mla citation for essay in a book

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MLA Style (9th Edition) Citation Guide: Books & Ebooks

• Introduction to MLA Style
• Journal Articles
• Magazine/Newspaper Articles
• Books & Ebooks
• Government & Legal Documents
• Biblical Sources
• Secondary Sources
• Videos/DVDs/TV Shows
• How to Cite: Other
• 9th Edition Updates
• Additional Help

Table of Contents

Book in print, book with editor(s) but no author, translated book, chapters, short stories, essays, or articles from a book (anthology or collection), an introduction, preface, foreword, or afterword, article in a reference book (e.g. encyclopedias, dictionaries).

Note: For your Works Cited list, all citations should be double spaced and have a hanging indent.

A "hanging indent" means that each subsequent line after the first line of your citation should be indented by 0.5 inches.

Authors/Editors

An author can be a person but can also be an organization, or company. These are called group or corporate authors.

If you are citing a chapter from a book that has an editor, the author of the chapter is listed first, and is the name listed in the in-text citation.

Capitalize the first letter of every important word in the title. You do not need to capitalize words such as: in, of, or an.

If there is a colon (:) in the title, include what comes after the colon (also known as the subtitle).

You have the option to use the shortened name of the publisher by abbreviating "University" and "Press" (e.g. Oxford UP, not Oxford University Press).

You also have the option to remove articles (A, An, The), business abbreviations (e.g. Co., Inc.) and descriptive words (e.g. Books, House, Press, Publishers).

The format of all dates is: Date Month (shortened) Year. e.g. 5 Sept. 2012.

Whether to give the year alone or include a month and day depends on your source: write the full date as you find it there.

If no date is listed, omit it unless you can find that information available in a reliable source. In that case the date is cited in square brackets. e.g. [2008]

Page Numbers

Page number on your Works Cited page (but not for in-text citations) are now proceeded by p. for a single page number and pp. for a range of page numbers. E.g. p. 156 or pp. 79-92.

Access Date

Date of access is optional in MLA 8th/9th edition; it is recommended for pages that may change frequently or that do not have a copyright/publication date.

Last Name, First Name.  Title of Book . City of Publication, Publisher, Publication Date.

Note :  The city of publication should only be used if the book was published before 1900, if the publisher has offices in more than one country, or if the publisher is unknown in North America.

Works Cited List Example:

Kurlansky, Mark. Salt: A World History . Walker, 2002.

In-Text Citation Example:

(Author's Last Name Page Number)

Example: (Kurlansky 10)

Two Authors

Last Name, First Name of First Author, and First Name Last Name of Second Author.  Title of Book: Subtitle if Any.  Edition if given and is not first edition, Publisher Name often shortened, Year of publication. 

Note: Only the first author listed appears in "Last Name, First Name" format. Authors' names are separated by a comma. Before the last author to be listed, add the word "and."

 Jacobson, Diane L., and Robert Kysar.  A Beginner's Guide to the Books of the Bible,  Augsburg, 1991.

 (Author's Last Name and Author's Last Name Page Number)

 Example: (Jacobson and Kysar 25)

Three or More Authors

Last Name, First Name of First Author, et al.  Title of Book: Subtitle if Any.  Edition if given and is not first edition, Publisher Name often shortened, Year of publication. 

Note:  If you have three or more authors list only the first author's name followed by et al. instead of listing all authors names. For example Smith, John, et al. The first author is the first name listed on the work you are citing, not the first name alphabetically.

Nickels, William, et al.  Understanding Business.  9th ed., McGraw-Hill Ryerson, 2016. 

(First Author's Last Name et al. Page Number)

Example: (Nickels et al. 5)

eBook from a Library Database

Last Name, First Name of First Author, et al.  Title of Book: Subtitle if Any.  Edition if given and is not first edition, Publisher Name often shortened, Year of publication.  Name of eBook Database,  doi:DOI number/URL/Permalink.

Calhoun, Craig. Sociology in America: A History . U of Chicago P, 2008.  ProQuest Ebook Central , ebookcentral.proquest.com/lib/up/detail.action?docID=408466&pq-origsite=primo.  

 (Author's Last Name Page Number)

 Example: (Calhoun 53)

eBook for Kindle or other eBook Reader

Note:  The MLA uses the term "eBook" to refer to publications formatted specifically for reading with an eBook reader device (e.g., a Kindle) or a corresponding web application, which will not have URLs or DOIs. Citations will be very similar to physical book citations; just add the word "eBook" in the "version" slot of the MLA template (i.e., after the author, the title of the source, the title of the container, and the names of any other contributors).

Silva, Paul J.  How to Write a Lot: A Practical Guide to Productive Academic Writing , eBook, American Psychological Association, 2007.

 Example: (Silva 30)

Note : When no page numbers are listed on an eBook, cite the chapter number instead in your in-text citation. Example: (Smith ch. 2).  

Last Name of editor, First Name, editor(s).  Title of Book: Subtitle if Any.  Edition if given and is not first edition, Publisher Name often shortened, Year of Publication.

 Wolfteich, Claire E., editor. Invitation to Practical Theology: Catholic Voices and Visions . Paulist, 2014. 

 (Last name page number)

 Example: (Wolfteich 103)

Electronic Materials

(More than one editor)

Kidwell, Jeremy, and Sean Doherty, editors. Theology and Economics: A Christian Vision of the Common Good.  eBook, Palgrave Macmillan, 2015. 

(Last name page number)

Example: (Kidwell and Doherty 103)

If you want to emphasize the work rather than the translator, cite as you would any other book. Add “translated by” and follow with the name(s) of the translator(s).

Boitani, Piero. The Bible and Its Rewritings . Translated by Anita Weston, Oxford UP, 1999.

Example: (Boitani 89)

Augustine. The Confessions of St. Augustine . Translated by Edward Bouverie Pusey, eBook, Floating Press, 1921.

Example: (Augustine 65) 

Author's Last Name, First Name. "Title of Short Story, Essay, or Article."  Title of Book: Subtitle if Any,  edited by Editor's First Name and Last Name, Edition if given and is not first, Publisher Name often shortened, Year of publication, Page numbers of the essay, article, or short story. 

Boys, Mary C. “Learning in the Presence of the Other: Feminisms and the Interreligious Encounter.” Faith and Feminism: Ecumenical Essays , edited by Diane B. Lipsett, Westminster John Knox Press, 2014, pp. 103-114.

Note:  The first author's name listed is the author of the chapter/essay/short story.

Note: If there is no editor given you may leave out that part of the citation.

Example: (Boys 110)

When citing an introduction, a preface, a foreword, or an afterword, write the name of the author(s) of the piece you are citing. Then give the name of the part being cited, which should not be italicized or enclosed in quotation marks; in italics, provide the name of the work and the name of the author of the introduction/preface/foreword/afterword. Finish the citation with the details of publication and page range.

Farrell, Thomas B. Introduction.  Norms of Rhetorical Culture , by Farrell, Yale UP, 1993, pp. 1-13.

(Farrell 5)

If the writer of the piece is different from the author of the complete work, then write the full name of the principal work's author after the word "By." For example, if you were to cite Hugh Dalziel Duncan’s introduction of Kenneth Burke’s book Permanence and Change, you would write the entry as follows:

Duncan, Hugh Dalziel. Introduction.  Permanence and Change: An Anatomy of Purpose,  by Kenneth Burke, 1935, 3rd ed., U of California P, 1984, pp. xiii-xliv.

(Duncan xiv)

For entries in encyclopedias, dictionaries, and other reference works, cite the entry name as you would any other work in a collection but do not include the publisher information. Also, if the reference book is organized alphabetically, as most are, do not list the volume or the page number of the article or item.

"Ideology."  The American Heritage Dictionary , 3rd ed., Dell, 1997, p. 369.

("Ideology" 369)

Online Reference book

Isaacson, Joel. "Monet, Claude." Grove Art Online , Oxford Art Online , www.oxfordartonline.com/subscriber/article/grove/art/T059077.

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Works-Cited-List Entries

How to cite a book.

To create a basic works-cited-list entry for a book, list the author, the title, the publisher, and the publication date. You may need to include other elements depending on the type of book you are citing (e.g., an edited book, a translation) and how it is published (e.g., in print, as an e-book, online). Below are sample entries for books along with links to posts containing many other examples.

Book by One Author

Mantel, Hilary. Wolf Hall . Picador, 2010.

Book by an Unknown Author

Beowulf . Translated by Alan Sullivan and Timothy Murphy, edited by Sarah Anderson, Pearson, 2004.

An Edited Book

Sánchez Prado, Ignacio M., editor. Mexican Literature in Theory . Bloomsbury, 2018.

More Examples

Anthologies

Books Series

Edited Collections

Multivolume Works

Translations

• Next Example

University Libraries      University of Nevada, Reno

• Skill Guides
• Subject Guides

MLA Citation Guide (MLA 9th Edition): Books

• Understanding Core Elements
• Formatting Appendices and Works Cited List
• Writing an Annotated Bibliography
• Academic Honesty and Citation
• In-Text Citation
• Charts, Graphs, Images, and Tables
• Class Notes and Presentations
• Encyclopedias and Dictionaries
• Generative AI
• In Digital Assignments
• Interviews and Emails
• Journal and Magazine Articles
• Newspaper Articles
• Social Media
• Special Collections
• Videos and DVDs
• When Information Is Missing
• Citation Software

General Guideline

The general MLA 9 formatting for books is:

Work Cited List: Last Name, First Name.  Title of Book.  Publisher, Publication Date. 

In-Text: (Author Last Name page number of quote or idea).

Book with One Author

Last Name, First Name. Title of Book.  Publisher, Publication Date. 

(Author Last Name page number).

Kirsh , Steven J.  Children, Adolescents, and Media Violence: A Critical Look at the Research.  Sage, 2006.

Book with More Than One Author

When a book has two authors , order the authors in the same way they are presented in the book.

Last Name, First Name of First Author, and First Name Last Name of Second Author. Title of Book.  Publisher, Publication Date. 

(First Author Last Name page number).

Wykes , Maggie, and Barrie Gunter.  The Media and Body Image: If Looks Could Kill.  Sage, 2005. 

If there are three or more authors , list only the first author followed by the phrase et al. (Latin for "and others") in place of the subsequent authors' names.

Last Name, First Name of First Author, et al. Title of Book . Publisher, Publication Date.

(First Author Last Name, et al. page number).

Nickels, William, et al. Understanding Canadian Business . McGraw-Hill Ryerson, 2016.

(Nickel, et al)

Book with Editor(s) and No Author

Last Name of Editor, First Name, editor(s). Title of Book . Publisher, Publication Date.

Matuz, Roger, editor. Contemporary Canadian Artists . Gale Canada, 1997.

A Work in an Anthology, Reference, or Collection

 format.

Last Name, First Name. "Title of Essay." Title of Collection, e dited by Editor's Name(s), Publisher, Year, Page range of entry. 

(Last Name page number)

 Example

Ross, Colin. "The Story of Grey Owl."  Fiction/Non-Fiction: A Reader and Rhetoric,  edited by Garry  Engkent  and Lucia  Engkent , Thomson Nelson, 2006, pp. 327-333. 

  Note:  The first author's name listed is the author of the chapter/essay/short story. If there is no editor given you may leave out that part of the citation.

Book by a Group or Corporate Author

Name of Corporate Author. Title of Book.  Publisher, Publication Date.

Calgary Educational Partnership Foundation.  Employability Skills: Creating My Future,  Nelson, 1996.

 Note : When a work is published by an organization that is also its author, begin the entry with the title, skipping the author element. List the organization as publisher.

Self-Published

Last Name, First Name. Title.  Date. 

Hocking, Amanda. Fate.  2010.

(Hocking 10).

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Chicago/Turabian Citation

• Citing a Book

Basic Chapter Citation

Example chapter of a book, example chapter of an ebook, example foreword/preface of a book.

• Citing an Article
• Citing a Webpage
• Additional Resources

Writing Center

Visit the Writing Center for help with brainstorming, organization, revising, citations, and other writing assistance! 

• Every Monday: Saurwein 232
• Tuesday-Sunday in Campus Center 313: The Owen Center

Regular Writing Center Hours:

• Monday-Friday 12:00PM-7:00PM
• Sundays 12:00PM-5:00PM

Book an appointment  with a Writing Center consultant. 

Footnote/Endnote

Author First M. Last Name, "Chapter or Essay Title," in  Book Title , ed. First M. Last Name (Place of Publication: Publisher, date), page cited.

Short version: Author Last Name, "Chapter or Essay Title (shortened if necessary)," page cited.

Bibliography

Author Last Name, First M.   "Chapter or Essay Title."  In  Book Title ,   edited by First M. Last Name,  page range.   Place of Publication: Publisher, date.

Eric Charry, "Music and Islam in Sub-Saharan Africa," in  The History of Islam in Africa , eds. Nehwmia Levtzion and Randall L. Pouwels  (Athens, OH: Ohio University Press, 2000), 550.

Short version: Charry, "Music and Islam in Sub-Saharan Africa," 550.

Charry, Eric.   "Music and Islam in Sub-Saharan Africa."  In  The History of Islam in Africa ,   edited by Nehwmia Levtzion and Randall L. Pouwels,   545-573.   Athens, OH: Ohio  University Press, 2000.

Alan Liu, "Where is Cultural Criticism in the Digital Humanities?," in  Debates in the Digital Humanities , ed. Matthew K. Gold (Minneapolis: University of Minnesota Press, 2013), accessed January 23, 2014,  http://dhdebates.gc.cuny.edu/debates/text/20. 

Short version: Liu, "Where is Cultural Criticism."

Liu, Alan.  "Where is Cultural Criticism in the Digital Humanities?."   In  Debates in the Digital Humanities ,   edited by Matthew K. Gold.   Minneapolis: University of Minnesota Press, 2013.   A ccessed January 23, 2014.   http://dhdebates.gc.cuny.edu/debates/text/20. 

Strobe Talbott, foreword to   Beyond Tianamen: The Politics of U.S.-China Relations 1989-2000 , by Robert L. Suettinger (Washington, D. C.: Brookings Institute Press, 2003), x.

Short version: Talbott, foreword, x.

Talbott, Strobe.   Foreword to   Beyond Tianamen: The Politics of U.S.-China Relations 1989-2000 ,   by Robert L. Suettinger,  ix-x.   Washington, D. C.: Brookings Institute  Press, 2003.

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MLA Citation Style, 9th Edition

• MLA Style, 9th Edition
• In-text citations
• Books - Multiple Authors
• Books - with editors, translators, etc.
• Book - Essay, Short Story, Poem, etc
• Books - later editions
• Articles - Multiple Authors
• Articles - from scholarly journals
• Articles - from newspapers
• Articles - from magazines
• YouTube Video
• Television Shows
• Images from the Web
• Works Cited: Websites
• Works Cited: Social Media / Informal Communication
• Works Cited: Conference Proceeding/Paper
• Don't See an Example for Your Source?!
• Report an Error / Question

A work (e.g., essay, short story) in an anthology or compilation

When you are citing one work from a book in the text of your paper and the book has many different authors, you will list the information about that work (critical essay, short story from an anthology, etc) first.

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Home / Guides / Citation Guides / MLA Format / MLA In-text Citations

MLA In-Text Citations

An in-text citation is a reference to a source that is found within the text of a paper ( Handbook 227). This tells a reader that an idea, quote, or paraphrase originated from a source. MLA in-text citations usually include the last name of the author and the location of cited information.

This guide focuses on how to create MLA in-text citations, such as citations in prose and parenthetical citations in the current MLA style, which is in its 9th edition. This style was created by the Modern Language Association . This guide reviews MLA guidelines but is not related directly to the association.

Table of Contents

Here’s a quick rundown of the contents of this guide on how to use in-text citations.

Fundamentals

• Why in-text citations are important
• Prose vs parenthetical in-text citation differences
• Parenthetical citation reference chart

In-text citation examples

• In-text citation with two authors
• In-text citation with 3+ authors
• In-text citation with no authors
• In-text citation with corporate authors
• In-text citation with edited books and anthologies
• In-text citation with no page numbers and online sources
• Citing the same sources multiple times
• Citing 2+ sources in the same in-text citation
• Citing multiple works by the same author in the same in-text citation
• Abbreviating titles
• Citing religious works and scriptures
• Citing long or block quotes

Why are in-text citations important?

In-text citations

• Give full credit to sources that are quoted and paraphrased in a work/paper.
• Help the writer avoid plagiarism.
• Are a signal that the information came from another source.
• Tell the reader where the information came from.

In-text citation vs. in-prose vs. parenthetical

An in-text citation is a general citation of where presented information came from. In MLA, an in-text citation can be displayed in two different ways:

• In the prose
• As a parenthetical citation

While the two ways are similar, there are slight differences. However, for both ways, you’ll need to know how to format page numbers in MLA .

Citation in prose

An MLA citation in prose is when the author’s name is used in the text of the sentence. At the end of the sentence, in parentheses, is the page number where the information was found.

Here is an example

When it comes to technology, King states that we “need to be comfortable enough with technology tools and services that we can help point our patrons in the right direction, even if we aren’t intimately familiar with how the device works” (11).

This MLA citation in prose includes King’s name in the sentence itself, and this specific line of text was taken from page 11 of the journal it was found in.

Parenthetical citation

An MLA parenthetical citation is created when the author’s name is NOT in the sentence. Instead, the author’s name is in parentheses after the sentence, along with the page number.

Here is an MLA parenthetical citation example

When it comes to technology, we “need to be comfortable enough with technology tools and services that we can help point our patrons in the right direction, even if we aren’t intimately familiar with how the device works” (King 11).

In the above example, King’s name is not included in the sentence itself, so his name is in parentheses after the sentence, with 11 for the page number. The 11 indicates that the quote is found on page 11 in the journal.

Full reference

For every source that is cited using an in-text citation, there is a corresponding full reference. This allows readers to track down the original source.

At the end of the assignment, on the MLA works cited page , is the full reference. The full reference includes the full name of the author, the title of the article, the title of the journal, the volume and issue number, the date the journal was published, and the URL where the article was found.

Here is the full reference for King’s quote

King, David Lee. “Why Stay on Top of Technology Trends?” Library Technology Reports , vol. 54, no. 2, Feb.-Mar. 2018, ezproxy.nypl.org/login?url=//search-proquest-com.i.ezproxy.nypl.org/docview/2008817033?accountid=35635.

Readers can locate the article online via the information included above.

Citation overview

The next section of this guide focuses on how to structure an MLA in-text citation and reference in parentheses in various situations.

A narrative APA in-text citation and APA parenthetical citation are somewhat similar but have some minor differences. Check out our helpful guides, and others, on EasyBib.com!

Wondering how to handle these types of references in other styles? Check out our page on APA format , or choose from more styles .

Parenthetical Citation Reference Chart

Sources with two authors.

There are many books, journal articles, magazine articles, reports, and other source types written or created by two authors.

When a source has two authors, place both authors’ last names in the body of your work ( Handbook 232). The last names do not need to be listed in alphabetical order. Instead, follow the same order as shown on the source.

In an MLA in-text citation, separate the two last names with the word “and.” After both authors’ names, add a space and the page number where the original quote or information is found on.

Here is an example of an MLA citation in prose for a book with two authors

Gaiman and Pratchett further elaborate by sharing their creepy reminder that “just because it’s a mild night doesn’t mean that dark forces aren’t abroad. They’re abroad all of the time. They’re everywhere” (15).

Here is an example of an MLA parenthetical citation for a book with two authors

Don’t forget that “just because it’s a mild night doesn’t mean that dark forces aren’t abroad. They’re abroad all of the time. They’re everywhere” (Gaiman and Pratchett 15).

If you’re still confused, check out EasyBib.com’s MLA in-text citation generator, which allows you to create MLA in-text citations and other types of references in just a few clicks!

If it’s an APA book citation you’re looking to create, we have a helpful guide on EasyBib.com. While you’re at it, check out our APA journal guide!

Sources With Three or More Authors

There are a number of sources written or created by three or more authors. Many research studies and reports, scholarly journal articles, and government publications are developed by three or more individuals.

If you included the last names of all individuals in your MLA in-text citations or in parentheses, it would be too distracting to the reader. It may also cause the reader to lose sight of the overall message of the paper or assignment. Instead of including all last names, only include the last name of the first individual shown on the source. Follow the first author’s last name with the Latin phrase, “et al.” This Latin phrase translates to “and others.” Add the page number after et al.

Here’s an example of an MLA parenthetical citation for multiple authors

“School library programs in Croatia and Hong Kong are mainly focused on two major educational tasks. One task is enhancing students’ general literacy and developing reading habits, whereas the other task is developing students’ information literacy and research abilities” (Tam et al. 299).

The example above only includes the first listed author’s last name. All other authors are credited when “et al.” is used. If the reader wants to see the other authors’ full names, the reader can refer to the final references at the end of the assignment or to the full source.

The abbreviation et al. is used with references in parentheses, as well as in full references. To include the authors’ names in prose, you can either write each name out individually or, you can type out the meaning of et al., which is “and others.”

Here is an acceptable MLA citation in prose example for sources with more than three authors

School library programming in Croatia and Hong Kong is somewhat similar to programming in the United States. Tam, Choi, Tkalcevic, Dukic, and Zheng share that “school library programs in Croatia and Hong Kong are mainly focused on two major educational tasks. One task is enhancing students’ general literacy and developing reading habits, whereas the other task is developing students’ information literacy and research abilities” (299).

If your instructor’s examples of how to do MLA in-text citations for three or more authors looks different than the example here, your instructor may be using an older edition of this style. To discover more about previous editions, learn more here .

Need some inspiration for your research project? Trying to figure out the perfect topic? Check out our Dr. Seuss , Marilyn Monroe , and Malcolm X topic guides!

Sources Without an Author

It may seem unlikely, but there are times when an author’s name isn’t included on a source. Many digital images, films and videos, encyclopedia articles, dictionary entries, web pages, and more do not have author names listed.

If the source you’re attempting to cite does not have an author’s name listed, the MLA in-text citation or parenthetical citation should display the title. If the title is rather long, it is acceptable to shorten it in the body of your assignment. If you choose to shorten the title, make sure the first word in the full citation is also the first word used in the citation in prose or parenthetical citation. This is done to allow the reader to easily locate the full citation that corresponds with the reference in the text.

If, in the Works Cited list, the full reference has the title within quotation marks, include those quotation marks in the in-text citation or reference in parentheses. If the title is written in italics in the full reference, use italics for the title in the in-text citation or reference in parentheses as well.

Parenthetical Citations MLA Examples

The example below is from a poem found online, titled “the last time.” the poem’s author is unknown..

“From the moment you hold your baby in your arms you will never be the same. You might long for the person you were before, when you had freedom and time and nothing in particular to worry about” (“The Last Time”).

The example below is from the movie, The Englishman Who Went Up a Hill But Came Down a Mountain .

“Perhaps it would have been different if there hadn’t been a war, but this was 1917, and people were exhausted by loss. Those that were allowed to stay manned the pits, mining the coal that would fuel the ships. Twenty-four hours a day they labored” ( Englishman ).

Notice the shortened title in the above reference. This allows the reader to spend more time focusing on the content of your project, rather than the sources.

If you’re looking for an MLA in-text citation website to help you with your references, check out EasyBib Plus on EasyBib.com! EasyBib Plus can help you determine how to do in-text citations MLA and many other types of references!

Corporate Authors

Numerous government publications, research reports, and brochures state the name of the organization as the author responsible for publishing it.

When the author is a corporate entity or organization, this information is included in the MLA citation in prose or parenthetical citation.

“One project became the first to evaluate how e-prescribing standards work in certain long-term care settings and assessed the impact of e-prescribing on the workflow among prescribers, nurses, the pharmacies, and payers” (Agency for Healthcare Research and Quality 2).

If the full name of the organization or governmental agency is long in length, it is acceptable to abbreviate some words, as long as they are considered common abbreviations. These abbreviations should only be in the references with parentheses. They should not be used in citations in prose.

Here is a list of words that can be abbreviated in parentheses:

• Department = Dept.
• Government = Govt.
• Corporation = Corp.
• Incorporated = Inc.
• Company = Co.
• United States = US

Example of a shortened corporate author name in an MLA parenthetical citation

“Based on our analysis of available data provided by selected states’ departments of corrections, the most common crimes committed by inmates with serious mental illness varied from state to state” (US Govt. Accountability Office 14).

Here is how the same corporate author name would look in an MLA citation in prose

The United States Government Accountability Office states, “Based on our analysis of available data provided by selected states’ departments of corrections, the most common crimes committed by inmates with serious mental illness varied from state to state” (14).

Remember, citations in prose should not have abbreviations; other types of references can.

Looking for more information on abbreviations? Check out our page on MLA format.

Edited Books and Anthologies

Edited books and anthologies often include chapters or sections, each written by an individual author or a small group of authors. These compilations are placed together by an editor or a group of editors. There are tons of edited books and anthologies available today, ranging from ones showcasing Black history facts and literature to those focusing on notable individuals such as scientists like Albert Eintein and politicians such as Winston Churchill .

If you’re using information from an edited book or an anthology, include the chapter author’s name in your MLA citation in prose or reference in parentheses. Do not use the name(s) of the editor(s). Remember, the purpose of these references is to provide the reader with some insight as to where the information originated. If, after reading your project, the reader would like more information on the sources used, the reader can use the information provided in the full reference, at the very end of the assignment. With that in mind, since the full reference begins with the author of the individual chapter or section, that same information is what should be included in any citations in prose or references in parentheses.

Here is an example of an MLA citation in prose for a book with an editor

Weinstein further states that “one implication of this widespread adaptation of anthropological methods to historical research was the eclipse of the longstanding concern with “change over time,” and the emergence of a preference for synchronic, rather than diachronic, themes” (195).

Full reference at the end of the assignment

Weinstein, Barbara. “History Without a Cause? Grand Narratives, World History, and the Postcolonial Dilemma.” Postcolonial Studies: An Anthology , edited by Pramod K. Nayar, Wiley-Blackwell, 2015, p. 196. Wiley , www.wiley.com/en-us/Postcolonial+Studies%3A+An+Anthology-p-9781118780985.

Once you’re through with writing and citing, run your paper through our innovative plagiarism checker ! It’s the editor of your dreams and provides suggestions for improvement.

Sources Without Page Numbers and Online Sources

When a source has no page numbers, which is often the case with long web page articles, e-books, and numerous other source types, do not include any page number information in the body of the project. Do not estimate or invent your own page numbering system for the source. If there aren’t any page numbers, omit this information from the MLA in-text citation. There may, however, be paragraph numbers included in some sources. If there are distinct and clear paragraph numbers directly on the source, replace the page number with this information. Make it clear to the reader that the source is organized by paragraphs by using “par.” before the paragraph number, or use “pars.” if the information is from more than one paragraph.

Here is an example of how to create an MLA parenthetical citation for a website

“She ran through the field with the wind blowing in her hair and a song through the breeze” (Jackson par. 5).

Here’s an example of an MLA citation in prose for a website

In Brenner’s meeting notes, he further shared his motivation to actively seek out and secure self help resources when he announced, “When we looked at statistical evidence, the most commonly checked out section of the library was self-help. This proves that patrons consistently seek out help for personal issues and wish to solve them with the help of the community’s resources” (pars. 2-3).

Here’s another MLA in-text citation example for a website

Holson writes about a new mindful app, which provides listeners with the soothing sound of not only Bob Ross’ voice, but also the “soothing swish of his painter’s brush on canvas.”

In above example, the information normally found in the parentheses is omitted since there aren’t any page, parentheses, or chapter numbers on the website article.

Looking for APA citation website examples? We have what you need on EasyBib.com!

Need an in-text or parenthetical citation MLA website? Check out EasyBib Plus on EasyBib.com! Also, check out MLA Citation Website , which explains how to create references for websites.

Citing the Same Source Multiple Times

It may seem redundant to constantly include an author’s name in the body of a research project or paper. If you use an author’s work in one section of your project, and the next piece of information included is by the same individual(s), then it is not necessary to share in-text, whether in prose or in parentheses, that both items are from the same author. It is acceptable to include the last name of the author in the first use, and in the second usage, only a page number needs to be included.

Here is an example of how to cite the same source multiple times

“One of the major tests is the Project for Standardized Assessment of Information Literacy Skills. This measurement was developed over four years as a joint partnership between the Association of Research Libraries and Kent State University” (Tong and Moran 290). This exam is just one of many available to measure students’ information literacy skills. It is fee-based, so it is not free, but the results can provide stakeholders, professors, curriculum developers, and even librarians and library service team members with an understanding of students’ abilities and misconceptions. It is not surprising to read the results, which stated that “upper-level undergraduate students generally lack information literacy skills as evidenced by the results on this specific iteration of the Standardized Assessment of Information Literacy Skills test” (295).

The reader can assume that the information in the second quote is from the same article as the first quote. If, in between the two quotes, a different source is included, Tong and Moran’s names would need to be added again in the last quote.

Here is the full reference at the end of the project:

Tong, Min, and Carrie Moran. “Are Transfer Students Lagging Behind in Information Literacy?” Reference Services Review , vol. 45, no. 2, 2017, pp. 286-297. ProQuest , ezproxy.nypl.org/login?url=//search-proquest-com.i.ezproxy.nypl.org/docview/1917280148?accountid=35635.

Citing Two or More Sources in the Same In-text Citation

According to section 6.30 of the Handbook , parenthetical citations containing multiple sources in a single parenthesis should be separated by semicolons.

(Granger 5; Tsun 77) (Ruiz 212; Diego 149)

Citing Multiple Works by the Same Author in One In-text Citation

Just as you might want to cite two different sources at the same time, it can also be useful to cite different works by the same author all at once.

Section 6.30 of the Handbook specifies that “citations of different locations in a single source are separated by commas” (251).

(Maeda 59, 174-76, 24) (Kauffman 7, 234, 299)

Furthermore, if you are citing multiple works by the same author, the titles should be joined by and if there are only two. Otherwise, use commas and and .

(Murakami, Wild Sheep Chase and Norwegian Wood ) (Murakami, Wild Sheep Chase , Norwegian Wood , and “With the Beatles”)

Abbreviating Titles

When listing the titles, be aware that long titles in parenthetical citations can distract the reader and cause confusion. It will be necessary to shorten the titles appropriately for in-text citations. According to the Handbook , “shorten the title if it is longer than a noun phrase” (237). The abbreviated title should begin with the word by which the title is alphabetized.

Best practice is to give the first word the reference is listed by so the source is easily found in the works cited. Omit articles that start a title: a, an, the. When possible, use the first noun (and any adjectives before it). For more on titles and their abbreviations, head to section 6.10 of the Handbook .

• Full title :  The Curious Incident of the Dog in the Night-Time 
• Abbreviated: Curious
• Full title:  The Disreputable History of Frankie Landau-Banks 
• Abbreviated:  Disreputable History

Religious Works and Scriptures

There are instances when religious works are italicized in the text of a project, and times when it is not necessary to italicize the title.

If you’re referring to the general religious text, such as the Bible, Torah, or Qur’an, it is not necessary to italicize the name of the scripture in the body of the project. If you’re referring to a specific edition of a religious text, then it is necessary to italicize it, both in text and in the full reference.

Here are some commonly used editions:

• King James Bible
• The Orthodox Jewish Bible
• American Standard Bible
• The Steinsaltz Talmud
• The Babylonian Talmud
• New International Bible

When including a reference, do not use page numbers from the scripture. Instead, use the designated chapter numbers and verse numbers.

MLA example of an in-text citation for a religious scripture

While, unacceptable in today’s society, the Bible is riddled with individuals who have two, three, and sometimes four or more spouses. One example in the King James Bible , states that an individual “had two wives, the name of the one was Hannah, and the name of the other Peninnah. Peninnah had children, but Hannah had no children” (1 Sam. 1.2)

The only religious scripture that is allowed to be in the text of a project, but not in the Works Cited list, is the Qur’an. There is only one version of the Qur’an. It is acceptable to include the name of the Qur’an in the text, along with the specific chapter and verse numbers.

If you’re attempting to create a reference for a religious work, but it’s not considered a “classic” religious book, such as a biography about Mother Teresa , or a book about Muhammed Ali’s conversion, then a reference in the text and also on the final page of the project is necessary.

If you’re creating an APA bibliography , you do not need to create a full reference for classic religious works on an APA reference page .

For another MLA in-text citation website and for more on the Bible and other source types, click here .

Long or Block Quotes

Quotes longer than four lines are called, “block quotes.” Block quotes are sometimes necessary when you’re adding a lengthy piece of information into your project. If you’d like to add a large portion of Martin Luther King ’s “I Have a Dream” speech, a lengthy amount of text from a Mark Twain book, or multiple lines from Abraham Lincoln ’s Gettysburg Address, a block quote is needed.

MLA block quotes are formatted differently than shorter quotes in the body of a project. Why? The unique formatting signals to the reader that they’re about to read a lengthy quote.

Block quotes are called block quotes because they form their own block of text. They are set apart from the body of a project with different spacing and margins.

Begin the block quote on a new line. The body of the full project should run along the one inch margin, but the block quote should be set in an inch and a half. The entire quote should be along the inch and a half margin.

If there aren’t any quotation marks in the text itself, do not include any in the block quote. This is very different than standard reference rules. In most cases, quotation marks are added around quoted material. For block quotes, since the reader can see that the quoted material sits in its own block, it is not necessary to place quotation marks around it.

Here is an MLA citation in prose example of a block quote

Despite Bruchac’s consistent difficult situations at home, basketball kept his mind busy and focused:

When I got off the late bus that afternoon, my grandparents weren’t home. The store was locked and there was a note from Grama on the house door. Doc Magovern had come to the house because Grampa was “having trouble with his blood.” Now they were off to the hospital and I “wasn’t to worry.” This had happened before. Grampa had pernicious anemia and sometimes was very sick. So, naturally, it worried the pants off me. I actually thought about taking my bike down the dreaded 9N the three miles to the Saratoga Hospital. Instead, I did as I knew they wanted. I opened the store and waited for customers. None came, though, and my eye was caught by the basketball stowed away as usual behind the door. I had to do something to take my mind off what was happening to Grampa. I took out the ball and went around the side. (13)

Notice the use of the colon prior to the start of the block quote. Do not use a colon if the block quote is part of the sentence above it.

Here is an example of the same block quote, without the use of the colon:

Despite Bruchac’s consistent difficult situations at home, it was clear that basketball kept his mind busy and focused when he states

When I get off the late bus that afternoon, my grandparents weren’t home…

If two or more paragraphs are included in your block quote, start each paragraph on a new line.

Looking for additional helpful websites? Need another MLA in-text citation website? Check out the style in the news . We also have other handy articles, guides, and posts to help you with your research needs. Here’s one on how to write an MLA annotated bibliography .

Visit our EasyBib Twitter feed to discover more citing tips, fun grammar facts, and the latest product updates.

If you’re looking for information on styling an APA citation , EasyBib.com has the guides you need!

MLA Handbook . 9th ed., Modern Language Association of America, 2021.

Published October 31, 2011. Updated July 5, 2021.

Written and edited by Michele Kirschenbaum and Elise Barbeau. Michele Kirschenbaum is a school library media specialist and the in-house librarian at EasyBib.com. Elise Barbeau is the Citation Specialist at Chegg. She has worked in digital marketing, libraries, and publishing.

MLA Formatting Guide

MLA Formatting

• Annotated Bibliography
• Bibliography
• Block Quotes
• et al Usage
• In-text Citations
• Paraphrasing
• Page Numbers
• Sample Paper
• Works Cited
• MLA 8 Updates
• MLA 9 Updates
• View MLA Guide

Citation Examples

• Book Chapter
• Journal Article
• Magazine Article
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• View all MLA Examples

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In MLA style, if multiple sources have the same author , the titles should be joined by and if there are only two. Otherwise, use commas and and .

• In-text citation: (Austen Emma and Mansfield Park )
• Structure: (Last name 1st Source’s title and 2nd Source’s title )
• In-text citation: (Leung et al. 58)

If the author is a corporate entity or organization, included the name of the corporate entity or organization in the in-text citation.

• In-text citation: (Agency for Healthcare Research and Quality 2)

Yes, there’s an option to download source citations as a Word Doc or a Google Doc. You may also copy citations from the EasyBib Citation Generator and paste them into your paper.

Yes! Whether you’d like to learn how to construct citations on your own, our Autocite tool isn’t able to gather the metadata you need, or anything in between, manual citations are always an option. Click here for directions on using creating manual citations.

An in-text citation is a shortened version of the source being referred to in the paper. As the name implies, it appears in the text of the paper. A works cited list entry, on the other hand, details the complete information of the source being cited and is listed within the works cited list at the end of the paper after the main text. The in-text citation is designed to direct the reader to the full works cited list entry. An example of an in-text citation and the corresponding works cited list entry for a journal article with one author is listed below:

In-text citation template and example:

Only the author surname (or the title of the work if there is no author) is used in in-text citations to direct the reader to the corresponding reference list entry. For citations in prose, use the first name and surname of the author for the first occurrence. In subsequent citations, use only the surname. In parenthetical citations, always use only the surname of the author. If you are directly quoting the source, the page number should also be included in the in-text citation.

Citation in prose:

First mention: Christopher Collins ….

Subsequent occurrences: Collins ….

Parenthetical:

….(Collins)

….(Collins 5)

Works cited list entry template and example:

The title of the article is in plain text and title case and is placed inside quotation marks. The title of the journal is set in italics.

Surname, F. “Title of the Article.” Journal Title , vol. #, no. #, Publication Date, page range.

Collins, Christopher. “On Posthuman Materiality: Art-Making as Rhizomatic Rehearsal.” Text and Performance Quarterly , vol. 39, no. 2, 2019, pp. 153–59.

Note that because the author’s surname (Collins) was included in the in-text citation, the reader would then be able to easily locate the works cited list entry since the entry begins with the author’s surname.

An in-text citation is a short citation that is placed next to the text being cited. The basic element needed for an in-text citation is the author’s name . The publication year is not required in in-text citations. Sometimes, page numbers or line numbers are also included, especially when text is quoted from the source being cited. In-text citations are mentioned in the text in two ways: as a citation in prose or a parenthetical citation.

Citations in prose are incorporated into the text and act as a part of the sentence. Usually, citations in prose use the author’s full name when cited the first time in the text. Thereafter, only the surname is used. Avoid including the middle initial even if it is present in the works-cited-list entry.

Parenthetical

Parenthetical citations add only the author’s surname at the end of the sentence in parentheses.

Examples of in-text citations

Here are a few tips to create in-text citations for sources with various numbers and types of authors:

Use both the first name and surname of the author if you are mentioning the author for the first time in the prose. In subsequent occurrences, use only the author’s surname. Always use only the surname of the author in parenthetical citations.

First mention: Sheele John asserts …. (7).

Subsequent occurrences: John argues …. (7).

…. (John 7).

Two authors

Use the first name and surname of both authors if you are mentioning the work for the first time in the prose. In subsequent occurrences, use only the surnames of the two authors. Always use only the authors’ surnames in parenthetical citations. Use “and” to separate the two authors in parenthetical citations.

First mention: Katie Longman and Clara Sullivan ….

Subsequent occurrences: Longman and Sullivan ….

…. ( Longman and Sullivan).

Three or more authors

For citations in prose, use the first name and surname of the first author followed by “and others” or “and colleagues.” For parenthetical citations, use only the surname of the first author followed by “et al.”

Lincy Mathew and colleagues…. or Lincy Mathew and others ….

…. (Mathew et al.).

Corporate author

For citations in prose, treat the corporate author like you would treat the author’s name. For parenthetical citations, shorten the organization name to the shortest noun phrase. For example, shorten the Modern Language Association of America to Modern Language Association.

The Literary Society of Malaysia….

…. (Literary Society).

If there is no author for the source, use the source’s title in place of the author’s name for both citations in prose and parenthetical citations.

When you add such in-text citations, italicize the text of the title. If the source title is longer than a noun phrase, use a shortened version of the title. For example, shorten the title Fantastic Beasts and Where to Find Them to Fantastic Beasts .

Knowing Body of Work explains …. (102).

….( Knowing Body 102).

MLA Citation Examples

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Free MLA Citation Generator

Generate accurate citations in MLA format automatically, with MyBib!

😕 What is an MLA Citation Generator?

An MLA citation generator is a software tool designed to automatically create academic citations in the Modern Language Association (MLA) citation format. The generator will take information such as document titles, author, and URLs as in input, and output fully formatted citations that can be inserted into the Works Cited page of an MLA-compliant academic paper.

The citations on a Works Cited page show the external sources that were used to write the main body of the academic paper, either directly as references and quotes, or indirectly as ideas.

👩‍🎓 Who uses an MLA Citation Generator?

MLA style is most often used by middle school and high school students in preparation for transition to college and further education. Ironically, MLA style is not actually used all that often beyond middle and high school, with APA (American Psychological Association) style being the favored style at colleges across the country.

It is also important at this level to learn why it's critical to cite sources, not just how to cite them.

🙌 Why should I use a Citation Generator?

Writing citations manually is time consuming and error prone. Automating this process with a citation generator is easy, straightforward, and gives accurate results. It's also easier to keep citations organized and in the correct order.

The Works Cited page contributes to the overall grade of a paper, so it is important to produce accurately formatted citations that follow the guidelines in the official MLA Handbook .

⚙️ How do I use MyBib's MLA Citation Generator?

It's super easy to create MLA style citations with our MLA Citation Generator. Scroll back up to the generator at the top of the page and select the type of source you're citing. Books, journal articles, and webpages are all examples of the types of sources our generator can cite automatically. Then either search for the source, or enter the details manually in the citation form.

The generator will produce a formatted MLA citation that can be copied and pasted directly into your document, or saved to MyBib as part of your overall Works Cited page (which can be downloaded fully later!).

MyBib supports the following for MLA style:

Daniel is a qualified librarian, former teacher, and citation expert. He has been contributing to MyBib since 2018.

How To Do In-Text Citations in MLA Format: A Quick Guide for Students

An in-text citation is a reference to information originating from another source. In-text citations must be used when you summarize, quote, paraphrase or refer to another source within a written document, such as academic literature. 

In-text citations are essential in academic writing. Without them, how would readers verify the information is reliable and accurate? Trustworthy authors include their sources for verifiable information rather than opinions so readers know where the evidence for claims can be explored further.

The Modern Language Association manages MLA style standards with the purpose to “strengthen the study and teaching of language and literature” and standardize how information sources are credited in scholarly writing. Not only does the MLA recommend proper citation format, but it also suggests proper general formatting, including document spacing, margins and font size.

As you begin authoring scholarly works, you’ll find the need to credit sources. Use this quick guide to learn how to do in-text citations in MLA format.

What is MLA format?

How to do in-text citations in mla, how to do a works cited page in mla, common challenges and solutions, tips for effective in-text citations.

MLA citation style is a system for crediting sources in scholarly writing and has been widely used in classrooms, journals and the press since 1931. What began with a three-page style sheet for the MLA’s scholarly journal became a uniform writing style preferred by academics and the editorial media everywhere.

Since its inception, the in-text citation style has changed from a recommended combination of footnotes and in-text citations in MLA format. The 1951 style guide suggested : “If the reference is brief, insert it, within parentheses, in the text itself . . . ; if it is lengthy, put it in a [foot]note.” As technology and society changed, so did the MLA style. In 1995, the document added recommendations for citing CD-ROMs and online databases. In 2016, the MLA published one of the most modern versions of the MLA Handbook , wherein in-text citations in MLA style should now be written according to a template of core elements.

The modern-day components of an in-text citation in MLA format, as of the ninth edition of the MLA Handbook , include:

• Author’s name
• Page numbers (if applicable)

These short in-text citations serve as references to a Works Cited list, which should follow a written piece of work and list all sources used in detail.

Authors who correctly use in-text citations in MLA style will prove their credibility, integrity and responsibility to share accurate and reliable information and simultaneously protect themselves from stealing sources and ideas from other writers, also known as plagiarism. Plagiarism is a severe offense , and many institutions have strict rules against the practice .

Now that you understand the importance of citations let’s review how to use in-text citations in MLA style. When referring to another author’s work in your own written text, you must use parenthetical citations, including the source in parentheses within the sentence that refers to the work. 

If a source does not have page numbers, use another numbering system, such as chapters, sections, scenes or articles that are explicitly numbered. If there are no numbered divisions within the work, simply cite the author’s name.

The basic format for in-text citations in MLA writings is as follows:

• The pail of water was at the top of the hill, which Jack and Jill decided to climb (Mother Goose 1) .

If including a direct quote from a source, enclose the entire quote within quotation marks to avoid confusing the reader. The in-text citation should fall outside the quotation marks at the end of the sentence before the sentence’s period. Paraphrased information does not need quotation marks but does need proper in-text citation.

It should be noted that any information included in your in-text citations must refer to the source information on the Works Cited page listed at the end of your document.

If you’re wondering how to list the references on the Works Cited page, the format varies depending on the type, such as a book or a website.

How to cite a book in MLA

• Author last name, first name. Title. Publisher, year.

How to cite an article in MLA

• Author last name, first name. “Article title.” Publication, volume/issue, publication month. Year, page numbers. Database, reference URL.

How to cite a website in MLA

• Author last name, first name. “Title.” Publication, publication month. Year, web page URL.

While constructing your paper, you may encounter a few citation challenges, such as a source with multiple authors or no known author. Though this can be confusing, this is how to use in-text citations in MLA style for challenging situations.

How to cite multiple authors in MLA

To write an in-text citation in MLA format for a source with multiple authors , simply list each author’s last name before the page number. Sources with more than two authors should cite the first author, followed by “et al.” For example:

• 2 authors: (Hall and Oates 1)
• 3+ authors: (Hall et al. 1)

How to cite sources with no author in MLA

Sources with no author must match the first listed element within its Works Cited entry. For example:

• In-text citation: (Baa, Baa, Black Sheep 0:15)
• Works Cited entry: “Baa, Baa, Black Sheep.” Spotify . https://open.spotify.com/track/1Zpe8ef70Wx20Bu2mLdXc1?si=7TlgCyj1SYmP6K-uy4isuQ

How to cite indirect or secondary sources in MLA

A secondary source is a publication that provides second-hand information from other researchers. You may use secondary sources in your research, though it’s best practice to search for the primary source that supplied the first-hand information, so cite it directly.

If you don’t have access to the original source, include the original author and the author of the secondary source , with the abbreviation “qtd. in” indicating where you accessed the secondary quote. “Qtd. in” stands for “quoted in.” For example:

• (qtd. in Baa, Baa, Black Sheep 0:15)

Using et al. in MLA citations

As described above, et al. is used instead of listing all names of three or more authors, editors or contributors within your citations. It can also cite collections of essays, stories or poems with three or more contributors. When using et al., you should always use the last name of the first writer listed on the source. For example:

• (Earth et al. “September” 0:15)
• Contributors: Earth, Wind and Fire

The most crucial part of in-text citations in MLA style is to keep a consistent and accurate format within the entire body of work. Always use the same punctuation within the in-text citations and the same formatting for sources of the same type. Ensure that double-checking citations is part of your overall proofreading process. All citations, like the written work, should be precise and error-free.

Various tools exist to help you collect and manage your sources and citations. Popular tools include Zotero , EndNote and RefWorks . These tools can create citations for you and keep track of your research documents so you can reference them again if needed. It’s wise to track your sources as they’re included in your writing rather than compiling and citing them when finished.

More resources for writing in MLA format

For the most up-to-date in-text citation information, refer to the MLA Handbook , which can be found online, in bookstores and libraries. The most recent edition of the MLA Handbook is the 9th edition, published in spring 2021.

The MLA also operates the MLA Handbook Plus , a subscription-based digital platform that offers all of the content included in the print edition, plus annual updates and valuable resources, and can be accessed anywhere, whether you’re traveling, at home or in the classroom.

The MLA Style Center offers free online sources on the official MLA style, including templates, questions and answers and advice.

Furman University offers trained consultants for students on campus to provide one-on-one or small-group assistance for writing projects at the Writing & Media Lab (WML). You can make an appointment with a WML Consultant or stop by the James B. Duke Library in the Center for Academic Success (room 002) for on-demand help (subject to scheduling).

The Writing & Media Lab can help with many tasks related to student writing and multimedia projects, including:

• Brainstorming a paper or project
• Outlining your ideas
• Reading through your writing
• Creating a presentation or poster
• Helping you practice your presentation
• Planning a video or podcast
• Revising, proofreading, or editing

Mastering the art of in-text citations in MLA format will ensure that you, as an academic author, will portray yourself as a serious, responsible and factual writer who uses accurate and reliable sources.

The perspectives and thoughts shared in the Furman Blog belong solely to the author and may not align with the official stance or policies of Furman University. All referenced sources were accurate as of the date of publication.

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NPR defends its journalism after senior editor says it has lost the public's trust

David Folkenflik

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust. Saul Loeb/AFP via Getty Images hide caption

NPR is defending its journalism and integrity after a senior editor wrote an essay accusing it of losing the public's trust.

NPR's top news executive defended its journalism and its commitment to reflecting a diverse array of views on Tuesday after a senior NPR editor wrote a broad critique of how the network has covered some of the most important stories of the age.

"An open-minded spirit no longer exists within NPR, and now, predictably, we don't have an audience that reflects America," writes Uri Berliner.

A strategic emphasis on diversity and inclusion on the basis of race, ethnicity and sexual orientation, promoted by NPR's former CEO, John Lansing, has fed "the absence of viewpoint diversity," Berliner writes.

NPR's chief news executive, Edith Chapin, wrote in a memo to staff Tuesday afternoon that she and the news leadership team strongly reject Berliner's assessment.

"We're proud to stand behind the exceptional work that our desks and shows do to cover a wide range of challenging stories," she wrote. "We believe that inclusion — among our staff, with our sourcing, and in our overall coverage — is critical to telling the nuanced stories of this country and our world."

NPR names tech executive Katherine Maher to lead in turbulent era

She added, "None of our work is above scrutiny or critique. We must have vigorous discussions in the newsroom about how we serve the public as a whole."

A spokesperson for NPR said Chapin, who also serves as the network's chief content officer, would have no further comment.

Praised by NPR's critics

Berliner is a senior editor on NPR's Business Desk. (Disclosure: I, too, am part of the Business Desk, and Berliner has edited many of my past stories. He did not see any version of this article or participate in its preparation before it was posted publicly.)

Berliner's essay , titled "I've Been at NPR for 25 years. Here's How We Lost America's Trust," was published by The Free Press, a website that has welcomed journalists who have concluded that mainstream news outlets have become reflexively liberal.

Berliner writes that as a Subaru-driving, Sarah Lawrence College graduate who "was raised by a lesbian peace activist mother ," he fits the mold of a loyal NPR fan.

Yet Berliner says NPR's news coverage has fallen short on some of the most controversial stories of recent years, from the question of whether former President Donald Trump colluded with Russia in the 2016 election, to the origins of the virus that causes COVID-19, to the significance and provenance of emails leaked from a laptop owned by Hunter Biden weeks before the 2020 election. In addition, he blasted NPR's coverage of the Israel-Hamas conflict.

On each of these stories, Berliner asserts, NPR has suffered from groupthink due to too little diversity of viewpoints in the newsroom.

The essay ricocheted Tuesday around conservative media , with some labeling Berliner a whistleblower . Others picked it up on social media, including Elon Musk, who has lambasted NPR for leaving his social media site, X. (Musk emailed another NPR reporter a link to Berliner's article with a gibe that the reporter was a "quisling" — a World War II reference to someone who collaborates with the enemy.)

When asked for further comment late Tuesday, Berliner declined, saying the essay spoke for itself.

The arguments he raises — and counters — have percolated across U.S. newsrooms in recent years. The #MeToo sexual harassment scandals of 2016 and 2017 forced newsrooms to listen to and heed more junior colleagues. The social justice movement prompted by the killing of George Floyd in 2020 inspired a reckoning in many places. Newsroom leaders often appeared to stand on shaky ground.

Leaders at many newsrooms, including top editors at The New York Times and the Los Angeles Times , lost their jobs. Legendary Washington Post Executive Editor Martin Baron wrote in his memoir that he feared his bonds with the staff were "frayed beyond repair," especially over the degree of self-expression his journalists expected to exert on social media, before he decided to step down in early 2021.

Since then, Baron and others — including leaders of some of these newsrooms — have suggested that the pendulum has swung too far.

Author Interviews

Legendary editor marty baron describes his 'collision of power' with trump and bezos.

New York Times publisher A.G. Sulzberger warned last year against journalists embracing a stance of what he calls "one-side-ism": "where journalists are demonstrating that they're on the side of the righteous."

"I really think that that can create blind spots and echo chambers," he said.

Internal arguments at The Times over the strength of its reporting on accusations that Hamas engaged in sexual assaults as part of a strategy for its Oct. 7 attack on Israel erupted publicly . The paper conducted an investigation to determine the source of a leak over a planned episode of the paper's podcast The Daily on the subject, which months later has not been released. The newsroom guild accused the paper of "targeted interrogation" of journalists of Middle Eastern descent.

Heated pushback in NPR's newsroom

Given Berliner's account of private conversations, several NPR journalists question whether they can now trust him with unguarded assessments about stories in real time. Others express frustration that he had not sought out comment in advance of publication. Berliner acknowledged to me that for this story, he did not seek NPR's approval to publish the piece, nor did he give the network advance notice.

Some of Berliner's NPR colleagues are responding heatedly. Fernando Alfonso, a senior supervising editor for digital news, wrote that he wholeheartedly rejected Berliner's critique of the coverage of the Israel-Hamas conflict, for which NPR's journalists, like their peers, periodically put themselves at risk.

Alfonso also took issue with Berliner's concern over the focus on diversity at NPR.

"As a person of color who has often worked in newsrooms with little to no people who look like me, the efforts NPR has made to diversify its workforce and its sources are unique and appropriate given the news industry's long-standing lack of diversity," Alfonso says. "These efforts should be celebrated and not denigrated as Uri has done."

After this story was first published, Berliner contested Alfonso's characterization, saying his criticism of NPR is about the lack of diversity of viewpoints, not its diversity itself.

"I never criticized NPR's priority of achieving a more diverse workforce in terms of race, ethnicity and sexual orientation. I have not 'denigrated' NPR's newsroom diversity goals," Berliner said. "That's wrong."

Questions of diversity

Under former CEO John Lansing, NPR made increasing diversity, both of its staff and its audience, its "North Star" mission. Berliner says in the essay that NPR failed to consider broader diversity of viewpoint, noting, "In D.C., where NPR is headquartered and many of us live, I found 87 registered Democrats working in editorial positions and zero Republicans."

Berliner cited audience estimates that suggested a concurrent falloff in listening by Republicans. (The number of people listening to NPR broadcasts and terrestrial radio broadly has declined since the start of the pandemic.)

Former NPR vice president for news and ombudsman Jeffrey Dvorkin tweeted , "I know Uri. He's not wrong."

Others questioned Berliner's logic. "This probably gets causality somewhat backward," tweeted Semafor Washington editor Jordan Weissmann . "I'd guess that a lot of NPR listeners who voted for [Mitt] Romney have changed how they identify politically."

Similarly, Nieman Lab founder Joshua Benton suggested the rise of Trump alienated many NPR-appreciating Republicans from the GOP.

In recent years, NPR has greatly enhanced the percentage of people of color in its workforce and its executive ranks. Four out of 10 staffers are people of color; nearly half of NPR's leadership team identifies as Black, Asian or Latino.

"The philosophy is: Do you want to serve all of America and make sure it sounds like all of America, or not?" Lansing, who stepped down last month, says in response to Berliner's piece. "I'd welcome the argument against that."

"On radio, we were really lagging in our representation of an audience that makes us look like what America looks like today," Lansing says. The U.S. looks and sounds a lot different than it did in 1971, when NPR's first show was broadcast, Lansing says.

A network spokesperson says new NPR CEO Katherine Maher supports Chapin and her response to Berliner's critique.

The spokesperson says that Maher "believes that it's a healthy thing for a public service newsroom to engage in rigorous consideration of the needs of our audiences, including where we serve our mission well and where we can serve it better."

Disclosure: This story was reported and written by NPR Media Correspondent David Folkenflik and edited by Deputy Business Editor Emily Kopp and Managing Editor Gerry Holmes. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.

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Opinion | NPR suspends an editor for his essay blasting … NPR

The firestorm caused by Uri Berliner’s critical essay in The Free Press continues to rage

When a senior editor at NPR recently wrote a 3,500-word essay for another outlet, blasting where he works and saying that NPR had “lost America’s trust,” my first thought, quite frankly, was, “ … and he still works there?”

Well, it was learned on Tuesday that the editor in question, Uri Berliner, is currently serving a five-day suspension without pay. NPR media writer David Folkenflik reported the suspension began last week. Folkenflik wrote, “In presenting Berliner’s suspension Thursday afternoon, the organization told the editor he had failed to secure its approval for outside work for other news outlets, as is required of NPR journalists. It called the letter a ‘final warning,’ saying Berliner would be fired if he violated NPR’s policy again. Berliner is a dues-paying member of NPR’s newsroom union but says he is not appealing the punishment.”

Berliner, who has been at NPR for 25 years, wrote his scathing essay for the online news site The Free Press, a publication on Substack. Folkenflik described The Free Press as a “site that has become a haven for journalists who believe that mainstream media outlets have become too liberal.”

The suspension does not mean the firestorm created by Berliner’s essay has been suppressed. Folkenflik wrote, “Yet the public radio network is grappling in other ways with the fallout from Berliner’s essay for the online news site The Free Press. It angered many of his colleagues, led NPR leaders to announce monthly internal reviews of the network’s coverage, and gave fresh ammunition to conservative and partisan Republican critics of NPR, including former President Donald Trump.”

The New York Times’ Benjamin Mullin wrote , “After Mr. Berliner’s essay was published, NPR’s new chief executive, Katherine Maher, came under renewed scrutiny as conservative activists resurfaced a series of years-old social media posts criticizing former President Donald J. Trump and embracing progressive causes. One of the activists, Christopher Rufo, has pressured media organizations into covering controversies involving influential figures, such as the plagiarism allegations against Claudine Gay, the former Harvard president.”

Maher was not at NPR at the time of her posts and, furthermore, the CEO has no involvement in editorial decisions at the network.

But Berliner told Folkenflik in an interview on Monday, “We’re looking for a leader right now who’s going to be unifying and bring more people into the tent and have a broader perspective on, sort of, what America is all about. And this seems to be the opposite of that.”

In a statement earlier this week, Maher said, “In America everyone is entitled to free speech as a private citizen. What matters is NPR’s work and my commitment as its CEO: public service, editorial independence, and the mission to serve all of the American public. NPR is independent, beholden to no party, and without commercial interests.”

As far as Berliner’s essay, many, particularly inside NPR, are pushing back against his various assertions, including that NPR has a liberal bias.

Mullin wrote for the Times, “Several NPR employees have urged the network’s leaders to more forcefully renounce Mr. Berliner’s claims in his essay. Edith Chapin, NPR’s top editor, said in a statement last week that managers ‘strongly disagree with Uri’s assessment of the quality of our journalism,’ adding that the network was ‘proud to stand behind’ its work.”

Tony Cavin, NPR’s managing editor for standards and practices, pushed back against specific claims made by Berliner and told the Times, “To somehow think that we were driven by politics is both wrong and unfair.”

NPR TV critic Eric Deggans tweeted , “Many things wrong w/terrible Berliner column on NPR, including not observing basic fairness. Didn’t seek comment from NPR before publishing. Didn’t mention many things which could detract from his conclusions. Set up staffers of color as scapegoats.”

So what happens now? Will Berliner be in further trouble for criticizing the CEO in an interview with Folkenflik, his NPR colleague?

Berliner told Folkenflik, “Talking to an NPR journalist and being fired for that would be extraordinary, I think.”

I urge you to check out Folkenflik’s piece for all the details. And, by the way, kudos to Folkenflik for his strong reporting on his own newsroom.

CNN’s response

In Tuesday’s newsletter , I wrote how “King Charles” — the limited series featuring Gayle King and Charles Barkley — has ended after 14 shows. I wrote that the network had “pulled the plug” on the show.

CNN said that description was inaccurate and that I was wrong in framing it the way I did.

While I did say that CNN announced from the beginning that the show was a limited series, I also wrote that the show reached its ending “a little ahead of time.” The network, however, said it was clear all along that the show was scheduled to end in the spring, that it is spring right now, and the show was not canceled early.

A CNN spokesperson told me, “‘King Charles’ has come to the end of its limited run, as we announced when it launched last fall that it would run through spring. The show was a great addition to CNN’s lineup, with the youngest, most affluent, and most diverse P2+ audience in its cable news time period and brought new audiences to CNN. It’s inaccurate to report that the show was canceled as it went through its full run and duration of the limited series. We hope to work with both of these incredible talents in the future as they balance their very busy schedules.”

With the NBA playoffs about to begin, Barkley is about to head into extra duty at his main job as studio analyst for TNT’s “Inside the NBA.”

The show’s average viewership was under a half million and lagged behind competitors Fox News and MSNBC, but CNN said it was pleased that the King-Barkley broadcast brought new audiences to CNN. It pointed to this statistic from Nielsen via Npower that said 43% of the “King Charles” audience was nonwhite, compared to 7% for Fox News and 27% for MSNBC during that Wednesday at 10 p.m. Eastern hour.

Smartmatic and OAN settle suit

Smartmatic, the voting technology company, and One America News, the far-right TV network, have settled their lawsuit. Smartmatic was suing OAN, claiming the network lied that the company rigged the 2020 election in favor of Joe Biden and against Donald Trump.

Neither side disclosed the terms of the settlement.

Smartmatic still has pending lawsuits against Fox News and Newsmax. And OAN is still facing a defamation lawsuit from Dominion Voting Systems. That’s the company that Fox News settled with out of court a year ago by agreeing to pay Dominion a whopping $787.5 million.

Missing at the Masters

According to Sports TV Ratings , Sunday’s final round of The Masters golf tournament on CBS averaged 9.58 million viewers, which was down 20% from last year’s final round, which averaged 12.05 million. This shouldn’t be a surprise. This year’s final round lacked drama, with winner Scottie Scheffler pretty much in control throughout the day.

Sports Media Watch’s Jon Lewis noted that in the past three decades, only COVID-era Masters in 2020 (5.64 million) and 2021 (9.54 million) had fewer viewers. Those were the least-viewed Masters since 1993.

But Lewis also points out, “As one would expect, the final round of the Masters still ranks as the most-watched golf telecast and one of the most-watched sporting events of the past year — placing ahead of four of five World Series games and every Daytona 500 since 2017. It also goes without saying that the Masters dominated all other weekend sporting events.”

Just for fun, however, I will mention that the 9.58 million was nowhere near the number of viewers (18.7 million) that watched the NCAA women’s college basketball final between South Carolina and Iowa (and star Caitlin Clark) one week earlier on a Sunday afternoon.

Other media notes, tidbits and interesting links …

• Speaking of Clark, Tom Kludt writes for Vanity Fair: “Behind the Scenes With Caitlin Clark on WNBA Draft Day: ‘I Definitely Know There’s Eyeballs on Me.’”
• Axios’ Sara Fischer with “Dozens of Alden newspapers run coordinated editorials slamming Google.”
• For the Los Angeles Times, Greg Braxton and Carolyn Cole with “What ‘Civil War’ gets right and wrong about photojournalism, according to a Pulitzer Prize winner.”
• For The Washington Post, Dave Barry, Angela Garbes, Melissa Fay Greene, John Grogan and Charles Yu with “How does the election feel around the country? 5 writers capture the vibe.” Barry, as always looking at things a bit differently, writes, “Greetings from the Sunshine State! The mood down here, as we anticipate the 2024 presidential election, is one of hopefulness. Specifically, we’re hoping that a large, previously undetected meteor will strike the planet before November.”
• For NPR and “Morning Edition,” Elizabeth Blair with “50 years ago, ‘Come and Get Your Love’ put Native culture on the bandstand.”

More resources for journalists

• Thursday webinar : Covering transgender issues with authority and accuracy.
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Have feedback or a tip? Email Poynter senior media writer Tom Jones at [email protected] .

The Poynter Report is our daily media newsletter. To have it delivered to your inbox Monday-Friday, sign up here .

How a longtime film critic’s death represents the great dissolve of local film criticism

Bryan VanCampen of The Ithaca Times was an institution in the central New York college town of 32,000. He might have been the last of his kind.

Opinion | An NPR editor is now a former NPR editor after his resignation

Uri Berliner, an NPR business editor who wrote a scathing essay about his organization in another publication, no longer works at NPR.

No, Stormy Daniels didn’t ‘exonerate’ Donald Trump

The adult film actor denied she had an affair with Trump in a 2018 statement. She has since recanted that statement.

Taylor Swift has not endorsed Joe Biden for president

As of mid-April 2024, Swift has not issued a public endorsement for the 2024 presidential election, despite social posts claiming otherwise

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Journal of Materials Chemistry A

Electric field distribution regulation of zinc anode toward long cycle life zinc metal battery.

Zinc ion batteries are expected to be the next generation of rechargeable aqueous metal ion batteries, but their application is limited by its severe dendrite growth caused by inhomogeneous plating during the plating/stripping process. Herein, we designed a zigzag structured Zn anode using a simple hydrochloric acid etching method to regulate the electric field distribution on the surface. It is shown by finite element simulations that zigzag Zn anode surface allows for a more uniform current distribution during cycling, and the symmetric cell can exhibit a small overpotential of 42.1 mV under 0.5 mA cm-2/0.5 mAh cm-2 cycling condition. Furthermore, the assembled zigzag Zn/V2O5 battery still deliver a high discharge capacity of 305 mAh g-1 and show 83.3% capacity retention after 3000 cycles at a current density of 2 A g-1. The construction of special structured surfaces can offer simple and effective method to regulate the electric field distribution on the surface of Zn anode, leading to homogenized Zn plating process and suppressed hydrogen evolution reaction as well as inhibited dendrite growth, holding great promises for the practicalization of aqueous zinc ion batteries.

• This article is part of the themed collection: Journal of Materials Chemistry A HOT Papers

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X. Long, Y. Liu, D. Wang, Y. Nie, X. Lai, D. Luo and X. Wang, J. Mater. Chem. A , 2024, Accepted Manuscript , DOI: 10.1039/D4TA00629A

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

MLA Formatting Quotations

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

When you directly quote the works of others in your paper, you will format quotations differently depending on their length. Below are some basic guidelines for incorporating quotations into your paper. Please note that all pages in MLA should be double-spaced .

Short quotations

To indicate short quotations (four typed lines or fewer of prose or three lines of verse) in your text, enclose the quotation within double quotation marks. Provide the author and specific page number (in the case of verse, provide line numbers) in the in-text citation, and include a complete reference on the Works Cited page. Punctuation marks such as periods, commas, and semicolons should appear after the parenthetical citation.

Question marks and exclamation points should appear within the quotation marks if they are a part of the quoted passage, but after the parenthetical citation if they are a part of your text.

For example, when quoting short passages of prose, use the following examples:

When using short (fewer than three lines of verse) quotations from poetry, mark breaks in verse with a slash, ( / ), at the end of each line of verse (a space should precede and follow the slash). If a stanza break occurs during the quotation, use a double slash ( // ).

Long quotations

For quotations that are more than four lines of prose or three lines of verse, place quotations in a free-standing block of text and omit quotation marks. Start the quotation on a new line, with the entire quote indented 1/2   inch  from the left margin while maintaining double-spacing. Your parenthetical citation should come  after the closing punctuation mark . When quoting verse, maintain original line breaks. (You should maintain double-spacing throughout your essay.)

For example, when citing more than four lines of prose, use the following examples :

Nelly Dean treats Heathcliff poorly and dehumanizes him throughout her narration: They entirely refused to have it in bed with them, or even in their room, and I had no more sense, so, I put it on the landing of the stairs, hoping it would be gone on the morrow. By chance, or else attracted by hearing his voice, it crept to Mr. Earnshaw's door, and there he found it on quitting his chamber. Inquiries were made as to how it got there; I was obliged to confess, and in recompense for my cowardice and inhumanity was sent out of the house. (Bronte 78)

When citing long sections of poetry (four lines of verse or more), keep formatting as close to the original as possible.

In his poem "My Papa's Waltz," Theodore Roethke explores his childhood with his father:

The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We Romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. (qtd. in Shrodes, Finestone, Shugrue 202)

When citing two or more paragraphs, use block quotation format, even if the passage from the paragraphs is less than four lines. If you cite more than one paragraph, the first line of the second paragraph should be indented an extra 1/4 inch to denote a new paragraph:

In "American Origins of the Writing-across-the-Curriculum Movement," David Russell argues,

Writing has been an issue in American secondary and higher education since papers and examinations came into wide use in the 1870s, eventually driving out formal recitation and oral examination. . . .

From its birth in the late nineteenth century, progressive education has wrestled with the conflict within industrial society between pressure to increase specialization of knowledge and of professional work (upholding disciplinary standards) and pressure to integrate more fully an ever-widening number of citizens into intellectually meaningful activity within mass society (promoting social equity). . . . (3)

Adding or omitting words in quotations

If you add a word or words in a quotation, you should put brackets around the words to indicate that they are not part of the original text:

If you omit a word or words from a quotation, you should indicate the deleted word or words by using ellipses, which are three periods ( . . . ) preceded and followed by a space. For example:

Please note that brackets are not needed around ellipses unless they would add clarity.

When omitting words from poetry quotations, use a standard three-period ellipses; however, when omitting one or more full lines of poetry, space several periods to about the length of a complete line in the poem:

Imprinted by Belief

Does It Seem Like the End Times Are Here? These Novels Know Better.

What can fiction tell us about the apocalypse? Ayana Mathis finds unexpected hope in novels of crisis by Ling Ma, Jenny Offill and Jesmyn Ward.

Credit... Day Brièrre

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By Ayana Mathis

Ayana Mathis’s most recent novel, “The Unsettled,” was published in September.

• April 11, 2024

On the day my mother died, I sat by her bedside and read the Psalms. The room was quiet — the need for machines had passed — save for the sound of my voice and my mother’s labored breathing. Outside her room, the hospital went about its business: Lunch trays were delivered, nurses conferred, a television played too loudly down the corridor. Out there, time passed in its usual, unremarkable way. In her room, my mother and I had stepped off time’s familiar track.

Everything inessential vanished in her final hours. I read the Psalms because they comforted her. I told her I loved her. She squeezed my hand, which, in that afternoon when she was no longer able to speak, was as profound an expression of love as any words had ever been. When she died hours later, I knew that on the other side of her hospital room door there awaited, at least for me, an altered world.

The subject of this essay is apocalypse, and so I have begun with an ending. If you have lost a deeply beloved, then you have experienced the obliterating finality of death, that catastrophe in the small universe of an individual life. The loss also brings a realization: The “worst thing” that could happen is no longer a future projection; it has exploded into the present.

Apocalypse is generally understood as a future event: widespread suffering, extinctions, various iterations of end-time destruction gunning for us from some tomorrow. Out there, in the vast, unknowable not-yet, apocalypse roars. It paralyzes us with fear, deadens us into numbness or provokes us to hysteria. We are powerless in its face.

But what if we could change our relationship with the end by shifting our perspective on it? The first step might be dwelling more profoundly in the here and now where our crises amass, rather than focusing on the boogeyman future. We already know something about how to do this: We are creatures of loss; we have confronted, or will confront, the “worst things” in the real time of our lives. There is a precedent, then, for how, in this moment, we might collectively approach the apocalyptic worst things. While our beloved still lives, there is possibility: We can give her our attention; we can hold her hand.

I won’t downplay the current horrors — tens of thousands dead in Gaza, conflict in Ukraine, the high-stakes presidential election on the horizon — or imply that all will turn out right. The novels in this essay don’t do that either. Instead, they suggest new ways of seeing: a shift to deeper present-time awareness, even wonder, as the times grow ever more dire. The theologian Catherine Keller calls this “apocalyptic mindfulness.” “A cloud of roiling possibility seems to reveal itself,” she writes in “Facing Apocalypse” (2021). “It guarantees no happy ending. It may, however, enhance the uncertain chance of better outcomes.”

Many of our end-time notions are inflected by the biblical Book of Revelation. Its phantasmagoric visions and lurid scenes of destruction have thoroughly infiltrated Western talk of the end: the Four Horsemen, the beast we call the Antichrist (though Revelation doesn’t use the term), fires, plagues and raging pestilence. It may come as a surprise, then, that apokalypsis, the Greek word for “revelation,” means not “ending” but “unveiling.” As Keller writes, “It means not closure but dis-closure — that is, opening. A chance to open our eyes?” But, to what?

In Ling Ma’s novel “ Severance ” (2018), newly pregnant Candace Chen wanders a near-deserted New York City in the midst of a pandemic caused by a disease called Shen Fever. The majority of the city’s residents have fled or become “fevered,” a zombielike state that leaves victims stuck on repeat: a family endlessly setting the table and saying grace; a saleswoman, her jaw half eaten by decay, folding and refolding polo shirts at an abandoned Juicy Couture store on Fifth Avenue. The fevered are the least threatening zombies imaginable: so busy with their mindless performance of mundane tasks that they don’t notice the living. Ma has a knack for nuanced satire.

Candace sticks around because she’s got nowhere else to go; she’s the orphaned child of Chinese immigrants who died years before. Inexplicably, and perhaps somewhat to her dismay, she remains virus-free. As the pandemic shuts down the city, she doggedly persists with her job in the Bibles department at Spectra, a book production company: “I clicked Send, knowing it was fruitless,” she says. When public transportation stops entirely, she moves into her office on the 32nd floor, overlooking an empty Times Square.

It doesn’t take long to understand that a vast grief underlies Candace’s workaholic paralysis. So intense is her mourning for her parents that for a while the pandemic hardly registers. She needs to hold on to something, even pointless work at Spectra. The office setting is no coincidence: In some sense, Candace, too, is fevered, and her job’s rote repetition is a kind of anesthetic.

The dull but familiar grind of late-capitalist working life acts as a numbing agent, or perhaps a blindfold. When work dries up because the rest of the world is no longer at its desk, Candace rambles around the city utterly alone, taking pictures of derelict buildings that she posts on a blog she calls “NY Ghost.” One afternoon she enters a flooded subway station. “You couldn’t even see the water beneath all the garbage,” Ma writes. “The deeper you tunneled down, the bigger the sound, echoed and magnified by the enclosed space, until this primordial slurp was all that existed.” Grieving Candace is adrift, her internal landscape aligned with the desolation of the external world.

Published two years before the Covid pandemic, “Severance” offers an eerily prescient description of a nation shocked and exhausted. For so many, 2020 was a kind of apocalyptic unveiling. The pandemic revealed the fault lines in our health care and our schools, as well as the fact that so many of us were living in perpetual economic precarity. Then there were the deaths, which as a country we have hardly begun to mourn. Painfully and all at once, we understood the fragility of the systems we relied on, and the instability of our own lives.

Yet alongside the devastation there was transient beauty: In many places, air and water quality improved during lockdown and wildlife resurged. Health-care and essential workers were acknowledged and more respected; we realized the extent of our dependence on one another. If only for a little while, we were thrown into Keller’s “apocalyptic mindfulness.” But the eye snapped shut. We “recovered,” and, like Candace, we find ourselves once again in a collective disquiet, punctuated by bouts of terror as we contemplate the future.

On the final afternoon of her wandering, Candace ventures into the same Juicy Couture store she’d photographed weeks before. Ominously, the fevered saleswoman has been bludgeoned to death. Candace’s unborn child seems frightened too: “The baby moved inside of me, fluttering frantically.” Candace leaves Manhattan through the Lincoln Tunnel in a yellow taxi she’s commandeered from a fevered driver. She joins a band of survivors led by a creepy zealot named Bob, a former I.T. guy who wears a brace for carpal tunnel syndrome, that most banal of white-collar work maladies. They journey to the Chicago suburbs to homestead in a deserted mall. (I told you Ma has a knack for satire.)

In this semi-cult, Candace’s grief intensifies. She begins to have visions of her mother, who warns her that she and her unborn baby aren’t safe with Bob. Candace’s mother is right. Bob has a penchant for shooting the fevered in the head if he encounters them when he and the others go “stalking” for food and supplies. We squirm at these killings, even if the victims are not quite alive, at least not in the usual sense. Bob’s violent demagoguery opens Candace’s eyes to her metaphorically fevered state, and as we look into the mirror the novel holds up to us, we begin to wonder about our relationship to our own beleaguered world.

At last, Candace’s fever breaks and, fully alive, she escapes Bob and the others in a Nissan stolen from the group’s mini-fleet. She drives into once grand Chicago, swerving to avoid abandoned cars clogging Milwaukee Avenue. Finally, she runs out of gas. “Up ahead there’s a massive littered river, planked by an elaborate, wrought-iron red bridge,” she recounts. “Beyond the bridge is more skyline, more city. I get out and start walking.”

The “end” for Candace and her baby is not, in fact, an ending, but rather, an awakening that follows revelation.

If “Severance” chronicles its protagonist’s end-time stirrings from the stupor of grief, Jenny Offill’s novel “ Weather ” (2020) is its manic cousin, a diaristic account of climate anxiety. Narrated in the first person, aggressively present tense and composed of short chapters that leap from association to observation, the book is like a panicked brain in overdrive.

“Weather”’s protagonist, Lizzie, works as a university librarian in New York City. Her former professor, Sylvia, a climate change expert, finagled the gig for her though Lizzie isn’t really qualified. “Years ago, I was her grad student,” Lizzie explains, “but then I gave up on it. She used to check in on me sometimes to see if I was still squandering my promise. The answer was always yes.”

Lizzie is all wry self-deprecation. As the book progresses, we understand that she is less an underachiever than an empath, so often overwhelmed that her focus scrambles. Or perhaps it’s that she is deeply attentive to things we try to ignore. Her experience of the world is the opposite of Candace’s near-impenetrable grief. Lizzie is porous. Too much gets in: grave news about the environment, the plights of relative strangers — like kindly Mr. Jimmy, a car-service owner being run out of business by Uber. Lizzie “helps” by taking Mr. Jimmy’s car to various appointments, though she can’t afford it and the traffic makes her late.

The novel doesn’t so much unfold as tumble out over the course of a turbulent year that encompasses Donald Trump’s election in 2016. After Trump’s win, tensions rise in Lizzie’s Brooklyn neighborhood. Even Mr. Jimmy is spewing casual vitriol about Middle Eastern people and car bombs. Lizzie’s husband, Ben, retreats to the couch, to read a “giant history of war.” And I haven’t even mentioned Henry, Lizzie’s depressive, recovering-addict brother, who meets a woman, marries and has a baby, all at whiplash speed. When the marriage implodes, Henry winds up on Lizzie and Ben’s couch, using again and barely able to parent his daughter.

For Lizzie, as for most of us, personal and collective catastrophes run parallel. Her vision of the future grows ever darker. She talks to Sylvia about buying land somewhere cooler, where Eli, her young son, and Iris, her newborn niece, might fare better in 30 years or so. “Do you really think you can protect them? In 2047?” Sylvia asks.

“I look at her,” Lizzie thinks. “Because until this moment, I did, I did somehow think this.” The realization of her helplessness is unbearable, but Lizzie knows she must bear it: This bleak state of affairs is her son’s inheritance.

Lizzie is gripped by grief and despair — she spends far too much time on doomsday prepper websites — both complicated responses to a planet in the midst of radical, damaging change. “In a world of mortal beings,” Keller writes in “Facing Apocalypse,” “it would seem that without some work of mourning, responsibility for that world cannot develop.” Lizzie’s sense of loss and futility is wrenching, but her response attaches her that much more deeply to this world. Her anxiety is acute because the time in which to act is limited and shot through with urgency.

Lizzie experiences her moment as unprecedented; her end-time sensibility suggests an analogy, albeit to a starkly different context. The Apostle Paul also understood himself to be living through an extraordinary rupture in time. Paul's zeal to spread the Gospel through the ancient world was fueled by his conviction that ordinary time, and life, had been profoundly derailed by Christ’s crucifixion, and was soon to end with his imminent Second Coming. Paul believed he was living in an in-between time that the Italian philosopher Giorgio Agamben has aptly called “ the time that remains ,” a phrase borrowed from Paul’s letter to the fledgling church at Corinth. “The time is short,” Paul wrote. “From now on those who have wives should live as if they do not; those who mourn, as if they did not; those who are happy, as if they were not.”

The old world and its rules had not yet passed away but the prospect of Christ’s return cast an altering light on the present, highlighting the impermanence of all things. Everything was revealed to be in flux and therefore subject to reversals and change.

In “Weather,” Lizzie’s frazzled report from the event horizon of impending disaster, the time that remains means that moments are more precious, less bound by previous rules of engagement and more open to radically new ones. Near the end of the novel, Henry reclaims his sobriety, and Lizzie finds renewed, if melancholic, love for this imperiled world. She wants to find a new way to engage, even as she is uncertain what that might be. “There’s the idea in the different traditions. Of the veil,” Lizzie says. “What if we were to tear through it?” The image recalls Keller’s apokalypsis — a revelatory “ dis-closure .”

Jesmyn Ward’s “ Salvage the Bones ” (2011) takes a very different approach to apocalypse. The novel is set over 12 days, before and just after Hurricane Katrina strikes the Gulf Coast. The 15-year-old narrator, Esch, her father and three brothers live in the Mississippi Delta, outside a coastal town Ward calls Bois Sauvage. Unlike other characters we have encountered, Ward’s need no awakening; and time is far too short for existential anxiety or long-term planning.

The novel opens as China, a pit bull belonging to Esch’s brother Skeetah, is giving birth. Moody, commanding China is the love of Skeetah’s young life and as vivid as any human character in the book. “What China is doing is fighting, like she was born to do,” Ward writes. “Fight our shoes, fight other dogs, fight these puppies that are reaching for the outside, blind and wet.” Skeetah hopes to sell China’s puppies for big money. Enough to send his older brother, Randall, to basketball camp, where, the family hopes, he’ll be noticed by college scouts. Enough, perhaps, to help Esch take care of her baby. Esch is pregnant, though not far enough along to show, and she is in love with the baby’s father, her brother Randall’s friend Manny, who keeps her a secret and won’t kiss her on the mouth.

The novel is full of mothers: mothers to be, absent mothers (Esch’s mother died in childbirth years before), animal mothers, even mythical mothers (Esch is fixated on the avenging Medea, whom she’s read about in school). And, of course, Mother Nature is flying across the gulf, heading straight for Bois Sauvage. Mothers in this novel are makers and destroyers. In some cases, they are also unprepared to occupy the role; they are in jeopardy or else the circumstances of their motherhood run afoul of certain proprieties.

Esch’s pregnancy isn’t easy. It may also be hard for readers to accept: Esch is in dire financial straits and young enough to scandalize some of us. Does the prospect of her motherhood elicit the same empathy as Lizzie’s or Candace’s? Whose children do we think of as the hope for the future when the end is nigh? Which mothers are most valued in the collective perception? Not, generally speaking, an impoverished Black girl barely into her teens.

Ward’s concerns are with those who will bear the brunt of the coming storms, both natural and metaphoric, on the page and in the world. Esch and her family face Katrina with nothing besides a few canned goods they’ve scared up, and some plywood nailed over the doors and windows. Esch herself is the sort of vulnerable person Scripture might refer to as “the least of these.” Each time I read the novel, my mind leaps to the biblical Mary, mother of Jesus, a poor, brown, teenage girl who gave birth in a barn because no safer provision was made for her. In that story, the life least protected turns out to be the most essential.

So it is in “Salvage the Bones”: Esch and her unborn child, along with fighting China and her puppies, are the beating heart of this universe. Here, Esch considers which animals flee before a coming storm: “Maybe the bigger animals do,” she reflects. “Maybe the small don’t run. Maybe the small pause on their branches, the pine-lined earth, nose up, catch that coming storm air that would smell like salt to them, like salt and clean burning fire, and they prepare like us.”

With “the small,” or those treated as such, as focal points, Ward’s novel is also an indictment. It’s true that Katrina was a natural disaster, but its effects were preventable, or might have been mitigated. Most of us remember the levees breaking. The disaster’s aftermath — thousands, mostly poor, stranded without food or water; critically ill patients dying in storm-ravaged hospitals ; desperate, unarmed civilians shot by police officers — was entirely the fault of humans.

We might extend Ward’s insight to end-time crises in general, in which other Esches are similarly left with the greater share of suffering. We may not be able to reverse the crises themselves, but we can intervene in the devastation they cause, and to whom.

We have been down a harrowing road; there isn’t much comfort here. But perhaps at this critical juncture in our human story, it is not comfort that will aid us most. Perhaps what will aid us most is to enter more fully into dis comfort. To awaken to our grief, like Candace. To try to tear through the veil, like Lizzie. In this way we might begin to believe that the future is not foreclosed upon, whatever it might look like.

I leave us with Esch’s declaration of hope at the end of Ward’s novel. Esch’s family has survived, but Skeetah is searching for China, who disappeared in the storm: “He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore … dull but alive, alive, alive.”

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