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THE WHALE RIDER

by Witi Ihimaera ‧ RELEASE DATE: May 1, 2003

An ancient whale and an eight-year-old Maori girl named Kahu are archetypal figures in this luminous joining of myth and contemporary culture. In an opening Eden-like scene, a man riding a whale gives the East Coast of New Zealand gifts that will make it flourish. The last gift, however, refuses to be given, flinging itself across a thousand years to wait for the time when it will be needed. That gift becomes Kahu, a contemporary child both regular and special. Kahu is cherished by everyone in the family except her grandfather, whom she reveres but who has no time for females. But when that ancestral relationship between human and whale reaches from the past and challenges the safety of her people, Kahu alone has the gift to confront the threat. The story is narrated by her uncle Rawiri and by the whales; dazzling ocean descriptions from the whales’ perspective highlight the poetic writing. (glossary) (Sundance and Toronto film festivals winner, national release June 2003) (Fiction. YA)

Pub Date: May 1, 2003

ISBN: 0-15-205017-5

Page Count: 164

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

CHILDREN'S FAMILY

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THE BIG NOTHING

THE BIG NOTHING

From the neighborhood series , vol. 3.

by Adrian Fogelin ‧ RELEASE DATE: Oct. 1, 2004

Big brother Duane is off in boot camp, and Justin is left trying to hold the parental units together. Fat, acne-ridden, and missing his best friend Ben, who’s in the throes of his first boy-girl relationship with Cass, Justin’s world is dreary. It gets worse when he realizes that all of his mother’s suspicions about his father are probably true, and that Dad may not return from his latest business trip. Surprisingly ultra-cool Jemmie, who is also missing her best friend, Cass, actually recognizes his existence and her grandmother invites Justin to use their piano in the afternoons when Jemmie’s at cross-country practice. The “big nothing” place, where Justin retreats in time of trouble, is a rhythmic world and soon begins to include melody and provide Justin with a place to express himself. Practice and discipline accompany this gradual exploration of his talent. The impending war in Iraq gives this story a definite place in time, and its distinct characters make it satisfying and surprisingly realistic. Misfit finds fit. (Fiction. YA)

Pub Date: Oct. 1, 2004

ISBN: 1-56145-326-9

Page Count: 224

Publisher: Peachtree

Kirkus Reviews Issue: Oct. 15, 2004

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

More In The Series

SOME KIND OF MAGIC

BOOK REVIEW

by Adrian Fogelin

THE SORTA SISTERS

More by Adrian Fogelin

SUMMER ON THE MOON

KEVIN AND HIS DAD

by Irene Smalls ‧ RELEASE DATE: April 1, 1999

There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)

Pub Date: April 1, 1999

ISBN: 0-316-79899-1

Page Count: 32

Publisher: Little, Brown

Kirkus Reviews Issue: April 1, 1999

More by Irene Smalls

MY POP POP AND ME

by Irene Smalls & illustrated by Cathy Ann Johnson

MY NANA AND ME

by Irene Smalls & illustrated by Colin Bootman

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the whale rider book review

the whale rider book review

the whale rider book review

The Whale Rider

Witi ihimaera, everything you need for every book you read..

Welcome to the LitCharts study guide on Witi Ihimaera's The Whale Rider . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Whale Rider: Introduction

The whale rider: plot summary, the whale rider: detailed summary & analysis, the whale rider: themes, the whale rider: quotes, the whale rider: characters, the whale rider: terms, the whale rider: symbols, the whale rider: theme wheel, brief biography of witi ihimaera.

The Whale Rider PDF

Historical Context of The Whale Rider

Other books related to the whale rider.

  • Full Title: The Whale Rider ( Te Kaieke Tohorua in Maori)
  • When Written: 1987
  • Where Written: New York City, New York and Cape Cod, Massachusetts
  • When Published: 1987
  • Literary Period: Contemporary
  • Genre: Young Adult Novel, Maori Literature, New Zealand Literature
  • Setting: Whangara, New Zealand; Sydney, Australia; Mount Hagen, Papua New Guinea)
  • Climax: Kahu rides the ancient whale, saving the whale’s life.
  • Antagonist: Human domination over nature, colonization and racism, Koro Apirana’s sexism and stubbornness
  • Point of View: Various

Extra Credit for The Whale Rider

Into Maori and Beyond. As of 2023, The Whale Rider is the most translated book by any New Zealand author, whether Pākehā (white) or Maori.

Famous on Film. The Whale Rider may be best known today for the acclaimed 2002 film version, which was filmed in the real town of Whangara with many local actors. Reportedly, as many as 10,000 children tried out for the lead role of Kahu (who was renamed Pai in the movie).

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The Whale Rider (1987), by Witi Ihimaera

the whale rider book review

And now, over a decade later, I’ve finally read the book.  A novella of 148 pages, T he Whale Rider is Witi Ihimaera’s fourth work of fiction, and probably the best known.  Like his other books it explores Māori culture in contemporary New Zealand, in this case, the crisis that occurs when the first-born to whom traditions are entrusted turns out to be a girl.  However there are significant differences between the book and film, not just in the naming of characters but also in the plot.  (Kahu is called Pai in the film).  Re-reading the summary at Wikipedia I can see that dramatic tension has been escalated by characterising the girl as more confrontational than she is in the book.

The narration is mostly by Kahu’s older cousin Rawiri, from the generation that sees the wider world beckoning.  As a teenager he observes his grandfather Koro’s rejection of Kahu because of her gender, and he admires his feisty grandmother Nanny Flowers who stands up to him.  But as a young man he takes off to the bright lights of Sydney and then to labouring work in Papua New Guinea, returning home seven years later only when it is made clear that his mate’s mother doesn’t find him acceptable because of his colour.  Rawiri is like a bridge between the generations, recognising that the world is different and some ways in the coastal village of Whangara must change but he is also keen to learn about his traditions and he’s a willing protector of customs.  He’s a ‘manly’ man, physically strong and powerful on his motorbike, but even when a teenager he is not afraid to show that he has a tender side and nurtures his much younger cousin.  He isn’t torn between his two warring grandparents: he loves and respects them both.

Rawiri also observes several instances where Kahu seems to have special powers.  An omniscient narrator in the prologue tells the story of the ancient whales and how they came to communicate with humans, and it is this special relationship which is at risk because of Kahu’s gender.  But it is Rawiri’s narration that reveals that Kahu is heard singing the whale’s song, and that it is she – not the boys chosen by Koro to take on the role – who is able to plunge to the depths to retrieve a stone cast by Koro.  (The stone is a whale tooth in the film).  The crisis comes when – the community having witnessed the deaths of 200 stranded whales not far from Whangara – a new stranding occurs and the bull whale defies all attempts to turn him around and lead the other whales out to sea.  There is a pleasing inevitability about the way Kahu resolves the crisis and the life force of their community is restored.  The Whale Rider isn’t a book to read for plot.

There are a lot of Māori words in this story, but the sentences are mostly crafted so that there is no need to consult the glossary at the back of the book.  My edition also has photo stills from the film in a glossy centre-spread, which reminded me of some of the most vivid scenes: Kahu at a school ceremony bravely reciting her whakapapa (genealogy) although devastated that her grandfather has refused to attend, and the Māori men powering their canoe through the water at the end, demonstrating what a formidable force they must have been in the days when they were warriors.

The book or the film?  I’m glad I had the vivid film images in my mind as I read, but I prefer the book.

Witi Ihimaera is of Ngati Tuwharetoa and Te Arawa descent.  He was the first Māori author to be published in New Zealand.

the whale rider book review

Author: Witi Ihimaera Title: The Whale Rider Publisher: Reed Publishing, 2002, first published 1987 ISBN: 9780790008691 Source: personal library, purchased from Brotherhood Books.

Availability

There were second-hand copies available at Fishpond on the day I looked: The Whale Rider but the novel is still in print and readily available in new editions.

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Posted in BOOK REVIEWS , FICTION — NEW ZEALAND , IHIMAERA Witi , Maori authors , NEW ZEALAND (settings) , New Zealand authors , Novellas & short novels (100-200 pp) , NZ 1987 , Read in 2017 , Reed Publishing | Tags: #IndigLitWeek , 2017 Indigenous Literature Week , BOOK REVIEWS , Maori authors , New Zealand Literature , The Whale Rider , Witi Ihimaera

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I also watched the film when it first came out. For me it was extra exciting to see something from “down under.” Only a week or so ago I listened to the audiobook. Typically, they were different, I enjoyed each for different reasons. So nice to see your review about this title pop up today!

By: heidithedreamer on July 3, 2017 at 4:21 pm

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The audio book sounds interesting… in the book, the passages that were about the legends of the whale were in Italics to signal a break in the contemporary narration. How did the narration do this signalling: in a different voice?

By: Lisa Hill on July 3, 2017 at 10:17 pm

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The first NZ film I saw was a farce involving an old Vanguard car. I’ve seen The Piano and recently Hunt for the Wilderpeople, but not Whale Rider. Have you ever said the movie was better than the book?

By: wadholloway on July 3, 2017 at 7:06 pm

Hmmm, have I ever? *chuckle* I suspect not. But there are some where they are complementary. I really liked the BBC series for War and Peace.

By: Lisa Hill on July 3, 2017 at 10:18 pm

[…] This review of The Whale Rider (ANZ Lit Lovers)  […]

By: It’s Monday – Happy (almost) 4th of July! | Real Life Reading on July 4, 2017 at 12:01 am

' src=

[…] The Whale Rider, see my ANZ LitLovers review […]

By: Reviews from Indigenous Literature Week at ANZ Litlovers 2017 | ANZ LitLovers LitBlog on July 7, 2017 at 2:15 pm

[…] Māori author because of the popularity of The Whale Rider (1987) which was made into a film. (See my review of the novella). He has sixteen novels to his credit, including Bulibasha (1994) which I reviewed here.  As the […]

By: The Uncle’s Story, by Witi Ihimaera | ANZ LitLovers LitBlog on July 13, 2019 at 9:01 am

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  • LA NAUZE Robert
  • LABRUM Bronwyn
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  • Lee Lily Xiao Hong
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  • LEES Adam C
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  • Lewis Damien
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  • Mantel Hilary
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  • MASTERS Olga
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  • MATHEWS Iola
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  • MATTHEWS Rachel
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  • Maugham Somerset W.
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  • McKAY Laura Jean
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  • McKenzie Alecia
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  • McKISSOCK Mal
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  • McLAREN Philip
  • MCMAHON L P
  • McMANUS Sally
  • McMillan George
  • MCPHEE Hilary
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  • MEAD Rachael
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  • MUNDY Robyn
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  • Nielsen Susin
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  • NORMA Caroline
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  • Norman Michael
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  • O'BRIEN Charmaine
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  • PAULL Emily
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  • RADOK Stephanie
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  • STEWART Meg
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  • TIFFANY Carrie
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  • Toews Miriam
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  • Tolkien J R R
  • Tolstoy Leo
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  • TUCKER Michelle Scott
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  • Walter Eugene
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Whales, tales and the funny side of a hijacking

The Whale Rider, by Witi Ihimaera (Robson, £6.99)

It's almost two decades since the first publication of Witi Ihimaera's gentle story of how a Maori girl and an elderly whale re-establish ancestral links between man and nature. Written in the US for his daughters who were holidaying from New Zealand when a whale appeared in the Hudson river, the story is compelling for its simplicity. Ihimaera gives us a modern Maori family unit made up of irascible grandfather and tribal elder, scolding but well-meaning granny, a narrator who guns his motorbike through the village but is happy to bury his niece's afterbirth according to Maori custom. The niece, Kahu, is the whale rider who inherits a gift for communicating with animals, but she is also the bearer of a feminist message, showing grandpa that girls can be heroes too. The essential lesson, though, is about man's loss of respect for the sea, "Tangaroa's kingdom" in Maori fable. While the message is inescapably clear, the story and its telling enchant. IM

My Name is Legion, by AN Wilson (Arrow, £7.99)

Reviewers who fancy themselves as Fleet Street insiders may enjoy guessing at models for AN Wilson's monstrous newspaper proprietor, thuggish editor and disillusioned hack, but other readers might wonder why Wilson has got himself so worked up satirising the media for being so celebrity-struck. He sets the almost entirely good priest, Vivyan Chell, against the almost wholly rotten press baron, Lennox Mark, to show a society's descent into valueless vacuity. Back from west Africa, Chell finds England "a mean, ugly, filthy little fraud of a place", its tawdry ideology of "shoot burglars ... keep out foreigners" trumpeted by Mark's papers. Wilson's grotesque vignettes are given impetus by a plot involving a schizophrenic teenager that relies on Dickensian coincidence and depth by Chell's Dostoevskian questioning of the nature of God's love. While his caricatures might be creations to relish in a TV adaptation, you never entirely engage with them on the page. IM

The Effect of Living Backwards, by Heidi Julavits (Virago, £7.99)

Few writers are brave enough even to refer to 9/11 in a novel, let alone make a joke about a hijacking. Heidi Julavits doesn't give the "Big Terrible" its proper name, but in this bizarre exploration of terrorism she comes up with the idea of survivors of a 543-day hijacking odyssey claiming frequent-flyer points and touring the world on their fortune, which is a reassuring image for the nervous flyer. Narrator Alice learns this as part of her course at the International Institute for Terrorist Studies, an X-Files sort of set-up in Switzerland where she ends up as a result of her own involvement in a hijacking. All the power games and role-play that passengers and terrorists act out are, we learn, a metaphor for family relationships, in particular Alice and sister Edith's rivalry. Julavits is a smart writer, creating an absurdly unreliable Alice-in-Wonderland reality, but her Alice is stuck in a pressurised cabin of her own self-regard that is hard to penetrate. IM

Snow, by Orhan Pamuk, translated by Maureen Freely (Faber, £7.99)

Poet and former political exile Ka returns to Turkey and visits the isolated town of Kars, to report on the coming election and a rash of virgin suicides. The stories meet at the faultlines of secularism and fundamentalism, and Ka is whirled between opinions, lovestruck by his former classmate Ipek. An assassin modulates from pleading reason to gunfire over pastries; Ka gives a reading of his new poem, only to become enmeshed in a bloody coup de théâtre. His transforming poem on the cusp of creativity and belief is lost in static when the broadcast cuts out. Art becomes anguished reality, while reality seems increasingly to dissolve into dream. And all the while it snows — blanketing the town in "a strange and powerful loneliness", "as if it were snowing at the end of the world". Tenderly translated, it's a dizzying, beautiful story — but not, I hope, "so beautiful that a man could kill for it". DJ

Death of an Ordinary Man, by Glen Duncan (Scribner, £6.99)

Nathan Clark is in Exeter, he's with his family, and he's dead. Peering down at his own funeral, Nathan squints through negligible rain and feels as though he's treading water. Back home, he hovers close to his bereaved wife and surviving children, and slowly rediscovers how he died and what happened to his youngest daughter, Lois. If he gets too close to the most remorseless memories, the effect hurls him through a vortex and scours him like barbed wire, so mostly he edges closer to their hushed thoughts. Duncan has a fine touch for the way people register signals of each other's sensitivities, the clamour of static — "dog-tired or filled with energy" — they seem to emit. The entire family seems to have stumbled deep into themselves, far from each other, in the wake of Lois's death. The more we learn, the more we dread, especially when we see Nathan's wife join an anti-paedo lynch mob. There's nothing lovely about the bones of family life in Duncan's inconsolable novel. DJ

The Bus Stopped, by Tabish Khair (Picador, £7.99)

"Houses are made of brick, but homes are made of breath," pronounces the narrator of this collection of stories linked by an Indian bus route that begins in a real town and ends in an imaginary one. Now a literature professor in Denmark, Khair has written sternly about "Babu fictions" ("literature written by a privileged section of a once-colonised people"). He challenges the tendency by weaving the memories of his middle-class narrator between vignettes of less comfy characters, including a boy on the run and a hijra (eunuch) fallen from fashion to become "something between a tart and a circus freak". The most inquisitive eyes here belong to Mangal Singh, the bus driver, who collects mental images, "one from each trip of his life", and restlessly assesses his passengers. The journey allows stories to emerge with immediacy and leisure, with abrupt shafts of humour — like the graffito "Proust Pradho!" ("Read Proust!"): "What, he wonders, is fucking Proust?" DJ

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the whale rider book review

The Whale Rider

Witi Ihimaera | 4.17 | 7,742 ratings and reviews

Ranked #3 in New Zealand

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the whale rider book review

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The Whale Rider

The Whale Rider

The Whale Rider

By witi ihimaera.

  • The Whale Rider Summary

The story begins with a focus on the ancient days, when nature and all wildlife were excitedly waiting for the coming of man. Then man arrived from the east, and the relationship between nature and man throve. One relationship in particular -- that between the whale rider and his giant whale -- was exemplary of a symbiotic connection. This whale rider casts spears as life-giving objects to the islands, but one spear he casts 1000 years into the future, which is the time of the story’s young heroine Kahu .

The focus shifts to a herd of whales. The whale mothers look over their young while the single leader whale—the bull whale—reminisces about his own youth so long ago, and the precious time he spent with the whale rider. Now, so many years after their separation, the nostalgia for their time spent together cuts away at the old bull whale. But then the story shifts to Kahu. The narrator of this time period is Rawiri , her uncle. When she is born, her great-grandfather expresses great disdain that she is a girl. He is looking for a suitable successor, which according to local culture ought to be passed from eldest child to eldest child. Porourangi , the girl’s father, is his eldest grandson so he is the successor for that generation. The problem in Koro’s mind, however, is that Porourangi’s eldest child is now Kahu, who—because she is female—is not fit to lead according to Koro.

Thus out of disdain for the girl, Koro refuses to show any love towards her and even refuses to conduct the traditional burial of the birth cord. Instead, Nanny Flowers , Koro’s wife and Kahu’s great-grandmother, must enlist the aid of Rawiri and some friends to help her bury it herself in the town center.

Part I begins by refocusing on the herd of whales. The bull whale leads his herd away from their most-feared predator: mankind. The old whale remembers the days when man and animal were united and in communication, but those are long past. However, he is unable to let go, and thoughts of returning to the place of his youth at whatever cost gnaw at his heart.

Then the story shifts back to Kahu, whose mother dies within a year of Kahu’s birth. Kahu is taken by her mother’s family and raised away from Whangara—the setting of the story, a small town in New Zealand populated by the Maori people. A few years pass in this way. Koro decides to begin a language school to teach the future generations the threatened Maori language, and he also beings culture classes for similar purposes. Kahu returns to Whangara several times when she is able. Each time she comes she expresses love for her family there, but special deep love for Koro her great-grandfather. This love remains unreciprocated, as Koro actively pushes her away. He remains dedicated in his mission to find a suitable successor, and he is doing all he can as leader of the Whangara Maori community to preserve the Maori culture for future generations in a time of spreading modernity.

Part II begins with another short focus on the whale herd. They head towards a sea trench that used to provide them bounty and shelter but they find there an inhospitable and radioactive place. They are forced to travel to other havens as this long-time home for them has become too inhospitable to live in.

Returning to Kahu’s tale, Rawiri narrates that he decided to see a bit of the world when Kahu was in her fourth year. He travels to Sydney, Australia, where he meets several of his cousins and notes that they seem to have drifted away from Maori cultural traditions and have fully embraced the lifestyle of the big city. There, he meets Jeff and the two become fast friends. When Jeff is called back to his parents’ plantation in Papua New Guinea, he asks Rawiri to accompany him and so the two leave Australia for Papua New Guinea. Jeff’s mother and father run a plantation, but his father has become too physically weak to continue with more help, hence their plea to their son to return. Rawiri thus spends two years in that country with Jeff; they attempt to cultivate the land. During the course of his stay, Rawiri has to face racist behavior from Jeff’s social circle, especially his mother. Eventually this racism, combined with Rawiri’s desire to see home again impel him to leave Papua New Guinea and head back to Whangara, New Zealand.

Back home, Rawiri notes that Koro has become even more obsessed in his mission of finding a male successor. The old man feels himself to be under increasing pressure to teach and preserve the cultural knowledge that he and so few others currently possess. As for Kahu, she has returned to stay with her father longer-term. During Rawiri’s absence, Porourangi remarried and his wife had a child: another baby girl. This only upsets Koro more, as he was hoping for a male descendent. Kahu does not mind all this anger from Koro though, and she continues to fervently seek his love and acceptance.

Towards the end of the year, Kahu invites her family to a school ceremony that will include cultural presentations. Rawiri, Porourangi and Nanny all attend, but the seat marked “reserved” next to Nanny—a measure Kahu herself had taken to guarantee a spot for Koro—remains conspicuously empty throughout the ceremony. Kahu herself plays a prominent role in the ceremony. She leads a group of young girls in a traditional dance and also recites a speech she wrote in the Maori tongue. Her speech expresses her utmost desire to please her great-grandfather and to uphold the Maori culture. However, the great tragedy of the event is that Koro never shows up. This brings Kahu to tears.

This part concludes with another momentous event. One day, Koro takes some of his star pupils out to sea. He drops a rock in the sea and once it has sunk to the depths, he tells the boys they must retrieve it as a test of their endurance and strength and ability to lead. Despite their best efforts, they are not able to do so and Koro returns dejected. Back home he cracks under all the pressure and weeps. Later on, Kahu goes out to sea with Nanny and Rawiri, and when they reach the spot above the stone, Kahu dives into the sea and retrieves the stone. She does so by doing what Nanny and Rawiri find extremely amazing: Kahu appears to communicate with dolphins and other sea creatures, and through their aid she is able to retrieve the stone. Nanny orders Rawiri not to tell Koro of this strange incident, as he is not yet ready to accept Kahu’s special status.

Part 3 begins, as usual, by focusing on the whale herd. The bull whale is leading his herd through the frozen waters of Antarctica. A collapsing of the ice there and the life-threatening nature of this collapse forces him to make a snap decision in guiding his herd. He chooses to take them down the paths leading back to the seas of his youth, a decision that causes dismay among the elder mothers because they know his nostalgia for the past is clouding his present judgment. But he leads them on anyway to what they know will be their final journey.

Back in Whangara, big events soon take place. All the whales of a herd come and to the beach and strand themselves there. They will soon die if they are not pushed back to sea. While some humans take advantage of these whales to harvest their meat and organs, most of the locals of Whangara attempt to organize a rescue attempt and deliver the whales back to sea. Rawiri and his biker gang work with the police and rangers to keep whale butchers fro coming near the whales, while the navy is called in to attempt to pull the whales back out to sea. Ultimately, all the dedicated efforts of Rawiri, his friends, Nanny, and all the other locals fail and all of the whales perish on the beach. When Koro returns from a trip he had been on during the ordeal, he remarks with great anguish that this is a sign for them.

The next evening an even bigger event occurs, this time witnessed not by everyone but just by the small Maori community within the town. During the night, Rawiri, Koro, Kahu and Nanny hear a booming sound coming from the sea, as if a great door has just opened, and then they witness a large group of huge whales emerge from the bottom of the sea. At their head is a great bull whale with an ancient sacred Maori tattoo. The bull whale pulls itself onto shore and strands itself there, waiting for its death.

Koro recognizes in this event a spiritual warning to him and his people; their test is to return this ancient whale back to sea because they are so connected to this supernatural whale herd that if it lives they live and f it dies they die. Koro calls a meeting of the local Maori people and impresses upon them the spiritual significance of this event. Their way of life is being put to the test: they can either save the whale or fail and fall into ruin. They organize all available vehicles and manpower down on the beach and attempt all sorts of measures to get the bull whale back to sea, but the giant creature stubbornly resists and continues to wait for itself to die on the shore.

In desperation, Kahu swims out to the whale and climbs up its back after communicating with it. The whale mistakes Kahu for its old master—Kahu’s ancient ancestor, Kahutia Te Rangi. Overjoyed, the whale returns to sea and it descends back into the water with the rest of the herd and Kahu in tow. Kahu agrees to come with the herd in the hopes that she will thus save them and save her own people. She thinks that this will be the last time she will ever see her home and family and that accompanying the herd means losing all that she holds dear, but she sacrifices herself nonetheless and chooses to remain as the whale rider. Back on the shore, Koro finally realizes Kahu’s special status and her suitability to lead. His anguish is now doubled as he must accept that he has been so harsh to the very person he needed so badly this whole time.

The epilogue narrates that the oldest mother whale notices Kahu and realizes that her husband, the bull whale, has mistaken this little girl for her ancestor. She leads to him the conclusion that she is Kahutia’s descendent, and she is the spear he cast into the future and thus she must be returned to her people so she can bring them life-giving benefit and guide them through these troubled times. The bull whale eventually agrees and they return Kahu, now unconscious, to Whangara. When found by humans, Kahu is brought to the hospital to recover and there she is near to Nanny, who collapsed in shock after her dear great-granddaughter left with the whale her Three days have passed since then and Koro and Rawiri have been taking care of the two of them. When Nanny awakens, Koro admits to her that this is entirely his fault, and that he has been stubborn and blind in the matter of Kahu. Later when Kahu also awakens, he tells her for the first time that he loves her. Then the story ends with Kahu telling her dear great-grandfather that she can still hear the singing of the whales.

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The Whale Rider Questions and Answers

The Question and Answer section for The Whale Rider is a great resource to ask questions, find answers, and discuss the novel.

Why does this name upset Koro?

I'm sorry, what name are you referring to?

Whale Rider

Kahu moves along the massive body of the whale, fighting against the crashing waves. Then she starts singing to the whale. She tells it that she is coming to it, and that she is Kahu, Ko Kahutia Te Rangi—which is the same name as her ancient...

whale rider

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Study Guide for The Whale Rider

The Whale Rider study guide contains a biography of author Witi Ihimaera, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About The Whale Rider
  • Character List

Essays for The Whale Rider

The Whale Rider essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Whale Rider by Witi Ihimaera.

  • Tradition as a Tool for Oppressing Women in Witi Ihimaera’s The Whale Rider
  • The Influence of Beliefs on Individual Life in Witi Ihimaera’s “The Whale Rider.”

Wikipedia Entries for The Whale Rider

  • Introduction

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THE WHALE RIDER

THE WHALE RIDER

By witi ihimaera | read by jay laga'aia, young adult family listening • 4.25 hrs. • unabridged • © 1987.

The book behind the award-winning movie opens with the tale of the original whale rider, immersing the listener in the sweep of Maori culture at the heart of this remarkable story. The new young whale rider takes her rightful name, Kahu. The girl-child’s story is told by her uncle Rawiri: her breaking of the male chain of descendants, her rejection by her great-grandfather, her role in saving her people, and her extraordinary ride on the old bull whale. New Zealander Jay Laga’aia effortlessly navigates the Maori names, facilitating the listener’s entrance into another culture. His pacing is confident, and his inflections, though sometimes a bit comical for the women, allow for easy differentiation among characters. Laga’aia’s narration acts as a guide as the story’s characters move from traditional beliefs to new awareness. The audio is instrumental in proving that even with such a wonderful movie, the book is better. S.G. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine [Published: AUG/SEP 05]

Library Ed. • Bolinda Audio • 2005

CD ISBN $32.00 • Four CDs

DD ISBN multiple sources

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The Whale Rider

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70 pages • 2 hours read

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter Summaries & Analyses

Chapters 1-4

Chapters 5-8

Chapters 9-13

Chapters 14-20

Character Analysis

Symbols & Motifs

Important Quotes

Essay Topics

Discussion Questions

Summary and Study Guide

The Whale Rider is a 1987 novel by New Zealand author Witi Ihimaera. A film adaptation was made in 2002 that would go on to win several awards. Throughout the novel, Ihimaera juxtaposes the migration of a herd of whales with the Maori tribe’s search for a male heir. The Whale Rider comprises four major sections, as well as a prologue, epilogue, and glossary. Each section of text is named after one of the seasons and has a subtitle. Man’s relationship to nature is a significant theme in the novel, specifically the idea that it was man who destroyed the union with animals. The inclusion of women and the belief that women are suitable for authoritative roles also forms the bulk of the novel, as Koro Apirana struggles with the destruction of his male lineage. The restoration of oneness through Kahu , as the incarnated final spear, drives the plot.

Plot Summary

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The novel begins with the legend of the Maori tribe. The sea is discovered by the ancients who live in complete oneness with the gods and nature. This story specifically addresses the life of Kahutia Te Rangi, the ancestor of the Maori tribe. He is the first whale rider who uses spears to create life on the island, which he later names Whangara. One spear is cast into the future and eventually incarnated in Kahu, the novel’s protagonist . The narrator of the modern sections of the novel is Rawiri , Kahu’s uncle. The Maori tribe traditionally traces the lineage of Kahutia Te Rangi through his male descendants, yet Kahu disrupts this lineage as the eldest granddaughter. Koro Apirana becomes obsessed with locating a male heir to become chief, neglecting Kahu. In Koro Apirana’s mind, women cannot be chief, and he attempts to preserve tradition throughout the novel.

Kahu routinely sneaks into Maori culture lessons, which angers her grandfather. While the boys struggle to complete the tasks Koro Apirana sets out before them, Kahu completes them with ease. For example, she effortlessly fetches a carved stone cast into the water. Koro Apirana’s ignorance is further displayed when he refuses to attend Kahu’s break-out ceremony. If he had attended, he would have seen Kahu lead a traditional ceremony and give a speech in the Maori language. Kahu tries desperately to have her grandfather love her, but her efforts continuously go unnoticed.

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Each section of the novel begins from the perspective of the whale herd. The leader, the ancient bull whale , remembers the days of the whale rider. He laments his lost master, which drives him into a deep depression. The whale innately understands that the modern world has rejected him, and he cannot live separated from the oneness man and beast once shared. This oneness is also connected to the preservation of Maori tradition, which is intimately linked with the whales’ survival. The elderly female whales worry about their leader’s growing nostalgia as they begin to realize they are being led toward the dangerous islands of the south-west. The ancient bull whale eventually leads the herd to New Zealand.

A different herd of whales washes up on the beaches of Whangara. While many locals attempt to save them, the whales refuse all rescue attempts. Each whale eventually perishes. Koro Apirana interprets the arrival of the whales as a sign of man’s transgressions against nature. Later on, the bull whale beaches himself, apparently waiting to die. Koro Apirana believes that if they can successfully return the whales to sea, it will show God and the beasts that man still believes in oneness. Kahu—distraught by the thought that if the whale dies, so too will her grandfather—decides to swim out and communicate with the bull whale. She remembers how to ride the ancient bull whale and mounts him. The ancient bull whale is overfilled with joy, as he believes Kahu to be his original master, Kahutia Te Rangi. Kahu sacrifices herself so that her people may continue to thrive, deciding to remain with the herd. However, the older mother whale understands Kahu is not Kahutia Te Rangi but the final spear. She relays this information to her husband, who realizes that Kahu must be returned to land to fulfill her purpose of restoring oneness. Koro Apirana realizes his ignorance, and the ancient bull whale finally feels closure, proclaiming that man and nature will live on as one.

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The Whale Rider

The Whale Rider by Witi Ihimaera

By Witi Ihimaera

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A mystical story of Maori culture. The birth of a daughter – Kahu – breaks the lineage of a Maori tribe.

Rejected by her grandfather, Kahu develops the ability to communicate with whales, echoing those of the ancient Whale Rider after whom she was named.

This magical and mythical novel tells of the conflict between tradition and heritage, from the perspective of Kahu’s grandfather, and Kahu’s destiny to secure the tribe’s future.

Resources for this book

  • The Big Jubilee Read Discussion Guide: 1982-1991

This book was a bit hard to read. I didn't understand some of it when I read it on my own. I read it with my Mum instead and it was great.

I tried to read this and it was a bit hard. My mum read it with me and I loved the story.

It was a fiction story. I liked that the girl got the trust of the whale to ride it in the end. It looked like an interesting book from the cover.

Just a juicy magic book. Perfect for EVERYONE.

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the whale rider book review

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"Whale Rider" arrives in theaters already proven as one of the great audience-grabbers of recent years. It won the audience awards as the most popular film at both the Toronto and Sundance film festivals, played to standing ovations, left audiences in tears. I recite these facts right at the top of this review because I fear you might make a hasty judgment that you don't want to see a movie about a 12-year-old Maori girl who dreams of becoming the chief of her people. Sounds too ethnic, uplifting and feminist, right? The genius of the movie is the way is sidesteps all of the obvious cliches of the underlying story and makes itself fresh, observant, tough and genuinely moving. There is a vast difference between movies for 12-year-old girls, and movies about 12-year-old girls, and "Whale Rider" proves it.

The movie, which takes place in the present day in New Zealand, begins with the birth of twins. The boy and the mother die. The girl, Pai ( Keisha Castle-Hughes ) survives. Her father, Porourangi ( Cliff Curtis ), an artist, leaves New Zealand, and the little girl is raised and much loved by her grandparents Koro and Nanny Flowers.

Koro is the chief of these people. Porourangi would be next in line but has no interest in returning home. Pai believes that she could serve as the chief, but her grandfather, despite his love, fiercely opposes this idea. He causes Pai much hurt by doubting her, questioning her achievements, insisting in the face of everything she achieves that she is only a girl.

The movie, written and directed by Niki Caro , inspired by a novel by Witi Ihimaera , describes these events within the rhythms of daily life. This is not a simplistic fable but the story of real people living in modern times. There are moments when Pai is lost in discouragement and despair, and when her father comes for a visit she almost leaves with him. But, no, her people need her--whether or not her grandfather realizes it.

Pai is played by Keisha Castle-Hughes, a newcomer of whom it can only be said: This is a movie star. She glows. She stands up to her grandfather in painful scenes, she finds dignity, and yet the next second she's running around the village like the kid she is. The other roles are also strongly cast, especially Rawiri Paratene and Vicky Haughton as the grandparents.

One day Koro summons all of the young teenage boys of the village to a series of compulsory lessons on how to be a Maori, and the leader of Maoris. There's an amusing sequence where they practice looking ferocious to scare their enemies. Pai, of course, is banned from these classes, but she eavesdrops and enlists a wayward uncle to reveal some of the secrets of the males.

And then--well, the movie does not end as we expect. It does not march obediently to standard plot requirements but develops an unexpected crisis and an unexpected solution. There is a scene set at a school ceremony, where Pai has composed a work in honor of her people and asked her grandfather to attend. Despite his anger, he will come, won't he? The movie seems headed for the ancient cliche of the auditorium door which opens at the last moment to reveal the person that the child onstage desperately hopes to see--but no, that's not what happens.

It isn't that Koro comes or that he doesn't come, but that something else altogether happens. Something in a larger and more significant scale, that brings together all of the themes of the film into a magnificent final sequence. It's not just an uplifting ending, but a transcendent one, inspired and inspiring, and we realize how special this movie really is. So many films by and about teenagers are mired in vulgarity and stupidity; this one, like its heroine, dares to dream.

Roger Ebert

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Whale Rider movie poster

Whale Rider (2003)

Rated PG-13 For Brief Language and A Momentary Drug Reference

105 minutes

Cliff Curtis as Porourangi

Vicky Haughton as Nanny Flowers

Keisha Castle-Hughes as Pai

Grant Roa as Rawiri

Rawiri Paratene as Koro

Mana Taumaunu as Hemi

Rachel House as Shilo

Based On The Novel by

  • Witi Ihimaera

Directed by

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Witi Tame Ihimaera

The Whale Rider Hardcover – May 1, 2003

  • Reading age Baby - 12 years
  • Print length 152 pages
  • Language English
  • Grade level 4 - 6
  • Dimensions 5.5 x 0.5 x 9 inches
  • Publisher Harcourt Childrens Books
  • Publication date May 1, 2003
  • ISBN-10 0152050175
  • ISBN-13 978-0152050177
  • See all details

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  • Publisher ‏ : ‎ Harcourt Childrens Books; 1-Simul edition (May 1, 2003)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 152 pages
  • ISBN-10 ‏ : ‎ 0152050175
  • ISBN-13 ‏ : ‎ 978-0152050177
  • Reading age ‏ : ‎ Baby - 12 years
  • Grade level ‏ : ‎ 4 - 6
  • Item Weight ‏ : ‎ 9.9 ounces
  • Dimensions ‏ : ‎ 5.5 x 0.5 x 9 inches
  • #437 in Children's Australia & Oceania Books
  • #5,952 in Children's Multigenerational Family Life
  • #11,163 in Children's Books on Girls' & Women's Issues

About the author

Witi tame ihimaera.

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  5. Children's Book Review: THE WHALE RIDER by Witi Ihimaera, Author

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VIDEO

  1. Opening to Whale Rider 2003 VHS

  2. Opening Up To Whale Rider 2003 VHS

  3. Closing Down To Whale Rider 2003 VHS

  4. Whale Rider SBS World Movies Intro Network Premiere

  5. Opening to Whale Rider 2003 DVD

  6. 07. Pai calls the Whales

COMMENTS

  1. The Whale Rider by Witi Ihimaera

    Witi Ihimaera. 3.84. 10,690 ratings1,221 reviews. Eight-year-old Kahu craves her great-grandfather's love and attention. But he's focused on his duties as chief of the Maori in Whangara, New Zealand—a tribe that claims descent from the legendary "whale rider." In every generation since the whale rider, a male has inherited the title of chief.

  2. THE WHALE RIDER

    An ancient whale and an eight-year-old Maori girl named Kahu are archetypal figures in this luminous joining of myth and contemporary culture. In an opening Eden-like scene, a man riding a whale gives the East Coast of New Zealand gifts that will make it flourish. The last gift, however, refuses to be given, flinging itself across a thousand years to wait for the time when it will be needed ...

  3. The Whale Rider -- book review

    The Whale Rider -- book review. Witi Ihimaera's The Whale Rider is one of those rare books that is so pure and so moving that it makes you believe anything is possible. Most specifically, it makes you believe that a book that's basically about cultural rituals among the Maori people of New Zealand isn't only fascinating and entertaining ...

  4. The Whale Rider Study Guide

    As of 2023, The Whale Rider is the most translated book by any New Zealand author, whether Pākehā (white) or Maori. Famous on Film. The Whale Rider may be best known today for the acclaimed 2002 film version, which was filmed in the real town of Whangara with many local actors.

  5. The Whale Rider (1987), by Witi Ihimaera

    Witi Ihimaera is of Ngati Tuwharetoa and Te Arawa descent. He was the first Māori author to be published in New Zealand. This is my third book for Indigenous Literature Week 2017. Author: Witi Ihimaera. Title: The Whale Rider. Publisher: Reed Publishing, 2002, first published 1987. ISBN: 9780790008691.

  6. Whales, tales and the funny side of a hijacking

    The Whale Rider, by Witi Ihimaera (Robson, £6.99) It's almost two decades since the first publication of Witi Ihimaera's gentle story of how a Maori girl and an elderly whale re-establish ...

  7. Book Reviews: The Whale Rider, by Witi Ihimaera (Updated for 2021)

    Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary 'whale rider.' In every generation since Kahutia, a male heir has inherited the title of chief.

  8. The Whale Rider

    The Whale Rider has been a worldwide bestseller, and is the most-translated work by a New Zealand author. In 1995 it was translated into Māori by Tīmoti Kāretu, as Te kaieke tohorā. In 2006 a picture book version illustrated by Bruce Potter was listed as one of the Storylines Children's Literature Foundation of New Zealand Notable Books List.

  9. The Whale Rider

    The Whale Rider by Witi Ihimaera is a young adult novel that tells the story of eight-year-old Kahu, a female descendent of Kahutia Te Rangi, the whale rider. Kahu is a member of the Maori tribe of Whangara, New Zealand. Her great grandfather, Koro Apirana, is the elderly chief. Desperate to seek a male successor, he pins his hopes on a male ...

  10. The Whale Rider: Ihimaera, Witi: 9780152050160: Amazon.com: Books

    Paperback - May 1, 2003. Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary "whale rider." In every generation since Kahutia, a male heir has inherited the title of chief.

  11. The Whale Rider

    The Whale Rider is an incredible read. Ihimaera tells a story of determination and embracing change, while Kahu, against all odds and against traditions, forces her way forward in an inspiring show of strength and girl power. This is a classic Kiwi story that is important to keep reading and sharing.

  12. The Whale Rider

    Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary "whale rider." In every generation since Kahutia, a male heir has inherited the title of chief. But now there is no male heir, and the aging chief is desperate to find a successor.

  13. The Whale Rider Summary

    The Whale Rider Summary. The story begins with a focus on the ancient days, when nature and all wildlife were excitedly waiting for the coming of man. Then man arrived from the east, and the relationship between nature and man throve. One relationship in particular -- that between the whale rider and his giant whale -- was exemplary of a ...

  14. The Whale Rider

    The Whale Rider Kindle Edition. An international bestseller that was made into a multiple award-winning film. Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Maori tribe in Whangara, on the East Coast of New Zealand - a tribe that claims descent from the legendary 'whale rider'.

  15. Amazon.com: Customer reviews: The Whale Rider

    The Whale Rider is definitely in my top ten list of all-time favorite books. I absolutely adore everything about it, and really do think there's something everyone can relate to in this story. If you've ever felt discriminated against because of your gender, this is the book for you.

  16. THE WHALE RIDER by Witi Ihimaera Read by Jay Lagaaia

    The girl-child's story is told by her uncle Rawiri: her breaking of the male chain of descendants, her rejection by her great-grandfather, her role in saving her people, and her extraordinary ride on the old bull whale. New Zealander Jay Laga'aia effortlessly navigates the Maori names, facilitating the listener's entrance into another ...

  17. The Whale Rider Summary and Study Guide

    The Whale Rider is a 1987 novel by New Zealand author Witi Ihimaera. A film adaptation was made in 2002 that would go on to win several awards. Throughout the novel, Ihimaera juxtaposes the migration of a herd of whales with the Maori tribe's search for a male heir. The Whale Rider comprises four major sections, as well as a prologue ...

  18. The Whale Rider by Ihimaera

    The Whale Rider. Hardcover - January 1, 2005. by Ihimaera (Author) 4.6 905 ratings. See all formats and editions. A mystical story of Maori culture The birth of a daughter, Kahu, breaks the lineage of a Maori tribe. Rejected by her grandfather, Kahu develops the ability to communicate with whales, echoing those of the ancient Whale Rider ...

  19. The Whale Rider

    Rejected by her grandfather, Kahu develops the ability to communicate with whales, echoing those of the ancient Whale Rider after whom she was named. This magical and mythical novel tells of the conflict between tradition and heritage, from the perspective of Kahu's grandfather, and Kahu's destiny to secure the tribe's future. Tweet

  20. The Whale Rider: Amazon.co.uk: Ihimaera, Witi: 9781861057044: Books

    Written in 1987, THE WHALE RIDER is a deceptively short book. Only 120 pages long, it's a richly layered story dealing with several major social issues: family relationships, gender discrimination, generational differences, racial prejudice, loss of the cultural identity of indigenous tribes, ecological conservationism and modern man's disconnection from his spiritual self.

  21. Whale Rider movie review & film summary (2003)

    The genius of the movie is the way is sidesteps all of the obvious cliches of the underlying story and makes itself fresh, observant, tough and genuinely moving. There is a vast difference between movies for 12-year-old girls, and movies about 12-year-old girls, and "Whale Rider" proves it. The movie, which takes place in the present day in New ...

  22. The Whale Rider by Witi Ihimaera

    Publisher: Pearson Education Limited. ISBN: 9780435131081. Number of pages: 144. Weight: 240 g. Dimensions: 13 x 124 x 190 mm. Buy The Whale Rider by Witi Ihimaera from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25.

  23. The Whale Rider: Ihimaera, Witi: 9780152050177: Amazon.com: Books

    The Whale Rider. Hardcover - May 1, 2003. Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary "whale rider." In every generation since Kahutia, a male heir has inherited the title of chief.