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English Department Dissertations Collection

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Dissertations from 2023 2023

In Search of Middle Paths: Buddhism, Fiction, and the Secular in Twentieth-Century South Asia , Crystal Baines, English

Save Our Children: Discourses of Queer Futurity in the United States and South Africa, 1977-2010 , Jude Hayward-Jansen, English

Epistemologies of the Unknowable in Nineteenth-Century U.S. Literature , Maria Ishikawa, English

Revenge of the Nerds: Tech Masculinity and Digital Hegemony , Benjamin M. Latini, English

The Diasporic Mindset and Narrative Intersections of British Identity in Transnational Fiction , Joseph A. Mason, English

A 19TH CENTURY ETHNOGRAPHIC EXHIBIT UN/CAGED: NARRATIVES OF INFORMAL EMPIRE, AFROLATINIDAD, AND CONTEMPORARY ARTISTIC (RE)FRAMINGS , Celine G. Nader, English

Dissertations from 2022 2022

Writing the Aftermath: Uncanny Spaces of the Postcolonial , Sohini Banerjee, English

Science Fiction’s Enactment of the Encouragement, Process, and End Result of Revolutionary Transformation , Katharine Blanchard, English

LITERARY NEGATION AND MATERIALISM IN CHAUCER , Michelle Brooks, English

TRANSNATIONAL POLITICAL AND LITERARY ENCOUNTERS: THE IDEA OF AMERÍKA IN ICELANDIC FICTION, 1920–1990 , Jodie Childers, English

When Choices Aren't Choices: Academic Literacy Normativities in the Age of Neoliberalism , Robin K. Garabedian, English

Redefining Gender Violence: Radical Feminist Visions in Contemporary Ethnic American Women’s Fiction and Women of Color Activism 1990-2010 , Hazel Gedikli, English

Stories Women Carry: Labor and Reproductive Imaginaries of South Asia and the Caribbean , Subhalakshmi Gooptu, English

The Critical Workshop: Writing Revision and Critical Pedagogy in the Middle School Classroom , Andrea R. Griswold, English

Racial Poetics: Early Modern Race and the Form of Comedy , Yunah Kae, English

At the Limits of Empathy: Political Conflict and its Aftermath in Postcolonial Fiction , Saumya Lal, English

The Burdens and Blessings of Responsibility: Duty and Community in Nineteenth- Century America , Leslie Leonard, English

No There There: New Jersey in Multiethnic Writing and Popular Culture Since 1990 , Shannon Mooney, English

Ownership and Writer Agency in Web 2.0 , Thomas Pickering, English

Combating Narratives: Soldiering in Twentieth-Century African American and Latinx Literature , Stacy Reardon, English

“IT DON’T ‘MEAN’ A THING”: TIME AND THE READER IN JAZZ FICTIONAL NARRATIVE , Damien C. Weaver, English

SATURNINE ECOLOGIES: ENVIRONMENTAL CATASTROPHE IN THE EARLY MODERN WORLD, 1542-1688 , John Yargo, English

Dissertations from 2021 2021

"On Neptunes Watry Realmes": Maritime Law and English Renaissance Literature , Hayley Cotter, English

Theater of Exchange: The Cosmopolitan Stage of Jacobean London , Liz Fox, English

“The Badge of All Our Tribe”: Contradictions of Jewish Representation on the English Renaissance Stage , Becky S. Friedman, English

On Being Dispersed: The Poetics of Dehiscence from "We the People" to Abolition , Sean A. Gordon, English

Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule , Florianne Jimenez, English

When Your Words Are Someone Else's Money: Rhetorical Circulation, Affect, and Late Capitalism , Kelin E. Loe, English

Indigenous Impositions in Contemporary Culture: Knotting Ontologies, Beading Aesthetics, and Braiding Temporalities , Darren Lone Fight, English

NEGRITUDE FEMINISMS: FRANCOPHONE BLACK WOMEN WRITERS AND ACTIVISTS IN FRANCE, MARTINIQUE, AND SENEGAL FROM THE 1920S TO THE 1980S , Korka Sall, English

Negotiating Space: Spatial Violation on the Early Modern Stage, 1587-1638 , Gregory W. Sargent, English

Stranger Compass of the Stage: Difference and Desire in Early Modern City Comedy , Catherine Tisdale, English

Dissertations from 2020 2020

AFFECTIVE HISTORIES OF SOUTHERN TRAUMA: SHAME, HEALING, AND VULNERABILITY IN US SOUTHERN WOMEN’S WRITING, 1975–2006 , Faune Albert, English

Materially Queer: Identity and Agency in Academic Writing , Joshua Barsczewski, English

ANGELS WHO STEPPED OUTSIDE THEIR HOUSES: “AMERICAN TRUE WOMANHOOD” AND NINETEENTH-CENTURY (TRANS)NATIONALISMS , Gayathri M. Hewagama, English

WRITING AGAINST HISTORY: FEMINIST BAROQUE NARRATIVES IN INTERWAR ATLANTIC MODERNISM , Annaliese Hoehling, English

Passing Literacies: Soviet Immigrant Elders and Intergenerational Language Practice , Jenny Krichevsky, English

Lisa Ben and Queer Rhetorical Reeducation in Post-war Los Angeles , Katelyn S. Litterer, English

Daring Depictions: An Analysis of Risks and Their Mediation in Representations of Black Suffering , Russell Nurick, English

From Page to Program: A Study of Stakeholders in Multimodal First-Year Composition Curriculum and Program Design , Rebecca Petitti, English

Forms of the Future: Indigeneity, Blackness, and the Visioning Work of Aesthetics in U.S. Poetry, 1822-1863 , Magdalena Zapędowska, English

Dissertations from 2019 2019

Black Men Who Betray Their Race: 20TH Century Literary Representations of the Black Male Race Traitor , Gregory Coleman, English

“The Worlding Game”: Queer Ecological Perspectives in Modern Fiction , Sarah D'Stair, English

Afrasian Imaginaries: Global Capitalism and Labor Migration in Indian Ocean Fictions, 1990 – 2015 , Neelofer Qadir, English

Divided Tongues: The Politics and Poetics of Food in Modern Anglophone Indian Fiction , Shakuntala Ray, English

Globalizing Nature on the Shakespearean Stage , William Steffen, English

Gilded Chains: Global Economies and Gendered Arts in US Fiction, 1865-1930 , Heather Wayne, English

“ÆTHELTHRYTH”: SHAPING A RELIGIOUS WOMAN IN TENTH-CENTURY WINCHESTER , Victoria Kent Worth, English

Dissertations from 2018 2018

Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture , Eli W. Bromberg, English

Rhetorical Investments: Writing, Technology, and the Emerging Logics of the Public Sphere , Dan Ehrenfeld, English

Kiskeyanas Valientes en Este Espacio: Dominican Women Writers and the Spaces of Contemporary American Literature , Isabel R. Espinal, English

“TO WEIGH THE WORLD ANEW”: POETICS, RHETORIC, AND SOCIAL STRUGGLE, FROM SIDNEY’S ARCADIA TO SHAKESPEARE’S THEATER , David Katz, English

CIVIC DOMESTICITY: RHETORIC, WOMEN, AND SPACE AT HULL HOUSE, 1889-1910 , Liane Malinowski, English

Charting the Terrain of Latina/o/x Theater in Chicago , Priscilla M. Page, English

The Politics of Feeling and the Work of Belonging in US Immigrant Fiction 1990 - 2015 , Lauren Silber, English

Turning Inside Out: Reading and Writing Godly Identity in Seventeenth-Century Narratives of Spiritual Experience , Meghan Conine Swavely, English

Dissertations from 2017 2017

Tragicomic Transpositions: The Influence of Spanish Prose Romance on the Development of Early Modern English Tragicomedy , Josefina Hardman, English

“The Blackness of Blackness”: Meta-Black Identity in 20th/21st Century African American Culture , Casey Hayman, English

Waiting for Now: Postcolonial Fiction and Colonial Time , Amanda Ruth Waugh Lagji, English

Latina Identities, Critical Literacies, and Academic Achievement in Community College , Morgan Lynn, English

Demanding Spaces: 1970s U.S. Women's Novels as Sites of Struggle , Kate Marantz, English

Novel Buildings: Architectural and Narrative Form in Victorian Fiction , Ashley R. Nadeau, English

CATCH FEELINGS: CLASS AFFECT AND PERFORMATIVITY IN TEACHING ASSOCIATES' NARRATIVES , Anna Rita Napoleone, English

Dialogue and "Dialect": Character Speech in American Fiction , Carly Overfelt, English

Materializing Transfer: Writing Dispositions in a Culture of Standardized Testing , Lisha Daniels Storey, English

Theatres of War: Performing Queer Nationalism in Modernist Narratives , Elise Swinford, English

Dissertations from 2016 2016

Multimodal Assessment in Action: What We Really Value in New Media Texts , Kathleen M. Baldwin, English

Addictive Reading: Nineteenth-Century Drug Literature's Possible Worlds , Adam Colman, English

"The Book Can't Teach You That": A Case Study of Place, Writing, and Tutors' Constructions of Writing Center Work , Christopher Joseph DiBiase, English

Protest Lyrics at Work: Labor Resistance Poetry of Depression-Era Autoworkers , Rebecca S. Griffin, English

From What Remains: The Politics of Aesthetic Mourning and the Poetics of Loss in Contemporary African American Culture , Kajsa K. Henry, English

Minor Subjects in America: Everyday Childhoods of the Long Nineteenth Century , Gina M. Ocasion, English

Enduring Affective Rhetorics: Transnational Feminist Action in Digital Spaces , Jessica Ouellette, English

The School Desk and the Writing Body , Marni M. Presnall, English

Sustainable Public Intellectualism: The Rhetorics of Student Scientist-Activists , Jesse Priest, English

Prosthetizing the Soul: Reading, Seeing, and Feeling in Seventeenth-Century Devotion , Katey E. Roden, English

Dissertations from 2015 2015

“As Child in Time”: Childhood, Temporality, and 19th Century U.S. Literary Imaginings of Democracy , Marissa Carrere, English

A National Style: A Critical Historiography of the Irish Short Story , Andrew Fox, English

Homosexuality is a Poem: How Gay Poets Remodeled the Lyric, Community and the Ideology of Sex to Theorize a Gay Poetic , Christopher M. Hennessy, English

Affecting Manhood: Masculinity, Effeminacy, and the Fop Figure in Early Modern English Drama , Jessica Landis, English

Who Do You Think You Are?: Recovering the Self in the Working Class Escape Narrative , Christine M. Maksimowicz, English

Metabolizing Capital: Writing, Information, and the Biophysical World , Christian J. Pulver, English

Audible Voice in Context , Airlie S. Rose, English

The Role of Online Reading and Writing in the Literacy Practices of First-Year Writing Students , Casey Burton Soto, English

Dissertations from 2014 2014

RESURRECTION: REPRESENTATIONS OF THE BLACK CHURCH IN CONTEMPORARY POPULAR CULTURE , Rachel J. Daniel, English

Seeing Blindness: The Visual and the Great War in Literary Modernism , Rachael Dworsky, English

HERE, THERE, AND IN BETWEEN: TRAVEL AS METAPHOR IN MIXED RACE NARRATIVES OF THE HARLEM RENAISSANCE , Colin Enriquez, English

Interactive Audience and the Internet , John R. Gallagher, English

Down from the Mountain and into the Mill: Literacy Sponsorship and Southern Appalachian Women in the New South , Emma M. Howes, English

Transnational Gestures: Rethinking Trauma in U.S. War Fiction , Ruth A.H. Lahti, English

"A More Natural Mother": Concepts of Maternity and Queenship in Early Modern England , Anne-Marie Kathleen Strohman, English

Dissertations from 2013 2013

Letters to a Dictionary: Competing Views of Language in the Reception of Webster's Third New International Dictionary , Anne Pence Bello, English

Staging the Depression: The Federal Theatre Project's Dramas of Poverty, 1935-1939 , Amy Brady, English

Our Story Has Not Been Told in any Moment: Radical Black Feminist Theatre From The Old Left to Black Power , Julie M Burrell, English

Writing for Social Action: Affect, Activism, and the Composition Classroom , Sarah Finn, English

Surviving Domestic Tensions: Existential Uncertainty in New World African Diasporic Women's Literature , Denia M Fraser, English

From Feathers to Fur: Theatrical Representations of Skin in the Medieval English Cycle Plays , Valerie Anne Gramling, English

The Reflexive Scaffold: Metatheatricality, Genre, and Cultural Performance in English Renaissance Drama , Nathaniel C. Leonard, English

The World Inscribed: Literary Form, Travel, and the Book in England, 1580-1660 , Philip S Palmer, English

Shakespearean Signifiers , Marie H Roche, English

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Home > ARTSSCI > English > dissertations

English Dissertations and Theses

The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.

Theses/Dissertations from 2023 2023

Lifting the Postmodern Veil: Cosmopolitanism, Humanism, and Decolonization in Global Fictions of the 21st Century , Matthew Burchanoski

Gothic Transformations and Remediations in Cheap Nineteenth-Century Fiction , Wendy Fall

Milton’s Learning: Complementarity and Difference in Paradise Lost , Peter Spaulding

“The Development of the Conceptive Plot Through Early 19th-Century English Novels” , Jannea R. Thomason

Theses/Dissertations from 2022 2022

Gonzo Eternal , John Francis Brick

Intertextuality and Sociopolitical Engagement in Contemporary Anglophone Women’s Writing , Jackielee Derks

Innovation, Genre, and Authenticity in the Nineteenth-Century Irish Novel , David Aiden Kenney II

Reluctant Sons: The Irish Matrilineal Tradition of Oscar Wilde, James Joyce, and Flann O’Brien , Jessie Wirkus Haynes

Britain's Extraterrestrial Empire: Colonial Ambition, Anxiety, and Ambivalence in Early Modern Literature , Mark Edward Wisniewski

Theses/Dissertations from 2021 2021

Re-Reading the “Culture Clash”: Alternative Ways of Reading in Indian Horse , Hailey Whetten

Theses/Dissertations from 2020 2020

When the Foreign Became Familiar: Modernism, Expatriation, and Spatial Identities in the Twentieth Century , Danielle Kristene Clapham

Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell’s Social Problem Novels , Hunter Nicole Duncan

Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction , Kathryn Hendrickson

A Productive Failure: Existentialism in Fin de Siècle England , Maxwell Patchet

Inquiry and Provocation: The Use of Ambiguity in Sixteenth-Century English Political Satire , Jason James Zirbel

Theses/Dissertations from 2019 2019

No Home but the World: Forced Migration and Transnational Identity , Justice Hagan

The City As a Trap: 20th and 21st Century American Literature and the American Myth of Mobility , Andrew Joseph Hoffmann

The Fantastic and the First World War , Brian Kenna

Insane in the Brain, Blood, and Lungs: Gender-Specific Manifestations of Hysteria, Chlorosis, & Consumption in 19th-Century Literature , Anna P. Scanlon

Reading Multicultural Novels Melancholically: Racial Grief and Grievance in the Joy Luck Club, Beloved, and Anil's Ghost , Jennifer Arias Sweeney

Theses/Dissertations from 2018 2018

The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature , Jeffrey Lorino Jr

Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy , Sunil Samuel Macwan

The View from Here: Toward a Sissy Critique , Tyler Monson

The Forbidden Zone Writers: Femininity and Anglophone Women War Writers of the Great War , Sareene Proodian

Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots , Adrianne A. Wojcik

Theses/Dissertations from 2016 2016

Changing the Victorian Habit Loop: The Body in the Poetry and Painting of Dante Gabriel Rossetti and William Morris , Bryan Gast

Gendering Scientific Discourse from 1790-1830: Erasmus Darwin, Thomas Beddoes, Maria Edgeworth, and Jane Marcet , Bridget E. Kapler

Discarding Dreams and Legends: The Short Fiction of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty , Katy L. Leedy

Theses/Dissertations from 2015 2015

Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932) , Matthew Henningsen

The Pulpit's Muse: Conversive Poetics in the American Renaissance , Michael William Keller

A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners , Bonnie McLean

Julian of Norwich: Voicing the Vernacular , Therese Elaine Novotny

Theses/Dissertations from 2014 2014

Homecomings: Victorian British Women Travel Writers And Revisions Of Domesticity , Emily Paige Blaser

From Pastorals to Paterson: Ecology in the Poetry and Poetics of William Carlos WIlliams , Daniel Edmund Burke

Argument in Poetry: (Re)Defining the Middle English Debate in Academic, Popular, and Physical Contexts , Kathleen R. Burt

Apocalyptic Mentalities in Late-Medieval England , Steven A. Hackbarth

The Creation of Heaven in the Middle Ages , William Storm

(re)making The Gentleman: Genteel Masculinities And The Country Estate In The Novels Of Charlotte Smith, Jane Austen, And Elizabeth Gaskell , Shaunna Kay Wilkinson

Theses/Dissertations from 2013 2013

Brides, Department Stores, Westerns, and Scrapbooks--The Everyday Lives of Teenage Girls in the 1940s , Carly Anger

Placed People: Rootedness in G. K. Chesterton, C. S. Lewis, and Wendell Berry , David Harden

Rhetorics Of Girlhood Trauma In Writing By Holly Goddard Jones, Joyce Carol Oates, Sandra Cisneros, And Jamaica Kincaid , Stephanie Marie Stella

Theses/Dissertations from 2012 2012

A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital , Brandon Chitwood

"Be-Holde the First Acte of this Tragedy" : Generic Symbiosis and Cross-Pollination in Jacobean Drama and the Early Modern Prose Novella , Karen Ann Zyck Galbraith

Pamela: Or, Virtue Reworded: The Texts, Paratexts, and Revisions that Redefine Samuel Richardson's Pamela , Jarrod Hurlbert

Violence and Masculinity in American Fiction, 1950-1975 , Magdalen McKinley

Gender Politics in the Novels of Eliza Haywood , Susan Muse

Destabilizing Tradition: Gender, Sexuality, and Postnational Identity in Four Novels by Irish Women, 1960-2000 , Sarah Nestor

Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell , Rebecca Parker Fedewa

Spirit of the Psyche: Carl Jung's and Victor White's Influence on Flannery O'Connor's Fiction , Paul Wakeman

Theses/Dissertations from 2011 2011

Performing the Audience: Constructing Playgoing in Early Modern Drama , Eric Dunnum

Paule Marshall's Critique of Contemporary Neo-Imperialisms Through the Trope of Travel , Michelle Miesen Felix

Hermeneutics, Poetry, and Spenser: Augustinian Exegesis and the Renaissance Epic , Denna Iammarino-Falhamer

Encompassing the Intolerable: Laughter, Memory, and Inscription in the Fiction of John McGahern , John Keegan Malloy

Regional Consciousness in American Literature, 1860-1930 , Kelsey Louise Squire

The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry , Joshua Scott Steffey

Theses/Dissertations from 2010 2010

Cognitive Architectures: Structures of Passion in Joanna Baillie's Dramas , Daniel James Bergen

On Trial: Restorative Justice in the Godwin-Wollstonecraft-Shelley Family Fictions , Colleen M. Fenno

Theses/Dissertations from 2009 2009

What's the point to eschatology : multiple religions and terminality in James Joyce's Finnegans wake , Martin R. Brick

Economizing Characters: Harriet Martineau and the Problems of Poverty in Victorian Literature, Culture and Law , Mary Colleen Willenbring

Submissions from 2008 2008

"An improbable fiction": The marriage of history and romance in Shakespeare's Henriad , Marcia Eppich-Harris

Bearing the Mark of the Social: Notes Towards a Cosmopolitan Bildungsroman , Megan M. Muthupandiyan

The Gothic Novel and the Invention of the Middle-Class Reader: Northanger Abbey As Case Study , Tenille Nowak

Not Just a Novel of Epic Proportions: Ralph Ellison's Invisible Man As Modern American Epic , Dana Edwards Prodoehl

Recovering the Radicals: Women Writers, Reform, and Nationalist Modes of Revolutionary Discourse , Mark J. Zunac

Theses/Dissertations from 2007 2007

"The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings , Amy M. Amendt-Raduege

The Games Men Play: Madness and Masculinity in Post-World War II American Fiction, 1946-1964 , Thomas P. Durkin

Denise Levertov: Through An Ecofeminist Lens , Katherine A. Hanson

The Wit of Wrestling: Devotional-Aesthetic Tradition in Christina Rossetti's Poetry , Maria M.E. Keaton

Genderless Bodies: Stigma and the Myth of Womanhood , Ellen M. Letizia

Envy and Jealousy in the Novels of the Brontës: A Synoptic Discernment , Margaret Ann McCann

Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the Book of Margery Kempe , Crystal L. Mueller

"Finding-- a Map-- to That Place Called Home": The Journey from Silence to Recovery in Patrick McCabe's Carn and Breakfast on Pluto , Valerie A. Murrenus Pilmaier

Emily Dickinson's Ecocentric Pastoralism , Moon-ju Shin

The American Jeremiad in Civil War Literature , Jacob Hadley Stratman

Theses/Dissertations from 2006 2006

Literary Art in Times of Crisis: The Proto-Totalitarian Anxiety of Melville, James, and Twain , Matthew J. Darling

(Re) Writing Genre: Narrative Conventions and Race in the Novels of Toni Morrison , Jennifer Lee Jordan Heinert

"Amsolookly Kersse": Clothing in Finnegan's Wake , Catherine Simpson Kalish

"Do Your Will": Shakespeare's Use of the Rhetoric of Seduction in Four Plays , Jason James Nado

Woman in Emblem: Locating Authority in the Work and Identity of Katherine Philips (1632-1664) , Susan L. Stafinbil

When the Bough Breaks: Poetry on Abortion , Wendy A. Weaver

Theses/Dissertations from 2005 2005

Heroic Destruction: Shame and Guilt Cultures in Medieval Heroic Poetry , Karl E. Boehler

Poe and Early (Un)American Drama , Amy C. Branam

Grammars of Assent: Constructing Poetic Authority in An Age of Science , William Myles Carroll III

This Place is Not a Place: The Constructed Scene in the Works of Sir Walter Scott , Colin J. Marlaire

Cognitive Narratology: A Practical Approach to the Reader-Writer Relationship , Debra Ann Ripley

Theses/Dissertations from 2004 2004

Defoe and the Pirates: Function of Genre Conventions in Raiding Narratives , William J. Dezoma

Creative Discourse in the Eighteenth-Century Courtship Novel , Michelle Ruggaber Dougherty

Exclusionary Politics: Mourning and Modernism in the Works of Elizabeth Barrett Browning, Amy Levy, and Charlotte Mew , Donna Decker Schuster

Theses/Dissertations from 2003 2003

Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert , Erik P. Ankerberg

Idiographic Spaces: Representation, Ideology and Realism in the Postmodern British Novel , Gordon B. McConnell

Theses/Dissertations from 2002 2002

Reading into It: Wallace Stegner's Novelistic Sense of Time and Place , Colin C. Irvine

Brisbane and Beyond: Revising Social Capitalism in Mid-Nineteenth-Century America , Michael C. Mattek

Theses/Dissertations from 2001 2001

Christians and Mimics in W. B. Yeats' Collected Poems , Patrick Mulrooney

Renaissance Roles and the Process of Social Change , John Wieland

'Straunge Disguize': Allegory and Its Discontents in Spenser's Faerie Queene , Galina Ivanovna Yermolenko

Theses/Dissertations from 2000 2000

Reading American Women's Autobiography: Spheres of Identity, Spheres of Influence , Amy C. Getty

"Making Strange": The Art and Science of Selfhood in the Works of John Banville , Heather Maureen Moran

Writing Guadalupe: Mediacion and (mis)translation in borderland text(o)s , Jenny T Olin-Shanahan

Writing Guadalupe: Mediacion and (Mis)Translation in Borderland Text(o)s , Jenny T. Olin-Shanahan

Theses/Dissertations from 1999 1999

Setting the Word Against the Word: The Search for Self-Understanding in Richard II , Richard J. Erable

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What Is a Dissertation? | Guide, Examples, & Template

A dissertation is a long-form piece of academic writing based on original research conducted by you. It is usually submitted as the final step in order to finish a PhD program.

Your dissertation is probably the longest piece of writing you’ve ever completed. It requires solid research, writing, and analysis skills, and it can be intimidating to know where to begin.

Your department likely has guidelines related to how your dissertation should be structured. When in doubt, consult with your supervisor.

You can also download our full dissertation template in the format of your choice below. The template includes a ready-made table of contents with notes on what to include in each chapter, easily adaptable to your department’s requirements.

Download Word template Download Google Docs template

• In the US, a dissertation generally refers to the collection of research you conducted to obtain a PhD.
• In other countries (such as the UK), a dissertation often refers to the research you conduct to obtain your bachelor’s or master’s degree.

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Table of contents

Dissertation committee and prospectus process, how to write and structure a dissertation, acknowledgements or preface, list of figures and tables, list of abbreviations, introduction, literature review, methodology, reference list, proofreading and editing, defending your dissertation, free checklist and lecture slides.

When you’ve finished your coursework, as well as any comprehensive exams or other requirements, you advance to “ABD” (All But Dissertation) status. This means you’ve completed everything except your dissertation.

Prior to starting to write, you must form your committee and write your prospectus or proposal . Your committee comprises your adviser and a few other faculty members. They can be from your own department, or, if your work is more interdisciplinary, from other departments. Your committee will guide you through the dissertation process, and ultimately decide whether you pass your dissertation defense and receive your PhD.

Your prospectus is a formal document presented to your committee, usually orally in a defense, outlining your research aims and objectives and showing why your topic is relevant . After passing your prospectus defense, you’re ready to start your research and writing.

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The structure of your dissertation depends on a variety of factors, such as your discipline, topic, and approach. Dissertations in the humanities are often structured more like a long essay , building an overall argument to support a central thesis , with chapters organized around different themes or case studies.

However, hard science and social science dissertations typically include a review of existing works, a methodology section, an analysis of your original research, and a presentation of your results , presented in different chapters.

Dissertation examples

We’ve compiled a list of dissertation examples to help you get started.

• Example dissertation #1: Heat, Wildfire and Energy Demand: An Examination of Residential Buildings and Community Equity (a dissertation by C. A. Antonopoulos about the impact of extreme heat and wildfire on residential buildings and occupant exposure risks).
• Example dissertation #2: Exploring Income Volatility and Financial Health Among Middle-Income Households (a dissertation by M. Addo about income volatility and declining economic security among middle-income households).
• Example dissertation #3: The Use of Mindfulness Meditation to Increase the Efficacy of Mirror Visual Feedback for Reducing Phantom Limb Pain in Amputees (a dissertation by N. S. Mills about the effect of mindfulness-based interventions on the relationship between mirror visual feedback and the pain level in amputees with phantom limb pain).

The very first page of your document contains your dissertation title, your name, department, institution, degree program, and submission date. Sometimes it also includes your student number, your supervisor’s name, and the university’s logo.

Read more about title pages

The acknowledgements section is usually optional and gives space for you to thank everyone who helped you in writing your dissertation. This might include your supervisors, participants in your research, and friends or family who supported you. In some cases, your acknowledgements are part of a preface.

Read more about acknowledgements Read more about prefaces

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The abstract is a short summary of your dissertation, usually about 150 to 300 words long. Though this may seem very short, it’s one of the most important parts of your dissertation, because it introduces your work to your audience.

Your abstract should:

• State your main topic and the aims of your research
• Describe your methods
• Summarize your main results
• State your conclusions

Read more about abstracts

The table of contents lists all of your chapters, along with corresponding subheadings and page numbers. This gives your reader an overview of your structure and helps them easily navigate your document.

Remember to include all main parts of your dissertation in your table of contents, even the appendices. It’s easy to generate a table automatically in Word if you used heading styles. Generally speaking, you only include level 2 and level 3 headings, not every subheading you included in your finished work.

Read more about tables of contents

While not usually mandatory, it’s nice to include a list of figures and tables to help guide your reader if you have used a lot of these in your dissertation. It’s easy to generate one of these in Word using the Insert Caption feature.

Read more about lists of figures and tables

Similarly, if you have used a lot of abbreviations (especially industry-specific ones) in your dissertation, you can include them in an alphabetized list of abbreviations so that the reader can easily look up their meanings.

Read more about lists of abbreviations

In addition to the list of abbreviations, if you find yourself using a lot of highly specialized terms that you worry will not be familiar to your reader, consider including a glossary. Here, alphabetize the terms and include a brief description or definition.

Read more about glossaries

The introduction serves to set up your dissertation’s topic, purpose, and relevance. It tells the reader what to expect in the rest of your dissertation. The introduction should:

• Establish your research topic , giving the background information needed to contextualize your work
• Narrow down the focus and define the scope of your research
• Discuss the state of existing research on the topic, showing your work’s relevance to a broader problem or debate
• Clearly state your research questions and objectives
• Outline the flow of the rest of your work

Everything in the introduction should be clear, engaging, and relevant. By the end, the reader should understand the what, why, and how of your research.

Read more about introductions

A formative part of your research is your literature review . This helps you gain a thorough understanding of the academic work that already exists on your topic.

Literature reviews encompass:

• Finding relevant sources (e.g., books and journal articles)
• Assessing the credibility of your sources
• Critically analyzing and evaluating each source
• Drawing connections between them (e.g., themes, patterns, conflicts, or gaps) to strengthen your overall point

A literature review is not merely a summary of existing sources. Your literature review should have a coherent structure and argument that leads to a clear justification for your own research. It may aim to:

• Address a gap in the literature or build on existing knowledge
• Take a new theoretical or methodological approach to your topic
• Propose a solution to an unresolved problem or advance one side of a theoretical debate

Read more about literature reviews

Theoretical framework

Your literature review can often form the basis for your theoretical framework. Here, you define and analyze the key theories, concepts, and models that frame your research.

Read more about theoretical frameworks

Your methodology chapter describes how you conducted your research, allowing your reader to critically assess its credibility. Your methodology section should accurately report what you did, as well as convince your reader that this was the best way to answer your research question.

A methodology section should generally include:

• The overall research approach ( quantitative vs. qualitative ) and research methods (e.g., a longitudinal study )
• Your data collection methods (e.g., interviews or a controlled experiment )
• Details of where, when, and with whom the research took place
• Any tools and materials you used (e.g., computer programs, lab equipment)
• Your data analysis methods (e.g., statistical analysis , discourse analysis )
• An evaluation or justification of your methods

Read more about methodology sections

Your results section should highlight what your methodology discovered. You can structure this section around sub-questions, hypotheses , or themes, but avoid including any subjective or speculative interpretation here.

Your results section should:

• Concisely state each relevant result together with relevant descriptive statistics (e.g., mean , standard deviation ) and inferential statistics (e.g., test statistics , p values )
• Briefly state how the result relates to the question or whether the hypothesis was supported
• Report all results that are relevant to your research questions , including any that did not meet your expectations.

Additional data (including raw numbers, full questionnaires, or interview transcripts) can be included as an appendix. You can include tables and figures, but only if they help the reader better understand your results. Read more about results sections

Your discussion section is your opportunity to explore the meaning and implications of your results in relation to your research question. Here, interpret your results in detail, discussing whether they met your expectations and how well they fit with the framework that you built in earlier chapters. Refer back to relevant source material to show how your results fit within existing research in your field.

Some guiding questions include:

• What do your results mean?
• Why do your results matter?
• What limitations do the results have?

If any of the results were unexpected, offer explanations for why this might be. It’s a good idea to consider alternative interpretations of your data.

Read more about discussion sections

Your dissertation’s conclusion should concisely answer your main research question, leaving your reader with a clear understanding of your central argument and emphasizing what your research has contributed to the field.

In some disciplines, the conclusion is just a short section preceding the discussion section, but in other contexts, it is the final chapter of your work. Here, you wrap up your dissertation with a final reflection on what you found, with recommendations for future research and concluding remarks.

It’s important to leave the reader with a clear impression of why your research matters. What have you added to what was already known? Why is your research necessary for the future of your field?

Read more about conclusions

It is crucial to include a reference list or list of works cited with the full details of all the sources that you used, in order to avoid plagiarism. Be sure to choose one citation style and follow it consistently throughout your dissertation. Each style has strict and specific formatting requirements.

Common styles include MLA , Chicago , and APA , but which style you use is often set by your department or your field.

Create APA citations Create MLA citations

Your dissertation should contain only essential information that directly contributes to answering your research question. Documents such as interview transcripts or survey questions can be added as appendices, rather than adding them to the main body.

Read more about appendices

Making sure that all of your sections are in the right place is only the first step to a well-written dissertation. Don’t forget to leave plenty of time for editing and proofreading, as grammar mistakes and sloppy spelling errors can really negatively impact your work.

Dissertations can take up to five years to write, so you will definitely want to make sure that everything is perfect before submitting. You may want to consider using a professional dissertation editing service , AI proofreader or grammar checker to make sure your final project is perfect prior to submitting.

After your written dissertation is approved, your committee will schedule a defense. Similarly to defending your prospectus, dissertation defenses are oral presentations of your work. You’ll present your dissertation, and your committee will ask you questions. Many departments allow family members, friends, and other people who are interested to join as well.

After your defense, your committee will meet, and then inform you whether you have passed. Keep in mind that defenses are usually just a formality; most committees will have resolved any serious issues with your work with you far prior to your defense, giving you ample time to fix any problems.

As you write your dissertation, you can use this simple checklist to make sure you’ve included all the essentials.

Checklist: Dissertation

My title page includes all information required by my university.

I have included acknowledgements thanking those who helped me.

My abstract provides a concise summary of the dissertation, giving the reader a clear idea of my key results or arguments.

I have created a table of contents to help the reader navigate my dissertation. It includes all chapter titles, but excludes the title page, acknowledgements, and abstract.

My introduction leads into my topic in an engaging way and shows the relevance of my research.

My introduction clearly defines the focus of my research, stating my research questions and research objectives .

My introduction includes an overview of the dissertation’s structure (reading guide).

I have conducted a literature review in which I (1) critically engage with sources, evaluating the strengths and weaknesses of existing research, (2) discuss patterns, themes, and debates in the literature, and (3) address a gap or show how my research contributes to existing research.

I have clearly outlined the theoretical framework of my research, explaining the theories and models that support my approach.

I have thoroughly described my methodology , explaining how I collected data and analyzed data.

I have concisely and objectively reported all relevant results .

I have (1) evaluated and interpreted the meaning of the results and (2) acknowledged any important limitations of the results in my discussion .

I have clearly stated the answer to my main research question in the conclusion .

I have clearly explained the implications of my conclusion, emphasizing what new insight my research has contributed.

I have provided relevant recommendations for further research or practice.

If relevant, I have included appendices with supplemental information.

I have included an in-text citation every time I use words, ideas, or information from a source.

I have listed every source in a reference list at the end of my dissertation.

I have consistently followed the rules of my chosen citation style .

I have followed all formatting guidelines provided by my university.

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The Dissertation Journey A Practical and Comprehensive Guide to Planning, Writing, and Defending Your Dissertation

• Laura Hyatt
• Carol Roberts
• Description

Reach the summit of the dissertation mountain.

In many ways, the journey of completing a dissertation is like climbing a mountain. It requires planning, research, teamwork, and perseverance. In this fourth edition of their best-selling book, authors Laura Hyatt and Carol Roberts address the challenges that students will face as they journey to the peak of their academic career and complete their dissertation.

Completing a dissertation is a transformative and fulfilling life experience. It requires knowledge, tenacity, and preparation for the inevitable uncertainties that will arise along the way. It also necessitates strategies and techniques for dealing with the unanticipated events that many dissertation writers face, such as procrastination, writer’s block, and the uncertainty of how to conduct a literature review or approach a methods section. This newly revised edition addresses those elements and also includes:

• Indispensable information for organizing and writing a dissertation
• Recommendations for identifying and writing research methods
• Expanded coverage of research ethics
• Insightful reflections from students who have effectively written and defended their dissertations

From preparing for the climb to enjoying the view from the summit, this book will assist you to successfully complete The Dissertation Journey .

See what’s new to this edition by selecting the Features tab on this page. Should you need additional information or have questions regarding the HEOA information provided for this title, including what is new to this edition, please email [email protected] . Please include your name, contact information, and the name of the title for which you would like more information. For information on the HEOA, please go to http://ed.gov/policy/highered/leg/hea08/index.html .

For assistance with your order: Please email us at [email protected] or connect with your SAGE representative.

SAGE 2455 Teller Road Thousand Oaks, CA 91320 www.sagepub.com

The Dissertation Journey s the quintessential dissertation text for doctoral students. Dr. Hyatt and Dr. Roberts have produced the consummate dissertation guidebook that assists the student throughout the rigorous, yet rewarding experience. The book contains sound academic research writing guidance in a format that is understandable and accessible. This essential book is thorough and offers benefits that extend beyond the dissertation to subsequent scholarly research that the reader undertakes.

This book    is a best-seller and a must-read for doctoral students working on their dissertation. Th e  Dissertation Journey by Dr. Hyatt and Dr. Roberts is a wonderful teaching tool for helping new researchers prepare for the complex process of developing and executing a formal research study. The clear and easy to follow style helps to demystify what can otherwise be a daunting process for completing a doctorate degree. I highly recommend the Dissertation Journey to all my students.

Very helpful and potentially essential book for anyone undertaking a level 7 and above dissertation. For undergraduates it has some very helpful tips and hints to assist them in their journey.

I think this text is a really helpful guide for students undertaking their dissertation journey. I find that it's a good reference text that I can direct students to when they have any worries about their projects.

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• Dissertation

How to Write a Dissertation | A Guide to Structure & Content

A dissertation or thesis is a long piece of academic writing based on original research, submitted as part of an undergraduate or postgraduate degree.

The structure of a dissertation depends on your field, but it is usually divided into at least four or five chapters (including an introduction and conclusion chapter).

The most common dissertation structure in the sciences and social sciences includes:

• An introduction to your topic
• A literature review that surveys relevant sources
• An explanation of your methodology
• An overview of the results of your research
• A discussion of the results and their implications
• A conclusion that shows what your research has contributed

Dissertations in the humanities are often structured more like a long essay , building an argument by analysing primary and secondary sources . Instead of the standard structure outlined here, you might organise your chapters around different themes or case studies.

Other important elements of the dissertation include the title page , abstract , and reference list . If in doubt about how your dissertation should be structured, always check your department’s guidelines and consult with your supervisor.

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Table of contents

Acknowledgements, table of contents, list of figures and tables, list of abbreviations, introduction, literature review / theoretical framework, methodology, reference list.

The very first page of your document contains your dissertation’s title, your name, department, institution, degree program, and submission date. Sometimes it also includes your student number, your supervisor’s name, and the university’s logo. Many programs have strict requirements for formatting the dissertation title page .

The title page is often used as cover when printing and binding your dissertation .

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The acknowledgements section is usually optional, and gives space for you to thank everyone who helped you in writing your dissertation. This might include your supervisors, participants in your research, and friends or family who supported you.

The abstract is a short summary of your dissertation, usually about 150-300 words long. You should write it at the very end, when you’ve completed the rest of the dissertation. In the abstract, make sure to:

• State the main topic and aims of your research
• Describe the methods you used
• Summarise the main results
• State your conclusions

Although the abstract is very short, it’s the first part (and sometimes the only part) of your dissertation that people will read, so it’s important that you get it right. If you’re struggling to write a strong abstract, read our guide on how to write an abstract .

In the table of contents, list all of your chapters and subheadings and their page numbers. The dissertation contents page gives the reader an overview of your structure and helps easily navigate the document.

All parts of your dissertation should be included in the table of contents, including the appendices. You can generate a table of contents automatically in Word.

If you have used a lot of tables and figures in your dissertation, you should itemise them in a numbered list . You can automatically generate this list using the Insert Caption feature in Word.

If you have used a lot of abbreviations in your dissertation, you can include them in an alphabetised list of abbreviations so that the reader can easily look up their meanings.

If you have used a lot of highly specialised terms that will not be familiar to your reader, it might be a good idea to include a glossary . List the terms alphabetically and explain each term with a brief description or definition.

In the introduction, you set up your dissertation’s topic, purpose, and relevance, and tell the reader what to expect in the rest of the dissertation. The introduction should:

• Establish your research topic , giving necessary background information to contextualise your work
• Narrow down the focus and define the scope of the research
• Discuss the state of existing research on the topic, showing your work’s relevance to a broader problem or debate
• Clearly state your objectives and research questions , and indicate how you will answer them
• Give an overview of your dissertation’s structure

Everything in the introduction should be clear, engaging, and relevant to your research. By the end, the reader should understand the what , why and how of your research. Not sure how? Read our guide on how to write a dissertation introduction .

Before you start on your research, you should have conducted a literature review to gain a thorough understanding of the academic work that already exists on your topic. This means:

• Collecting sources (e.g. books and journal articles) and selecting the most relevant ones
• Critically evaluating and analysing each source
• Drawing connections between them (e.g. themes, patterns, conflicts, gaps) to make an overall point

In the dissertation literature review chapter or section, you shouldn’t just summarise existing studies, but develop a coherent structure and argument that leads to a clear basis or justification for your own research. For example, it might aim to show how your research:

• Addresses a gap in the literature
• Takes a new theoretical or methodological approach to the topic
• Proposes a solution to an unresolved problem
• Advances a theoretical debate
• Builds on and strengthens existing knowledge with new data

The literature review often becomes the basis for a theoretical framework , in which you define and analyse the key theories, concepts and models that frame your research. In this section you can answer descriptive research questions about the relationship between concepts or variables.

The methodology chapter or section describes how you conducted your research, allowing your reader to assess its validity. You should generally include:

• The overall approach and type of research (e.g. qualitative, quantitative, experimental, ethnographic)
• Your methods of collecting data (e.g. interviews, surveys, archives)
• Details of where, when, and with whom the research took place
• Your methods of analysing data (e.g. statistical analysis, discourse analysis)
• Tools and materials you used (e.g. computer programs, lab equipment)
• A discussion of any obstacles you faced in conducting the research and how you overcame them
• An evaluation or justification of your methods

Your aim in the methodology is to accurately report what you did, as well as convincing the reader that this was the best approach to answering your research questions or objectives.

Next, you report the results of your research . You can structure this section around sub-questions, hypotheses, or topics. Only report results that are relevant to your objectives and research questions. In some disciplines, the results section is strictly separated from the discussion, while in others the two are combined.

For example, for qualitative methods like in-depth interviews, the presentation of the data will often be woven together with discussion and analysis, while in quantitative and experimental research, the results should be presented separately before you discuss their meaning. If you’re unsure, consult with your supervisor and look at sample dissertations to find out the best structure for your research.

In the results section it can often be helpful to include tables, graphs and charts. Think carefully about how best to present your data, and don’t include tables or figures that just repeat what you have written  –  they should provide extra information or usefully visualise the results in a way that adds value to your text.

Full versions of your data (such as interview transcripts) can be included as an appendix .

The discussion  is where you explore the meaning and implications of your results in relation to your research questions. Here you should interpret the results in detail, discussing whether they met your expectations and how well they fit with the framework that you built in earlier chapters. If any of the results were unexpected, offer explanations for why this might be. It’s a good idea to consider alternative interpretations of your data and discuss any limitations that might have influenced the results.

The discussion should reference other scholarly work to show how your results fit with existing knowledge. You can also make recommendations for future research or practical action.

The dissertation conclusion should concisely answer the main research question, leaving the reader with a clear understanding of your central argument. Wrap up your dissertation with a final reflection on what you did and how you did it. The conclusion often also includes recommendations for research or practice.

In this section, it’s important to show how your findings contribute to knowledge in the field and why your research matters. What have you added to what was already known?

You must include full details of all sources that you have cited in a reference list (sometimes also called a works cited list or bibliography). It’s important to follow a consistent reference style . Each style has strict and specific requirements for how to format your sources in the reference list.

The most common styles used in UK universities are Harvard referencing and Vancouver referencing . Your department will often specify which referencing style you should use – for example, psychology students tend to use APA style , humanities students often use MHRA , and law students always use OSCOLA . M ake sure to check the requirements, and ask your supervisor if you’re unsure.

To save time creating the reference list and make sure your citations are correctly and consistently formatted, you can use our free APA Citation Generator .

Your dissertation itself should contain only essential information that directly contributes to answering your research question. Documents you have used that do not fit into the main body of your dissertation (such as interview transcripts, survey questions or tables with full figures) can be added as appendices .

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The Dissertation-to-Book Workbook

Exercises for developing and revising your book manuscript.

Katelyn E. Knox and Allison Van Deventer

240 pages | 1 halftone, 176 tables | 8 1/2 x 11 | © 2023

Chicago Guides to Writing, Editing, and Publishing

Reference and Bibliography

• Table of contents
• Author Events

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“ The Dissertation-to-Book Workbook not only succeeds but excels in guiding scholars through this process of revision. This pragmatic workbook walks an author through clear steps to identify the organizing principle of the book, write and revise the book’s central claims, and then ensure that the chapters actually function well together before the author sends the book to a press. Since scholars often only have one opportunity to convince a press to publish their book, working through this process before sending to editors is crucial—and this is an essential guide.”

Rebecca K. Marchiel, University of Mississippi

“Based on their years of helping academics revise their dissertations into books, Knox and Van Deventer have distilled their incredible depth of knowledge into a beautifully thought-out book that takes you step by step through the process of revising your dissertation. Too many writing books give vague advice without any practical guidance. This is not that book. From advice on crafting your book’s arc and organizing principle to drafting your book questions and producing chapter answers, this book takes all the guessing out of one of the most stressful tasks academics face. This is the best book I have seen on the topic.”

Wendy Belcher, author of Writing Your Journal Article in Twelve Weeks

Table of Contents

On Revision

William Germano

Behind the Book

Chris Mackenzie Jones

The Business of Being a Writer

Jane Friedman

Getting It Published, Third Edition

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The Dissertation-to-Book Workbook: Exercises for Developing and Revising Your Book Manuscript (Chicago Guides to Writing, Editing, and Publishing) First Edition

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• ISBN-10 0226825817
• ISBN-13 978-0226825816
• Edition First Edition
• Publication date November 7, 2023
• Part of series Chicago Guides to Writing, Editing, and Publishing
• Language English
• Dimensions 8.5 x 0.53 x 11 inches
• Print length 235 pages
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“ The Dissertation-to-Book Workbook not only succeeds but excels in guiding scholars through this process of revision. This pragmatic workbook walks an author through clear steps to identify the organizing principle of the book, write and revise the book’s central claims, and then ensure that the chapters actually function well together before the author sends the book to a press. Since scholars often only have one opportunity to convince a press to publish their book, working through this process before sending to editors is crucial—and this is an essential guide.”

About the Author

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• Publisher ‏ : ‎ University of Chicago Press; First Edition (November 7, 2023)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 235 pages
• ISBN-10 ‏ : ‎ 0226825817
• ISBN-13 ‏ : ‎ 978-0226825816
• Item Weight ‏ : ‎ 1.25 pounds
• Dimensions ‏ : ‎ 8.5 x 0.53 x 11 inches
• #278 in Reference (Books)
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Databases are multidisciplinary collections of scholarly resources. Most databases gather links to and citations for scholarly articles, although some contain additional information on books and other resources.

• American periodicals series online, 1740-1900 This link opens in a new window Consists of searchable, digitized page images from more than 1,500 18th and 19th century American periodicals. Derived from the American periodicals series microform collection I, II, and III.
• British periodicals online, parts 1-4 This link opens in a new window British Periodicals provides access to the searchable full text of British periodicals from the late seventeenth to the early twentieth century (the same periodicals as are covered in the UMI microfilm collection "Early British Periodicals"). It includes millions of high-resolution facsimile page images. Subject areas covered include literature, philosophy, history, science, the fine arts and the social sciences.
• Gale Academic OneFile Select This link opens in a new window Provides indexing, abstracts, and selected full text for 3,500+ scholarly journals and general interest periodicals embracing all academic disciplines (citations only for The New York Times). Search can be limited to book reviews.
• Humanities International Index This link opens in a new window "...provides cover-to-cover indexing and abstracting for over 1,700 journals ... includes deep backfiles for some of the most important journals in the area of humanities. ... includes all data from American Humanities Index plus bibliographic records from a multitude of international journals, books and reference works." -- EBSCOhost database description
• Linguistics and Language Behavior Abstracts (LLBA) This link opens in a new window "... abstracts and indexes the international literature in linguistics and related disciplines in the language sciences... provides abstracts of journal articles and citations to book reviews drawn from over 1,500 serials publications, and also provides abstracts of books, book chapters, and dissertations."--Database guide.
• MLA international bibliography (EBSCO platform) This link opens in a new window Indexes critical materials on literature, languages, linguistics, and folklore. Proved access to citations from worldwide publications, including periodicals, books, essay collections, working papers, proceedings, dissertations and bibliographies.
• Periodicals archive online This link opens in a new window Full text searchable journal collection of 350+ periodicals in the arts, humanities, and social sciences (a subset of Periodicals index online). See Periodicals index online for more extensive indexing and links to selected full text articles.
• Periodicals index online This link opens in a new window Index to millions of articles in over 4,500 periodicals in the arts, humanities, and social sciences published beginning 1770 or subsequently; scope is worldwide, covering major Western languages. Complete PCI Index, including links to selected full text articles. Only the index is searchable.
• World Shakespeare bibliography This link opens in a new window When complete, will provide annotated entries for all important books, articles, book reviews, dissertations, theatrical productions, reviews of productions, audiovisual materials, electronic media, and other scholarly and popular materials related to Shakespeare and published or produced since 1900. Each year coverage moves forward one year and backwards at least three years.

These resources will help you find e-books and print held by Notre Dame, other local libraries, or books held at other libraries worldwide. If you can't find a book at Notre Dame or its partner libraries in the ND Catalog, try searching the catalogs of 9000 OCLC partner institutions through Worldcat. The Hathi Trust is another sizeable consortial collection of digitized books.

• Hesburgh Libraries Online Catalog (ND Catalog) ND Catalog lets you search the holdings of the Hesburgh Libraries, Kresge Law, and Holy Cross libraries' catalogs separately or together. It includes content from the University Archives, the Center for Research Libraries, and working papers from the Institute for Latino Studies.
• WorldCat This link opens in a new window A worldwide union catalog created and maintained collectively by more than 9,000 OCLC member institutions. With millions of online records built from the bibliographic and ownership information of contributing libraries, it is the largest and most comprehensive database of its kind.
• HathiTrust Digital Library This link opens in a new window A digital repository for the nation's great research libraries that brings together the immense collections of its partner institutions. It was initially conceived as a collaboration of the thirteen universities of the Committee on Institutional Cooperation, the University of California system, and the University of Virginia to establish a repository for those universities to archive and share their digitized collections, and quickly expanded to include additional partners with fast growing treasure of digitized collections.

Bibliographies collect publication information for books, articles, and other resources on a particular subject. Some include annotations with additional details about the publications' contents. They have a narrower focus, covering a topic, movement, person, geographic location, or era. 

• Annual bibliography of English language and literature ABELL. This link opens in a new window Provides citations and indexing to articles, books, dissertations, critical editions of literary works, book reviews and collections of essays published worldwide since 1920 pertaining to bibliography and English language and literature. Usage info: Licensed for 4 simultaneous users.
• Bibliography of American literature This link opens in a new window Online version. "The Bibliography of American Literature (9 vols, Yale University Press, 1955-1991) provides nearly 40,000 records of literary works of approximately 300 American writers from the period of the Revolution to 1930"--About BAL.
• Bibliography of British and Irish history This link opens in a new window Provides bibliographic data on historical writing dealing with the British Isles, and with the British Empire and Commonwealth, during all periods for which written documentation is available - from 55BC to the present. It is the successor to the Royal Historical Society Bibliography of British and Irish History, available online from 2002 to 2009. The Bibliography aims to be as comprehensive as is practical for publications since 1900 and has been enriched by co-operation with other projects. Data from the London's Past Online project were added to the database in January 2003 and the first batch of data from Irish History Online was added in August 2004, with further batches from both projects being added later. From the end of 2006 the Bibliography has co-operated with teams working under the auspices of the Scottish Historical Review Trust which will henceforth edit the primarily Scottish titles in the database. All titles included in The Royal Historical Society Bibliography on CD-ROM (Oxford: Oxford University Press, 1998) are included in the database (with the exception of unpublished theses). Usage info: Licensed for 3 simultaneous users.
• Bibliography of English women writers (1500-1640) This link opens in a new window A list of recovered writers and located texts, canonical and non-canonical, identifying many unknown writers and familiar figures, and also women refugees such as the recusants, women in the colonies, Marrano women (Anusot), women translators, and English women writers in French, Greek, Latin, Spanish, Irish Gaelic, Scottish Gaelic and Welsh.
• Early English Books - A Bibliography A bibliography of Early English Books.
• Early English Books: Catalogs and Collections ESTC = "English Short-Title Catalogue" [1473-1800] Formerly the "Eighteenth-Century Short-Title Catalogue," the ESTC's name changed in 1995 when the eighteenth-century records were merged with those for Pollard and Redgrave's STC (books published 1475 to 1640) and Wing (books published 1641 to 1700); this catalog exists only in electronic form.
• Early English books online (EEBO) This link opens in a new window Contains digital facsimile page images of virtually every work printed in England, Ireland, Scotland, Wales and British North America and works in English printed elsewhere from 1473-1700. Access info: Content presented as images online, or can be downloaded in PDF format for viewing off-line. No plugins required to view images online.
• English short title catalogue ESTC This link opens in a new window "... lists over 460,000 items published between 1473 and 1800, mainly in Britain and North America, mainly, but not exclusively, in English, from the collections of the British Library and over 2,000 other libraries."--Publisher's website.
• Literature online the home of English and American literature on the World Wide Web LION This link opens in a new window A virtual library containing more than 350,000 works of English and American poetry, drama and prose, 200+ full-text literature journals, and other key criticism and reference resources. Usage info: Licensed for 4 simultaneous users
• Orlando: Women's writing in the British Isles from the Beginnings to the Present This link opens in a new window Orlando: Women's Writing in the British Isles from the Beginnings to the Present includes biographical and writing career entries on British women writers, selected non-British or international women writers, and selected British and international men. Also includes dated items representing events and processes (in the accounts of these writers, but also in the areas of history, science, medicine, economics, the law, and other contexts).
• Oxford bibliographies online. American literature This link opens in a new window Offers peer-reviewed annotated bibliographies on American literature and the American literary tradition over the past 500 years. Includes perspectives on postmodern theory, debates about the canon, slave narratives, comic books, and other topics while inviting trans-disciplinary collaboration with fields as varied as history, cultural studies, politics, and women's studies. Bibliographies are browseable by subject area and keyword searchable.
• Oxford bibliographies online. British and Irish Literature This link opens in a new window Offers peer-reviewed annotated bibliographies on British and Irish literature, including perspectives from such fields as history, cultural studies, political science, and philosophy. Bibliographies are browseable by subject area and keyword searchable.
• Oxford bibliographies online. Victorian literature This link opens in a new window Offers peer-reviewed annotated bibliographies on the literature of the Victorian period, which encompasses the reign of Queen Victoria from 1837 to 1901. Bibliographies are browseable by subject area and keyword searchable.

These resources will help you find unpublished theses and dissertations, which present an author's research and findings as part of their degree candidacy or professional qualification.

• ProQuest Digital Dissertations Provides information about doctoral dissertations and master's theses, with subject, title, and author access to almost all American dissertations accepted at an accredited institution since 1861. Offers full text for most dissertations (Notre Dame and other) added since 1997. Access info: Access to full text (PDF) of Notre Dame dissertations since 1997, restricted to users with valid Notre Dame NetIDs.
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• Last Updated: Aug 18, 2023 12:33 PM
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Best dissertation books that will help you

BY READERS DIGEST

6th Apr 2021 Life

Academic writing can be very challenging and when you’re writing a thesis, you require a particular set of skills. Your dissertation may be the longest piece of work you have ever done but there are ways to make it more manageable and less overwhelming.

There are some dissertation books that can help you to prepare, plan and write your dissertation. They cover issues such as research design, the mechanics of writing and formatting, and how to present and publish the final work.

How to prepare a dissertation proposal 

A dissertation proposal usually includes an introduction, a literature review, an outline of the proposed methodology, a discussion of the possible implications of the research and a bibliography of relevant sources. It basically explains what you want to study, how you will study it, why it needs to be studied and its usefulness. 

“How to prepare a dissertation proposal: Suggestions for Students in Education and the Social and Behavioral Sciences” is not just a step-by-step guidebook. Authors, David Krathwohl and Nick Smith, start off by defining the basics of a dissertation proposal but they go on to explore how to build a chain of reasoning and review various study designs.

Chapters of the book cover qualitative, quantitative and mixed-method studies . Other key issues the book addresses are the core elements of a strong proposal, accenting the strengths of study design and how computer use can facilitate a literature review. Students find out the best way to get a proposal reviewed and approved. The annotated proposals of three former students of the authors are included.

How to write your First Thesis 

“How to write your first thesis: A practical guide for the entire process of producing a thesis for the first time” by Paul Gruba and Justin Zoel is a reader-friendly book that guides students who need to undertake original research and write a thesis for the first time. These experienced researchers help students to understand how to scope a topic, manage references and interpret data. 

The book explains how to work with a supervisor and approach the work in an organized, productive manner. It helps students to structure a thesis and explains how to avoid mistakes like inadvertent plagiarism. It also covers the methods and results crucial for original research. There is also a useful checklist of all the details students need to check before final submission. 

When writing a dissertation, university students from the UK can use a site called Uk.EduBirdie for help. Professional writers are available with the type of knowledge and experience to help students who may ask, “Is there anyone who can  write dissertation for me ?” The company hires only expert writers in specific topics and they usually have PHDs themselves so they know how it’s done. The dissertation writing service is completely anonymous and there is a large team of experts.  

Writing a winning thesis or dissertation

Since 1998 this book, originally by Allan Glatthorn, has been a go-to resource for students who want guidance on the best practices for dissertation writing. It has been revised or updated several times and includes insights on how to leverage new technologies to maximize efficiency and current case studies that show this in action. It includes tested principles on how to plan effectively, write in an engaging style, and much more in a writing style that makes the material easy to digest. 

Online help is available for students wanting an essay writing service. At writix.co.uk, students can find available writers who offer online help. This is an  essay writing service for all courses and the dedicated team of writing experts can help write quality papers on an endless variety of topics. They deliver 100% original content and can turn a paper over quickly if this is required. Expert dissertation writers have verified academic degrees and go through detailed training.

Students looking for dissertation ideas, such as  sports dissertation ideas , should only choose ideas that can help progress their careers in the future.

Helping doctoral students write

Kamler and Thomson’s “Helping doctoral students write: pedagogies for supervision” tackles some complicated issues like modality and nominalization but it does so in an uncomplicated way. This reason is that it contains many practical suggestions and exercises. It manages to achieve a balance between theoretical insights into the complexities of doctoral writing and yet offers practice writing strategies.

It has a humanities bent but it covers a broad range of issues that arise while writing a thesis and has a light touch. A chapter like “Modality: The Goldilocks Dilemma” may be beyond some students but this is a good book for an advanced student who wants to produce a great dissertation.

Writing a dissertation is not easy and may require great dedication to finish it. However, there are ways to make writing easier and the above books offer some excellent advice, from how to write a dissertation proposal, how to write a first thesis and how to make it a winning one. There is also some advice for more advanced students. Every aspect of writing a dissertation is addressed in detail.

Author’s Bio:

Joshua Robinson works for a marketing agency in a senior role and looks after the audit and compliance functions. He’s a brilliant writer as well and contributes part-time to a writing agency known for its high-quality essay services. In his free time, he loves going for long drives, reading autobiographies and watching classical films.

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

From Dissertation to Book

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

After many years of hard work, a dissertation is a monumental accomplishment. With so much time and effort coupled with the desire to add to scholarly discourse, many people hope to transform their dissertations into a book. Graduate writing has equipped scholars with extensive information about their discipline-specific genres, but the genre of book - and certainly a book hoping to appeal to audience outside of their field - requires new ways of writing. This page provides information and considerations aiding one’s efforts in a “publish or perish” world

Before you Begin

Many people feel the pressure of publication, especially of a book valued by scholars in your field, as they add that “Dr.” to their email signature. The truth is, book publication is still considered the standard even though many entities like the Modern Language Association (MLA) suggest moving away from a book as being the standard for tenure, instead giving articles and chapters more weight. Despite this pressure, it is highly recommended that you take some time (ideally at least a year) away from your dissertation. After dedicating so much time to such a specific topic over the past years, it can be difficult to look at your dissertation with the fresh eyes necessary to reshape it into a book without taking time away. 

Once you have taken this break and are able to greet your research anew, critically think about whether this should be a book. Trying to be objective, ask yourself if you really need a book-number of pages to convey your argument or if it would perhaps be better suited for an article or series of articles. Consider that the dissertation may actually have potential for both articles and a book. Another consideration for this choice is timeliness - articles come out much quicker whereas books can take a few years until they hit the shelves. If you think something might be old news in a few years, an article is the way to go. 

You may also consider researching subsidies. As a new author, you are a risk to your editor. Coming with funding to offset printing costs will make you less of a risk and ideally have your editor look at your proposal a little more deeply. 

Finally, and perhaps most importantly, remember to resource yourself. With workshops, grants, editors, senior scholars, and presses, you are not alone on this journey. While you may consider avoiding your committee so that your feedback is coming from fresh eyes, colleagues often have words of wisdom regarding the book-publishing process. Throughout the process, you’ll also get feedback from your editor and anonymous peer reviews. While it’s easy to get defensive, it’s important to acknowledge and value their opinions and explain your reasoning if you decide not to incorporate a suggestion. You and your editor are on a team, so you both may make compromises throughout the process. Remember - they are on your so team, so go in with a growth mindset and you’re next academic accomplishment will be more in reach. 

During the Process

Once you’ve decided that you are, in fact, going to make a book out of your dissertation, it’s time to prepare for the practicalities of this process. First, you need to figure out how you are going to make it possible for you to accomplish such a feat. Writing a book takes intense discipline, so it’s important to create clear goals and plans by considering all the steps it will take you to get to that finish line. Simple actions like scheduling protected writing time can make a huge difference in success. Perhaps you set a goal of writing one page every day. Remember that writing constructs knowledge and the act will get you closer to your final product, even if it isn’t writing that actually ends up in your book,

The process of transforming your dissertation into a book is centered around audience, so you’ll want to keep that audience at the forefront of your mind throughout the writing process. Consider very carefully who your ideal reader(s) are. There may be multiple, and that’s great. Is it scholars in your field? An “intelligent layperson” (Luey, 2004) outside of your field? Whatever group of ideal readers you end up with, review your writing from each individual perspective. People often dream of a broad audience of people outside of academia without actually seeking feedback from anyone outside of the academy. If you’re telling your editor that you believe this will appeal to a history buff outside of the academy, get feedback from someone in that group and have them note places where your writing is not clear. This generalist perspective will help you see what items like jargon are confusing or what information feels boring, increasing the chances of success for this book. 

When considering your new audience, remember that you no long need to share everything you know about your topic in this document. While you did have to prove yourself to your committee, this audience automatically assumes you are an expert, so sections that were proving you’re reliable can be ditched or significantly parsed down. This means your literature review will be significantly cut, if not deleted altogether. This is also true of methodologies unless your methodology is exceptionally groundbreaking and interesting. 

Your old audience had to listen to you - it’s part of their job description. This new audience will need to be actively reached. Even if your main goal is people in your field, to make a book broad enough to sell - which your editor is going to look for - you’ll need to write for a wider audience which may require you to let go of any anxiety about being “taken seriously in your field.” 

A book will require broadening the appeal of your topic. This can be accomplished in a variety of ways such as: 

• Humanizing your subject - this may take additional research (such as interviewing the people who make up your statistics) or be as simple as adding personal elements about your topic (such as adding personal life information that was outside of the scope of your dissertation focused on a person’s political career).
• Adding narrative elements - plot, characters, setting, your own voice, and a beginning, middle, and end that pushes the reader forward are all key to marketability.
• Finding a new angle - an angle that directly impacts your reader such as financial or navigation of a life event is going to reach a larger audience.
• Expanding the topic culturally and temporally - take a broad topic related to your subject and see the impacts and/or comparisons of contexts such as religions, race, communities, geographical region, politics, time period, etc. perhaps referencing other studies in your field.
• Justifying your topic’s value - you may hope to create a guide showing your topic’s influence in hopes of affecting mindsets, policy, and funding of stakeholders and those in power. 

While your presses’ and editors’ feedback trumps all, there are some general considerations all editors are looking for. As you walk the line between theory and narrative, you’ll want to consider items such as: 

• Transitions - does the book flow in a way that keeps the reader interested? 
• Chapter length - are the chapters similar in length? If not, what can be combined or split up? 
• Repetition - do you find places where facts, stories, or claims are being repeated? Where do those best fit? 
• Hyperquotation - do you have too many or too long of quotes? How can you reframe that information with a focus on your work? 
• Bibliography/End Notes - is this information necessary? Does your editor/press have limitations on these sections? 
• Hagiography - are you ever writing about a subject without criticism? How can you make sure your argument is balanced? 
• Tables and Graphs - Does the chart fit without having to turn the book sideways? Does it repeat what’s in the prose making it not worth the cost? Can charts be combined? 

Now That You Have a Book

While some people may not have a completed book when they submit a proposal, many have at least a large chunk written and certainly a general outline and thesis. If you do have a whole book complete, you may consider the following advice in the “before you begin” part of the process. 

With the reality of budget cuts, editors are accepting fewer and fewer book proposals, making it more imperative than ever that your proposal sticks out. If you are an emerging scholar in your field, you probably won’t have the benefit of being actively sought out by publishers. This means you’ll need to do your research to find the right press and editor for you. Editors tend to have niche areas of topics they like to publish. Check out who published resources you used or check out the list of latest book releases in your field to see who is publishing work in your subject area. These are the publishers that you should propose to. 

First, make sure that you follow proposal formatting and content requirements. If you don’t, an editor may disregard your proposal due to the inability to fit within their genre guidelines. Furthermore, if you write more than they ask for, they may assume you cannot write in a concise and clear way and choose to put it in the “no” pile. Beyond this, to make your proposal attention-grabbing, you’ll want to draw them in with a title, table of contents, and abstract or first chapter that are clear, concise, and interesting to someone who may not share your natural enthusiasm for your topic. Typically, the more concisely you can get your points across, the more faith they’ll have in you as a writer. 

This also ties in with something academics may feel uncomfortable facing - this book needs to make money. Editors often look to see if their writers are able to get their point across concisely because fewer pages means less printing cost. Similarly, having low numbers of pictures, graphs, and charts, which cost more to print, can make your book feel less risky to an editor. Being upfront about what costs you anticipate and which you can avoid will help your editor calculate if this book is worth taking the risk of taking on a new voice to the field. 

Final Thoughts

The transformation from dissertation to book can be very exciting. Oftentimes, creating a broader appeal brings out engaging, compelling writing that will be more readily available to the masses. With this book, you have something to say instead of something to prove. Enjoy your new status as an expert as you get to share your unique findings with the world, moving your discipline forward. There will most likely be obstacles and frustrations along the way, but remember that you have already completed the monumental task of writing a dissertation and you are also capable of this. Best of luck on this journey!

LUEY, B. (Ed.). (2008). Revising Your Dissertation: Advice from Leading Editors (2nd ed.). University of California Press. http://www.jstor.org/stable/10.1525/j.ctt13x1g8x

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Advanced Higher English - project-dissertation

Project-dissertation 2023  (all links open as pdf files), an analysis of the narrative techniques employed by laurie lee and lorna sage to explore the theme of childhood in their novels "cider with rosie" and "bad blood" respectively..

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Project-dissertation 2022  (All links open as PDF files)

An exploration of narcissism in the secret history by donna tartt..

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Project-dissertation 2021  (All links open as PDF files except where indicated otherwise)

• 2021 Advanced Higher Dissertation, guidance on marking (webinar recording)   (48:41, mp4) (External link to SQA website)
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How does Catholicism influence relationships in Brideshead Revisited?

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Comparative analysis of psychological impacts resulting from life under totalitarian rule in ‘Nineteen Eighty-Four’ and ‘The Handmaid’s Tale’

• Candidate 2 Evidence

A critical comparison of Poe’s exploration of madness in ‘The Tell-tale Heart’, ‘The Black Cat’ and ‘The Fall of the House of Usher’

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An exploration of how Thomas Hardy uses characterisation, symbolism and key events in ‘Far from the Madding Crowd’ and ‘Tess of the D’Urbervilles’ to convey his condemnation of the treatment of women in the Victorian era

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Project-dissertation 2019  (All links open as PDF files)

How does the color purple reveal the themes of oppression and empowerment, rejecting the single story: a literary examination of how chimimanda ngozi adichie develops the characters of ugwu and olanna throught their experiences of the biafran war in her novel half of a yellow sun, a study of margaret atwood's exploration of identity in the edible woman (1969).

• Candidates 1 to 3 Commentaries

Project-dissertation 2016  (All links open as PDF files)

From session 2019/20 onwards, the word count for the Advanced Higher English project: dissertation will increase to a maximum of 3,500 words (was previously 3,000 words). None of these examples reflect the revised word count however, they all remain valid and continue to exemplify national standards. Please also note that the marking instructions for the project dissertation have not changed. You should view these materials in conjunction with the revised Advanced Higher English course specification. https://www.sqa.org.uk/files_ccc/AHCourseSpecEnglish.pdf 

Candidate 1 - Comparative analysis of vengeance in Euripides and Sophocles

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Candidate 2 - Eliot and existentialism in The Four Quartets

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Candidate 3 - A critical analysis of the theme of seeing clearly in Jane Austen

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Candidate 4 - The Byronic hero in Jane Eyre and Wuthering Heights

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Candidate 5 - Free will and choice in Trainspotting and A Clockwork Orange

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Candidate 6 - The varying moods of Sylvia Plath in her poetry

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Candidate 7 - Female emancipation in The Color Purple and Beloved

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Candidate 8 - The theme of growing up in The Cement Garden and Atonement

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Candidate 9 - Religion, belief and worship in Small Gods and American Gods

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Candidate 10 - Orwell's portrayal of social injustices in fiction and non-fiction

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Candidate 11 has been repackaged and is now Candidate 1 in the 2021 section with new candidate commentary

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