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The Ultimate Guide to Creating Your Film/TV Pitch Deck

We’ve sourced everything you need to know about creating a pitch deck for your next film project. There is a lot of great information out there and luckily, pitching your script is easier now thanks to the abundance of updated visualization technology. After all, your pitch deck is a visual supplement to your screenplay or script. This is your chance to share your vision of why your film should get made.

First, Let’s Look at the Original Stranger Things Pitch Deck “Montauk”

If you follow @lafilmschool on Instagram and Facebook, you may have seen our video on the Stranger Things pitch deck. If you’re curious, go back and watch the video to see what three elements made that original pitch deck such a success. We’ll dive deeper into what makes a film pitch deck successful here in a moment, but let’s examine the original pitch deck from Netflix’s Stranger Things .

The Duffer brothers built their franchise empire off a charming, supernatural-inspired show concept they originally called “Montauk.” Their pitch neatly laid out the show’s vision across a 20+ page pitch deck to attract networks and eventually secured a home with Netflix.

The title page of the pitch deck shows an eerie grey-washed photograph of an abandoned bike on the side of a desolate road. “Montauk” is clearly displayed in red block letters above the photo. The only other text on the title page is… “An Epic Tale of sci-fi horror.”

The 3 Things the Duffer Brothers included in their pitch deck that made “Montauk” into one of Netflix’s most successful series franchises

1. use imagery that builds your vision .

Imagery is used throughout the deck to convey what type of vibe the series is aiming to achieve. 

The Duffer Brothers leveraged colors, textures, and even imagery from supernatural ’80s cult classics, building a strong vision for investors right off the bat.

2. Write a Clear and Engaging Synopsis

Your readers should feel hooked right from the introduction page. This sets the tone for the rest of the pitch deck and includes a strong final sentence that sums up what’s to come:

From Montauk’s Pitch Deck: “Emotional, cinematic, and rooted in character, Montauk is a love letter to the golden age of Steven Spielberg and Stephen King – a marriage of human drama and supernatural fear.

Both the STORY and STRUCTURE sections of this pitch did an excellent job of painting a clear trajectory of the story while still giving investors a sense of mystery and intrigue.

3. Appeal to Your Investors’ Business Sense

The final page of the pitch deck is “Franchise Potential,” which aims to pique the interest of studio executives and networks. It gives a solid story continuation layout if the series were to get picked up and do well with audiences. Spoiler alert— Stranger Things did more than just well, the show was a smash hit.

How can you apply these same concepts to your own film or TV show pitch deck?

Now that you’ve seen what a successful film pitch deck looks like, it’s time to perfect your own. Leading with the three essential elements of a great pitch deck (1. Strong imagery 2. Clear synopsis and 3. A future plan ), let’s dive into your ultimate pitch deck checklist.

Under those three main buckets are subcategories to include in your pitch deck. You’ll want to make sure your vision for your project is clearly defined. Potential networks need to see the value of your project’s pitch deck and connect with the story synopsis right off the bat.

Your Pitch Deck Should Have… Strong Imagery

• Instant visual cues included in your writing
• Mood board images to convey the style and tone
• Examples of inspiration from other film and TV projects

Your Pitch Deck Should Have a… Clear Synopsis

• A brief story introduction following your title slide
• Background on the creative team behind the screenplay and/or film project
• Introduction of characters (make your audience care and feel a sense of who each character is)

Your Pitch Deck Should Have a… Future Plan

• Breakdown of targeted genres and audience demographics
• Financial and distribution details
• Mention potential installments or series continuation opportunities

Take a look at your own pitch deck and see if you have these elements outlined above. Ask yourself if there is anything missing. Does your pitch deck convey a clear tone and build interest with each slide? Are you representing the project in the most effective way?

STUDENT PRO TIP: If you’re a student at The L.A. Film School, you can get your pitch decks and film reels peer-reviewed by our advisors in Career Development or with your course instructors.

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Crossword Solver > Clues > Crossword-Clue MOVIE title with 9 letters

MOVIE TITLE Crossword Clue 9 Letters

• MOVIE title music (86.31%)
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• Any of the "Scary Movie" movies (70.54%)

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Best Film Proposal Examples to Charm Producers (+Templates)

Elevate your pitch with our standout film proposal examples, ready to serve as templates. Discover how to write a film proposal for a producer-approved deck.

9 minute read

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Short answer

What is a film proposal?

A film proposal is a detailed pitch that presents your movie idea, highlighting its synopsis, main characters, target audience, budget breakdown, and how it stands out.

It's your chance to convince producers your project is worth investing in, by clearly outlining its creative and financial appeal.

Without a solid proposal, your project will never see the light of day

In the world of filmmaking, your idea is one among thousands, each competing for the same crucial funding.

Consider the films that captivate us for 2 hours; behind each is a backstory of months, sometimes years, of hard work, often derailed by a weak proposal.

Without a standout proposal, your project risks being overlooked in a sea of talent.

But don’t worry - this post is your lifeline, packed with film proposal examples that double as templates and essential tips on how to write a film proposal that opens Hollywood’s doors.

Ready to turn the tide in your favor? Let’s dive in!

What is a typical film proposal outline?

Behind every film proposal is a story waiting to be told. This document is your opportunity to narrate the journey of your film, from concept to screenplay, through to the final cut.

It's about connecting the dots between your creative vision and the practicalities of production, marketing, and distribution.

In the following section, I'll cover the essential elements you need to include for a persuasive film proposal.

10 essential chapters of a film proposal:

Title slide: Your film's calling card, combining its name with a logo that sticks in the mind of your audience.

Synopsis: A compelling summary that captures the essence of your film's plot, drawing in your reader with its uniqueness and intrigue.

Mood board: A visual representation of your film's tone, style, and aesthetic, setting the emotional and visual tone for your project.

Main characters: Introduce the heart of your film through detailed descriptions and visuals of the key characters, making them memorable.

Setting/Location: Bring your film's world to life with vivid visuals and descriptions of the main settings, inviting your audience into the story's environment.

Key scenes: Highlight the transformative moments or sequences in your film, showcasing the drama, tension, or comedy that defines it.

Target audience: Clearly define who your film is for and why it will resonate with them, outlining its market appeal.

Budget breakdown: Offer a transparent overview of your film's financial needs, detailing the estimated costs involved in production and post-production.

Market analysis: Provide evidence of your film's viability with data on audience size, competitors, and potential distribution opportunities.

Team overview: Shine a spotlight on the key players behind the scenes, detailing the roles and expertise of your film's core team.

What is the best film proposal format?

Traditionally, film proposals have leaned heavily on static, text-based formats like PDFs and PPTs. However, as storytelling evolves, so too must the way we pitch our stories.

The truth is, static PDFs and PPTs just don't cut it anymore. They fail to engage and captivate, especially in an industry where dynamic storytelling is key.

Interactive decks revolutionize the proposal process by turning your pitch into an engaging, multimedia experience.

With features like embedded videos and clickable links, they invite your audience to dive deeper into the world of your film, providing a richer understanding of your vision.

Let's break down the pros and cons of various film proposal formats:

Film proposal examples that make producers say ‘Yes’

Crafting a film proposal that stands out is about enveloping your audience in the world you intend to create, making them see the potential of your vision as clearly as you do.

The key lies in how you package that vision—transforming it from simple words on a page to an immersive experience. Let's delve into some standout film proposal examples that do just that.

General film proposal

This proposal is an example of how to present a film project with depth and appeal. The deck itself is a testament to the thoughtfulness and creativity behind the project, designed to captivate potential backers and collaborators from the first slide.

What makes this film proposal great:

Dynamic story visualization: The deck stands out by dynamically visualizing the film's storyline, using a blend of striking visuals and narrative text.

In-depth project insights: It details everything from the intricacies of character development and scenic locations to a well-thought-out marketing strategy, providing a 360-degree view of the film's roadmap.

Emotional engagement : By focusing on the human stories at the heart of this film, it appeals directly to the viewer's empathy, making a strong case for the film's potential impact on audiences.

Detailed movie production proposal

This film proposal exemplifies how leveraging interactive presentation tools can elevate a pitch.

By adopting a format that allows for narrative storytelling alongside detailed project planning, it sets a high standard for how film proposals can captivate and persuade.

Content segmented in tabs: The proposal smartly organizes information into tabs, making it easy for readers to navigate through the document.

Narrator slide: The moodboard is presented through a narrator slide, walking readers through the film's aesthetic and emotional tone.

Expandable text sections: Detailed budget elements are hidden within expandable text sections, providing a clutter-free overview while allowing interested parties to delve into the specifics at their leisure.

Dark theme movie proposal

This proposal utilizes a dark theme to mirror the film's suspenseful atmosphere, drawing potential producers and investors into a world of intrigue and mystery.

Through its immersive storytelling and visual presentation, the proposal offers a sneak peek into the film's potential to engage audiences.

Immersive storytelling: The proposal introduces the film's narrative in a way that captures the essence of suspense and intrigue, setting the stage for a thriller that promises to keep audiences on the edge of their seats.

Visual presentation: Utilizing a dark theme, the proposal effectively conveys the mood and tone of the film.

Detailed character and plot descriptions: The proposal offers deep dives into the main characters and the complex plot. This level of detail ensures readers can fully grasp the narrative's depth and the characters' motivations.

Short film proposal

This film proposal is a vivid demonstration of how to effectively use digital tools to present a film project. It's not just about the content; it's about how the content is delivered, making the proposal itself a part of the series' storytelling experience.

Seamless meeting scheduling: It incorporates a feature for embedding calendars directly into the deck, facilitating easy meeting setup with potential backers.

Fluid content integration: All elements within the deck—text, images, videos—automatically adjust to maintain a sleek, engaging layout.

Engaging character introductions: It utilizes interactive elements to introduce the series' characters in a dynamic way, adding depth to the proposal by allowing readers to explore the personalities that drive the series' humor.

Dark mode film sponsorship proposal

By aligning the proposal's visual theme with the film's genre, this deck sets a compelling stage for potential sponsors, inviting them into its world through a blend of immersive storytelling and interactive design elements.

• Video embedding: The deck allows sponsors to view trailers and teasers directly, providing an immediate sense of the film's atmosphere and storytelling style.
• Data visualization tools : A comprehensive suite of data visualization components helps to convey the film's potential reach and market analysis in a visually engaging manner.
• Accept button feature: The accept button facilitates a direct call to action, allowing sponsors to express their interest or commitment with a simple click.

Versatile film production proposal

This film proposal pitches a compelling narrative set against the vibrant backdrop of New York City while leveraging cutting-edge digital tools to create a customizable, interactive, and secure experience for potential sponsors and partners.

Dynamic personalization: You can use dynamic variables to personalize the proposal at scale, ensuring that each recipient feels directly addressed and valued.

Post-send editing: It offers the flexibility to edit details even after the proposal has been sent, allowing for real-time updates and adjustments based on feedback or new developments.

Smart control measures: It incorporates smart control measures like setting an expiry date for the proposal or protecting it with a password, adding a layer of security and urgency to the viewing experience.

Strategic film investment proposal

This film proposal is packed with everything you need to know, from who's who in the cast to where the magic happens on location, and not forgetting the all-important marketing and distribution strategy.

This approach ensures that potential investors get a full picture of the project, making it a top pick for anyone looking to dive into a well-prepared film proposal.

User-friendly editor: The platform's intuitive editor ensures that creating and customizing the proposal doesn't require advanced editing skills.

Responsive design: With a design that adjusts seamlessly across devices, the proposal guarantees a smooth viewing experience, ensuring that every detail is beautifully presented, whether on a desktop, tablet, or smartphone.

Analytics panel access: A built-in analytics panel provides insights into how readers interact with the deck, from the time spent on each section to the number of internal shares, offering a strategic advantage in tailoring follow-up communications.

Professional documentary proposal

By blending emotional storytelling with a clear call to action, this film proposal presents a documentary with the power to change perceptions and encourage a more empathetic and responsible interaction with the natural world.

Comprehensive layout: The proposal provides a detailed blueprint of the project, including character descriptions, location details, and a robust marketing and distribution plan.

Engaging storytelling: Through its focus on compelling narratives around human-animal connections, the proposal promises a documentary that is both informative and deeply moving.

Showcase of potential: The proposal emphasizes the documentary's role in inspiring viewers to take action for wildlife conservation and environmental stewardship, showcasing the project's potential to make a real-world impact.

Modern movie proposal

This proposal not only outlines the film's narrative and artistic direction but also demonstrates a keen understanding of what makes a movie project appealing to those in the industry.

Vivid storytelling: Through a combination of detailed synopses, character breakdowns, and thematic explorations, the deck paints a vivid picture of the film, inviting readers into its suspense-filled world.

Strategic marketing insight: It goes beyond the creative aspects to include a comprehensive marketing and distribution plan, showcasing a clear path to audience engagement and commercial success.

Engaging visual design: The use of atmospheric visuals and a cohesive color palette throughout the deck mirrors the film's tone, enhancing the narrative with a visual story that complements the written word.

How do you write a film proposal?

A film proposal is your opportunity to communicate not just the what and the how, but the why—why your film should be brought to life, why it will captivate audiences, and why investors should back your vision.

A compelling proposal is your first step in transforming a dream into cinematic reality. So, let's explore how to write a film proposal that will resonate with producers and funders:

1) Start with a clear concept

Your film's concept is its heartbeat. It encapsulates the genre, main theme, and the unique perspective you bring to familiar narratives.

Is it a heartwarming tale of redemption, a thrilling adventure, or a deep dive into uncharted psychological territories? Your concept is the seed from which the entire project grows, guiding every decision from casting to cinematography.

It's essential to distill your film's essence into a clear, concise concept that immediately grabs attention and lays the groundwork for the detailed proposal to follow.

2) Understand your audience

Conduct thorough research to understand your audience's demographics, psychographics, media consumption habits, and market trends. Tailoring your proposal to their interests increases its chances of success.

3) Craft a compelling logline and synopsis

The logline is your hook, a one-sentence summary that captures the essence of your film.

Follow this with a synopsis, a brief narrative outlining the plot, key characters, and the film's emotional and thematic journey. These elements should intrigue and invite readers into the world you're creating.

Here’s an example of a compelling logline:

"In a world where dreams are illegal, a rebellious dreamer discovers a way to dream safely but must evade the dream police to share his discovery with the world."

This logline introduces the unique setting, protagonist, and central conflict in a single, intriguing sentence.

A synopsis of the same film could sound like this:

"'Dreamscape' follows Eli, a young inventor in a dystopian future where dreaming is banned due to its addictive and disruptive nature. When Eli invents a device that enables safe dreaming, he becomes a target for the authoritarian regime's 'dream police.'

As Eli navigates a dangerous underground of fellow dreamers, he must decide whether his freedom to dream is worth the risk to himself and those he loves.

Through thrilling chases and moral dilemmas, 'Dreamscape' explores themes of freedom, control, and the power of human imagination."

4) Visualize with storyboards

Storyboards bridge the gap between script and screen, offering a visual preview of your film's most pivotal scenes.

They should capture the essence of your film's visual storytelling, from the composition of key shots to the pacing of action sequences.

This visual aid helps others grasp the cinematic potential of your project, making your proposal more engaging and memorable.

5) Detail your characters

Characters are the soul of your story. Provide descriptions that delve into their motivations, challenges, and growth throughout the film.

This depth helps readers form an emotional connection with your characters, making your story more compelling.

Well-defined characters also demonstrate your understanding of narrative dynamics and character-driven storytelling.

6) Present a clear budget

A transparent and detailed budget reassures investors and producers of your project's financial viability. It should account for all production phases, demonstrating your thorough planning and realistic approach to filmmaking.

This clarity builds trust and shows your capability to manage the project's financial aspects responsibly.

Here's a great example of a budget slide:

7) Present a marketing and distribution strategy

Outlining how you plan to market and distribute your film is crucial. This strategy should detail your approach to reaching your target audience, potential partnerships for distribution, and innovative marketing tactics that set your film apart.

A robust marketing and distribution plan underscores your film's commercial potential and your strategic thinking about its place in the market.

Here's a great example of a marketing and distribution strategy slide:

8) Introduce your team

Highlighting the experience and achievements of your team members builds confidence in your project's success.

This section should underscore the unique skills and past successes of your key personnel, showcasing a team that's well-equipped to bring your vision to fruition.

9) Create a narrative flow

Your proposal should unfold like a captivating story, with each section drawing the reader further into the world you've created.

Mike Nichols, one of America’s leading film directors, once said:

"The thing is, as a film director, you’re essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head."

Use your proposal to share that vision, guiding readers through your narrative with the same rhythm and intensity you envision for the film itself.

10) Tailor your pitch to different audiences

When pitching your film, adopting a one-size-fits-all approach won't cut it. Investors and producers come with their own set of interests and priorities, and recognizing these differences is crucial for a successful pitch.

Here's how to customize your pitch effectively:

For studio executives

Highlight the film's market appeal, its potential for profitability, and how it resonates with audiences. Focus on current genre popularity, the possibility of sequels, or opportunities for merchandising to capture their interest.

For independent investors

Stress the unique creative elements, innovative storytelling, and the artistic vision behind your project. Discuss what sets your film apart in a crowded marketplace from a creative standpoint.

For equity investors

Zero in on the financial upside. Offer a thorough market analysis, outline anticipated revenue sources, and present a well-defined exit strategy.

For producers

Tailor your presentation to match their previous works and areas of interest. Demonstrate how your film complements their existing portfolio, meeting both their creative and commercial objectives.

11) End with a clear call to action

Conclude your proposal with a decisive call to action. Whether you're inviting potential backers to discuss the project further, requesting funding, or seeking feedback, make it clear what you want the next step to be.

This clarity demonstrates your readiness to advance your project and makes it easy for interested parties to engage with you.

Here's a deck with a clear call to action:

How to design a film proposal?

A well-designed proposal can elevate your project from a mere concept to a compelling story that captures the imagination of your audience. It's the visual storytelling that complements your written narrative, making your proposal not just seen but felt.

Here are essential design tips to ensure your film proposal stands out in both form and function.

1) Use scrollytelling for dynamic engagement

Scrollytelling , or the use of scrolling to unfold a story dynamically, can transform your film proposal into an interactive journey. This approach leverages motion and progression to reveal information gradually, mimicking the unfolding of a film's plot.

By designing your proposal with scrollytelling elements, you invite readers to engage actively with your content, turning the act of reading into an experience that mirrors the engagement of watching a film.

Here's an example of scrollytelling:

2) Ensure responsive design for universal access

In today's digital age, your proposal is likely to be viewed on a variety of devices, from desktop computers to smartphones. A responsive design ensures that your proposal looks great and functions seamlessly across all platforms.

This adaptability enhances the user experience, ensuring that your audience can interact with your proposal without technical issues, regardless of how they access it.

Here's an example of a responsive deck:

3) Maintain cohesive branding

Your film proposal is an extension of your project's identity, and as such, it should reflect the unique branding of your film. A branded deck includes consistent use of colors, fonts, and visual motifs that align with the tone and style of your film.

This coherence in design not only strengthens your proposal's visual appeal but also reinforces your film's brand, making it more memorable to your audience.

Here's how you can easily extract branding from a website:

4) Personalize for your audience

Personalization goes a long way in making your proposal resonate with specific investors or producers. Tailoring aspects of your design to reflect the preferences or past successes of your audience can create a sense of familiarity and relevance.

Consider incorporating elements that echo a studio's aesthetic, highlighting aspects that align with an investor's interests, or using dynamic variables to address them by their name.

Here's how you can easily personalize with Storydoc:

5) Incorporate multimedia for a richer presentation

Incorporating multimedia elements such as video clips, sound bites, or interactive graphics can enrich your proposal, providing a deeper insight into your film's vision.

These elements can showcase aspects like director's intent, cinematography style, or the atmospheric mood of your film, offering a more immersive preview of the project.

Multimedia elements should be used to complement the narrative without overwhelming it.

6) Keep a clear and concise content layout

The layout of your content plays a crucial role in how information is consumed. Design your proposal with clear hierarchies, using headings, bullet points, and short paragraphs to break up text.

Visual elements like images, charts, or infographics can illustrate points more effectively than text alone.

A well-thought-out layout guides the reader through your proposal effortlessly, ensuring that key information is easily accessible and engaging.

7) Add interactive elements to foster engagement

Adding interactive elements such as clickable links, expandable sections, or embedded forms can transform a static proposal into an engaging, dynamic document.

These features encourage active participation from the reader, allowing for exploration and discovery within the proposal.

Interactive elements can be particularly effective in sections like character descriptions, budget breakdowns, or market analysis, where additional depth can be provided without cluttering the main narrative.

Here's a great example of an interactive deck:

Interactive film proposal templates

Even for those who are inherently visual thinkers, translating their vision into a structured, compelling proposal is no small feat. It demands a flair for storytelling and a knack for design, and takes a lot of time and effort.

Interactive film proposal templates level the playing field, providing a professional, polished look that might otherwise require hours of painstaking design work.

Every element is optimized for engagement, allowing you to focus on what you do best: telling stories that move and inspire.

Just grab one and see for yourself.

Hi, I'm Dominika, Content Specialist at Storydoc. As a creative professional with experience in fashion, I'm here to show you how to amplify your brand message through the power of storytelling and eye-catching visuals.

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How To Pitch A Movie Idea: Everything You Need To Know

So you have an idea for a new film — that’s great! But it’s important to know how to pitch your movie idea . Do your research, develop a compelling creative pitch, and know the essential “dos” and “don’ts” of selling your idea. Here are some tips from top Hollywood producers in the industry on creating, pitching, and selling a movie idea.

1. Create a Pitch

A pitch is a concise presentation of a film idea, typically made by a screenwriter or director to a producer , executive, or financial sponsor. T he elevator pitch is a short description of your film, usually encapsulated in 90 seconds to two minutes. The 20-minute pitch , also known as the “story” pitch, an in-depth description of the film. Here are six tips for creating a fantastically compelling pitch for your movie idea:

• Find a void in the marketplace:  Take advantage of proven concepts in the market, and then put a different spin on it, such as adding a different cultural view. By doing this, you’re catering to a “void” in the market but not forcing decision-makers to take a leap of faith on a concept that has never been done before. For inspiration, read about the successful Bravo show “ Jersey Belle .”
• Appeal to the biggest demographic:  The bigger the target audience, the better. Remember — buyers want a payout. The more appealing to all consumers, the better.
• Partner with someone with experience: Try to partner with someone in the industry who not only has a proven track record, but also shares your vision, process, and goals. The film “ Girls Trip  ” had a monumental opening weekend, making $30.4 million — and this was the result of a remarkable partnership.
• The Logline : This  sums up the whole film  in one sentence. 
• Treatment :  120 pages of script is totally reliant on one single page outlining the film. 
• Script: Have a polished draft that excites readers.
• Know your buyer’s genre and style:  Research the producers or companies you want to sell to, and know what genres and styles they have historically made deals for. You wouldn’t pitch a rom-com to a film company known for gritty action films.
• Extend your successful idea into a franchise:  Think of a few examples of the potential longevity of your brand. For example, the film concept for “Jersey Belle” was turned into a book, “ The Southern Education of a Jersey Girl .” Now, that book is being turned into a series! If you’re  pitching a pilot for a TV show , you have other factors to consider, too.

Here are even more ways to cater your idea and pitch to your dream company.

2. Prepare to Sell Your Pitch — and Yourself

It’s important to not only prepare your concept but also your professional reputation. To make a good first impression and protect your work, make sure you consider the following: 

• Make a list of producers you want to pitch to :  Investigate what genres of films they’ve produced in the past. 
• A short synopsis of the script
• A direct overview of your qualifications and experience as a writer
• Your phone number
• Your address
• Your email address
• Protect yoursel f:  Register your concept through Writer’s Guild of America (WGA) or get it copyrighted.
• Contact everyone on your list: Consider mailing hard copies that include a self-addressed stamped envelope so producers can easily respond to you.

3. Pitch Your Idea

Now that you’ve learned the basics, let’s break down each step of the pitch process to ensure you are prepared to give a professional, compelling pitch . For example, the home-invasion drama “ Breaking In ” that was released in 2018 is has a noteworthy pitch that lead to inimitable success .

• Watch professional pitches:  Watching pitches of existing films is a great way to get a feel of the process. Here’s David Russo with his pitch, “The Immaculate Conception of Little Dizzle.”

Here’s another great pitch from Mat Whitecross for “Sex & Drugs & Rock & Roll,” which really gets the point across in a concise yet engaging way. 

In Jac Schaweffer’s pitch for her film “TiMER,” you can see the importance of an immediate hook in the first sentence of your pitch.

• Waiting to be seen/drinking water (1-5 minutes)
• Hellos and small talk (1-5 minutes)
• The screenplay pitch (1-20 minutes)
• Q&As (5-20 minutes)
• Wrap up (1-2 minutes)
• Be inviting and establish rapport.
• Start the pitch by establishing the genre of your film idea.
• Pitch as quickly and energetically as possible to allows your passion to shine through.
• Be sure to include a hook , the audience, the most important beats of the film, and the budget (optional).
• Ask if they have any questions.
• Being under the influence of alcohol or drugs
• Any mention of politics or religion (unrelated to the plot of the film)
• Overrunning your time
• Trying to “oversell” or argue with the buyer’s perspective
• Being defensive
• Not answering questions
• Taking rejection personally 
• Comparing your screenplay to existing movies
• Mentioning specific actors
• Follow up politely:  Don’t be afraid to follow up in a week or so after a meeting. Be sure to thank them for taking their time.

4. Sell Your Idea

So you’ve made your film pitch, and now it’s time to talk numbers. Here are some things to keep in mind when  selling a script in Hollywood . 

• Know the scope of your budget:  Not only does the film need to be original and sellable, but it needs to have a realistic budget for its genre and the company you’re selling to.
• Get the rights to anything based on a real event or person:  You don’t want to lose a deal because you didn’t clear the rights of any part of your concept. If it’s going to be mentioned in the pitch, the rights should be obtained  prior to the pitch.
• Try a pitching service:   Sending your idea through a pitching service is a great way to workshop a pitch pre-sale and put you on a trajectory to talk numbers immediately.
• Hire an agent or manager:  You’re assumed to be much more marketable if you’re represented. Hiring an agent or manager gives you the right connections and a leg up on the selling front.
• Become a salesperson:  Once you’re talking numbers, it’s no longer about your story and how great it is. Put on your negotiation hat and be prepared to ask for what you’re worth.
• Hire an entertainment lawyer:  A legal representative can review any and all contracts before signing a deal. This way, you’re protected if something happens and the other side falls through.
• Keep your day job: The production of a film takes years, with setbacks and road bumps. Often, you won’t see a payout for three years or more after you sell a film idea. Here is some more information on how much you could make selling your script or idea .

There are  many other steps  you can take to make sure you are informed, prepared, and able to navigate the selling process.

5. Follow Up With Producers 

Too many sales can fall through without a simple follow-up. This reminds the producers that you’re not only still interested in working with them, but you’re also professionally invested in their work. You can follow up with producers by:

• Sending an email 
• Calling their professional phone
• Dropping a postcard in the mail

 Some things to keep in mind when following up include: 

• Time-frame:  You’ll want to follow up approximately four weeks after your initial inquiry. 
• Be professional:  You want to be kind and friendly but not pushy. Keep in mind your tone in your follow-up message. 
• Be prepared to receive no response at all:  Many producers don’t have time to respond to every query. Don’t lose hope just because you don’t get a response right away.

6. Continue to Learn, Grow, and Educate Yourself

Here are some resources to help you further your research:

• The Hollywood Pitching Bible by Ken Aguado and Douglas Eboch
• Selling Your Story in 60 Seconds by Michael Hague
• Videos:  Watch author, writer, and producer Marc Zicree speak about one of the rules from, “The Art of the Pitch.”

Get honest insight from Jack Perez here on an executive’s point of view during the pitching process. 

In this video, CEO of Stage 32 Richard “RB” Botto breaks down the importance of having a solid script to back you up during the pitch and establishing a good repertoire.

Film and TV careers  come with their unique challenges, especially when trying to make the leap from page to screen. While a film pitch may seem like a daunting task, there are many things you can do to ensure you’re adequately prepared. If you’re interested in learning more about pitching, apply to Nashville Film Institute to gain professional qualifications as a filmmaker .

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How to Write an AWESOME Movie Pitch or TV Pitch: The 10 KEY Steps

A movie pitch is one of the most important pieces of writing a screenwriter has to master in order to sell a screenplay and build a successful career. It can also be one of the hardest to get right. Don’t let its size fool you. Even if a movie pitch (or TV pitch) is only one page long it can be the key to selling your idea to an executive, producer or screenplay reader .

But often, condensing all their ideas into one page can leave writers tearing their hair out. So what are the key ways into writing a successful movie pitch? We take a look at the 10 important steps to writing a movie pitch, with some significant steps for TV pitches too. Plus we’ll provide some pitch examples to show how it’s done.

Table of Contents

What is a movie pitch, the importance of the pitch, the 10 key steps to a movie pitch, 1. a captivating logline, 2. make the key moments stand out, 3. keep your synopsis short, 4. make your characters stand out and create a familiarity, 5. explain your personal connection, 6. make the themes clear, 7. make the genre and tone clear, 8. make comparable references but mean them, 9. think about who is on the other end of the pitch, 10. leave the reader wanting more, and for writing a tv pitch…, 11. make clear what the engine of your series will be, 12. demonstrate how the characters can and will carry the series, 13. convey the depth of the story world, 14. what will drive potential future series, movie pitch and tv pitch examples.

So what exactly is a movie pitch? Well, it’s typically a document that seeks to sell your idea, either before or after you’ve written the actual screenplay, to an executive, producer, company or studio. This kind of written pitch is also known as a ‘one pager’.

It’s essentially a summary of:

• Your controlling idea , its plot and themes
• The main characters
• Your intention for the project
• The creative and market vision for the project, including its genre and potential audience.

The movie pitch can take a number of different forms. It might be a short and sweet pitch in no more than a few sentences. Or it might be a verbal pitch, taking the form of a long interview with an executive for example. The elevator pitch meanwhile is designed for the screenwriter to get across their idea in the briefest of windows.

We’ll primarily be focusing on the kind of movie or TV pitch that takes the form of a ‘one pager’. This is primarily how many writers will be asked to format and send out their pitches, so we think it’s the most useful. However, the below tips are also equally applicable to other forms of pitches, albeit with adjustments made for context, delivery and length.

Once you’ve read our tips, you can prepare your movie pitch and submit this 1-pager to Industrial Scripts’ The TITAN Awards , one of the world’s leading screenwriting contests.

So why is the movie pitch or TV pitch so important in the arsenal of skills that a screenwriter must have? Well, the pitch is an opportunity for your movie idea or TV show idea to shine through. It’s an essential introduction to you, your writing, your story idea and how you wish to practice and express your craft.

And this is why it’s a document that shouldn’t be taken lightly. Don’t just jot down the essentials of your idea into a word document and think that this is enough. No, a pitch must be a carefully constructed piece of writing.

Moreover, producers, executives or screenplay readers will read hundreds of pitches (sometimes in a very short amount of time). So it’s vital that your pitch is articulate, deliberate and effective. Otherwise, no matter how strong the core of the idea, your pitch won’t leap out, it will be left behind.

Your movie pitch/ TV pitch must grab the reader’s attention and leave them in no uncertain terms as to the next steps that need to be made. It needs to be the beginning of a conversation but disguised in the confidence of a statement. In this, it can be a vital step for a screenwriter to make, whether they’re pitching to producers, a production company, a studio or an agent .

A pitch is the first impression and we all know how important a first impression can be. Whilst in real life first impressions can be wrong and quick, in the film and TV industry, there is rarely the time to do anything else than make a crucial first impression of your idea.

So let’s look at the 10 key steps to a great movie pitch. Whilst this is largely intended to for writing a pitch document, its sentiments can be similarly applied to an elevator pitch , 20 minute pitch, pitch meeting or any similar presentation of your TV or film idea.

We’ll delve into the key points for a great movie pitch first, then highlighting some extras that apply particularly and specifically to a TV pitch.

First and foremost, you’ll need to nail your logline. This is the front and centre way in which you convey your movie idea. It will need to be pithy, capture the main narrative engine of your story, demonstrate the protagonist and lure the reader in.

It’s important to note that this isn’t a tagline. It’s not an advertisement, it’s an introduction. It may be brief but it can pack a punch and acts as the headline grabber of your movie pitch.

For more detail on how to craft the perfect logline, check out our loglines guide .

As you move away from your logline and into your synopsis , you’ll need to give a sense of what the big cinematic moments will be throughout. Think of this like a trailer, which is a compilation and condensing of the story.

As you begin to describe your plot, don’t get lost in the mechanics of the story too much. Keep as much space as you can for the key elements and the key moments that will make your film stand out. These will include:

• Main characters
• Setting and context
• The protagonist’s journey and the changes they undergo
• Where the story starts and where it might go to and end up
• The film’s key conflicts

Moreover, what are the big set-pieces, story beats and story hooks? These are the elements of your idea that are going to need to stand out to the reader. Lean on imagery and create a picture in the reader’s mind. This is a sure way to light their own imagination and get them excited about your movie idea.

Whilst you’re focusing on only conveying the essential, important parts of your story and creating a comprehensive overview of the plot, remember to keep it as brief as you can. This will typically be only a one page document after all.

But conceptually as well you don’t want to bog the reader down in the plot’s every little detail. Make conveying the key story beats your priority. And if this is something you find difficult then this is one of the benefits of writing a movie pitch. It will force you to boil your story down to its core elements, allowing you to see what is most important.

Whilst you shouldn’t lose sight of the details either, as these will make up the script eventually, calcifying what’s most important to your script in terms of getting across the story is vital.

Your pitch is where you’re introducing the producers, executives or screenplay readers to your characters. And in doing so, you want to create a familiarity with them as quickly as possible. Make it so that your characters already feel familiar to the reader midway through the synopsis .

This reflects the way that the audience will experience the film itself. You want to engage the reader in the protagonist ‘s character arc as quickly as you can, within the outline of the first act. Then you want to set up as many effective supporting characters as you can too, in addition to the antagonist .

One shortcut to familiarity is to make it clear, whilst still staying succinct, what makes your characters stand out.

• If each character has a sentence or adjective that you can ascribe to, what would it be?
• Remember that the reader is going to be taking in a lot of information in a short amount of time.
• And so shortcuts are a great way to make sure they maintain engagement across the pitch.

This is also achieved by setting out a clear structure to the character arc, visible within the pitch. Demonstrate where your character starts, where they go and where they end up.

Where did your movie idea come from? Give a little bit of background to why you want to tell this story.

• Is there anything that connects your story to that of your movie idea?
• Is there anything that gives you specific insight into the themes, characters or narrative?
• Why are you drawn to tell the story in the specific way you have outlined?
• What are your interests as a writer in general?

However, there is no need to go into too much detail or get too personal. In the end, this pitch isn’t about you, it’s about your story. Whilst it is conveying you as a writer, you want your film idea to mostly do this for you. Hide within the pitch, rather than being quite so explicit and overt about presenting yourself.

As well as demonstrating your plot and key characters, you must give a tangible sense of what your script is actually about at its core.

• What are the themes that audiences will take away from this film?
• What is this film about and what in this idea distinguishes it from other films?

You need to do this in as efficient a way as possible. If someone were to ask you what the film is about, what would you say?

This is where the discipline of constructing an elevator pitch comes in handy. There needs to be a top-line summary of what your script is about, away from the plot, away from the characters, away from the genre or stylistic flourishes.

Try and move away from the comfort of writing elegant and lengthy sentences describing your thematic aspirations. Instead, imagine yourself in a pitch meeting. Get to the meat of what you are seeking to say with your film in an as simple and easily digestible a way as possible. Be practical and make the reader immediately comprehend why and how your film is saying something distinctive.

You’ve established the what and why of your film idea. Now you need to establish the how. This is essential to understanding the feel of your movie as well as its potential marketability.

How is your film going to come across? What is the genre lens through which you wish to tell your story? And moreover, why is this your chosen lens?

Genre is essential to understanding how your film will fit in within the industry landscape. It gives an idea of the potential audience as well as potential production practicalities. This might be essential for producers reading your pitch, for example, helping them understand where they could potentially market your film and how to get the best out of its potential.

It’s crucial to convey tone too, as this is the way in which your film will be received.

• And you needn’t do this by explicitly stating what the tone and genre are within the movie pitch itself.
• Although a sentence highlighting the style you intend for your story is always helpful and clarifying.
• But moreover, you should interrogate as much as possible how you can convey these elements within the synopsis itself.
• What about the way your story is told intrinsically reveals the tone and genre? For example, is it fulfilling certain expected genre expectations?

You need to see your synopsis through this lens. And doing so will further strengthen your concept and its execution.

References to other movies/ TV shows can be very helpful in picturing your movie. But they have to be more than just hollow or stylistic references. They have to actually reveal something about your story and how you want it to be seen.

Saying that your film is X meets Y or like a combination of X and Y, can be a great way of summarising the inherent appeal and potential of your project. However, don’t do this only to make your film sound sexy and exciting, combining two great films to make another potential great film. Two plus two does not equal four in this case.

The best time to make references, particularly if combining them together, is to show how your movie idea is filling a gap. Here, you demonstrate that there is a precedent for the kind of film you’re seeking to tell but that there is nothing exactly quite like it. It’s only in the combination of other examples that you can express the idiosyncrasy of your movie idea.

Who is reading your pitch? Whoever it is is likely to be busy and reading many other pitches that day or week. So with this in mind, you need to try as hard as you can to create objectivity and clearly and succinctly convey your ideas to the intended audience without getting too bogged down in expressing every angle of your vision.

This is another time when it can be helpful to envision yourself in a pitch meeting with a specific audience or individual. It’s not particularly helpful to see a blank void at the other end of your movie pitch. Instead, think about how your pitch will be received.

Try and put yourself in the shoes of the person reading your document. This will only leave you wanting to make the pitch easy to read and understand as well as making it as exciting as you can.

Don’t tailor your pitch or try and second guess what the reader will want. But by balancing efficiency and effectiveness with distinction and idiosyncrasy you will make your pitch easy and engaging to read, creating a strong impression overall.

The purpose of a movie pitch above everything else is to leave the reader wanting to read the screenplay you have just pitched, whether you’ve already written it or not. And part of doing this is leaving them wanting more.

You want to leave the reader with a sense of unfinished business. Prepare them for a rich and engaging story and leave them with the sense that they haven’t quite gotten the full bite out of this meal that they potentially could.

However, be careful not to mistake being elusive and tantalising with vague. You must convey your story clearly and distinctly, giving a strong picture of how your film will look, feel and what exactly it will consist of for the duration of its runtime.

Some key ways to achieve this balance of leaving them wanting more and not being too elusive is to ask questions. Again, you want to do this confidently and not give the impression you don’t know the answers to these questions and that you need help.

But by asking questions, you ignite the search for an answer in the reader. A search that can only be answered by the execution, realisation and delivery of your screenplay.

Ready to submit your movie pitch? Submit your 1-pager to Industrial Scripts’ The TITAN Screenwriting Contest .

Many of the same rules apply to writing a TV pitch as they do a movie pitch. However, there are some key differences and important elements to consider.

Differing from movies, TV series need a justification for their form. They need a solid reason for unfolding over a longer period of time, something inherent in the concept. And you need to make what this is clear in your pitch.

• What is the question at the heart of your series which will never quite be answered (until the conclusion) and consequently drive the series?
• What is the push and pull of the series, the thing that the characters want and will continually struggle to get?

The reader needs to get a sense of what will make this series run and run. Even if it’s a limited series pitch, the idea needs to feel that it has depth and scope. How much potential is there in the story world? And what will this story world center around throughout the series?

A TV series needs to have a drive, something to continually push it forward. This is the engine, the dramatic question at the heart of the concept. For example…

• In Breaking Bad , Walter White’s unquenchable quest for power (initially masquerading as a quest for money) drives the series.
• In Succession , the Roy children continually seek their father’s approval, in one way or another. It’s something they’ll never get, such is Logan Roy’s character and so, therefore, the series could potentially go on forever.

Similarly, in your TV pitch, you need to demonstrate how the characters can and will carry the series. Show that your characters have a depth and three-dimensionality that only a series can explore. There must be visible layers to potentially unwrap.

• What are the characters’ motivations, aims, flaws?
• And is the quest to potentially resolve these enough to carry a series?
• How will the character arc develop and change throughout the series? Is there potential for a mighty rise and fall?
• Is there reward in seeing how the character deals with peaks and troughs? How strong or weak is the character?

This primarily applies to the protagonist . But it can be stretched out to the supporting characters too, particularly in relation to their dynamic with the protagonist .

For example, in The Sopranos , it’s clear from the outset that the dynamic between the different family members in relation to Tony has a lot of potential to explore.

• Carmella is the mob boss wife struggling to deal with her relation to Tony’s work, as well as struggling with Tony’s explosive personality, infidelities and lifestyle.
• Meadow, Tony’s daughter, is both the apple of Tony’s eye but also doesn’t shy away from questioning the truth of his work.
• Anthony, Tony’s son, irks Tony both in the way that he seems to mirror his younger self but in the way he is errant and unfocused.

These dynamics reach peaks and troughs throughout the series. But they’re always there rumbling on in the background as supporting narratives. And they of course compliment the primary series character arc, focused around Tony’s never-ending struggle for mental contentment and his attempt to control the crime family he’s in charge of.

Whilst the setting and story world is important in movies, it’s much more crucial to a TV series concept. It’s another element of the idea that will convey how much depth and reach the series could have.

• How much is there for a potential series to mine in the world?
• How three-dimensional and fleshed out is the world?
• And is this enough to drive many series, or enough to stand at the forefront of a limited series?

For example, in a limited series (also known as mini-series), the context and story world might be so rich that it serves as one of the series’ main themes. And you’ll notice that a lot of limited series are based on true stories for this reason.

• Take Band of Brothers , The People v. O.J. Simpson or John Adams for example.
• These are all series that take have the historical context at the forefront of the series’ themes. They have to, such is the weight of this context.
• So in your TV pitch, make this clear. Justify and argue for why your context is important and what it has to say about universal, timeless themes.

For continuing series, take Game of Thrones as the perfect example…

• The richness and scope of the story world is such that not only was there enough for eight seasons, with a very large ensemble of characters, but there is enough for spinoffs, fan theories and endless lore based around just the world.

So in your TV pitch, no matter how large the scope of your story world, lean into its richness as much as possible. Demonstrate why it is unique and distinctive and give a hint of how much there is to explore.

You don’t have to go into great detail at this point or in a short pitch, but you need to convey the ability of your story to carry future series. This is a key part of how to sell your series to those within the industry – conveying how much there is a vision for the series beyond its first.

It goes without saying that industry investment in your idea is more likely if you demonstrate there will be a greater return on their investment. And multiple series is what a lot of studios, production companies or producers will be looking for as there are longer term gains to be had.

Don’t do this section by halves, however, no matter how brief it may be. You might only be writing a sentence or two about the potential for series 2 or 3. But it’s important to do the work outside these two sentences, making sure there is a weight there to be filtered through.

• You don’t want to give some vague sense of how the series could develop, based around some hazy idea of the plot line.
• Instead, you want to succinctly sum up how the series’ main tenets will develop from series to series.

How will the stakes escalate? How will the protagonist ‘s journey intensify?

Break down your series development into concrete steps and show why you will need more than one series to truly, fully explore the depth of your characters, world and themes.

So what does a movie pitch and TV pitch look like? Well, there’s no need to be strictly prescriptive here. But your pitch should be broadly made up of the following simple steps.

Movie Pitch Example

Then if you have the space…

Themes/Writer’s Statement:

The themes/writer’s statement section will be where you might include how you came to write this idea, why you want to tell it, your aspirations for the project and a little about its intended tone, style and audience. If you’ve managed to keep your synopsis short enough, you’ll have this luxury.

TV Pitch Example

The TV pitch will follow much the same formula, with a few differences.

Series Outline /Future Series:

In the series outline /future series section, you will outline the overall vision for the series and how it might develop after the first season. This is where you might highlight the series engine and the themes or intention of the series overall. Again, this is a luxury that you can afford yourself by achieving a succinct synopsis .

Ready to submit your film or TV pitch? Enter The TITAN Awards now!

A movie pitch is a document that seeks to sell your idea, either before or after you’ve written the actual screenplay, to an executive, producer, company or studio. This kind of written pitch is also known as a ‘one pager’.

1. Create a captivating logline 2. Make the key moments stand out within the synopsis 3. Keep the synopsis short and succinct 4. Make your characters stand out and create a familiarity with them 5. Explain your personal connection to the idea or material 6. Make the themes clear 7. Make the genre and tone clear 8. Make comparable references but only if they really demonstrate your idea’s distinction 9. Think about the person on the other end of the pitch 10. Leave the reader wanting more

A movie pitch and a TV pitch share a lot of the same structure and need to include the same elements. However, there are a few extra elements that a TV pitch needs to include: 1. You need to give a sense of what the series engine will be – what will carry the plot over multiple episodes or seasons? 2. Convey the depth and reach of the story world. 3. Demonstrate how the characters and their complexity can and will carry the story engagingly through a whole or multiple seasons.

– What did you think of this article?  Share It ,  Like It , give it a rating, and let us know your thoughts in the comments box further down… – Struggling with a script or book? Story analysis is what we do, all day, every day… check out our range of  script coverage  services for writers &  filmmakers .

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Top 10 Movie Presentation Templates with Samples and Examples

Densil Nazimudeen

Have you ever considered what makes watching a movie so exciting? It's not just about the story; it's also about how it's presented to us. Let's explore the fascinating world of movie presentation! Imagine sitting in a cozy movie theater, popcorn in hand, waiting for the film to begin. But wait, what's that on the screen? It's not just the movie; it's the whole experience, the way the images, sounds, and colors come together to tell a story. Now, think about your favorite movie. What do you remember most about it? Was it the thrilling action scenes, the heartfelt moments, or maybe the unexpected plot twists? Whatever it is, chances are, the movie presentation played a big part in making it memorable. How can you elaborate on the exact idea of the movie presentation? Movie presentation refers to the art and technique of showcasing a film to an audience. It encompasses visual effects, sound design, and storytelling techniques. The intention is to improve the audience's cinematic experience by captivating and involving them.

Be that as it may, presentation is essential to success in the dynamic world of movie production . It's not merely about showcasing a film but weaving a compelling narrative that captivates audiences and stakeholders. Movie presentation transcends the screen, influencing perceptions and shaping the trajectory of projects and careers.

From the inception of cinema to the modern-day blockbusters, the art of presentation has played a pivotal role in the film industry's evolution. Did you know that Walt Disney's meticulous presentation skills were instrumental in securing the funding for Disneyland? Or that Steven Spielberg's masterful pitches helped bring iconic films like "Jaws" and "E.T." to life?

Big businesses in the movie production realm understand the importance of presentation. Companies like Warner Bros., Paramount Pictures, and Universal Studios invest heavily in refining their presentation strategies to ensure their projects resonate with audiences worldwide.

Click here for a captivating blog on the Must-Have Short Films Proposal Template with Samples and Examples.

In this article, we delve into the essence of movie presentation, uncovering intriguing facts and trivia while exploring its significance in the film production landscape. From the inception of an idea to the final cut, effective presentation can make all the difference in the success of a film.

Furthermore, we'll introduce SlideTeam’s Top 10 Movie Presentation PowerPoint Templates explicitly tailored for the film production house , moviemaking company profile , videography enthusiasts, and video editing professionals. These templates seamlessly integrate keywords like movie production , film production house , videography , and video editing , offering a comprehensive toolkit for crafting captivating presentations that elevate your projects to new heights in the competitive world of filming .

Every one of our templates can be completely customized and edited. Both frameworks come with content-ready slides, and the editing tool makes it easy to tailor the presentation to each audience member's requirements.

Let's take a look at our PPT Templates.

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We are introducing our comprehensive Movie Production House Company Profile PowerPoint deck. This meticulously crafted presentation showcases every facet of our film production endeavors. It's all covered, from an executive summary outlining our mission and vision to detailed statistics, services, and pre/post-production facilities. Dive into our rich company history, leadership team, and blockbuster portfolio, including upcoming projects and releases. Explore our industry accolades, strategic partnerships, and financial performance. 

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Take full advantage of this PPT Theme to represent the working of a content-based movie recommendation system. This PPT Slide aims to explain the creation of a utility matrix of movie ratings. The key points include the user profile, item profile, and utility matrix. This PPT Preset is indispensable for stakeholders seeking to understand and communicate the workings of recommendation algorithms effectively.

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Harnessing the power of this PPT Slide, you can demonstrate a moment of truth touchpoint in each activity stage while watching a movie. It includes online reservation, arrival, ticket counter, movie theatre, food counters, and exit. Stakeholders can utilize this PPT Layout to analyze and enhance customer experiences, making it invaluable for improving service quality and customer satisfaction in movie theaters.

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Template 5: Movie Screenplay Summary One Pager Template

Make the most of this PPT Template to highlight the summary of the movie screenplay. It covers the key elements such as the script logline, synopsis of the core story (Acts 1, 2, 3), and the conclusion and resolution of the story submitted with contact details. With this PPT Theme, stakeholders can efficiently evaluate and understand the essence of the screenplay, facilitating decision-making processes and fostering potential collaborations in the film industry.

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Template 6: Executive Summary Template

Employing this PPT Layout, You can cover the executive summary, which includes a synopsis of the film production house . It also provides information such as critical services, facts & figures, awards & achievements, etc. Using this PPT Preset, stakeholders can benefit from a comprehensive understanding of the production house's capabilities, facilitating informed decision-making and potential collaborations within the film industry.

Template 7: Company Introduction Template

This PPT Slide shows how to introduce a film production company that embodies values like honesty, innovation, and recognition. It includes the company's history, founding year, headquarters, and production facilities. With the help of this PPT Theme, stakeholders can gain valuable insights into the company's identity, culture, and operational scope, fostering trust and facilitating meaningful engagements within the film industry.

Template 8: Mission and Vision Statement Template

By taking advantage of this PPT Preset, you can showcase the company’s mission and vision statement, which describes its desired future position by defining its purpose, goals, expertise, etc. This PPT Template is helpful for stakeholders by benefiting from a clear understanding of the company's direction and values, fostering alignment and synergy in pursuing shared objectives within the industry.

Template 9: Impact of COVID-19 Over the Cinema Industry Template

This PPT Slide grants you the potential to depict the impact of COVID-19 on the cinema industry as it highlights the revenue losses incurred by the cinema industry, the closure of cinema halls, and the overall global stats. This PPT Layout is helpful for stakeholders to understand the challenges faced by the cinema industry and strategize for recovery efforts.

Template 10: Key Challenges Faced by Cinema Industry Template

Leveraging this PPT Theme, you can display the challenges the organization and cinema hall face due to the COVID-19 pandemic. These challenges can be the closure of theaters, postponed releases, the risk of unemployment, and social distancing in movie theaters. This PPT Template is helpful for stakeholders to assess and address challenges effectively, strategizing for business continuity and adaptation in the face of unprecedented circumstances.

Template 11: Key Trends to Follow Cinema Industry Post-COVID Template

This PPT Theme empowers you to portray the key trends that will follow the cinema industry post-COVID. These trends can be seat distancing, direct home releases, sanitization of cinema halls, and contactless purchases. This PPT Layout is helpful for stakeholders to anticipate and adapt to emerging trends, enabling them to stay ahead of industry changes and consumer preferences.

Check out these movie presentation templates and get started today!

In conclusion, the Top 10 Movie Presentation Templates offer a comprehensive toolkit for filmmakers, production houses, and enthusiasts alike. With a range of customizable designs and layouts, these templates streamline the presentation process, allowing users to showcase their projects with creativity and professionalism. Whether pitching a screenplay, outlining a film production plan, or presenting a movie marketing strategy, these templates provide the perfect framework. With included samples and examples, users can quickly grasp the potential and versatility of each template, ensuring their presentations stand out in the competitive world of filmmaking. Elevate your presentations today with these top-notch movie presentation templates.

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Click here for a comprehensive blog on the Must-Have Film Business Plan Template to Impress Investors.

Click here for an engaging blog on the Must-Have Film Budget Templates with Examples and Samples.

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• February 8 2024

Filmmaker George who won five Hugo Awards for Best Dramatic Presentation

While searching our database we found 1 possible solution for the: Filmmaker George who won five Hugo Awards for Best Dramatic Presentation crossword clue.  This crossword clue was last seen on February 8 2024 LA Times Crossword puzzle . The solution we have for Filmmaker George who won five Hugo Awards for Best Dramatic Presentation has a total of 5 letters.

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• Cinematography
• Post-Production
• Scriptwriting

Ultimate Guide to Film Terms: The Definitive Glossary of Film Terminology

Browse film terms   a   b   c   d   e   f   g   h   i   j   k   l   m   n   o   p   q   r   s   t   u   v   w   x   y   z.

W hether you’re working on your first or 100th film, there is always something new to learn. When you need to update your film terminology, this resource will be your best friend. We’ve included as many film terms as humanly possible all on one page, so let’s get into it.

Abby Singer Shot 

An Abby Singer shot is the name for the second-to-last shot of the day. It is named after Abby Singer, a famous assistant film director and production manager. 

Movie Terms

Above the line.

Above the line   is the costs of making a movie associated with the major creative talent, including the director, actors, writers, and producers. Films with special effects will also have a greater number of above the line costs than films without special effects. 

Film Terminology

Aerial shot.

An  aerial shot   is a shot filmed from far overhead. The shot is typically obtained from a plane, blimp, drone, or other aerial device. When an aerial shot opens a film, it is referred to as an establishing shot. 

FURTHER RESEARCH

• Overhead Shots →
• Epic Drone Shots Mashup →
• What is an Establishing Shot →

Film Vocabulary

An allegory is essential an extended metaphor. When a film suggests a correspondence or resemblance with a visible part of the film (character or event) to an abstract meaning that exists outside of the film. 

CINEMA TERMS

Alliteration.

Alliteration is a literary technique when two or more words are linked that share the same first consonant sound, such as “fish fry.”

cinematography terms

An  allusion  is an implied or indirect reference to something, used either in general discussion, or within a text — a novel, play, movie, song, TV show, video game, or even a T-shirt. 

Cinema Terms

Ambient light.

Ambient light is natural light (Sun, Moon, etc.) or pre-existing light in a location before any additional lighting is added. Ambient light is typically soft, that exists around the subject of the scene.

Cinematography Terms

An angle is the relative position of the camera in relation to the subject. This could be a low-angle shot looking up, a high-angle looking down, or even a Dutch angle where the camera is tilted on the y-axis.

• Eye Level Shots →
• The Low-Angle Shot →
• The High-Angle Shot →
• Guide to Camera Shots & Angles →

Movie Related Words

Angle on is the act of directing the camera to move and focus on a particular subject. 

To delve deeper into the topic of camera angles, we invite you to explore our informative blog post titled " Camera Angles Explained ".

Film Terms Glossary

Animation is a type of filmmaking in which individual drawings of inanimate, static objects are filmed one frame at a time. This creates the illusion of movement. Famous animated films include Snow White and the Seven Dwarfs and The Lion King . 

• Best Pixar Shorts →
• Best Animated Movies of All Time →
• How to Do Stop Motion Animation →

Movie Terminology

Anime is a distinct form of animation that has roots in Japan. It is generally recognized by colorful images, highly-stylized backgrounds, and extremely exaggerated facial expressions. The best Cyberpunk movies also take a great deal of inspiration from anime.

Movie Vocabulary

An antagonist is typically known as the villain of the story. However, the antagonist can be a person, group, force of nature, or interpersonal conflict.

• Best Realistic Movie Villains →
• How to Create the Ultimate Antagonist →

Film Making Words

Anthology film.

An anthology film is a movie with multiple parts or segments devoted to differing narratives. They are sometimes linked together by a theme, but it is not necessary. 

Anti-Climax

An  anti-climax is anything following a film’s high point, the climax, that is seen as a disappointing or unsatisfying let-down. Usually, what you expected to happen didn’t happen. 

Movie Dictionary Terms

An anti-hero   is the protagonist of a film who lacks the generally-accepted attributes of a traditional hero. A protagonist who is plagued with character defects or ambiguous morals (e.g., Walter White in Breaking Bad ). 

Production Terminology

An aperture is the opening of a camera lens that controls the amount of light allowed to pass through and actually contact the film. Aperture is part of the exposure triangle with shutter speed and ISO .

An apple box is a different sized (quarter, half, full, pancake) wooden boxes used for a variety of purposes.

An   a rc shot is a shot that captures a subject while moving around in a circle. See the dizzying shot during the prom scene in Carrie . 

Film Terminology for Students

An archetype is a character, thing, or place that is routinely presented in film with a certain characterization. For example, the Manic Pixie Dream Girl is an archetype. 

• What are the Jungian Archetypes? →
• Character Archetypes Examples →

Basic Film Terms

An arret  is a French word meaning “stop.” It refers to an in-camera film technique where the camera stops, then an object is placed within the frame, and the camera restarts, giving the illusion that the item magically appeared.

Film Lexicon

Art director.

An Art Director is an individual who belongs to a film’s art department who is in charge of the feel, look, construction, and design of the set. This includes determining the placement for props.

Film Set Lingo

An Art-House is a niche movie theater that specializes in playing non-mainstream indie films, foreign films, or small-budget films. They are considered high-brow, or “art” films.

Film Studies Key Words

An a side is when a film character breaks the fourth wall and directly addresses the audience. Commonly used by characters like Frank Underwood in House of Cards or Deadpool .

Motion Picture Terms

Aspect ratio.

Aspect ratio is the relative length and width of an image. Early cinema used more of a square shape (4:3), whereas today's movies and television are more of a rectangle (16:9 or 2.35:1, for example). 

aspect ratio

• What is 4:3 Aspect Ratio? →
• What is 2:1 Aspect Ratio? →
• What is 16:9 Aspect Ratio? →

Words Associated With Movies

An assembly is the first step in editing. All the shots are arranged by their order in the script. To gain a comprehensive understanding of film editing, we encourage you to check out our blog post titled " Unpacking the Art of Film Editing ."

Basic Glossary of Film Terms

Asynchronous.

Asynchronous  is a situation when audio tracks are out of unison with the visuals in the frame. It can sometimes be intentional and sometimes accidental.

Director Lingo Dictionary

Atmosphere is either a nebulous or concrete aesthetic of a film that adds to the overall dimensional tone of a film’s action. 

Editing Terms

Audio is any sound component of a film. This could diegetic sound (e.g., dialogue, Foley sound , etc.) or non-diegetic sound (e.g., scored music, narration, etc.).

• What is ADR in Film? →
• Sound Editing vs. Sound Mixing →
• Guide to YouTube’s Royalty-Free Audio Library →

Filming Terms and Definitions

Audio bridge.

An audio bridge   is an outgoing sound, such as music or dialogue, that carries on from one scene to the next. For example, the soundtrack could connect two scenes instead of visual images. 

An audition is the process in which an actor or performer reads from a prepared script or does a “ cold reading ” or a portion of dialogue. The performer may receive a call-back for additional readings. 

• The Ultimate Guide to Auditions →
• How to Become a Casting Director →
• A Step-by-Step Guide to Holding Auditions →

An auteur is the French word for “author.” Most often refers to a director with a distinct or signature style. Directors are often seen as the “authors” of film due to the amount of creative control they hold over all processes held within.

• Denis Villeneuve Directing Style →
• The Directing Style of David Fincher →
• Martin Scorsese and His Filmmaking Techniques →

Cinema Lingo

Available light.

Available light is the naturally-occurring light you find on the film location. Available light can help enhance a film’s sense of realism. It exists in contrast to artificial light a film crew would normally bring in. 

available light

• Film Lighting Techniques →
• Cinematography Tips and Techniques →
• How to Capture Images at Golden Hour →

Movie Director Lingo

Avant-garde.

Avant-garde is an experimental or abstract art movement. Avant-garde movies tend to challenge conventional filmmaking techniques. 

Movie Set Terminology

Axis of action.

The  axis of action is an imaginary line that runs between the two primary actors in a scene. Also known as the 180-degree line , it defines the spatial relations between all of the scene’s elements as being either left or right to the performers in order to maintain scene geography.

A B-movie is an offbeat, low-budget movie. B-movies generally come from independent producers. They have become to be defined by campy acting, catchy titles, and low-grade special effects.

Basic Film Vocabulary

A backdrop is to a huge photographic painting or backing seen in the background of a scene. It typically portrays a landscape, such as mountains. Backdrops were more commonly used before film studios either shot on set or used green screens.

Film Production Jargon

Background is anything within the rear plane of action. Anything occurring in the front plane of action is referred to as the foreground. It is often abbreviated as “b.g.”

Cinema Vocabulary English

Background artist.

A b ackground artist is the person responsible for designing the visual background of a movie. This person is also referred to as a “matte artist.”

Film Audio Terms

Background music.

Background music is the score or music heard in the background of a scene. Generally, this music helps set the tone or mood of the scene.

background music

• Guide to YouTube’s Royalty-Free Music →
• Creating Unforgettable Moments with Music →

Film Lighting Terms

Backlighting.

Backlighting  is the lighting placed behind the subject so that it faces the camera and helps to separate the subject from the background.

TV Production Terms Definitions

A back lot is a piece of land on a studio’s property where filmmakers can shoot outside scenes in an enclosed area. This differs from on-location shoots where the team goes to an actual part of the city to film. For example, many scenes in Back to the Future were shot on a back lot.

Film Industry Dictionary

Back projection.

Back projection (aka rear projection ) is a photographic technique in which a live action scene is filmed in front of a transparent screen where a background is added later. It was commonly used to portray actors driving in a car.

Screenwriting Terms

A b ack story is the events that transpired directly before the film began. It can help fill in information about certain characters so that the actors, or the audience can better comprehend motivations.

Film Frame Lingo

Balance is an overarching term about how the light, movement, and sound all work together within a single scene. 

Film Lighting Slang

Barn doors is slang for the four metal folding doors found on all sides of a light. The barn doors can be repositioned to help direct light in a certain direction.

Acting Terminology

A beat  in acting is a pause before an actor carries out a movement or speaks their next line of dialogue. In a screenplay, a beat may be signified through the use of ellipses (...).

Movie Making Dictionary

Below the line.

Below the line refers to any production costs that are not "above the line" (see above). This can include film crew salary, publicity, music rights, and cutting together a trailer. 

A   Best Boy is the aide, assistant, or technical assistant for the key grip or gaffer. The best boy is responsible for coiling and routing all of the power cables needed to run the lights. The best boy may also schedule what people and equipment are needed on a given day of a shoot.

Movie Terminology Glossary

Billing is the placement of actors’ names on a movie poster. The most prominent actor in a film will generally have top billing. The second most prominent actor will have second billing and so forth. 

Moviegoing Terms

A biopic is a biographical film about a real-life subject. It is often seen as a sub-genre of dramas and epics. Examples of biopics include The Last Emperor and Rocketman .

Acting Lingo

A bit part is a small acting role. Generally, a bit part will have a couple lines of dialogue in a single scene in a film. Actors who play waiters are generally considered to have bit parts. 

Movie Genre Definitions

Black comedy.

Black Comedy (aka dark comedy) is a sub-genre of comedy that rose in prominence around the 1950s and '60s. It takes typically serious subjects, such as death and war, and treats them with macabre humor. Fargo , American Psycho , Fight Club   would be considered some of the best Black Comedies of all time. 

Film Words Dictionary

Blacklisting.

Blacklisting is a term popularized during the "McCarthyism" of the late 1940s and early '50s where actors, directors, and other prominent people in Hollywood were persecuted for perceived connections with communism. Today, “blacklisted” individuals are those who have trouble finding work due to a variety of reasons (difficult to work with, wronged someone powerful, etc.).

Movie Genre Terms

Blaxploitation.

Blaxploitation   is a combination of the words “black” and “exploitation” and refers to low-budget, sensational movies primarily made in the 1970s that featured mostly African-American casts and tackled gritty topics like racism, drugs, and the criminal underworld (e.g., Superfly ). 

Common Movie Terms

Blockbuster.

A b lockbuster  is a standout movie that is a major box office success. Generally, a movie has to gross at least $200 million to be considered a blockbuster (e.g., Jaws ,  Avengers: Endgame ). 

blockbuster

• Best Marvel Movies, Ranked →
• Michael Bay's Best Movies, Ranked →
• A Complete Ranking of James Cameron Movies →

Film Camera Terminology

Blocking a shot.

Blocking a shot is the process by which a director determines where the actors stand, where the lights will shine, and how the camera will be positioned. Generally, a director will block a shot before bringing the actors on set to actually film. 

bLOcking a shot

• Blocking and Staging in the Godfather →
• Ways to Make Blocking More Interesting →

Filmmaking Lingo

A b looper is an embarrassing or humorous mistake made during the course of filming. Bloopers are also known as flubs, flaws, or goofs. In some comedies, bloopers will play over the end credits. 

Film Framing Terminology

A b low-up is an optical process involving the enlargement of a film frame or photographic image. It was often used to make 70mm film prints from original 35mm movies.

comedy Terminology

Blue comedy.

Blue comedy , also known as "dirty comedy," originated from the idea of veering off the beaten path of conventional humor. It is characterized by explicit language, sexual innuendo, and tackling taboo topics with unabashed boldness.

Film Techniques Glossary

Blue screen.

A blue screen (aka green screen) is an evenly-lit, monochromatic background actors perform in front of. The blue (or green) is then replaced with the desired background through chroma-keying. Many films made today heavily utilize blue or green screens. 

Terms for Actors

Body double.

A body double   is a performer who will take the place of an actor for certain shots. In many cases, this is done for nude scenes where a big-name actor may not want to use his or her actual body for the scene. 

Filmmaking Terms Around the World

Bollywood is the huge filmmaking industry in India. It derives its name from Bombay (now Mumbai) and Hollywood. Sholay and Mother India   are examples of Bollywood films. 

Film Glossary

Bookends are when the opening and end scenes of a film complement one another. It can help tie a film together, much like a framing device. Whiplash has bookends with Andrew beginning and ending the film while playing the drums.

Good Cinematography Terms

A b oom shot is any shot where the camera is attached to a mechanical arm like a crane or jib. 

Film Viewer Terms

A b ootleg  is an illegally obtained version of a film and distributed online or through the black market. It is also known as a pirated film.

Lighting Film Terms

Bounce board.

A bounce board is a device used to reflect light during filming. It is typically a solid white surface constructed out of poster board or foam. It helps add soft light to a scene.

Film Camera Lingo

Bracketing is the process of shooting the same scene multiple times using F-stops resulting in different exposures. An F-stop is the ratio of the focal length of a lens to the entrance pupil’s diameter.

Movie Cinematography Terms

Bridging shot.

A bridging shot is a type of transitional shot used to “bridge” a jump in place or time. For example, in Raiders of the Lost Ark ,  the movie uses bridging shots of a map to indicate Indiana Jones is moving. 

Old-School Film Terms

A bumper  is the pre-film segment that plays before the movie begins. It typically contains the movie studio’s logo. Disney movies have a bumper of a magical castle, for example. 

A Butterfly is a large sheet of fabric used to diffuse a wide area of light.

Film Production Definitions

A call sheet is a schedule given to crew members over the course of the film’s production. It lets every department member know when they are to arrive on set. It also lists which actors are necessary for which scenes.

• How to Make a Call Sheet Online →
• The Ultimate Guide to Call Sheets →
• Best Practices for Prepping Call Sheets →

Basic Acting Terminology

A cameo is brief appearance by a famous actor, director, or celebrity in a film. For example, Lance Armstrong has a short cameo in Dodgeball: A True Underdog Story .

Filmmaking 101

A camera is the most basic, essential machine necessary for filmmaking. The camera captures images using the lens, aperture, magazine, viewfinder, and other quintessential components. They range in size from immense IMAX cameras to modern smartphones. 

• When Was the Camera Invented? →
• Best Video Cameras for Filmmakers →
• Different Types of Cameras for Film & Video →

Filmmaking Terminology

Camera angle.

A camera angle refers to the point of view the camera operator chooses to photograph a subject. Some of the most basic camera angles include high angles , low angles , dutch angles , and eye-level shots .

camera angle

• Different Types of Camera Angles →
• Creative Examples of Overhead Shots →
• A Quick Guide to Aerial Shots with Examples →

Cinematic Storytelling Terms

Camera movement.

Camera movement is the act of moving the camera to capture various angles and perspectives. Some examples of common camera movements include pan , track , tilt , and zoom . 

camera movement

• The Dolly Zoom →
• Deep Focus Shot →
• What is a Camera Pan? →

Movie Job Terms

Camera operator.

A Camera Operator is the person responsible for operating the camera. The camera operator works under the supervision of the director as well as the director of photography. 

Movie Critique Dictionary

Capsule review.

A capsule review is an incredibly short movie review. A short snippet of a review you find on Twitter would fall into this category.

Movie Watching Definitions

A c aption  is a printed line of text you find at the bottom of a frame that describes or translates what characters are doing/saying. It is beneficial for deaf or hard-of-hearing viewers. Another word for this would be “subtitles.”

Character Terms

A caricature  is a character, usually a drawing, that is ridiculously out of proportion physically, psychologically, or morally. It portrays an individual in an unrealistic and/or stereotypical fashion. 

Box Office Dictionary

A cash cow is a movie that will be a guaranteed financial success. It could serve as another term for a blockbuster, but one with minimal risks. Star Wars   is a cash cow franchise for Disney. 

Actor’s Dictionary

A  cast is a term for the collective performers in a film. A cast is generally divided into two categories: the leads and the supporting characters. 

Dialogue Terms

Catchphrase.

A catchphrase is a short phrase said by a movie character that takes on significance within the general public. In the Die Hard   franchise, John McClane’s catchphrase is, “Yippee-ki-yay, motherf*cker,” one of the best one-liners in cinema history .

Screenwriting Lingo

Catharsis  is the point in a film’s climax where the audience experiences a cleansing of emotional tension. It provides relief and a sense of restoration. An audience will experience a cathartic moment when the hero definitively emerges triumphant over the villain. 

Animation Terms

A cel  is an individual hand-drawn sheet for a cartoon. It represents a single animation frame that allows for multiple layers of composition. Several character cels will be placed against the same background cel to show movement.

CGI is computer-generated imagery used in filmmaking to create special effects and the illusion of motion. It can be used to create giant, fantastical creatures or fill in a crowd in lieu of hiring a bunch of extras. 

Classic Movie Making Terms

Change-over cue.

A change-over cue is a dot that would appear in the top right-hand corner of a movie projection. It signals to the projectionist that that a change in film reel was coming up. Change-over cues are no longer common as most films are shown on a single reel or projected digitally. 

Basic Filmmaking Definitions

A c haracter  is the individual within a movie, played by an actor. Batman is a character while Robert Pattinson is an actor who plays him. 

• Character Development →
• Manic Pixie Dream Girl - A Eulogy →
• Character Archetypes in Film & Literature →

Character Actor

A Character Actor is a specific type of actor who specializes in portraying unique, offbeat, colorful characters. It could also describe an actor with a certain body type who is well-suited for certain roles. J.K. Simmons is a great character actor, best known for his role of J. Jonah Jameson in the Spider-Man   films.

character actor

• Who Played the Joker? →
• What is Method Acting? →

screenwriting lingo

Character sheet.

A  character sheet is a physical or digital manifesto where character details are displayed in visual/text form.

Movie Genre Studies

Character study.

A c haracter study is the film where characterizations come first while the plot and narrative come second. The Seven Samurai and Boyhood are examples of character studies.

Chiaroscuro

Chiaroscuro is a combination of two Italian words meaning “light” and “dark.” In filmmaking, it refers to the contrast between light and darkness in an individual scene. It has roots in German Expressionism and is also known as high-contrast lighting.

Film Genre Definitions

Chick flick.

A c hick flick is a term used to describe films that primarily appeal to women. It is often used in a derogatory sense to demean films that primarily star women or utilize heavily emotional components. 

Child Actor

A c hild actor is any actor who is under the age of 18. Macauley Culkin and Drew Barrymore were famous child actors. Because they are minors, there are special rules for working with child actors .

Chimera (Soft Box)

A Chimera is a cloth frame that attaches to a hard light and turns it into diffused light.

Movie Critic Terms

A c ineaste  is another word for a film/movie enthusiast. It was also the name for a popular film magazine. 

Cinematic Phrases

Cinéma vérité.

Cinéma Vérité is a French word meaning “true cinema.” It is a filmmaking style dedicated to capturing “real life” or utilizing techniques in a fictional film that suggest the viewer is peering into the lives of the characters. It was part of the French New Wave movement and popularized in the states by David and Albert Maysles.

Movie Job Titles

Cinematographer.

A Cinematographer is the individual responsible for the technique and art of film photography. It is this person’s job to photograph images for a movie by selecting the right lenses, film stock, camera angles, and recording devices to use. 

cinematographer

• Best Cinematographers →
• Essential Cinematography Books →
• What Does a Cinematographer Do? →

Unique Film Terms

Cinemascope.

CinemaScope is a film presentation technique that uses an aspect ratio of 2:35:1. It typically refers to anamorphic techniques and widescreen processes that utilize various magnifications in the vertical and horizontal to fill in the screen.

Interesting Movie Terms

Cinerama is a process of wide-screen filming that utilized three cameras and three separate projectors to attain an all-encompassing view of the frame. It would be projected on a curved screen, and it was the first commercially-viable multiple-screen process. 

There are all different kinds of clamps you’ll use on set. Everything from C-47s to Cardellinis and beyond. These hold gels to lights, lights to walls, and diffusion to whatever it takes.

Film Shoot Terms

Clapperboard.

A clapperboard is the black-and-white board or slate with a hinged top used to display information of the shot on the screen. It typically contains information about the director, title of the movie, and take being filmed. Today, electronic clappers have come into style.  

Animated Film Terms

Claymation is a style of animation where the characters are made out of clay, plasticine, or putty. The characters are then filmed, generally through stop motion animation. 

• What is Stop Motion Animation? →
• Best Rankin Bass Christmas Claymation Movies →

Storytelling Definitions

Cliffhanger.

A c liffhanger  is the film that ends with the primary conflict unresolved. It came into fashion during the time of film serials but is still prevalent today. Avengers: Infinity War   ended on a cliffhanger that lead into Avengers: Endgame . 

Screenwriting Basics

A c limax  is the topmost point of tension within a narrative. It is the primary point with the protagonist must confront the antagonist and all of the consequences there within. The climax is then generally followed by denouement or anti-climax. 

Basic Cinematography Terms

A close-up   is the shot taken from an incredibly close distance to the subject. A single object or part of an actor’s body will appear in the frame. This is to emphasize importance and make the audience focus on a single item. 

• Extreme Close-Up Shots →
• The Medium Close-Up Shot →

Film Structure Definitions

A coda is the word meaning “tail” in Italian. It refers to the final portion of a film, also known as the epilogue . It is the scene that provides closure, such as in Harry Potter and the Deathly Hallows Part 2 . 

Old-School Cinema Terms

Colorization.

Colorization is the process of film alteration where black-and-white film is turned into color. It was a popular, albeit controversial, process in the 1980s when classic films received modern updates. 

Film Acting Terms

Comic relief.

Comic Relief is a character who provides comedic moments in otherwise serious films. It was popularized by Shakespeare but can still be found in movies today (e.g., Timon and Pumbaa in The Lion King ). 

comic relief

• What is Comedy? →
• The Best Comedies of All Time →
• The Best Dark Comedy Films & TV Shows →

Understanding Film Genre

Coming-of-age film.

A C oming-of-Age Film is the movie associated teenagers growing into adulthood through relatable rites of passage. These films are usually defined by the loss of innocence, attaining sexual identity, and/or living out childhood dreams. 

Actor’s Phrases

Command performance.

A c ommand performance generally refers to an amazing performance given by an actor. Most of the time, this performance has come right before the actor’s death. 

Film Jobs Vocabulary

A Composer is the musician who creates a movie’s score. This is in contrast to a conductor, who directs the orchestra playing the score, and a lyricist, who writes the lyrics to a song. 

• How to Use Suspenseful Music →
• How to Design a Surreal Film Score →

A Director’s Movie Vocabulary

Composition.

A composition  is the way in which different elements of a scene are arranged on the frame. This refers to the lighting, movement of the actors, props, lines, and other figures. 

composition

• What is the Rule of Thirds? →
• Rules of Shot Composition in Film →
• Shot Composition & The Quadrant System →

Movie Magic Dictionary

Concert film.

A  concert film is a movie that records a live musical performance of a band, singer, or stand-up comedian. It can take footage from a single performance or stitch together footage from multiple concerts. 

Essential Film Terminology for Students

Continuity is one of the responsibilities of the Script Supervisor to make sure elements are consistent from shot to shot and scene to scene. When there is a mistake, such as an actor wearing different clothing within the same scene, it is referred to as a “continuity error.” 

Film Set Lingo for Lighting

Contrast is the difference in light and shadow in a scene. A frame with high contrast has a sharp delineation between the bright and dark elements. The opposite of this is known as low contrast. 

Filmmaking Understanding

A convention is a typical element audiences expect out of certain genres of film without question. For example, Film Noir is expected is expected to have a lot of shadows and pose questions related to human corruption and betrayal. 

Film Glossary for Students

Coogan's law.

Coogan's Law is the landmark legislation passed in the late 1930s intended to protect the earnings from child actors. As a result of the bill, a portion of the child’s earnings go in a court-administered trust fund the child receives upon reaching maturity. The bill is named after child actor Jackie Coogan and is one of the rules for working child actors .

Cinema Basic Terminology

Coverage is the term to describe all of the shots, including reverse angles and close-ups, a director obtains in addition to the master shot. Having “proper coverage” means to have all of the necessary shots to put together a complete film. 

Cinematography Glossary

A crane shot is the camera shot taken from a huge camera dolly or another electronic device, such as a crane, resembling an extendable arm or boom. It can raise the camera high above the ground, allowing the camera to move in practically any direction. They provide a form of overhead view of the scene. 

Main Film Glossary

A crawl  is the superimposed text on the screen that can move up, down, diagonally, or across. The most famous example of this is the opening crawl detailing a prologue in the Star Wars   films.

Film Definitions Terms

Credits  is the text appearing before or after a film detailing the cast, production crew, and technical personnel who worked on a movie. Each person listed receives a credit on what he or she did on the film. 

Movie Personnel Terms

A Crew is the collective of individuals involved with the technical aspect of shooting a movie. It does not refer to the performers in a film.

• How to Find the Best Production Crew →
• Film Production Crew Contact List Template →
• A Better Film Crew List Template Booking Sheet →

Movie Watching Vocabulary

A c ritic   is someone who publishes reviews of movies for analytical or educational purposes. A movie review will discuss the finer points of a film, such as quality of the acting, directing, or writing. Roger Ebert is one of the best-known film critics to ever live. 

Film Editing Terms

Cross-cutting.

Cross-Cutting is an editing technique of interspersing, interweaving, or alternating one action with another. Usually, these will be in separate places or locations, and the cut combines the two. It is an editing method to suggest parallel action or two events that take place simultaneously. 

Movie Director Dictionary

A c ross-fade is a fading technique with two components. First, there is a fade to black. Next, it fades into the next scene. When it does not cut to black first, it is referred to as a “dissolve.”

Movie Marketing Terms

A cross-over is a film marketed toward one audience but would also be enjoyed by a completely different demographic. For instance, Toy Story 4 was a children’s film, but adults also enjoyed it.

Film Shoot Vocabulary

A crowd shot  is a shot consisting of a large group of extras. Today, many crowd shots utilize CGI so that the production does not have to hire a bunch of extras. 

A C-Stand is a sturdy light stand that has three different legs that can be adjusted to accommodate steps; a long metal “arm,” and a round clamping head called a gobo.

A Cucoloris is a type of flag with shapes cut into it that creates the look of tree branches, window shades, etc.

An Actor’s Glossary

A cue is the signal for an actor to start performing. Typically, a cue will be one actor’s last line of dialogue, signaling to the other person in the scene to start. However, a cue can also come from the director or from within the script. 

Everyday Film Terms

A cue card is the large board with dialogue printed on it to help an actor remember his or her lines. Today, actors can receive electronic cues by means of a teleprompter.

Editing Dictionary

Cutaway shot.

A cutaway shot is a quick shot that temporarily cuts between a continuously-filmed sequence by inserting another person, object, or action into the scene. It is then followed by a cutaway back to the main sequence. Family Guy   has become famous for its cutaway shots. 

Film Studio Words

A cyclorama  is the seamlessly curved backdrop reaching from the floor to the ceiling to showcase a background for a scene. It is generally used to represent the sky when outdoor scenes are shot indoors. 

Cinematic Lingo

Dailies   are copies of the footage shot on the previous day and reviewed. Directors will review this footage at the end of the day (or start of the next day) to see what they have so far. Dailies are vital for making sure continuity is correct and sound quality is good. 

Moviegoing Phrases

A Dark Horse is a little-known movie that goes on to become a massive hit either financially or on the awards circuit. Moonlight was the dark horse winner for the Best Picture Oscar over La La Land . 

Cinematographic Words

Day-for-night shot.

A D ay-for-Night shot is filmed during the day to make it appear as if it takes place at night. This can be attained through unique lighting, filters, and lenses. It was common in the 1950s and '60s but doesn’t happen as often today but, if it does, there are tips on how to schedule a day-for-night scene . 

Comedic Vocabulary

Deadpan is a comedic device in which a performer assumes an expressionless demeanor to deliver comedic lines or performances. Leslie Neilsen and Buster Keaton had famous deadpan deliveries. 

Deep Focus Shot

A deep focus shot is a cinematography technique portraying great depth of field. Wide angle lenses are used with small lens apertures to create a sharp focus in both distant and nearby planes within the same shot. 

Screenwriting Concepts

Denouement   is the point in a film that immediately follows the climax when everything in the plot has been resolved. It’s typically the final scene in a movie and is also known as the resolution. 

Directorial Terminology

Depth of field.

Depth of field is the depth of a shot’s focus in relation to the foreground, middle-ground and background. Shallow depth of field might keep only one of those planes in focus, while deep depth of field would keep all of them in focus.

depth of field

• What is Deep Depth of Field? →
• What is Shallow Depth of Field? →
• The Essential Guide to Depth of Field →

In-Depth Movie Terminology

Depth of focus.

Depth of Focus is directly related to depth of field. It refers to making an adjustment so that a camera shot keeps its deep focus throughout all of the various planes.

Deus Ex Machina

Deus ex machina is the resolution of a plot by what is basically a force from God. It usually refers to a clumsy, contrived, or illogical intervention that alleviates the tension through something other than a character’s actions. The bacteria in War of the Worlds could be considered a deus ex machina, one of many cliches to avoid .

Sound Editing Terms

Diegetic sound.

Diegetic sound  is the logically or realistically existing sound within a scene. Music playing on the radio or the sounds of keys turning within the ignition would be examples of diegetic sounds. If the characters in the film can hear it, it's considered diegetic. Non-diegetic sound includes the musical score and narration.

Lighting Vocabulary

Diffusion is the softening or reduction of a light’s intensity. This is achieved through a translucent sheet, made from silk or lace, or through a diffuser in front of the light source to cut down on shadows.

Digital Film Terms

Digital production.

A digital production or virtual production is a movie on filmed with digital video by means of high-resolution cameras. Afterwards, post-production is carried out using video editing methods, which completely eliminates the need for 35mm film. 

Distribution Film Terms

Digital distribution.

Digital distribution is the channel through which media is shared via the internet. 

Framing Phrases

Directing the eye.

Directing the eye is a cinematographic term. It refers to using frame composition, camera movement, or lighting to make clear what is most important in the frame. 

Movie Set Words

A Director  is the artist responsible for total artistic control during all phases of a movie’s production. The director makes day-to-day decisions about acting, lighting, sound, casting, and editing. More than anyone else, the director is the single person most responsible for ensuring a film comes to fruition. 

• Auteur Theory →
• Producer vs Director →
• How to Become a Director →

Film Viewing Vocabulary

Director's cut.

A Director's Cut is a version of a movie a director is able to make without any studio interference. This is the version the director would like audiences to see the film. Arguably, the most famous director’s cut is that of Blade Runner , which audiences and critics alike seemed to agree was superior to the theatrical version. 

Movie Editing Terms

A d issolve  is a transitional edit between two scenes, shots, or sequences in which the image of one shot is slowly replaced, blended, or superimposed with a different image. It’s usually done to suggest a passage of time. 

Film Theory Terms

Dogme 95 is the filmmaker collective founded by Lars von Trier and Thomas Vinterberg in 1995 that established a clear set of rules and philosophy that rejected contrived camera work and special effects in lieu of “honest” and “truthful” storytelling. Some of the other rules included shooting on location and using hand-held cameras. 

Movie Sound Terms

Dolby stereo.

Dolby Stereo is the stereo-sound process for movies developed by Dolby Laboratories, Inc. to enhance sound quality. 35mm prints of films have dual optical sound tracks while 70mm films have six magnetic tracks as well as multi-channel playback. 

Movie Production Terminology

A dolly shot is the movie shot where the perspective of the background and subject is altered. A camera will be mounted onto a tripod or wheeled camera platform, pushed on rails, and moved slowly during the filming while the camera runs. When combined with a zoom, the background stretches behind the subject and is called a dolly zoom .

Cinematography Jargon

Double exposure.

Double exposure is the process of exposing one frame twice so that elements of the two images are visible within the final product. It results in an effect similar to superimposition. It is commonly used to create a “ghostly” effect.

Movie Lexicon

A dub   is the process of inserting a new soundtrack into a movie or adding a new soundtrack of music, sound effects, or dialogue following production. A dub will match the lip movements and actions of the filmed shots to make it seem natural. This is in contrast to direct sound where sound is recorded on the scene and synched with the shot.

Cinematography Basics

Dutch angle.

A Dutch angle is a shot where the camera is tilted to one side, along the horizontal axis, producing a diagonal angle. It is typically done to create a sense of unease within the viewer. 

Photographic Dictionary

Dynamic frame.

A dynamic frame is a photographic technique meant to mask the projected image shape and size to any ratio that is seen as appropriate for the scene. An example of this would be the aspect ratio narrowing when an actor walks through a narrow passageway. 

French Movie Lexicon

Enfant terrible.

An E nfant terrible is a French word meaning “terrible baby.” It refers to a young director who is brash or egotistical. This is often a director who is innovative but uses unorthodox techniques. 

Storytelling Jargon

An e pilogue  is the short scene at the end of a movie that concludes the film. Many times, the main characters will be older, reflecting on the events just witnessed. Saving Private Ryan   ends with such an epilogue. 

Common Words Associated With Movies

Establishing shot.

An establishing shot   is a long shot that shows the location from a distance. It is often an aerial shot, and it informs the audience of the time and locale of the setting. It helps orient the viewer so that they know where the next scene takes place. 

Movie Production Lingo

Executive producer.

An Executive Producer is the individual responsible for overseeing a movie’s financing. The Executive Producer may also help arrange various elements of a film’s production, such as a writer and actors. 

A Fun Film Terms List

Exposition is the conveyance of vital background information, either through actions or dialogue, to further the events of a story. It could also set up a movie’s story. It can include information about the main problem or what’s at stake for the characters. Writing exposition is particularly tricky when trying to weave it into the script organically.

Movie Theory Lingo

Expressionism.

Expressionism is the movie technique that involves the distortion of reality through costumes, editing, and lighting. It’s meant to reflect the inner emotions of the characters or the filmmaker. It was popularized in Germany in the 1920s and '30s, often characterized by dramatic lighting, grotesque shots and dark visual images. 

Film Slang for Directors

An Extra is an actor who appears in a movie in a non-speaking, unnoticed role, such as part of a crowd or a patron in a restaurant. Extras generally do not receive a screen credit.

Videography Terminology

Extreme close-up.

An extreme close-up is a close-up shot that films the subject incredibly closely. In many cases, the outer portions of the subject will be cut out of the frame. Extreme close-ups are typically done on actors to showcase their eyes, mouth, or another singular part of the body.

Film Editing Glossary

Eyeline match.

An   eyeline match is a cut in filmmaking between two shots that shows an illusion that the character, presented in the first shot, is looking at an object, presented in the second shot.

Editing Techniques Dictionary

A fade  is a transitional tool that consists of a slow change in intensity of a sound or image. A normally-lit scene will transition to black or vice versa. This also applies to sound and how it fades in and out of a scene.

Film Editing Terminology PDF

Fast-cutting.

Fast-Cutting is a movie editing technique consisting of multiple fast consecutive shots. These are known as staccato shots that only last for a brief duration of time each to create a fast-paced effect.

Movie Making Slang

Favor On is when the camera focuses or highlights a certain subject or action within a shot.

Film camera Terminology

A  film gate is a piece of metal framing behind the lens that lets light into the camera. 

Film Studies Terminology

Film Grain is a light-sensitive material that exists in a film’s emulsion or coating. It results in a fine-grained aesthetic, which requires more light to film, or a coarse aesthetic, which is preferable for low-light scenes.

Film Analysis Terms

Film Noir is a French word meaning “black film.” It was a popular genre in the 1940s that consisted of dark subject matter, downbeat tones, and low-key lighting. Often, the protagonist was an anti-hero or private detective. The Maltese Falcon is an example of a film noir.

• Best Neo-Noir Films →
• Top Christopher Nolan Movies →
• Best Film Noir Movies of All Time  →

Film stock refers to a film’s gauge or size as well as the film speed. It can also refer to the unused, unexposed film where photographic images will later be stored. The different types of film stock include tungsten and daylight.

Film Theory

Film theory is a catch-all term used to refer to technical and theoretical ways of studying film. 

Film Review

A  film review is a type of critique that provides an evaluation of a film, encompassing various aspects such as the plot, themes, direction, script, and performances.

Camera Lens Vocabulary

A f ilter  is a plastic, glass, or gelatinous substance placed behind or before a camera lens. This changes the character and effect of the lighting within the frame of the film.

Movie Camera Jargon

Fish-eye lens.

A fish-eye lens is an extreme type of lens that films subjects at super wide angles. It also has an incredibly short focal point, in addition to a practically infinite depth of field, that distorts the linear dimensions of the image. This results in a more curved image.

A Flag is a black, light-absorbing cloth (duvetine) stretched on a metal frame and used to block out areas of light in all different sizes.

Essential Storytelling Terms

A f lashback  is a technique used in filmmaking where the natural order of the narrative is interrupted to show what happened in the past. Many times, this flashback has occurred prior to the first frame in the film. It provides backstory on the events and actions presently taking place.

Other Storytelling Terms

Flash-forward.

A f lash-forward is the opposite of a flashback. It interrupts the natural order of the story to show what will happen in the future. A flash-forward can also go from the past to the present.

Vital Film Terms

Focus is the degree of distinctness or sharpness in an image. As a verb, it relates to the adjustment or manipulation of a lens to create a far sharper image. You can have shallow, deep, or soft focus.

• What is Shallow Focus? →
• The Rack Focus: Creative Examples →
• Deep Focus Shot: Creative Examples  →

Film Job Vocabulary

Foley artist.

A Foley Artist   is an individual who works during the editing and post-production phase of a movie’s production. This person adds or creates incident sounds and noises, such as gunshots, footsteps, and punches, to synchronize to the finished product. Named after pioneer Jack Foley.

Motion Picture Terms Glossary

Footage is any sequence, portion, or length of film, either shot or soon to be shot, that is measured in feet. It also refers to a specific sequence of events depicted in the movie.

• Best DJI Ronin-S Footage  →
• Panasonic GH5s Footage  →
• Blackmagic URSA Mini Pro Footage →

Complete Movie Terminology List

Foreground   is the opposite of a background. Any action or object closest to the camera. In writing, the foreground is generally abbreviated as b.g.

MOTION PICTURE TERMS GLOSSARY

Foreshadowing.

Foreshadowing is a literary device that is utilized to give a hint or indication of a future event in the story. It can be a very effective tool for developing curiosity, suspense, and even narrative harmony at the end of a film or novel.

Documentary Film Terms

Fourth wall.

The Fourth Wall is the illusory, imaginary plane through which the audience is able to watch the film. It is possible for characters or the narrative to break the fourth wall, letting the audience know then are, indeed, watching a movie.

Movie Terms to Know

A f rame  is a single image. It is the smallest compositional unit you can have in a film’s structure. A series of frames will be shown in rapid succession to make up the moving picture.

Movie Phrases for Students

Frame Rate is the rate at which film stock passes through the camera. Most modern films run at 24 frames per second. Older films ran at 18 fps while some films made today crank at 48 or 96 fps.

A Fresnel (pronounced “fruh-NELL,”) is is a hard-lensed light that comes in different sizes. Each size of fresnel has a different nickname. 

A Guide to Film Terms

A Gaffer is the head electrician in the film crew on a movie set. This individual is responsible for the design and final execution of the production’s lighting on the set.

Gaffer Tape

A Gaffer Tape is a strong fabric-backed tape that is easily removed when no longer needed. Used for all kinds of things on set.

Movie Projector Terms

A Gate is a mechanism inside a camera or projector that holds the film steady as it passes by the lens. "Checking the gate" is a phrase used when someone on the camera crew makes sure no dust or particles obstruct the exposure on the film.

Movie Filter Vocabulary

A Gel   is a tinted, transparent colored plastic sheet used as a movie light’s filter. It creates a colored glow over a scene. This is typically done to evoke a certain mood.

Film Distribution Terms

General release.

A g eneral release is the widespread distribution and simultaneous exhibition of a movie. This is in contrast to a limited release where a movie only plays at select theaters for its initial run.

Dictionary of Movie Terms

Genre  is a French word meaning “type” or “kind.” It refers to a specific class of film, such as science-fiction or musical. All films in a given genre share common, distinctive thematic or artistic elements.

Pre-Production Lingo

Greenlight   is a term used when a film has received the go-ahead to into production. This is in contrast to a redlight, where a film remains stuck on a shelf to not enter production.

Film Genre Vocabulary

A Grindhouse   was originally a burlesque theater, often in a red-light district, that would show exploitation and B-films. They became popular in the 1960s and '70s, and Grindhouse films today are those that carry on that aesthetic. 

Film Crew Member Terminology

A Grip is a crew member who sets up dolly tracks, moving props, camera cranes, and other pieces of equipment. The key grip is the head grip who coordinates all of the duties with the other grips in the crew. The head grip receives direction from the gaffer.

Box Office Glossary

Gross is the total box office take. The total amount of money a movie brings in during its theatrical release. It does not include earnings from DVD/Blu-Ray sales or rentals.

Student Filmmaking Lingo

Guerrilla film.

A g uerrilla film is a low-budget film made without acquiring filmmaking permits and often using non-SAG actors. Escape From Tomorrow is a guerrilla film shot without permission in Disneyland.

guerrilla filmmaking

• How to Make a Movie with No Budget?  →

Movie Studies Phrasing

Handheld shot.

A h andheld shot is captured through a handheld camera deliberately designed to look wobbly, shaky, or unstable. It’s often used in documentary films or Cinéma Vérité works.

Film History Terms

The  Hays Code is a series of censorship restrictions imposed in the 1920s and enforced until the late 1960s. The code stated what could and couldn’t be shown in films, such as nakedness, methods of crime, illegal drug use, alleged sexual perversion, and other taboo subjects at the time. Named after Will Hays, chairman of the MPPDA, the organization in charge of regulating censorship in Hollywood.

Basic Cinematography Jargon

Head-on shot.

A h ead-on shot  is where the action comes directly to the camera. It works to increase the audience’s feeling of participating in the film. It works particularly well for 3D movies.

Moving Camera Terms

Helicopter shot.

A helicopter shot is a moving shot, often used as an establishing shot taken from a bird’s eye view. It is generally taken from a helicopter, allowing it to weave through a landscape.

Movie Director Lingo Dictionary

Helm is another word to refer to the director of a film. A director can also be referred to as a “helmer.”

A Cinematographer’s Terminology

High angle shot.

A high angle shot is where the scene or subject is filmed from above. The camera looks down upon the action, making the subject appear small or vulnerable. It is the opposite of a low angle shot .

High Definition

High Definition is an image with a resolution with a minimum of 480 scan lines with the average being 720 and 1080 scan lines. 

Blocking Film Term

Hitting a mark.

Hitting a mark is for actors moving to the correct position during rehearsals and while the camera rolls. Sometimes, a mark will be set with a physical piece of crossed tape on the floor to help the actor stand in the right spot.

A HMI is a powerful hard light that can be used in place of sunlight.

Movie Analysis Dictionary

A h omage   is a respectful tribute to something or someone. In film, this generally occurs when one movie is referenced in a different film. Many Star Wars   films pay homage to classic samurai movies.

Movie genres

Horror  is a genre of storytelling intended to scare, shock, and thrill its audience. Horror can be interpreted in many different ways, but there is often a central villain, monster, or threat that is often a reflection of the fears being experienced by society at the time. 

Movie Terms and Definitions

A hybrid  is a movie that combines elements of two distinct genre types. As a result, it can’t be defined by a single genre. Little Shop of Horrors is a hybrid of a horror film and a musical.

Film Icon Terms

Iconography.

Iconography is the use of a famous icon or symbol. It is designed to analyze the themes and various styles present within a given film. The rose in Beauty and the Beast has become an icon.

Movie Production Glossary

IMAX   is a large-screen film format roughly 10 times larger than the traditional cinema format (35mm). It debuted in 1970, and initially, it was used to showcase nature films or short documentaries. It produces amazing high-definition sharpness on movies projected onto screens eight-stories high.

Glossary of Film Editing Terms

In-camera editing.

In-camera editing is used for filming in the precise order needed for the final product. It eliminates much of the need for post-production editing. It is a quick, but unprofessional, way to create a film, often used by amateur filmmakers or students.

Film Slang Terms

Ink is a word used when people sign a contract to work on a film. It is often phrased as “[Actor] inked a deal to star in [film].”

Good Editing Terms

Insert shot.

An insert shot is a shot occurring in the middle of a larger shot, typically a close-up of another object or some otherwise minor detail. It draws the audience’s attention to the item, providing more information. It is filmed at a different focal length or angle from the rest of the scene.

Dictionary of Screenwriting Basics

Inside joke.

An i nside joke is an obscure, generally show business-related joke, that is only understood by few in the audience. You have to understand the reference to get. For example, the great white shark in Finding Nemo is named Bruce, the name of the mechanical shark used for Jaws.

Beneficial Film Terminology

Intercut shots.

An intercut shot is a series of shots containing two simultaneous events. They alternate together to build suspense. It is often used to portray two individuals involved in a phone conversation.

List of Movie Terms

An i nterlude  is a short, intervening film sequence or scene that appears in a movie. It does not necessarily have to be tied to the plot.

The Essential Film Words Dictionary

Intermission.

An i ntermission  is a break in the middle of a movie. They provide a chance for the audience to use the restrooms or get more snacks. They are not as common today but still happen every so often, like in The Hateful Eight .

A Student’s Basic Film Vocabulary

A jump cut is an abrupt transitional device that breaks up a continuous shot. When the shot returns, time has jumped between the two scenes. This can be done to create an artistic effect showcasing discontinuity.

Filming Definitions and Terms

Juxtaposition.

Juxtaposition in film, it is the contiguous positions of two scenes, objects, characters, or images in a sequence to contrast and compare them. It can also establish a relationship between two disparate ideas.

Movie Industry Dictionary

A k ey light is the primary light on a subject. It is generally off-center and angeled. It is designed to selectively illuminate prominent features on the subject to create shadows or depth. It is the main source of light in a 3-point lighting setup.

A Kino Flo is a bank of fluorescent bulbs used for soft light.

Unique Filmmaking Terminology

A Klieglight is a powerful type of carbon-arc lamp that creates an intense light. It is sometimes used in filmmaking, but it can also be used for promotional purposes at movie premieres.

Movie History Lingo

Landmark film.

A l andmark film  is a movie deemed revolutionary. This can either be due to its artistic merits or its technological prowess. Jaws was a landmark film because it introduced the concept of the modern blockbuster.

Lap Dissolve

A l ap dissolve is a certain kind of transition between two scenes. The first scene ends with a fade out while the beginning of the next scene comes onto screen through a fade in.

Movie Technology Jargon

A l avalier  is a small microphone that is clipped or taped to an actor to record dialogue. It is generally wireless and omnidirectional as well as small enough to not be seen in the shot.

An  L-cut is also known as a delayed edit, J-cut, or split edit. It is an edit used in digital films that refers to a transitional edit in which the video and audio do not begin simultaneously. The audio may begin before or after the picture is cut.

Expansion of Film Vocabulary

A Leitmotif is a recurring, intentionally-repeated theme or element in a movie. This motif can be a person, sound, action, or idea. It helps unify the film by reminding the audience of its earlier appearance.

• What is a Motif in Film? →
• How Jojo Rabbit Uses Motifs  →

Words Associated With Movie Cameras

A l ens   is an optical glass placed in a camera through which light can pass through. The image is focused before it makes contact with the film stock. There are numerous types of lenses out there, including normal, telephoto, and wide-angle.

• Cooke Cinema Lenses →
• Carl Zeiss Cinema Lenses →
• What is a Telephoto Lens? →

Vocabulary of Filmmaking

Letterboxing.

Letterboxing   is the process of shrinking a film image so that it can appear on a television screen with black spaces below and above the image. This emulates the widescreen format typically used on older, box-shaped TV screens.

Cinematic Shot Word List

Library shot.

A l ibrary shot is a term used to describe a stock shot. It can also refer to a commonplace or unimaginative shot. A shot of the New York skyline would be a library shot for any movie set in New York.

Movie Scene Terms

Lighting is the illumination present within a scene. It also refers to the manipulation of said illumination by way of the cinematographer trying to alter shadows and brightness.

• 3-Point Video Lighting →
• The Best Video Lighting Kits  →

Occupational Movie Terms

Line producer.

A Line Producer is the movie producer who works on location. He or she is responsible for the budget of a given film shoot as well as the daily operations. The line producer manages the everyday aspects involving film expenses and all people on the crew.

line producer

• What Does a Line Producer Do? →
• Guide to Duties of a Line Producer →
• Producer vs Director: Who Does What →

Post-Production Terminology

Lip sync in film is the process of synchronizing the movement of the mouth with the words on the soundtrack.

Hollywood Lingo

A l ocation  is the places or properties used to film. A location can either be exterior or interior, and it can take place in a real location or on a studio lot. Interiors are abbreviated as “Int.” while exteriors are abbreviated as “Ext.”

• How to Secure Locations  →
• Location Scouting Checklist  →
• Essential Location Scouting Tips  →

Movie Sound Words

Location sound.

Location sound is also referred to as a buzz track. It refers to the recording of background sound while the crew is on location. Acquiring ambient noises helps improve the movie’s sense of realism.

Film Marketing Ideas

A logline  in a 1-2 sentence summary of the movie that focuses on the main character, the conflict and an emotional hook. Writing a logline is more difficult than it seems.

Video Cinematography Dictionary

A l ong shot is a camera view of a character or object from a vast distance away. This makes the subject appear small in the frame. You can also have a medium or extreme long shot.

Film Dialogue Lingo

Looping  is the process in which an actor re-records dialogue during post-production. This helps match the dialogue with the actor’s lip movements on screen. It is also known as Automated Dialogue Replacement (or ADR ).

Learn Cinematography Terms

Low angle shot.

A low angle shot is when the subject is filmed from below. The camera tilts up to capture the character or action, making the subject seem larger than life or more formidable.

Slang in the Movies

Magic Hour is the optimal time of day for filming magical or romantic scenes with the soft and warm lighting conditions naturally present. Also known as Golden Hour , it is characterized by golden-orange hues and soft shadows, which takes place 30 minutes around sunset and 30 minutes around sunrise. It is one of many different lighting techniques .

Terms in Films

A m ask  is the act of blocking out or covering up part of the camera frame with darkness or opaqueness. Most masks will be black. A mask would be necessary when portraying a character looking through binoculars.

Film Director’s Vocabulary

Master shot.

A m aster shot   is a long take or continuous shot that shows the setting or main action of a whole scene. Many scenes will have one or two master shots with the rest of the scene comprised of smaller, tighter angles.

A Film Editor’s Vocabulary

A   match cut   is a transitional technique for cutting between two unrelated shots that are deliberately linked or matched by a physical, aural, visual, or metaphorical parallelism.

Progressive Film Terminology

A   matte shot is the process of optically combining or compositing separate shots into one print. This is achieved through double exposure that masks off part of the frame area for one exposure and the opposite area for the other.

Hitchcockian Film Terms

A MacGuffin is a movie term coined by Alfred Hitchcock for a plot element or device that drives the action or logic of the plot. It is extremely important for the characters, but it is often ignored once it serves its purpose. The sled in Citizen Kane is a MacGuffin.

Main Glossary of Film Terms

Medium shot.

A medium shot is a conventional camera shot filmed from a medium-length distance. It typically captures the actor from the waist up, while a medium close-up is from the chest up. It’s abbreviated as “m.s.”

Dramatic Film Glossary

A Melodrama  is a film with an expressive plot where the characters have intensely strong emotions. It was originally a drama accompanied by music and typically contains elements of hardship, illness, and pathos.

screenwriting Film Glossary

A  metaphor is a figure of speech in which a word or phrase denoting one kind of object or idea is used in place of another to suggest a likeness or an analogy between them.

In-Depth Acting Terms

Method acting.

Method acting is an acting style designed by Konstantine Stanislavsky in the early 1900s. It refers to actors who draw on personal emotions and experiences to create a more realistic performance. Daniel Day-Lewis often utilizes method acting to create more realistic performances.

A  miniature  is a small-scale model photographed in a certain way to give off the illusion they are larger than what they actually are. This specific shot is known as a miniature shot.

Innovative Movie Phrases

Mise-en-scène.

Mise-en-Scène is a French phrase for “putting into the scene or shot.” It refers to the sum total of all elements that exist within the frame. It relates to the complete artistic feel and look of the shot, including the visual composition and arrangement.

mise en scene

• How Kubrick Uses Color in Mise en scene →
• Mise-en-Scène in Amazon’s The Boys  →
• How Wes Anderson Uses Mise-en-Scène →

Mixing  is a process of combining different sounds, music, dialogue, and sound effects from all sources into a movie’s master soundtrack. This is part of the post-production process. The soundtrack is ultimately blended together by a mixer.

• Sound Editing vs Sound Mixing →
• Best Sound Mixing - Oscar Winners Ranked  →

Film Parody Terms

Mockumentary.

A m ockumentary  is a fictional movie that has the style of a documentary but with irreverent humor that’s designed to mock the subject if features. Popstar: Never Stop Never Stopping   is a mockumentary of self-serious pop star documentaries.

Good Film Slang to Know

A m oney shot is   any climactic moment, revelation, or image that gives the audience “their money’s worth” even if it cost more money to create.

Editing Film Terms

A m ontage  is a French term meaning “assembling shots” or “putting together.” It’s a film technique for putting together a series of short shots that create a composite picture. The montage in Rocky of the titular character shows us how hard he’s worked to compete in the final match. For screenwriters, there are a few approaches to writing a montage .

Film Words Connecting Together

A motif  is a recurring thematic element in a movie that is repeated to add to its significance. A motif can be a symbol, word, object, or line in a film that relates to the movie as a whole.

Film Organization Glossary

MPAA is an acronym meaning “Motion Picture Association of America.” It is an organization that represents the interests of the primary motion picture studios including film ratings.

good film terms to know

Mumblecore is an independent film movement that originated in the early 2000s. It’s often characterized by naturalistic acting that’s occasionally improvised. The plots generally focus on a group of people in their 20s or 30s dealing with terrible jobs or bad relationships. 

Glossary of Film Techniques

Narration is telling of a story by providing supplemental information given to the audience by a voice offscreen. The narrator can either be a character in the movie or an omniscient presence.

Artistic Terminology

Naturalism is a film term signifying a hyper form of realism. With naturalism, life is depicted in an unbiased, stoic way. On the Waterfront is a naturalistic movie.

Film Philosophy Dictionary

Neo-realism.

Neo-Realism is an innovative movement in the late 1940s and '50s that has roots in Italy. It refers to movies made outside the studio system. They are shot on real locations, sometimes feature no professional actors, and often do not require a script.

neo-realism

• What is French New Wave? →
• What is Italian Neo-Realism? →
• Cinéma Vérité — Style That Keeps It Real →

College Film Studies

New Wave originally referred to a collective of non-traditional, innovative French filmmakers, such as Alain Resnais , Eric Rohmer , and Jean-Luc Godard . They espoused principles of auteur theory . French New Wave movies are characterized by non-linear storytelling, improvised direction, and jump cuts.

era of filmmaking

New hollywood.

New Hollywood is a film movement that took place in the United States from roughly 1967-1976. The movement was lead by a group of film students, such as George Lucas , Steven Spielberg , Martin Scorsese with a passion for filmmaking and the desire to challenge the stagnant status quo.

Movie Theater Terminology

Nickelodeon.

A n ickelodeon  is a business that might be described as a "movie arcade." Patrons would pay a nickel to watch short films on individual machines like a Kinetoscope or a Mutoscope. 

Movie Reel Phrases

Nitrate film base.

Nitrate film base is a type of film base that was highly-flammable. It was comprised of cellulose nitrate and was commonly in use until the late 1940s. At that point, it was replaced with an acetate base.

Non-Traditional Movie Slang

A n ut  refers to the operating expenses associated with a movie. It is the exhibitor’s calculation of what it will take to lease a theater, run it, and staff it. It is also known as a house nut.

Actor’s Lingo

Off book refers to a performer who has completely learned his or her lines. At this point, there is no need for the performer to hold a script because everything has been memorized.

Filmmaking Concepts

Omniscient point of view.

Omniscient point of view is a  in which the narrator knows everything going on. The narrator understands all of the thoughts, feelings, and events transpiring between the characters.

POINT OF VIEws

• What is Point of View ? →
• What is Third Person Point of View? →
• What is First Person Point of View ? →

A Camera Operator’s Glossary

180-degree rule.

The  180-Degree Rule is states that there is an imaginary line on a single side of the axis of action. The camera cannot cross this line or else it will create visual disorientation and discontinuity.

Glossary for Comedies

A o ne-liner is a term for a quick, one-line joke. Often in the best one-liners , punchlines will come instantaneously after a set-up. It can also refer to a few words used to describe the film’s premise.

Glossary for screenwriters

Origin story.

An  origin story is a narrative construct detailing the genesis of a character or organization.

Dictionary for Shooting a Movie

Overcranking.

Overcranking is a technique when a camera’s frame rate exceeds 24 frames per second. As a result, the image on screen appears to be in slow-motion. This is a common technique for shooting miniatures.

Movie Effect Terminology

Overexposed.

Overexposed   is an adjective describing a shot that has more light than recommended, resulting in a washed-out, blinding effect. It is typically used for dream or flashback sequences.

Knowledge of Director Terms

Overhead shot.

An overhead shot is when the camera is placed over the actors. It tends to be set at about a 90-degree angle from where the performers are located. It is also known as a bird’s eye view shot.

Techniques for Filmmakers

Over-the-shoulder shot.

An over-the-shoulder shot is a medium camera angle commonly used in dialogue scenes. The camera records the action and dialogue from behind the actors’ shoulders. The two individuals are then linked to each other, and the audience understands their positions.

Traditional Film Terms

An o verture  is the opening credits or pre-credits in a film. This is often a musical selection that helps set up the theme and mood for the rest of the movie.

Movie Slang From Decades Ago

An o zoner  is a slang word for a drive-in movie theater. It can also be referred to as a hard-top or a passion pit.

Movie Jobs Lingo

A PA is an abbreviation for “production assistant.” This is a member of the film’s crew who is responsible for numerous aspects of the production. The duties of a PA can vary greatly depending on the size of the film’s budget, as does how much a PA can make .

A Film Dictionary for Everyone

Pace is the tempo or speed of the dramatic action in a movie. The pacing can be enhanced by the speed of the dialogue, the soundtrack, and the style of editing used.

Education in Movie Terms

A pan  is an abbreviation for a panorama shot, referring to the rotation, scan, or horizontal movement of the camera in one direction. In film criticism, pan means to express a negative opinion of a movie.

Television Terminology

Pan and scan.

Pan and Scan is a technique for avoiding letterboxing of a widescreen movie. Instead, it focuses on elements of the picture that are more relevant to the plot and adjusted accordingly. The picture will then mechanically pan to the side to show whatever is missing.

EDUCATION IN MOVIE TERMS

A  paradox is a statement, proposition, or situation that seems illogical, absurd or self-contradictory, but which, upon further scrutiny, may be logical or true — or at least contain an element of truth. 

Screenwriter’s Glossary

Parenthetical.

A p arenthetical  is a term for screenplay directions, shown in parentheses, to express how the actor should deliver his or her lines. A parenthetical may read (angrily) or (calmly) before the dialogue.

parenthetical

• Formatting a Screenplay  →
• How to Write a Movie Script →
• How to Format a Script With Keyboard Shortcuts →

production Glossary

Pay or play.

Pay or Play is an agreement that a production company will pay a desired actor or crew member for their involvement with a production. 

P ersistence of vision

Persistence of vision is the optical phenomenon where the illusion of motion is created because the brain interprets multiple still images as one. When multiple images appear in fast enough succession, the brain blends them into a single, persistent, moving image. 

Film Production Slang

A p ipeline  refers to a film project currently in the system that is under development. It is scheduled for a future release. Some synonyms include “in process,” “in the queue,” or “in the works.”

Film Framing References

Pixilation is a technique where the illusion of continuous movement in three-dimensional subjects, typically people, is broken up and made to look jerky or uneven. This is achieved by only printing selected frames from the continuously-exposed negative.

Shot Listing Term

P.o.v. shot.

A   P.O.V. shot is a shot taken from the perspective of one character to show what the scene would look like through his or her eyes. It is generally coupled with a reaction shot to establish the point of view.

Small Movie Details

Positive print.

A p ositive print is the opposite of a negative print. It refers to the original light image captured or printed on the film reel.

Movie Terms Popularized by Marvel

Post-credits sequence.

A p ost-credits sequence is an epilogue or throwaway scene that occurs during or after the end credits. It can help generate buzz for an additional scene. Iron Man   ends with a post-credits scene of Nick Fury informing Tony Stark about the Avengers Initiative.

Film Theories

Postmodern is a description of all art that rebukes more modernist themes. Postmodern films work to subvert expectations of classic narratives and film structure.

PHILOSOPHY TERM

Plato's allegory.

Plato’s "Allegory of the Cave" is a concept devised by the philosopher to ruminate on the nature of belief versus knowledge.

Film History Definitions

Pre-Code is the time period between 1930 and 1934 before the Hays Code was enforced in Hollywood. For 30 years afterward, promiscuity, adultery, and other themes were prohibited. However, pre-code films had no such restrictions.

Process of Filmmaking

Pre-production.

Pre-Production is the planning stage of a production after a movie has been greenlighted. This occurs before principal photography begins. Pre-production usually involves script treatment, scheduling, casting, set design , and financial planning.

pre-production

• How to Plan a Movie Shoot →
• The Pre-Production Process Explained →
• 7 Pre-Production Hacks for a 2nd Assistant Director  →

An Entire Film Words Dictionary

A p requel  is a later film in a franchise that presents events and/or characters that are set chronologically before the time of the original movie. It is the opposite of a sequel.

Terms for Moviegoers

A p re-screening is showing of a movie before it is released to the public. Studios will often pre-screen movies so that they can receive feedback from audiences to know what to alter before it is officially released.

Phrases for Film Productions

Principal photography.

Principal photography is when the majority of a film is shot. These are the scenes that typically involves the lead actors. This is in contrast to second-unit photography or certain VFX shots needing to be completed. 

Movie Making Terms and Definitions

Principals is a way to describe the main characters in a movie. It is usually those who have dialogue. The principals are different from the protagonists and have greater roles than extras.

production terms

Production agreement.

A  film production agreement is a contractual statement between two or more parties agreeing to the payment of film-related work.

Occupations Related to the Film Industry

A Producer   is a chief of a film’s production. The producer is in charge of raising funds, acquiring a story, hiring key personnel, finalizing the script, and arranging for distribution. The producer often serves as the liaison between the filmmakers and the financiers.

• What Does a TV Producer Do? →
• What Does a Co-Producer Do? →
• What is an Associate Producer? →

Director Jargon

Production design.

Production Design is a term for a movie’s overall visual look and design. The production designer has the job of creating all of this with the help of the art department.

production design

• Production Design Tips  →
• What Does a Production Designer Do?  →
• Masterclass: Production Design Techniques  →

Must-Know Film Production Lingo

Production value.

Production Value refers to the overall quality of a movie. This value is based on criteria like set design and costumes. It is not based on criteria like the directing, acting, and the script.

Movie Composition Terminology

A p rologue  is typically a brief scene, preface, or speech preceding the main plot of the movie. It often provides information that will help the audience better understand the plot and is the opposite of an epilogue.

Protagonist

A  protagonist   is a character who pushes a story forward. He or she is also the central force of the story. 

Better Understand Film Cameras

A p ull back is a camera shot where the camera physically moves away from the subject. It helps provide the full context of the scene. It is the opposite of a push in.

Movie Camera Experts

A p ush in is a camera shot where the camera physically moves toward the subject. It provides a closer look to see more details. It is the opposite of a pull back.

On-Screen Film Terms

Racking focus.

Racking focus is an in-camera technique that moves between focal planes in a sequence. The focus may change from an object in the background to one in the foreground or vice versa.

Student’s Guide to Making Movies

Reaction shot.

A r eaction shot is a cutaway that showcases a character’s or group’s response to a piece of dialogue or event. It is often accompanied by a P.O.V. shot in a sequence known as shot-reverse shot . 

Expert Movie Terms

Real time is when the timespan of a plot equals the running time of the film. This is in contrast to filmic time where time can be slowed down or sped up depending on the needs of the plot.

Student’s Movie Dictionary Terms

Realism is a style of filmmaking that aims to present the film as realistically as possible. Realism is further attained through deep focus shots and long, uninterrupted takes. It is in contrast to Expressionism. See also: Cinéma Vérité .

Special Effects Terms

Rear screen projection.

Rear screen projection is a photographic technique in which a live action scene is filmed in front of a transparent screen where a background is added later. It was commonly used to portray actors driving in a car.

Producer’s Glossary

A redlight is a film project that had previously been greenlighted but has now been cancelled, either temporarily or permanently. It is also known as a film in turnaround .

A r eel  is the metal or plastic spool for winding film. Older movies would be measured in reels since one reel would equal about 10 minutes of running time. More contemporary connotations refer to reels as highlights of an actor or director's work used to get more work.

cinematographer GLOSSARY

Rembrandt lighting.

Rembrandt lighting is a technique utilizing one light and one reflector or two separate lights. It’s predominantly characterized by a lit-up triangle underneath the subject’s eye on the less illuminated area of the face (fill side).

Hollywood Movies Lingo

Reshoot contingency.

A r eshoot contingency refers to funds saved by the producer in case supplementary shoots, or reshoots, are necessary to complete a film. These reshoots often occur after test screenings or when studio executives offer their input.

Terminology for Cinematographers

Reverse angle shot.

A r everse angle shot is photographed from the reverse side of the subject to offer a varying perspective. It is often used in dialogue scenes and can be combined with an over-the-shoulder shot . 

Reverse Motion

Reverse motion is a camera trick created by running the film backwards within the camera or in the middle of optical printing. It is also known as reverse action.

Theatrical Terms

Revival house.

A Revival House is an exhibition or film theaters that dedicate themselves to showing a certain kind of film. This often includes older movies, foreign films, silent movies, classics, or rarely-seen gems.

Film Crew Dictionary

A Rigger is one of the production workers on a film set who hangs, sets up, and focuses all of the lighting equipment. It is also the rigger’s job to construct the scaffolding.

Old Movie Making Terms

A roadshow is an exploitation film that contained controversial content but were often disguised as educational, medical films. They would be heavily promoted and shown on the road around the United States. They had to leave quickly to elude authorities.

Animation Cinema Lingo

Rotoscoping.

Rotoscoping is an animation technique in which live-action footage is traced frame by frame by animators. This can be done either automatically or manually. A Scanner Darkly was filmed using rotoscoping technology.

Film Editing Slang

A r ough cut is a term used for the early edited cut of a film. All of the main pieces have been assembled in sequential order, but it may not contain all of the finer details, such as finished CGI. Rough cuts are often used during focus group screenings.

Words Related to the Movie Industry

A r ush  is a print of the camera footage from one day’s worth of shooting. It is typically shown without any editing or correction. The director will look through it before shooting for the next day.

Key Motion Picture Terms

A   Satire  is a ridiculing, mocking film that targets social, religious, political, or economic institutions. Tropic Thunder   is a satire of Hollywood and overly-serious actors.

• What is Sarcasm?  →
• Various Types of Comedy  →

Movie Music Terms

A s core  is the musical portion of a film’s soundtrack. This is often music created specifically for the movie by a composer. It consists of background music as well as orchestral pieces.

• Mastering the Film Score: John Williams →

Mastering the Film Dictionary

Screen (single, double).

A screen is a mesh on a metal frame used to cut the intensity of light without blocking it out.

Screen Direction

Screen direction is the direction that characters and objects move in the scene. Some common screen directions can include “camera right” or “camera left.” A jump cut can also be a form of screen direction.

new movie genre lingo

Screenlife movies.

Screenlife   is a style of media (usually movie) that takes place entirely on “screens,” typically phone screens or computer screens.

Screen Test

A screen test is filmed during Pre-Production to test various elements, from costumes and make-up and practical effects to auditioning actors. 

screen test

• The Ultimate Guide to Auditions  →
• A Step-by-Step Guide for Holding Auditions  →

Film Industry Jargon

A screener is a physical copy of a film sent to film critics and awards voters. The movie studios send these out as a convenience during awards season.

Script Terms

A s creenplay  is the script for a movie production written by a screenwriter. The screenplay contains all of the dialogue, character movements, and essential actions.

• Best Charlie Kaufman Screenplays  →
• Academy Rules for Adapted Screenplays →
• Mastering the Screenplay: Writing Exposition  →

Terms for Film Jobs

Screenwriter.

A Screenwriter is the individual who creates a movie’s screenplay. A "scripter" can either create an original screenplay or adapt another's work, such as a book or news article, into a film.

screenwriter

• Best Screenwriting Apps →
• Inciting Incident Examples  →
• Best Script Writing Software  →
• How to Develop a Movie Script →

Blockbuster Movie Terms

Second unit photography.

Second unit photography is the unit responsible for filming less important scenes, such as foreign location backgrounds or large crowd scenes. This unit is essential for larger film productions where the main crew cannot be available. It is helmed by a second-unit director and a subordinate crew.

Film Textures

Sepia Tone is an image that was originally black and white but has been converted into a sepia tone, which is a dark olive brown. This is used to increase the dramatic effect or create an “antique” aesthetic.

Film Terms Everyone Should Know

A s equel  is a movie that continues the events, characters, and settings from a previously made film. It is in contrast to a prequel. The Dark Knight   is a sequel to Batman Begins .

Basic Film Lexicon

Setting is the time and place in which the movie’s story occurs. This includes the landscape, social structures, climate, moral attitudes, customs, and codes of behavior.

Basic film lexicon

Silent film.

A  silent  film   is a type of motion picture that does not include synchronized recorded sound or spoken dialogue.

screenwriter's lexicon

A simile is a figure of speech that makes a comparison, showing similarities between two different things using the words “like” or “as.” 

Dictionary of Film Studies

Shot, scene, and sequence.

Shot, Scene, and Sequence are concepts that make up the dramatic narrative of a film. Scenes are made up of shots while sequences are made up of scenes. Films are comprised of entire sequences.

Terms for Film Crews

A s hot list is a list provided to the film crew often the day before shooting. It describes all of the shots the director wants to get that day.

• How to Make a Shot List  →
• The Only Shot List Template You Need  →
• Mastering the Shot List: Christopher Nolan →

people on set

A  showrunner  is the individual who has primary creative control and management of a TV show. They aren’t always necessarily the creator of the show, but they’re almost always a writer. 

DICTIONARY OF FILM TERMS

Shepard tone.

The Shepard Tone is an audio illusion that creates the feeling of consistent, never-ending rising/falling.

Film Terms for Cameras

Shutter speed.

Shutter Speed is the length of time in which a single frame of film is exposed. A traditional shutter angle is 180 degrees while the film itself is exposed for 1/48 second at 24 frames.

Rudimentary Film Vocabulary

A s kip frame is an optical printing effect of cutting out or skipping specific frames of an original scene. 

Dictionary of Film Terms

A s late   is the digital board held in front of the camera that identifies the camera person, director, shot number, and title. There is also the take number, and the slate operator will say “mark” before clapping. This is for sound sync purposes.

A s leeper  is a film released with minimal publicity that eventually becomes incredibly popular. It grows to become a financial success, usually thanks to positive buzz.

Good Videography Terminology

Slow motion.

Slow Motion is running film through a camera at a faster than typical rate. It is then projected at a standard speed, making the playback appear slower than in actuality.

Movie Awards Terms

A s nub  is a term that comes up during awards season when a prominent movie, crew, actor, or director is inexplicably excluded for nominations. People will say a movie was “snubbed” by the Academy.

Glossary for Film Techniques

Soft focus is an effect cinematographers use when applying vaseline or a filter over the camera lens to reduce sharpness. It will blur the image, creating a hazy light. This effect can also be attained by merely shooting out of focus, and it tends to be used for dreamy or romantic scenes.

The Fundamentals of Movie Terminology

Sound is the audio component of a movie. Sound includes dialogue, sound effects, and music. Sound effects refer to all of the sounds created for a movie excluding music and dialogue.

• What is Diegetic Sound? →
• Sound Editing vs Sound Mixing  →
• Sound Recording Basics for Video Production  →

Movie Set Terminology Dating Back Decades

A so undstage  is a huge, soundproof room used for movie productions. Elaborate sets can be constructed, allowing filmmakers more control over sound, lighting, and climate.

Audial Movie Terminology

A s oundtrack  is the audio portion of a film. Technically, it refers to the dialogue, sound effects, and musical score that accompanies a film. However, in popular circles, it refers to an assortment of songs heard through the film, which is then sold as an album.

Film Vocabulary for Genres

Spaghetti western.

A Spaghetti Western is a low-budget Western that technically classified as a B-movie. Spaghetti westerns were generally filmed in Spain or Italy during the 1960s and they were often characterized by sparse dialogue and low production values.

Movie Terminology for Those Who Want to Break In

Spec script.

A spec script is a non-commissioned or unsolicited screenplay sent to a studio by a screenwriter in hopes of landing a paid gig. There is also the hope the spec script itself will be purchased or optioned.

Basic Film Terms Everyone Knows

Special effects.

Special Effects is a broad term for fantastical audio and visual illusions that could not have been filmed by normal means. Special effects include in-camera effects, miniatures, CGI, rear-camera projections, and stop motion animation. Visual effects are a subcategory of special effects.

special effects

• How to Use a Green Screen  →
• What is Stop Motion Animation?  →
• Inception Special Effects: Explosion Animation  →

Keyword here...

A s pin-off is a derivative work of another film that can either be a sequel or prequel. It includes characters from a previous property but takes them in a different direction than a straightforward sequel would do. Alien vs. Predator   is a spin-off of both Alien and Predator .

Silent Era Film Lingo

A s plit-reel are two different short-subject movies that would be put together for showings in the silent era. They were both too brief for separate screenings, so they would be joined together onto a single reel for exhibition.

Terms From Motion Pictures

Split-screen.

Split-screen is the act of combining two actions filmed independently and then copying them into a single frame, so they appear to have taken place side-by-side. It is also known as a multiple image.

A Dictionary of Moviegoing Terms

A s poiler  is any information about plot details or a film’s ending that could hinder one’s enjoyment of watching the film if it is known ahead of time. Many critics will warn readers with spoiler alerts, so they know to stop reading.

Film Dictionary

Static shot.

A static sho t is any shot where the camera remains completely stationary. This is generally achieved through the use of a tripod to ensure there is zero movement.

Innovative Cinema Terms

A Steadicam  is a hand-held camera developed in the late 1970s. It was created by Garrett Brown, and the operator uses a mechanical harness to take smooth, steady shots, even when the camera needs to move. This allows the operator to move along smoothly with the action.

Film Image Terms

A still   is a single, immobile image. It can either be a frame still from a completed movie or a production image taken from an unfinished work. It can also be a publicity shot used to advertise the fact that a certain actor will be in the movie.

Film Industry Lingo

A stinger  is a last-minute, often surprising, piece of footage or dialogue that appears at the very end of the closing credits. Ferris Bueller breaks the fourth wall at the very end of Ferris Bueller’s Day Off .

A stinger is an extension cord.

Stock Footage

Stock footage is a previously-recorded footage of common elements, such as shots of deserts or travelogue shots. It can also include footage of historical events that have been archived.

stock footage

• Best Stock Footage Websites  →
• Stock Photo Sites for Creative Ads →
• How Stock Video Footage Can Save the Day  →

Animated Movie Terms

Stop motion.

Stop motion is an animation technique using solid 3D models, figures, or puppets appear to move. One frame is shot at a time while the models are repositioned, giving the illusion of natural motion. The best stop motion movies are able to achieve incredible levels of realism.

Film Set Terminology

A storyboard  is a sequential series of rough sketches or stills showing what will happen in the movie. It captures what the camera lens will film so that the filmmakers can outline the various shots needed. The storyboard provides a rough synopsis of what will take place.

• Best Storyboard Software →
• Storyboard Examples From Movies →
• How to Make a Storyboard for Video and Film →

Storytelling Terms

A s ubplot  is a secondary or auxiliary plot that typically complements the main plot. The main storyline is known as the A story while the subplot is referred to as the B story. 

cinema Terms

Subjective cinema.

Subjective cinema refers to a film, scene, or shot that emulates a personal point of view. 

Cinematic Meanings

Subtext is the deeper meanings of a character’s actions or spoken lines. Subtext encourages the audience to read between the lines to discern the true meaning of a film.

Vocabulary for Filmmakers

Subtitles   are   the printed lines of text displayed at the bottom of the frame. Subtitles can be used to translate a phrase in a foreign language or to describe a place and time.

List of Film Jargon

Superimposition.

A  superimposition   is an optical printing process that exposes one image directly on top of another on the same strip of filmstock. In Vertigo ,  Scottie’s face is superimposed on a drawing.

Film Auteur Lingo

Surrealism   is an art movement that prioritizes images and narratives born from the subconscious. These works often present a fantastic, distorted, or nightmarish dream state. David Lynch is famous for his surreal films.

Filmmaking Glossary

A swish pan is a camera rotation on the x-axis that moves so quickly it creates an intentionally disorienting effect. It can be done on a dolly, gimbal, or tripod. It is also known as a whip pan.

Composition Terms

Symmetry is when two halves of an image (or a story) that distinctly mirror each other. Filmmakers like Stanley Kubrick and Wes Anderson utilize highly-symmetrical frames in their work.

screenwriting terms

Symbolism is the art of imbuing objects/things with meaning, making them represent something more than the sum of its parts. 

Movie Marketing Lingo

A tagline   is a short sentence or clever phrase that memorably summarizes the film to a general audience. It’s supposed to tease what the film will be about. In Alien , the tagline is “In space, no one can hear you scream” is one of the best taglines ever .

Talking Head

A “ talking head ” is a term that describes a camera set-up that only features the subject’s head and shoulders, giving the impression that they are a floating, “talking head.”

Cinematic Vocabulary

A t ake   is a single shot of a scene that is continuously recorded. Generally, a director will film several takes of the same shot. Once the director is happy with the shot, the crew moves onto the next set-up.

Jargon for Film Processes

Technicolor.

Technicolor is the best-known color film process. These films were described as being high saturated with vivid colors and a three-color dye transfer system. It is also known as three-strip color.

Camera Lens Dictionary

Telephoto lens.

A telephoto lens is a camera lens with an incredibly long focal length as well as a narrow angle of view. The purpose of this lens is to condense and compress depth within a space. It brings faraway objects closer to the viewer without actually having to move the camera.

JARGON FOR FILM PROCESSES

A  theme  is the inferred stance taken on the central topic or message of a story.

screenwriting jargon

Breaking the third wall refers to when a character addresses the medium in which they are situated. 

Basic Film Understanding

A t hree shot is a shot consisting of three individuals in the frame. This is in contrast to a "single" or " two shot ."

Film types lingo

A  3D movie is a motion picture that enhances the illusion of depth perception by employing stereoscopic film techniques.

Director’s Playbook

Tight on is a cinematographic term that relates to a close-up shot of the subject. A director will often say “tight on” when he or she wants an extreme close-up or tight framing on the subject.

Cinematographer’s Cheat Sheet

A tilt shot is when a camera tilts down or up along a vertical axis. It is often used to suggest a sense of imbalance or to emphasize a character’s menace or power.

Filmmaking Methodology

Time lapse is a technique where frames are shot much slower than a normal rate (e.g., 24 frames per minute instead of per second). This allows the action to progress much faster than in reality. This is typical for nature documentaries to capture clouds moving or plants growing.

Film Colors 101

A t int  is a use of color to make film stock appear in a different shading to attain a desired mood. The method behind this is generally done by hand, and it was often used in black and white movies before the widespread use of filming in color.

A Useful Film Techniques Glossary

Tracking shot.

A tracking shot is where the camera moves alongside the subject throughout a space. The camera is usually mounted on a dolly track, and it is best for side-to-side motions. It is also known as a follow shot.

Film Proposal Terms

A treatment  is a detailed summary of a movie’s story, including each major scene. It is written in prose form, and it is generally necessary when pitching a film to a studio. 

• How to Write a Film Treatment →
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Standard Filmmaking Terminology

24 frames per second.

24 frames per second (fps) is the standard frame rate for movies shot on film. It refers to the number of frames projected onto the screen per second. Most modern films come in at 24 frames per second, but in the past, they would be projected 16 or 18 fps.

A Film Director’s Lexicon

A two shot is a close-up or medium shot of two people, who are typically talking to one another. The two actors are often framed from the chest up, and this is meant to create a contrast between the two characters. 

Old Film Terminology

A U-matic is a ¾-inch magnetic tape, which would originally be found on a professional cassette tape format. In recent years, it has been supplanted to new digital formats. It was a competing yet inferior tape format to both beta and VHS.

TV showrunner Lingo

A TV Upfront is a presentation made by major television networks to an audience of advertisers, with the hopes that they’ll want to invest their advertising budget into certain shows to better position its success with gaining a viewership. 

Keywords for Your Film Studies

Undercranking.

Undercranking is the process of slowing down a camera’s frame rate. This is achieved by shooting at a slower speed than the usual 24 frames per second. This results in the captured images appearing in fast motion.

Glossary of Director Lingo

Underexposure.

Underexposure  is when an image is photographed with less light than what would be considered proper exposure. This results in a dimly-lit, indistinct image that lacks contrast and is the opposite of an overexposed shot.

KEYWORDS FOR YOUR FILM STUDIES

A union is an organization that represents the best interests of a certain segment of professionals in the motion picture industry. There are unions for writers, actors, directors, and others to help those workers negotiate contracts, pursue rights, and receive recognition. Therefore, there are rules and regulations when working with unions .

scriptwriter's Dictionary

Unreliable narrator.

An unreliable narrator is a character whose perspective we follow in the story but lacks a certain degree of credibility. These narrators may simply lack all the information necessary to adequately translate the story to the audience, or they have a clear bias.

Film Editing Definitions

Vertigo effect.

The  Vertigo Effect is a camera technique achieved by tracking backwards while simultaneously zooming toward the subject, or vice versa. This keeps the subject at the center of the image while the surroundings stretch or contract behind them. Also known as a dolly zoom , this effect was named after Hitchcock 's prominent use in Vertigo .

Movie Making Parlance

A v ignette  is a scene in a movie that can stand on its own. For example, the orgasm scene in When Harry Met Sally is often viewed and referenced on its own, separated from the rest of the film.

Dictionary For the Film Industry

Visual effects.

Visual Effects is anything added to a movie that was not in the original shot under the subcategory of special effects. They can either be achieved through CGI or through special techniques, such as rear projection and double exposures.

visual effects

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Essential Film Terms

Voice-Over is recorded dialogue that comes from off-screen or is unseen in the frame. It is often done to convey a character’s thoughts or from a narrato. In a script, a voice-over is abbreviated as “V.O.”

A w alk-on is a role consisting of a brief appearance on the screen. It is typically done without any dialogue or credit. It differs slightly from extras, who may be on screen for an extended period of time.

Good Film Slang to Learn

Walk-through.

A walk-through is the first rehearsal done on a film’s set. It is necessary for the director to figure out camera positioning, sound, and lighting. This is done before the cameras start to roll.

Filmmaking Vocabulary

Wardrobe is the general term used to talk about the costume department. It can also refer to an individual costume and all of the accessories associated with it.

List of Film Terms

White balance.

White balance is a camera setting that establishes the true color of white. This produces a baseline from which all other colors are measured. White may not appear “white” under all lighting conditions, so this helps correct it.

Your Cinematography Terminology PDF

Wide angle shot.

A wide angle shot is taken with a lens capable of capturing a wider field of view than a regular lens. It exaggerates the disparity, depth, and distance between the background and foreground. All objects are kept in focus and within perspective.

Widescreen is a rectangular aspect ratio, wider than the standard 1:33:1 used before the 1950s. After that time, widescreen processes such as VistaVision and CinemaScope came into the mainstream and became the industry standard.

Film Terms for Editors

A w ipe  is an optical effect or transitional technique where one shot seems to be “wiped off” the screen by another shot that replaces it. It is also known as a flip-over or push-over. 

A w rap  is the completion of shooting either for the entire production or at the end of a single day. Decades ago, cameramen would say, “Wind, Reel, and Print, which would later become abbreviated as “WRAP.”

A Z-movie is an independently-made, low-budgeted, and often non-union movie with first-time directors and actors. They are generally made quickly and designed to look amateurish. They have a campy appeal and often contain exploitative subject matter, such as cheap horror flicks that are even worse than B-movies.

List of Film Analysis Terms

A zoom shot is a camera shot taken with a lens with a variable focal length. This allows the cinematographer to alter the visual distance between the camera and the subject without physically moving the camera. This moves from a wide-angle shot to a telephoto one in a single, seamless motion.

End of the Basic Glossary of Film Terms

Zoptic special effects.

Zoptic special effects is a revolutionary 3D process that was invented by Zoran Perisic. It incorporated the camera system with the projector containing synchronized zoom lenses. This created the illusion of depth movement.

Cinematography and Film Terms

Film vocabulary is expansive. Fortunately, you can return to this list any time you need a refresher or before you head back to a film set. You should also make sure to check out our glossary devoted solely to cinematography terms that really goes into depth about some key terms every filmmaker should know.

Up Next: Cinematography Terms →

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