creative writing lesson year 3

Writing in Year 3 (age 7–8)

In Year 3, your child will continue to develop across the different strands of writing: imagination and ideas, audience and purpose, handwriting or typing, spelling, grammar, and punctuation. Read on to discover the National Curriculum expectations for writing in Year 3, and to find out how you can support your child at home.

How to help at home

There are lots of ways you can help your Year 3 child with writing. Here are our top ideas.

1. Read to your child

While children do learn new language and ideas from speaking and listening, the type of language we use in writing is often very different from that in speech. Reading regularly to your child, especially longer chapter books that they might not be able to yet read independently, is a great way to support their writing.

While your child will have some favourite books and types of book that they’ll want to listen to again and again, try to make sure they get to hear a range of different types of books, including fiction and non-fiction. This is useful for their writing because it models lots of language styles.

For books to read with your child, take a look at our free eBook library .

2. Have your child to read to you

Making time to hear your child read isn’t just good for their reading. Seeing words in print helps them to understand the words, to spell them, and to see how grammar and punctuation are used to make meaning.

When you read, occasionally talk about why the author has decided to include something and how they written it. For example:

‘I wonder why the author has chosen to describe the castle as “gloomy”? I wonder what that tells us about what might happen there?’

3. Try some real-world writing

Writing for a real purpose can be a great way to fit in some practice. Writing cards, shopping lists, or letters/emails to relatives can be motivating real life reasons for writing, and can show children how useful it is to be able to write well.

Your child might enjoy keeping a diary or writing short stories based on books they have read or toys they enjoy playing with. Be sure to encourage your child to write about what most interests them, as this is the best way to keep them enthusiastic.

4. Tell stories aloud

Giving your child the opportunity to tell stories orally is a great way to get them used to structuring their ideas and using adventurous language. If they’re not sure where to start, see if they can retell a story that they already know well, like The Magic Paintbrush  or Rumpelstiltskin .

If your child finds it useful to plan out their story first, try our free Story mountain to make a great plot with a beginning, middle, and end. Your child might also enjoy reciting poetry – see if your child can memorise and perform ‘Who has seen the wind?’ with our Perform a poem activity sheet .

Activity: Story mountain

Complete the story mountain to plan your story with a beginning, middle, and end.

Activity: Perform a poem

Read the poem, talk about what it means, and perform it to an audience.

5. Find story inspiration

You can find fun story ideas anywhere! Why not raid your kitchen cupboards or hunt through the attic to find lost treasures? Anything from an old hat to a telescope will do the trick. What could the object be used for? Who might be looking for it? What secrets could it hold? Suggest different genres such as mystery or science fiction and discuss how the item might be used in this kind of story.

Real-world facts can also be a great source of inspiration. For example, did you know a jumping flea can accelerate faster than a space rocket taking off into orbit? What crazy story can your child make out of this fact? Newspapers and news websites can be great for finding these sorts of ideas.

Activity: Story idea generator

Mix together a genre, character, and setting to think up an imaginative story idea.

Activity: Character profile

Come up with lots of interesting details about the lead character in your story.

6. Draw your ideas first

If your child isn’t sure where to start with a story or even a piece of non-fiction, it can sometimes be helpful to sketch out their ideas first. For instance, can they draw a picture of a dastardly villain or a brave hero? How about a scary woodland or an enchanted castle?

Your child might also find it useful to draw maps or diagrams. What are all the different areas of their fantasy landscape called? How is the baddie’s base organised?

What your child will learn

In Year 3 (age 7–8), your child will work towards being able to:

• Discussing writing similar to that which they are planning to write in order to understand and learn from its structure, vocabulary and grammar
• Discussing and recording their ideas.
• Composing and rehearsing sentences orally (including dialogue), progressively building a varied and rich vocabulary and an increasing range of sentence structures
• Organising paragraphs around a theme
• In narratives, creating settings, characters and plot
• In non-narrative material, using simple organisational devices (for example, headings and sub-headings).
• Assessing the effectiveness of their own and others’ writing and suggesting improvements
• Proposing changes to grammar and vocabulary to improve consistency, including the accurate use of   pronouns   in   sentences .
• Proof-read for spelling and punctuation errors.

Handwriting, spelling, grammar, and punctuation are all important aspects of writing too. You can find out more about them on our dedicated pages:

Handwriting in Year 3 (age 7-8)

Find out more about handwriting in Year 3 at Primary School.

Find out more

Spelling in Year 3 (age 7-8)

Find out more about spelling in Year 3 at Primary School.

Grammar and punctuation in Year 3 (age 7-8)

Find out more about grammar and punctuation in Year 3 at Primary School.

• Age 5–6 (Year 1)
• Age 6–7 (Year 2)
• Age 7–8 (Year 3)
• Age 8–9 (Year 4)
• Age 9–10 (Year 5)
• Age 10–11 (Year 6)
• Year 1 (age 5–6)
• Year 2 (age 6–7)
• Year 3 (age 7–8)
• Year 4 (age 8–9)
• Year 5 (age 9–10)
• Year 6 (age 10–11)
• Grammar glossary
• Grammar books

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that  every  student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a  seven-step method  that will  scaffold your students through each phase of the creative process  from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

• personal memories (“Write about a person who taught you an important lesson”)
• imaginative scenarios
• prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
• lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
• fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

• What sorts of beliefs do people take for granted?
• What might make us question those beliefs?
• What happens when we question something we’ve always thought is true?
• How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

• allow students to see what their discussed ideas look like on paper
• help fix the “I don’t know how to start” problem
• warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting  is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note:  at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

• a work in progress.

Remind them that  if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

• demonstrating the writing process to students yourself
• taking the focus off spelling and grammar (during the drafting stage)
• providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

• use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

• Are there any parts that would be confusing if I wasn’t there to explain them?
• Are there any parts that seem irrelevant to the rest?
• Which parts am I most uncertain about?
• Does the whole thing flow together, or are there parts that seem out of place?
• Are there places where I could have used a better word?
• Are there any grammatical or spelling errors I notice?

Key to this process is getting students to  read their creative writing from start to finish .

Important note:  if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun  marking  your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on  how to get reluctant writers writing , strategies for  supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

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Creative Writing Ideas

Here are some ideas that you can use as part of creative writing activities with your children:

1) Writing Traditional Stories from a Different Point of View

Read “The True Story of the Three Little Pigs” (by Jon Scieszka) with the children. This tells the “Three Little Pigs” story from the wolf’s point of view.

Ask the children to think of a story that they know well and to write another version from another point of view.

e.g. Write “Cinderella” from the point of view of one of the ugly sisters,

OR Write “The Three Billy Goats Gruff” from the point of view of the troll,

OR Write “Goldilocks and the Three Bears” from the point of view of Goldilocks.

2) Design a New Room for the Chocolate Factory

Based on “Charlie and the Chocolate Factory” by Roald Dahl.

Remind the children of the story and read chapter 15 – a description of the Chocolate Room.

Ask the children who have read the story if they can think of any of the other rooms in the factory. Make a list of these on the board for the children to refer to later.

Now ask the children to make up a new room for the chocolate factory, making sure that they are as descriptive as possible.

Jessica Miller has also suggested the following idea:

What might have happened if any of the other children had gotten the factory?

3) Missing Person

The following activity is great fun and usually produces great results, but it must be used with caution. Only try it with a class you are comfortable with and who you think will cope with the situation. Also, try to add a little humour where possible, ensuring that the children are aware that it’s not real – you’re just pretending!

Choose a name for a missing person (e.g. “Paul”), making sure that this is not the name of someone in the class. Before the lesson, put a chair in an empty space in the classroom. For the purposes of the lesson, pretend that this space is where “Paul” normally sits.

Ask the children where “Paul” is. They will probably look at you as though you are mad, but continually ask them where “Paul” is today. Tell them that he normally sits in his space (point to the empty chair) and that he was there yesterday, but he isn’t there today. Insist that they tell you where he is. Hopefully, someone will make up a reason why “Paul” isn’t in today. Argue with them, saying that you have heard differently. Ask if anyone knows anything else. Ask who was the last person to see him. Continue like this for a while, with the children explaining where he is.

Finally, say that as Paul is missing, we will have to make some missing person posters, explaining who Paul is (with a picture so others can identify him!), where he was last seen and who to contact if he is found. When these are made, you could post them around the school.

A missing person poster template can be found below.

4) Supermoo’s New Adventures

Based on the book “Supermoo” by Babette Cole.

Read the story through with the children. Discuss the main characters (Supermoo, Calf Crypton, the BOTS, Miss Pimple’s class), and ask the children to produce a new adventure for a series of new Supermoo books. This could be in the form of a story, or a storyboard with accompanying pictures.

When finished, the children could actually make the books for younger children in the school to read.

5) Recipes for Dreams

Based on “The BFG” by Roald Dahl.

Remind the children of the story and read the “Dreams” chapter to give the children some ideas. Ask them to make a recipe for a dream. They could set it out like a cooking recipe with ingredients and mixing instructions and there should also be a short description of the dream (which could be a “Golden Phizzwizard” or a “Trogglehumper”).

When all of the recipes are finished, they could be made into a “Dream Recipe Cook Book”.

6) Dr. Xargle’s Book of …..

This activity is based on the Dr. Xargle series of books written by Jeanne Willis and illustrated by Tony Ross.

Read through some of the books in the series.

The children should write their own Dr. Xargle story in which he teaches his class about a different aspect of Earth life (e.g. school, work). This will encourage them to look at everyday life from a different point of view. If there is enough time, they could also make illustrations to accompany their text.

7) Class Mascot Activity

Find a small soft toy or puppet which will become the class mascot. With the class, choose a name for the mascot, and discuss its background (where it comes from, its friends and family, its likes and dislikes etc.).

Let each child take the mascot (and a book in which to write) home for a few days at a time. While they are looking after the mascot, they should write a short story in the book outlining what the mascot has done during its stay with them. This can be true or the children can make up events (e.g. a trip to the moon). Encourage them to be as creative as possible.

When the mascot returns to school, spend some time discussing what it has done and where it has been. The class could make a book describing the mascot’s travels.

8) When I am famous…

“In the future, everyone will be famous for 15 minutes” – Andy Warhol

Discuss the above quote with the children, and talk about what it means to be famous. Would they like to be famous? What would they like to be famous for?

The children could then write:

• An account of what they would like to be famous for and why.
• A diary, written as if the child was famous in the future. How are they feeling? What things do they have to do?
• A newspaper interview, written as if in the future, with the child who is now famous.

9) How did the elephant get its trunk?

Can the children think of a story which describes how the elephant got its trunk? Or how about explaining how a giraffe got its long neck? How did the leopard get its spots? Why has a rabbit got long ears? Why is a zebra stripy?

10) Description of a New Animal

A good way of asking children to use their descriptive writing skills is to ask them to invent a new animal. Ask them to describe what it looks like, where it lives, what it does, what it eats etc. It might be useful to discuss existing animals and their characteristics beforehand.

11) Writing a story based on adverts

In the back of many books, there are often adverts for other stories. Why not get the children to choose one of these adverts, and write a story based on the description of the story in the advert. They don’t need to have read the book which is being advertised, and you can get them to compare their own story to the real version when they have finished.

12) Using Objects

Take 4 or 5 unrelated but interesting objects and challenge children to create either a skit or a character description of the owner. Great for oral discussion but also useful for character analysis. Suggested by Jane Knight.

13) Name Characters

This is using art and creative writing, and was suggested by Jeanette Carpenter:

• Fold a piece of paper in half and on the fold line, write your name.
• Cut around the outside shape of your name.
• Open your name and you will have a shape based on your letters.
• Colour and design your shape into a character.
• Glue your finished character to a piece of construction paper.
• Write a descriptive paragraph about your character as if it is an alien arriving here on earth for the first time. Give it a name, place of origin, the reason for being here, etc.

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Year 3/ 4 literacy lesson- one off for observation

Subject: English

Age range: 7-11

Resource type: Lesson (complete)

Last updated

24 May 2019

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I have used this lesson twice for interviews and have been offered the job on both occasions! It’s extremely straight forward and everything you need to teach the lesson is contained in the files- the two blank worksheets have lines and the sentence checker for convenience. I uploaded both pdf and word documents for editing. Highly effective, straight forward lesson with a wealth of opportunity for extending children and drawing on year 3 and 4 writing curriculum. If you have any comments about what you liked or what could be improved please let me know.

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This is a fantastic resource and a great lesson idea but could I please have the powerpoint version of the poem. Thank you

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Hi eanouf20, Thanks so much for purchasing this resource and thank you for your feedback. I contacted the help team at TES yesterday to try to get the PowerPoint to you since it should download as part of the resource. I hope you now have the PowerPoint and are able to fully utilise the resource.

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Please may I have the PowerPoint to go with this lesson? Amazing resources and differentiation. Thank you.

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Amazing but can you please send me the PowerPoint version. Thank you

Hi zeeshansaddique911,<br /> Looking at the resources on here I can see the Powerpoint version so it should have come to you when you originally downloaded the resource.<br /> I will look into having this resource sent directly to you as well.<br /> Thanks for purchasing!

violetabadea1

used for interview adapted to suit the needs of the class great buy

I really like the resources and saved time. Although I read the comment about the notebook I had hoped that it had been resolved. It would be been great in an alternative version had been added, perhaps as a power point.

Hi easytools, thanks for purchasing and reviewing the resource. Sorry that it wasn't in the format you were after, I have now added it as a power point. Would you like the power point version to be forwarded to you?

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