essay submissions

Submissions

General Overview

Unlike many magazines, Creative Nonfiction draws heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of CNF contains at least one essay by a previously unpublished writer.

We’re open to all types of creative nonfiction, from immersion reportage to lyric essay to memoir and personal essays. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be surprised by work that breaks outside this general mold. Above all, we’re interested in writing that blends style with substance and reaches beyond the personal to tell us something new about the world. 

Creative Nonfiction accepts submissions online through Submittable. Please read specific calls for submissions carefully. 

When you submit online, you will receive a confirmation email from Submittable. We try to respond to all submissions as quickly as possible, but because the submissions are more often than not at the upper end of the word limit and because we really do read everything carefully, the process often takes a long time. Unfortunately, this is especially true for work we like. If you have not heard from us since the initial confirmation email, please assume your manuscript is still under consideration. 

What is Creative Nonfiction?

Dive in with CNF Founder and Editor, Lee Gutkind

Current Issue

78 / Experiments in Voice

Uncoventional narrators & shifting perspectives

What is voice? How do you find yours? How can you change it, rearrange it, play with it? And then, how can you use it to make change in the world? This issue is a celebration of writerly playfulness, exploration, and risk-taking, featuring breathless, epistolary, speculative, second-person, and snarky essays.

Current submission calls

Accepted All Year

We’re looking for writing about writing—smart and insightful ideas related to the art, craft, history, or philosophy of creative nonfiction.

Recently closed Submission Calls

Closed / June 27, 2022

True stories by (or about) nurses

For a special expanded anniversary edition of I Wasn’t Strong Like This When I Started Out: True Stories of Becoming a Nurse , Creative Nonfiction/In Fact Books is seeking essays by and about nurses.

Closed / August 1, 2022

Sunday Short Reads

Creative Nonfiction is currently seeking original short nonfiction for the Sunday Short Read email, which reaches 8,000+ readers weekly. Accepted work is also featured and archived online. We’re open to submissions on any subject, in any style.

Closed / May 15, 2022

We are actively reading the submissions received and will update submitters on the status of their work as soon as we can.

Closed / February 22, 2021

New Nonfiction by Older Writers

Closed / January 11, 2021

Experiments in Nonfiction

Pitch us a craft piece.

As of May 2022, we’ve retired this portal; see new guidelines, above.

A Note About Fact-checking

Essays accepted for publication in Creative Nonfiction undergo a fairly rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and ideally, it should, to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

A Note About Reading Fees

Here at Creative Nonfiction, we are always reading, searching for excellent new work to showcase in our various publications. At any given time, we usually have several submission portals open (see above calls for submissions), many of which require writers to pay a reading fee to submit their work.

Frequently Asked Questions

Still have questions? View additional FAQs here , or contact us .

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5 places to submit your personal essays

The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none charge fees.

Note: We are a creative writing school and compile these lists for the benefit of our students. Please don’t send us your publishing queries or submissions :). Click on the links to go to the publication’s website and look for their submissions page.

Adelaide Literary Magazine accepts personal essays and narrative nonfiction (up to 5,000 words) written in English and Portuguese. You can also submit short stories (up to 5,000 words) and poetry (up to 5 pieces per submission). They publish online once per month and generally respond within two months.

bioStories focuses exclusively on personal essays (500-7500 words). They publish essays on nearly any topic and are especially interested in work that celebrates the extraordinary within the ordinary. Pieces are published as they are accepted, and the editors generally respond to submissions within two months.

HuffPost Personal wants personal stories from writers of diverse experiences and welcomes essays on nearly any topic so long as they’re told with an authentic voice and point of view. There are no specific word limits, but writers are asked to pitch the editors before submitting their piece for consideration.

Quarter After Eight is an online literary journal published once per year. The editors are seeking work that ‘directly challenges the conventions of language, style, voice, or idea’. In addition to essays and creative nonfiction (no specific word limits), they also accept flash fiction, short stories (up to 7,500 words), and poetry (up to 4 pieces per submission). Submissions are open through 15 April 2021, and the average response time is 2-3 months.

The Rappahannock Review is an online literary magazine that publishes twice per year. In addition to essays and creative nonfiction (up to 8,000 words), they’re also looking for flash fiction, short stories (up to 7,500 words), and poetry (up to 5 poems per submission). They generally respond within one month.

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After weeks of deliberating over the right words and fine-tuning your creative nonfiction piece , you’re ready to begin submitting to literary nonfiction journals. The only problem is finding the right home for your creative nonfiction submission. What journals or literary nonfiction magazines should you prioritize submitting your work to?

Find your answer here: we’ve searched the net for great creative nonfiction journals, and any of the following 24 publications is a wonderful home for creative nonfiction—guaranteed.

If you’re looking to submit multiple genres of work, take a look at the best places to submit poetry and the best places to submit fiction , too!

24 Creative Nonfiction Magazines to Submit To

Just like our other guides on the best literary journals to submit to, we’ve divided this article into three different categories:

• Great journals to secure your first publications in
• Competitive journals for writers with previous publications
• High-tier creative nonfiction journals at the summit of publishing

Any publication in the following 24 journals is sure to jumpstart your literary career. So, let’s explore the best nonfiction magazines and journals!

Creative Nonfiction Magazines: Great First Publications

The following eight journals sponsor creative nonfiction from both emerging and established writers, making them great opportunities for writers in any stage of their journey.

1. Sundog Lit

Sundog Lit loves the weird and experimental, and it regularly seeks innovative nonfiction for its biannual journal. All submitted works should be well-researched and play with both form and content. Submit your hybrid content to this great creative nonfiction journal!

2. River Teeth Journal

River Teeth Journal specializes in narrative nonfiction. The journal operates with the motto “Good Writing Counts and Facts Matter,” which captures their preference for well-researched and thoughtfully composed CNF. Literary nonfiction submissions are open twice a year, typically between September and May.

3. Atticus Review

Atticus Review posts daily nonfiction, fiction, and poetry. They publish work that is unabashed and resilient, finding hope in even the toughest of situations. All published works after September 19th, 2020 receive a $10 award from this creative nonfiction journal!

4. Barren Magazine

Barren Magazine publishes nonfiction, fiction, poetry, and photography, preferring works with grit and muster. Each publication of this creative nonfiction magazine includes prompts: for their 17th issue, the prompts are “unorthodox, sensational, kinetic, quixotic, & transcendent.”

5. The Offing

The editors at The Offing look for work that’s innovative, genre-bending, and challenges conventions. The Offing is especially keen to support both new and established authors, making them a welcome home for your creative nonfiction submissions.

6. Crazy Horse

Crazy Horse sponsors emerging and diverse voices in its biannual publication. Submissions for this journal remain open between September and May, and they typically range between 2,500 and 5,000 words. This is a great literary journal to submit to for writers of all styles and narratives!

7. Dogwood: a Journal of Poetry and Prose

Dogwood is a journal of poetry and prose based out of Fairfield University. This annual publication only opens for submissions in the Fall, and each edition includes prizes for top pieces. Literary nonfiction from all walks of life are welcome here.

8. Montana Mouthful

Straight out of the Treasure State, Montana Mouthful seeks “just a mouthful” of fiction and nonfiction. Creative nonfiction submissions should not exceed 2,000 words but should still deliver a cogent, memorable story.

Creative Nonfiction Magazines: Reputable Literary Journals to Submit To

The following literary magazines and creative nonfiction journals can be tough competition, but with a few previous publications under your belt and a special story ready for print, the following journals could jumpstart your literary career. All of these journals have fantastic literary nonfiction examples!

9. Conjunctions

Conjunctions publishes daring works of poetry and prose, living by its motto to “Read Dangerously!” Submitted works should provoke, excite, and linger with the reader. Conjunctions publishes both a biannual magazine and a weekly online journal, both of which house fantastic literary journalism.

10. Black Warrior Review

Black Warrior Review is a biannual literary journal run by the University of Alabama in Tuscaloosa. This Whiting Awarded journal nurtures groundbreaking literary nonfiction, fiction, and poetry, with many of its authors going on to win Pushcarts and Best of the Net prizes!

11. Hippocampus

Hippocampus Magazine is one of the best creative nonfiction magazines out there, as it focuses solely on the publication of personal essays and nonfiction stories. Their strictly digital publication is highly literary and has many great creative nonfiction examples and pieces. Despite being a highly competitive journal, both new and emerging writers can find a home at Hippocampus .

12. American Literary Review

The American Literary Review , run out of the University of North Texas, publishes engaging and precise stories and poetry. The journal is currently on hiatus, but read some of its back issues and you’ll understand why it’s a great literary journal to submit to.

13. Fourth Genre

Fourth Genre is a biannual creative nonfiction journal published through Michigan State University. The journal amplifies diverse and powerful voices, seeking stories that are refreshing, earnest, and imaginative. Fourth Genre only publishes nonfiction, so read its back issues for some great creative nonfiction examples!

14. The Cincinnati Review

The Cincinnati Review is interested in literary nonfiction that can “knock your socks off.” Submissions for personal essays are open between September and January; writers can also submit flash nonfiction year-round to its miCRo series.

15. Creative Nonfiction

“True stories, well told” is the motto of Creative Nonfiction , the aptly-named journal of all things CNF. Creative Nonfiction celebrates a diverse range of voices and experiences, championing both new and established essayists. Between its literary publications and its creative nonfiction blog, writers can learn a lot from this journal. Send your creative nonfiction submissions to Creative Nonfiction !

16. Witness

Witness publishes prose and poetry that examines and analyzes the modern day. They seek stories about modern issues and events, often publishing bold and eclectic takes on serious issues. Witness is a more politically-oriented journal, making it a leader in contemporary literary journalism.

Creative Nonfiction Magazines: The Summit of Literary Nonfiction

The following journals are notoriously difficult to publish in, as writers often have to have a name built for themselves in the literary world. Nonetheless, the following publications exist at the summit of CNF, so keep these publications on your radar as top literary journals to submit to.

AGNI , a highly literary publication run at Boston University, publishes fiery, transformative prose and poetry. Creative nonfiction submissions should be polished, inventive, and highly original. Be sure to read their previous publications for an idea of what they look for!

18. The Atlantic

The Atlantic is well-respected for its literary journalism, making it a premier publisher of creative nonfiction. Though many of its published pieces are solicited, The Atlantic is always looking for fresh, bold stories and poetry, so it’s a premier place for nonfiction magazine submissions.

Salon does not present itself as a creative nonfiction journal, but many of its previous magazine issues are highly literary in nature, examining current issues with a sharp, educated lens. If you have nonfiction stories that are both personal and global in nature, Salon accepts queries for articles and editorials, so check them out!

20. The Antioch Review

The Antioch Review is a real page-turner, as their past publications can attest to. This highly literary journal publishes fantastic prose and poetry, and if you have a creative nonfiction piece that’s riveting and influential, The Antioch Review is looking for your creative nonfiction submissions.

21. The Colorado Review

The Colorado Review is a tri-annual publication steeped in history, with original issues featuring poetry and prose from Langston Hughes, E. E. Cummings, Henry Miller, etc. The journal is committed to contemporary literature, seeking voices that are transformative and capture today’s (or tomorrow’s) zeitgeist. The Colorado Review is a fantastic space for literary journalism and will certainly welcome your creative nonfiction.

22. The Virginia Quarterly

The Virginia Quarterly publishes a wide array of literary nonfiction, fiction, and poetry, promising both ample readership and ample pay. VQR seeks inventive and imaginative stories, and it accepts both personal essays and nonfiction pieces on literary and cultural criticism. Submissions are generally open in July, but keep tuned for any special announcements or brief reading periods!

23. New England Review

New England Review is a quarterly publication of all things literary. The journal is dedicated to publishing both emerging and established voices, though it remains a highly competitive journal for creative nonfiction. NER is a great literary journal to submit to for stories that are engaged, critical, and sparkling.

24. North American Review

The North American Review is the oldest literary magazine in the United States. Since its inception in 1815, it remains one of the best nonfiction magazines to submit to, publishing strong literary voices with imaginative story arcs and moving messages. Nonfiction magazine submissions at North American Review are always spectacular—go check them out!

Tips for Publishing Your Creative Nonfiction Submissions

“How do I get my nonfiction published with so many other voices in the room?” This is a question we hear often, and as writers in the modern day, we can’t help but notice how diverse the publishing world is, and how everything “has already been written.” How can you make sure your story gets published in the right creative nonfiction magazines?

Of course, no story is guaranteed publication, but if you’ve written an earnest, sparkling story with grit, character, and truth, then the right literary journals to submit to are in this list. Additionally, you can boost your chances of success with the following publishing tips:

Start With a Powerful Title

Your creative nonfiction submissions should draw the reader in right away, which means starting with an attention-grabbing title. Your title could be a singular and obscure word, or it could be a long description, or anything in-between—the goal is to stand out while representing your story faithfully.

Here are some great titles we saw from a brief glance at the literary nonfiction examples from Hippocampus :

• Bar Bathroom Graffiti in New Orleans: A One Year Catalog by Kirsten Reneau
• Necrokedeia for Children by Mark Hall
• Ford Motor Company Tells Me About Perseverance by Alexis Annunziata

These titles give you an idea about the story itself while also drawing you in with wit, humor, or obscurity. Literary editors have thousands of stories to read each year; give them something to notice so you can stand out among the rest!

Follow the Creative Nonfiction Journal’s Formatting Guidelines

A surefire way to receive rejections on your literary nonfiction is to ignore the formatting guidelines. Each journal has its own requirements, though they often align with MLA formatting requirements, but be sure you follow the journal’s instructions faithfully, or else they may discard your submission without even reading it.

Read the Creative Nonfiction Magazine’s Past Issues

The 24 publications mentioned in this article are some of the best nonfiction magazines in the world, in part because they adhere so strongly to their tastes and preferences. As such, no two journals are alike, and each publication has its own expectations for the nonfiction they read and publish. Before you submit your creative nonfiction, be sure to read some past publications and gauge whether your essay will fit in with the journal’s literary tastes.

Keep Track of Your Submissions

Many creative nonfiction journals allow simultaneous submissions, meaning you can submit the same piece to multiple journals. However, if one journal accepts your work, you need to notify the other journals that it has been accepted and is no longer available for consideration.

Keeping track of your creative nonfiction submissions in a spreadsheet or personal organizer is essential: if multiple journals publish your story, it could harm your chances of getting published in the future.

Aim High—But Not Too High

Your personal essay deserves to be read, but if you’re only submitting to journals like VQR or The Atlantic, it might never see the light of day. Part of the publishing process means building your publication history and portfolio.

Your literary journalism will one day get published in Salon or the New York Times, but until then, focus on getting recognized in smaller and medium sized journals—and don’t let rejections bring you down, because it’s only up from here!

Fine-Tune Your Creative Nonfiction Submissions with Writers.com

Looking for extra help on writing your personal essay, lyric essay, or hybrid nonfiction piece? The instructors at Writers.com are ready to assist you. Gain valuable insight and diverse perspectives on your nonfiction stories before submitting them to the 24 creative nonfiction magazines we’ve listed.

Good luck, and happy writing!

Sean Glatch

This is a very well written, informative and inclusive article, and I will follow up. The art piece is wonderful.

Here is another market that pays authors https://www.authormag.com/paying-market/

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7 publications that pay well for personal narrative essays

Despite The New Yorker declaring that the personal essay boom was over in 2017, I’ve seen the opposite. Whenever I look on Twitter, I see callouts from editors for candid, revealing and thought-provoking first person pieces. For freelance writers, the advantage of writing a personal narrative essay is that you are drawing on your own experience, so there is very little need for external research or case studies. Many writers also say that writing down their own experience and sharing it with others feels validating, affirming and therapeutic.

Before I became a full time freelancer , I wrote quite a few personal narrative essays.

Why? Because personal narrative essays are one of the fastest and easiest ways to get published.

When I was writing my first-person pieces, I found numerous articles about how to sell personal essays in the age of over-sharing   and how to write compelling first person pieces for major publications.

I quickly learnt that if you are willing to open up and share your own experience, you can be compensated well for it.

And if you’re interested to learn more about how to write a personal essay (and how to get paid for it!) I’ve created the ultimate guide to step you through the process.

It takes you through:

• Choosing the perfect topic for a personal essay
• How to start a personal essay (including what to do and not to do and examples of banging beginnings)
• Common mistakes people make when writing first-person narratives
• How to write a compelling personal essay that keeps people reading right to the end
• Examples of great personal narrative essays
• How to pitching your story to an editor
• And lots more!

The guide also includes 15+ paying markets for personal narrative essays, but I know that it can be tricky to find publications that accept freelance submissions.

The good news is that there are plenty of online and print publications looking for personal essays.

So if you have a personal story you want to share, where can you pitch it?

If you’re a writer who has had a book published, it’s definitely worth pitching to Allure (a magazine predominantly for women about beauty) as they pay up to $3,000 for personal essays up to 2000 words.

For those mere mortals among us who haven’t written a book, the rate for personal essays seems to be more like $250 – $500.

Glamour is another women’s magazine that heavily focuses on beauty, fashion and entertainment stories. Personal essays published by Glamour are reported to fetch around $2/word.

3. The Guardian

You have to love an editor who puts what she wants from writers out there and Jessica Reed from The Guardian certainly delivers. For beautifully written personal essays, The Guardian reportedly pays 60c/word.

4. Marie Claire

If you’ve got something compelling, insightful, intimate, funny, relatable or awkward to say about your love or sex life, then a personal essay directed to Marie Claire might be just the ticket. Writers report that Marie Claire pays $2/word.

Are you spotting a theme here? Women’s magazines love personal essays. If you want to write first hand experience about fitness, food, health or culture, it’s worth pitching to SELF magazine, who pay up to $700 for 2000 words.

A dynamic site covering world affairs, pop culture, science, business, politics and more, Vox pay around $500 for personal narrative essays. What’s even better is their clear pitching guidelines for their First Person section .

7. News.com.au

If you feel like a sharing a real life story like this one , you can pitch to the lifestyle vertical on the Australian website news.com.au. Writers are reportedly paid around $500 for a post.

Great examples of personal essays

You could spend years reading all the personal narrative essays that get published, but here are my picks for some of the best:

My washing line is heavy with the weight of our ash-ridden tent hung out to air. I wonder if the smell of smoke will ever be gone. I have no recollection of the tent being packed away – I was focused on the children, keeping them calm. All I know is that we’d never packed up a campsite so damn quickly. But then, we’d never fled a bushfire.  You can read the rest of the article here.

  “I love you so much.” Those whispered words make everything better – and when my soul mate and husband died, five years ago, I truly believed I would never hear them again.  You can read the rest of the article here.

My epiphany came, like many of them do, while I was taking a dump. Specifically, it came while I was trying to take a dump in the woods after three years of struggling with gastrointestinal issues. It went something like this: you don’t need to be gluten-free anymore. You just need to relax.  You can read the rest of the article here.

The rules for pitching a personal essay are much the same as when you query an editor for any other kind of writing assignment.

You just need a strong hook and engaging writing style.

The writers I know who create personal narrative essays love it.

They feel free and are absolutely thrilled when readers respond to their articles with “me too!”

After all, isn’t the point of writing to reach and connect with others? Personal essays tend to do that in a very special way.

Do you write personal narrative essays? Have you found other well-paying markets?

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80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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Submissions

Hippocampus wants to publish and promote your truth., what do we publish in our magazine.

During our regular submissions periods we accept previously unpublished work in the following categories:

• Personal Essays & Memoir Excerpts, max 4,000 words. Submit here (we reopen 3/1) .
• Flash Creative Nonfiction, max 800 words. Submit here (we reopen 3/1) .

(You can also view our main Hippocampus Magazine Submittable landing page here, which will highlight all current opportunities, including sub-free periods in December.)

Reviews, interviews, craft articles, and writing life articles by invitation.

What we publish elsewhere:

• Memoirs, Essay Collections, Craft Books: View our Books by Hippocampus manuscript submission guidelines .
• Anthologies: Open anthology calls are also listed at our Books by Hippocampus submissions page .

When can I submit to Hippocampus Magazine?

We have two regular submission periods per year:

• March 1 through May 31
• Additionally, our 2024 submission-fee free period is Dec. 1–14, 2024

Occasionally, we may open a call for special theme issues and other magazine-related projects.

What are we looking for in creative nonfiction submissions?

True tales from your life. Honesty that possesses both the situation AND the story. Intensely personal experiences that reflect universal truths about what it means to be human. Firsthand accounts from the FULL spectrum of humanity – folx from the LGBTQIA+ community, Black writers, Indigenous writers, and writers of Color, disabled writers, writers of all genders, backgrounds, experiences, lifestyles, and identities.

What isn’t right for us?

Fiction, poetry, academic works, editorials, social/political commentary, satire, criticism. Timely pieces responding to a current event. Pieces that require special formatting. Pieces that include footnotes. Pitches. Pieces that are prescriptive or come with a lesson. Pieces that undermine, judge, marginalize, or “other” the voices and experiences of different individuals or communities.

What will you get out of publishing with us? 

Hippocampus runs on volunteer energy, submission fees, and generous support from our Friends . We also believe that writing should be valued, and the labor of writers should be compensated.

We offer a $40 honorarium to authors who publish Memoir Excerpts, Personal Essays, and Flash Nonfiction with us. Honoraria are paid via PayPal within about 90 days of publication.

Writers who contribute to our Book Reviews, Interviews, Craft Column, and Writing Life Column are considered volunteer contributors and are not currently compensated.

All pieces are shared via our social channels (Facebook & Twitter) after publication. All magazine contributors are also eligible for a discount to our annual creative nonfiction conference, HippoCamp.

What do we need from you?

• Formatting Requirements: Your submission should be double-spaced and in a 12-point readable font (ex: Times/Arial/Calibri)
• Why this matters: We have a concealed reading process, which means your work is judged on the work itself. Our reading panel members do not see your name, cover letter, or any other submission details: they only see the manuscript.

Other requests:

• Regular submissions come with a $3 submission fee. However, for those unable to cover the fee, we maintain a Submission Fund. To access the fund, contact us here .
• Please only send us one piece for submission at a time. If you want to send us something else, wait until you hear from us about the first piece you sent.
• Please be patient. We review pieces as we receive them, and we’re all volunteers, so it might take us a minute. Our typical turnaround time is 4 months.
• You can submit an excerpt, essay, or flash piece if you have an outstanding query with Books by Hippocampus.
• We’re happy to accept simultaneous submissions, but if your piece gets accepted by someone else, please withdraw it through Submittable as soon as possible!
• Take your time. We generally only publish each author once a year. We want to give everyone a chance to be heard.

Want to get in touch about an existing submission? It’s best to send an email to [email protected]; you may also use this contact form . We can’t guarantee that if you DM us on Twitter or send a Facebook message that we’ll see it and respond.

Publishing Info & Editorial Calendar

• We publish 6 regular issues per year: January/February, March/April, May/June, July/August, September/October, and November/December.
• New issues typically go live the Monday of first full week of the month.
• Reviews, interviews, and articles typically come out the first week of each month.

Remember that publishing is inherently subjective, and therefore, inherently imperfect. Like every other literary publication out there, we do our best to assume best intentions and publish and promote the work we’re moved and inspired by. Just because your piece wasn’t a fit for us doesn’t mean it isn’t valuable and worthy of publication at any one of these amazing platforms for creative nonfiction . Keep writing, keep editing, keep submitting.

These guidelines were updated on Aug. 22, 2023. We can’t wait to read your work!

Contributor Updates

Alumni & Contributor Updates: Early 2024

Contributor Updates: Fall 2023

Contributor & Alumni Updates: Spring 2023

Contributor Updates: Spring 2022

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• Op-Ed Project Op-ed writing resources and submission advice for specific newspapers and online news sites.
• 19 Websites and Magazines That Want to Publish Your Personal Essays Compiled by Lisa Rowan, this site provides links to websites and their submission guidelines for personal essays.
• 20 Great Places to Publish Personal Essays Compiled by freelance writer, Meghan Ward, a list of popular magazines and websites that accept personal essays.
• Tips to Help You Publish Your Personal Essays Authored by Sheila Bender, discusses strategies for identifying popular press, small presses and regional/local publishers to publish your essay in.
• The Conversation To author an article on this site, you must be currently employed as a researcher or academic with a university or research institution. PhD candidates under supervision by an academic can submit articles to the site. Articles from Masters students are not accepted.
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Readers Write

Trust the sun  with your story..

We publish personal essays, short stories, poems, and black-and-white photography in print and online in our monthly magazine.

We’re looking for narrative writing and evocative photography from all over the world. Send us work that maps the human landscape, where the light catches on the faintest joy, where darkness sometimes threatens to overwhelm, and where ✗ never marks the spot because the truth is never so simple.

First-time authors and award-winners alike find their place in The Sun . We are particularly interested in submissions from marginalized voices.

Our uncommonly supportive community of readers includes 60,000 print subscribers and thousands more website visitors. And The Sun is ad-free, so when we share your work, we don’t crowd it with distracting sales pitches.

Detailed submission guidelines, including our compensation rates, are available below.

Essays, Fiction, & Poetry

We publish writers who aren’t afraid to be vulnerable, who don’t shy away from difficult truths, and who don’t always deliver what our readers expect. Does your work invite us into a moment of reflection?

In this popular section of The Sun we share our readers’ autobiographical responses to a monthly topic. See what’s coming up next — there might be a free subscription in it for you. Do you have a true story to share?

Letters to the Editor

In The Sun ’s Correspondence section we publish letters from readers about selections that move them, that fire them up, that they think miss the mark. Occasionally our contributors even reply. Want to start a conversation?

Photography

We're interested in black-and-white photographs — unique perspectives on the world around us, especially human interactions.

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Craft Essays

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Submissions

Brevity publishes well-known and emerging writers working in the extremely brief (750 words or fewer) essay form. We have featured work from Pulitzer prize winners, NEA fellows, Pushcart winners, Best American authors, and writers from India, Egypt, Ireland, Spain, Malaysia, Qatar, and Japan. We have also featured  many previously-unpublished authors, and take a special joy in helping to launch a new literary career. Over the past year Brevity has averaged more than 10,000 unique visitors per month.

Authors are paid a $45 honorarium for featured essays.  

If you would like to hear our editor-in-chief’s thoughts on what makes flash nonfiction successful, you might access this interview from the River Teeth blog . or this post from the Brevity Blog .

We prefer that submissions should be formatted as seen here  (single space, no indentation, one extra space between paragraphs) unless alternate formatting is a specific design element of the essay.

SUBMIT HERE:

Https://brevity.submittable.com/submit.

Our Craft Essay section is in transition, but for now please send Craft Essays to brevitymag+craft (insert @ symbol) gmail.com. Submissions should ideally be under 1,000 words and formatted as seen in our Craft Section  (single space, no indentation, space between paragraphs). This category is limited to essays that discuss the craft of writing, such as essays that focus on structure, or editing, or ethics.

The Brevity Blog

While Brevity (the magazine) publishes the finest examples of flash nonfiction we can find, the Brevity Blog  is the place to discuss issues related to the writing of creative nonfiction. Full guidelines for the Brevity Blog can be found here.

• Snot-Bubble-Cry Dance Parties That Boost Your Creativity
• Navigating the Timelines of Brutalities
• Strength in Numbers: How Three Out of Six Writing Group Pals Published in 2023
• Stop Interrupting! Better Ways to Use Reflection in Your Memoir
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Seductive Delusions

A form of refuge, the first enchantment, a prayer for the dead, the classics, love in the age of the pickup artist, death is not the end, most popular, against advice, it’s all over, wanting bad things, on being an arsehole, submissions.

We accept submissions through Submittable for our thrice-yearly print journal, and for our website, which is updated continuously.

The Point is a magazine of philosophical writing that embodies two distinct but complementary convictions: on the one hand, that humanistic thinking has relevance for contemporary life; on the other, that our lives are full of experiences worth thinking about. We welcome submissions for our print journal, which is published three times a year, and for our website, which is updated continuously. Submissions are accepted through Submittable .

Each issue of the magazine has three main sections: ESSAYS, SYMPOSIUM and REVIEWS. Our essays blend memoir, criticism and journalism to examine the ideas and beliefs that shape our world. The symposium is a collection of responses to a question chosen by the editors (e.g., What is protest for? What is marriage for? What is privacy for?). Reviews can be about pretty much anything at all. Print essays run between 3,000 and 6,000 words; reviews and symposium articles are of medium length (1,500-3,000 words). We also accept ideas-driven reported pieces for our CORRESPONDENCE section (3,000-5,000 words).

Contributors whose articles appear in the print journal will be compensated. The website runs articles of any length but preferably of about 1,500-3,000 words.

Please note that The Point does not publish fiction or poetry, although we gladly accept criticism about fiction and poetry. As a general rule, we do not publish pure memoir or straight book/film reviews, but rather look for writing that combines some kind of personal or journalistic narrative with a philosophical or critical argument. The best way get a feel for our editorial inclinations is to read the magazine.

Simultaneous submissions are fine but we ask that you let us know promptly if the piece has been accepted elsewhere. Due to the volume of submissions and limited staff, we may not be able to respond to all inquiries, though we do try to respond when we can. If we are interested in a submission you will be notified.

Awards & Honors

2010  Pushcart Prize for Adam Bright’s “Here, Now”  (issue 1)

2011  Pushcart special mention for Etay Zwick’s “Predatory Habits”  (issue 2)

2012  Pushcart special mention for John Lingan’s “Salvation for Civilians” (issue 4)

Jonny Thakkar’s “Hail Mary Time”  (issue 4)

2013  Pushcart special mention and Gawker’s Best of the Web for Emilie Shumway’s “My Job Search”  (issue 5)

2014  Best American Essays for Timothy Aubry’s “A Matter of Life and Death” (issue 7)

Best American Essays honorable mention for Katharine Smyth’s “Prey”  (issue 7)

Charles Comey’s “The Love We Use” (issue 7)

Barrett Swanson’s “Perilous Aesthetics”  (issue 7)

Pushcart Prize for Meghan O’Gieblyn’s “Hell”  (issue 9) .

Pushcart Prize for Adam Bright’s “Here, Now” (issue 1)

Pushcart special mention for Etay Zwick’s “Predatory Habits” (issue 2)

Pushcart special mention for John Lingan’s “Salvation for Civilians” (issue 4)

Jonny Thakkar’s “Hail Mary Time” (issue 4)

Pushcart special mention and Gawker’s Best of the Web for Emilie Shumway’s “My Job Search” (issue 5)

Best American Essays for Timothy Aubry’s “A Matter of Life and Death” (issue 7)

Best American Essays honorable mention for Katharine Smyth’s “Prey” (issue 7)

Barrett Swanson’s “Perilous Aesthetics” (issue 7)

Pushcart Prize for Meghan O’Gieblyn’s “Hell” (issue 9) .

2015  Pushcart Prize for David Unger’s “Fail Again”  (issue 10)

Pushcart special mention for Meghan O’Gieblyn’s “The Insane Idea”  (issue 11)

Charles Comey’s “Against Honeymoons”  (issue 10)

Best American Essays honorable mention for S. G. Belknap’s “The Tragic Diet” (issue 9)

Dawn Herrera Helphand’s “Into the Cave” (issue 8)

Moira Weigel’s “Searching for Shanghai”  (issue 8)

2016  Best American Essays 2016 for Charles Comey’s “Against Honeymoons”  (issue 10)

Best American Essays honorable mention for Brandon Terry’s “After Ferguson”  (issue 10)

Laurel Berger’s “The Magic of Untidiness” (online)

Lisa Ruddick’s “When Nothing Is Cool” (online)

David Unger’s “Fail Again”  (issue 10)

2017  Pushcart Special Mention for Kris Lenz’s “Stendhal Syndrome”  (issue 10)

2018  Pushcart special mention for Ben Jeffery’s “After the Flood”  (issue 12)

Sophie Beck’s “Returning the Gaze”  (issue 12)

Best American Essays Honorable Mention for Sophie Beck’s “Returning the Gaze.”  (issue 12)

2015 Pushcart Prize for David Unger’s “Fail Again” (issue 10) Pushcart special mention for Meghan O’Gieblyn’s “The Insane Idea” (issue 11) Charles Comey’s “Against Honeymoons” (issue 10) Best American Essays honorable mention for S. G. Belknap’s “The Tragic Diet” (issue 9) Dawn Herrera Helphand’s “Into the Cave” (issue 8) Moira Weigel’s “Searching for Shanghai” (issue 8)

Best American Essays 2016 for Charles Comey’s “Against Honeymoons” (issue 10)

Best American Essays honorable mention for Brandon Terry’s “After Ferguson” (issue 10)

David Unger’s “Fail Again” (issue 10)

Pushcart Special Mention for Kris Lenz’s “Stendhal Syndrome” (issue 10)

Pushcart special mention for Ben Jeffery’s “After the Flood” (issue 12)

Sophie Beck’s “Returning the Gaze” (issue 12)

Best American Essays Honorable Mention for Sophie Beck’s “Returning the Gaze.” (issue 12)

Martha Nussbaum

Brandon Terry

Lorraine Daston

Yuval Levin

Robert Pippin

Moira Weigel

Barney Frank

Jacob Mikanowski

Lisa Ruddick

Slavoj Žižek

Terms & Conditions

In submitting the article, you warrant that it is original, that all the facts contained therein are true and accurate, that it does not infringe another's copyright or proprietary rights, and that the article has not appeared in any other publication in whole or in part. You will be deemed to have accepted these terms upon submission of your article.

The Point is run by a small and dedicated team that puts together the print issue, keeps the website fresh, organizes events, tables at literary festivals, and more. And while we keep things rolling throughout the year, we always appreciate any additional help. If you’d like to volunteer for The Point, we have a number of opportunities, from editorial assistance to repping the magazine on your college or university campus. Simply fill in the form below with your contact details and indicate what volunteer opportunities you’d be interested in (you can select more than one), and we’ll contact you when they come up. Do note that for editorial volunteer opportunities, more materials may be requested.

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Submissions

Electric Literature will open for submissions in ALL CATEGORIES on April 1, 2024, for two weeks or until the submission cap of 750 (per category) is reached.

The Commuter has reached its submissions cap in prose and poetry and is CLOSED in these categories, but remains OPEN for graphic narrative submissions. Recommended Reading has reached its cap and is now CLOSED. Personal Narrative remains OPEN. Missed the window in your genre? Members are welcome to submit year round.

Electric Literature accepts submissions of short stories, personal narratives, cultural criticism, poetry, flash prose, and graphic narratives through Submittable during designated submission periods two to four times a year. Pitches for critical essays, humor pieces, interviews, and reading lists are accepted via email year-round. General information for these categories is provided below, and specific dates for submission periods can be found on Electric Literature’s Submittable page .

We announce open submission periods one to two weeks in advance. The best way to find out about upcoming submission windows is to subscribe to our eNewsletter , and follow us on Facebook , Twitter , or Instagram . Please familiarize yourself with the work we publish before submitting. Only one submission per category will be accept during any given submission period, though you may submit across multiple categories at once. Simultaneous submissions are fine, but please let us know immediately if a submission is accepted elsewhere.

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Recommended Reading – Fiction

The Commuter – Flash Prose, Poetry, Graphic Narratives

Essays – Personal Narrative

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Interviews, Cover Reveals, and Reading Lists

Manuscript Consultations

Member Submissions  – All Categories, Year Round

Never wait for an open submission period again! Members of Electric Literature who make a monthly contribution of $5 or more per month, or $50 per year, get access to year-round submissions in any genre, with a guaranteed response within three months. Become a member and submit your work today !

Member-exclusive submission links for essays (Cultural Criticism and/or Personal Narrative), The Commuter , and Recommended Reading can be found in the welcome email you received upon subscribing . If you can’t find the email or did not receive one, please contact Wynter K Miller: [email protected].

For detailed guidelines and to submit, visit Electric Literature’s Submittable page: electricliterature.submittable.com

Electric Literature’s weekly fiction magazine publishes short stories and novel excerpts by today’s most dynamic voices every Monday, recommended by your favorite writers.

• Accepts previously unpublished fiction between 2,000 and 10,000 words.
• Two one-week submissions periods per year, usually in Spring and Fall.
• Response time: Six to eight months

For candid advice from our editors on how to make your stories stand out, watch our video “ How to Get Published in Recommended Reading .”

Electric Literature’s second weekly magazine publishes strange and diverting poetry, flash prose, and graphic narratives every Wednesday.

• Accepts previously unpublished flash prose, poetry, and graphic narratives under 1,500 words.
• Two to three one-week submissions periods per year.
• Response time: Three to six months

For candid advice from our editors on how to make your poems, flash prose, and graphic narratives stand out, watch our video “ How to Get Published in The Commuter .”

Personal Narrative submissions must be full drafts of creative nonfiction essays submitted via Submittable . While there are no restrictions on form or subject matter, submissions should center narrative and consider what it means to essay as a verb; in other words, what it means to use prose to interrogate, investigate, adventure, and introspect. Submissions must be between 2,000 and 6,500 words, and previously published work will not be considered.

• Writers may submit one essay per submission period, but may have active submissions across other categories. 
• Response: Six to eight months
• Pay: $100 

For more information on what we’re looking for, please watch our salon on EL’s General Nonfiction Program .

Pitches for cultural criticism essays may be submitted year round via email. Cultural criticism essays should be 3,500 words or less.

For greater accessibility, Electric Literature does not require full drafts in the cultural criticism category. Instead, please send a detailed pitch to [email protected] with the subject line “PITCH:” followed by the title of your piece. Pitches should describe the subject matter of the essay and give a sense of the argument you plan to make or the story you plan to tell. Please do not send a full draft unless specifically requested to do so by an editor; we cannot guarantee attached drafts will be read due to the high volume of pitches we receive daily.

Cultural criticism essays should feature subject matter that is linked to cultural, art, or media, such as books, the craft of writing, TV,  film, fashion, food, music, or visual art. We are looking for essays that leverage the piece of art as a lens; essays should consider the piece of art within the context of a broader cultural trend or personal experience. We welcome essays that braid personal narrative with analysis or critique. 

We do not accept reviews or strictly academic essays. Requests for Electric Literature to cover your book or your client’s book are not considered pitches (see Interviews and Reading Lists below). For a better idea of what we’re looking for, please take a look at our recent cultural criticism pieces . 

Response time: Though we aim to respond to every pitch we receive, this isn’t always possible. You are welcome to follow up with us if you have not received a response after two weeks. If you don’t hear back from us within a month from the date of your submission, please assume that we have passed on the piece. 

If you are a member with a full draft of a cultural criticism essay you would like us to consider, you may submit using your Members-Only submission link. 

For candid advice from our editors on how to make your pitches stand out, watch our video “ How to Pitch Electric Lit [Updated] .” 

Electric Literature covers forthcoming literary fiction, nonfiction, poetry, literature in translation, and graphic narratives; we do not cover self-published books, YA, personal development, self-help, romance, crime or mass-market mystery, or children’s literature. We welcome pitches about books from independent/small/university presses. Pitches regarding interviews, cover reveals, and reading lists should be sent to editor Jo Lou at [email protected]

Interviews Please pitch with the subject line “Interview Pitch: [Book] By [Author, Pub Date, Publishing House].” The ideal time to pitch is 2 to 6 months before the book’s publication date. We’re looking for interview pitches with strong angles that focus on the themes of the book. We’re generally not looking for craft-based interviews about the writing/publishing/editorial process, but will make exceptions for certain titles. Please include information about yourself (including relevant clips), the book, and whether you’re in touch with the author or publisher already (it’s okay if you’re not). Pitches should include examples of questions you plan to ask the author, the angle of the  interview, and the themes you’re interested in exploring with the conversation. Please wait at least two weeks to follow up. Due to high volume of submissions and limited bandwidth, we very rarely accept interviews that need a quick turnaround.

For candid advice from our writers on how to pitch and interview authors, watch our video “ The Secrets of Successful Author Interviews .”

Cover Reveals Please pitch with the subject line “Cover Reveal: [Book] by [Author], [Publishing House].” We’re looking to publish exclusive cover reveals of forthcoming books, along with a statement from the author and designer about the process of creating the cover. Please allow at least two weeks of lead time.

Reading Lists Please pitch with the subject line “Reading List Pitch: [Topic].” We’re looking for diverse and contemporary reading lists based on themes, topics, subgenres, events, holidays, and author backgrounds or identities readers might seek out or find motivating. Our reading lists consist of an intro of two to four paragraphs contextualizing the theme, and short descriptions of the seven to ten books. The descriptions of each book should be reader-oriented and focus more on the contents of the book rather than a personal reaction. The entire article, including book descriptions and the introduction, should be original, with citation and attributions for any language that is not your own. Please check the website to make sure we haven’t already published a list on the topic you’re pitching. Please wait at least two weeks to follow up. 

For publicists or authors looking to write a reading list to promote their books, we offer an ad swap package in lieu of payment along with a purchase link and book cover image in the article. In order to time the article close to the book’s pub date, we recommend pitching 2-6 months early. But you’re welcome to pitch even after your book has been published.

Manuscript Consultations are offered seasonally throughout the year. During each cycle, a limited number of writers may enroll to receive a comprehensive manuscript review, with detailed notes, and a video call with an EL editor. Deadlines, instructions, and more information can be found here .

In each cycle, slots are reserved for EL members at a 5% discount. The remaining slots will be allocated on a first-come, first-served basis. Learn more about becoming an EL member here .

After you purchase a manuscript consultation here , we will send you a private Submittable link to submit your manuscript. Once you have purchased a manuscript consultation, your slot is secured, and you have until the deadline to submit your manuscript .

To purchase a manuscript consultation as a gift, simply forward the confirmation email that contains the submission link to the gift recipient. 

Stella Kupferberg Memorial Short Story Prize The Stella Kupferberg Memorial Short Story Prize is an annual writing competition sponsored by the stage and radio series Selected Shorts . The winning work will be performed and recorded live at a Selected Shorts performance at Symphony Space, and published on Electric Literature. The winning writer will receive $1000 and a free ten-week course with Gotham Writers. Read more about the competition here .

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Previous fisher prize winners, soliciting essay submissions for the john fisher memorial prize of 2025.

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Soliciting Essay Submissions for the John Fisher Memorial Prize of 2025, The Journal of Aesthetics and Art Criticism , 2024;, kpae003, https://doi.org/10.1093/jaac/kpae003

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The American Society for Aesthetics sponsors the biennial John Fisher Memorial Prize in Aesthetics.

The prize is awarded to an original essay in aesthetics, created in memory of the late John Fisher, editor of  The Journal of Aesthetics and Art Criticism  from 1973 to 1988, and is offered to foster the development of new voices and talent in the field of aesthetics.

The regulations for the competition are as follows:

The competition is limited to those persons who have completed the terminal degree in their field and are in the early stages of participation in their profession. Persons in doubt about their qualifications are encouraged to consult the editors of JAAC in advance ([email protected]). Entrants should include with their entry a statement indicating how they qualify. Entrants must be members of the ASA.

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Regions Riding Forward® Scholarship Contest

Their Story. Your Voice.

Your voice is your own. But it's also been impacted by others. Who, we wonder, has inspired you? Let us know by entering the Regions Riding Forward Scholarship Contest. 

You could win an $8,000 college scholarship

For the opportunity to win an $8,000 scholarship, submit a video or written essay about an individual you know personally (who lives in your community) who has inspired you and helped you build the confidence you need to achieve your goals.

The details

The 2024 Regions Riding Forward Scholarship Contest consists of four (4) separate Quarterly Contests - one for each calendar quarter of 2024. Regions is awarding four $8,000 scholarships through each Quarterly Contest.

Each Quarterly Contest has its own separate entry period, as provided in the chart below.

The entry deadline for each Quarterly Contest is 11:59:59 PM Central Time on the applicable Quarterly Contest period end date (set forth in the chart above).

No purchase or banking relationship required.

Regions believes in supporting the students whose passion and actions every day will continue to make stories worth sharing. That’s why we have awarded over $1 million in total scholarships to high school and college students.

How to enter, 1. complete an online quarterly contest application.

Enter the Regions Riding Forward Scholarship Contest by completing a Quarterly Contest application.  The second Quarterly Contest runs from April 1, 2024 through June 30, 2024. Complete and save all requested information. 

2. Prepare your Written Essay or Video Essay

For each Quarterly Contest, the topic of your Written Essay or Video Essay (your “Essay Topic”) must be an individual you know personally, who lives in your community. Your Written Essay or Video Essay must address how the individual you have selected as your Essay Topic has inspired you and helped you build the confidence you need to achieve your goals.

Written Essay and Video Essay submissions must meet all of the requirements described in the contest Official Rules. Your Written Essay or Video Essay must be (i) in English, (ii) your own original work, created solely by you (and without the use of any means of artificial intelligence (“AI”)), and (iii) the exclusive property of you alone.

Written Essays must be 500 words or less. You can write your Written Essay directly in the application, or you can copy and paste it into the appropriate area in the application form.

Video Essay submissions must be directly uploaded to the contest application site. Video Essays must be no more than 3 minutes in length and no larger than 1 GB. Only the following file formats are accepted: MP4, MPG, MOV, AVI, and WMV. Video Essays must not contain music of any kind nor display any illegal, explicit, or inappropriate material, and Video Essays must not be password protected or require a log-in/sign-in to view. You must upload your Video Essay to the application, and you may not submit your Video Essay in DVD or other physical form. (Video Essays submitted via mail will not be reviewed or returned.)

Tips to Record Quality Videos on a Smartphone:

• Don’t shoot vertical video. Computer monitors have landscape-oriented displays, so shoot your video horizontally.
• Use a tripod. Even small movements can make a big difference when editing.
• Don’t use zoom. If you need to get a close shot of the subject, move closer as zooming can cause pixilation.
• Use natural lighting. Smartphone lighting can wash out your video.

3. Review and submit your Quarterly Contest application

Review your information on your Quarterly Application (and check the spelling of a Written Essay) and submit your entry by 11:59:59 p.m. Central Time on the applicable Quarterly Contest period end date. The second Quarterly Contest period end date is June 30, 2024.

4. Await notification

Winning entries are selected by an independent panel of judges who are not affiliated with Regions. If your entry is selected as a Quarterly Contest winner, you will need to respond to ISTS with the required information.

Eligibility

For purposes of this contest:

• The “Eligible States” are defined as the following states: Alabama, Arkansas, Florida, Georgia, Iowa, Illinois, Indiana, Kentucky, Louisiana, Mississippi, Missouri, North Carolina, South Carolina, Tennessee and Texas.
• An “accredited college” is defined as a nonprofit, two- or four-year college or university located within one of the fifty (50) United States or the District of Columbia.

To be eligible to enter this contest and to win an award in a Quarterly Contest, at the time of entry, you must:

• Be a legal U.S. resident of one of the Eligible States.
• Be age 16 or older.
• Have at least one (1) year (or at least 18 semester hours) remaining before college graduation.
• If you are not yet in college, begin your freshman year of college no later than the start of the 2025 – 2026 college academic school year.
• As of your most recent school enrollment period, have a cumulative grade point average of at least 2.0 in school (and if no GPA is provided at school, be in “good standing” or the equivalent thereof in school).

View Official Rules

NO PURCHASE OR BANKING RELATIONSHIP REQUIRED. PURCHASE OR BANKING RELATIONSHIP WILL NOT INCREASE YOUR CHANCES OF WINNING. VOID WHERE PROHIBITED. The 2024 Regions Riding Forward Scholarship Contest (the “Contest”) consists of four (4) separate quarterly contests (each a “Quarterly Contest”): (1) the “Q-1 Contest;” (2) the “Q-2 Contest;” (3) the “Q-3 Contest;” and (4) the “Q-4 Contest.” The Q-1 Contest begins on 02/01/24 and ends on 03/31/24; the Q-2 Contest begins on 04/01/24 and ends on 06/30/24; the Q-3 Contest begins on 07/01/24 and ends on 09/30/24; and the Q-4 Contest begins on 10/01/24 and ends on 12/31/24. (For each Quarterly Contest, entries must be submitted and received by 11:59:59 PM CT on the applicable Quarterly Contest period end date.) To enter and participate in a particular Quarterly Contest, at the time of entry, you must: (a) be a legal U.S. resident of one of the Eligible States; (b) be 16 years of age or older; (c) have at least one (1) year (or at least 18 semester hours) remaining before college graduation; (d) (if you are not yet in college) begin your freshman year of college no later than the start of the 2025 – 2026 college academic school year; and (e) as of your most recent school enrollment period, have a cumulative grade point average of at least 2.0 in school (and if no grade point average is provided at school, be in “good standing” or the equivalent thereof in school). (For purposes of Contest, the “Eligible States” are defined as the states of AL, AR, FL, GA, IA, IL, IN, KY, LA, MS, MO, NC, SC, TN and TX.) Visit regions.com/ridingforward for complete Contest details, including eligibility and Written Essay and Video Essay requirements and Official Rules. (Limit one (1) entry per person, per Quarterly Contest.) For each Quarterly Contest, eligible entries will be grouped according to form of entry (Written Essay or Video Essay) and judged by a panel of independent, qualified judges. A total of four (4) Quarterly Contest Prizes will be awarded in each Quarterly Contest, consisting of two (2) Quarterly Contest Prizes for the Written Essay Entry Group and two (2) Quarterly Contest Prizes for the Video Essay Entry Group. Each Quarterly Contest Prize consists of a check in the amount of $8,000 made out to winner’s designated accredited college. (Limit one (1) Quarterly Contest Prize per person; a contestant is permitted to win only one (1) Quarterly Contest Prize through the Contest.) Sponsor: Regions Bank, 1900 Fifth Ave. N., Birmingham, AL 35203.

© 2024 Regions Bank. All rights reserved. Member FDIC. Equal Housing Lender. Regions and the Regions logo are registered trademarks of Regions Bank. The LifeGreen color is a trademark of Regions Bank.

2023 Winners

High school:.

• Amyrrean Acoff
• Leon Aldridge
• Kharis Andrews
• Colton Collier
• Indya Griffin
• Christopher Hak
• Aquil Hayes
• Jayden Haynes
• McKenna Jodoin
• Paris Kelly
• Liza Latimer
• Dylan Lodle
• Anna Mammarelli
• Karrington Manley
• Marcellus Odum
• Gautami Palthepu
• Melody Small
• Lauryn Tanner
• Joshua Wilson
• Mohamed Ali
• Kayla Bellamy
• Lauren Boxx
• Alexandria Brown
• Samuel Brown
• Thurston Brown
• Conner Daehler
• Tsehai de Souza
• Anjel Echols
• Samarion Flowers
• Trinity Griffin
• Kristina Hilton
• Ryan Jensen
• Miracle Jones
• Shaniece McGhee
• Chelby Melvin
• Lamiya Ousley
• Kiera Phillips
• Gabrielle Pippins
• Ethan Snead
• Sydney Springs
• Kirsten Tilford
• Tamira Weeks
• Justin Williams

2022 Winners

• Paul Aucremann
• William Booker
• Robyn Cunningham
• Kani'ya Davis
• Oluwatomi Dugbo
• Lillian Goins
• Parker Hall
• Collin Hatfield
• Gabrielle Izu
• Kylie Lauderdale
• Jacob Milan
• Jackson Mitchell
• Carmen Moore
• Madison Morgan
• Kaden Oquelí-White
• Kaylin Parks
• Brian Perryman
• De'Marco Riggins
• Brianna Roundtree
• Sydney Russell
• Carlie Spore
• Morgan Standifer
• Ionia Thomas
• Ramaya Thomas
• Jaylen Toran
• Amani Veals
• Taylor Williams
• Alana Wilson
• Taryn Wilson
• Aryaunna Armstrong
• Hannah Blackwell
• T'Aneka Bowers
• Naomi Bradley
• Arianna Cannon
• Taylor Cline
• Catherine Cummings
• Margaret Fitzgerald
• Chloe Franklin
• Camryn Gaines
• Thomas Greer
• Kayla Helleson
• Veronica Holmes
• Logan Kurtz
• Samuel Lambert
• Jaylon Muchison
• Teresa Odom
• Andrew Payne
• Carey Price
• Emily SantiAnna
• Curtis Smith
• Jered Smith
• Mariah Standifer
• Maura Taylor
• Anna Wilkes

Staten Island teen takes first prize in NYPL nationwide anti-censorship essay contest

• Updated: Apr. 14, 2024, 1:39 p.m. |
• Published: Apr. 14, 2024, 1:28 p.m.

Rosebank resident Tara Isabel Lago, 18, was named the grand-prize winner of the New York Public Library's National Teen Writing Contest. (Courtesy of New York Public Library) New York Public Library

• Ann Marie Barron | [email protected]

STATEN ISLAND, N.Y. — A Staten Island college student has been named the grand-prize winner of the New York Public Library (NYPL) National Teen Writing Contest, which focused on the value of our freedom to read.

The NYPL and Teen Vogue recently announced that Tara Isabel Lago, a Rosebank resident and student at Columbia University, took home the grand prize for her work, “Why is the freedom to read important to you?” Lago was awarded a cash prize of $500, and her essay will be published in Teen Vogue.

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Belonging at Yale at Y ale

Belonging at yale, in person | youth & future - manifesto for change - call for ideas.

Italian artist issues call to youth at Yale and around the world to join project for global change

Join this global essay competition! Write and submit your composition for a chance to be published. Share your story - share your voice!

Invitation to all Yale students, faculty and staff (ages 18-35),

“I hope this cultural manifesto created by young people for a future society, might help us find our inner compass at a time when fog and apathy appear to have enveloped us obscuring any hypothetical visual, and might be a spark for change.” - Giovanni Caccamo

► Welcome to the Youth and future - Manifesto for Change event at Yale.

Come join us on Thu, Apr 18, 2024 at 5:30 PM at Dwight Hall at Yale: Center for Public Service and Social Justice for an inspiring evening dedicated to discussing the role of youth in shaping the future.

Get ready to engage with acclaimed Italian singer-songwriter, author, and thought-leader Giovanni Caccamo, creator of this innovative project, in a thought-provoking discussion, and connect with others who are passionate about creating positive change in the world.

Giovanni will open the event with a live a cappella performance of “Change” (Il Cambiamento). He will close with “Imagine” by John Lennon.

This event is your chance to be part of a global movement towards a brighter tomorrow.

► Call for ideas

“What would you change about the society you live in and how?”

“Today, I address the same questions to all young people from all over the world. People of all religions, backgrounds, gender identity and social classes. Let’s build together the international #ManifestoForChange, a global book that will collect the stories, the longings and the outlooks of the new generations, marking the course of a possible-future.”

“Our Manifesto needs you! The future needs you!”

(Quote from Giovanni’s speech at forum “Youth and Future | Giovanni Caccamo | Change the World Model UN NYC (5 Apr 2024). See video recording.)

►Enter the competition for a chance to be published.

[Note: You can still participate even if you don’t register for this in-person event.]

Giovanni and his editorial team will select 100 of the most enlightening essays for publication in a new volume that will be made available to the global community. Giovanni will donate all proceeds from the sale of the book and works to the Andrea Bocelli Foundation to support scholarships for young people in need.

Registration for this special event now open. Limited seating.

Learn how to submit your essay and word for change for a chance to be published. Bring a copy of your essay with you to the event.

Giovanni will invite you, the protagonist, to share your idea and word for change with event participants.

Note: The international edition of the Manifesto for Change - Youth and Future is an expansion of the original project, conducted by Caccamo with diverse youth in Italy from 2022-23. The outcome was a stunning volume “Manifesto del Cambiamento: Parola al Giovani” (2023) of select compositions translated in mixed media art by world famous artisans.

NPR Editor's Critical Op-Ed Ignites Debate Over Political Bias in Journalism: 'This Essay Has It Backwards'

A scathing op-ed from NPR veteran and current senior business editor Uri Berliner published in The Free Press on Tuesday has intensified debates over whether the publicly funded news organization has adopted a partisan lean in recent years. 

In the piece , Berliner details a culture shift at the organization, in which "An open-minded spirit no longer exists within NPR, and now, predictably, we don't have an audience that reflects America."

Berliner argued that NPR is plagued with an "absence of viewpoint diversity," which he considers to be a result of leadership's emphasis on promoting diversity and inclusion on the basis of race and sexual orientation. He also claims that he found "87 registered Democrats working in editorial positions and zero Republicans."

NPR editor-in-chief Edith Chapin defended the organization in response to the piece, saying she the leadership team "strongly disagree with Uri's assessment of the quality of our journalism."

While Chapin backed the "exceptional work that our desks and shows do to cover a wide range of challenging stories," she added that "None of our work is above scrutiny or critique. We must have vigorous discussions in the newsroom about how we serve the public as a whole."

According to NPR media reporter David Folkenflik , several journalists inside the organization question how they can proceed with Berliner as a colleague, with concerns about whether he can be a trusted member of NPR in the aftermath of the op-ed. Additionally, Berliner did not seek NPR's approval to publish the piece, nor did he seek comment from the organization ahead of time; though he does say in his piece that he sought to raise his concerns with leadership on several occasions.

Meanwhile, outside of the organization, debates regarding the content of Berliner's piece have sprouted up across social media, with many coming to the defense of the storied NPR institution. 

Some argued that the shift that occurred in political coverage across the media industry was forced on institutions due to the changing nature of the Republican Party since the election of Donald Trump in 2016. 

Some came to Berliner's defense, including former NPR vice president for news Jeffrey Dvorkin who vouched for the changes to the organization. 

The post NPR Editor's Critical Op-Ed Ignites Debate Over Political Bias in Journalism: 'This Essay Has It Backwards' appeared first on TheWrap .

Opinion Leaders of Jordan, France and Egypt: Cease fire now in Gaza

Abdullah II bin Al-Hussein is king of Jordan. Emmanuel Macron is president of France. Abdel Fatah El-Sisi is president of Egypt.

The war in Gaza and the catastrophic humanitarian suffering it is causing must end now. Violence, terror and war cannot bring peace to the Middle East. The two-state solution will. It is the only credible path to guaranteeing peace and security for all, and ensuring that neither the Palestinians nor the Israelis ever have to relive the horrors that have befallen them since the Oct. 7 attack.

On March 25, the U.N. Security Council finally assumed its responsibility by demanding an immediate cease-fire in Gaza. This is a critical step that must be fully implemented without further delay.

In light of the intolerable human toll of the war, we, the leaders of Egypt, France and Jordan, call for the immediate and unconditional implementation of U.N. Security Council Resolution 2728. We underline the urgent need to bring about a permanent cease-fire in Gaza.

We emphasize the urgency of implementing the Security Council’s demand for the immediate release of all hostages and reaffirm our support for the negotiations brokered by Egypt, Qatar and the United States that address a cease-fire, as well as the hostages and detainees.

As we urge all parties to abide by all relevant U.N. Security Council resolutions, we warn against the dangerous consequences of an Israeli offensive on Rafah, where about 1.5 million Palestinian civilians have sought refuge. Such an offensive would only bring more death and suffering, heighten the risks and consequences of mass displacement of the people of Gaza and threaten regional escalation. We reiterate our equal respect for all lives. We condemn all violations and abuses of international humanitarian law, including all acts of violence, terrorism and indiscriminate attacks on civilians. Protecting civilians is a fundamental legal obligation for all parties and the cornerstone of international humanitarian law. Violating this obligation is absolutely prohibited.

Palestinians in Gaza are no longer facing only a risk of famine, but famine is already setting in. There is an urgent need for a massive increase in the provision and distribution of humanitarian assistance. This is a core demand of U.N. Security Council Resolutions 2720 and 2728, which emphasize the urgent need to expand aid supplies.

U.N. agencies, including the U.N. Relief and Works Agency, and humanitarian actors play a critical role in relief operations in Gaza. They must be protected and granted full access, including in the northern part of the Gaza Strip . We condemn the killing of humanitarian aid workers, most recently the attack against World Central Kitchen’s aid convoy .

Consistent with international law, Israel is under an obligation to ensure the flow of humanitarian assistance to the Palestinian population, a responsibility it has not fulfilled. We reiterate the Security Council’s demand to lift barriers to humanitarian assistance and for Israel to immediately facilitate humanitarian assistance through all crossing points, including in the North of the Gaza Strip and through a direct land corridor from Jordan, as well as by sea.

We, the leaders of Egypt, France and Jordan, are determined to continue stepping up our efforts to meet the humanitarian, medical and health needs of the civilian population of Gaza, in close coordination with the U.N. system and regional partners.

Lastly, we underline the urgency of restoring hope for peace and security for all in the region, primarily the Palestinian and Israeli people. We emphasize our determination to continue working together to avoid further regional spillover, and we call on all actors to refrain from any escalatory action. We urge an end to all unilateral measures, including settlement activity and land confiscation. We also urge Israel to prevent settler violence.

We emphasize the necessity of respecting the historical and legal status quo at Jerusalem’s Muslim and Christian holy sites, and the role of the Jordanian Waqf under the Hashemite custodianship.

We stress our determination to step up our joint efforts to effectively bring about the two-state solution. The establishment of an independent, sovereign Palestinian state on the basis of the two-state solution, in accordance with international law and relevant U.N. Security Council resolutions, to live side by side in peace and security with Israel, is the only way to achieve true peace. The Security Council must play a role in decisively reopening this horizon for peace.

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