creative writing urdu

Creative Writing Tips in Urdu For Beginners

Creative Writing Tips For Students & Immature Writers in Urdu Language Creative writing is one of the most paying skills. All students must learn this skill to get maximum marks in their exams. Even for clearing the competitive exam you will have to learn creative writing skill. It can also make you a self employed person. Its not easy to learn this art as you will have to strive to learn the basics of this skill. We have written many articles on creative writing tips. Here is list of some our some articles on creative writing;

How To Learn Creative Writing?

How to Become a Writer? Super Tips in Urdu

How To Become a Successful Journalist ?

Learn The Art of Freelance Writing

Precis Writing Examples, Tips, Rules & Exercises

Paragraph Writing – Topics, Super Tips, Format, & Ideas

Learn Essay Writing Skills in Just 5 Minutes

20 Super Tips For Writing an Application For Job

Report Writing Skills & Tips For Students of All Classes

How To Improve Writing Skills – 25 Super Tips

We strongly recommend you to read all above mentioned articles for mastering the art of creative writing. We have also launched an internship program for guiding you about this art. Many students have got internship certificates from studysolutions.pk on the basis of their contributions for us. We are also going to held free workshop to guide the students in regard. We shall inform you about free workshop through our website. You must attend this workshop for learning this useful art..Today we are going to share creative writing tips in Urdu language with you. We have already published an article in Urdu on the same topic. We love to guide our readers, so you can ask us any question.

We shall try our level best to guide you individually. Urdu article given on this page has been translated by Mr Farhan Fani. He has translated this article from the English article of famous blogger Neil Patel. Remember that It is also a rule of creative writing to provide the source of your information, that’s why we always try our level best to provide the information about the original source of posts. Kindly visit studysolutions.pk and its facebook page daily for guidance in Urdu and English about different career building skills. You should also visit other educational websites of Pakistan for realizing the difference between them and us. We welcome you in the club of creative writers.

I am a professional content writer and have experience of 10 years. I also launched first ever English monthly magazine of human rights in Pakistan. Majority of content on this website is written by me.

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Qissa – A Digital Platform For Urdu Writers

Urdu writers in Pakistan have been decreasing lately. One reason for its downfall is the traditional publishing methods used by Urdu publishers. There has been a decline in Urdu language since English writers and publishers in Pakistan have grown quickly in the past few years. It is a crucial time for Urdu readers and writers to save the glory of the dying language. Daastan has been working towards the improvement of the literary space in Pakistan. Through digitizing the publishing process, Daastan seeks to revive the reading and writing culture in Pakistan.

How Daastan Supports Urdu Writers

Since its inception, Daastan has been keen to promote education , literacy and healthy learning in Pakistan. Daastan has always laid equal importance on literature in Urdu as well as English. At Qissa we have published around 70 Urdu books and are working on many more. We believe the best way to keep a language alive is to read it. Since Urdu is our national language , we know it a lot better than English, which means we can write better in this language. While writing in English, most writers struggle with translating their thoughts into words. With Urdu, it is a lot easier consequently producing finer stories.

Services For Urdu Writers

Daastan provides Editing services for Urdu writers . Our Urdu Editorial works with the author to help them improve their book. A basic level editing includes spell check , and editor’s advice on improving the manuscript. This level of editing is required for ebook publishing . Level 2 for Urdu editing includes grammar check , fixing the sentence structure and formatting the text. Our Editor will discuss your story, layout and characters in detail and work with you to improve the text. At the third level, our Editor will guide you with formatting the book for print , after a detailed overview of the text. Any required changes will be made with the help of expert Urdu Editors to ensure good quality of your book. Our Urdu Editorial also offers a customised Mentorship program for writers where you can learn and explore different genres and writing techniques through exercises.

Importance Of Urdu Language

The world today is no longer disconnected . Countries are interdependent in terms of economic, political and social activities . In this global village, sticking to regional languages seems like a backward idea to many. Most writers want their name to be known all over the world. Pakistani writers too, perhaps carry the same vision . To broaden their market and reach out more people, writers stick to English language. On the contrary, protecting and safeguarding your language is probably more important today than ever. With an increasing threat to smaller cultures and languages, we need to make sure that our language survives and flourishes .

If you are an Urdu writer , Daastan is the best place for you. We do not treat your books as merely a product that has to be sold. For us, it is our cause. Publish your book with us today and join our mission to revive the reading culture in Pakistan!

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Aslam o alaikum! I want to publish my novel. So please can I get detail about it.?

You can have a look at meraqissa.com/page/publishing to understand the process of publishing.

Hi, I am intrested in knowing can you publish my urdu horror story on your page?

Hey, We only publish eBooks or printed copies. You will have to get your stories published on Qissa.

Kis trhan hum koi b story likh sakte??

Check all details here: https://www.meraqissa.com/page/publishing/

I want to publish a story

I want to publish my Urdu long story it’s like a dramatic story. Where and how should I submit ?

Hey! I wanted to publish my article on your website. How can I send you?

Asslam.o.alikum I wonna publish my novel stories on your website kindly tell me details

I want to publish articles,afsana on ur website..How can I send you

I want serve u by novel drama article writing

I want to publish my article plz guide.

We only publish books Check all details here: https://www.meraqissa.com/page/publishing/

If I publish a novel, will you pay for it?

We offer self-publishing only.

Assalamualaikum This is Dr.Afsana I want publish my urdu book which is based on women health. Will you please help me to publish this book.

Hello, Kindly visit this link for all details regarding publishing process: https://www.meraqissa.com/page/publishing/

Can i send u an episode of my novel… Is it the website of publishing novels..? If it is not then kindly tell me about procedure that how can i bublish my novel… By sendig episode one by one or what about the fund.

I want to earn mery pas bht interesting ideas hoty hen r mera writing skill b acha h r Mje urdu me likhna he psnd h. Mery pas aj kl ki stories type k ideas ni hoty blcul different hoty hen but issue ye h k mae ks pr trust kru? Mae publish kesy kru don’t know Mje fame b chaheay r earn to definitely krna h. Kia ap koi help pr razi hen?

i wanted to upload my urdu novel on your website, how i can send on your site

How to publish???

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Mastering the Craft of Creative Urdu Content Writing

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• Writing Articles & Reviews
• October 21, 2023

In today’s digital age, content writing plays a crucial role in establishing an online presence and engaging with audiences. When IT comes to targeting Urdu-speaking users, IT becomes even more essential to produce high-quality creative content that resonates with them. Urdu, being one of the most widely spoken languages in the world, holds immense potential for businesses and individuals looking to captivate the attention of this target market.

In this article, we will explore various techniques and strategies to master the craft of creative Urdu content writing and how IT can contribute to your online success.

The Importance of Creative Urdu content writing

Urdu, with its rich literary history and expressive nature, offers an incredible platform to create unique and engaging content . Whether IT ‘s for a blog, Website , social media, or marketing campaign, crafting creative Urdu content allows you to reach a wider audience, build brand visibility, increase Website traffic, and foster audience engagement.

One of the key benefits of focusing on creative Urdu content writing is that IT helps to establish a strong emotional connection with the target audience. The ability to express thoughts, ideas, and emotions effectively in the readers’ native language helps create a sense of relatability and trust.

Understanding the Target Audience

Before diving into the world of Urdu content writing , IT is crucial to understand your target audience. This involves conducting thorough market research to identify the preferences, interests, and needs of your potential readers. Understanding their mindset, cultural background, and language usage patterns can help shape the tone, style, and subjects of your content .

By gaining insights into your audience’s needs, you can tailor your content to cater to their expectations. For example, if you are targeting the youth, incorporating trendy phrases, slang, and a modern writing style can be effective. On the other hand, if your audience consists of professionals, using a more formal tone and in-depth industry knowledge can help establish credibility.

Mastering the Art of Storytelling

Storytelling is a powerful tool that resonates with readers, awakens their emotions, and keeps them engaged till the end. By incorporating storytelling techniques into your Urdu content writing , you can captivate your audience and leave a lasting impression. Urdu, being a language famous for its poetry and literature, provides a perfect canvas for weaving enchanting stories.

Begin by identifying the central theme or message you want to convey through your content . Then, bring the story to life by using relatable characters, conflicts, and resolutions. You can also leverage metaphors, similes, and descriptive language to paint vivid pictures in the minds of your readers.

Remember to keep your Urdu storytelling content concise and coherent. Avoid excessive ornamentation and focus on delivering a powerful narrative that evokes emotions and leaves a lasting impact on your audience.

Use of Effective Keywords and Phrases

When IT comes to SEO optimization, incorporating relevant keywords and phrases in your content is crucial. Utilize keyword research tools to identify the most searched and relevant terms in Urdu. By including these keywords strategically throughout your content , you can improve your Website ‘s ranking on search engine results pages.

However, IT is essential to integrate these keywords naturally without compromising the overall quality and coherence of your content . Your focus should be on delivering value to your readers rather than simply stuffing keywords for SEO purposes.

Creating Engaging and Informative Urdu content

Engaging and informative content keeps readers hooked and encourages them to share your content with others. Ensure that your Urdu content writing provides valuable insights, actionable tips, and interesting discussions related to the topics that your target audience cares about.

Include relevant examples, anecdotes, and references from credible sources to back up your claims and increase the credibility of your content . This not only enhances the readability but also establishes you as an authority in your field.

Mastering the craft of creative Urdu content writing can be an invaluable asset in today’s digital landscape. By understanding your target audience, incorporating storytelling techniques, utilizing effective keywords, and providing engaging and informative content , you can successfully connect with your readers, build brand awareness, and drive organic traffic to your Website .

Remember, authentic and empathetic content that resonates with your audience is the key to achieving long-term success in the world of Urdu content writing .

FAQs (Frequently Asked Questions)

1. how can i improve my urdu content writing skills.

To enhance your Urdu content writing skills, consider the following:

• Read Urdu literature and poetry to familiarize yourself with etiquettes, expressions, and vocabulary
• Practice writing regularly and seek feedback from trusted individuals
• Explore different writing styles and techniques
• Stay updated with current trends and topics
• Invest in professional development resources, such as writing workshops or courses

2. Can creative Urdu content writing help with brand building?

Absolutely! Creative Urdu content writing plays a crucial role in building a distinctive brand image. By connecting with your target audience emotionally and telling compelling stories, you can establish a strong brand presence and create a loyal community of followers.

3. How important is keyword research for Urdu content writing ?

Keyword research is vital for effective Urdu content writing as IT helps optimize your content for search engines. By identifying relevant keywords and incorporating them naturally, you can improve your Website ‘s visibility, attract organic traffic, and enhance your SEO ranking.

4. Are storytelling techniques limited to specific types of Urdu content ?

No, storytelling techniques can be used across different genres and formats of Urdu content writing . Whether you are writing a blog, social media post, Website landing page, or an advertisement, incorporating storytelling techniques can make your content more engaging, memorable, and impactful.

5. How can I make my Urdu content more shareable?

To increase the shareability of your Urdu content , consider the following:

• Create content that evokes emotions or provides practical value
• Include visually appealing elements, such as images or videos, for social media sharing
• Encourage readers to share your content through call-to-action prompts
• Share your content on relevant platforms and connect with influencers to amplify its reach

By applying the strategies and techniques discussed in this article, you can master the craft of creative Urdu content writing and unlock the immense potential IT offers for connecting with your target audience.

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Creative Writing

Learn & Earn with Digi Skills Training Program

Writing is a vast field and every sub-category of this field has its own unique writing format. This course is aimed at aspiring writers who want to familiarize themselves with this field and want to pursue writing as a career. It will provide a set of guidelines that will eventually help learners navigate the freelance world as writers. Throughout the duration of this course, trainees will learn about fiction/nonfiction writing, copywriting, social media writing, business writing, UX writing and much more. This course also covers some basics of Language Arts including grammar, vocabulary, parts of speech and common errors in writing, etc. Some parts of this course will also focus on enhancing thinking conceptually, improving observation and analytical skills so that learners can produce richer textual content.

Meet The Trainer(s)

Ayesha Fazlur Rahman | Amena Aly Kamaal   (MA English Literature, Masters in Education | Masters in Communication)

Ayesha Fazlur Rahman:-

Ayesha is a Fulbright alum, with an M.Ed from the Harvard Graduate School of Education and MA English Literature from Punjab University. She also took an under-grad course in creative writing through the University of Minnesota (credit course). She has received training in moderation/ facilitation techniques from Thailand. Ayesha has academic training and experience in teaching and creative writing. As part of her work in the development sector, she has trained textbook authors in Islamabad, AJK and Baluchistan. The training module and posters were developed by Ayesha as part of her work with GIZ.

She has worked as a Quality Assurance Expert on training documents for Training for Pakistan (USAID). Ayesha also developed training content for teachers in KPK for PEAD Foundation. Additionally, she has worked as a consultant for FCDO, UNICEF and UNESCO projects. 

Ayesha has been a blogger with The Express Tribune (The Good News Column) and with Kuch Khaas (social interest topics, movie reviews, special occasion write-ups). She has written articles on environment-related issues for Natura magazine (WWF). Earlier, her short stories, poems and articles were published in The Dawn, The Muslim, The News, The Nation and Pulse Global. She wrote articles on women’s issues while volunteering at the NGO Bedari.

Ayesha started her career as a school teacher and has also briefly taught at Fatima Jinnah University. She has extensively conducted trainings for teachers, master trainers, and textbook authors; she has also developed content and designed the training program for these trainings. She is well-aware of the principles of pedagogy and andragogy; she has adapted to the needs and contexts of a vast range of trainees.

Amena Aly Kamaal:-

Amena is a high-performing, strategic-thinking professional with over 20 years of experience in the communication sector in national and international corporate organizations such as The United Nations. She is highly skilled at communications for the development sector; exceptional writing, presenting, and interpersonal communication skills. She is well-versed in all phases of the communication process using traditional and latest communication tools innovatively and effectively. She is adept at creative and business writing and has been conducting training programs for the past six years, nationally and internationally. 

She started her academic career in Clark University, USA, pursuing a four year undergraduate education in Studio Art and Communications, she received a degree with highest honors, an award bestowed by the University to a student after five years. She completed a two year Masters in Communications from California State University, Fullerton USA. Her thesis was published by University of Southern California in 2006.

Amena further honed her skills gaining experience in Advertising, Web Development, Corporate Communications, Public Relations and Development Communication in the United States and Pakistan. Working in the United Nations for fifteen years has allowed her to experience a diverse, multicultural and multi-faceted working environment.

Since her early retirement from the UN, she has co-founded a digital firm working on digital marketing and social media campaigns for social causes. She, along with her partner and team, has experimented with the tools to bring about innovation that are currently being taught in MIT and Harvard as case studies.

Amena has a personal blog by the name of kamaalkibaat and is also a freelance writer for The Guardian, Huff Post and Edition magazine. She also contributes to Destination Magazine.

• Batch Duration: 12 Weeks
• Videos Duration: 24 hours
• Start Date: 25 Mar 2024
• Fee: Free of Cost
• Who can Join: At-least Matric level English knowledge is required for this course.
• Enrolled Trainees: 10577
• Video Medium: Urdu & English

What you will learn

• Write with the objective to inform and entertain the reader and for marketing purposes, through creative writing and business writing skills.
• Create content in a range of formats: articles, blogs, website posts, copywriting for ads, product reviews, poetry for songs and greeting cards, fictional/story writing.
• Develop job descriptions, complete translation and transcription assignments as well as compose reports, resumes for clients.
• Use a background in technology to become UX writer for apps and websites.
• Understand and explore the online market for the complete range of writing-related jobs, using the foundational skills developed through this course.
• Gain functional knowledge of the conventions of English Language.

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Urdu Essays

Urdu Essays List 3

Urdu essays list 1, urdu essays list 2.

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2 Urdu exam papers for grade 4 level - Comprehension/Creative writing/Grammar sections

Subject: Urdu

Age range: 14-16

Resource type: Assessment and revision

Last updated

28 June 2018

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Urdu language skill assessmen: of grade 4 level these papers contains 'Insha Pardazi section, Takhliqi Likhayi Section and Tafheemi Ibarat section. Rubric for checking URDU Takhliqi Likhayi is given.

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Urdu exam papers ranging from grades KG to middle school

Loads of Urdu assessment papers. Each paper is of 50 marks. Each paper contain creative writing [Takhleeqi Likhati]g, comprehension [Tafheem-e-Ibarat]and grammar [Insha perdazi]. creative writing rubric is also added in each paper

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Articles on Creative writing

Displaying 1 - 20 of 46 articles.

UK’s creative industries bring in more revenue than cars, oil and gas – so why is arts education facing cuts?

Adam Behr , Newcastle University

An ode to the social realism of ‘boring’ lyrics – from The Kinks to The Streets

Glenn Fosbraey , University of Winchester

How to write a love song – three tips for beginners from a songwriting expert

‘ Cli-fi ’ might not save the world, but writing it could help with your  eco-anxiety

Rachel Hennessy , The University of Melbourne ; Alex Cothren , Flinders University , and Amy T Matthews , Flinders University

I research the therapeutic qualities of writing about art – here are three steps for trying it yourself

Patrick Wright , The Open University

Creative writing can help improve one’s health: a South African study shows how

Dawn Garisch , University of Cape Town and Steve Reid , University of Cape Town

Boxing empowered me to express my trauma – now, I help other abuse survivors do the same, combining it with creative writing

Donna Lyon , The University of Melbourne

How a poet and professor promotes racial understanding with lessons from history

Quraysh Ali Lansana , Oklahoma State University

How to understand your grief through writing

Catherine Cole , Liverpool John Moores University

Write what you know: the COVID experience is a rich resource for year 12 English exams

Janet Dutton , Macquarie University

5 ways to teach the link between grammar and imagination for better creative writing

Brett Healey , Curtin University

Writing can improve mental health – here’s how

Christina Thatcher , Cardiff Metropolitan University

In an AI world we need to teach students how to work with robot writers

Lucinda McKnight , Deakin University

To succeed in an AI world, students must learn the human traits of writing

‘Lit therapy’ in the classroom: writing about trauma can be valuable, if done right

Yannick Thoraval , RMIT University

Too many adjectives, not enough ideas: how NAPLAN forces us to teach bad writing

What my students taught me about reading: old books hold new insights for the digital generation

Kate Flaherty , Australian National University

Life sentences – what creative writing by prisoners tells us about the inside

Dr Michael X. Savvas , Flinders University

Frozen in time, the casts of Indigenous Australians who performed in ‘human zoos’ are chilling

Katherine Johnson , University of Tasmania

‘I’m in another world’: writing without rules lets kids find their voice, just like professional authors

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Top contributors

Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra

Adjunct assistant professor, University of New England

Associate professor, Deakin University

Associate Professor in Media, University of Notre Dame Australia

PhD Student, School of Education, Curtin University

Executive Dean (interim) Faculty of Arts and Design, University of Canberra

Lecturer in Creative Writing, University of Southern Queensland

Senior Lecturer in Creative Writing, University of Stirling

Associate Dean of Humanities and Social Sciences, University of Winchester

Dean of Research (Creative), University of South Australia

Honorary Associate in Creative Writing, The Open University

Lecturer of English, University of Liverpool

Professor of Creative Arts, Griffith University

Honorary Professor, The University of Queensland

Associate Professor. Associate Director of the Creative Lab., Queensland University of Technology

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aaj ik aur baras biit gayā us ke baġhair

jis ke hote hue hote the zamāne mere

Allama Iqbal

1877 - 1938 | Lahore , Pakistan

One of the greatest Urdu Poets. National poet of Pakistan who penned 'Saare jahaan se achha hindostaan hamara' and 'Lab pe aati hai dua ban ke tamanna meri'

• Index of Poets
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E-book 1357

• TOP 20 SHAYARI 21

Image Shayari 22

Aflak se aata hai nalon ka jawab aakhir, dhund raha hai farang aish-e-jahan ka dawam, khudi ho ilm se mohkam to ghairat-e-jibril, ne mohra baqi ne mohra-bazi, ye payam de gai hai mujhe baad-e-subh-gahi, insan aur bazm-e-qudrat, صبح خورشيد درخشاں کو جو ديکھا ميں نے, koshish-e-na-tamam, فرقت آفتاب ميں کھاتي ہے پيچ و تاب صبح, masud marhum, يہ مہر و مہ، يہ ستارے يہ آسمان کبود, rindon ko bhi malum hain sufi ke kamalat, رندوں کو بھي معلوم ہيں صوفي کے کمالات, جہان تازہ کي افکار تازہ سے ہے نمود, sher-o-shayari 134.

haañ dikhā de ai tasavvur phir vo sub.h o shaam tū

dauḌ pīchhe kī taraf ai gardish-e-ayyām tū

han dikha de ai tasawwur phir wo subh o sham tu

dauD pichhe ki taraf ai gardish-e-ayyam tu

kabhī ham se kabhī ġhairoñ se shanāsā.ī hai

baat kahne kī nahīñ tū bhī to harjā.ī hai

kabhi hum se kabhi ghairon se shanasai hai

baat kahne ki nahin tu bhi to harjai hai

milegā manzil-e-maqsūd kā usī ko surāġh

añdherī shab meñ hai chīte kī aañkh jis kā charāġh

milega manzil-e-maqsud ka usi ko suragh

andheri shab mein hai chite ki aankh jis ka charagh

nigah buland suḳhan dil-navāz jaañ pur-soz

yahī hai raḳht-e-safar mīr-e-kārvāñ ke liye

nigah buland suKHan dil-nawaz jaan pur-soz

yahi hai raKHt-e-safar mir-e-karwan ke liye

tū ne ye kyā ġhazab kiyā mujh ko bhī faash kar diyā

maiñ hī to ek raaz thā sīna-e-kā.enāt meñ

tu ne ye kya ghazab kiya mujh ko bhi fash kar diya

main hi to ek raaz tha sina-e-kaenat mein

Hamaari Rooh Ko Us Waqt Apnaa Irfaan Haasil Hota Hai, Jab Hum Kisi Mufakkir Se Rushanaas Hote Hain. Jab Tak Main Goete Ke Tasawwuraat Ki La-mutanaahiyat Se Be-Khabar Tha. Us Waqt Tak Main Apni Kam-Maaegi Par Muttala Na Tha.

Eik Muqaddas Jhoot Hai.

Insaanon Se Milne Waale Sadmaat Ke Ilaawa Insaan Ki Yaaddaasht Aam Taur Par Kharaab Hoti Hai.

Shaairi Mein Mantiqi Sachchaai Ki Talaash Bilkul Be-kaar Be-takhayyul Ka Nasb-ul-ain Husn Hai, Na Ki Schchaai. Isliye Kisi Funkaar Ki Azmat Ko Zaahir Karne Ke Liye Uski Takhleeqaat Mein Se Wo Iqtibaasaat Pesh Na Kijiye. Jo Aapki Raaye Mein Sciency Haqaaeq Par Mushtamil Hon.

Taareekh-e-eik Tarah Ki Amali Akhlaaqiyaat Hai. Doosre Uloom Ki Tarah Agar Akhlaaqiyaat Eik Tajurbaati Ilm Hai. To Use Insaani Tajurbaat Ke Inkishaafaat Par Mabni Hona Chaahiye. Is Nuqta-e-nazar Ke Barmala Izhaar Se Un Logon Ke Bhi Naazuk Ehsaasaat Ko Yaqeenan Sadma Pahunchega. Jo Akhlaaq Ke Muaamle Mein Sakht-geer Hone Ke Daawedaar Hain. Lekin Jinkaa Avaami Kirdaar Taareekhi Taalimaat Se Mutayyan Hota Hai.

dilon ko markaz-e-mehr-o-wafa kar

Ek muflis-e-khuddar ye kahta tha khuda se, fitrat meri manind-e-nasim-e-sahari hai, hathon se apne daman-e-duniya nikal gaya, ladkian padh rahi hain angrezi, koi dekhe to meri nai-nawazi, nigah uljhi hui rang-o-bu mein, tera andesha aflaki nahin hai, tera tan ruh se na-ashna hai, teri duniya jahan-e-murgh-o-mahi, ai chaudhary saahab aaj aap nange hi chale aae, anokhi tasneef, nagahani sadma, roghan phosphorus ka ehsan, tawaif se rishta.

1985 Ka Iqbaliyati Adab Ek Jaiza

1986 Ka Iqbaliyati Adab Ek Jaiza

A Critical Exposition of Iqbal's Philosophy

A Message From The East

Payam-e-Mashriq Ka English Tarjuma

A New Approch To Iqbal

A Voice From The East

The Poetry of Iqbal

Aaina Khana-e-Iqbal

Aaina-e-Ajam

Aaina-e-Iqbal

Tazminat Bar Kalam-e-Iqbal

Aaina-e-Iqbaliyat

KHudii ko kar buland itnaa ki har taqdiir se pahle KHudaa bande se KHud puuchhe bataa terii razaa kyaa hai

tire aazaad bando.n kii na ye duniyaa na vo duniyaa yahaa.n marne kii paabandii vahaa.n jiine kii paabandii

nahii.n teraa nasheman qasr-e-sultaanii ke gumbad par tuu shaahii.n hai baseraa kar pahaa.Do.n kii chaTaano.n me.n

vajuud-e-zan se hai tasviir-e-kaa.enaat me.n ra.ng isii ke saaz se hai zindagii kaa soz-e-daruu.n

qaum ne paiGaam-e-gautam kii zaraa parvaa na kii qadr pahchaanii na apne gauhar-e-yak-daana kii aah bad-qismat rahe aavaaz-e-haq se be-KHabar Gaafil apne phal kii shiiriinii se hotaa hai shajar aashkaar us ne kiyaa jo zindagii kaa raaz thaa hind ko lekin KHayaalii falsafa par naaz thaa sham-e-haq se jo munavvar ho ye vo mahfil na thii baarish-e-rahmat hu.ii lekin zamii.n qaabil na thii aah shuudar ke liye hindostaa.n Gam-KHaana hai dard-e-insaanii se is bastii kaa dil begaana hai barhaman sarshaar hai ab tak mai-e-pindaar me.n sham-e-gautam jal rahii hai mahfil-e-aGyaar me.n but-kada phir baad muddat ke magar raushan hu.aa nuur-e-ibraahiim se aazar kaa ghar raushan hu.aa phir uThii aaKHir sadaa tauhiid kii punjab se hind ko ik mard-e-kaamil ne jagaayaa KHvaab se

Dhuu.nDtaa phirtaa huu.n mai.n 'iqbaal' apne aap ko aap hii goyaa musaafir aap hii manzil huu.n mai.n

duniyaa kii mahfilo.n se uktaa gayaa huu.n yaa rab kyaa lutf anjuman kaa jab dil hii bujh gayaa ho shorish se bhaagtaa huu.n dil Dhuu.nDtaa hai meraa aisaa sukuut jis par taqriir bhii fidaa ho martaa huu.n KHaamushii par ye aarzuu hai merii daaman me.n koh ke ik chhoTaa saa jho.npa.Daa ho aazaad fikr se huu.n uzlat me.n din guzaaruu.n duniyaa ke Gam kaa dil se kaa.nTaa nikal gayaa ho lazzat sarod kii ho chi.Diyo.n ke chahchaho.n me.n chashme kii shorisho.n me.n baajaa saa baj rahaa ho gul kii kalii chaTak kar paiGaam de kisii kaa saaGar zaraa saa goyaa mujh ko jahaa.n-numaa ho ho haath kaa sirhaanaa sabze kaa ho bichhaunaa sharmaa.e jis se jalvat KHalvat me.n vo adaa ho maanuus is qadar ho suurat se merii bulbul nanhe se dil me.n us ke khaTkaa na kuchh miraa ho saf baa.ndhe dono.n jaanib buuTe hare hare ho.n naddii kaa saaf paanii tasviir le rahaa ho ho dil-fareb aisaa kohsaar kaa nazaara paanii bhii mauj ban kar uTh uTh ke dekhtaa ho aaGosh me.n zamii.n kii soyaa hu.aa ho sabza phir phir ke jhaa.Diyo.n me.n paanii chamak rahaa ho paanii ko chhuu rahii ho jhuk jhuk ke gul kii Tahnii jaise hasiin ko.ii aa.iina dekhtaa ho meh.ndii lagaa.e suuraj jab shaam kii dulhan ko surKHii liye sunahrii har phuul kii qabaa ho raato.n ko chalne vaale rah jaa.e.n thak ke jis dam ummiid un kii meraa TuuTaa hu.aa diyaa ho bijlii chamak ke un ko kuTiyaa mirii dikhaa de jab aasmaa.n pe har suu baadal ghiraa hu.aa ho pichhle pahr kii koyal vo sub.h kii mo.azzin mai.n us kaa ham-navaa huu.n vo merii ham-navaa ho kaano.n pe ho na mere dair o haram kaa ehsaa.n rauzan hii jho.npa.Dii kaa mujh ko sahar-numaa ho phuulo.n ko aa.e jis dam shabnam vazuu karaane ronaa miraa vazuu ho naala mirii du.aa ho is KHaamushii me.n jaa.e.n itne buland naale taaro.n ke qaafile ko merii sadaa diraa ho har dardmand dil ko ronaa miraa rulaa de behosh jo pa.De hai.n shaayad unhe.n jagaa de

maz.hab nahii.n sikhaataa aapas me.n bair rakhnaa hindii hai.n ham vatan hai hindostaa.n hamaaraa

tujhe yaad kyaa nahii.n hai mire dil kaa vo zamaana vo adab-gah-e-mohabbat vo nigah kaa taaziyaana ye butaan-e-asr-e-haazir ki bane hai.n madrase me.n na adaa-e-kaafiraana na taraash-e-aazraana nahii.n is khulii fazaa me.n ko.ii gosha-e-faraaGat ye jahaa.n ajab jahaa.n hai na qafas na aashiyaana rag-e-taak muntazir hai tirii baarish-e-karam kii ki ajam ke mai-kado.n me.n na rahii mai-e-muGaana mire ham-safiir ise bhii asar-e-bahaar samjhe unhe.n kyaa KHabar ki kyaa hai ye navaa-e-aashiqaana mire KHaak o KHuu.n se tuu ne ye jahaa.n kiyaa hai paidaa sila-e-shahid kyaa hai tab-o-taab-e-jaavedaana tirii banda-parvarii se mire din guzar rahe hai.n na gila hai dosto.n kaa na shikaayat-e-zamaana

na tuu zamii.n ke liye hai na aasmaa.n ke liye jahaa.n hai tere liye tuu nahii.n jahaa.n ke liye ye aql o dil hai.n sharar shola-e-mohabbat ke vo KHaar-o-KHas ke liye hai ye niistaa.n ke liye maqaam-e-parvarish-e-aah-o-laala hai ye chaman na sair-e-gul ke liye hai na aashiyaa.n ke liye rahegaa raavii o niil o furaat me.n kab tak tiraa safiina ki hai bahr-e-be-karaa.n ke liye nishaan-e-raah dikhaate the jo sitaaro.n ko taras ga.e hai.n kisii mard-e-raah-daa.n ke liye nigah buland suKHan dil-navaaz jaa.n pur-soz yahii hai raKHt-e-safar miir-e-kaarvaa.n ke liye zaraa sii baat thii andesha-e-ajam ne use ba.Dhaa diyaa hai faqat zeb-e-daastaa.n ke liye mire guluu me.n hai ik naGma jibra.iil-aashob sambhaal kar jise rakkhaa hai laa-makaa.n ke liye

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Agar kaj-rau hai.n anjum aasmaa.n teraa hai yaa meraa, apnii jaulaa.n-gaah zer-e-aasmaa.n samjhaa thaa mai.n, dil soz se khaalii hai nigah paak nahii.n hai.

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Working class creatives working in film and TV have plummeted to a 10-year low

‘overall... the picture is one of sustained inequality’ said the report’s lead author, article bookmarked.

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Working class representation in the film and TV industry has plummeted to the lowest level in a decade, according to a new study.

Only eight per cent of creatives in the film and TV industries identified as being from a working class background , while over 60 per cent of those working in the same sector were middle or upper class, the highest level in 10 years.

According to research conducted by the Creative Industries Policy and Evidence Centre at the University of Sheffield, the vast majority of people working in the field are from middle or upper class backgrounds . The findings will only heighten already febrile conversations about privilege within the world of the creative arts.

The report titled “Arts, Culture and Heritage: Audiences and Workforce” , uses census data to provide an in-depth analysis of the state of the arts, culture and heritage workforce across England, Wales, and Northern Ireland.

In music and the performing arts, a sector known for discovering diverse talent, 65 per cent of people are now middle class, marking a record high – only 16 per cent are from working class backgrounds.

“There is a sense sometimes that I feel like I don’t belong in certain events and certain people I’ve met who I do feel sometimes judged by,” Sam Oddie, a filmmaker told Channel 4 News.

Despite winning multiple awards, he says he still struggles to do what he loves full time.

“I feel like I’ve had to earn it and I’ve eventually gotten to the point where I do feel involved and welcome, but there wasn’t [that feeling] in the beginning.”

Actor Samira Ahmed told Channel 4, that attending drama school had been a “traumatic experience” for her and that the industry relied on “connections”.

In addition to the findings on class, there were also notable disparities around region despite the government’s levelling up agenda to redress regional social, cultural and economic imbalances and bridge the “North-South divide”. Most creatives are based in the country’s capital of London, which is also one of the most expensive places to live.

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Race was another consideration: over 90 per cent of people in the creative industries are white, higher than the general workforce average of 85 per cent. Seventy per cent of those in managerial positions are men, with only 1 per cent being black.

It comes shortly after Paddy McGuinness defended his working class roots after his appearance on Question Time was criticised for “dumbing down” the programme.

“When I got asked to go on, it’s the sort of programme that is terrifying. But it would have really irked me if hadn’t done it. It wouldn’t have sat easy with me,” he said at the time.

“Being working class, people look at you as the place you are from as you still speak like them - if I hadn’t done it then you’re not getting people’s voice across.”

Bernard Hay, Head of Policy at Creative PEC said: “This research shows that the likelihood of someone participating or working in arts, culture and heritage still varies significantly depending on a range of factors. These include gender, disability, ethnicity, social class, or geographic location.

“It also shows the picture can be very different depending on the type of activity or job. Viewed together and in the context of funding challenges for UK arts, culture and heritage, as well as a cost-of-living crisis, this report shows that we still have a long way to go to address social inequalities in many parts of the sector.”

Dr Mark Taylor, lead author of the report highlighted more positive aspects of the report including increased LGBTQ+ representation.

“Our new report confirms ingrained inequality across several demographics, using census data for the first time to provide this level of insight.

“However, we also identify ways in which arts, culture and heritage could be considered more inclusive than other sectors. For example, workers are more likely to be LGBTQ+, and in terms of participation in some creative activities for example creative writing, disabled people are more likely to participate.

“Overall, though the picture is one of sustained inequality in both workforce and audience diversity across arts, culture and heritage.”

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'A Gentleman in Moscow' Review — Ewan McGregor Effortlessly Charms From a Gilded Cage

• Ewan McGregor and Mary Elizabeth Winstead's chemistry shines in A Gentleman in Moscow as Alexander navigates relationships in his gilded cage.
• The storytelling cleverly deploys nonlinear narrative and amusing dialogue to engage the viewer.
• A slow start evolves into a compelling historical epic within the Metropol's walls.

Based on Amor Towles ’ critically acclaimed novel by the same name, A Gentleman in Moscow is Showtime’s next great historical drama. While the mention of “Moscow” in the title might make the mind’s eye wander down snowy streets in the shadow of Saint Basil's Cathedral, A Gentleman in Moscow is far removed from the sprawl of a struggling society and is instead a far more quaint tale , set within the confines of a grandiose hotel-turned-prison cell.

Like the gilt Fabergé egg that adorns the poster for the series, Count Alexander Rostov’s ( Ewan McGregor ) existence is a reminder of the opulence of bygone days—an ostentatious relic. He serves no real purpose in the grand scheme of things, except to be watched within his gilded cage, and kept account of by authorities, much like the dwindling few eggs that sit in collections around the world. And much like the Fabergé egg, Alexander’s life is inextricably linked to the tragic downfall of the Romanov family and the Bolshevik revolution of 1917 that followed.

The series starts swiftly, with the Bolshevik tribunal sentencing the Count to a lifetime of confinement within the walls of the Metropol Hotel. He is spared a far worse sentencing ( death ) due to the poem that he allegedly penned, which critiqued the upper class and questioned the purpose of the royal family. These are, of course, ideals that the Bolsheviks agree with, even if they are being echoed by a Count who benefited from the institutions he criticized. As with Towles’ novel, much of the Count’s life before the revolution is shown through fragmented flashbacks dotted throughout the series, as well as through illuminating conversations with his compatriots — or, rather, comrades, Mishka ( Fehinti Balogun ) and Prince Nikolai Petrov ( Paul Ready ).

A Gentleman in Moscow

A Russian aristocrat is spared from death and placed on house arrest while the Bolshevik Revolution plays out before him.

Release Date March 29, 2024

Cast Leah Harvey, Anastasia Hille, Beau Gadsdon, Bjrn Hlynur Haraldsson, Paul Ready, Johnny Harris, Ewan McGregor, Mary Elizabeth Winstead

Main Genre Drama

Genres Drama

‘A Gentleman in Moscow’ Breathes New Life Into Its Characters

With Ben Vanstone as the guiding hand for the series, A Gentleman in Moscow was smartly adapted from page to screen. Rather than embracing the novel's insular storytelling, with the Count as the sole protagonist, Vanstone has widened the narrative to bring more life to the surrounding characters — particularly the women who come in and out of his life, and the gilded doors of the Metropol. It would have been very easy to frame Anna Urbanova ( Mary Elizabeth Winstead ) as little more than the Count’s on-again-off-again girlfriend. Her life outside of Alexander doesn’t matter on the page; she only exists when she is with him or on his mind. Perhaps with a different creative team, that would have been exactly how she was portrayed, but Vanstone veered far away from playing straight into that trope. Instead, Anna’s life outside of Alexander is given depth . Her career as an actress is a vital subplot that weaves through each episode, headed towards a larger plot point. While she and the Count do fall into bed on numerous occasions, it’s always handled tastefully and shown as a relationship that she holds the reins to. Courting a criminal comes at great personal risk to her budding career, which makes the shifted narrative all the more vital.

A Gentleman in Moscow marks the third time that McGregor and Winstead have shared the screen following their performances in Fargo and Birds of Prey , and their real-life chemistry beautifully carries through into the relationship between Alexander and Anna. They play off each other naturally, and their performances are just as electric, regardless of whether Anna is keeping his delusions of grandeur in check or he’s sprawled out naked on the ground with nothing more than a towel to hide the… Fabergé eggs. McGregor and Winstead's dynamic is half the fun of A Gentleman in Moscow . It’s refreshing to have even more historical romances to talk about around the watercooler — and audiences will be raving about this series given its weekly release schedule.

While Alexander’s relationship with Anna is at the heart of A Gentleman in Moscow , the soul of the series is his unlikely friendships with two little girls who call the Metropol home during different periods of his imprisonment. First is Nina Kulikova ( Alexa Goodall ), a curly-haired spitfire who has everyone in the hotel wrapped around her finger. It’s through Nina that Alexander starts to make genuine connections with the host of characters around him, which changes him for the better. Years after Nina has been set free from Alexander’s gilded cage, a second young girl comes into Alexander’s life: Sofia ( Billie Gadsdon ). Through both girls, Alexander gets to experience what fatherhood might have looked like for him had he not been ensnared by the Bolsheviks.

Another notable and equally unlikely friendship that Alexander makes at the Metropol is the one that he forges with Osip Glebnikov ( Johnny Harris ), the man tasked with ensuring he never leaves the hotel. Glebnikov enlists Alexander in training him to be more of a gentleman. Given his upbringing, he was never afforded the same access to scholarly works or classic literature as Alexander, and this academic pursuit becomes their evening conversations over supper.

One such conversation centers on Victor Hugo ’s seminal work, Les Misérables , which is a cause of confusion for Glebnikov, who withers at the notion of Javert (spoilers for a 162-year-old book) committing suicide. While the conversation about Les Misérables may be brief, the comparison between the two works is undeniable. Alexander, much like Jean Valjean, is a prisoner of circumstances, though on wildly different sides of the scale. While Valjean escapes from his jailor, Javert, for large swaths of time, Alexander is always right where Glebnikov left him within the halls of the Metropol. The true comparison, however, arises when Alexander is tasked with the care of young Sofia by her mother, much in the same way Fantine entrusts Cosette’s future with Valjean. Further comparisons could be made with the setting of both tales, as they are both set against uprisings, revolutions, class disparity, and the sort of socialist discourse that would make Karl Marx sit up in his grave. And, much like the stage musical, A Gentleman in Moscow is all about the turning of the years.

‘A Gentleman in Moscow’ Starts Slow, But Builds to a Pulse-Pounding Conclusion

Spread out across eight episodes, A Gentleman in Moscow spans approximately forty years of Alexander’s life in captivity. With each new episode, a running total of how many days he has spent in his lavish prison is tallied up. Occasionally, the episodes will work backward from each shocking total, which cleverly hooks the audience right from the onset of the episode. Except for his visible aging and waning agility, the Count remains largely stagnant as the world changes around him. He has very little control over his circumstances, which means a lot happens to him, not with him. People come and go around him, relationships are formed, babies are born, those babies grow up and go to war, people die, and Russia evolves—for better and for worse.

The first handful of episodes start slowly, particularly where Alexander’s passivity is concerned, but as he begins to come to terms with his situation and connect with the vibrant world around him, however small it may be, the pace finally picks up. Without revealing too many details about the final episodes of the series, one might be able to imagine what sort of turmoil might visit his gilded cage once Stalin’s regime falls and America starts poking around the ruins of the government. The passage of time is cleverly shown through more than just a running total and graying hair. While Alexander’s wardrobe rarely receives an upgrade, the people around him represent the ever-evolving world beyond the Metropol. Anna is the best bellwether for societal changes as her appearance transforms from a picture-perfect blonde bombshell with rising hemlines to her natural brunette curls and sophisticated elegance. As time continues to pass, she even dons cozy sweaters that mirror Alexander’s own comfortable existence.

While it is unlikely that A Gentleman in Moscow intended for Ewan McGregor to look like a dark academia fever dream, every bit of the Count’s character design screams the aesthetic. From the unkempt coif of permed curls to his longjohns-clad calisthenics in a dusty attic, Alexander looks more like an eccentric history professor than a count whose wings have been clipped. McGregor brings a charming congenitally to the role that makes the Count ever so beguiling , particularly when he gets to act opposite the younger members of the cast. When he’s not going toe-to-toe with Winstead, he’s at his best keeping up with the spry wit of Goodall and Gadsdon's characters.

A Gentleman in Moscow lives up to the expectations set by Towles’ novel and delivers a sprawling historical epic contained within the walls of a single location. The Count’s world might be as small as the Metropol, but he lives vicariously through the relationships he makes — and, by extension, so do we. With mystery, danger, and intrigue threaded throughout, A Gentleman in Moscow has the potential to dominate cultural conversation in the same way that Shōgun and The Gilded Age have nourished audiences who are starved for well-told, compelling tales.

A Gentleman in Moscow lives up to the original novel it adapts, delivering a sprawling historical epic confined to a single location.

• Ewan McGregor and Mary Elizabeth Winstead electrify the screen with their chemistry and natural ease together.
• The writing is clever, both with its amusing dialogue and the way it deploys nonlinear storytelling to keep audiences engaged.
• The set and costume design are sumptuous and visually appealing.
• The first handful of episodes are quite slow, but the series does eventually pick up as the story unfolds.

A Gentleman in Moscow premieres March 29 on streaming and on-demand on Paramount+ with Showtime before its on-air debut on March 31.

Watch on Paramount+