photo essay about covid 19

12 Photo Essays Highlight the Heroes and Heartaches of the Pandemic

Pictures piece together a year into the COVID-19 pandemic.

Photos: One Year of Pandemic

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A boy swims along the Yangtze river on June 30, 2020 in Wuhan, China.

A year has passed since the World Health Organization declared COVID-19 a pandemic on March, 11, 2020. A virus not visible to the human eye has left its mark in every corner of the world. No single image can define the loss and heartache of millions of global citizens, but photojournalists were there to document the times as best they could. From the exhaustion on the faces of frontline medical workers to vacant streets once bustling with life, here is a look back at photo essays published by U.S. News photo editors from the past year. When seen collectively, these galleries stitch together a year unlike any other.

In January of 2020, empty streets, protective masks and makeshift hospital beds became the new normal in Wuhan, a metropolis usually bustling with more people than New York City. Chinese authorities suspended flights, trains and public transportation, preventing locals from leaving the area, and placing a city of 11 million people under lockdown. The mass quarantine invokes surreal scenes and a grim forecast.

Photos: The Epicenter of Coronavirus

Photojournalist Krisanne Johnson documented New Yorkers in early March of 2020, during moments of isolation as a climate of uncertainty and tension hung over the city that never sleeps.

Coronavirus in NYC Causes Uncertainty

For millions of Italians, and millions more around the globe, the confines of home became the new reality in fighting the spread of the coronavirus. Italian photojournalist Camila Ferrari offered a visual diary of intimacy within isolation.

Photos: Confined to Home in Milan

Around the world, we saw doctors, nurses and medical staff on the front lines in the battle against the COVID-19 pandemic.

Photos: Hospitals Fighting Coronavirus

As the pandemic raged, global citizens found new ways of socializing and supporting each other. From dance classes to church services, the screen took center stage.

Photos: Staying Connected in Quarantine

In April of 2020, photographer John Moore captured behind the scene moments of medical workers providing emergency services to patients with COVID-19 symptoms in New York City and surrounding areas.

Photos: Paramedics on the Front Lines

The COVID-19 pandemic has disproportionately impacted undocumented communities that often lack unemployment protections, health insurance and at times, fear deportation.

Photos: Migrants and the Coronavirus

Aerial views showed startlingly desolate landscapes and revealed the scale of the pandemic.

Photos: COVID-19 From Above

With devastating death tolls, COVID-19 altered the rituals of mourning loved ones.

Photos: Final Farewells

In recognition of May Day in 2020, these portraits celebrated essential workers around the globe.

Photos: Essential Workers of the World

In May 2020, of the 10 counties with the highest death rates per capita in America, half were in rural southwest Georgia, where there are no packed apartment buildings or subways. And where you could see ambulances rushing along country roads, just fields and farms in either direction, carrying COVID-19 patients to the nearest hospital, which for some is an hour away.

Photos: In Rural Georgia, Devastation

In January of 2021, as new variants of the virus emerged, Pfizer-BioNTech, Moderna and other vaccines led a historic global immunization rollout, offering hope.

Photos: COVID-19 Vaccinations

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Tags: Coronavirus , public health , Photo Galleries , New York City , pandemic

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Coronavirus

COVID-19 photo essay reflects on the day our lives changed forever three years ago

While it feels almost a lifetime ago for some, it's been exactly three years since a state of emergency was declared in Western Australia as the novel coronavirus began to send shock waves around the world. 

Already isolated by its geography, the unprecedented move cemented the state as a hermit kingdom and fundamentally changed the way sandgropers went about their daily lives. 

This picture essay illustrates a pivotal and unsettling chapter in our history, and reflects how the virus dictated the way we lived.

Panic and confusion

COVID-19 was first detected in the Chinese city of Wuhan in December 2019, but the panic didn't set in until a couple of months later when news of mass deaths overseas was beamed in to living rooms across Australia.

The virus captivated the entire world, but the threat really hit home when Australia recorded its first COVID death on March 1 — a Perth man who had been aboard the Diamond Princess cruise ship. 

Australians were given a stern warning to return home as soon as possible ahead of the country's border being slammed shut, with international arrivals forced into hotel quarantine in an effort to stop the deadly virus getting in.

The first round of COVID-19 restrictions, including gathering limits and indoor venue closures, started to give people an inkling of how much their lives were about to be turned upside down. 

Holidays and big events were cancelled, weddings went online and Rottnest Island went from the home of quokka selfies to a quarantine hub for cruise ship passengers. 

Lines curled around liquor stores as the fear of being locked down without a cold stubbie or red wine in hand was too much to bear for most, while subscriptions to streaming services went through the roof. 

Grocery store shelves were stripped bare and arguments broke out in supermarket aisles as panic buying led to a nationwide toilet paper drought.

ABC reporter Francesca Mann dared to dream when she saw a shopper walk past her with the rare commodity at a Geraldton supermarket.

"I could not believe my eyes," she said.

"I quickly walked over to the toilet paper aisle and there were about seven packs left. It felt like the most valuable item at the time, so it got the royal treatment on the way home."

Mann snapped an equally humorous shot of her pet cat Arya sprawled across her desk in the first few days of working from home. 

'Stop the spread'

The state introduced its first round of border restrictions at the end of March, restricting interstate travel to stop the virus spreading between regions and to protect vulnerable Indigenous communities. 

On April 5, 2020, the WA government implemented its harshest border restrictions yet, slamming its borders shut — not just to international arrivals, but to the east as well. 

It marked the beginning of an upsetting chapter in the state's history, leaving families divided for two years and living up to Premier Mark McGowan's promise to turn WA into an "island within an island".

The travel restrictions wreaked havoc on the tourism and events industries, but it also created a spike in domestic tourism when the state eased restrictions to allow West Australians to holiday in their own backyard. 

Sandgropers swapped their annual pilgrimage to Bali for the sublime sunsets in Broome, the chance to swim with whale sharks in Exmouth or to see the ancient gorges in the Karijini National Park.

But Perth's bustling city centre had turned into a ghost town as West Australians dutifully obeyed restrictions, which shut down the city. 

Just a few pedestrians could be spotted in Forrest Place in April, 2020. Image: Hugh Sando.

Even a trip to the beach came with reminders to practise social distancing. Image: Amelia Searson.

Trains crisscrossed the city virtually empty. Image: Hugh Sando.

The doors to restaurants, cafes and bars were shuttered. Image: Rebecca Mansell.

The state library was eerily empty. Image: Emma Wynne.

Children were cooped up inside as playgrounds closed. Image: Gian De Poloni.

Slogans like this started popping up around Perth as people banded together to face the crisis. Image: Damian Smith.

For weeks, the cruise ship Artania became the focus of a tense stand-off between the operator and Mr McGowan, who demanded it leave WA waters.

Anzac Day that year was unlike any other due to the traditional service and march being cancelled — the first time since 1942.

Veterans and families instead marked Anzac Day from the end of their suburban driveways.

By this stage, the virus dominated every aspect of our lives.

Even the security guard, Steve, who opened the door for the premier before he delivered his daily press conference, had become part of life under COVID.

Living inside the bubble

Restrictions were gradually eased in May after the virus was eliminated, allowing West Australians to continue living relatively normally for many months compared to what was happening over east.

With no community transmission, WA moved from a hard border to a controlled border in October, with authorities continually lowering and lifting the drawbridge in line with outbreaks in other states. 

On December 5, a tool was unveiled that would dramatically change the way West Australians interacted with the world around them.

The trio of snap lockdowns

But it was impossible to keep the virus out forever, with the state's 10-month coronavirus-free streak ending on January 21, 2021 when a hotel quarantine security guard tested positive.

Perth was locked down twice more in 2021 — from April 24 to April 27 after a hotel quarantine outbreak and from June 29 to July 3 after three COVID cases were detected in the community. 

Vaccine hesitancy takes hold

In October, one of the most divisive policies in WA's history was announced — mandatory vaccination for 75 per cent of the state's workforce.

Some were concerned about potential health impacts from the vaccine and felt it was impinging on people's right to have autonomy over their own bodies, while others felt it was the only way to reopen the borders and protect people from the virus. 

When the double-dose vaccination rate reached 80 per cent in December, it was announced that WA would finally reopen its border to the rest of the world on February 5, 2022.

But the joy that rippled through the community was short-lived, with WA Premier Mark McGowan performing a sensational backflip just a few weeks later at a late night press conference when he announced the reopening would be delayed.

However, it turned out the virulent strain was circulating in the community anyway, and the virus started to spread significantly for the first time in two years. 

'Let it rip'

On February 18, Mr McGowan made the announcement many had been waiting for — WA's hard border would come down on March 3 as he conceded it was no longer possible to stop the spread of the virus.

Many employers, including ABC News in Perth, quickly reverted to working from home arrangements for all but operationally critical staff to minimise the risk of spreading the virus in the workplace. 

As case numbers grew, so too did tensions between the state government and peak medical groups that warned against easing restrictions, as cracks in the hospital system deepened.

After being on the frontline of the battle against COVID, health workers began rallying for better pay, which would eventually lead to full-scale industrial action. 

As vaccination rates rose and the COVID outbreak in WA eased in April, the McGowan Government lifted most mask-wearing requirements but the Perth CBD remained a ghost town. 

Most remaining restrictions were removed in May as the triple-dose vaccination rate hit 80 per cent, but many vulnerable West Australians chose to stay home to shield themselves from the virus. 

But COVID continued to fade into the background for most, as the things that derailed our lives — lockdowns, mandatory isolation, mask and vaccine mandates— gradually became distant memories.

Living with the virus

People have learned how to live with the virus, and getting the vaccine has become about as normal as getting a yearly flu jab. 

After 963 days, WA's state of emergency finally ended on November 4, but the heartache caused by the 956 people who lost their lives, and the far-reaching impact on society and people's livelihoods, will be felt for years to come. 

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• State and Territory Government

This issue: Summer 2020

COVID-19 Photo Essay

Photos by Chris Low

A new reality: As news of the spread of COVID-19 became more prevalent, students began practicing social distancing and other safety precautions in the classroom. In late March, campus was closed to comply with Oregon’s “Stay Home, Save Lives” mandate.

Sign of the times: A traffic sign on highway 99W reminds drivers coming into Newberg to avoid large group gatherings.

Strength in community: While campus was closed, the Bruin Community Pantry food bank remained open, with enhanced safety protocols, to ensure that no George Fox student went hungry.

Social distancing: A student sits alone in the university’s outdoor amphitheater. As students moved home to begin remote learning, sights like this around campus became much more common.

Meeting of the minds: The university leadership team, including President Robin Baker, connects via Zoom to discuss how best to care for students in a remote learning environment.

Deep cleaning: A Jani-King employee disinfects one of the residence hall bathrooms.

Home/work: English professor Jessica Ann Hughes leads class from a makeshift home office.

Virtual classroom: Biblical studies professor Brian Doak finds a creative way to engage with students.

Signs of hope: George Fox alumna Jessica (Lavarias) Brittell (’06), co-owner of MOB Signs, created this display outside the Providence Newberg Medical Center to show appreciation for doctors and nurses on the front lines of the COVID-19 pandemic.

The university that prays together… Jake Thiessen and Moses Hooper from the marketing communications department pray before a virtual meeting.

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The Class of COVID-19

COVID-19 Through the Eyes of Students

Engineering a Solution

Essential Personnel

Friendship House

Taking Aim at the Opioid Epidemic

What's Next

52 Years and Counting

A Century of Mentorship

Going for Gold

PNW Adventures

Serving with Passion

Bruin Notes

• More than $139,000 Raised for Students Affected by Coronavirus
• COVID-19 Pandemic Leads to Spring Semester Unlike Any Other
• Faculty Members Honored as Top Teachers, Researchers for 2019-20
• George Fox Digital to Deliver Be Known Promise in Online Format
• Development of Patient-Centered Care Model Puts DPT Program in National Spotlight
• Physician Assistant Program Set to Launch in 2021
• Rankings Roundup: George Fox Earns Top Spot Among Christian Colleges in Oregon
• Recent Recognition
• Scott Selected as New Provost

Alumni Connections

• Art and Entrepreneurship
• Art with an Impact
• Babies and Marriages
• News, by Graduating Year
• Not a Spectator
• Working in Small Infinities
• Send Us Your News

• HISTORY & CULTURE
• CORONAVIRUS COVERAGE

Photos show the first 2 years of a world transformed by COVID-19

Our photographers bore witness to the ways the world has coped—and changed—since the pandemic began.

Two years ago this month, on March 11, 2020, the World Health Organization formally declared a pandemic caused by a novel coronavirus . And as COVID-19 spread across the globe, humanity had little time to adapt to lockdowns and staggering losses.

Nearly six million people have died from the disease so far, a death toll that experts say barely scratches the surface of the pandemic’s true harm. Hospitals and health care workers have been pushed to the brink, debates over masking have tested our bonds, and millions of grieving families will never truly return to life as normal—if it’s even possible to go back to a time when “social distancing” was an alien concept.  

Over past two years, National Geographic has documented how the world has coped with COVID-19 through the lenses of more than 80 photographers in dozens of countries. In the frightening early days, Cédric Gerbehave’s haunting image of Belgian nurses revealed the trauma of hospitals overrun by a disease that scientists didn’t yet understand. Tamara Merino confronted the overwhelming isolation of confinement during lockdown in Chile. And Muhammad Fadli took us to the gravesite of one of the many COVID-19 victims whose bodies filled up an Indonesian cemetery.

Our photographers have also shown us how the world adapted to these challenges. Families found new ways to connect when social distancing kept us from our loved ones, and new ways to grieve when we couldn’t hold funerals. Schools from Haiti to South Korea were able to safely reopen with mask mandates, smaller classes, and exams taken outdoors. And the 2021 graduating class of Howard University found a joyous way to celebrate commencement outdoors: by dancing down the streets of Washington, D.C.

Now, as we enter the pandemic’s third year, scientists warn that it isn’t over yet. More than 10 billion doses of COVID-19 vaccines have been administered globally—but that isn’t enough to quell the danger of future surges and even more deadly variants . Still, there’s reason to hope that we’ll finally find our way toward a new normal.

Many of these images were made with the support of the National Geographic Society's   COVID-19 Emergency Fund for Journalists , which launched in March 2020 and funded more than 324 projects in over 70 countries. These projects revealed the social, emotional, economic, educational, and equity issues threatening livelihoods all over the world.

Physician Gerald Foret dons a full-face respirator mask before seeing COVID-19 patients at Our Lady of the Angels Hospital in Bogalusa, Louisiana. The mask was donated to the hospital when it was running low on disposable N95 masks. In the early months of the pandemic, health-care systems faced severe shortages of personal protective equipment such as face masks and disposable gloves—putting front-line workers like Foret in further jeopardy.

A baby is born at the only maternity hospital in Dagestan, Russia. Located on the southernmost tip of Russia along the Caspian Sea, the Muslim-majority republic suffered a catastrophic surge of coronavirus deaths in the spring of 2020. The losses in Dagestan raised questions about whether the Russian government was obscuring the pandemic’s true death toll.

Alfonso Sellano, age 64, battles COVID-19 while his wife and a nurse tend to him in Espinar, Peru. As of March 2022, the country has the highest COVID-19 death rate in the world , which experts say can be attributed to the country’s weak health-care system and pervasive social inequalities that make it difficult for marginalized people to protect themselves from the virus. For instance, many had to continue commuting to work even during lockdown in order to provide for their families.

Hours of work in a protective mask leave a transient scar down the face of Yves Bouckaert, the chief intensive care unit physician at Tivoli Hospital in La Louvière, Belgium.  

Ghislaine, a nurse in the geriatric ward at the same hospital, poses for a portrait with a tear running down her cheek. These photos were taken during the third wave of COVID-19, which triggered a new round of lockdowns in March 2021.

In Mons, Belgium, nursing colleagues take brief refuge in a shift break and each other’s company. Like medical facilities around the world, Belgian hospitals were initially overwhelmed by the rush of patients with a virulent new disease. These nurses, pulled from their standard duties, were thrown into full-time COVID-19 work—reinforcement troops for a long, exhausting battle.

COVID-19 has posed a particularly grave threat to Africa’s informal urban settlements —communities with high poverty rates where millions of people live in close quarters and often do not have access to clean water or toilets. In Nairobi, Kenya, residents of the Kibera informal settlement have their temperature checked by community health workers at a station set up by Shining Hope for Communities on March 26, 2020.

Home health-care worker Delores Jetton bathes her client Jean Robbins in a sunlit bedroom. “She is slow and prayerful as she bathes each person, washing with warm water and a touch that is so appreciated by these elders, who often face pain and fear at the end of life,” writes photographer Lynn Johnson. “As the bath progresses, one can see Robbins literally surrender to the touch.”  

Even with the availability of effective vaccines, people over 65 remain at high risk of dying from COVID-19 . Many have been told to stay home rather than visit health clinics in person—causing a significant rise in demand for home health workers, who have often found themselves stretched to exhaustion in these past two years.

The mummified body of a COVID-19 victim lies on the patient’s deathbed awaiting a bodybag in Jakarta, Indonesia. It took two nurses about an hour to wrap the patient in plastic—a measure intended to keep the coronavirus from spreading. Indonesians were shocked when they saw this image, which humanizes the losses of COVID-19 and horror of death from the disease.

“It’s clear that the power of this image has galvanized discussion about coronavirus,” photographer Joshua Irwandi told National Geographic in July 2020 . “We have to recognize the sacrifice, and the risk, that the doctors and nurses are making.”

At the Rayer Bazar graveyard in Dhaka, Bangladesh, Farid conducts the janazah , an Islamic funeral prayer, for a COVID-19 victim and his relatives attending the burial. Bangladesh designated the cemetery as its official burial place for COVID-19 victims in April 2020.

Defying Peruvian government protocols, the Shipibo-Konibo have organized illegal mourning and funerals during the pandemic to honor their dead as their tradition dictates. At the funeral of Milena Canayo, who died in July 2020 with symptoms of COVID-19, her 9-year-old daughter lights a candle before taking refuge at home. Shipibo-Konibo people live in the Amazon rainforest of Peru, including in cities like Pucallpa where Milena's funeral was held. But she was not treated at the local hospital—Ronald Suarez, head of the organization Coshikox, says the health and welfare of Indigenous people is always the last to be considered.  

Workers from a funeral home in Huancavelica wait until the end of a service to move a coffin into a grave at a city cemetery in April 2021. Much like the rest of the country, this city in central Peru has been hit hard by the COVID-19 pandemic.

After keeping their social distance during the New York City funeral of Annie Lewis, family members draw together around the casket to say a final goodbye. In the United States, COVID-19 has been particularly devastating for low-income communities of color. As photographer Ruddy Roye told National Geographic , “The coronavirus pandemic has laid bare the divisions in our city.”

Relatives visit a loved one’s fresh grave at Rorotan Public Cemetery in Cilincing, North Jakarta, Indonesia, on July 21, 2021. The cemetery, which is dedicated to COVID-19 victims, opened in March. Even though it can hold up to 7,200 people, the cemetery filled up fast during the surge in cases caused by the Delta variant—which made Indonesia an epicenter of the pandemic. In response, Jakarta's government planned to add more land to the 25-hectare cemetery.

Elaine Fields, with her daughter Etana Fields-Purdy, stand close to her husband's gravesite at the Elmwood Cemetary in Detroit, on June 14, 2020. Eddie Fields, a retired General Motors plant worker, had died from COVID-19 complications in April. "It's hard because we haven't been able to mourn,” Elaine told photographer Wayne Lawrence . “We weren't able to be with him or have a funeral, so our mourning has been stunted."

Detroit journalist Biba Adams stands for a portrait at her home with daughter Maria Williams and granddaughter Gia Williams in Detroit on June 10, 2020. Adams lost her mother, grandmother, and aunt to the coronavirus. “To lose one’s mother is one thing,” Adams said in late July 2020 , when U.S. pandemic death totals were pushing past 150,000. “To lose her as one of 150,000 people is even more painful. I don’t want her to just be a number. She had dreams, things she still wanted to do. She was a person. And I am going to lift her name up.”

Family members place flowers atop the coffin of Eric Hallett, 76, just before a hearse carries his body to the crematorium in Crewkerne, England, on May 4, 2020. Pandemic safety protocols forced the crematorium to limit the number of mourners at each funeral. Instead, Hallett’s loved ones lined the streets to wave goodbye.

Sisters Dana Cobbs and Darcey Cobbs-Lomax lost both their father and paternal grandmother to COVID-19 in April 2020. Evelyn Cobbs was rushed to the hospital in ambulances just one day after her son Morgan—and the two died within a week of one another. Photographer Celeste Sloman took this virtual portrait of the sisters, who had to say goodbye to their loved ones from a distance due to the restrictions of the COVID-19 pandemic.

White flags planted on the National Mall in Washington, D.C. represent each of the American lives lost to COVID-19. When the art installation opened in September 2021, the country had surpassed 670,000 deaths. For more than 30 hours, photographer and National Geographic Explorer Stephen Wilkes watched people move through the sea of white flags , capturing individuals as they grappled with the enormity of loss. Wilkes took 4,882 photographs of the exhibit, then blended them into a single composite image as part of his Day to Night series.

Kristiana Nicole Bell attends a candlelight vigil at St. Margaret of Scotland Catholic Church in Foley, Alabama, where she was baptized later that evening. The service, held the night before Easter Sunday, was led in both English and Spanish by Father Paul Zohgby. He decided about eight years ago that it was important to learn Spanish so he could welcome and minister to the community’s growing Latino immigrant population. Zohgby told photographer Natalie Keyssar that he was elated to rejoin his congregation in person after spending eight days in the hospital with severe COVID-19.

Quarantined for two weeks after traveling from Belgium to Shanghai, Justin Jin reads out his temperature to a medic on the other side of his closed hotel door. The picture was taken through the door’s peephole. Jin made the arduous journey to see his father, who just had surgery.

Photographer Ian Teh spends much of his working life on the road—so the pandemic allowed him to stay home with his wife, Chloe Lim, in Kuala Lumpur, Malaysia. “My partner and I are lucky that both our families are safe,” he says. “The pandemic has been an opportunity for us to connect with our loved ones, virtually.” He took this self-portrait of the couple in a favorite spot in their apartment, looking out on nearby houses and greenery. “It’s peaceful,” he says.

Heavy rain falls on Buenos Aires, Argentina, on April 27, 2020. Argentina entered a full lockdown on March 20 that endured more than four months. Feeling trapped, and still recovering from a miscarriage, photographer Sarah Pabst picked up her camera to document her pandemic experiences. The result: Morning Song , a project that uses photography to explore motherhood, love, and loss, and our connection with nature.

Greta Tanini and Cristoforo Lippi decided to take advantage of Italy's quarantine lockdown—to regard their enforced time together as a new exploration of their relationship. They divided up domestic tasks—including shopping, cleaning, and tidying up—and limited their social interaction to chatting with neighbors at a safe distance so as not to spread the virus.

The Apollo Theater has been a Harlem landmark since the 1930s, when it helped propel music genres such as jazz, R & B, and the blues into the American mainstream. The Apollo was one of New York City’s many historic entertainment venues that closed in early 2020 to stem the spread of COVID-19. It remained shuttered for a year and a half—and finally returned, to much excitement, in August 2021.

In spring 2020, sculptor Antonio Canova's The Three Graces (1812-1817) stand alone in the rotunda of Milan’s Galleria d’Italia. COVID-19 lockdowns forced museums across Europe to close their door for months— sparking fears that the loss of revenue might keep them permanently closed. By June, however, some museums began to reopen with limited numbers of visitors, temperature checks, and socially distant experiences.

Photographer Mariceu Erthal took this self-portrait in July 2020 during her first visit to the sea after being confined at home by COVID-19 lockdowns. She says the experience “brought me peace of mind and allowed me to observe the sadness and anxieties I had inside.”

Photographer Bethany Mollenkof found out she was pregnant three months before COVID-19 shut down swaths of the United States. She began to document her own experiences during quarantine in Los Angeles—from her first ultrasound, which her husband had to watch from the parking lot over FaceTime, to childbirth. Although Mollenkof had hoped for a natural birth, she decided to deliver in a hospital in case of complications—which proved the right choice. After her water broke, her contractions did not start, and ultimately labor was induced to keep the baby safe.

  “I thought about my friends, my community, and what it would feel like to become new parents in isolation—to not have people around us to help, people who years later could tell our daughter that they’d held her when she was a few days old,” Mollenkof wrote in a photo essay for National Geographic . “But I also thought about women throughout history, women who have survived wars, pandemics, miscarriages. Their resilience guided me.”

Exhausted after giving birth to her daughter, Suzette, Kim Bonsignore lies in the birthing pool in her living room on April 20, 2020, in New York City. Instead of having her baby in the hospital as planned, the Bonsignores decided to have their second child at home when they learned that family members would not be allowed in the delivery room because of COVID-19 restrictions.

In Moscow, a nurse wearing a hazmat suit holds a bouquet of flowers for at Hospital No. 52 on March 9, 2020—or Victory Day. Russia’s most important national holiday commemorates the surrender of Nazi Germany in 1945. Although celebrations were more subdued because of the pandemic, the hospital arranged a small tribute for veterans and their families under treatment.

Photographer Tamara Merino took this self-portrait with her son Ikal on the first day of total isolation in Santiago, Chile. “The confinement feels stronger and more overwhelming when someone imposes it on you,” she wrote. “When we have freedom over our actions, and we decide to stay home, we still feel free. Not anymore.”

Image of customers seen through a thermal scanner at the entrance of a supermarket in Ushuaia, the capital of Tierra del Fuego, Argentina. The vast majority of food on the island is imported, and shopping is centralized in big supermarket chains—creating a challenge for social distancing. During lockdown, thermal scanners were placed in the supermarkets to take the temperature of incoming customers. Customers with elevated temperatures were sent home.

Girls form a socially distant queue to take a shower at a facility in Kibera, an informal settlement in Nairobi, Kenya. Most residents in the community do not have access to indoor plumbing, so a local organization provided free water to help prevent the spread of coronavirus by helping people maintain their personal hygiene.

An Istanbul city employee disinfects the streets of Beyoglu on April 14, 2020. Typically bustling with tourists intent on sampling its historic winehouses, museums, nightclubs and shops, the neighborhood fell quiet at the start of the pandemic. Many cities initially tried   to curb the spread of the coronavirus by spraying their walkways with disinfectant—a practice that the World Health Organization ultimately recommended against , as the chemicals were likely to harm people’s health.

Migrants climb onto a truck which will take them toward their village on the outskirts of Lucknow, India, on May 6, 2020. When the Indian government announced a nationwide lockdown on March 24, it requested that people stay put, wherever they were. But that created a shortage of food for the huge migrant population in cities—so, after much deliberation and implementation of new public safety measures, state governments coordinated efforts to transport the migrants to their homes on special trains.

Students resume in-person classes at Elementary School No. 1 in Jakarta, Indonesia. More than 600 schools across the city reopened on a limited basis in fall 2021, offering face-to-face classes three days a week with strict health protocols in place. Schools also restricted the number of students who could attend in person, with half of each class still learning from home via video conference. Nadiem Makarim, the Indonesian minister of education, pushed for a return to classrooms, telling parliament that COVID-19 lockdowns caused “learning losses that have permanent impacts.”

In a Pétion-Ville high school, a student distributes handmade masks to his classmates before classes begin. The pandemic disrupted education for children everywhere—but the crisis was particularly dire in Haiti, where students have also suffered gaps in their education as a result of social unrest and natural disasters. The Caribbean nation reopened many of its schools in August 2020 with public health measures like masking in place.

Aspiring insurance agents sit for their qualification exams at desks spread apart on a soccer field in South Korea on April 25, 2020. The Korea Life Insurance Association and the General Insurance Association of Korea were among the many public and private institutions that introduced socially distanced exams during the pandemic. It was a very windy day, but more than 18,000 people across Korea took the insurance agent exam—happy that they had resumed after a hiatus of more than two months.

Eighteen-year-old Stephen Onyango (center) teaches his brothers Collins and Gavan while their sister Genevieve Akinyi watches at their home in Kibera. They hadn't been to class since the Kenyan government closed all schools in the country in mid-March to curb the spread of COVID-19. Stephen told photographer Brian Otieno that his teacher suggested an app he could use to teach his siblings. “It's my responsibility to ensure that my brothers are at home studying now that coronavirus is here with us and we don't know when this will end,” he said. Kenya reopened schools in January 2021, even as the pandemic continued to spread.

Members of the Phi Beta Sigma fraternity gather for an impromptu step dance after Howard University's commencement ceremony in Washington, D.C., on May 8, 2021. Only undergraduate students were allowed to attend the outdoor, in-person ceremony held at the university’s stadium. Friends and family scattered around outside of the stadium instead.  

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“As I was bouncing around campus, I started to think about how much the students had been through the past year and how this particular moment must feel for them,” said photographer Jared Soares. “To be able to witness the students' jubilation was a huge privilege, and even more meaningful based on the circumstances that we as a community had to endure the past year and a half.”

Seoulites lounge on picnic mats in the grass at Ttukseom Hangang Park on a late summer weekend in 2021. Located under ring-shaped entry and exit ramps leading to a bridge and an expressway, the park is a popular gathering spot for young and old alike.

Nadia, one of the hosts of the talent quest TV show Afghan Star , interviews masked young women at a taping on February 18, 2021. As the Taliban moved to retake national control, Afghan Star ’s cast and crew came under serious threat—judges and participants had to stay at a safe house with armed security guards and blast walls until the end of the season. Kabul fell to the Taliban six months after this photograph was taken, leaving an uncertain future for Afghan women .

Berlin partygoers share a moment In a hallway of the Ritter Butzke, a venerable electronic music clubs, on August 28, 2021. Recently government-designated a German cultural institution, the Ritter Butzke—like other clubs with open air spaces— was approved last summer for public reopening . Some pandemic rules still apply: signs at the club urge patrons to wear masks and refrain from drinking on the dance floor.

Members of the Orquesta Sinfónica Gran Mariscal de Ayacucho play music from their new album, Sinfonía Desordenada (Disorderly Symphony), during an open-air performance on November 12, 2021 in Caracas, Venezuela. The album was recorded during the pandemic lockdown by 75 musicians who blended elements of classical music with Afro-Caribbean rhythms.

A boy flies his kite during lockdown in Amman, Jordan, in April 2020. For a few days in March, the government had imposed even tighter restrictions—shutting down nearly everything and instituting a 24-hour curfew backed up by tanks and army trucks, with no exceptions even to get food and medicine.  

Amman is built on hills, and from his kitchen, photographer Moises Saman could hear the echoes of citywide sirens, the kind used for air raid warnings. He stayed inside with his family until the curfews began to ease. Then he went to find the places where refugees live, including the neighborhood where this photograph was taken. Despite fears that their crowded settlements and neighborhoods would lead to uncontainable spread of COVID-19, Jordan's strict lockdown kept the pandemic at bay during its early months. But as lockdown measures eased, cases began to surge by the fall —a warning to all countries to remain vigilant.

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Photo essay: Faces of the Pandemic

• Features Photo essay: Metamorphosis A place of pride for pathology labs Lessons from COVID-19 No shortcut to success Keeping air free of COVID Not an academic question A year-long homework assignment Accelerating Communication between Scientists Photo essay: Faces of the Pandemic Shedding new light on an underacknowledged epidemic Catching a dream
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• People Generations of medical expertise A historian of medical futures looks back Yale’s Senior Advisor to the FDA Commissioner The next wave of physician-entrepreneurs
• Dialogue The Lost Art of Dying: Reviving Forgotten Wisdom Keeping our stories for the future A unified response You have to have empathy

A pandemic photo essay

Anusha sundararajan, cesar vazquez, sandra johnson, hiam naiditch, merceditas villanueva, felipe lopez, alice lu-culligan, leah tenenbaum.

Faces of the Pandemic is an ongoing portrait photography project documenting the experiences of essential health care workers throughout the pandemic—an unprecedented time for Yale’s medical community, the nation, and the world. It is meant to show appreciation for these individuals and provide a platform for them to share their stories.

Representing a variety of roles at Yale School of Medicine and Yale New Haven Hospital, each participant is photographed wearing their typical work attire, including PPE. Formal portraits display respect for the subjects while candids capture their range of emotions. The photos have been minimally edited to maintain a documentary feel.

Each participant answered five questions to catalogue their experience of the pandemic. For Yale Medicine Magazine we’ve chosen to highlight a common thread: The pandemic has…

Allaire Bartel Creative Direction; Anthony DeCarlo Photography.

Together Apart: A COVID-19 photo essay by Cody Duty

Since the pandemic arrived in Houston, we have adapted to a new normal.

We have quarantined at home to keep ourselves and others safe.

We have visited drive-thru COVID-19 testing sites.

We have gone to work on the front lines of the pandemic.

We have celebrated the birthdays of loved ones with car parades.

We have submitted to thermal scanners that take our temperatures as we enter medical buildings.

We have said goodbye, temporarily, to our favorite restaurants and venues, until it is safe for us congregate again in large groups.

Texas Medical Center photojournalist Cody Duty has captured pandemic life with images that wring warmth and beauty from this devastating period in history.

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Lecturer of art history, Griffith University

Disclosure statement

Chari Larsson does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

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Our memories are malleable, they change over time. Memories can, however, crystallise through repetition. One of the most interesting things about memory is it is distinctly visual. With time, dramatic events reduce to a series of still images, which psychologists call “ flashbulb memories ”. Retrieving them is akin to rifling through a visual database.

The history of war photography offers many powerful examples of how memory and photographic images work together to symbolise entire events.

Consider one of the most famous news images from the Vietnam War, Nick Ut’s image of nine-year old Phan Thị Kim Phúc , badly burned and running down the road after a napalm attack. Or the Abu Ghraib photographs of prisoner abuse in the American military .

Viruses are distinctly anti-spectacular. They are invisible. We can, nevertheless, capture their impact. In 1990, at the height of the HIV/AIDS crisis in America, Life magazine published an image of a dying man, David Kirby, surrounded by his anguished family. Therese Frare’s photograph was credited for humanising HIV and raising much needed awareness.

We are still in the early days of this pandemic. It is not too premature, however, to start writing its history through images. Here are some of the photos that captured the impact of COVID-19 in Australia.

The Ruby Princess stranded

Networks of globalisation, such as the tourism industry, helped spread the virus between countries. This image was taken from the Waverley Cemetery, in Sydney’s east in early April. Tightly framed by gravestones, the Ruby Princess cruise ship intersects with the strong blue of the horizon.

Sydney is reimagined as an ancient burial site, a necropolis, a city of the dead.

It is not unusual for cruise liners to sit off the city’s coast. This photograph is chilling, however because of the large cluster of COVID-19 infections linked to this ship. When Joel Carrett took this photograph, passengers had already disembarked, and health authorities were scrambling to control community transmission.

Sometimes, images are powerful because they have long historical links. Ships have historically been carriers of disease, treated suspiciously by coastal towns and ports.

During the height of the Black Death in the 14th century, the citizens of Venice realised infected persons were on ships and the best defence was isolation. The modern term quarantine is derived from the Italian quaranta giorni , the 40 days vessels were kept offshore.

Read more: Fleas to flu to coronavirus: how 'death ships' spread disease through the ages

Bondi Beach crowds

We were still learning how to socially distance in March and adhere to the government’s advice to “stay at home” when images of beach-lovers making the most of Sydney’s glorious Indian summer went viral on social media.

The beach occupies a sacred place in our national psyche: a place of leisure and of freedom. What was ominous about this image, however, was the crowd’s ability to render a usually benign activity into a menacing threat.

Centrelink queue, Sydney

The most visceral signs of an economy in free fall came in late March with long queues of people waiting outside Centrelink offices across the country. As the myGov website collapsed under the strain, people were forced onto the streets, echoing scenes from Depression-era unemployment .

This photograph is cropped, leaving the viewer’s eye to run down the line of umbrellas, before pausing to rest on the woman in the yellow jumper and clear poncho. Her body language speaks of exasperation and frustration.

The image is taken at street level, a powerful levelling effect: the spectator joins the queue.

A very different strategy is at play in this 1932 image of the dole queue at Sydney’s Harold Park. Here, the photographer captures the group from an elevated position. This creates the effect of “hovering” above the queue like a bird. The spectator remains separate and apart from the crowd. The telegraph pole reinforces this division.

Panic buying, Coles supermarket

In March, supermarket shelves were emptying as Australians started panic buying essentials such as toilet paper, pasta and rice.

The idea of an image being active and capable of influencing our behaviour is underscored by photographs of empty supermarket shelves. Images such as these helped fuel further panic buying, reinforcing the misconception we were running out of food.

Read more: Disagreeability, neuroticism and stress: what drives panic buying during the COVID-19 pandemic

In this image, the bare shelves retreat, drawing the spectator’s eye diagonally backwards towards the far wall. People wait patiently while maintaining a careful distance from each other. The spectator’s eye returns to rest with the central seated figure. His posture indicates fatigued resignation.

Panic buying is not unprecedented in Australia. During World War II, food and clothing rationing was introduced to control consumption and ensure equitable distribution of resources.

This archival image shows people in Melbourne stocking up on meat in 1944 in advance of impending rationing. The small enclosed space feels claustrophobic as shoppers crowd in, waiting to be served.

Public housing towers lockdown, Melbourne

Physical distancing is a luxury not everyone can afford. COVID-19 thrives in dense living spaces, making visible class and race divisions. The early July lockdown of nine public housing towers in Melbourne was a blunt reminder the pandemic embeds itself in communities that house some of our most vulnerable. The towers were presented as crime scenes, sealed off with police tape.

David Crosling’s photograph is striking because of its distinct lack of people. The police tape occupies the immediate foreground, while the towers rise threateningly in the distance.

On closer inspection, a solitary figure can be detected in the left middle ground. The pathway leads the viewer’s eye straight to a COVID-19 testing tent. The site is registered as a crime scene; a barrier is placed between the spectator and the towers.

The absence of people became a foreboding sign of what was to come: Melbourne’s “hard lockdown”.

Empty Melbourne CBD

The atmosphere is bleak and unnerving. An empty city is a lonely city. A city needs its people. Today, the usually bustling alleyways in Melbourne’s CBD lie mute, waiting for the stage four restrictions to pass.

An eerie quality emerges when architectural landscapes are silent and empty. Usually an index of vitality, the street art in the foreground of the image is transformed, becoming a trace or relic of former human activity.

Images of Melbourne devoid of its people resonate with Eugène Atget ’s photographs of the “old Paris”. Working at the turn of the 20th century, Atget focused on documenting the old, disappearing streets of Paris under pressure to modernise.

Writing in the 1930s, German philosopher and essayist Walter Benjamin observed Atget’s images were like deserted crime scenes “photographed for the purpose of establishing evidence”.

They demand a specific kind of approach; free-floating contemplation is not appropriate to them. They stir the viewer; he feels challenged by them in a new way.

A crime scene asks more from its spectator than just viewing passively. Instead, the spectator becomes a witness or bystander.

Read more: Friday essay: the uncanny melancholy of empty photographs in the time of coronavirus

Face mask and face shield

As the virus asserts its grip, the face mask has now become a symbol of the next phase of our collective efforts to suppress COVID-19.

The practice of wearing a mask in the times of disease and pandemics has a long history. The medieval Latin word masca ominously means “spectre or nightmare”.

In the 17th century, plague doctors were recognised by their distinctive beak-like masks when attending sick patients, protecting the doctors from “bad air” and preventing contagion.

Centuries on, the basic premise of creating a barrier between the patient and the health workforce remains remarkably the same.

Temporary memorial, St Basil’s Homes for the Aged

Australia has avoided the rampant transmission and devastating loss of life seen in parts of Europe, the USA and Brazil. Our mortality rates, nevertheless, are steadily creeping upwards as the pandemic spreads, particularly in aged care facilities.

We haven’t seen images like the overflowing intensive care wards in Italy , or the drone footage of New York’s mass graves . For privacy and ethical reasons, photographs from inside aged care homes and intensive care wards are rare. Our understanding of the deaths is thus shaped by personal photographs of COVID-19’s victims released by their families or photos of the exteriors of aged care homes.

In late July, temporary memorials were set up outside one of the hardest hit facilities, St Basil’s Home for the Aged. Here, fences create a barrier between the photographer and the buildings. For the viewer, the physicality of lockdown is reinforced.

Healthcare workers in PPE

Frontline health workers in full personal protective equipment have largely become the face of COVID-19.

Widespread testing is proving crucial to controlling the pandemic. Here, healthcare workers are captured working at a drive through clinic. The camera’s lens is focused on the middle ground, with the staff rendered crisply in silhouette. Healthcare workers are our first and last line of defence against COVID-19.

There is unlikely to be one single photograph that comes to symbolise the pandemic. But it is possible to start reflecting on images that have been instrumental in shaping policy and debate.

These images serve as a chronicle of the disorientating early days of COVID-19 in Australia.

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Coronavirus’s slow upending of our everyday lives in photos

By David Rowell | Apr. 6, 2020

In the winter we watched the earliest footage out of Wuhan, China, as if it were a foreign-language sci-fi movie we’d stumbled across. Unsettling, certainly, but we let ourselves see the novel coronavirus as just one more development — like that protester standing in front of a line of tanks in Tiananmen Square — that could happen only in China.

Karim El Maktafi

People entering the White House have their temperature taken before a coronavirus briefing March 18.

Brendan Smialowski/AFP/Getty Images

Eventually the macabre scenes shifted to Italy, but they were still so distant, too unreal for us to have the imagination that they could play out here.

People gather for conversation outside the Lake Anne Coffee House and Wine Bar at Lake Anne Plaza in Reston, Va., on March 18. The coffee house was open for walk-up window and patio service only.

Jahi Chikwendiu/The Washington Post

Besides, spring was coming, and particularly in the Washington area we had our comforting images of the season to get us through the last days of a snowless, nondescript winter.

Hailey Hill and prom partner Tony Cho, right, of Seneca Valley High School in Gaithersburg, Md., pose as Hill's mother, Kari Hill, left, and sister Kayla take their photographs at the Tidal Basin on March 19.

Manuel Balce Ceneta/AP

There would be the cherry blossoms and the home opener at Nationals Park — the first pitch thrown out there since they’d won the World Series, no less.

Roads surrounding the Lincoln Memorial and the Mall are closed to all traffic on March 23.

Win McNamee/Getty Images

But then a new set of images began to work their way into our American tableau.

A Howard University student from Trinidad and Tobago moves out of his dorm in Washington on March 18.

Patrick Semansky/AP

Instead of families lining up to take pictures with the Easter Bunny in malls, we were lined up to buy carts full of toilet paper.

A shopper in the pasta aisle of a supermarket in Bethesda, Md., on March 16.

MANDEL NGAN/AFP/Getty Images

( Why do we need so much toilet paper? the kids asked, but it was one more question we couldn’t really answer.)

Before the start of intake, Croswell Reid thoroughly disinfects surfaces that are regularly touched, including stairway rail handles, at Central Union Mission men's homeless shelter in Washington on March 9.

Spring cleaning boiled down to wiping surfaces and pouring more hand sanitizer into our hands if we were the lucky ones who hadn’t encountered empty shelves gleaming under fluorescent lighting.

Ridley Epstein, 9, says goodbye to her grandmother Donna Forsman, 78, after chatting on the phone during a through-the-door visit on March 20 at Brookdale Arlington, a senior living center in Arlington, Va.

Instead of Facebook friends sharing pictures of flowers, they were posting black-and-white notices they’d snapped of the most recent closing announcements — the museums, tours of the Capitol, university administrative buildings.

At Medium Rare restaurant in Bethesda, assistant manager Eli Hernandez, left, and cooks Lourdes Lopez, center, and Sandra Cruz prepare free meals to be delivered to seniors and those with compromised immune systems on March 22.

Toni L. Sandys/The Washington Post

Restaurant tables were pushed to the side, the few takeout customers spread apart like the remaining chess pieces still standing in a marathon game.

A man jogs by a sign recommending social distancing and sanitary measures to avoid the spread of the coronavirus on March 21 in Washington.

ERIC BARADAT/AFP/Getty Images

Some of us continued to insist on taking to the increasingly vacant streets in the form of determined joggers making wide berths around our fellow slower joggers, because didn’t social distancing still apply when you were moving that fast? Pollen was no longer the big enemy ushered in by the springtime air.

A medical worker instructs a driver to keep the window up at a drive-through coronavirus testing site in Arlington on March 19.

Michael A. McCoy/For The Washington Post

Rather than driving to the open countryside for hiking, we motored toward the new drive-through testing stations and found one more way to get in line.

President Trump arrives to speak with his coronavirus task force during a briefing at the White House on March 19.

Jabin Botsford/The Washington Post

Perhaps the most unexpected image of this new spring was our president, showing up almost daily now for news briefings. Taking questions from reporters, he was still glowering, clinging to his taunts about the “fake media.”

A lone traveler makes her way past the shops at Union Station in Washington on March 16.

Yet that impulse just felt like the last, stubborn remnants of a blasé winter that we would forever remember not because of what happened in those months, but because of everything that came after.

Photo Essay Captures How COVID-19 Has Transformed BU

A darkened hallway in the College of Arts & Sciences, March 18. BU buildings have been largely vacant since the University moved all teaching and learning remotely on March 16 in response to the coronavirus pandemic. Photo by Cydney Scott

Images document the subtle—and not so subtle—ways the pandemic has altered campus

Bu today staff.

From the moment the University announced that starting March 16 it was moving to remote teaching and learning for the rest of the spring semester, then shuttered residences for most students as of March 22, BU campuses took on a startlingly different look, transformed overnight from bustling metropolises to a series of largely empty interior and exterior landscapes. 

Staff photojournalists Cydney Scott and Jackie Ricciardi have continued to photograph the campuses since the pandemic caused the city of Boston to limit the normal operations of businesses, even as most students have returned home and most faculty and staff are working remotely.

“As a photographer for BU Today, the biggest danger I usually face at work is whether or not I’ll squeeze into a spot on the BU shuttle on my way to an assignment on a rainy day,” Scott says. “Photographing Comm Ave during the midst of a pandemic brings risks of a different, more frightening order.” The two maintain a safe social distance when shooting their subjects—which brings new challenges. “Where I would typically move around during a shoot, being a ‘fly on the wall,’ my movement now is largely limited,” she says.

“Photographing during the pandemic has been a struggle for me,” says Ricciardi. “As a photojournalist, my goal is to capture human connection, and I wonder how I can do that successfully when the streets are empty and we’re told we must stay away from people…yet one of the most significant  events in history is happening in my lifetime and it’s my responsibility to try and capture that.”

Their images will serve to chronicle this moment in history for years to come.

Meredith Siegel (left) and Rachel Reiser, both Questrom assistant deans, practice social distancing while prepping for a “dean’s huddle” meeting via Zoom on March 16. Photo by Cydney Scott

A sign posted outside the College of Communication  student lounge March 16. Photo by Cydney Scott

Bruno Rubio, a College of Arts & Sciences master lecturer in chemistry, holding remote office hours in a Metcalf Science Center lecture hall March 17. “I was old-school with my teaching,” says Rubio, “My clinging to traditional methods of learning and teaching? I’m paying for it now!” In fact, he mastered Zoom quickly and was able to assist the eight students who needed help that day. Photo by Cydney Scott

An eerily empty FitRec basketball court on March 17. FitRec closed that day. Photo by Cydney Scott

Paradise Rock Club assistant production manager Will Powell posting an encouraging message on the club’s marquee March 17. The Paradise is closed indefinitely because of the coronavirus pandemic, like all the commonwealth’s bars, restaurants, and entertainment spots. Photo by Cydney Scott

COM staff members on video screens in the school’s Zimmerman Social Media Activation Center during a Zoom meeting March 17. Photo by Cydney Scott

BU custodian Grace Araujo at work at StuVi I on March 17. BU’s custodial staff continues to clean and maintain BU’s 300 buildings during the pandemic. Photo by Jackie Ricciardi

Victory Innovations battery-operated electrostatic spray guns are prized by custodial workers for their deep cleaning ability. BU invested in about 20 of the spray guns, which are in such high demand now that they are almost impossible to get. Photo by Jackie Ricciardi

The first day of remote learning: a lone student studying at Mugar Memorial Library on March 16. The library is now closed to students, but staff continue to provide support and services remotely. Photo by Jackie Ricciardi

Entering the George Sherman Union on March 16 (left) and finding it almost empty on March 18 (right) must have been surreal experiences. Fewer than 450 students remain in BU housing at present. Photos by Jackie Ricciardi (left) and Cydney Scott (right)

Rev. Dr. Robert Allan Hill, dean of Marsh Chapel, on his way to the chapel’s first virtual Sunday service on March 22. The eight choral scholars on the altar are six feet apart during the service. Photos by Cydney Scott 

A triage tent for intake of potential coronavirus patients set up outside Boston Medical Center March 20. BMC nurses Marisa McIntyre (left) and Maureen Shanahan-Frappie are among staff there who assess patients’ symptoms and determine whether they should be sent to BMC’s influenza-like illness clinic (ILI) for moderate symptoms or to the Emergency Department for more serious conditions. COVID-19 testing is done at both. Photo by Cydney Scott

Except for exceptional cases, most students living on campus had to be out of their rooms by March 22. Xing Hu (CAS’22) (left) waits with Abin George (ENG’23) outside Claflin Hall to be picked up March 20. Photo by Cydney Scott

Goodbyes: Northeastern freshman Nadhur Prashant (left) with his girlfriend, Anindita Lal (CAS’23), on West Campus March 20.  Lal was returning  home to Acton, Mass., and Prashant was leaving Boston to go home to India. Photo by Cydney Scott

Bicycles and strewn moving carts in the courtyard between 722 and 726 Comm Ave on March 25, after dorms were shuttered. Photo by Cydney Scott

Millyan Phillips of Piece by Piece Moving Company empties a room on the Fenway Campus’ Riverway House March 27. Students who had left belongings behind when they went on spring break were able to use an app to specify items they wanted stored, saved, or thrown out. Photo by Cydney Scott

An abandoned Fenway Campus Center, bereft of its usual throngs of students, on April 15. The 150 Riverway building houses the campus dining hall and common student spaces as well as student residences. Photo by Jackie Ricciardi

A flyer reminding residents to maintain social distance guidelines, left on a Fenway Campus Center table. Photo by Jackie Ricciardi

Left photo: Quarantine kits lined up in the GSU Ballroom on April 15. The kits, containing two weeks’ worth of cleaning supplies, paper goods, pillows, linens, and nonperishable snacks and meals, were available to students quarantined on campus because of exposure to COVID-19. Right photo: Jennifer Skikas (left), GSU catering sales manager, and Joann Flores, catering manager for Questrom, load up some of the items to be delivered to empty quarantine rooms across campus on April 21. Photos by Cydney Scott

Lead custodian Carlos Carreiro (left) and custodian Andres Lopez deliver paper goods to empty quarantine rooms at 580 Comm Ave April 21. The University reserved approximately 50 rooms across campus for students who needed to be quarantined during the pandemic. Photo by Cydney Scott

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There are 7 comments on Photo Essay Captures How COVID-19 Has Transformed BU

Jackie and Cydney, wonderful yet weird campus shots. Thank you for being on site capturing this for us.

Thank you, Cydney and Jackie, for these images that capture so many elements of BU during this difficult time of grieving for the world, and caring for each other. You make us proud, even prouder, of BU people!

Thanks for Cydney and Jackie’s excellenct and memorable work with these capturing photos! my son is still in BU for his master degree study and will finish his study by May. Our family apprecaites all the work and effort by BU during this special and difficult period. We are proud my son is a student of BU!

Wow! Great images. Your photos tell a very moving story. You also managed to capture an image of my son studying in the library. He is the lone student at the Mugar Memorial Library. Can you please let me know how I can buy a copy of that image? Thank you.

Great work. Is there a way that I can get a copy Of one of the images. My son is in that photo.

Shoot me an email Dina and I’ll see what we can do. Cydney [email protected]

Fantastic photography & story, thank you for sharing! Our son never had the chance to return to BU after spring break, so to see what BU looks like now is very moving. Our family is grateful to all the BU staff, faculty & students and look forward to the day we can visit Boston again!

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COVID-19 photo essay: We’re all in this together

About the author, department of global communications.

The United Nations Department of Global Communications (DGC) promotes global awareness and understanding of the work of the United Nations.

23 June 2020 – The COVID-19 pandemic has  demonstrated the interconnected nature of our world – and that no one is safe until everyone is safe.  Only by acting in solidarity can communities save lives and overcome the devastating socio-economic impacts of the virus.  In partnership with the United Nations, people around the world are showing acts of humanity, inspiring hope for a better future. 

Everyone can do something    

Rauf Salem, a volunteer, instructs children on the right way to wash their hands, in Sana'a, Yemen.  Simple measures, such as maintaining physical distance, washing hands frequently and wearing a mask are imperative if the fight against COVID-19 is to be won.  Photo: UNICEF/UNI341697

Creating hope

Venezuelan refugee Juan Batista Ramos, 69, plays guitar in front of a mural he painted at the Tancredo Neves temporary shelter in Boa Vista, Brazil to help lift COVID-19 quarantine blues.  “Now, everywhere you look you will see a landscape to remind us that there is beauty in the world,” he says.  Ramos is among the many artists around the world using the power of culture to inspire hope and solidarity during the pandemic.  Photo: UNHCR/Allana Ferreira

Inclusive solutions

Wendy Schellemans, an education assistant at the Royal Woluwe Institute in Brussels, models a transparent face mask designed to help the hard of hearing.  The United Nations and partners are working to ensure that responses to COVID-19 leave no one behind.  Photo courtesy of Royal Woluwe Institute

Humanity at its best

Maryna, a community worker at the Arts Centre for Children and Youth in Chasiv Yar village, Ukraine, makes face masks on a sewing machine donated by the Office of the United Nations High Commissioner for Refugees (UNHCR) and civil society partner, Proliska.  She is among the many people around the world who are voluntarily addressing the shortage of masks on the market. Photo: UNHCR/Artem Hetman

Keep future leaders learning

A mother helps her daughter Ange, 8, take classes on television at home in Man, Côte d'Ivoire.  Since the COVID-19 pandemic began, caregivers and educators have responded in stride and have been instrumental in finding ways to keep children learning.  In Côte d'Ivoire, the United Nations Children’s Fund (UNICEF) partnered with the Ministry of Education on a ‘school at home’ initiative, which includes taping lessons to be aired on national TV and radio.  Ange says: “I like to study at home.  My mum is a teacher and helps me a lot.  Of course, I miss my friends, but I can sleep a bit longer in the morning.  Later I want to become a lawyer or judge."  Photo: UNICEF/UNI320749

Global solidarity

People in Nigeria’s Lagos State simulate sneezing into their elbows during a coronavirus prevention campaign.  Many African countries do not have strong health care systems.  “Global solidarity with Africa is an imperative – now and for recovering better,” said United Nations Secretary-General António Guterres.  “Ending the pandemic in Africa is essential for ending it across the world.” Photo: UNICEF Nigeria/2020/Ojo

A new way of working

Henri Abued Manzano, a tour guide at the United Nations Information Service (UNIS) in Vienna, speaks from his apartment.  COVID-19 upended the way people work, but they can be creative while in quarantine.  “We quickly decided that if visitors can’t come to us, we will have to come to them,” says Johanna Kleinert, Chief of the UNIS Visitors Service in Vienna.  Photo courtesy of Kevin Kühn

Life goes on

Hundreds of millions of babies are expected to be born during the COVID-19 pandemic.  Fionn, son of Chloe O'Doherty and her husband Patrick, is among them.  The couple says: “It's all over.  We did it.  Brought life into the world at a time when everything is so uncertain.  The relief and love are palpable.  Nothing else matters.”  Photo: UNICEF/UNI321984/Bopape

Putting meals on the table

Sudanese refugee Halima, in Tripoli, Libya, says food assistance is making her life better.  COVID-19 is exacerbating the existing hunger crisis.  Globally, 6 million more people could be pushed into extreme poverty unless the international community acts now.  United Nations aid agencies are appealing for more funding to reach vulnerable populations.  Photo: UNHCR

Supporting the frontlines

The United Nations Air Service, run by the World Food Programme (WFP), distributes protective gear donated by the Jack Ma Foundation and Alibaba Group, in Somalia. The United Nations is using its supply chain capacity to rapidly move badly needed personal protective equipment, such as medical masks, gloves, gowns and face-shields to the frontline of the battle against COVID-19. Photo: WFP/Jama Hassan  

S7-Episode 2: Bringing Health to the World

“You see, we're not doing this work to make ourselves feel better. That sort of conventional notion of what a do-gooder is. We're doing this work because we are totally convinced that it's not necessary in today's wealthy world for so many people to be experiencing discomfort, for so many people to be experiencing hardship, for so many people to have their lives and their livelihoods imperiled.”

Dr. David Nabarro has dedicated his life to global health. After a long career that’s taken him from the horrors of war torn Iraq, to the devastating aftermath of the Indian Ocean tsunami, he is still spurred to action by the tremendous inequalities in global access to medical care.

“The thing that keeps me awake most at night is the rampant inequities in our world…We see an awful lot of needless suffering.”

:: David Nabarro interviewed by Melissa Fleming

Brazilian ballet pirouettes during pandemic

Ballet Manguinhos, named for its favela in Rio de Janeiro, returns to the stage after a long absence during the COVID-19 pandemic. It counts 250 children and teenagers from the favela as its performers. The ballet group provides social support in a community where poverty, hunger and teen pregnancy are constant issues.

Radio journalist gives the facts on COVID-19 in Uzbekistan

The pandemic has put many people to the test, and journalists are no exception. Coronavirus has waged war not only against people's lives and well-being but has also spawned countless hoaxes and scientific falsehoods.

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Photo essays

Who’s work in somalia for covid-19 response.

WHO’s response to COVID-19 in Somalia was a year of resilience, impact and innovation. As Somalia marked one year since the first case of COVID-19 was laboratory-confirmed in Somalia, this photo story depicts the work of WHO in Somalia showcasing how the Organization supported the Government and its other health partners to save lives and protect the people in a very fragile, complex and vulnerable setting with determination, courage and commitment.

Continuing COVID-19 response in the Region, January 2021

WHO and the King Salman Humanitarian Aid and Relief Centre continue their joint efforts to fight against child malnutrition in Yemen by sustaining essential nutrition services and enhancing access to life-saving interventions for the most vulnerable populations.

Battling COVID-19 in the Region, November 2020

In Syrian Arab Republic, WHO and UNICEF conducted a 20-day awareness campaign in Homs and Hama governorates on COVID-19 preventive measures, with special attention to mental health and psychosocial support for children affected by humanitarian emergencies.

Highlights of WHO’s response to COVID-19 and other health threats in the Region, October 2020

Since the start of the Syrian crisis, WHO has maintained a strong partnership with the Syrian Red Crescent to reach people living in hard-to-reach and besieged areas, especially people with limited access to health care to save lives and promote health. This partnership continues in the response to the COVID-19 pandemic.

Highlights of WHO’s response to COVID-19 September-October 2020

In Afghanistan Mrs Nasrin Ahmadi, a worker in the polio programme, is one of thousands of polio workers who have redirected their efforts to fighting COVID-19 by educating communities to how to protect themselves.

Working with partners to reach the most vulnerable in northwest Syria

WHO Gaziantep, Turkish Red Crescent and OCHA delivered the first set of 25 ventilators planned for distribution among 3 designated COVID-19 isolation hospitals across northwest Syria on 11 June 2020.

Helping countries keep up the fight against COVID-19

In June 2020, the number of cases of COVID-19 continued to rise in countries of WHO’s Eastern Mediterranean Region. WHO trained health workers and equipped health facilities to meet the growing challenge.

Fighting COVID-19: highlights from May 2020

In May 2020, WHO continued its battle against COVID-19 in the Eastern Mediterranean Region. WHO trained field teams and laboratory workers, and developed awareness-raising materials for people throughout the Region. WHO also shipped millions of dollars’ worth of testing kits, protective gear and medicines to help patients and health workers.

WHO Yemen responds to COVID-19

Yemen remains the world’s worst humanitarian disaster, and WHO’s most complex operation. More than 5 years of war have devastated Yemen’s health infrastructure. In 2020, more people in the country are dying from lack of access to treatment than they are from the bullets and bombs. Today, millions of Yemenis are yet again faced with the fight of their lives. Unlike a gunshot wound or injury from shrapnel, COVID-19 is silently and rapidly spreading in Yemen.

Rushing COVID-19 aid to countries in need

In late April 2020, WHO continued its life-saving work to help people affected by COVID-19 in the Eastern Mediterranean Region. Click through this photo gallery to see highlights of WHO’s work.

Battling COVID-19 in the Eastern Mediterranean Region

Since January 2020, WHO has been sounding the alarm and raising awareness in the Eastern Mediterranean Region about COVID-19. From testing suspected cases, training rapid response teams, providing protective gear for health workers, to getting the message out via social media, WHO is in a race against time to help countries respond and prevent further spread of the virus.

Saving COVID-19 patients: WHO responds

In 22 countries of the Middle East, North Africa, and farther east, WHO is rushing medical supplies to health centres and training staff to care for COVID-19 patients. Click through the gallery to see highlights from April 2020.

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Loved and Lost: grief in the time of coronavirus – a photo essay

Photographer Simon Bray’s project Loved and Lost deals with the loss of loved ones. He asked each participant to find a photograph of themselves with their lost loved one, and they returned to the location to replicate the image. The project aims to provide a platform, allowing others to acknowledge their loss, and to celebrate the person they love

D eath has a stigma and the burden of grief can hold us captive if we let it. May this be a process through which a loved one can be remembered and through which memories can be relived. Even though the pain of the loss may remain, may this go some way in relieving the hurt and the stigma of death and act as a public declaration that death has lost its sting.

I ask each participant to find a photograph of themselves with their lost loved one. We then return to the location of the original photograph to replicate the image.

It is a chance to think back and remember, to tell the story of that day and of the person that they have lost. Imagery allows for expression beyond what we can speak of. I hope it is an experience that contributes to the restorative process in overcoming the painful impact of loss.

The serene view north from Anglesey, out over the Irish Sea towards the Isle of Man

We all have a different experience of loss that can reveal itself in many ways. Sometimes it’s a response that is quite clear for those around you to see. Perhaps there are lots of emotions that they just don’t know how to let out, they’re not sure how they should be feeling or whether it’s right to be having certain angry or complicated thoughts.

It’s not about having the best photo, saying the right thing or having the answers, I just want to give people a chance to speak about their experience of loss .

My aim was that the combination of the photos we took and the conversations we had, we would be able to portray a deep personal story. This allows other people who are struggling and going through similar experiences to look through and find strength and comfort in the story, knowing that other people have been through it and are confident enough to share their story.

I lost my father to prostate cancer in December 2009. When my dad died, it wounded me in the deepest part of my being. The loss shaped the following few years of my life and will continue to do so, but I don’t have to let it define who I am. Through this time, it was really helpful to be able to talk about my dad. I wanted to share with others about the person he was, the emotions I was feeling as I processed the grief, and talk about the influence he had – and continues to have – on my life. Those conversations were often hard and few and far between, mainly because people just didn’t quite know how to respond.

Alistair’s dad holds his son’s hand while paddling in the sea at Swanage on a family holiday. Right: Alistair returns to Swanage to restage the original photograph after losing his father to Covid-19

I’m Alistair, and my dad was James. The original picture was from the beach at Swanage in Dorset. I’m not sure how old I was there, but it was a family holiday. We loved to go down there and find a pitch for the day, Mum and Dad would soak up the sun and me and Tim, my brother, would build sandcastles and splash around, and repeat until we had to go home.

He was a very loving father, he provided for his family, looked after us. He taught me a lot of principles about always doing the best, always trying to be the nicest person and to make sure that others were looked after and cared for. When you look back you realise you’ve been prepared by your parents to live your life. Dad always just wanted to treat others how he’d want to be treated.

Taken on a family holiday in Swanage, Alistair (right), sits on a bench by the beach with his father and brother Tim

When we got the dementia diagnosis, several years ago, we had noticed over time that he was getting more forgetful. He wouldn’t use my name, he was losing his hearing, his vision wasn’t great and I lost him as a dad over those years. I still loved him as my dad, but I knew I wasn’t necessarily going to get that reciprocated, which was tough. He still offered to help when I mentioned to him about moving flat; he’d say “well let me know if you need a hand”. I think that’s just his character through and through and I always just try to emulate that.

I went to see him in the care home and I said to the staff that I’d like to volunteer in the garden if possible, even if he wasn’t aware of me being there, I could just help out and spend some time with him, but then we went into lockdown and that was the last time I saw him when he was awake and alert.

When the Covid thing came along, it was like losing him for a second time, but this time, obviously, for the last time. It was difficult because I had kind of processed losing him in a mental sense, and now I was losing him in a physical sense.

I did get to see him before he passed away and it was just a completely different experience because I had to wear all the PPE. In the past, I’d just always assumed he’d be there for years to come and you don’t think about it ever being the last time, whereas I went there, got dressed up and they said you’ve got 15 minutes. It was horrible having this countdown clock, where you have this time limit on how long you have left with someone. I just set it on my watch and it’s just counting down. I was thinking, I’ve got 30 seconds left with my dad, 20 seconds left, 10 seconds left. What do I do? What do I say? And I just panicked.

Alistair takes a selfie with his dad in South Wonston park, near to where they lived. One of the benches in the park is dedicated to Alistair’s brother Tim, and will soon also have a plaque for his dad

It made me reflect on how many times I’ve seen or called my parents and thought that maybe I’m quite busy and I haven’t really got time for this, but I’ll see them next week. I’ve gone away thinking that it’s OK that I didn’t see them for very long today because I’ll see them in the future.

It’s given me a real appreciation for just taking a second to appreciate that when you’re with family or a friend, that you don’t know necessarily when you might see them again and that’s why you have to make the most of the time you have with them. I’m trying to act on it in a positive way, rather than just thinking about why I feel that way because of Dad.

Posing for a portrait, Alistair remembers his dad

It’s absolutely OK to cry and be a blubbering mess sometimes. If you try to stop it, you’ll feel a lot worse. I know that particularly for men there’s this societal pressure to be a strong support and a rock for people, but for your own sake, for men and women, to let your body do what it needs to do. You want to cry because your brain is telling you that you need to process this, to not fight it but to let it happen, then you’ll feel that pressure is unloaded.

Jonathan and his father on Christmas Eve 2019 with his new pair of Air Max

My name is Jonathan. The picture of myself and dad was taken on Christmas Eve 2019. We’d had Christmas together for the previous 54 years and it was a tradition we never broke. It was a fabulous event, we went out for a meal and then came back and exchanged gifts here.

My dad was 88 and he was getting old, things were failing. As a son it’s really upsetting when parents get older. I would do anything to try and make his life easier. I saw that he was walking badly and he said that the flesh on his feet was getting thinner and thinner and it was painful to walk. He’d never been into a Nike store, but he hobbled in, and then pretty soon we were having him trying on lots of pairs and we fitted him up with a pair of Nike Air Max. He was virtually running around the store, which was really lovely, really heartening. I felt as though I’d knocked off 10 or 15 years!

Jonathan took his dad to the Nike store to buy these Air Max trainers, which dramatically improved his mobility for the last few months of his life

He was so busy, I couldn’t keep up with him. I’m half his age, but he was out every night of the week. He would attend choirs, he was in the Greater Manchester Police Choir, the church choir, he was in Probus. I just don’t think he liked being at home.

He was the person I’d known longest in my life, he was always there. He was a bit like Switzerland, he never really offered a view, but he was always there to support me and catch me if I fell or tripped. It’s three months since he died and I’ve spent the last three months going to call him every day. So it’s been difficult.

He was the 12th coronavirus victim in the UK, so it was right at the very start. The health service and society as a whole didn’t know what to do. They didn’t know how to process and deal with the virus at that stage. So that was really difficult, because we couldn’t go to see him. We were only allowed to see him at the very end with lots of protective equipment, but if he hadn’t have had the coronavirus he probably would have been here today, because they would have treated his underlying health issues. It’s really, really difficult.

The quiet kitchen. Jonathan’s dad died on 13th March, well before lockdown was introduced

He died on Friday 13th, which I just couldn’t believe. The last time I saw him, we’d had a chat and I’d said what a cool dad he was, that he’d done a really good job, and he said, “No, I don’t think I was that good”, which I thought was really sweet. I said goodbye to him and went into the anteroom, where I had to take off all the protective equipment. I was halfway through taking it off and he called me back, but I couldn’t go back because the room had a positive air pressure, so I’ll never know what he wanted me for. That went with him to the grave.

It sounds really strange, but it’ll be very odd when the pandemic ends, because it has felt like a very intimate time, in that we went into shutdown and I could think about my dad’s experience, but it was like a shared experience with the whole of the world. I dread to think of other families going through the same thing that we went through. When someone dies of cancer or a heart attack, it’s dreadful, but that’s the moment. Whereas my dad died on the 13 March and from that point on, coronavirus has been on the news every minute of every hour of every day. It was like someone sticking a knife into the wound all the time, there was no escaping from it. As a family we felt properly battered.

Jonathan reflects on losing someone amid a global pandemic. Seeing it on the news every day has felt like, ‘someone sticking a knife into the wound’

Normally if you suffer a bereavement you have the support of family and friends, and we couldn’t go and see anyone. We were in lockdown before the country, in our own lockdown, so it’s been a very lonely time. Every step along the way was difficult, it felt as though we were unfortunate pioneers. The first funeral director that we went to wouldn’t deal with us. It’s been unusual.

At his funeral, we only had 10 people there and I liked it because it was nice and quiet. I’d discovered tapes of him singing so we actually played him singing a song on the way out and it made the hairs on the back of my neck stand up. That was really magical.

Philip stands with his parents on a summer evening on the balcony of his caravan, located on the north coast of Anglesey. Second image: Philip returns to the caravan to restage the photograph after losing both of his parents within 48 hours to Covid-19

My name is Philip and the photograph is of me and my parents. We bought this caravan in 2016, and they were very much part of our lives, so they would come for a weekend. We are in the very north of Anglesey. If you think of the island as a clock, then we’re at 1 o’clock, overlooking the most northerly lighthouse, Point Lynas.

My dad was a travelling salesman for James Stewart and Co in Ardwick, opposite Manchester Apollo. His turf was Moss Side. He used to sell from a catalogue going door to door and he was well known in the area. He did that for 30-odd years.

The view back up to the caravan park from the coast. Being only a small site, the caravan park is close-knit community

My mum brought us up, two boys who liked to fight and liked to be boys. She was also the bursar at the Ryleys school in Alderley Edge, and was very into amateur dramatics, so was part of the Wilmslow Green Room Society. She was in a lot of plays, then did a lot of backstage and in her older years did a lot of wardrobe, so there’s a team of six that meet every Tuesday to talk and sort the wardrobes out.

Mum had coughs, she definitely had Covid.She was fit and healthy, walking a mile a day, in the drama group. Dad was playing golf and doing the garden, but he died of a broken heart, basically. Even though he did test positive, he never had a cough or any real symptoms. I lost both parents in 48 hours. My family is my world, so the only reassurance is that we were telling them to stay in, eat and have the paracetamol and do what the doctor says, that they’d get through it and to be strong.

My brother still lived with my parents and had to give CPR to both of them. They were in lockdown, so even after both parents dying, Peter had to stay in the house for another five days and we weren’t allowed to visit. It’s all that stuff that you don’t hear about and have no idea what people are going through. To this day, he has not had any symptoms. He’s never been tested, nobody approached him, but he’s never had a day of illness.

We were only allowed 10 people at the funeral when we could have had 200. We printed 100 orders of service and posted them out to different people, just so there was something for them to share on the day. We did a video, so we can share that with people, but obviously nobody got the funeral that they wanted.

For the first three weeks after my parents died, I became a bit of a counsellor. People would ring me up and I’d have to explain everything and say well, we have to look for the silver lining in it all, we have to find something every day that helps and is a positive. We’ve done that, we have managed to find that glimmer, even little quirky things, memories of them, thoughts of them.

I suppose the only comfort is that there isn’t an answer. There isn’t something that we could or should have done to make the result anything different than what it was, because nobody had that knowledge. Everybody was scared and there are still friends of my mum and dad that haven’t gone out.

We summed it up quite nicely in that if somebody else came into the room, that person became the most important person. So it was never about them, they were the host and hostess. Drop everything, someone’s come in, what can I do for you, get you a drink, something to eat, oven on, and we’ll look after you, tell us what’s going on in your life, is there something we can help with?

Philip takes a moment to remember his parents, both of whom he lost to Covid-19

I used to sit and watch every United game with my dad, we were avid football fans and we’d chat away, so the first time I watched United I put a glass of white wine next to me. That’s what makes it tough sometimes, those chats, those little bits that fill in your week. It’s good to talk it out, you have to do that.

I’m just so pleased that they saw both my daughters get firsts, graduate and be in the jobs they want to be in. They burst with pride about my girls. I’ve tried to do the best to acknowledge them and pay them tribute, and if we can be half the people they were, then we’re doing a good job.

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Photo Essay: Under COVID lockdown: How we lived four years ago

• Published Mar 19, 2024

Reuters Four years ago our lives changed forever as much of the world locked down to curb the spread of the COVID pandemic. Click here to see photo essay

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