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webExclusive Report --> അജിത് ആറാടുകയാണ്; തുനിവ് റിവ്യൂ Thunivu Movie Review

Published: January 11 , 2023 03:49 PM IST

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ബാങ്ക് മോഷണം എന്നു കേൾക്കുമ്പോൾ ഇന്നത്തെ തലമുറയ്ക്ക് ആദ്യം ഓർമ വരുക നെറ്റ്ഫ്ലിക്സ് സീരിസ് ആയ മണി ഹീസ്റ്റ് ആണ്. ബുദ്ധിരാക്ഷസനായ പ്രഫസറിന്റെ കുടിലബുദ്ധി ഉപയോഗിച്ച് ഒരു സംഘം മോഷ്ടാക്കൾ ബാങ്കിൽ നിന്നും കോടികൾ അടിച്ചുമാറ്റുന്ന കഥ. പ്രത്യക്ഷത്തിൽ ഇതുതന്നെയാണ് അജിത് കുമാറിനെ നായകനാക്കി എച്ച്. വിനോദ് ഒരുക്കിയ തുനിവിന്റെയും പ്രമേയം. നഗരത്തിലെ ഒരു പ്രമുഖ പ്രൈവറ്റ് ബാങ്ക് മോഷ്ടിക്കാൻ വരുന്ന മോഷ്ടാവായാണ് അജിത് തുനിവിലെത്തുന്നത്. പ്രഫസറെപ്പോലെ അജിത്തിനും തന്റേതായ ഒരു ടീം ഈ മിഷനിലുണ്ട്. പക്ഷേ കാശ് മാത്രമല്ല ഇവരുടെ ലക്ഷ്യം. അതിലും വില വരുന്ന മറ്റെന്തോ കൂടി തേടിയാണ് ഇവർ ആ ബാങ്കിലെത്തുന്നത്. അതെന്താകും?

തുടക്കം മുതൽ ഒടുക്കം വരെ അജിത് കുമാറിന്റെ ഒറ്റയാൾ പ്രകടനം തന്നെയാണ് തുനിവിന്റെ കരുത്ത്. തിരക്കഥയ്ക്കോ മേക്കിങിനു പോലും മികവു കാട്ടാനായില്ലെങ്കിലും ഒരു പരിധി വരെ സിനിമയെ രക്ഷിക്കുന്നത് അജിത് കുമാറിന്റെ ഈ റേജ് തന്നെയാണ്. ഇനിയെന്ത് എന്ന് ആകാംക്ഷ ജനിപ്പിക്കുന്ന ആദ്യ പകുതി. തൂവെള്ള നിറമുളള വസ്ത്രമണിഞ്ഞ് നരച്ച മുടിയും താടിയുമായി അയാൾ ഇറങ്ങുന്നത് തീർത്തും ഡെവിളിഷ് ആയ ലുക്കോട് കൂടിയാണ്. പേരിനുമുണ്ട് ഡെവിളിഷ് ടച്ച്, ഡാര്‍ക് ഡെവിൾ.. ഒരു വില്ലനായി അവതരിച്ച്, പോകെപ്പോകെ കഥാവഴിയില്‍ സമൂഹഘടനയിലെ യഥാര്‍ഥ വില്ലന്മാര്‍ ആരൊക്കെയെന്ന് ചൂണ്ടിക്കാട്ടുകയാണ് അജിത്തിന്‍റെ നായകന്‍.

ത്രില്ലടിപ്പിക്കുന്ന ആദ്യ പകുതിയിൽ നിന്നും സോഷ്യൽ മെസേജ് നൽകുന്നൊരു രണ്ടാം പകുതി സിനിമയെ അൽപം പുറകോട്ടു വലിക്കുന്നുണ്ട്. ഒരു ബാങ്ക് കൊള്ളയുടെ പശ്ചാത്തലത്തില്‍ സാമ്പത്തിക മേഖലയിലെ വന്‍കിട തട്ടിപ്പുകളിലേക്കാണ് എച്ച്. വിനോദ് ഇത്തവണ ശ്രദ്ധ ക്ഷണിക്കുന്നത്. ബാങ്കിന്റെ പശ്ചാത്തലത്തിൽ ഓഹരിവിപണി തട്ടിപ്പു നടത്തുന്ന വൻകിട കോർപറേറ്റുകളെ തുറന്നുകാട്ടുകയാണ് തുനിവിലൂടെ സംവിധായകൻ. മുൻ സിനിമകളിലേതുപോലെ കുടുംബബന്ധങ്ങളിലെ പാസം പോലുള്ള വികാരനിമിഷങ്ങൾ ഒന്നും തന്നെ തുനിവിൽ ഇല്ല.

അജിത്തിന്റെ സ്ക്രീൻ പ്രസന്‍സ് തന്നെയാണു സിനിമയുടെ നട്ടെല്ല്. ആക്‌ഷൻ രംഗങ്ങളിലും അജിത്തിന്റെ ശൗര്യം പതിന്മടമങ്ങ് മികവോടെ ഒപ്പിയെടുക്കാൻ സംവിധായകന് കഴിഞ്ഞു. വിഎഫ്എക്സിന്റെ അമിതമായ ഉപയോഗവും ആക്‌ഷൻ രംഗങ്ങളിൽ ഉൾപ്പെടുത്തിയിട്ടില്ല. വെറുമൊരു നായികാ വേഷത്തിൽ ഒതുങ്ങി നിൽക്കാതെ അജിത്തിനൊപ്പം തുല്യ വേഷത്തിൽ തന്നെയാണ് മഞ്ജു വാരിയർ ചിത്രത്തിലെത്തുന്നത്. ചടുലമായ ശരീര ചലങ്ങളിലൂടെ ആക്‌ഷൻ രംഗങ്ങളിൽ അമ്പരപ്പിക്കുന്ന പ്രകടനമാണ് മഞ്ജു കാഴ്ചവയ്ക്കുന്നത്. ഡിജിപിയായി എത്തിയ സമുദ്രക്കനി, ബാങ്ക് ഉടമകളില്‍ ഒരാളായെത്തിയ ജോണ്‍ കൊക്കെന്‍, ഭഗവതി പെരുമാൾ തുടങ്ങിയവരാണ് മറ്റ് പ്രധാന കഥാപാത്രങ്ങൾ.

നീരവ് ഷാ ആണ് ചിത്രത്തിന്‍റെ ഛായാഗ്രാഹകന്‍. വിജയ് വേലുക്കുട്ടിയുടെ വേഗതയാർന്ന എഡിറ്റിങ് സിനിമയുടെ ജോണറിനോട് പൂർണമായും നീതിപുലര്‍ത്തി. ജിബ്രാന്‍റെ പശ്ചാത്തല സംഗീതം മികച്ചു നിന്നു.

ലോജിക്കുകൾ നോക്കാതെ, അജിത്തിന്റെ സ്റ്റൈലും മുഴുനീള ആക്‌ഷൻ എന്റർടെയ്നറുകളും ഇഷ്ടപ്പെടുന്ന പ്രേക്ഷകർക്ക് തുനിവൊരു വിരുന്നു തന്നെയാകും.

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2023, Action/Adventure, 2h 26m

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Tegimpu   photos.

A criminal mastermind and his team form a plan and commit bank heists across Chennai, but the motive of their heists remains mysterious.

Genre: Action, Adventure, Mystery & thriller

Original Language: Tamil

Director: H. Vinoth

Producer: Boney Kapoor

Writer: H. Vinoth

Release Date (Theaters): Jan 10, 2023  limited

Runtime: 2h 26m

Distributor: Sarigama Cinemas

Production Co: Bayview Projects, Zee Studios

Cast & Crew

Ajith Kumar

P. Samuthirakani

John Kokken

Manju Warrier

G. M. Sundar

Vetri Kiran

Insurance Manager

Screenwriter

Boney Kapoor

Cinematographer

Vijay Velukutty

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Art Director

Anu Vardhan

Costume Design

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'Thunivu' movie review: Thala Ajith's action thriller is wobbly

In the first few minutes of 'Thunivu', you get a nagging feeling the film is a replica of the popular Netflix series - 'Money Heist'.

After all, the film is about a break-in, but that feeling wanes soon when you realise that the intentions and the plotline are completely different. The ‘Thala’ Ajith-starrer starts off with a bang, where a group of men are planning a bank robbery. Their motive is to steal Rs 500 crore from a popular firm named 'Your Bank'.

The plan is executed in no time by the robbers. Unlike the Netflix series, the robbers are not soft. In fact, the director H Vinoth does not take any time to establish the characters, giving us a hint of the out-and-out action in store.

Actor Manju Warrier to soon join sets of Ajith-starrer 'AK61'

Thunivu trailer: Ajith is the 'Thala' of this high-octane bank heist

The occasional flashbacks tell us a little bit about the lead characters, but the aim is only to help us connect the dots. The plan by the robbers is soon thwarted by a white-bearded man named Dark Devil, who also seems to be there for the heist. What are his intentions and whose side he is on?

H Vinoth is a seasoned director when it comes to financial scam stories. His debut work, 'Sathuranga Vettai' had been a good mix of comedy, drama and a social message. 'Thunivu', however, doesn't balance all these elements as gracefully.

The comic scenes featuring a media chief Mai Pa (played by Mohanan Sundaram) and a police officer Rajesh (Bhagavathi Perumal) trigger some laughs. Even some Ajith dialogues are funny enough, though you are patiently waiting for him to jump to the next scene.

The first half of the film is definitely more enjoyable, as 'Thunivu' gets too stretched thereafter and concludes predictably. Also, the good versus bad sequences are not convincing enough. The first half offers plenty of action and features some cool dance scenes by Ajith, who invokes Michael Jackson with a moonwalk style. Some of the dialogues are also class. The social message forms the plot in the second half. Though some scenes are moving, the mood of the movie in the second half does not blend well with the initial scenes as the social message and the turn of events are a little too heavy.

Manju Warrier, who has been cast as Kanmani, Dark Devil's partner in crime in the film, is a delight to watch. If her character had been better planned, she would have stood shoulder-to-shoulder with Thala. Almost all her scenes offer enough mass that makes you wish she had a little more screen space.

It is also sad that her dance skills were not utilised, despite her potential. The songs and the BGM by Ghibran gel well with the film. The message is also definitely an eye-opener for banks and corporates, but is not striking enough as the aim seems to be only to appease Ajith fans. The twists and turns in 'Thunivu' ensure the film is engaging. However, the drawback is the treatment and the plot’s failure to strike a balance.

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'Thunivu' movie review: Bullets and bombs fail but the dialogues don’t

How much you like Thunivu depends on how much you are willing to forgive its weak portions—and of course, how much you have missed seeing Ajith Kumar enjoy breaking bad. When he screams, “This heist is MINE!”, close your eyes and you can almost hear him shout, “This is MY f****** game!” Much like in that landmark film of his (Mankatha), here too, Ajith Kumar plays a character who’s eager to come across as a villain.

There, that’s another AK reference. To make matters easier for him, one of the characters—who is perhaps not too familiar with AK’s filmography—even asks him a pointed question: “Are you a hero or a villain?” Ajith, knowing how much we enjoy him being ‘bad’, dances about with a machine gun, unabashed in his execution of a bank heist. “Ipdi makkal panatha kollai adikkariye. Vekkamaa illa?” some hapless hostage asks him. Another star playing this character might have responded with a few dialogues to justify his actions, some persuasive speech perhaps to convince the hostage. AK, playing Dark Devil, simply replies, “Illa.” I spat out my Coke in laughter.

But each time the film steps into action—and it happens a lot especially in the first half—I kept wishing that they had ‘written’ the stunts better. In an eagerness to sometimes overwhelm us with music (which doesn’t quite do enough to sell ‘mass’ moments in this film), and of course, bullets and guns, filmmakers often tend to overlook the importance of telling a story through action.

So, what we get is AK casually walking towards seasoned criminals armed with guns, and casually ducking and spraying bullets at them. And with all due respect to his many appeals, agility isn’t one, and so, it all feels a bit too easy. There are no memorable visual ideas either to make you feel invested.

Meanwhile, Vinoth quietly begins to set up the atmosphere. He introduces us to an overwhelmed constable; a corrupt inspector; two journalists—one new and ignorant, the other aware and corrupt (a funny, dark character called Mai Pa); a rare, righteous senior police officer (Samuthirakani)… There’s variety here, but more importantly, Vinoth shows some real understanding of the symbiotic relationships that sully the system: the police and the politician, the police and the journalist…

And yet, given how long we spend inside the bank and given all the seeming urgency and action, it was hard for me not to get restless and wonder whether AK’s Dark Devil, who the music keeps referring to as a ‘gangsta’, has any real point or purpose. Or is he like The Joker, a dog chasing cars, not knowing what to do with one even if he caught one?

The film makes more than one reference to the ‘joker’, in fact. Truth be told, after The Dark Knight, it’s hard not to think of The Joker any time a maniacal man seems to be involved in a bank heist. And I think the Dark Devil definitely qualifies as a rather unhinged man—and occasionally, he can be seen wearing a mask too. However, Thunivu moves on into more serious spaces after the interval, and it’s here that I think it truly finds itself. This is when H Vinoth’s strengths come to the fore. This is also when the film subverts ideas on who’s good and who’s evil—and at one point, even attacks all of us for not really caring about morality, in the face of entertainment.

Where Samuthirakani’s policeman speaks of the financial system being a protective entity, one responsible for spreading a lot of ‘good’ in our society, Thunivu goes on to reveal its uglier side as well. Credit cards offer you a long, free window in which to pay back your debt, but what’s the catch—and more importantly, who’s the catch? Under the guise of respectable jobs, how do otherwise well-meaning people make money?

From the outside, Thunivu may seem like it’s about one man’s attack on a bank, but the film is really about his defence. The attack is instead by a larger, complex system— full of those tasked with ensuring our welfare including politicians, financial entities, police officers and the media—and the victims are, well, us. If AK’s Dark Devil is a villain, what do we call all those corrupt authorities? Who’s the bigger evil really—a terrorist or a system that fabricates such narratives to quietly, profitably terrorise countless lives? When Thunivu digs into these spaces, you see how H Vinoth can be quite enterprising.

Where a Theeran Adhigaaram Ondru played a part in vilifying an already persecuted group of migrant workers, you can see the filmmaker’s willingness to learn and evolve—and that’s heartening. In this film, very quietly, he captures the prejudice of a Tamil man towards a North Indian waiter. What truly comes through Thunivu is that H Vinoth cares, and I think that augurs well at a time when we could do with braver voices willing to take on oppressive systems.

That’s why Samuthirakani saying, “Idhu Tamil Nadu!” feels so powerful. And that’s also why that whole lengthy portion in which AK’s Dark Devil interviews three high-ranking officials—who are really scammers—turns out to be both educative and so entertaining. It’s probably among the rare instances when I didn’t exactly flinch from a lathi landing (which must still make us uncomfortable, of course). Even here, Vinoth is careful to point out the hypocrisy of how the police handles a `500 theft, as opposed to a `500 crore financial crime.

All the action needed to be written better (I enjoyed what Manju Warrier does in the film though); the flashback needed to be less manipulative; a song like Chilla Chilla needed to be edited out; the final action flourish, with all the ships and helicopters, needed to be less tiresome; the film’s end needed to be punchier. And YET, I enjoyed certain spaces in Thunivu—like how it’s not easy to decide whether the Dark Devil does what he does for good—or for revenge. As AK says, “You asked for God.

But God sent the devil.” Such smart moments make it hard to be unforgiving of Thunivu, even despite all the flab. For every forgettable exchange of bullets, there’s a dialogue that’s fierier. Like when a bad guy asks AK for forgiveness and he retorts, “But your CIBIL score is low.” That there is violence worth the price of the ticket.

Director : H Vinoth  Cast : Ajith Kumar, Manju Warrier, Samuthirakani, John Koken  Rating : 3/5

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Common sense media reviewers.

Chaotic, twisty bank heist tale has violence, language.

A Lot or a Little?

What you will—and won't—find in this movie.

No guts, no glory. Everyone is a thief. "Being an

The Dark Devil is a self-confident operator who is

The action takes place mostly in India with a larg

Violence is rife. Explosions, shootings, and stabb

A sex tape with a college student is mentioned.

Infrequent use of "f--k," "s--t," "bastard," "damn

Parents need to know that Thunivu is a long and wide-ranging, almost uncategorizable, Indian feature. The many shoot-'em-up scenes mostly focus on a bank robbery, but at two-and-a-half hours, this also casts an eye on corporate, police, army, government, press, and personal corruption. Explosions abound…

Positive Messages

No guts, no glory. Everyone is a thief. "Being an opportunist is what makes one human."

Positive Role Models

The Dark Devil is a self-confident operator who is both a thief and a social justice arbiter, a violent man and a compassionate donor.

Diverse Representations

The action takes place mostly in India with a largely Indian cast, some speaking Tamil and others speaking Hindi. A character is trans.

Did we miss something on diversity? Suggest an update.

Violence & Scariness

Violence is rife. Explosions, shootings, and stabbings result in many deaths. Lots of choreographed fighting with people flying through the air. Someone's fingers are shot off. Someone's knees are shot. A man is thrown from a building; it's reported as suicide. His head bleeds onto the sidewalk. People are doused with gasoline by police officers and set afire. Their charred remains are seen. A small boy is held over machinery to threaten the boy's dad. Bombs are strapped to hostages. Men are trapped under a secret floor panel with a bomb; it goes off. Cars and buildings are bombed. A boat is sunk, its occupants presumed shot and drowned as a fleet shoots and pursues, with helicopters strafing from above. Someone seems to be extorting a police officer over a sex tape with a college student.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Infrequent use of "f--k," "s--t," "bastard," "damn," "hell," and "piss."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Thunivu is a long and wide-ranging, almost uncategorizable, Indian feature. The many shoot-'em-up scenes mostly focus on a bank robbery, but at two-and-a-half hours, this also casts an eye on corporate, police, army, government, press, and personal corruption. Explosions abound. Highly choreographed slow-mo displays of automatic weaponry ripping through flesh are on full display. Many are killed. A man is thrown from a building and it's reported as suicide. People are doused with gasoline by police officers and set afire. Their charred remains are seen. A small boy is held over machinery to threaten the boy's dad. Bombs are strapped to hostages. Men are trapped under a secret floor panel with a bomb. Someone seems to be extorting a police officer over a sex tape with a college student. Infrequent language includes "f--k," "s--t," "bastard," "damn," "hell," and "piss." In Tamil, Hindi, and English with English subtitles. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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What's the Story?

Although not told in any particular order, the events in THUNIVU are left to the audience to piece together. A dashing, smiling thief known as the Dark Devil (Ajith Kumar) is asked to organize a bank heist. He turns the job down, leaving the criminals to hire another gang. Some police officers are in on the heist, and bank owners and executives, too. It all quickly goes awry in a bank full of hostages, guards, dirty cops, journalists on the take, and a rival gang that kills the original robbers and takes over the crime. The upstart robbers are led by the Dark Devil, who originally turned the job down. But we don't learn that fact until later when, through a series of flashbacks, it's clear Dark has figured out what's really going on. He knows that the people involved in the original heist are corrupt and leverages his knowledge. By the end, the difference between good guys and bad guys is fuzzy, leading to the lingering question posed here: "Who the gangsta?"

Is It Any Good?

Thunivu i s a gargantuan mess, a flashy heist-social-commentary-dance fest. Director-writer H. Vinoth relishes the stylish, almost comic Deadpool -type pace and nonchalance, but he matches it with the plot's incoherence and overly ambitious reach to create something only watchable for its magnificent insanity and incomprehensibility. This feels like a heist movie parody, like a 146-minute SNL skit. The misguided direction relies on unwieldy flashbacks seemingly inserted to explain multiple overlapping stories that each weigh down the story in their own different ways. In the end, we must ask why the heist was planned at all, given certain facts divulged at the end.

The shootings that go on and on, fueled by seemingly limitless ammunition, explosions, fistfights, martial arts displays, dance sequences, singing, and plotting, all cancel each other out to result in a boring sludge of excess. Despite a dashing and engaging lead character played with cheek and charm by the singing, dancing, machine gun-toting Ajith Kumar, nothing in the three or four individual movies that live within this two-and-a-half-hour muddle seems worth the monumental investment of effort, time, and money. The English subtitles seem a bit off as well -- for example, as robbers keep talking about "looting the bank."

Talk to Your Kids About ...

Families can talk about how the movie's length affects the audience's concentration on the many story threads, flashbacks, subjects, and characters.

Singing and dancing are a staple in Indian movies. How do choreographed dances enhance or detract from the audience's view of the rest of the action -- a bank robbery, shootings, chases, bank fraud, etc.?

How is violence treated here? Do you think that choreographing violence, setting it to music, and playing it in slow-motion glorifies the violence? Why, or why not? What are other ways of showing violence on-screen?

Movie Details

• On DVD or streaming : January 11, 2023
• Cast : Ajith Kumar , Manju Warrier , Samuthirakani
• Director : H. Vinoth
• Studio : Netflix
• Genre : Thriller
• Run time : 146 minutes
• MPAA rating : NR
• Last updated : February 17, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Thunivu Review: Early reactions to the Ajith starrer

Published date : 11/jan/2023.

// Click here to  Checkout our Thunivu Review //

Ajith starrer Thunivu had its first show screening at 1 AM today and people who managed to get the earliest glimpse of the movie have already started registering their response on social media platforms. A gist of what the general consensus is for the heist action entertainer, written and directed by H. Vinoth: 

#Thunivu 1st Half : Ithu #AK yin Aattam.. Veri Aattam.. 🔥 The most fun I had a with an #AK movie, since #Mankatha 360 degree Mass.. — Ramesh Bala (@rameshlaus) January 10, 2023

#Thunivu first half - Went like a bullet. — Prashanth Rangaswamy (@itisprashanth) January 10, 2023

#Thunivu Interval : BOOM💣💥 — Saloon Kada Shanmugam (@saloon_kada) January 10, 2023

#Thunivu first half - Without wasting time, #HVinoth starts the film from the word go! #Ajith ’s swag screen presence and villainy image work in favour of the movie. The action scenes are the highlights! Waiting for the 2nd half … — Rajasekar (@sekartweets) January 10, 2023

#ThunivuFDFS : interval Bank heist with plenty of Guns, bombs and blasts #AjithKumar is in full form 🔥🔥🔥Single location in the first half — sridevi sreedhar (@sridevisreedhar) January 10, 2023

#Thunivu : Interval Decent so far. Takes a bit time to get on track. Narration is racy. AK's swag moments have worked well. Rest depends on the second half 🤞 — ForumKeralam (@Forumkeralam2) January 10, 2023

#Thunivu - Mass Action Flick. AK Best Intro🔥💥. Loved the Mannerisms. Refreshering performance from Thala. Mass moments at regular intrvals. @GhibranOfficial pumps the heat 🔥. A One Man Show First half. — HighFide Talkies (@HiFiTalkies) January 10, 2023

#Thunivu Strictly Below Average 1st Half! Other than a few mass moments with Ajith, nothing intriguing has happened until the interval portion and the movie is running on a very flat pace. Need a big 2nd half! — Venky Reviews (@venkyreviews) January 10, 2023

Bank owner fight in second half Goosebumps, Villan Da 🔥 #Thala Masss #Thunivu — Raavi (@RaaviNtr) January 10, 2023

வி ல் ல ன் ! #Thunivu 💥 #AjithKumar — TamilaninCinema (@TamilaninCinema) January 10, 2023

#Thunivu - core plot is more interesting, The man #HVinoth has brought the more informative message to the audience. #ThunivuFDFS — Kollywood V2Cinemas  (@V2Cinemas) January 10, 2023

Thunivu First Half: Engaged well; #AjithKumar 🔥🔥 that dialogue என்னை ஜெயிக்க என்னோட வாழ்த்துகள்! #Thunivu #ThunivuPongal2023 — Sakthi Tamilselvan (@sakthitamil09) January 10, 2023

Terrific first half .. Vinotheyyyyyyyyy 🔥🔥🔥 AK ultimate badass stuff 🔥🔥🔥 #Thunivu — APV (@vkey_talks) January 10, 2023

#Thunivu 1st Half : Sema Speeduuuu... AK 🔥 — Trendswood (@Trendswoodcom) January 10, 2023

#Thunivu first half review: #HVinoth leaves us all wondering. While the story doesn't unfold, #Ajith and characters keep the pace afloat #ThunivuReview @dt_next #Ajithkumar𓃵 — Kaushik Rajaraman (@iamkaushikr) January 10, 2023

#Thunivu first half review (2): Art direction and VFX are on the downside. @GhibranOfficial BGM is a huge huge plus #THUNIVUFDFS #Ajithkumar𓃵 — Kaushik Rajaraman (@iamkaushikr) January 10, 2023

Ajith's One Man Show #Thunivu 1st Half💥 — Lets OTT (@IetsOTT) January 10, 2023

REVIEW: #Thunivu - A Hurried yet a decent actioner! https://t.co/kWZBAh7v75 pic.twitter.com/wM1YHO2AnO — MovieCrow (@MovieCrow) January 11, 2023

1 minute review: What works, doesn't & verdict on #Ajith 's #Thunivu . For detailed #ThunivuReview visit https://t.co/an6LjhpBfB pic.twitter.com/cR2C7TQfGy — MovieCrow (@MovieCrow) January 11, 2023

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Aavesham X Review: Fahadh Faasil Starrer Action Comedy Movie Promises To Be A High-Voltage Entertainer

Aavesham X Review: "Aavesham" is a Malayalam action comedy film helmed by director Jithu Madhavan. Jointly produced by Nazriya Nazim, Fahad Faasil, and Anwar Rasheed, the film features Fahadh Faasil in the lead role, supported by Ashish Vidyarthi, Sajin Gopu, and Mansoor Ali Khan. The cinematography is handled by Sameer Thahir, with music composed by Sushin Shyam. Aavesham hit theatres on April 11, 2024.

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