highlight whether the reader sees the film or not.

Start Writing

This is where your efforts will culminate - it’s time to put down your thoughts into words and get writing.

Even though movie reviews are generally not that long, they can make for an overwhelming writing experience because there’s so much you’re juggling with.

It’s a good idea to break down the writing process and give yourself breaks in between. There’s no way you can do justice to the paper if you’re tired or burnt out.

Edit and Proofread

Once you’re done writing, make sure you read it multiple times to submit a well-written and polished paper.

Let the first round of reading be about checking the logical flow and structure of the paper while ensuring there is no plagiarism . Make sure you’ve added all the points you intended to and that they flow in smoothly.

Next up, proofread the review and check for typos, and grammatical and spelling errors. It’s also worth getting a friend or family member to read the review to check for errors that you may have missed out.

6 Smart Tips to Write an Excellent Movie Review

The best film reviews are those that strike a balance between sharing one’s personal opinion and being objective.

Now, that’s a tough thing to achieve because sometimes we get so swayed by our personal point of view that we don’t realize that we are expected to be unbiased and objective in this assignment.

Well, here are 6 smart tips to help you write an excellent movie review for college.

Read Other Reviews

Writing movie reviews is an art - and not everyone can review a movie the way it needs to be reviewed.

So, before you even start watching the movie in question, you should read reviews by notable film critics just to understand how movie reviews are written.

You can read reviews by Andrew Sarris, Judith Crist, Peter Travers, Peter Bradshaw, and Roger Eber, among many others.

That said, try not to read reviews on the same movie you’re reviewing because that might influence your perspective and writing.

Watch Like a Critic

There’s a huge difference between watching a movie like a general audience and watching it like a critic. For this assignment, you need to do the latter.

What does that mean? Analyze the direction, story, and characters, make comparisons, understand the context, look out for motifs, and pay attention to the camera angles and shots, loopholes in the plot, and every little element that’s part of the movie (on and off-screen).

Watch Ann Hornaday , The Washington Post’s film critic, share insights on what it means to watch movies like a critic

Stay Focussed on the Movie

This is an assignment and you have a word count to abide by. Make sure you don’t go off-topic or get derailed while writing the movie review.

Ultimately, everything you write needs to be correlated to the movie you are reviewing. It helps to have your thesis statement written boldly where you can see it. This ensures you don’t wander off-topic.

While proofreading, do keep this in mind and ensure you haven’t added irrelevant information that’s not in line with the topic because that’s likely to go against you.

Be Objective and Support your Opinions

It’s important to note that just because a movie isn’t suited to your taste, does not make it a bad movie.

You need to be objective while writing a movie review. If there is something you disagree with or are critiquing, do include enough evidence in the form of facts, statistics, quotes, and examples to strengthen your argument.

At the same time, if you happen to review the movie of a director you’ve been a fan of, don’t let that come in between your writing.

Basically, keep your biases out of the equation.

Look into the Details

Be specific while expressing your opinion. Making generic statements such as “the story was poorly written” or “the characters were well-developed” does not cut it. You need to dive deep and back your claims up to convince the reader about what you’re saying.

The trick is to keep asking yourself questions until you cannot further.

One of the things you will be assessed for will be your attention to detail. Merely touching upon the surface will be reflected in your writing and will cost you your grades.

Avoid Giving Away the Plot

One of the most common mistakes students make while writing movie reviews is including spoilers. This is a grave error because it goes against the concept of writing reviews because adding spoilers ruins the reader’s experience of watching the movie.

While you are expected to give an idea about what the movie is about, you have to keep spoilers out of the way.

Once you understand how to write a movie review for college and what it takes to submit a winning paper, you’ll realize it’s not all that challenging.

Still asking, “how to write a movie review for college”? You can turn to the experts for help. We at Writers Per Hour have a team of professional writers who specialize in writing college movie reviews.

Regardless of whether you have a tight deadline or are stuck while writing a movie review, all you have to do is send us the brief, and we’ll get the best-suited writer for the job.

When you work with Writers Per Hour, you can be sure to receive a high-quality and original movie review written to meet your specific requirements.

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10 Movie Review Examples That Will Help You Write Better Reviews

Studying movie review examples is a great place to start if you’re looking for inspiration for your own movie reviews.

This article has gathered different kinds of movie review examples that will help you write better and more insightful reviews in whatever style you choose.

There is an overwhelming library of movie reviews to sift through, but having studied many reviews by Pulitzer Prize-winning film critics along with your average movie review articles published online, I’ve been able to find a few movie reviews that provide a great template for crafting a review of your own.

10 Detailed Movie Review Examples

The Classic Movie Review

A classic movie review example has a neat structure that clearly communicates the author’s sentiment toward the film in a clean, straightforward manner.

Roger Ebert’s review of North is the perfect example of that.

1. “North” by Roger Ebert

This review starts with a catchy hook, making readers curious for Ebert to elaborate on his statements.

“I have no idea why Rob Reiner, or anyone else, wanted to make this story into a movie, and close examination of the film itself is no help.”

The opening sentence of this movie review example makes it clear to the audience that Ebert did not enjoy the film in question and if they would like to know why, they are encouraged to continue reading.

The whole first paragraph is chock full of strong adjectives setting the tone for the scathing critique this film is about to get.

Moving on to the next paragraph of this movie review example, Ebert gives a quick synopsis of what this film is about, filling the audience in on the story in case they’re unaware.

“He [Elijah Wood] plays a kid with inattentive parents, who decides to go into court, free himself of them, and go on a worldwide search for nicer parents.”

Following the paragraph summarizing the main plot of the film, the movie review dives straight into the critique explaining why this film garnered the strong adjectives it received in the opening paragraph:

“This idea is deeply flawed. Children do not lightly separate from their parents – and certainly not on the evidence provided here, where the great parental sin is not paying attention to their kid at the dinner table.”

In this movie review example, Ebert dives deep into the oddities of the narrative and what makes it so unbelievable.

He questions the director’s decisions and the plot’s direction as well in these middle paragraphs:

“What is the point of the scenes with the auditioning parents?… They are not funny. They are not touching. There is no truth in them.”

Ebert uses the middle paragraphs to dissect what does not work in the film.

In the final paragraphs of this movie review example, Ebert closes out by reiterating his sentiments towards the film, giving readers a good idea of whether the movie would be something he would recommend others watch.

“I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it.”

“‘North’ is a bad film – one of the worst movies ever made.”

After reading Ebert’s movie review example there is no question of whether he liked the movie or not. I don’t know, he might’ve even mentioned hating it at one point…

And he makes it clear what plot and artistic choices played into his final assessment of the film.

Would you whip out your cash to experience the movie North after reading a review like this?

With this straightforward, informative, evidence-supported review, there is no confusion about the perceived quality of this film.

READ THE FULL REVIEW OF NORTH BY ROGER EBERT

The Real World Parallel Review

A movie review that can parallel the events occurring within the movie with events occurring outside of the movie shows a deeper level of critical thinking.

This is one of the movie review examples that truly exemplifies a deep critical thinker.

2. “The Flash” by Justin Chang

This movie review example starts right away with a brief synopsis of what the movie, The Flash, is about.

“‘The Flash’ is a time-travel story and a cautionary tale, a warning of how dangerous it can be to change the past or mess around with alternate realities.”

Same as with the classic movie review, this reviewer also hints at his overall sentiments towards the film.

“…this initially enjoyable, increasingly sloppy megabucks mess…”

This review, unlike the classic movie review, spends more time following the plot of the story through a biased lens, further walking readers through the details of the story.

“He gets stuck in the past and… winds up unwisely joining forces with a teenage version of himself (also Miller, with floppier hair), who’s had a much happier childhood but doesn’t (yet) have the Flash’s superheroic powers.”

After indirectly criticizing the CGI and praising the main actor’s performance, Chang gets into his main criticism of the review: the popular trend of reintroducing old versions of superheroes into new superhero movies.

“Really, though, is nostalgia that satisfying anymore?”

And it’s really this last sentence of the movie review example that ties this compelling thought together, not only concluding the movie but drawing a parallel to how the movie creators are perpetrators of the same mistake that the movie’s main character made.

“Lost in an endless game of IP-reshuffling musical chairs, Barry realizes, possibly too late, the futility of dwelling on the past — a fatuous lesson from a movie that can’t stop doing the same.”

READ THE FULL REVIEW OF THE FLASH BY JUSTIN CHANG

3. “Bonnie and Clyde” by Roger Ebert

Another great movie review example, using a movie as a sense of societal self-reflection, is Roger Ebert’s review of Bonnie and Clyde . The final sentences of the review say:

“‘Bonnie and Clyde’ will be seen as the definitive film of the 1960s, showing with sadness, humor, and unforgiving detail what one society had come to… it was made now and it’s about us.”

READ THE FULL REVIEW OF Bonnie and Clyde BY Roger Ebert

4. “Black Panther” by Soraya Nadia McDonald

Yet another movie review example is this Black Panther review by Soraya Nadia McDonald.

The whole review deep dives into the cultural context of the movie and its timeliness or lack thereof.

“Honestly, the worst thing about Black Panther is that it had to be released in 2018 and not during the term of America’s first black president.”

This movie review example walks through the narrative praising the film’s actors, director, and cinematographer before ending on the note of its cultural relevance.

“Perhaps it’s even capable, just as The Birth of a Nation once was, of helping to steer an entire national conversation.”

READ THE FULL REVIEW OF Black Panther BY Soraya Nadia McDonald

The Storytelling Movie Review

If you have a story of your own that you can parallel with the movie’s story, then connecting the movie’s narrative with your own is a particularly entertaining way to craft your review.

Instead of comparing the film to society as a whole, the following storytelling movie review examples compare the movie to specific stories they pull from their personal life.

5. “The Help” by Wesley Morris

One of my favorite reviews by Pulitzer prize-winning Wesley Morris is written in this style, drawing readers in with his own personal story:

“Three summers ago, I went to visit a friend in West Texas.”

“What happened in Texas?”, readers wonder as we curiously continue reading.

After 3 engaging paragraphs narrating a strange, racial encounter in Texas, Morris introduces the movie, The Help .

“This pretty much captures the cognitive dissonance of watching “The Help’’: One woman’s mammy is another man’s mother.”

The following paragraph gives a synopsis of the film and introduces the audience to the main characters:

“Meanwhile, the heart of the film itself belongs to Aibileen Clark (Viola Davis) and Minny Jackson (Octavia Spencer), the two very different maids and best friends at the center of the story.”

The center of this movie review example narrates the happenings of the movie from a biased point of view before presenting some debate points about the movie’s approach to race relations.

“‘The Help’ joins everything from “To Kill a Mockingbird’’ to “The Blind Side’’ as another Hollywood movie that sees racial progress as the province of white do-gooderism.”

Morris then praises the actors’ performances in this very character-based film but is unable to shake the social weight of the casting that this film requires:

“And yet here’s the question you ask as you watch a black actor in 2011 play a white lady’s maid, decades and decades after that was the only job a black woman in Hollywood could get. What went through the minds of Davis, Spencer, and Aunjanue Ellis, who plays Hilly’s maid, as they put on those uniforms and went to work?”

Morris finishes off the review sure to reference the personal story that he introduced in the beginning before leaving the reader with something to ponder.

“These are strong figures, as that restaurant owner might sincerely say, but couldn’t they be strong doing something else?”

Morris’s final statements in this movie review example make it clear his assessment of the film’s quality is good but its messaging is questionable, allowing the audience to make a judgment on whether they’d like to see the film for themselves.

“On one hand, it’s juicy, heartwarming, well-meant entertainment. On the other, it’s an owner’s manual.”

READ THE FULL REVIEW OF THE HELP BY WESLEY MORRIS

6. “Me Without You” by Stephen Hunter

This movie review example also tells a story although it’s not personal.

Instead of starting by talking about the movie or talking about himself, Hunter begins the review like a novel. With an untethered phrase that needs further explanation.

“Friendship isn’t rocket science. It’s much harder.”

He then lists out all of the complexities of trying to maintain a friendship, painting a picture to support his point.

“Oh, yeah, it’s easy to say just be loyal and true and that makes you a good friend. But suppose the other person does something that really irks you, like chew gum or vote Democratic?”

Hunter doesn’t leave you hanging for too long before segueing into how this thought point relates to the film.

“And that thorniness, that dark underbelly of it, is the gist of the acerbic British import ‘Me Without You…'”

As usual, a sign of good storytelling, he finishes this movie review example with his full-circle concluding statement on friendship.

“But the truth is, of course, that friendship matters to those of us who still claim membership in the human race…”

READ THE FULL REVIEW OF ME WITHOUT YOU BY STEPHEN HUNTER (Under the title: ‘Me’: Friendship as Relationship)

The Unconventional Movie Review

A less common but creative and fun way to approach a movie review is to approach it from a different angle or point of view. To write it in a way that’s unexpected.

7. “ET” by Roger Ebert

In another movie review example from Roger Ebert, instead of approaching this review traditionally, Ebert rather writes the review as a letter to his grandchildren.

Rather than addressing the readers, he addresses his grandchildren in his movie review:

“Dear Raven and Emil: Sunday we sat on the big green couch and watched “E.T. The Extra-Terrestrial” together with your mommy and daddy.”

After noting how his grandchildren reacted to climactic parts of the film, Ebert recounts the events of the movie, ET, continuing to include his grandchildren’s remarks and reactions.

“The camera watches Elliott moving around. And Raven, that’s when you asked me, “Is this E.T.’s vision?” And I said, yes, we were seeing everything now from E.T.’s point of view.”

Ebert uses this opportunity to make a simplified analysis of the director’s use of POV in the movie, praising the film’s direction without losing the context of a grandfather’s letter.

“Some other filmmaker who wasn’t so good might have had subtitles saying, “E.T.? Are you out there? It’s Mommy!” But that would have been dumb.”

Ebert ends this movie review example like anyone would end a letter, with good wishes and a signature.

“Well, that’s it for this letter. We had a great weekend, kids. I was proud of how brave you both were during your first pony rides. And proud of what good movie critics you are, too. Love, Grandpa Roger”

The average person has a 7-8th grade reading level, so a simple letter like this, is not only cute, creative, and endearing but it’s incredibly easy to read and understand the critic’s assessment of the movie.

READ THE FULL REVIEW OF ET BY Roger Ebert

8. “Spider-Man Into the Spider-Verse” by IMO Flicks

Another unconventional movie review example is one that I wrote for this blog website.

Instead of writing from my point of view, I decided to write from the point of view of an out-of-touch grandma, someone who may not have the background knowledge to really understand and appreciate the film.

I approached the film this way because I was tired of reviewing Marvel Superhero films but the thought of writing it as an out-of-touch grandma made the review so much more fun and less pressure-filled, even if it’s really not the most straightforward or informational read.

The review does not include a clear synopsis and the critiques of the film waver between genuine observations and areas that the grandma misunderstood.

It was a blast to write.

The grandmother writer uses the remarks of her grandchildren as a voice of reason for the film.

“My granddaughter told me to rate this spider film [ Spider-Man: Across the Spider-Verse ] out of 10 points. I initially wanted to give it 4 points out of 10… Apparently, my grandchildren think this rating is ridiculous. One of my grandsons almost threw a chair. He gave the film a 200/10, claiming it’s one of the best films he’s ever seen.”

This sort of review may not be as befitting for a serious homework assignment but if there’s space to think outside the box, I say go for it.

READ THE FULL REVIEW OF Spider-Man: Across the Spider-Verse

The Self-Aware Review

Similar to the unconventional movie review, but not quite as unconventional, these movie review examples are self-aware of their influential power. It breaks the fourth wall of movie reviews so to speak.

9. “Manchester By the Sea” by Ty Burr

This movie review example of Manchester By the Sea wants to encourage you to watch the movie but doesn’t want your expectations so high that you don’t experience the same subtle unexpected magic that the movie works on viewers.

Burr explains this in the first paragraph:

“Nothing destroys an audience’s appreciation of a small good movie like advance praise.”

Careful to not ruin the audience’s expectations, Burr goes on to begin every following paragraph with a phrase that denies all of the critiques that follow.

“So I won’t tell you that I’ve seen “Manchester by the Sea” twice now and both times felt haunted for weeks.”

“I won’t bother you with how the movie stands as a soul-satisfying comeback for its maker…”

“I could say, but I won’t, that we’ve all seen too many movies in which a lost soul comes out of his shell and rejoins the human race after he inherits a kid from a dead relative.”

The entire center of the film covers the movie in a way that says, “You didn’t see me. I was never here.” Good and well knowing that people are going to be more curious about this film and expect it to be as fantastic as Burr says.

But don’t worry, Burr accounts for this “undesired” outcome that he had been trying to avoid from the beginning with this closing paragraph.

“If I do tell you all this, forget I ever did. Just remember you heard somewhere that “Manchester by the Sea” is an experience worth having…”

READ THE FULL REVIEW OF MANCHESTER BY THE SEA BY TY BURR (Under the title: A Shore Thing)

10. “Mark Kermode” by Mamma Mia

Kermode’s review of Mama Mia takes his self-awareness in a different direction where he personally loves the movie Mama Mia and is not afraid of letting the world know it.

In fact, the movie has brought something to life in him as a movie critic.

“One minute I was a miserable critic; the next, everything had gone pink and fluffy.”

Kermode continues the movie review example, touching on the actor’s performances, the director’s execution of the film, and the soundtrack before returning to how the film affected him as a critic.

“I feel duty-bound to report that I came out of the screening an utter wreck.”

Further aware that as a serious critic, he probably shouldn’t like this film as much as he did, he lets his guard down and leans into the wonder of the film.

“I have certainly mellowed, and perhaps my critical faculties have withered and died. But I simply can’t imagine how Mamma Mia! Here We Go Again could be any better than it is.”

The self-aware review speaks to the readers as a friend rather than as a removed source of movie information.

A lot of the time, this personal voice can be merged with other review styles as well.

READ THE FULL REVIEW OF Mamma Mia by Mark Kermode

Common Questions

How to write a movie review.

To write a movie review you would need to watch the movie and take good notes, then you would craft an attention-hooking introduction, a few center paragraphs explaining your critiques of the film, before concluding on whether you’d recommend the film or not. This article breaks down the 10 steps to writing a movie review effortlessly .

What should a good movie review include?

A good movie review should include a synopsis of the film, a clear stance on whether the film was good or not, including why or why not, and a conclusion that makes it clear whether the critic would recommend others to watch the film or not.

What is the best movie review for students?

The best movie review example for students would be the classic movie review because it’s straightforward and the easiest to follow and grade.

In Conclusion…

There are so many movie review examples to choose from but the majority can fall into one of these 5 groups: the classic movie review, the real-world parallel, the storytelling review, the unconventional review, and the self-aware review.

If you would like to view 50 more outstanding movie review examples , I’ve grouped some here in a shared Word document available for free!

I hope this article was able to provide some movie review examples to help you craft your own. Happy movie reviewing!

What’s your favorite movie review example? Let me know in the comments below!

And be sure to subscribe for the latest blog updates (form in sidebar).

Peace, love, and lots of popcorn,

When I'm not over-analyzing movies, I'm eating chocolate, belting my favorite songs, and binge-watching reality dating shows. Feel free to share your opinions with me and follow me through my social links!

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Know the Movie Review Format and Writing Guidelines

Table of Contents

In the current digital world, after watching a movie, the first thing many individuals do is go online and post their comments or opinions about it on social media pages, review sites, and blogs. But doing that more professionally will make your work and opinions noticeable to the target audience. However, you may write a movie review like a film critic by gaining a strong knowledge of movie review format and writing guidelines.

In case, you are unsure how to write a movie review as per the standard movie review format, then you will find this blog useful. Here, we have explained in detail what a movie review is, its purpose, and the steps for writing a good movie review. Also, we have shared the essential movie review elements and tips for writing an excellent movie review.

Continue reading this blog to understand everything about movie review writing.

What is a Movie Review?

A movie review is an analytical assessment of a film’s quality that can be given verbally or in writing based on a variety of facts, presumptions, biases, etc. Critics are professionals who write film reviews. A movie review often includes a succinct summary (without giving away plot points), a fair assessment of the movie’s positives and negatives, quotable dialogues, and some judgments. Long and more in-depth assessments of motion pictures are called Analytical essays.

In simple terms, a movie review can be defined as an article published in a newspaper, magazine, or scholarly work that describes and analyzes a movie. Journalists often write reviews to express their opinions about a film. Some movie review contains a rating out of 5 or recommendations like thumbs up or down. Typically, a film review is used to evaluate the quality of a movie and decide whether it is worth watching or not.

Purpose of a Movie Review

The main purpose of a film review is to inform readers about the ideas of a film. It ideally helps readers determine if they should watch, rent, or buy the movie. Furthermore, a movie review deeply analyzes the plot, events, and characters.

A movie review is also one common assignment that students will have to write in high school and college. Even if it may appear straightforward, writing movie reviews takes effort and correct planning. Also, movie review writing helps students improve their critical thinking and analytical skills. Moreover, through movie reviews, students can showcase their understanding of a movie along with their vocabulary and writing abilities.

Learn How to Write a Movie Review

Have your instructor asked you to submit a movie review? Would you like to know how to write a movie review like an experienced film critic? If yes, then follow these steps for writing a movie review.

Also Read: Know How to Quote a Movie in Academic Writing

Watch the Movie or Documentary

First, watch the movie or documentary you are about to review. Make sure to watch the movie once or twice and take notes of the important characters, scenes, and dialogues. When you begin your movie review writing process, never rely only on the power of your memory because you may forget something or overlook it.

Conduct Research and Gather Data

Watching the movie alone is not enough to write a review. A deep study of the movie is necessary. While you watch the movie, look for details like the filmmaker’s name and why he or she made that film or documentary, locations, plot, characterization, and historical events that inspired the movie (if applicable). Essentially, your research should function to gather material that adds dimension to the movie evaluation.

Analyze the Movie

Don’t start writing the review until you are certain you understand the film. Thoroughly evaluate the film from beginning to end. If certain parts are incomprehensible to you, re-watch it. Remember, it will be easy for you to write the review only if you comprehend what happened on the screen. In specific, you should analyze the entire mechanics of the movie including the direction, cinematography, writing, editing, set design, costume design, and soundtrack.

Create an Outline

After analyzing the movie, organize the gathered ideas and create a well-structured outline for your movie review as per the basic format. The outline will act as a guide for you to maintain the logical flow and compose a neat and concise movie review without omitting the important points.

Write the Movie Review

Once you finish creating the outline, begin writing the movie review. According to the standard movie review format and writing guidelines, compose the review of the film or documentary. Include examples of any allegations you make regarding the movie.

If the plot has flaws, in your review, provide an example of a situation or scene where this was obvious. Also, provide examples of when the character(s) are underdeveloped or when poor casting degrades the film’s quality. Furthermore, provide examples while commenting on speech, locales, narrative, and everything else.

In case, you want your readers to agree with you, your review must support your arguments with evidence. You don’t want to make it look like you’re praising or condemning the movie for no reason whatsoever. Explain how the movie distinguishes out or if it simply employs the same method that has previously worked in the industry.

Finally, after you finish writing the movie review, proofread the content once or twice. Note that, the final draft of your movie review should be free from grammar errors and spelling mistakes. Moreover, before you submit the movie review, check whether the details you have provided about the movie in your review are correct. To refine the quality of your movie review essay, you may also get feedback from your family and friends.

Standard Movie Review Format

When it comes to writing a movie review, you should first make sure to devise a well-structured plan or outline. This is because organizing things prior will help to save time and determine what to include in a paper.

If you are confused about how to organize your movie review, then without any hesitation, stick to the movie review format presented below. Note that, the film review that you craft should contain the following.

Introduction (including title, release date, and background information)
Summary of the Story
Analysis of story aspects (increasing action and climax)
Creative aspects (characters, dialogues, use of colors, camera methods, atmosphere, tone, symbolism, costumes, or anything that contributes to or detracts from the main plot).
Opinion (based on examples and facts from the story)
Conclusion (announce whether the filmmaker was effective in his or her aim, re-state your proof, and describe how the motion picture was beneficial in creating a deeper understanding of the course topic)

Movie Review Writing Guidelines and Tips

No matter whether a film is terrible or a masterpiece of art, it is worthwhile to provide criticism. But keep in mind that a good movie review should entertain, convince, and inform, offering an original viewpoint without giving away too much of the narrative. A superb movie review has the potential to stand alone as a piece of art. To create a movie review that is just as fascinating as the source material, follow these writing tips.

Write an engaging introduction

When you write an intro for your movie review, Begin with an intriguing fact, statement, or opinion about the movie. You should try to hook the reader immediately. This line should offer them a sense of your review and the movie – is it wonderful, great, horrible, or simply okay?
Don’t leave your readers guessing whether you like the film or not. Provide a definite, well-established opinion early on so that you may spend the remainder of your time “proving” your rating.
In your review, support your claims with examples from specific scenes. Taking notes during the movie is quite beneficial in this situation. If you can’t provide facts to back up your claim, it will become difficult for you to persuade others of your point of view.

Create a thesis

Come up with a thesis, or the main point you want to cover, and support it with your thoughts on the many aspects of the movie. Your review’s opening paragraph ought to address your thesis. Your review will advance from the plot synopsis phase into the legitimately recognized art form of film criticism if it has a thesis.

Include a short plot summary

When reviewing a movie, add a concise synopsis of the plot, mention the key characters, describe the setting, and convey the central conflict or point of the film.
Give readers advance notice if you feel the need to discuss information that could “spoil” things for them.

Analyze the film’s technical and artistic choices

Plot is just one piece of a movie, and should not dictate your entire review. Some movies may not have exciting plots, but that does not mean the movie itself is terrible. Other elements to focus on include cinematography, music, tone, and acting.
Write several paragraphs about interesting aspects of the film that support your thesis. In your review, make sure to present both the facts and your opinions.
If you assert the film, support it with a descriptive example. Describe how scenes appear, how a character performed, camera angles, and so on. You can also quote dialogues to support your ideas. In this way, you may give your readers a critique of the film while also expressing your opinion of it.

Conclude it properly

Give your review some closure, typically by returning to your opening fact or point. Remember, people check reviews before deciding whether or not to watch a movie. So, end with a sentence indicating whether it is worth watching. Make your conclusion engaging and entertaining.

Also Read: Learn How to Cite Sources in an Essay Using Various Formats

The Bottom Line

Hopefully, by now you will have gained a better understanding of the movie review format. Simply follow the tips and guidelines suggested in this blog to come up with a great movie review. In case, you experience any difficulties with writing your movie review assignment call us.

At greatassignmenthelp.com, we have several skilled essay helpers to offer the best essay-writing services. As per the basic movie review format, our subject experts will analyze the movie in various aspects and come up with a good movie review. Furthermore, by getting our film assignment help online , you can also complete your movie review essay before the deadline and secure an A+ grade.

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The Thing (2011) feat. Max Hannam, Cory Stewart Camp Kaiju: Monster Movie Podcast

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Feeling cold yet? What's that... thing outside the window? On assignment with the U.S. Coast Guard at Antarctica's McMurdo Station, Max and Cory review classic monster movies of the South Pole. Thanks for listening, friends! If you like what you hear, please leave a rating and review. You can also drop us a line at [email protected] and visit ⁠⁠campkaijumoviereviews.com⁠⁠, ⁠⁠Letterboxd⁠⁠, and Instagram (@camp_kaiju) for more monster movie content. Camp Kaiju: Monster Movie Reviews; The Thing (2011, dir. Matthijs van Heijningen Jr.) Movie Review. Hosted by Max Hannam, Cory Stewart, Vincent S. Hannam, Matthew Cole Levine. --- Send in a voice message: https://podcasters.spotify.com/pod/show/camp-kaiju/message Support this podcast: https://podcasters.spotify.com/pod/show/camp-kaiju/support

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The Assignment movie review & film summary (2017)
The Assignment. " The Assignment " is a film that arrives in theaters having already inspired vast outpourings of anger from two groups —the transgender community, which appears to be offended by its very premise, and action buffs, who are put off both by the premise (albeit for different reasons) and what they feel is a lazy execution ...
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Movie Info. After being double-crossed, a hit man becomes a hit woman with help from a rogue surgeon. She sets out for revenge along with a nurse named Johnnie. Rating: R (Graphic Nudity|Drug Use ...
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Movie Info. Annibal Ramirez (Aidan Quinn) is an American naval officer who looks remarkably like notorious international assassin Carlos Sanchez (also Quinn). Veteran CIA agent Jack Shaw (Donald ...
The Assignment
'The Assignment', with its tone changed, is a mere food product that goes from a research drama to pure and hard-acting film in its final stretch. [Full Review in Spanish] Full Review | Aug 21, 2019
The Assignment Movie Review
This thriller starts out with a ludicrous and irresponsibly handled idea. Even directed in a pulpy, creative way by Walter Hill (who worked with Weaver on Alien as producer and is best-known for directing action classics like The Warriors and 48 Hrs. ), The Assignment struggles to escape its misguided premise. Certainly the film is inauthentic ...
The Assignment (2016)
The Assignment: Directed by Walter Hill. With Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Caitlin Gerard. After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.
'The Assignment': Film Review
September 11, 2016 11:23pm. A demented pulp fiction about a brilliant surgeon who creates a Frankenstein monster by performing a sex change on the scumbag assassin who killed her brother, The ...
The Assignment (2016 film)
The Assignment (also known as Tomboy, Revenger (in Australia) and formerly known as (Re) Assignment and Tomboy: A Revenger's Tale) is an action crime thriller film directed by Walter Hill and co-written by Hill and Denis Hamill. The film stars Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Caitlin Gerard, and Sigourney Weaver.. The film had its world premiere at the Toronto International ...
The Assignment (2016)
The Assignment (2016) *** (out of 4) Frank Kitchen (Michelle Rodriguez) is a hitman who pulls a job not knowing what impact it will have on him. It turns out that he murdered the brother of a doctor (Sigourney Weaver) who gets her revenge by kidnapping Frank and turning him into a woman. Now, as a woman, Frank must seek revenge against those ...
The Assignment (2016)
Film Movie Reviews The Assignment — 2016. The Assignment. 2016. 1h 35m. Action/Crime/Thriller. ... Film Reviews. Film Reviews. Walter Hill's The Assignment is a pulp fairy tale without a clue.
Review: Seeking Revenge for 'The Assignment' She Didn't Want
R. 1h 35m. By Glenn Kenny. April 5, 2017. Walter Hill is a smart veteran genre filmmaker ("48 Hrs.," "Southern Comfort," "Last Man Standing") who's never been above a little lurid ...
The Assignment (1997)
User Reviews. The Assignment is an outstanding thriller with several plot twists driven by character, rather than star turns, the need to stage special effects, obligatory romance, and endless car chases. However, there is a car chase in here, and a dandy it is. Aidan Quinn is wonderful as both the terrorist and the naval officer "recruited" to ...
The Assignment (Movie Review)
The Assignment (Movie Review) PLOT: When a hitman named Frank Kitchen (Michelle Rodriguez) suddenly awakes to find someone has forcibly reassigned his gender, he exacts cold-blooded retribution ...
The Assignment
Disc Review: It's no surprise to see The Assignment receive a bare bones home entertainment release, although this high-definition presentation with 5.1 DTS-HD Master Audio in widescreen 2.39:1 doesn't do the minuscule budget of the film any real favors. A lack of any significant bonus features also instills a sense of neglect from all ...
PDF Film Review
Examples of Film Reviews One of the best ways to learn how to write a film review is simply by reading good film reviews. You can find examples in most major newspapers and magazines. Check out the arts and entertainment sections of The New York Times, The Washington Post, The Guardian, The New Yorker, The Atlantic, or Rolling Stone.
How to Write a Movie Review + Interesting Examples
Name of the director. Title of the book (if based on a book) Draft the review outline: Draft an outline with which you will write the review. The overview will help you organize your review concisely and logically. The outline is more like the skeletal frame on which the whole study will stand.
How to Write a Movie Review: 5 Tips for Writing Movie Reviews
1. Take notes. As you watch the film, note any critical elements you want to discuss in your review. Write down factors that pique your interest, like performance, lighting choices, music placement, CGI, thematic arcs, and other elements you think the audience will find interesting. 2.
How to Write a Movie Review (with Sample Reviews)
Find a place to mention the director's name and the full movie title. If you feel you must discuss information that might "spoil" things for readers, warn them first. 2. Start to talk about the film's technical and artistic choices. Plot is just one piece of a movie, and shouldn't dictate your entire review.
How to Write a Movie Review for College
In the case of a movie review writing assignment, the movie is undoubtedly your go-to source and the holy grail, but it's not enough. Consider researching the director, the year it came out, what was the socio-political environment like, what were the director's motivations, whether there was any inspiration behind the movie, where it was ...
10 Movie Review Examples That Will Help You Write Better Reviews
A classic movie review example has a neat structure that clearly communicates the author's sentiment toward the film in a clean, straightforward manner. Roger Ebert's review of North is the perfect example of that. 1. "North" by Roger Ebert. This review starts with a catchy hook, making readers curious for Ebert to elaborate on his ...
Know the Movie Review Format and Writing Guidelines
A movie review is also one common assignment that students will have to write in high school and college. Even if it may appear straightforward, writing movie reviews takes effort and correct planning. Also, movie review writing helps students improve their critical thinking and analytical skills. Moreover, through movie reviews, students can ...
Movie Review Assg
movie review assignment: the pursuit of happyness prepared by: nur farisha binti nazri 2022827166 ba132-2f lecturer: madam norlaili binti harun date of submission: 9 june 2023 rubric for reflective report (movie review) obm name nur farisha binti nazri movie: the pursuit of happyness matrix no. 2022827166
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individual assignment of movie review speaking component oral commentary guide sheet students are to analyze programme and present it individually. time. Skip to document. University; ... Movie Review 210. INTEGRATED LANGUAGE SKILLS III. Tutorial work. 100% (4) 2. List the states that were under the the following. INTEGRATED LANGUAGE SKILLS III ...
Camp Kaiju: Monster Movie Podcast: The Thing (2011) feat. Max Hannam
On assignment with the U.S. Coast Guard at Antarctica's McMurdo Station, Max and Cory review classic monster movies of the South Pole. Thanks for listening, friends! If you like what you hear, please leave a rating and review. ... Monster Movie Reviews; The Thing (2011, dir. Matthijs van Heijningen Jr.) Movie Review. Hosted by Max Hannam, Cory ...
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