literary analysis great gatsby essay

The Great Gatsby

Introduction to the great gatsby.

F. Scott Fitzgerald, one of the greatest American writers, wrote The Great Gatsby. It was first published on 10th April 1925 and did not win instant applause. However, later it became the most read American novel , read by a diverse range of audiences. As time passed, it impacted the American generations, proving an all-time bestseller and a masterpiece. The novel shows the regions of West Egg and East Egg near Long Island known for its prosperity during the Jazz Era after World War 1. The story revolves around the obsession of the millionaire, Jay Gatsby for a fashionable woman, Daisy. She is very popular among the military officers for her parties. On account of the exploration of a host of themes, the novel has been termed Fitzgerald’s magnum opus.

Summary of The Great Gatsby

The story of the novel, The Great Gatsby , revolves around a young man, Nick Carraway, who comes from Minnesota to New York in 1922. He is also the narrator of the story. His main objective is to establish his career in the bonds. Nick rents a house in West Egg on Long Island, which is a fictional village of New York. He finds himself living amidst the huge mansions of the rich and famous . Right across the water, there is a refined village of East Egg. Nick’s cousin Daisy and her wealthy husband Tom Buchanan live in that part of the village. Tom is known to be cruel, absurdly rich as well. One day Nick goes to meet Daisy and Tom for dinner. There, he meets Jordan Baker, Daisy’s friend. Daisy is a well-known golf champion. She tells him about Tom’s affair. Apparently, Tom has a mistress in New York City. Daisy secretly confesses to Nick that she is not happy with Tom. Once Nick returns to his house in West Egg, he sees his neighbor, Jay Gatsby. Jay is standing alone in the dark calling out to a green light across the bay. The place points to Tom’s and Daisy’s place.

After a few months, Tom introduces Nick to his mistress, Myrtle Wilson. Myrtle is married George Wilson, who is not as lively or joyful as Tom. According to Nick, George is “a valley of ashes”. He also compares George to an industrial wasteland supervised by Doctor T.J. Eckleburg. They meet her at the garage where George works as a repairman. Tom, Nick, and Myrtle go to her apartment in Manhattan. Myrtle’s sister and some other friends join them. As they are heavily drunk, they fall into an argument . Tom punches Myrtle in the nose when she talks about Daisy and insults her. Nick also wakes up in a train station.

A few months pass, Nick grows comfortable with the noises and lights of dazzling parties held at his neighbor Jay Gatsby’s house. Jay always has the famous and rich people gather on Saturday nights . There all the rich and famous enjoy Gatsby’s extravagant bar and enjoy listening to jazz orchestra. One day, Nick receives an invitation from Gatsby to one of these parties. There he meets Jordan and spends most of the evening. Nick notices that Jay is mostly absent during his parties. He overhears the guests talking about Gatsby’s dark past. Later, Nick meets him at the end of the party. While at first, he doesn’t know who Jay Gatsby was. Nick is properly introduced to Gatsby asking Jordan to speak privately. When Jordan returns she doesn’t share any details of the conversation between her and Jay Gatsby.

Nick becomes even more suspicious about this mystery character and decides to learn more about him through Jordan.  Nick continues to see Jordan Baker. He also gets acquainted with Jay Gatsby at the same time. During one of the drives for lunch in Manhattan, Gatsby tries to dismiss the rumors that has been reaching Nick. Jay tells Nick that his parents were very wealthy people and were dead. He studied in Oxford and discharged as a war hero after World War 1. Nick doesn’t believe Jay at this point. At lunch, Nick is introduced to Gatsby’s business partner, Meyer Wolfsheim. Meyer is known to fix the World Series in 1919. (This character was based on a real person and a real event from the author’s time). Nick meets Jordan Baker. She reveals Nick about her conversation with Gatsby. Gatsby knew Daisy, Nick’s cousin five years before. While he lived in Louisville, Jay and Daisy were in love. When Jay left to fight in the war, Daisy married Tom Buchanan. Gatsby bought his current mansion on West Egg to be across the water to see Daisy from distance.

Gatsby request Nick to invite Daisy to his house so that he can meet her. After a few days Jay Gatsby, invited by Nick, meets Daisy over tea. Daisy is surprised to see Gatsby after five years gap. Initially, they are quiet and hesitant, making the meeting extremely awkward. Nick observes this and leaves them alone for some time. He believes that by giving them a little privacy, they might talk and sort things out. Surprisingly, when Nick returns, Jay and Daisy speak without any uneasiness in the environment. Jay Gatsby is beaming with happiness; and Daisy is crying happy tears. Later, they head to Jay Gatsby’s mansion. Gatsby begins to show all his rooms and artifacts to her.

Few days pass, with Daisy and Jay Gatsby meeting frequently, Tom comes to know about Daisy’s meeting with Gatsby. He doesn’t like it. One day, Tom unwillingly attends Jay Gatsby’s party with Daisy. Daisy feels uncomfortable at the party. She is disgusted by the bad behavior of the rich crowd at West Egg. Tom assumes that Gatsby has a business of selling goods illegally. He accuses Jay Gatsby at the party and also shares his frustration with Nick after the party. Gatsby tries to ignore all the fight and asks Daisy to leave Tom. He begs her to tell the truth to Tom that she does not love him. Gatsby asks Daisy to marry him after they separate. He confesses that he had never stopped loving Daisy.

Right after that incident, Jay Gatsby stops throwing his wild parties. Daisy visits him almost every afternoon. One day, Nick is invited for lunch by the Buchanans. Jay Gatsby and Jordan are also invited. During the lunch, Daisy compliments Gatsby in front of everyone. This also proves as a declaration of her love for Jay Gatsby. Tom also notices Daisy but chooses not to react. He requests them to come to the town. Daisy and Jat Gatsby go to Tom’s car. However, Tom takes Jay Gatsby’s car with Jordan and Nick. Tom stops for the fuel at George Wilson’s garage in the valley of ashes. Wilson breaks the news to Tom that he had been planning to go west of the city with his wife Myrtle to raise more money.

Hearing the news Tom is visibly mad and speeds towards Manhattan. He catches up with Daisy and Gatsby. They go to a parlor at the Plaza Hotel, while Tom is still disturbed by hearing George’s and Myrtle’s moving news. While having a drink Tom confronts Gatsby about his and Daisy’s relationship. Daisy tries her best to calm them down. However, Gatsby begs Daisy to reveal the truth of their love. When Tom continues to threaten Jay Gatsy, Daisy threatens to leave Tom. Out of prejudice, Tom tells them that he had been investigating Gatsby. He concludes that Jay Gatsby was selling illegal alcohol at drugstores in Chicago with Wolfsheim. Gatsby denies the allegations and tries to diffuse the situation. However, Daisy loses hope. They leave the Plaza, just as Nick turns 30, without celebrating his birthday.

While returning, Daisy drives Gatsby’s car. On the way they accidentally hit Myrtle. Just before the accident Myrtle and George had a severe argument. She runs toward the street thinking Tom is still driving Gatsby’s car. While Jay Gatsby and Daisy see Myrtle they don’t stop. Daisy is afraid to stop and is caught by a couple of witnesses. Tom who is following them from Plaza stops his car after seeing the accident scene and the crowd on the road. Tom is shocked and heartbroken after seeing Myrtle’s dead body in Wilson’s garage. Wilson reveals to Tom that a yellow car was responsible for the accident. Tom tells that the car was not his and leaves to East Egg while mourning. When Nick sees Jay Gatsby at the Buchanans’ mansion he comes to know that Daisy caused the accident. However, Gatsby tells him that he will take the blame if his car is found. Jay also decides to be at Daisy’s house as a guard to protect her from Tom.

The next day, Nick asks Gatsby to disappear, as his car will eventually be traced. Gatsby refuses to leave. He reveals the truth of his past to Nick. Jay Gatsby was from a poor farming family and met Daisy while serving in the army in Louisville. As he was too poor to marry, he did use illegal methods to gain his wealth after the war. Proving that Tom was correct.

Nick returns for work unwillingly. Gatsby desperately waits for Daisy’s call. After a few days, George Wilson visits Tom at the East Egg. He tells him that Gatsby killed Myrtle. After revealing the new George barges into Gatsby’s mansion. Gatsby is relaxing by his pool when George shoots him and then turns the gun on himself. Nick is shocked and arranges Jay Gatsby’s funeral. Nick and Jay Gatsby’s father is the only audience at the funeral. Eventually, Daisy and Tom leave Long Island without revealing their new address. Nick returns to the Midwest and realizes that his life in the East was never good.

Major Themes in The Great Gatsby

• The American Dream: The novel, Great Gatsby , presents the theme of the American Dream through its character of Jay Gatsby. When Nick meets him, he overemphasizes his lifestyle. He even desires to be in his parties and introduces him to Daisy when a chance arises. Therefore, Gatsby meets Daisy and tries to revive his past love, seeing that he has achieved fame through his riches and would get her now . However, Daisy disappears from his life after the accident. Nick with his American dream is the only friend in the end who arranges his funeral. The frequent uses of business and business jargon show the theme of the American Dream.
• Home: The novel shows its theme of home through different characters. Nick leaves home and returns when he learns about the importance of home distinctively different from the mansions of East Egg and West Egg. Jay Gatsby, too, learns that mansions do not become home of a person. That is why he reverts to Daisy to set up a home but fails in his attempts.
• Money: Money is not only an important theme but also a theme in the novel. Money brings a few characters close to each other. The discussion of places like East Egg and West Egg and new and old money shows that money makes the mare go for Nick, Tom, Daisy as well as Gatsby. However, by the end, Nick comes to know that money is not everything as he performs funeral rites of Gatsby alone with nobody else besides his dead body.
• Materialism: Materialism is another significant theme of The Great Gatsby in that it shows its ravages and destruction where it is desired to be the most important value. The lush and extravagant parties, the mysterious and rich lifestyles, and extravagant shows of wealth do not go side by the side the sincerity of relations in the human world. Gatsby’s lifestyle attracts others, but nobody knows his mental condition, though, he fails to win Daisy by the end of the novel when meets his end, as she is already married.
• Past: Past is a constant theme in the novel that Gatsby, Tom, and Daisy want to leave their past but it constantly haunts them. Gatsby has made remarkable progress in his life. Daisy and Tom have caused quite a scandal in their previous city of Chicago, the reason that they are running away from it. Jordan Baker also tries to bury her past life. Nick then clearly explains it to Daisy that he cannot bring back the past.
• The hollowness of Upper Class: The novel shows the hollowness of the elite class or upper strata of the American society through the characters of Jay Gatsby as well as the region of East Egg as corrupt and devoid of the moral and ethical framework but West Egg as the social fabric tied in a morality. When Nick learns about Gatsby and Daisy, he reaches the conclusion by the end that all is rotten to the core.
• Life and Death: Fitzgerald has presented the theme of life and death through the parties that are being thrown in the West Egg region in New York and through the character of Nick and Gatsby. However, it is Owl Eyes that shows the looming shadow of death amid life. Death is shown to end Jay Gatsby’s life of extravagance.
• Love and Marriage: The novel shows two strained marriages of Tom with Daisy and Myrtle Wilson with George Wilson as bad examples of marriages. Although Nick and Gatsby are in search of love and they find it to some extent, this is not the real love but just a type of tender curiosity in Nick’s words.
• Class: The novel shows the class system through different characters such as Gatsby represents the upper strata, for Nick is seeking to join this class despite his being form the middle class. The incompatibility of the marriage of Myrtle with George shows this class difference.

Major Characters in The Great Gatsby

• Jay Gatsby: James Gatz or Jay Gatsby is the main protagonist , known for his mysterious past and extravagant lifestyle. His parties and mansion located in West Egg make other characters seek his attention and be invited to his parties. Later, he reveals the truth to Nick that he was a young man from a poor family and lived in Dakota. He made fortune after serving in WWI in the army and knew Daisy then. His love, though, stays unrequited until the end as Daisy gave importance to money. Though he amasses a vast fortune. George Wilson kills him by the end of having an affair with his wife. Though in reality, Daisy commits the crime and kills Myrtle, but Jay takes the blame upon himself.
• Nick Carraway: Nick is the narrator of the story. He is from a rich family from Minnesota and wants to join the upper class of the society by joining the bond business in New York. Hence, he moves to the city. Nick is seen as an honest and responsible man. He joins Gatsby and Buchanan’s just to experience the East Egg society. Once, Nick gets close to Gatsby, he comes to know the truth and stands by him. When Gatsby is killed by George, he arranges his funeral and leaves East Egg for good.
• Daisy Buchanan: Daisy Buchanan is Tom’s wife. In the past, she was with Gatsby while he was serving in World War 1. She leaves Jay Gatsby because of his financial status. Through her cousin Nick, she meets Jay Gatsby after five years. She kills Myrtle in an accident. She leaves Gatsby when takes the blame on himself to protect her. She is quite selfish and immature.
• Tom Buchanan: Tom is a former soccer player from Yale and comes from an elite family. However, the brutal and deeply insecure, the reason that he often displays racism. He is dominating over his wife, Daisy, and condemns her for meeting Gatsby. While he disapproves, Daisy’s choice, he has a mistress, Myrtle. Tom is also a bully and a narcissist.
• Jordan Baker: Jordan is a strong woman and Daisy’s old friend who once won golf tournament through deceit. However, unlike her friend, she is quite cold in manners and does not respond to Nick’s advances.
• Myrtle Wilson: Myrtle is Tom’s mistress and promiscuous woman. She crosses social boundaries if she finds a chance. In her desperation, she marries George, the owner of a garage, but continues her affair with Tom. When she picks up a fight with her husband over the move, she runs to the street where speeding Daisy accidentally kills her. though Gatsby takes the blame.
• George Wilson: A poor and lazy garage owner, George Wilson. He married ambitious Myrtle but faces agony and mental torture over her affair with Tom. He later murders Gatsby assuming Gatsby had killed Myrtle by accident.
• Meyer Wolfsheim: Meyer is Gatsby’s colleague and famous for his involvement in the world of crime and fixing series. He is a mixture of morality and the criminal world and offers condolence on the death of Gatsby.
• Dan Cody: Dan is one of those men who exploited the Gold Rush and won riches. Gatsby became his disciple and learned the art of making money but didn’t receive anything else. Though he left some fortune for Gatsby, it was taken away by his previous wife.

 Writing Style of The Great Gatsby ‎

Fitzgerald applies wry and elegiac which also includes sophisticated style in The Great Gatsby . The language, though, creates a sense of loss and nostalgia , becomes poetic, at times, loaded with figurative images. In one way, it seems to be an extended elegy that laments the corruption of a whole class merely for the abstract concept of a dream which is rotten to the core on account of greed, avariciousness, and lasciviousness that it breeds. However, when the novel shows metaphorical language and elaborate images, it seems highly sophisticated. Fitzgerald is an expert writer and knows where to apply what type of language.

Analysis of Literary Devices in The Great Gatsby

• Action: The main action of the novel comprises Jay Gatsby yearning for Daisy’s affection. He took the blame for the accident and faced sequences as George Wilson kills him. The rising action comprises the reunion of Daisy and Gatsby, while the falling action is the death of Gatsby or maybe his final funeral rites.
• Allegory : The Great Gatsby shows some strands of allegory in the character of Gatsby who is a symbol of something to be re-created through dreams . However, as a representative figure of every common American, Gatsby seems to have made it an allegory, for his dream of winning his love after having won a Gothic mansion and name in the parties proves a miserable failure.
• Antagonist : Tom Buchanan is the antagonist of the novel, The Great Gatsby . He is not only an imposing figure but also a dominating man who represents obstacles that stand between a man’s desire and his attempts to reach his goal. He does not let Daisy and Gatsby meet to fulfill their desire of marriage after loving each other.
• Allusion : Some of the allusions used in The Great Gatsby are such as a reference to Midas, a Greek legend , another to Morgan, an American financier, to Maecenas, an art patron of Rome, to Oxford, a university in England and to Rockefeller, a self-styled billionaire of the 19 th century.
• Conflict : There are two types of conflicts in the novel, The Great Gatsby . The first one is the external conflict going on between Jay Gatsby and Tom Buchanan, the husband of Daisy how to dodge him to win his wife. The internal conflict goes in the mind of Gatsby about himself, about his love and renewal of relationship with Daisy.
• Characters: The Great Gatsby presents both static as well as dynamic characters. The young man, Nick Carraway, the narrator is a dynamic character . He not only sees the entire situation but also sees his friends and near and dear ones in a wider perspective . His opinion also changes from good to bad by the end of the novel about different characters such as Tome, Jordan, and Daisy. However, Gatsby and Tom stays the same and does not show any change. Therefore, they are static characters .
• Climax : The climax in The Great Gatsby takes place when the group of all of them is coming back from New York and Myrtle is killed by Gatsby. Then Gatsby shows greatness by taking the blame and getting killed by George.
• Foreshadowing : The novel, The Great Gatsby , shows several examples of foreshadowing . Its fourth chapter shows the first such example when Nick sees that the gambler Wolfsheim is the friend of Gatsby which points to the means of his riches. The second example occurs when Jordan asks Nick that Gatsby wants to meet Daisy which clearly shows that he is going to rekindle his old love.
• I’m p-paralysed with happiness.’ (Chapter-1)
• The Flowers were unnecessary, for at two o’clock a greenhouse arrived from Gatsby’s, with innumerable receptacles to contain it. (Chapter-5)
• ‘FIer family is one aunt about a thousand years old. (Chapter-1) All these three examples show good use of the literary device of hyperbole .
• If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. (Chapter-1)
• He wouldn’t say another word. His correctness grew on him as we neared the city. We passed Port Roosevelt, where there was a glimpse of red-belted ocean-going ships, and sped along a cobbled slum lined with the dark, undeserted saloons of the faded-gilt nineteen-hundreds.” (Chapter-4)

In the first example, the passage shows the description of a person while the second presents the description of Port Roosevelt. In both descriptions, Fitzgerald has used senses of sound, sight, and hearing extensively.

• Metaphor : The Great Gatsby shows various metaphors throughout the novel. For example, 1. The lawn started at the beach and ran towards the front door for a quarter of a mile, jumping over sundials and brick walks and burning gardens. 2. Twenty miles from the city a pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domesticated body of saltwater in the Western hemisphere, the great wet barnyard of Long Island Sound. 3. “So we beat on, boats against the current, borne back ceaselessly into the past.” The first metaphor compares the law to an animal , the second the places to eggs, and the last compares life to a voyage.
• Mood : The novel, The Great Gatsby, shows a very serious mood that depicts pessimism and vapidity along with uselessness of the riches. It also becomes somber at the ugliness of the Valley of Ashes and the sad at the death of Gatsby.
• Motif : The most important motifs of the novel, The Great Gatsby, are judgment, infidelity, and wealth which occur recurrently in the storyline.
• Narrator : The novel, The Great Gatsby , has been narrated in a first-person narrative by Nick Carraway. It presents impressions of the place, society, and events from his personal point of view .
• Half a dozen fingers pointed at the amputated wheel. (Chapter-3)
• Blinded by the glare of the headlights and confused by the incessant groaning of the horns , the apparition stood swaying for a moment before he perceived the man in the duster. (Chapter-3)
• The Dead dream fought on as the afternoon slipped away trying to touch what was no longer tangible. (Chapter-7) The first example shows fingers, second apparition, and the third dead dream as if they have lives of their own.
• Protagonist : Although it seems that Nick Carraway is the protagonist, yet he is not. He is only the narrator. It is Jay Gatsby who is the real protagonist of the novel. It is because he demonstrates greatness by the end by telling truth to Nick, taking the blame on himself, and getting killed.
• Paradox : The Great Gatsby, at the deep level, shows that Gatsby is a person of many paradoxes. He idealizes the American Dream and has become a gentleman to be liked. However, he has left this world with a single friend at his funeral.  
• Rhetorical Questions: The novel shows the use of rhetorical questions in several places. For example, 1. What could you make of that, except to suspect some intensity in his conception of the affair that couldn’t be measured? 2. Who wants to go to town?’ demanded Daisy insistently. The first example shows the use of a rhetorical question posed by Nick that he does not want an answer. The second shows the same used by Daisy.
• Theme : A theme is a central idea that the novelist or the writer wants to stress upon. The novel, The Great Gatsby , not only shows class, society, American Dream, and mortality but also demonstrates loneliness and the impacts of riches or wealth.
• Setting : The setting of the novel, The Great Gatsby , is the city of New York and its Long Island with two fictional towns East Egg and West Egg.
• Simile : The novel shows good use of various similes. For example, 1. Instead of being the warm center of the world, the Middle West now seemed like the ragged edge of the universe. (Chapter-1) 2. They (bonds) stood on my shelf in red and gold like new money from the mint. (Chapter-1)
• The first simile compares the Middle West to a ragged edge, while the second compares the gold to new money.
• Symbol: The Great Gatsby shows various symbols such as the green light, the clothes of Gatsby, and the Valley of Ashes as well as his car which shows that it is due to the new money that he has earned. Even the East Egg and West Egg or symbols of capitalism and materialism.
• Irony : The novel shows irony in that, though, Gatsby is the center of attention of the parties, nobody shows up at his funeral except one person. The second irony is that Gatsby shows shyness when meeting Daisy despite his mundane success. The third example of irony is that Myrtle wants to die at the hands of Tom but it is Daisy who becomes her killer, for she was driving the car.

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The Great Gatsby

F. scott fitzgerald, ask litcharts ai: the answer to your questions.

Welcome to the LitCharts study guide on F. Scott Fitzgerald's The Great Gatsby . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Great Gatsby: Introduction

The great gatsby: plot summary, the great gatsby: detailed summary & analysis, the great gatsby: themes, the great gatsby: quotes, the great gatsby: characters, the great gatsby: symbols, the great gatsby: literary devices, the great gatsby: quizzes, the great gatsby: theme wheel, brief biography of f. scott fitzgerald.

Historical Context of The Great Gatsby

Other books related to the great gatsby.

• Full Title: The Great Gatsby
• Where Written: Paris and the US, in 1924
• When Published: 1925
• Literary Period: Modernism
• Genre: Novel
• Setting: Long Island, Queens, and Manhattan, New York in the summer of 1922
• Climax: The showdown between Gatsby and Tom over Daisy
• Point of View: First person

Extra Credit for The Great Gatsby

Puttin' on the Fitz. Fitzgerald spent most of his adult life in debt, often relying on loans from his publisher, and even his editor, Maxwell Perkins, in order to pay the bills. The money he made from his novels could not support the high-flying cosmopolitan life his wife desired, so Fitzgerald turned to more lucrative short story writing for magazines like Esquire. Fitzgerald spent his final three years writing screenplays in Hollywood.

Another Failed Screenwriter. Fitzgerald was an alcoholic and his wife Zelda suffered from serious mental illness. In the final years of their marriage as their debts piled up, Zelda stayed in a series of mental institutions on the East coast while Fitzgerald tried, and largely failed, to make money writing movie scripts in Hollywood.

The Great Gatsby: Essay Samples

Welcome to The Great Gatsby Essay Samples page prepared by our editorial team! Here you’ll find a heap of wonderful ideas for your Great Gatsby essay. Absolutely free research paper and essay samples on The Great Gatsby are collected here, on one page.

📝 The Great Gatsby: Essay Samples List

Below you’ll find a large collection of The Great Gatsby essay and research paper samples. Feel free to use any of them to inspire your own writing!

• Gatsby & Nick in The Great Gatsby Essay Genre : Essay Words : 1763 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway, Jay Gatsby
• Gatsby & Jean Valjean: Compare & Contrast Essay Genre : Essay Words : 1259 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan
• The Ethicality of an Action Jay Gatsby Genre : Assessment paper Words : 833 Focused on : The Great Gatsby themes Characters mentioned : Jay Gatsby, Daisy Buchanan, Myrtle Wilson
• The American Dream in The Great Gatsby: Essay Genre : Essay Words : 619 Focused on : The Great Gatsby themes Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, George Wilson
• Babylon Revisited & The Great Gatsby: Motifs & Themes Genre : Essay Words : 1216 Focused on : The Great Gatsby themes Characters mentioned : Jay Gatsby, Daisy Buchanan
• Time as a Theme in The Great Gatsby: Essay Genre : Essay Words : 896 Focused on : The Great Gatsby themes Characters mentioned : Jay Gatsby, Daisy Buchanan, Myrtle Wilson
• Daisy Buchanan: Quotes Analysis Essay Genre : Essay Words : 1077 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan, Jordan Baker
• Female Characters in The Streetcar Named Desire & The Great Gatsby: Comparative Essay Genre : Essay Words : 1639 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway, Daisy Buchanan, Tom Buchanan
• Why Is Fitzgerald’s The Great Gatsby a Satire? Genre : Essay Words : 680 Focused on : The Great Gatsby genre Characters mentioned : Jay Gatsby, Daisy Buchanan, Mr. McKee
• Jay Gatsby & Tom Buchanan: Compare & Contrast Genre : Essay Words : 812 Focused on : The Great Gatsby characters Characters mentioned : Jay Gatsby, Daisy Buchanan, Tom Buchanan
• Francis Scott Fitzgerald & His American Dream Genre : Essay Words : 1815 Focused on : F.S. Fitzgerald’s biography Characters mentioned : Daisy Buchanan, Tom Buchanan
• Jay Gatsby & Eponine from Les Miserables: Compare & Contrast Essay Genre : Essay Words : 812 Focused on : The Great Gatsby characters Characters mentioned : Jay Gatsby, Daisy Buchanan, Tom Buchanan
• Jay Gatsby and Valjean in ‘Les Miserables’: Comparative Essay Genre : Essay Words : 769 Focused on : The Great Gatsby characters Characters mentioned : Jay Gatsby, Nick Carraway
• Love in The Great Gatsby & The Catcher in The Rye: Comparative Essay Genre : Analytical essay Words : 1059 Focused on : The Great Gatsby themes Characters mentioned : Jay Gatsby, Nick Carraway, Daisy Buchanan
• The Great Gatsby: Analysis and Feminist Critique Genre : Essay Words : 1365 Focused on : The Great Gatsby analysis Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, George Wilson
• Fairy Tale Traits in The Great Gatsby Genre : Essay Words : 1146 Focused on : The Great Gatsby analysis & context Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan
• The Great Gatsby: Book Review Genre : Book review Words : 701 Focused on : The Great Gatsby context Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan
• The Great Gatsby: Book Review & Reflection Genre : Essay Words : 587 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan, Myrtle Wilson, George Wilson, Jordan Baker
• Fitzgerald’s American Dream in The Great Gatsby & Winter Dreams Genre : Argumentative essay Words : 1119 Focused on : The Great Gatsby themes Characters mentioned : Nick Carraway, Jay Gatsby, Daisy Buchanan
• Silver & Gold: Color Symbolism in The Great Gatsby Genre : Essay Words : 889 Focused on : The Great Gatsby color symbolism Characters mentioned : Jay Gatsby, Daisy Buchanan, Tom Buchanan, Jordan Baker
• Nick as the Narrator in The Great Gatsby Genre : Essay Words : 2473 Focused on : The Great Gatsby characters Characters mentioned : Nick Carraway
• The Dilemmas of the American Dream in The Great Gatsby Genre : Essay Words : 687 Focused on : The Great Gatsby themes Characters mentioned : Jay Gatsby
• Political Satire in American Literature Genre : Essay Words : 788 Focused on : The Great Gatsby genre Characters mentioned : Nick Carraway, Jay Gatsby
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Study Guide Menu

• Short Summary
• Summary (Chapter 1)
• Summary (Chapter 2)
• Summary (Chapter 3)
• Summary (Chapter 4)
• Summary (Chapter 5)
• Summary (Chapter 6)
• Summary (Chapter 7)
• Summary (Chapter 8)
• Summary (Chapter 9)
• Symbolism & Style
• Quotes Explained
• Essay Topics
• Essay Samples
• Questions & Answers
• F. Scott Fitzgerald’s Biography
• Chicago (A-D)
• Chicago (N-B)

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The Great Gatsby F. Scott Fitzgerald

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The Great Gatsby Essays

Foreshadowing destiny olivia verma, the great gatsby.

<blockquote>[G]audy ... primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. ... [T]he air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and...

The Eulogy of a Dream James Boo

The central theme of <I>The Great Gatsby</I> is the decay of the American Dream. Through his incisive analysis and condemnation of 1920s high society, Fitzgerald (in the person of the novels narrator, Nick Carraway) argues that the...

Materialism Portrayed By Cars in The Great Gatsby Joanna Cruz

"But as I walked down the steps I saw that the evening was not quite over. Fifty feet from the door a dozen headlights illuminated a bizarre and tumultuous scene (58)."

After the first of Gatsby's parties that Nick attends, Fitzgerald dedicates two...

Role of Narration in The Great Gatsby Steven Rice

Renowned author F. Scott Fitzgerald became "the most famous chronicler of 1920s America, an era that he dubbed 'the Jazz Age.'" (Phillips 1). His fame grew in part from his widely published short stories, and also from the art of his novel, The...

A Great American Dream Jens Shroyer

The Great Gatsby and "Babylon Revisited," both by F. Scott Fitzgerald, are stories about the emptiness and recklessness of the 1920s. Each story has its distinctions, but Fitzgerald's condemnation of the decade reverberates through both....

Restless in West Egg Anonymous

To many Americans, wealth and happiness are inextricably intertwined. After all, the democratic ideals of our country are predicated on the notion of the âself-madeâ? man. Ironically, it is sometimes the striving for wealth or the striving for...

The Death of a Dream Martha E. Andrietti

F. Scott Fitzgerald's The Great Gatsby is regarded as a brilliant piece of literature that offers a vivid peek into American life in the 1920's. The central characteristics of the "Lost Generation" of the 1920's society are shown through the decay...

The Fall of the American Dream Josh Weiss

The figurative as well as literal death of Jay Gatsby in the novel The Great Gatsby symbolizes a conclusion to the principal theme of the novel. With the end of the life of Jay Gatsby comes the end of what Fitzgerald views as the ultimate American...

Jay Gatsby's Representation of America Josh Weiss

It was literary critic Lionel Trilling who quite aptly described the collective entity Jay Gatsby when he wrote, "Jay Gatsby [stands] for America itself." Jay Gatsby lives his life entrenched in unfathomable wealth. His true roots are rather...

Decay of American Greatness Michael Jin

The Great Gatsby by F. Scott Fitzgerald is a shining example of the principle that the most powerful messages are not told but rather shown. Although the novel is written in the form of largely impartial narration by Nick Carraway, Fitzgerald's...

Through A Lens, Darkly: The Use of Eye Imagery to Illustrate the Theme of an Extinct God in The Great Gatsby Anonymous

Throughout history, the eye has always been an emblem of the deities. In the Egyptian pantheon, there is Horus, god of light, who is signified by his famous Eye; in the Roman pantheon, there is Juno, associated with the many-eyed peacock; and in...

Obsession Anonymous

In his book The Great Gatsby, F. Scott Fitzgerald explores the psychology of love's fantasies and realities through the character of Jay Gatsby. During their five-year separation, Gatsby pines for his love, Daisy Buchanan, rearranging his entire...

Daisy and Her Men: Analysis of Character in The Great Gatsby Ashley Smith

Throughout literature, there are countless characters whose only positive attributes seem to be the fact that they are utterly detestable - the reader loves to hate them. From Shakespeare's conniving Iago to Dickens' endlessly cruel Estella, these...

The African American Dream B. L. Fox

Social class plays a dominant role in F. Scott Fitzgerald's The Great Gatsby. In fact the title character is living proof that the American dream really exists. Readers recognize the importance Fitzgerald places on social class throughout the...

The Shift From Realism to Modernism Anonymous

During the modernist era, artists gradually moved away from realism towards themes of illusion, consciousness, and imagination. In the visual arts, realism evolved into cubism and expressionism. This movement is paralleled in literature, as...

Gatsby and Henry: Obsession Viewed in Two Different Lenses Ruth Tangonan

Ernest Hemingway's Farewell to Arms and F. Scott Fitzgerald's The Great Gatsby revolve around one primary character who serves as a vessel that reveals the major theme of the book. The Great Gatsby chronicles Jay Gatsby's pursuit of love, while...

Money! Money! Money! Christopher R. DeConinck

In F. Scott Fitzgerald's The Great Gatsby, as Jay Gatsby delves into his pursuit of wealth and need for materialism, his hopes and aspirations become shattered in a world of unobtainable and unreachable possibilities. While Jay Gatsby confidently...

The Bildungsroman Form in The Great Gatsby Sagar Shah

Maturation and personal evolution of main characters typify the bildungsroman, a distinct novelistic form. The growth of characters Tom Buchanan, George Wilson, Jay Gatsby make F. Scott Fitzgerald’s The Great Gatsby and important example of the...

The significance of the end of Chapter 1 of "The Great Gatsby" Anonymous

Luminosity and spiritual longing for something that had vanished a long ago are probably the two main characteristics of the last two paragraphs in Chapter 1 of “The Great Gatsby”. The scene takes place shortly after Nick's return from dinner at...

The Great Gatsby and the Decline of the American Dream Anonymous

F. Scott Fitzgerald explores the decline of the American Dream in one of his most famous novels, The Great Gatsby. Although this book only takes place over a few months, it represents the entire time period of the 1920s, in which society, mainly...

Gatsby's Fall from Greatness Anonymous

In F. Scott Fitzgerald’s, The Great Gatsby, Jay Gatsby completes a decline from his carefully crafted image of greatness to his exposed, unsightly, and lonely death. The story of the novel is really the deconstruction of this image, and the...

Modernism and The Great Gatsby Bonnie Christine Smith

F. Scott Fitzgerald’s The Great Gatsby has been hailed as one of the greatest literary works of Modernism. The Great Gatsby set the tone for the movement that defined American literature in the early decades well into the present day. The...

Fitzgerald's Prediction and the Great Depression Anonymous

Famed American novelist F. Scott Fitzgerald could not have anticipated what was on the horizon when he penned The Great Gatsby in 1925. Fitzgerald was no prophet, but he seemed to have an innate sensibility that allowed him to step outside of...

House Versus Home in The Great Gatsby and Death of a Salesman Anonymous

In the novel The Great Gatsby by F. Scott Fitzgerald and the play Death of a Salesman by Arthur Miller, both authors use their characters’ living space, the house, as a metaphor for the attainability of the American Dream of security, wealth, and...

The Great Gatsby

By f. scott fitzgerald.

'The Great Gatsby' by F. Scott Fitzgerald is an unforgettable novel of wealth and love. It chronicles the "Jazz Age," post World War I in the United States.

About the Book

Article written by Emma Baldwin

B.A. in English, B.F.A. in Fine Art, and B.A. in Art Histories from East Carolina University.

The Great Gatsby  by F. Scott Fitzgerald was published in 1925 in New York City. It is considered to be Fitzgerald’s best and most famous novel . It depicts the lives of characters entangled in the New York City social scene , in dangerous love affairs, and endless wealth. Narrated by Nick Carraway, a man whose life mirrored Fitzgerald’s own, he takes the reader into the mysterious world of Jay Gatsby . Gatsby, a new multi-millionaire who seemingly lives the American dream, is consumed with the desire to reclaim a lost relationship.

Key Facts about  The Great Gatsby

• Title:   The Great Gatsby
• When/where written: Paris and the US in 1924
• Published: 1925
• Literary Period: Modernism
• Genre:  Novel
• Point-of-View:  First-person
• Setting: New York City in 1922
• Climax:  Gatsby and Tom fight over Daisy
• Antagonist:  Tom Buchanan, Greed

F. Scott Fitzgerald and  The Great Gatsby

Fitzgerald’s  The Great Gatsby  is a modernist masterpiece . But, when it was published the author had no idea of its importance or how tied it would become to his own literary legacy. Fitzgerald, like the novel’s narrator, Nick, was born in Minnesota. He moved to New York to pursue fame and fortune, like Jay Gatsby. Perhaps also seeking inspiration in his personal experiences, Fitzgerald’s wife, Zelda, refused to marry him unless he could support her. This mirrors Gatsby’s experience with Daisy in the novel, ending in her marrying Tom Buchanan, a cruel man but one with more than enough money for her to live the kind of life she wanted. The Fitzgeralds were wealthy, but as debt crept upon them, Fitzgerald’s health worsened, and he suffered from mental illness. He died from a heart attack in 1940, with his wife passing away a few years later. Today, scholars consider  The Great Gatsby,  as well as Fitzgerald’s other novels, as a means for the writer to confront his feelings about (what he coined as) “The Jazz Age.” The period after World War I is well documented in  The Great Gatsby .  Fitzgerald was initially interested in the outrageous lifestyles of the wealthy in New York City, engaging in such a lifestyle himself. But, just as Nick Carraway discovered, things weren’t quite as bright and shining as they seemed.

Books Related to  The Great Gatsby

The Great Gatsby  is one of the best representatives of modernist fiction after the First World War. It was a period of emptiness and disillusionment that was for many such as the characters in this novel , filled with irrelevancies. He depicted lost people, depression, reality, and various types of corruption. As did other writers like James Joyce with his masterpiece Ulysses.  Hemingway’s works are also often compared to Fitzgerald’s. These include books like The Sun Also Rises.  Other books readers might find comparable to  The Great Gatsby  include  The Age of Innocence  by Edith Wharton,  To Kill a Mockingbird  by Harper Lee, and Fitzgerlad’s 1922 novel,  The Beautiful and the Damned.  The latter was published right before  The Great Gatsby  and tells the story of a socialite and heir to a massive fortune. Fitzgerald explores his marriage, military service, and the couple’s troubles.  This Side of Paradise  by F. Scott Fitzgerald is another novel in which readers can find themes comparable to those in  The Great Gatsby.  It was Fitzgerald’s first novel and follows several American youths after World War I.

The Lasting Impact of The Great Gatsby

When The Great Gatsby  was published in 1925, it sold around 21,000 copies, a number far lower than Fitzgerald’s previous novels. Today, the novel has sold over 25 million copies and has been translated into numerous languages. It’s a staple of classrooms all over the world. Today, the novel is said to embody the American spirit and convey the atmosphere of an incredibly important time in the history of the country . For some, this novel is the best representative of the American spirit and Fitzgerald’s “Jazz Age .” Despite the decades that have passed, the novel is still relevant today. It features complex characters with problems school-age readers and those simply reading for pleasure can relate to.

The Great Gatsby Review ⭐

‘The Great Gatsby’ tells a very human story of wealth, dreams, and failure. F. Scott Fitzgerald takes the reader into the heart of the Jazz Age, in New York City, and into the world of Jay Gatsby.

The Great Gatsby Historical Context 🍾

‘The Great Gatsby’ is F. Scott Fitzgerald’s best-known novel. It encapsulates the Jazz Age of the United States in the 1920s.

The Great Gatsby Themes and Analysis 🍾

Within ‘The Great Gatsby,’ F. Scott Fitzgerald taps into several important themes. These include the American dream, and its decline, as well as wealth, class, and love.

The Great Gatsby Quotes 💬

Throughout ‘The Great Gatsby’ by F. Scott Fitzgerald, the reader can find a wide variety of beautiful and thoughtful quotes.

The Great Gatsby Summary 🍾

‘The Great Gatsby’ is generally considered to be F. Scott Fitzgerald’s masterpiece. It represents a cultural period in the United States that’s now referred to as the Jazz Age.

The Great Gatsby Characters 🍾

‘The Great Gatsby’ by F. Scott Fitzgerald is filled with interesting and morally bankrupt characters, such as Daisy Buchanan, Jordan Baker, and Ewing Klipspringer.

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The Great Gatsby Essay TDA Writing Prompts, Grading Rubrics, & Prewriting Tasks

Description.

In this resource, students will conduct a literary analysis of  The Great Gatsby by F. Scott Fitzgerald  and write a  TDA Essay  using textual evidence to support their responses.

There are TWO writing options students can choose from for this Response to Literature/TDA essay.

Included in this product you will get one copy of the following each as PDFs  (ready to print)  as well as one copy of the following each as WORD Documents (as to be  editable   for teachers ).

• Essay Prompts for two different topics on the novel  The Great Gatsby
• Two Prewriting Graphic Organizers for students to brainstorm ideas, thesis, examples, and textual evidence
• TDA Essay Rubric broken down into categories: content, focus, organization, style, conventions, and format

Home — Essay Samples — Literature — The Great Gatsby — The Motif of Carelessness in The Great Gatsby

The Motif of Carelessness in The Great Gatsby

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Published: Apr 29, 2022

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Review: A New ‘Great Gatsby’ Leads With Comedy and Romance

This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.

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By Laura Collins-Hughes

Jay Gatsby — self-made enigma, party host extraordinaire and talk of the summer season in West Egg, Long Island — doesn’t carry his insecurities lightly. The facade of his wealth-drenched life is a grand and precarious creation, and propping it up requires constant vigilance.

His is new money, so he has to prove his worth to the snobberati. Thus his pathetic habit of showing that photo of himself in his Oxford days to people he has barely met. Or, more endearingly, his over-the-top insistence on glamming up the humble cottage of his neighbor, Nick Carraway, when the lost love of Gatsby’s life, the fabled Daisy Fay Buchanan, is coming over for tea.

In the new musical “ The Great Gatsby ,” which opened on Thursday night at the Broadway Theater, the grass outside the cottage is groomed, flowers are everywhere, and a fleet of servants is ferrying food. And Jeremy Jordan’s Gatsby is an adorably panicked basket case, second-guessing in charming comic song his plan to ambush Eva Noblezada’s Daisy with a reunion.

“She is late, so I’m off to go scream in a jar,” he sings, but Daisy arrives before he can flee. Unsuavely, he topples into some greenery.

It’s a perfectly winsome scene, and a highlight of this ultimately underwhelming new adaptation, which has a book by Kait Kerrigan (making her Broadway debut), music by Jason Howland (“Paradise Square”) and lyrics by Nathan Tysen (also “Paradise Square”). Comedy and romance are strong suits of this production by Marc Bruni (“Beautiful: The Carole King Musical”), which ran in the fall at the Paper Mill Playhouse in New Jersey.

There are plenty of big dance numbers, too (by Dominique Kelley), with some standout tap. The 1920s costumes (by Linda Cho) are fun to look at, Daisy’s in particular: all those handkerchief hemlines, wafting on air. Gatsby’s yellow Rolls-Royce and Tom’s blue coupe drive onstage, extravagantly. And while the fireworks we see in the distance are projections, other sparkling pyrotechnics are delightfully real.

The darker elements of “The Great Gatsby” prove more elusive, which blunts the impact overall. So does the show’s anodyne Broadway sound, which is poppy and pleasant without being memorable. It summons neither the Jazz Age, like the soundtrack to Jack Clayton’s 1974 movie adaptation did, nor a spirit of wild abandon, like the soundtrack to Baz Luhrmann’s 2013 take. The score to this “Great Gatsby” is missing a vital urgency.

This is not, by the way, the other high-profile musical adaptation you may have heard about since F. Scott Fitzgerald’s 1925 novel entered the public domain in 2021. Next month, the Tony Award winner Rachel Chavkin directs “ Gatsby ,” with a book by the Pulitzer Prize winner Martyna Majok and a score by Florence Welch and Thomas Bartlett, in Cambridge, Mass.

Bruni’s Broadway production has the tremendous asset of a terrific core cast, including Noah J. Ricketts as the decent, disillusioned narrator, Nick, who, in this telling, is for some unnecessary reason Gatsby’s tenant; Samantha Pauly as Jordan Baker, a famous golfer and anti-marriage New Woman who enjoys a screwball romance with Nick; and John Zdrojeski as Tom Buchanan, Daisy’s pampered, polo-playing bully of a husband.

She should of course be rid of him. Still, they are a handsome pair; their clothes, screaming silently of luxury, hang elegantly on them both. Their infant daughter, Pammy, wears less flattering clouds of lace. When Jordan objects to such little-girl outfits on principle, Daisy replies with absolute nonchalance: “But there’s nothing to be done about that. It’s how babies dress.”

Noblezada and Pauly are easy with humor, and Kerrigan has taken care to deepen Daisy and Jordan, who, with their talk of the limitations of life for women, sound practically “ Suffs ”-adjacent. Noblezada gives Daisy steel at her center that further ensures she isn’t a manic pixie dream girl, even if the incurably dreamy Gatsby perceives her through gauze.

As for theatrical illusion, it, too, is precarious; at Saturday’s matinee, technical glitches shattered it repeatedly in Act I. Projections, integral to Paul Tate dePoo III’s set design, would blink out and disappear, leaving vast expanses of matte black screen where a vision of splendor had been.

And so it was for Gatsby’s and Daisy’s reunion. There they stood in front of the cottage, laying eyes on each other for the first time in years, when much of the little house and its surrounding copse — the parts that aren’t three-dimensional scenery — abruptly vanished, along with the ambience. A bit on the nose for a show with mirages as a theme, and more than a bit distracting.

Even with flawless tech, the projections have a hyper-vividness reminiscent of video games. If that’s a deliberate attempt to question the solidity of all the sumptuousness — like the sozzled party guest in Fitzgerald’s novel who, wandering into Gatsby’s library, is astonished to find that the books are real — the aesthetic is nonetheless jarring, particularly for a show set a century ago.

The musical’s truly unbalancing trouble, though, is its rendering of Tom’s affair with the working-class Myrtle Wilson (Sara Chase), the one character the show doesn’t take seriously or treat with dignity. Even when tragedy befalls her, there’s a laugh line in the immediate aftermath. We know more about Myrtle’s husband, George (Paul Whitty), the gas station owner, than we do about her. And what we do know is so one-note tawdry that it’s difficult to believe Tom would set up an entire down-low life with her.

The implosion of the summer hinges not only on Daisy and Tom’s notorious, soul-corrupted carelessness, but also on the Wilsons. No matter how much this adaptation wants to riff on other elements, it needs to set up their part of the story so that the wider devastation lands.

But this “Great Gatsby,” which is not terribly bothered, either, with the moral shadings of its title character’s rise and fall, is principally interested in a good time. When Nick utters the novel’s sober final line, about “boats against the current,” the words have no heft. An ensemble of dancers is upstaging him anyway, wanting to give the audience one last moment at the party.

The Great Gatsby

At the Broadway Theater, Manhattan; broadwaygatsby.com . Running time: 2 hours 30 minutes.

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The Great Gatsby review – a literary classic becomes a Broadway dud

The Broadway Theatre, New York

F Scott Fitzgerald’s novel makes an underwhelming transfer to the stage in a bombastic yet misfiring new production

The musical currently playing at the Broadway Theatre, twirling drunkenly in 1920s opulence, is The Great Gatsby.

Though, perhaps, the latest revival of F Scott Fitzgerald’s novel should be renamed The Gimmicky Gatsby. An attempt to evoke awe through hyper-extended dance intervals and flaccid sets, this remount prioritizes a good time over any purposeful recreation of the American classic.

This Gatsby, directed by Marc Bruni, still follows veteran Nick Carraway (Noah J Ricketts) as he moves near Long Island, New York, to chase the post-Great War high. It’s a chance to “misbehave” as the musical’s punchy opening number lays bare with music by Jason Howland.

Nick happens upon the Gatsby (a talented Jeremy Jordan), who has his sights set on Daisy (Eva Noblezada), his unrequited love. But Daisy is already married to Tom (John Zdrojeski), a hot-tempered brute drowning in old money.

The production splashes in excess, but of the Las Vegas residency kind. Golden-lacquered set pieces and a dizzying projection screen recreate the Gatsby mansion (and a bevy of other locations). The “nouveau riche” mansion isn’t as opulent or lush as one might imagine, feeling closer in spirit to a mega-church.

The book by Kait Kerrigan swings for laughs, which begin to thin by the musical’s second act. “Who knew Manhattan was so expensive,” Carraway says, slapstick-style. Kerrigan is also more interested in the Gatsby-Daisy love story than any rigorous analysis of class or the American dream, with songs bookending the colliding romances.

Nathan Tysen’s lyrics are mostly expositional, trying to fill gaps in the story. Gatsby’s ballad For Her about building his wealth to inevitably net Daisy doesn’t evoke love so much as justification.

All of Howland’s songs, a cascading list featuring the brassy fixtures of 20s jazz, are sung beautifully by Gatsby’s talented cast. Noblezada, fresh off a starring role in Hadestown, is a delicate Daisy, bringing powerhouse vocals when describing her commitment to marriage in For Better or Worse. But ultimately, much of Howland’s music melts together, not quite framing emotional hilltops.

Choreography by Dominique Kelley is apt, capturing the era’s giddy nature with the occasional Charleston. Missteps in story and direction would be more or less fine if the show itself was entertaining. But it’s only tepidly so.

Kerrigan’s book tries to capture all of Gatsby with a thudding recall. There’s the billboard featuring spectacles, the infamous Green Light, and, of course, the old v new money divide. There’s also a pointed underlining of Gatsby’s tango with the black market, set to a matrix-style, trench coat dance number titled Shady. But it all never quite blends together.

Under Bruni’s direction, Kerrigan jerks us through a rotary of locations and corresponding plot events, often leaving dead air as characters zoom away in their on-stage sports cars.

Hyper-fixation on the love story also doesn’t work in a world where Gatsby’s central characters are underdeveloped and rife with cliches. Kerrigan’s Gatsby punctuates every sentence with an “old sport”, a grating tagline.

Tom is an abusive antagonist through and through. But moments of his physical violence toward Daisy and his mistress Myrtle (Sara Chase) are sped through due to issues in Bruni’s pacing. When Myrtle’s nose is broken by Tom in a seedy uptown apartment, humor immediately plops in, a tonal bust.

Of course, the flatness of these characters could signal towards their glibness in Scott’s original text. They are vapidly bourgeois after all. But this revival doesn’t seem to be in on the joke, attempting to carve out a genuine spark and interest in Nick and Jordan (Samantha Pauly plays an old money golfer who waves off marriage). We know so little about either of them, it’s hard to truly care when their relationship veers off-course.

As the musical wraps with a flurry of the novel’s best quotes and the inevitable lesson that the rich are callous and horrible, it’s clear this Gatsby attempts to throw it all at the wall, indulge in more of everything.

Too bad none of it quite sticks.

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THE GREAT GATSBY

Two hours and 30 minutes, with one intermission. At the Broadway Theatre, 53rd Street and Broadway.

Forget East Egg and West Egg. The creators of the new musical “The Great Gatsby,” which opened Thursday night on Broadway, have laid an egg.

This song-and-dance version of F. Scott Fitzgerald’s enduring 1925 novel about, among other things, American excess in the aftermath of World War I is excessive all right. 

The gaudy barrage of clone ballads by composer Jason Howland and lyricist Nathan Tysen (“Paradise Square”), indiscriminately handed out to any character who wants one, blare like a foghorn on the Long Island Sound.

And the attractive art deco sets by Paul Tate dePoo III are so opulent and oversize that I had a flashback to watching “King Kong” in the very same theater six years ago.

But now, a monkey isn’t captive — your favorite novel is.

Inferior “Gatsby,” directed bigly by Marc Bruni, is a hodgepodge of many other shows that came before it.

During an impressive all-company tap number called “La Dee Dah With You,” the show briefly ventures into “Anything Goes” Land. Many other bombastic songs have the volume, if not the tunefulness, of gothic musicals like “The Secret Garden” or “Jekyll & Hyde.”

What “The Great Gatsby” almost never brings to mind, though, is “The Great Gatsby.” 

The musical, a patchwork quilt of discordant styles that belongs in a box, becomes the latest in a long line of adaptations of this beloved novel to mess up a story that’s far more satisfying to read and imagine. It completely misses its intoxicating atmosphere, meaning and layered characters.

One of the rare smart decisions of the night is the casting of Noah J. Ricketts as our man Nick Carraway, a modest Midwesterner who moves to a Long Island cottage in “new money” West Egg. 

The actor has a pretty voice and a naturally easygoing persona that contrasts with the cartoonish East Coast impressions on display that are akin to what Katharine Hepburn might have behaved like as a chauffeur.

Nick’s cousin Daisy (power-singer Eva Noblezada) is married to Tom Buchanan (John Zdrojeski), and they live, in artificial bliss, across the water in upper-crust East Egg. 

Awful Tom is having an indiscreet affair with Myrtle (Sara Chase), the wife of garage owner George Wilson (Paul Whitty). A knowing Daisy sings a lilting number in the garden about her rocky marriage called “For Better or Worse.” 

“Worse?!” I thought.

Nick’s greatest object of fascination is the mysterious, loud-party-throwing inhabitant of the mansion next door to his house. That’s Jay Gatsby, who just so happens to be Daisy’s old flame that still longs for her.

As the enigmatic title character, Jeremy Jordan, when in song, sounds like a million bucks, even in walloping numbers such as “For Her” and “Past Is Catching Up to Me.” 

When he speaks, however, one must adjust for inflation. The actor cakes on an ill-advised mid-Atlantic accent that boggles the ears. Rather than contribute magnetism and mystique, the shaky brogue turns a literary icon into a weirdo.

During a scene in which he reunites with Daisy, a dumb ditty called “Only Tea,” the musical suddenly about-faces into a cheesy farce. 

An army of servants arrive with trays and floral arrangements as though they’re about to start singing “Be Our Guest.” Nick and Daisy’s acidic pal Jordan Baker (a detached Samantha Pauly) do cute bits in unison. Gatsby attempts to hide from Daisy behind a small tree branch to get a laugh.

The multiple personalties pile on a song later when we’re suddenly tossed into an absurdly passionate love story as the pair sings a drippy duet called, oy, “My Green Light.”

The second act, thankfully, finds a more consistent and appropriate tone. One would hope so, as there are several deaths in quick succession.

Early on, that aforementioned tap dancing, choreographed by Dominique Kelley, is thrilling, even if it’s a short-lived distraction from the many, many head-scratchers.

For instance, an inordinate amount of time and music are given to Myrtle and George, who are turned into a much sadder Adelaide and Nathan Detroit. Expensively staged, Myrtle’s fate is unintentionally funny.

There’s also too much of sleazy criminal Meyer Wolfsheim (Eric Anderson), who gets a jazzy back-from-intermission song called “Shady” that could have been cut. Why not focus on enriching the main characters before giving everybody else their five throwaway minutes?

Theater and film rarely know what to do with “Gatsby.” They often decide, as this musical sometimes does, to focus on the escape to sexy speakeasies with flappers.

But the best version I’ve seen was Elevator Repair Service’s “Gatz” downtown. Every single word of the novel was read out loud over several breezy hours by actors wearing nothing more than office garb. Audiences were entranced, not by schlocky love songs but the unadorned words of a great American novel.

Last year, New York got an immersive “Gatsby” experience that quickly closed. This summer, another musical take by Florence Welch will premiere at the American Repertory Theater in Massachusetts. 

The quality of the Florence & the Machine singer’s adaptation remains to be seen. But, even though Fitzgerald’s book is in the public domain, let’s cool it on giving so many “Gatsby’s” the green light.

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