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Sentence Starters: Ultimate List to Improve Your Essays and Writing

Ashley Shaw

This blog post is going to be about … No. Too boring.

Today, I am going to talk to you about ... No. Too specific.

This is a blog post for all writers ... Nope. Too generic.

Has this ever been you while writing? I get it. Writing a good sentence can be hard, and when you have to string a whole lot of them together, the task can become daunting. So what do you do?

From the first sentence you write to the very last, you want each one to show your style and motivate your reader to keep reading. In this post, we are going to think about how you start your sentences.

What Is a Good Sentence Starter for an Essay Introduction?

What is a good sentence starter for a body paragraph, 25 useful transitions, can i repeat a sentence starter, how can i rephrase "in conclusion".

The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early.

The first sentence of a paper is often called the hook. It shouldn’t be anything ordinary. It should have strong language and be a little surprising, with an interesting fact, story, statistic, or quote on the topic.

Because it is designed to pull the reader in and surprise them a little, it is often good to avoid pre-written sentence starter examples when writing your hook. Just get into it here, and worry about the flow later.

Here are some examples:

Spider webs were once used as bandages.

I taught myself to read when I was three. At least, that’s the story my parents tell.

Recent studies suggest that the average person lies at least once in every conversation.

“The world is bleeding and humans wield the knife,” or so says environmental scientist So Andso.

(P.S. Except for example 1, which is true, I just made all of these up to demonstrate my point. So, please don’t quote me on these!)

Once you jump right in with your hook, it is time to start working on ways to move sentences along. Here is where you may need some sentence starter examples.

In your first paragraph, you basically want to connect your hook to your thesis. You’ll do this with a few sentences setting up the stage for your topic and the claim you will make about it. To do that, follow the tips found in the next section on body paragraphs and general sentence starter tips.

Many of the tips I am about to discuss can be used anywhere in a paper, but they are especially helpful when writing body paragraphs.

Let’s start with one of the most important types of sentence starter in essay writing: transition words.

How Do I Use Transitions in an Essay?

If you want to start writing terrific sentences (and improve your essay structure ), the first thing you should do is start using transition words.

Transition words are those words or phrases that help connect thoughts and ideas. They move one sentence or paragraph into another, and they make things feel less abrupt.

The good thing about transition words is that you probably know a lot of them already and currently use them in your speech. Now, you just need to transition them into your writing. (See what I did there?)

Before we get into examples of what a good transition word is, let’s look at a paragraph without any transitions:

I went to the store. I bought bacon and eggs. I saw someone I knew. I said hello. I went to the cashier. They checked me out. I paid. I got my groceries. I went to my car. I returned home.

Yikes! That is some boring writing. It was painful to write, and I am sure it is even worse to read. There are two reasons for this:

• I start every sentence with the same word (more on this later)
• There are no signposts showing me how the ideas in the paragraph connect.

In an essay, you need to show how each of your ideas relate to each other to build your argument. If you just make a series of statements one after the other, you’re not showing your instructor that you actually understand those statements, or your topic.

How do we fix this? Transition words. Roughly 25% of your sentences should start with a transition word. If you can hit that number in your essay, you’ll know that you’ve made meaningful steps towards demonstrating your understanding.

Of course, hitting that number isn’t enough—those transitions need to be meaningful. Let’s look at the different types of transitions and how you can use them.

What Are Words Like First , Next , and Last Called?

You probably already use some transitions in your essays. For example, if you start a paragraph with firstly , you’ve used a transition word. But transitions can do so much more!

Here are 25 common transitional words and phrases that you could use in your essay:

• Additionally / In Addition
• Alternatively / Conversely
• As a result of
• At this time
• Consequently
• Contrary to
• First(ly), Second(ly), etc.
• In contrast
• Nonetheless
• On the other hand
• Particularly / In particular
• In other words

This list isn’t exhaustive, but it is a good start.

These words show different types of relationships between ideas. These relationships fall into four main categories: Emphasis , Contrast , Addition , and Order .

What Are Emphasis Transition Words?

These phrases are used when you want to highlight a point. Examples from my above list include clearly , particularly , and indeed . Want to see some more? Follow my bolded transitions: Undoubtedly , you understand now. It should be noted that you don’t need to worry.

How Do You Use Addition Transitions?

These words add on to what you just said. These are words like along with , moreover , and also . Here are some more: Not only are you going to be great at transitions after this, but you will also be good at writing sentences. Furthermore , everyone is excited to see what you have to say.

How Can I Use Transitions to Contrast Ideas?

This is the opposite of addition, and you use it when you want to show an alternative view or to compare things. Examples from my list include words like nonetheless , contrary to , and besides .

Here are some more: Unlike people who haven’t read this article, you are going to be really prepared to write great sentences. Even so , there is still a lot more about writing to learn.

How Do I Order Ideas in My Essay?

A good first step is using order transition words.

This set of transitions helps mark the passage of time or gives an order to events. From the list, think of things like first and finally . Now for some extras: At this time yesterday , you were worried about starting sentences. Following this , though, you will be an expert.

Now that you get the concept of transitions, let’s go back to that poorly written paragraph above and add some in to see what happens:

This morning , I went to the store. While I was there, I bought bacon and eggs. Then I saw someone I knew. So I said hello. After that , I went to the cashier. At that time , they checked me out. First , I paid. Next , I got my groceries. Following that , I went to my car. Finally , I returned home.

(Notice the use of commas after most of these transitions!)

This isn’t the best paragraph I’ve ever written. It still needs a lot of work. However, notice what a difference just adding transitions makes. This is something simple but effective you can start doing to make your sentences better today.

If you want to check your transition usage, try ProWritingAid’s Transitions report . You’ll see how many of each type of transition word you've used so you can pin-point where you might be losing your reader.

Sign up for a free ProWritingAid account to try it out.

What Are Some Linking Phrases I Can Use in My Essay?

As well as individual words, you can also use short phrases at the beginning of your sentences to transition between ideas. I just did it there— "As well as individual words" shows you how this section of the article is related to the last.

Here are some more phrases like this:

As shown in the example,

As a result of this,

After the meeting,

While this may be true,

Though researchers suggest X,

Before the war began,

Until we answer this question,

Since we cannot assume this to be true,

While some may claim Y,

Because we know that Z is true,

These short phrases are called dependent clauses . See how they all end with a comma? That's because they need you to add more information to make them into complete sentences.

• While some may claim that chocolate is bad for you, data from a recent study suggests that it may have untapped health benefits .
• Since we cannot assume that test conditions were consistent, it is impossible to reach a solid conclusion via this experiment .
• As a result of this, critics disagree as to the symbolism of the yellow car in The Great Gatsby .

The bolded text in each example could stand on its own as a complete sentence. However, if we take away the first part of each sentence, we lose our connection to the other ideas in the essay.

These phrases are called dependent clauses : they depend on you adding another statement to the sentence to complete them. When you use a sentence starter phrase like the ones above in your writing, you signal that the new idea you have introduced completes (or disrupts) the idea before it.

Note: While some very short dependent clauses don’t need a comma, most do. Since it is not wrong to use one on even short ones (depending on the style guide being used), it is a good idea to include one every time.

Along with missing transitions and repeating sentence structure, another thing that stops sentences from being great is too much repetition. Keep your sentences sharp and poignant by mixing up word choices to start your sentences.

You might start your sentence with a great word, but then you use that same word 17 sentences in a row. After the first couple, your sentences don’t sound as great. So, whether it is varying the transitional phrases you use or just mixing up the sentence openers in general, putting in some variety will only improve your sentences.

ProWritingAid lets you know if you’ve used the same word repeatedly at the start of your sentences so you can change it.

The Repeats Report also shows you all of the repeats in your document. If you've used a sentence starter and then repeated it a couple of paragraphs down, the report will highlight it for you.

Try the Repeats Report with a free ProWritingAid account.

Now that you have your introduction sentences and body sentences taken care of, let’s talk a little about conclusion sentences. While you will still use transitions and clauses as in the body, there are some special considerations here.

Your conclusion is what people will remember most after they finish reading your paper. So, you want to make it stand out. Don’t just repeat yourself; tell them what they should do with what you just told them!

Use the tips from above, but also remember the following:

Be unique. Not only should you vary the words you use to start different sentences, but you should also think outside of the box. If you use the same conclusion sentence starter everyone else is using, your ideas will blend in too.

Be natural. Some of the best writing out there is writing that sounds natural. This goes for academic writing, too. While you won’t use phrases like "at the end of the day" in essay writing, stilted phrases like "in conclusion" can disrupt the flow you’ve created earlier on.

Here are some alternatives to "in conclusion" you could use in an essay:

• To review, ... (best for scientific papers where you need to restate your key points before making your final statement)
• As has been shown, ...
• In the final analysis, ...
• Taking everything into account, ...
• On the whole, ...
• Generally speaking, ...

If you’re looking for more ways to rephrase "in conclusion," take a look at our complete list of synonyms you can use.

There may not be a set word or words that you can use to make your sentences perfect. However, when you start using these tips, you’ll start to see noticeable improvement in your writing.

If you’ve ever heard people talk about pacing and flow in academic writing, and you have no idea what they mean or how to improve yours, then this is your answer. These tips will help your writing sound more natural, which is how you help your ideas flow.

Take your writing to the next level:

20 Editing Tips from Professional Writers

Whether you are writing a novel, essay, article, or email, good writing is an essential part of communicating your ideas., this guide contains the 20 most important writing tips and techniques from a wide range of professional writers..

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Ashley Shaw is a former editor and marketer/current PhD student and teacher. When she isn't studying con artists for her dissertation, she's thinking of new ways to help college students better understand and love the writing process.

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Get Talking with These Sentence Starters: The Ultimate Guide

Sentence starters are an essential tool for anyone who wants to improve their writing skills. They are words or phrases that help to introduce the rest of the sentence, typically set apart by commas. The words that start a sentence are some of the most important in writing: They introduce what the sentence is about so the reader knows what to expect.

In this article, we will explore the benefits of using sentence starters in your writing. We will provide you with examples of sentence starters that you can use in your own writing, and we will explain how to use them effectively. Whether you are a student looking to improve your essay writing skills, or a professional looking to enhance your communication skills, this article will provide you with the tools you need to succeed.

Sentence Starters

What are sentence starters.

As the name would suggest, sentence starters are any words or phrases that can be used to perfectly start a sentence. Every sentence is different, so every sentence requires a different starter to really convey a meaning. A common sentence starter like “however” has a very specific purpose. You wouldn’t just be able to throw the word “however” into the first sentence of an essay, for example, because it wouldn’t be compared against anything.

However, it is a good idea to figure out when is the best time to use certain sentence starters to really add something extra to your writing. It will be what separates you from the rest of the crowd when you get a better understanding of how it should all work.

The Importance of Variety in Sentence Starters

When it comes to writing, sentence starters play a crucial role in grabbing the reader’s attention and conveying the message effectively. However, using the same sentence starters repeatedly can make the writing monotonous and dull, leading to a loss of interest from the reader. This is where the importance of variety in sentence starters comes into play.

Using a mixture of different sentence starters can keep the reader engaged and interested in the content. It also adds emphasis to important points in the text and makes the writing more lively and enjoyable to read.

Additionally, using a variety of sentence starters can help the writer to convey different emotions and tones in their writing. For example, using a rhetorical question as a sentence starter can create a sense of curiosity and make the reader think deeply about the topic. On the other hand, using a declarative sentence as a starter can convey a sense of confidence and authority.

To achieve variety in sentence starters, writers can use a combination of techniques such as varying the length and structure of sentences, using different types of phrases, and incorporating transitional words. By doing so, the writing becomes more dynamic and engaging, making the reader want to keep reading.

Types of Sentence Starters

When it comes to writing, it’s important to have a variety of sentence starters in your arsenal. Different types of sentence starters can help you achieve different effects in your writing. In this section, we’ll cover three types of sentence starters: conjunction starters, adverb starters, and prepositional phrase starters.

Conjunction Starters

Conjunction starters are words that are used to connect two ideas or thoughts. They can be used to show contrast, addition, or cause and effect. Some common conjunction starters include:

Adverb Starters

Adverb starters are words that modify the verb in a sentence. They can be used to describe how, when, where, or to what extent something is happening. Some common adverb starters include:

• Nevertheless
• Furthermore
• Additionally

Here are some examples of adverb starters in use:

• “However, he didn’t let that stop him from pursuing his dreams.”
• “Nevertheless, she persisted in her efforts to make a change.”
• “Furthermore, the study found that the results were consistent across all age groups.”
• “Therefore, it is important to take precautions to prevent the spread of the virus.”
• “Additionally, the report showed that there was a significant increase in sales.”

Prepositional Phrase Starters

Prepositional phrase starters are words that are used to describe the relationship between two things in a sentence. They can be used to show location, time, or direction. Some common prepositional phrase starters include:

Here are some examples of prepositional phrase starters in use:

• “In the morning, she always enjoyed a cup of coffee.”
• “On the way to work, he listened to his favorite podcast .”
• “At the party, she met some new friends.”
• “With a little practice, he became an expert at playing the guitar.”
• “By the end of the day, she was exhausted from all the work.”

Examples of Sentence Starters

When it comes to writing, sentence starters can be incredibly useful. They can help writers get their thoughts flowing, organize their ideas, and make their writing more engaging. In this section, we’ll take a look at some examples of sentence starters that can be used for different types of writing.

For Storytelling

When telling a story, it’s important to hook your readers from the very beginning. Here are some sentence starters that can be used to do just that:

• Once upon a time…
• It all started when…
• In a far-off land…
• Long ago and far away…
• Deep in the heart of…

These sentence starters can be used to set the scene and draw the reader in. Once you’ve hooked your reader, you can use the following sentence starters to move the story along:

• Later that day…
• The next morning…

When writing an essay, it’s important to clearly state your argument and support it with evidence. Here are some sentence starters that can help you do just that:

• According to…
• In contrast…
• On the other hand …
• For example …

These sentence starters can be used to introduce evidence and support your argument. Additionally, you can use the following sentence starters to transition between paragraphs:

• Moving on to…
• In conclusion …
• Taking a closer look…
• Another important point…
• It’s worth noting that…

For Business Writing

When writing for business, it’s important to be clear and concise. Here are some sentence starters that can help you achieve that:

• As previously mentioned…
• To summarize…
• In other words…
• To put it simply…
• The bottom line is…

These sentence starters can be used to summarize information and make your writing more concise. Additionally, you can use the following sentence starters to make requests or give instructions:

• I would appreciate it if…
• Please be advised that…
• Kindly note that…
• In order to…
• It is imperative that…

By using these sentence starters, you can make your business writing more effective and efficient.

Common Mistakes to Avoid

When it comes to using sentence starters, there are some common mistakes that writers should avoid. Here are a few to keep in mind:

Overusing the Same Sentence Starter

One of the most common mistakes writers make is overusing the same sentence starter throughout their writing. While sentence starters can be helpful in guiding the reader through your writing, using the same one repeatedly can make your writing sound repetitive and monotonous. To avoid this, try using a variety of sentence starters throughout your writing.

Using Sentence Starters Incorrectly

Another mistake writers make is using sentence starters incorrectly. For example, beginning a sentence with “and” or “but” can be effective in some cases, but it’s important to use these words appropriately. Additionally, some sentence starters may not be appropriate for certain writing styles or contexts. Make sure to consider the tone and purpose of your writing before using a particular sentence starter.

Failing to Vary Sentence Structure

Using sentence starters can be a great way to vary sentence structure and keep your writing engaging. However, it’s important to also vary the structure of your sentences themselves. Using the same sentence structure repeatedly can make your writing sound dull and uninteresting. Try experimenting with different sentence structures to keep your writing fresh and engaging.

Neglecting Punctuation

Finally, it’s important to remember that sentence starters are just one aspect of good writing. Neglecting punctuation can make your writing difficult to understand and detract from its overall effectiveness. Make sure to use punctuation correctly and consistently throughout your writing.

By keeping these common mistakes in mind, writers can use sentence starters effectively to improve the flow and readability of their writing.

In conclusion, sentence starters are an essential tool that writers use to make their work more organized, coherent, and easy to read. They help to create a smooth flow of ideas and thoughts, making it easier for the reader to follow the writer’s argument or story.

Good sentence starters can be used in different types of writing, including essays, articles, research papers, and even fiction. They help to introduce new ideas, provide evidence, summarize key points, and make transitions between paragraphs and sections.

The use of sentence starters can also help to improve the quality of writing by making it more engaging and captivating. They can be used to create suspense, add emphasis, and convey emotions. Additionally, sentence starters can help to make writing more concise and clear, avoiding ambiguity and confusion.

Overall, using sentence starters is an effective way to improve the quality of writing and make it more organized, coherent, and engaging. Whether you are a student, a professional writer, or someone who enjoys writing for fun, incorporating sentence starters into your work can help you achieve your writing goals and captivate your audience.

Frequently Asked Questions

What are some effective ways to start a sentence?

There are many effective ways to start a sentence, but it all depends on the context and purpose of your writing. Some common ways to start a sentence include using transitional words and phrases, such as “however,” “in addition,” or “meanwhile,” or starting with a strong subject or action verb. You can also use rhetorical questions, quotes, or interesting facts to grab the reader’s attention and set the tone for your writing.

How can sentence starters be used in persuasive writing?

Sentence starters can be very useful in persuasive writing because they can help you introduce your argument and provide evidence to support it. Some effective sentence starters for persuasive writing include “it is clear that,” “research shows that,” or “experts agree that.” These types of sentence starters can help you establish credibility and persuade your reader to agree with your point of view.

What are some common transition sentence starters?

Common transition sentence starters include “however,” “in addition,” “meanwhile,” “therefore,” and “consequently.” These words and phrases can help you connect ideas and create a smooth flow between sentences and paragraphs.

What are some sentence starters for creative writing?

Creative writing often requires more varied and imaginative sentence starters to create a unique and engaging story. Some examples of sentence starters for creative writing include “once upon a time,” “suddenly,” “in a far-off land,” or “the world was never the same again.” These types of sentence starters can help you set the scene, create suspense, or introduce a new character or plot twist.

How can sentence starters be used in speaking?

Sentence starters can be very useful in speaking because they can help you organize your thoughts and communicate your ideas more effectively. Some effective sentence starters for speaking include “I believe that,” “in my opinion,” or “from my experience.” These types of sentence starters can help you express your ideas clearly and confidently.

What are some sentence starters for providing evidence?

When providing evidence to support your argument, it’s important to use sentence starters that clearly indicate the source and relevance of your evidence. Some effective sentence starters for providing evidence include “according to,” “as demonstrated by,” or “for example.” These types of sentence starters can help you present your evidence in a clear and convincing way.

Last Updated on August 9, 2023

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The Introductory Paragraph: Start Your Paper Off Right

Begin with a great first sentence

• Writing Research Papers
• Writing Essays
• English Grammar
• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

The introductory paragraph of any paper, long or short, should start with a sentence that piques the interest of your readers . 

In a well-constructed first paragraph, that first sentence leads into three or four sentences that provide details about the subject you address in the body of your essay. These sentences should also set the stage for your thesis statement .

Writing a good thesis statement is the subject of much instruction and training, as it's the driver of your research and the subject of your paper. The entirety of your paper hangs on that sentence, which is generally the last sentence of your introductory paragraph and is refined throughout your research and drafting phases.

Writing an Intro Paragraph

It's often easier to write the introductory paragraph after you've written the first draft of the main part of the paper (or at least sketched out a detailed outline, section by section or paragraph by paragraph). After the drafting stage, your research and main points are fresh in your mind, and your thesis statement has been polished to gleaming. It's typically honed during the drafting stage, as research may have necessitated its adjustment.

At the start of a large writing project, it can also be intimidating to put those first words down, so it's often easier to begin composing in the middle of the paper and work on the introduction and conclusion after the meat of the report has been organized, compiled, and drafted.

Construct your introductory paragraph with the following:

• An attention-grabbing first sentence
• Informative sentences that build to your thesis
• The thesis statement, which makes a claim or states a view that you will support or build upon

Your First Sentence

As you researched your topic, you probably discovered some interesting anecdotes, quotes, or trivial facts. This is exactly the sort of thing you should use for an engaging introduction.

Consider these ideas for creating a strong beginning.

Surprising fact: The Pentagon has twice as many bathrooms as are necessary. The famous government building was constructed in the 1940s when segregation laws required that separate bathrooms be installed for people of African descent. This building isn’t the only American icon that harkens back to this embarrassing and hurtful time in our history. Across the United States, there are many examples of leftover laws and customs that reflect the racism that once permeated American society.

Humor: When my older brother substituted fresh eggs for our hard-boiled Easter eggs, he didn’t realize our father would take the first crack at hiding them. My brother’s holiday ended early that particular day in 1991, but the rest of the family enjoyed the warm April weather, outside on the lawn, until late into the evening. Perhaps it was the warmth of the day and the joy of eating Easter roast while Tommy contemplated his actions that make my memories of Easter so sweet. Whatever the true reason, the fact remains that my favorite holiday of the year is Easter Sunday.

Quotation: Hillary Rodham Clinton once said, “There cannot be true democracy unless women's voices are heard.” In 2006, when Nancy Pelosi became the nation’s first female Speaker of the House, one woman’s voice rang out clearly. With this development, democracy grew to its truest level ever in terms of women’s equality. The historical event also paved the way for Senator Clinton as she warmed her own vocal cords in preparation for a presidential race.

Finding the Hook

In each example, the first sentence draws the reader in to find out how the interesting fact leads to a point. You can use many methods to capture your reader’s interest.

Curiosity: A duck’s quack doesn’t echo. Some people might find a deep and mysterious meaning in this fact…

Definition: A homograph is a word with two or more pronunciations. Produce is one example…

Anecdote: Yesterday morning I watched as my older sister left for school with a bright white glob of toothpaste gleaming on her chin. I felt no regret at all until she stepped onto the bus …

Supporting Sentences

The body of your introductory paragraph should fulfill two functions: It should explain your first sentence and should build up to your thesis statement. You'll find that this is much easier than it sounds. Just follow the pattern you see in the above examples.

During the revision stage for the paper as a whole, you can make further refinements to the introduction as needed.

• Examples of Great Introductory Paragraphs
• Write an Attention-Grabbing Opening Sentence for an Essay
• How to Write a Good Thesis Statement
• Definition and Examples of Analysis in Composition
• 10 Steps to Writing a Successful Book Report
• The Ultimate Guide to the 5-Paragraph Essay
• Tips for Writing an Art History Paper
• How To Write an Essay
• How to Write a Solid Thesis Statement
• How to Structure an Essay
• How to Help Your 4th Grader Write a Biography
• How to Develop a Research Paper Timeline
• Writing a Descriptive Essay
• How to Start a Book Report
• How to Write a Response Paper
• What Is Expository Writing?

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• 40 Useful Words and Phrases for Top-Notch Essays

To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if it’s not intelligently articulated, you almost needn’t have bothered.

Developing the language skills to build an argument and to write persuasively is crucial if you’re to write outstanding essays every time. In this article, we’re going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them.

It’s by no means an exhaustive list, and there will often be other ways of using the words and phrases we describe that we won’t have room to include, but there should be more than enough below to help you make an instant improvement to your essay-writing skills.

If you’re interested in developing your language and persuasive skills, Oxford Royale offers summer courses at its Oxford Summer School , Cambridge Summer School , London Summer School , San Francisco Summer School and Yale Summer School . You can study courses to learn english , prepare for careers in law , medicine , business , engineering and leadership.

General explaining

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage: “In order to” can be used to introduce an explanation for the purpose of an argument. Example: “In order to understand X, we need first to understand Y.”

2. In other words

Usage: Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point. Example: “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage: This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance. Example: “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage: “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise. Example: “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage: Use “to that end” or “to this end” in a similar way to “in order to” or “so”. Example: “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument . Here are some cleverer ways of doing this.

6. Moreover

Usage: Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making. Example: “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage:This is also generally used at the start of a sentence, to add extra information. Example: “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage: This is used in the same way as “moreover” and “furthermore”. Example: “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage: Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned. Example: “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage: Use “similarly” in the same way as “likewise”. Example: “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage: Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”. Example: “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage: Use “as well as” instead of “also” or “and”. Example: “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage: This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information. Example: “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage: Used when considering two or more arguments at a time. Example: “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage: This can be used to structure an argument, presenting facts clearly one after the other. Example: “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage: “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis. Example: “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage: Use “however” to introduce a point that disagrees with what you’ve just said. Example: “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage: Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage: Used in a similar manner to “on the other hand” or “but”. Example: “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage: Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence. Example: “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage: Use this to cast doubt on an assertion. Example: “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage: This is used in the same way as “then again”. Example: “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage: Use this when you want to introduce a contrasting idea. Example: “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage: Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence. Example: “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage: Use this when you want your reader to consider a point in the knowledge of something else. Example: “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage: This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing. Example: “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage: These phrases are used when something has shed light on something else. Example: “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage: This is similar to “despite this”. Example: “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage: This is the same as “nonetheless”. Example: “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage: This is another way of saying “nonetheless”. Example: “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example: “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example: “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage: Used to introduce a point that is loaded with meaning that might not be immediately apparent. Example: “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage: This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it). Example: “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage: Use “importantly” interchangeably with “significantly”. Example: “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage: Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview. Example: “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage: Used to signify what you believe to be the most significant point, and the main takeaway from the essay. Example: “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage: This is a useful word to use when summarising which argument you find most convincing. Example: “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage: Use in the same way as “persuasive” above. Example: “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage: This means “taking everything into account”. Example: “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below, or get in touch here to find out more about courses that can help you with your essays.

At Oxford Royale Academy, we offer a number of  summer school courses for young people who are keen to improve their essay writing skills. Click here to apply for one of our courses today, including law , business , medicine  and engineering .

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It’s the roadmap to your essay, it’s the forecast for your argument, it’s...your introduction paragraph, and writing one can feel pretty intimidating. The introduction paragraph is a part of just about every kind of academic writing , from persuasive essays to research papers. But that doesn’t mean writing one is easy!

If trying to write an intro paragraph makes you feel like a Muggle trying to do magic, trust us: you aren’t alone. But there are some tips and tricks that can make the process easier—and that’s where we come in.

In this article, we’re going to explain how to write a captivating intro paragraph by covering the following info:  

• A discussion of what an introduction paragraph is and its purpose in an essay
• An overview of the most effective introduction paragraph format, with explanations of the three main parts of an intro paragraph
• An analysis of real intro paragraph examples, with a discussion of what works and what doesn’t
• A list of four top tips on how to write an introduction paragraph

Are you ready? Let’s begin!

What Is an Introduction Paragraph? 

An introduction paragraph is the first paragraph of an essay , paper, or other type of academic writing. Argumentative essays , book reports, research papers, and even personal  essays are common types of writing that require an introduction paragraph. Whether you’re writing a research paper for a science course or an argumentative essay for English class , you’re going to have to write an intro paragraph. 

So what’s the purpose of an intro paragraph? As a reader’s first impression of your essay, the intro paragraph should introduce the topic of your paper. 

Your introduction will also state any claims, questions, or issues that your paper will focus on. This is commonly known as your paper’s thesis . This condenses the overall point of your paper into one or two short sentences that your reader can come back and reference later.

But intro paragraphs need to do a bit more than just introduce your topic. An intro paragraph is also supposed to grab your reader’s attention. The intro paragraph is your chance to provide just enough info and intrigue to make your reader say, “Hey, this topic sounds interesting. I think I’ll keep reading this essay!” That can help your essay stand out from the crowd.

In most cases, an intro paragraph will be relatively short. A good intro will be clear, brief, purposeful, and focused. While there are some exceptions to this rule, it’s common for intro paragraphs to consist of three to five sentences . 

Effectively introducing your essay’s topic, purpose, and getting your reader invested in your essay sounds like a lot to ask from one little paragraph, huh? In the next section, we’ll demystify the intro paragraph format by breaking it down into its core parts . When you learn how to approach each part of an intro, writing one won’t seem so scary!

Once you figure out the three parts of an intro paragraph, writing one will be a piece of cake!

The 3 Main Parts of an Intro Paragraph

In general, an intro paragraph is going to have three main parts: a hook, context, and a thesis statement . Each of these pieces of the intro plays a key role in acquainting the reader with the topic and purpose of your essay. 

Below, we’ll explain how to start an introduction paragraph by writing an effective hook, providing context, and crafting a thesis statement. When you put these elements together, you’ll have an intro paragraph that does a great job of making a great first impression on your audience!

Intro Paragraph Part 1: The Hook

When it comes to how to start an introduction paragraph, o ne of the most common approaches is to start with something called a hook. 

What does hook mean here, though? Think of it this way: it’s like when you start a new Netflix series: you look up a few hours (and a few episodes) later and you say, “Whoa. I guess I must be hooked on this show!” 

That’s how the hook is supposed to work in an intro paragrap h: it should get your reader interested enough that they don’t want to press the proverbial “pause” button while they’re reading it . In other words, a hook is designed to grab your reader’s attention and keep them reading your essay! 

This means that the hook comes first in the intro paragraph format—it’ll be the opening sentence of your intro. 

It’s important to realize  that there are many different ways to write a good hook. But generally speaking, hooks must include these two things: what your topic is, and the angle you’re taking on that topic in your essay. 

One approach to writing a hook that works is starting with a general, but interesting, statement on your topic. In this type of hook, you’re trying to provide a broad introduction to your topic and your angle on the topic in an engaging way . 

For example, if you’re writing an essay about the role of the government in the American healthcare system, your hook might look something like this: 

There's a growing movement to require that the federal government provide affordable, effective healthcare for all Americans. 

This hook introduces the essay topic in a broad way (government and healthcare) by presenting a general statement on the topic. But the assumption presented in the hook can also be seen as controversial, which gets readers interested in learning more about what the writer—and the essay—has to say.

In other words, the statement above fulfills the goals of a good hook: it’s intriguing and provides a general introduction to the essay topic.

Intro Paragraph Part 2: Context

Once you’ve provided an attention-grabbing hook, you’ll want to give more context about your essay topic. Context refers to additional details that reveal the specific focus of your paper. So, whereas the hook provides a general introduction to your topic, context starts helping readers understand what exactly you’re going to be writing about

You can include anywhere from one to several sentences of context in your intro, depending on your teacher’s expectations, the length of your paper, and complexity of your topic. In these context-providing sentences, you want to begin narrowing the focus of your intro. You can do this by describing a specific issue or question about your topic that you’ll address in your essay. It also helps readers start to understand why the topic you’re writing about matters and why they should read about it. 

So, what counts as context for an intro paragraph? Context can be any important details or descriptions that provide background on existing perspectives, common cultural attitudes, or a specific situation or controversy relating to your essay topic. The context you include should acquaint your reader with the issues, questions, or events that motivated you to write an essay on your topic...and that your reader should know in order to understand your thesis. 

For instance, if you’re writing an essay analyzing the consequences of sexism in Hollywood, the context you include after your hook might make reference to the #metoo and #timesup movements that have generated public support for victims of sexual harassment. 

The key takeaway here is that context establishes why you’re addressing your topic and what makes it important. It also sets you up for success on the final piece of an intro paragraph: the thesis statement.

Elle Woods' statement offers a specific point of view on the topic of murder...which means it could serve as a pretty decent thesis statement!

Intro Paragraph Part 3: The Thesis

The final key part of how to write an intro paragraph is the thesis statement. The thesis statement is the backbone of your introduction: it conveys your argument or point of view on your topic in a clear, concise, and compelling way . The thesis is usually the last sentence of your intro paragraph. 

Whether it’s making a claim, outlining key points, or stating a hypothesis, your thesis statement will tell your reader exactly what idea(s) are going to be addressed in your essay. A good thesis statement will be clear, straightforward, and highlight the overall point you’re trying to make.

Some instructors also ask students to include an essay map as part of their thesis. An essay map is a section that outlines the major topics a paper will address. So for instance, say you’re writing a paper that argues for the importance of public transport in rural communities. Your thesis and essay map might look like this: 

Having public transport in rural communities helps people improve their economic situation by giving them reliable transportation to their job, reducing the amount of money they spend on gas, and providing new and unionized work .

The underlined section is the essay map because it touches on the three big things the writer will talk about later. It literally maps out the rest of the essay!

So let’s review: Your thesis takes the idea you’ve introduced in your hook and context and wraps it up. Think of it like a television episode: the hook sets the scene by presenting a general statement and/or interesting idea that sucks you in. The context advances the plot by describing the topic in more detail and helping readers understand why the topic is important. And finally, the thesis statement provides the climax by telling the reader what you have to say about the topic. 

The thesis statement is the most important part of the intro. Without it, your reader won’t know what the purpose of your essay is! And for a piece of writing to be effective, it needs to have a clear purpose. Your thesis statement conveys that purpose , so it’s important to put careful thought into writing a clear and compelling thesis statement. 

How To Write an Introduction Paragraph: Example and Analysis

Now that we’ve provided an intro paragraph outline and have explained the three key parts of an intro paragraph, let’s take a look at an intro paragraph in action.

To show you how an intro paragraph works, we’ve included a sample introduction paragraph below, followed by an analysis of its strengths and weaknesses.

Example of Introduction Paragraph

While college students in the U.S. are struggling with how to pay for college, there is another surprising demographic that’s affected by the pressure to pay for college: families and parents. In the face of tuition price tags that total more than $100,000 (as a low estimate), families must make difficult decisions about how to save for their children’s college education. Charting a feasible path to saving for college is further complicated by the FAFSA’s estimates for an “Expected Family Contribution”—an amount of money that is rarely feasible for most American families. Due to these challenging financial circumstances and cultural pressure to give one’s children the best possible chance of success in adulthood, many families are going into serious debt to pay for their children’s college education. The U.S. government should move toward bearing more of the financial burden of college education. 

Example of Introduction Paragraph: Analysis

Before we dive into analyzing the strengths and weaknesses of this example intro paragraph, let’s establish the essay topic. The sample intro indicates that t he essay topic will focus on one specific issue: who should cover the cost of college education in the U.S., and why. Both the hook and the context help us identify the topic, while the thesis in the last sentence tells us why this topic matters to the writer—they think the U.S. Government needs to help finance college education. This is also the writer’s argument, which they’ll cover in the body of their essay. 

Now that we’ve identified the essay topic presented in the sample intro, let’s dig into some analysis. To pin down its strengths and weaknesses, we’re going to use the following three questions to guide our example of introduction paragraph analysis: 

• Does this intro provide an attention-grabbing opening sentence that conveys the essay topic? 
• Does this intro provide relevant, engaging context about the essay topic? 
• Does this intro provide a thesis statement that establishes the writer’s point of view on the topic and what specific aspects of the issue the essay will address? 

Now, let’s use the questions above to analyze the strengths and weaknesses of this sample intro paragraph. 

Does the Intro Have a Good Hook? 

First, the intro starts out with an attention-grabbing hook . The writer starts by presenting  an assumption (that the U.S. federal government bears most of the financial burden of college education), which makes the topic relatable to a wide audience of readers. Also note that the hook relates to the general topic of the essay, which is the high cost of college education. 

The hook then takes a surprising turn by presenting a counterclaim : that American families, rather than students, feel the true burden of paying for college. Some readers will have a strong emotional reaction to this provocative counterclaim, which will make them want to keep reading! As such, this intro provides an effective opening sentence that conveys the essay topic. 

Does the Intro Give Context?

T he second, third, and fourth sentences of the intro provide contextual details that reveal the specific focus of the writer’s paper . Remember: the context helps readers start to zoom in on what the paper will focus on, and what aspect of the general topic (college costs) will be discussed later on. 

The context in this intro reveals the intent and direction of the paper by explaining why the issue of families financing college is important. In other words, the context helps readers understand why this issue matters , and what aspects of this issue will be addressed in the paper.  

To provide effective context, the writer refers to issues (the exorbitant cost of college and high levels of family debt) that have received a lot of recent scholarly and media attention. These sentences of context also elaborate on the interesting perspective included in the hook: that American families are most affected by college costs.

Does the Intro Have a Thesis? 

Finally, this intro provides a thesis statement that conveys the writer’s point of view on the issue of financing college education. This writer believes that the U.S. government should do more to pay for students’ college educations. 

However, the thesis statement doesn’t give us any details about why the writer has made this claim or why this will help American families . There isn’t an essay map that helps readers understand what points the writer will make in the essay.

To revise this thesis statement so that it establishes the specific aspects of the topic that the essay will address, the writer could add the following to the beginning of the thesis statement:

The U.S. government should take on more of the financial burden of college education because other countries have shown this can improve education rates while reducing levels of familial poverty.

Check out the new section in bold. Not only does it clarify that the writer is talking about the pressure put on families, it touches on the big topics the writer will address in the paper: improving education rates and reduction of poverty. So not only do we have a clearer argumentative statement in this thesis, we also have an essay map!  

So, let’s recap our analysis. This sample intro paragraph does an effective job of providing an engaging hook and relatable, interesting context, but the thesis statement needs some work ! As you write your own intro paragraphs, you might consider using the questions above to evaluate and revise your work. Doing this will help ensure you’ve covered all of your bases and written an intro that your readers will find interesting!

4 Tips for How To Write an Introduction Paragraph

Now that we’ve gone over an example of introduction paragraph analysis, let’s talk about how to write an introduction paragraph of your own. Keep reading for four tips for writing a successful intro paragraph for any essay. 

Tip 1: Analyze Your Essay Prompt

If you’re having trouble with how to start an introduction paragraph, analyze your essay prompt! Most teachers give you some kind of assignment sheet, formal instructions, or prompt to set the expectations for an essay they’ve assigned, right? Those instructions can help guide you as you write your intro paragraph!

Because they’ll be reading and responding to your essay, you want to make sure you meet your teacher’s expectations for an intro paragraph . For instance, if they’ve provided specific instructions about how long the intro should be or where the thesis statement should be located, be sure to follow them!

The type of paper you’re writing can give you clues as to how to approach your intro as well. If you’re writing a research paper, your professor might expect you to provide a research question or state a hypothesis in your intro. If you’re writing an argumentative essay, you’ll need to make sure your intro overviews the context surrounding your argument and your thesis statement includes a clear, defensible claim. 

Using the parameters set out by your instructor and assignment sheet can put some easy-to-follow boundaries in place for things like your intro’s length, structure, and content. Following these guidelines can free you up to focus on other aspects of your intro... like coming up with an exciting hook and conveying your point of view on your topic!

Tip 2: Narrow Your Topic

You can’t write an intro paragraph without first identifying your topic. To make your intro as effective as possible, you need to define the parameters of your topic clearly—and you need to be specific. 

For example, let’s say you want to write about college football. “NCAA football” is too broad of a topic for a paper. There is a lot to talk about in terms of college football! It would be tough to write an intro paragraph that’s focused, purposeful, and engaging on this topic. In fact, if you did try to address this whole topic, you’d probably end up writing a book!

Instead, you should narrow broad topics to  identify a specific question, claim, or issue pertaining to some aspect of NCAA football for your intro to be effective. So, for instance, you could frame your topic as, “How can college professors better support NCAA football players in academics?” This focused topic pertaining to NCAA football would give you a more manageable angle to discuss in your paper.

So before you think about writing your intro, ask yourself: Is my essay topic specific, focused, and logical? Does it convey an issue or question that I can explore over the course of several pages? Once you’ve established a good topic, you’ll have the foundation you need to write an effective intro paragraph . 

Once you've figured out your topic, it's time to hit the books!

Tip 3: Do Your Research

This tip is tightly intertwined with the one above, and it’s crucial to writing a good intro: do your research! And, guess what? This tip applies to all papers—even ones that aren’t technically research papers. 

Here’s why you need to do some research: getting the lay of the land on what others have said about your topic—whether that’s scholars and researchers or the mass media— will help you narrow your topic, write an engaging hook, and provide relatable context. 

You don't want to sit down to write your intro without a solid understanding of the different perspectives on your topic. Whether those are the perspectives of experts or the general public, these points of view will help you write your intro in a way that is intriguing and compelling for your audience of readers. 

Tip 4: Write Multiple Drafts

Some say to write your intro first; others say write it last. The truth is, there isn’t a right or wrong time to write your intro—but you do need to have enough time to write multiple drafts . 

Oftentimes, your professor will ask you to write multiple drafts of your paper, which gives you a built-in way to make sure you revise your intro. Another approach you could take is to write out a rough draft of your intro before you begin writing your essay, then revise it multiple times as you draft out your paper. 

Here’s why this approach can work: as you write your paper, you’ll probably come up with new insights on your topic that you didn’t have right from the start. You can use these “light bulb” moments to reevaluate your intro and make revisions that keep it in line with your developing essay draft. 

Once you’ve written your entire essay, consider going back and revising your intro again . You can ask yourself these questions as you evaluate your intro: 

• Is my hook still relevant to the way I’ve approached the topic in my essay?
• Do I provide enough appropriate context to introduce my essay? 
• Now that my essay is written, does my thesis statement still accurately reflect the point of view that I present in my essay?

Using these questions as a guide and putting your intro through multiple revisions will help ensure that you’ve written the best intro for the final draft of your essay. Also, revising your writing is always a good thing to do—and this applies to your intro, too!

What's Next?

Your college essays also need great intro paragraphs. Here’s a guide that focuses on how to write the perfect intro for your admissions essays. 

Of course, the intro is just one part of your college essay . This article will teach you how to write a college essay that makes admissions counselors sit up and take notice.

Are you trying to write an analytical essay? Our step-by-step guide can help you knock it out of the park.

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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How To Start An Essay (With 20 Great Examples)

Starting your essay is probably the most difficult thing to do in the whole writing process.

Facing a blank page and unsure how to start your essay? Crafting a compelling essay isn’t innate for everyone. While it’s about presenting clear ideas, even top students can struggle. For many, meeting deadlines or ensuring quality becomes daunting, leading them to consult professionals like do my essay cheap . These experts whip up top-tier essays swiftly. A standout essay can elevate your academic status, with the introduction being the pivotal hook. Many opt to hire essay writers for that impeccable start. But crafting an engaging intro is doable. Want to captivate your readers immediately? Or impress academic panels? If the task still feels daunting, there’s always the option to buy assignments online for guaranteed quality. But let’s explore ways to start an essay on your own.

How to start your essay? – The most straightforward advice

In his famous book  “On Writing: A Memoir of the Craft” , Stephen King said: “The scariest moment is always just before you start.” So the best thing to do is to start writing as soon as you can. It doesn’t have to be perfect. Just sit down and write anything, because the Muse comes to those who are brave enough to start. Maybe you’ll throw half of it away, but at least you’ll have something to hang on to.

How to begin your essay? – The lengthier and more appropriate advice

The aim of an academic essay is usually to persuade readers to change their minds about something. It can also be a descriptive, expository, argumentative, or narrative essay .

But regardless of the  format of the essay , the introduction should still have these basic ingredients:

• Introduce the topic – let the reader know what is it about straight away.
• Put the topic in an appropriate context. Frame it, and provide some background information.
• Narrow down the focus. If your essay is too broad, you’ll lose the interest of the reader and fail to address the important issue.
• Answer an important question or make a strong statement which you’ll defend throughout the essay.
• Orientate the reader. In the beginning, you need to answer questions like who, what, when, and how. Remember that the reader probably doesn’t know all the facts that you do.
• Briefly mention the main ideas you are going to discuss in the essay.

How long should an essay introduction be?

It all depends on the overall length of your essay. If it’s a standard, five-paragraph  college essay , the introduction should only take one paragraph or 60-80 words. But if you’re writing something longer, for example, a five-page interpretation of a literary work, the introduction could take two to three paragraphs or 120-150 words. You can measure the length using a simple word counter but don’t obsess too much about the number. The crucial thing is to say what you need to say and impact the reader.

The aim of the introductory paragraph

The first paragraph is always tricky because it serves a double purpose. It has to state what the essay will be about, but it needs to hook the readers and motivate them to read on. That’s why you need a perfect balance between clinical precision and artistic flair.

If you truly want to learn how to begin an essay, there are three best ways to do it:

• Read as many  great essays as possible
• Write as many great essays as possible
• Check examples of great essay introductory paragraphs (that’s what you can see below)

20 Great examples and tips on how to start an essay:

1. describe a setting and start with an emotional punch.

“I’ve been to Australia twice so far, but according to my father, I’ve never actually seen it. He made this observation at the home of my cousin Joan, whom he and I visited just before Christmas last year, and it came on the heels of an equally aggressive comment.” – David Sedaris, Laugh, Kookaburra

2. Start with a deeply personal story from your childhood

“One Sunday morning when I was a boy, my father came out of his office and handed me a poem. It was about a honeybee counseling a flea to flee a doggy and see the sea. The barbiturates my father took to regulate his emotions made him insomniac, and I understood that he’d been awake most of the night, laboring over these lines, listing all the words he could think of ending in a long “e.” – Charles D’Ambrosio – Documents

3. Create a mysterious atmosphere

“Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us.” – Virginia Woolf – Death of the Moth

4. Throw the reader straight into the middle of the events

“Earlier this summer I was walking down West End Avenue in Manhattan and remembered, with a sadness that nearly knocked me off my feet, just why I came to New York seven years ago and just why I am now about to leave.” – Meghan Daum – My Misspent Youth

5. Start with universal questions of life and death

“I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear. I hope to be spared as much pain as possible on the approach path. I was perfectly content before I was born, and I think of death as the same state.” – Roger Ebert – Go Gentle Into That Good Night

6. Start with a question and then answer it

“What is the charm of necklaces? Why would anyone put something extra around their neck and then invest it with special significance? A necklace doesn’t afford warmth in cold weather, like a scarf, or protection in combat, like chain mail; it only decorates. We might say, it borrows meaning from what it surrounds and sets off, the head with its supremely important material contents, and the face, that register of the soul.” – Emily R. Grosholz – On Necklaces

7. Start with irony

“In Moulmein, in Lower Burma, I was hated by large numbers of people – the only time in my life that I have been important enough for this to happen to me.” – George Orwell – Shooting an Elephant

8. Begin by creating great expectations of what’s to come (use the introduction as bait)

“At a dinner party that will forever be green in the memory of those who attended it, somebody was complaining not just about the epic badness of the novels of Robert Ludlum but also about the badness of their titles. (You know the sort of pretentiousness: The Bourne Supremacy, The Aquitaine Progression, The Ludlum Impersonation, and so forth.) Then it happily occurred to another guest to wonder aloud what a Shakespeare play might be called if named in the Ludlum manner.” – Christopher Hitchens – Assassins of The Mind

9. Start with a puzzle (notice how you start to wonder who is she talking about in this introduction)

“The first time I heard her I didn’t hear her at all. My parents did not prepare me. (The natural thing in these situations is to blame the parents.) She was nowhere to be found on their four-foot-tall wood veneer hi-fi. Given the variety of voices you got to hear on that contraption, her absence was a little strange.” – Zadie Smith – Some Notes on Attunement

10. Start with dark humor

“When I was young, I thought Life: A User’s Manual would teach me how to live and Suicide: A User’s Manual how to die.” – Édouard Levé – When I Look at a Strawberry, I Think of a Tongue

11. Start with an unusual question that will pull the readers in

“Do you know what a twerp is? When I was in Shortridge High School in Indianapolis 65 years ago, a twerp was a guy who stuck a set of false teeth up his butt and bit the buttons off the back seats of taxicabs. (And a snarf was a guy who sniffed the seats of girls’ bicycles.)” – Kurt Vonnegut – Dispatch From A Man Without a Country

12. Commence by taking the reader into the world of mystery and awe

“The earliest experience of art must have been that it was incantatory, magical; art was an instrument of ritual. (Cf. the paintings in the caves at Lascaux, Altamira, Niaux, La Pasiega, etc.) The earliest theory of art, that of the Greek philosophers, proposed that art was mimesis, imitation of reality.” – Susan Sontag – Against Interpretation

13. State your thesis at the very beginning – be clear about it

“Science has beauty, power, and majesty that can provide spiritual as well as practical fulfillment. But superstition and pseudoscience keep getting in the way providing easy answers, casually pressing our awe buttons, and cheapening the experience.” – Carl Sagan – Does Truth Matter – Science, Pseudoscience, and Civilization

14. Start with the obvious that’s not so obvious after all

“To do something well you have to like it. That idea is not exactly novel. We’ve got it down to four words: “Do what you love.” But it’s not enough just to tell people that. Doing what you love is complicated.” – Paul Graham – How To Do What You Love

15. Be unpredictable and highly intellectual

“Once, in a dry season, I wrote in large letters across two pages of a notebook that innocence ends when one is stripped of the delusion that one likes oneself. Although now, some years later, I marvel that a mind on the outs with itself should have nonetheless made painstaking record of its every tremor, I recall with embarrassing clarity the flavor of those particular ashes. It was a matter of misplaced self-respect.” – Joan Didion – On Self Respect

16. Get straight to the point

“The enormous, pungent, and extremely well marketed Maine Lobster Festival is held every late July in the state’s mid-coast region, meaning the western side of Penobscot Bay, the nerve stem of Maine’s lobster industry.” – David Foster Wallace – Consider The Lobster

17. Start in a deeply emotional, poetic manner

“The collie wakes me up about three times a night, summoning me from a great distance as I row my boat through a dim, complicated dream. She’s on the shoreline, barking. Wake up. She’s staring at me with her head slightly tipped to the side, long nose, gazing eyes, toenails clenched to get a purchase on the wood floor. We used to call her the face of love.” – Jo Ann Beard – The Fourth State of Matter

18. Begin by describing the place and circumstances in great detail

“Two blocks away from the Mississippi State Capitol, and on the same street with it, where our house was when I was a child growing up in Jackson, it was possible to have a little pasture behind your backyard where you could keep a Jersey cow, which we did. My mother herself milked her. A thrifty homemaker, wife, and mother of three, she also did all her cooking. And as far as I can recall, she never set foot inside a grocery store. It wasn’t necessary.” – Eudora Welty – The Little Store

19. Start by presenting an original idea (frame it in a way that the reader never considered before)

“Saints should always be judged guilty until they are proved innocent, but the tests that have to be applied to them are not, of course, the same in all cases. In Gandhi’s case the questions one feels inclined to ask are: to what extent was Gandhi moved by vanity — by the consciousness of himself as a humble, naked old man, sitting on a praying mat and shaking empires by sheer spiritual power — and to what extent did he compromise his principles by entering politics, which of their nature are inseparable from coercion and fraud?” – George Orwell – Reflections on Gandhi

20. Be clear-headed and approach the subject as objectively as possible

“Fantasists and zealots can be found on both sides of the debate over guns in America. On the one hand, many gun rights advocates reject even the most sensible restrictions on the sale of weapons to the public. On the other, proponents of stricter gun laws often seem unable to understand why a good person would ever want ready access to a loaded firearm. Between these two extremes, we must find grounds for a rational discussion about the problem of gun violence.” – Sam Harris – The Riddle of The Gun

Looking for an answer on how to start an essay is always tricky. You can get inspiration from many sources, but if you want to create an essay that packs a powerful punch from the very beginning, look inside yourself and come up with at least a few openings. Then, do your best to revise the opening paragraphs a couple of times so you end up with something truly impactful and attention-grabbing. Good luck! Next up, you may want to explore a guide on how to write a great 500-word essay .

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Anne R. Allen's Blog... with Ruth Harris

Writing about writing. Mostly.

April 28, 2018 By Anne R. Allen 53 Comments

How to Write a Great First Sentence—with 22 Inspiring Examples

First sentences from classic and contemporary literature analyzed.

by Ruth Harris

No matter what genre you write, your first sentence is a seduction. It can be in the form of an invitation. A declaration. A tease. A promise. A jolt. A shock.

You must be shameless and your first sentence must be irresistible. It must induce curiosity and promise the answer to an urgent question.

You must do whatever you can to lure your reader into the web you’ve woven by writing a sentence so provocative and so powerful that s/he is compelled to continue.

You’re the master of ceremonies and in your first sentence you must present yourself and your book with confidence and authority. If you’ve written a thriller, your first sentence must promise thrills. If you’ve written a romance, your first sentence must promise romance.

Just like a nothingburger cover or a  meh  blurb, a clunky or poorly-conceived first sentence that’s inconsistent with your genre, will turn readers off and cause them to skip your book.

Whether you’re writing fiction or non-fiction, romance or sci fi, a thriller or a mystery, the first sentence of your book must achieve one goal: compel the reader to read on.

Stephen King has said that he spends “months and years” creating that first line. He goes on to say: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

The question is, how do we accomplish all this in one sentence? From  Moby Dick ’s “ Call me Ishmael”  to  Charles Dickens’  “ It was the best of times, it was the worst of times ,” some first sentences have become famous classics. So, too, Jane Austen’s “ It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”

A deeper look into the breadth of masterful first sentences offers a wide array of the ways writers draw readers into their stories and inspiring examples of how much information can be conveyed in a single sentence.

The First Person Introduction.

In a memoir or a novel written in the first person, the author puts himself in the mind of the central character and, in one way or another, tells us that we are about to get the real deal. No BS here, the sentence promises, just the honest, unvarnished truth about someone we want to know more about.

Sylvia Plath uses the first sentence of  The Bell Jar , to establish the nervous, dark mood that hovers over the character and the story. Her story begins—

“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.”

Plath’s use of the word  electrocuted  provides an unexpected jolt and mention of the  Rosenbergs  sets a time (June 1953).  Sultry summer  sets an uncomfortable season,  New York  establishes a place, and the final phrase conveys the uncertainty of a young woman struggling to find an identity and a place in life.

Vladimir Nabokov uses the first nine words of  Lolita  to convey the note of obsessive erotic desire that pulses through the entire novel.

“Lolita, light of my life, fire of my loins.”

Nabokov begins by naming the object of his passion, the word  light  expresses her transformative influence on the narrator, the word  loins  promises that we will be reading a story about sex, and the repetition of the letter  l  creates the feeling of an incantation.

In  Ghostwriters In The Sky , Book 1 of The Camilla Randall Mysteries, Anne uses her first sentence to introduce the MC, locate the place (the subway can only mean NYC), and refer to the season (sweaty indicates hot, most likely summer).

“The subway car was so crowded I couldn’t tell which one of the sweaty men pressing against me was attached to the hand now creeping up my thigh.”

The phrase “creeping up my thigh” indicates a level of unwanted personal attention which places the character in an uncomfortable, if rather ludicrous situation—a theme that will be repeated in different variations throughout the novel.

In  Catcher In the Rye , J.D. Salinger uses an effective but contradictory combination of bravado and vulnerability to establish a unique voice as he introduces us to preppy Holden Caulfield.

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. 

We read on because Salinger’s confessional tone makes us want to know more about his  lousy childhood  and find out why he doesn’t feel like going into it.

The Third Person Introduction.

In  Goldfinger , Ian Fleming introduces 007 in the first sentence.

“James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami airport and thought about life and death.”

Fleming has told us in only a few words that his MC is a drinking man, one who travels, and one who contemplates the larger questions of existence. Where, we wonder, is Bond going, what is he going to do once he gets there, and why does he need to down  two double bourbons  before he boards his flight?

In  The Hobbit , JRR Tolkien simply tells us where his MC lives, but in such a startling way that we feel compelled to read on.

“In a hole in the ground there lived a hobbit.”

A hobbit? A story about a creature who lives in a hole? Who or what is this hobbit and why does he live in a hole. Curious, we read on.

I introduce DeeDee Dahlen, the MC in  Love And Money , Book 1 of the Park Avenue Series with a brief, declarative sentence.

“Her name was DeeDee Dahlen and she was famous from the day she was born.”

How can a newly-born infant be famous?, the reader wonders. What rewards—and penalties—does unasked-for celebrity impose? What secrets and scandal will shadow her future?—urgent questions that will reverberate throughout the entire novel.

Graham Greene, in  Brighton Rock , compels us to want to know more.

“Hale knew, before he had been in Brighton three hours, that they meant to murder him.”

Who are the ‘they?’ we wonder. And what has Hale done? Why do ‘they’ want to kill him?

Gabriel Garcia Marquez begins  One Hundred Years of Solitude  with this famous sentence—

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.”

The author uses a shocking situation—a man facing a firing squad—plus a long-ago memory to pique our curiosity. Who is the Colonel and what had he done that he ends up facing a firing squad? What was there about the discovery of ice that it has lodged so forcefully in his memory? Compelling questions to which we must find the answer and, thus, we continue to read.

Whether classic literature, hard-boiled pulp fiction, or cyberpunk scifi, the first sentence establishes a theme that will continue throughout the story. If the book does not follow through on the promise of that first sentence, the disappointed reader will feel cheated.

In his first sentence, Leo Tolstoy in  Anna Karenina  tells us that we are about to read a story about an unhappy family.

“All happy families are alike; each unhappy family is unhappy in its own way.”

Why, we ask ourselves, are they unhappy? What has happened to them and what will they do? Powerful questions the reader wants answered.

James Matthew Barrie establishes the theme of  Peter Pan  with a brief, declarative statement.

“All children, except one, grow up.”

Which child, we wonder. Why not? And what will happen to a child who doesn’t grow up?

A far different theme is set by Franz Kafka in his posthumously published 1925 novel,  The Trial.

Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.

Kafka’s first sentence thrusts us immediately into the MC’s waking nightmare of terror and paranoia that will be sustained throughout the story.

William Gibson’s  Neuromancer  was the first novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. The chilling first sentence, said to have been written at the last minute, sets the novel’s theme of a burnt-out computer hacker adrift in a dystopian near future governed by artificial intelligence.

“The sky above the port was the color of television, tuned to a dead channel.”

Hunter S Thompson, starts his novel,  Fear and Loathing in Las Vegas , by establishing a place, a mood, and a theme (a disenchanted retrospective look at the 1960s) in the first sentence.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

A Tease, a Shock, a Jolt.

A skillfully written first sentence containing a tease, a shock or a jolt can introduce a character, establish a tone or a setting, and dare the reader not to continue.

The first sentence of  Nineteen Eighty-Four,  George Orwell’s dystopian novel, often considered one of the best one hundred books of the 20 th  Century, tells us immediately that something—time itself—is awry in a future world of Big Brother, doublethink and government surveillance.

“It was a bright cold day in April, and the clocks were striking thirteen.”

Joe Konrath pulls us right into the action in the first sentence of his mystery thriller,  Dirty Martini , Book 4 of the Jacqueline “Jack” Daniels Mystery series.

“No security cameras this time, but he still has to be careful.”

What is he doing, we wonder? In his first sentence, Konrath lets us know that whatever it is, it’s something he’s done before. Something risky, perhaps dangerous, and, even though experienced, he still has to be careful. Of what? Of whom?

In his legal thriller,  The Firm , John Grisham uses his first sentence to tell us that this unnamed and mysterious senior partner will indeed find something to dislike about Mitchell Y. McDeere who, the word  résumé  indicates, is being considered for a job.

“The senior partner studied the résumé for the hundredth time and again found nothing he disliked about Mitchell Y. McDeere, at least not on paper.”

What kind of job, we wonder, and what will the senior partner find to dislike? Grisham’s tease promises evil doings and the reader is lured on.

In  L.A. Confidential,  James Ellroy’s first sentence introduces a main character, sets a theme, and tells us exactly what we are about to read. Ellroy uses a knowledgable tone and vernacular language to let us know that he knows what he’s talking about.

“An abandoned auto court in the San Berdoo foothills; Buzz Meeks checked in with ninety-four thousand dollars, eighteen pounds of high-grade heroin, a 10-gauge pump, a .38 special, a .45 automatic, and a switchblade he’d bought off a pachuco at the border—right before he spotted the car parked across the line: Mickey Cohen goons in an LAPD unmarked, Tijuana cops standing by to bootsack his goodies, dump his body in the San Ysidro River.”

Dennis Lehane, in his short story,  Until Gwen  pulls us in with the use of the second person combined with the promise of drugs and sex.

“Your father picks you up from prison in a stolen Dodge Neon, with an 8-ball of coke in the glove compartment and a hooker named Mandy in the back seat.”

The Rule Breakers.

Although writers are often cautioned about starting a book with a character’s dream, that rule was effectively broken in the classic first sentence of Daphne DuMaurier’s famous gothic mystery,  Rebecca .

“Last night I dreamt I went to Manderley again.”

Marie Force begins her Gansett Island romance,  Meant For Love , with a reference to a dream.

“The dream was always the same, the last perfect moment before life as Jenny Wilks knew it changed forever.”

Both dreams refer to emotionally significant aspects of the characters’ pasts. The reader wonders why the unidentified first-person narrator of  Rebecca  dreams of a place and Jenny Wilks of a “perfect” life now gone forever. The authors use dreams to provoke interest in their characters and in the events of the story to come.

The passive tense is usually considered to be another no-no. Charles McCarry, in  TheTears Of Autumn, considered to be one of the best espionage thrillers of the 20 th  Century, uses the passive tense to introduce American intelligence officer, Paul Christopher, who is investigating the assassination of John F. Kennedy.

“Paul Christopher had been loved by two women who could not understand why he had stopped writing poetry.”

McCarry’s elegant use of the passive tense to introduce his MC sets the theme of the book: an exploration of glittering promise that results in the wreckage of unintended consequences—the end of poetry and the end of Camelot.

Your first sentence is your opportunity to let your creativity shine. Whether you decide to go for a tease or a jolt, a theme or a rule breaker, a first person or third person introduction, remember what Mom always said: You never have a second chance to make a first impression.

For more info on beginnings, Anne and I have both opined about first chapters. For  Anne’s take . For  Ruth’s take .

by Ruth Harris (@RuthHarrisBooks) April 29, 2018

What about you, scriveners? Do you have a favorite first line? Do you find your first line hard to write? (I usually write mine last.) Do you have a dynamite first line for a book you haven’t written yet? 

This week Anne is Poisoning People for Fun and Profit again. This time she’s talking about Gelsemium , a pretty plant that may be growing in your own backyard. And is so deadly it’s the drug of choice of many professional assassins. It also nearly killed Arthur Conan Doyle.

BOOK OF THE WEEK

OPPORTUNITY ALERTS

Central Coasters: Don’t miss the “Writers in Action: From Idea to Publication” Workshop  on May 19th! 1-day workshop by Sisters in Crime, Central Coast at the PG&E Energy Center in San Luis Obispo. Should be a lot of fun. Here’s a link to the application form and lunch menu.

Red Hen Press annual Nonfiction Contest.    $25 entry FEE. $1,000 prize and publication by the prestigious Red Hen Press. They’re looking for an essay collection, memoir, or book of narrative nonfiction. Florencia Ramirez will judge. Using the online submission system, submit a manuscript of at least 150 pages.  Deadline April 30

CRAFT Literary Short Story contest. $20 FEE .  Short fiction up to 6000 words. $2000 first prize; the two runners-up will receive $500 and $300, respectively. plus publication in CRAFT  Literary Magazine. Deadline April 30th.

Mad Scientist Journal: Battling in All Her Finery.  Genre : Speculative fiction stories about women leaders in any field.  Payment : 2 cents/word.  Deadline: April 30, 2018.

13 Imprints of Big 5 publishers who take unagented submissions. From the good people at Authors Publish Magazine.

Supernatural Fiction Award : $1000 prize + publication in The Ghost Story magazine. Not just ghost stories. Any paranormal story welcome. 1500-10,000 words   $20 entry fee. Deadline April 30 th .

Prophecy Creek Book Award for Speculative Fiction . Prize $1,000 and publication by Hidden River Publishing.  Any length novel that includes elements of science fiction, supernatural fiction, or fantasy. $22 fee. Deadline May 15.

Smokelong Quarterly Flash Fiction contest. $13 Fee.  Under 1000 words. Nominates for Pushcart. Must never have been published (including on blogs.) $1500 prize plus publication. Runner-up prizes, too. Deadline May 20th. 

Nowhere Spring Travel Writing Contest   $10 Fee.  800-5000 words showing a powerful sense of place: Fiction or nonfiction. Previous publication okay. $1000 prize plus publication in Nowhere magazine. Deadline May 31st

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About Anne R. Allen

Anne writes funny mysteries and how-to-books for writers. She also writes poetry and short stories on occasion. Oh, yes, and she blogs. She's a contributor to Writer's Digest and the Novel and Short Story Writer's Market.

Her bestselling Camilla Randall Mystery RomCom Series features perennially down-on-her-luck former socialite Camilla Randall—who is a magnet for murder, mayhem and Mr. Wrong, but always solves the mystery in her quirky, but oh-so-polite way.

Anne lives on the Central Coast of California, near San Luis Obispo, the town Oprah called "The Happiest City in America."

April 29, 2018 at 10:27 am

I didn’t fully appreciate the importance of the first line until after my first book. I am proud of the first lines of the next three books, especially the two that say so much about the character. Those are excellent examples and a good breakdown as to why they work. Knowing that is half the struggle.

April 29, 2018 at 12:54 pm

Alex—Thanks! Congratulations on your quality first lines….knowing what and where the target is makes it so much easier to score!

April 29, 2018 at 11:10 am

Couldn’t agree more Ruth, and it’s one of my favorite topics to cover with aspiring authors on the library-circuit. It’s one of those things a newish writer hasn’t truly considered, but they light up when you show examples like these gems (we overlap with several!). I would suggest there’s also the out-and-out lunatic opening to consider, like Ian Banks who set the bar pretty high with his opening to “The Crow Road” (1992):

“It was the day my grandmother exploded.”

Tell me who’s going to put that one back on the rack!

April 29, 2018 at 12:56 pm

Will—Love the Ian Banks first line. Thanks for the great addition!

April 29, 2018 at 11:28 am

Excellent! I particularly like the constellation of 1st person examples: Plath, Nabokov, Salinger, & Allen! Well-chosen, indeed. And, as I am big-idea person more than an analytical person, I love seeing these split into categories — I simply wouldn’t think to do that to these fine examples, but it helps me conceptualize it all. Thanks again.

April 29, 2018 at 12:59 pm

CS—Thanks and happy to hear my category breakdown helped. There are infinite ways to write a great first sentence!

April 29, 2018 at 1:39 pm

I love the topic you chose for today, Ruth, and the way you take a close, illuminating look at each one. Thanks so much for the insight.

I think you had one or two short story first lines in the mix, and I’m glad for that.(I write short stories.) I think an awesome first line is every bit as important in short stories. (Last line too.)

Tolstoy’s Anna Kerenina first line is also an example of what I think has the potential to be powerful: A truism, or a simple philosophical (sort of) statement. He certainly nails it with this one!

An article on great last lines would be a fascinating complement to this one.

April 29, 2018 at 4:32 pm

Tricia—thanks! Yes, the Dennis Lehane first sentence was from a short story. First sentences matter!

April 29, 2018 at 2:35 pm

My favourite opening line is from J.G. Ballard’s ‘High-Rise’:

“Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.”

It sets tone, character, place…and the opportunity to decline an invitation to proceed.

April 29, 2018 at 4:34 pm

Patricia—that’s just great! Thanks!

April 29, 2018 at 3:44 pm

I used my favorite first line in an email signature that earned me a visit from the President of the college; he never made me take it down, but I knew somebody had asked about it nonetheless. From James Crumley’s Last Good Kiss: “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.” I can smell that wasted, lost afternoon, I know the likes of Abraham Trahearne right up front, and one day I’m going to name my new bulldog Fireball Roberts.

April 29, 2018 at 4:38 pm

Ruthie—thanks for another fabulous first line! Wonder if anyone would name a kitten Fireball Roberts? Nah, don’t think so. 😉

April 29, 2018 at 4:35 pm

Sorry to be picky, but there are two typos in this article…which, by the way, is great. This a wonderful collection of first lines, some of which I’ve never seen before. ‘auto court’, I think, rather than ‘auto cout’ – although maybe this is a type of area I’ve not come across before! And Mr Grisham gets spelt as Grosham at one point….

April 29, 2018 at 4:47 pm

Mcrow—Thanks for your eagle eye! I wondered about “cout” but that’s how it came up in my research so I decided to go with it. Maybe a regionalism? Grissom is just a plain vanilla typo. (As I type this, tho, autocorrect turns it into Grissom.) lol

April 30, 2018 at 8:53 am

This is such a great post. I love to look at the first line of a book. It really does either pull you in … or not. I really liked ““All children, except one, grow up.” I’ve never read the book. Maybe now I will. I always try to write a first line or at least the first few lines in a way that the reader will wonder what’s going to happen next and what’s going on. Thanks for this.

April 30, 2018 at 11:24 am

Patricia—thanks for the kind words. First lines are well worth the effort.:)

April 30, 2018 at 10:01 am

First lines are tough and hard to make appealing to a large group of people–even within our own genres.

One I like is: This is the way the world ends – not with a band or a whimper, but with zombies breaking down the back door. – Hollowland by Amanda Hocking

I love the call back to Eliot with a fantasy twist.

April 30, 2018 at 11:27 am

HR—thanks for another good example and fine analysis!

April 30, 2018 at 5:48 pm

Thanks so much for this insightful look into first lines, Ruth. A good reminder to go over some of my old favs and revisit first lines in particular. 🙂

May 1, 2018 at 6:11 am

Dg—appreciate your kind words. Have fun with your old faves!

April 30, 2018 at 6:41 pm

Thanks for this article! I was inspired to re-check out some first lines. I’m pretty happy with the first lines of my two fantasy novels…the second one took a long time. The whole first chapter and especially the first paragraph went through a dozen false starts before I managed to like one I tried. But the first line of Stephen King’s “The Gunslinger” is wonderful–and it must be, as it begins not only a novel, but an epic seven-book series. The line: “The man in black fled across the desert, and the gunslinger followed.”

May 1, 2018 at 6:15 am

Fred—*only* a dozen tries? Wow! Speedy. ;-). Thanks for the excellent Stephen King addition. Much appreciated!

May 6, 2018 at 4:32 pm

Not really speedy. I had it published about twenty-two years after I finished the first draft. I’m finishing a paranormal romance and beginning a fantasy series. Thanks to your article I re-examined, and changed, the first sentence of each one. And of course I may do so again before I’m finished. My thanks to you and Anne both for all these great helpful blogs.

May 1, 2018 at 6:47 am

Wow, those are some great first lines. I’ve always found first lines hard to write and this post has really motivated me to make sure the promise I’m making to my audience is there inside it.

One of my favorite first lines is from the manga Fullmetal Alchemist (English Translation):

“Teachings that do not speak of pain have no meaning…for humankind cannot gain anything without first giving something in return.”

May 1, 2018 at 7:25 am

Amy—happy to hear the post helped. 🙂 thanks,too, for the excellent addition to our first lines!

May 1, 2018 at 7:30 am

I often write my first lines after the first draft. Rather, I should say, I “rewrite” my first line a gazillion times after the first draft. Great post, Ruth. Thanks for the inspiration!

May 1, 2018 at 11:06 am

Sue—yes! It’s not the writing. It’s the rewriting. + the revisions. Facts of life! 😉

May 1, 2018 at 10:17 pm

I love, love, love first sentences. I’ve written hundreds of them! If only I had completed stories to go with all with my first lines….heavy sigh. Enjoyed the post.

May 2, 2018 at 4:13 am

Tammy—ditto and thanks. Maybe find the love for second sentences? 😉

May 6, 2018 at 8:26 am

A great article, Anne.

May 6, 2018 at 12:20 pm

Robbie–The thanks go entirely to Ruth. Not only did she write the piece. but she chose the image this time too. I thought it was perfect!

May 6, 2018 at 4:52 pm

Robbie—glad to learn you enjoyed the post!

May 6, 2018 at 10:31 am

3 greatest are from Moby Dick, Old Man and Sea and Tale of 2 Cities. Oh, and that “In the beginning…” one is pretty famous too.

May 6, 2018 at 1:10 pm

Carl—thanks for the suggestions. We should also add “once upon a time.” 🙂

May 7, 2018 at 3:55 am

Yes, of course !

May 6, 2018 at 4:50 pm

Fredwaiss—22 years? Definitely not speedy! I stand corrected. 🙂 Pleased to learn the post encouraged you to go back and review your first lines. Anne and I work with the goal of helping writers avoid the mistakes we made!

May 8, 2018 at 12:23 pm

Great post, thanks! It was a dark and stormy night…?????

May 8, 2018 at 12:52 pm

M. L.—Perfecto! A truly worthy addition! 🙂

May 8, 2018 at 1:08 pm

Great article Ruth! I have a harder time with LAST lines but reading this reminded me of an unread book I peeked at while unpacking last week that made me want to sit in the pile boxes to keep reading:

“Even before I push the fucking door open I know.” First line of IN SIGHT OF THE STARS by Gae Polisner.

I’m a little envious of that opening…

May 8, 2018 at 2:06 pm

Eldonna—Thanks. 🙂 Thanks, too, for adding another great first sentence!

May 10, 2018 at 3:17 pm

What a fun post – and great comments with more first lines – love it! Thanks for this.

My favorite for description is from IN COLD BLOOD by Truman Capote because of the contrast with the title:

“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ ”

and my favorite for ‘you had me at the first line’ (technically, 3 sentences, they could have been separated by commas… but it would change the rhythm) still, it got me and I read this one, then pretty much all his other books in a 2-month binge. It’s in STRAIGHT by Dick Francis:

“I inherited my brother’s life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother’s life, and it nearly killed me.”

May 10, 2018 at 5:58 pm

Msmartha—Thanks for the kind words—and for two great suggestions! I recall a lengthy dick Francis binge, too. 🙂

June 3, 2018 at 3:09 pm

I don’t have a favorite first line, sorry! I opened an email from you and saw this as title as one of your previous posts and was intrigued. Fantastic post! I’m starting my new WIP today and you’ve inspired me to nail down that first line of my WIP. Thanks!

June 3, 2018 at 4:16 pm

Fiona—Ruth Harris here. Glad you enjoyed the post! Even happier to learn it was inspiring. Good luck with your great first sentence!

October 7, 2018 at 3:21 pm

“If there were a way, if I could, I would write this book in sign language.” Ruth Sidranski’s first line in her memoir entitled In Silence.

October 7, 2018 at 4:48 pm

Katherine—excellent! Thank you.

October 28, 2019 at 8:58 am

I read and try to write romance. This is my favorite opening line from a romance novel, The Best Man by Kristan Higgins:

“On a beautiful day in June, in front of literally half the town, wearing a wedding dress that made her look like Cinderella and holding a bouquet of perfect pink roses, Faith Elizabeth Holland was left at the altar.”

It was my first book by Kristan Higgins, but I can assure you it wasn’t my last!

October 28, 2019 at 10:24 am

Dena Jo—Wonderful! Thanks for a great addition to the list of compelling first lines. Appreciated! 🙂

November 21, 2019 at 6:54 am

First lines–yes! I waffled when I started to write my first book. (A fantasy novel based on a D&D scenario I wrote.) I decided to self-publish it after an agent who had taken me on tried to get me to publish with a publisher who asked for a lot of money. At least it was a lot to me. I was proud of that book, but it took far too long to get to the story proper. I wrote part 2 of the series and published it. Then I found a publisher for my next book, who wanted to take on my previously published books, so I took the opportunity of rewriting the beginning. I cut at least the first 4 chapters and began where the protagonist and his friends were given their quest. A much better beginning,I think.

November 21, 2019 at 1:34 pm

V.M.—Thanks for the great comment! Sounds like you’re on the right track by cutting your early chapters and starting with the quest. And yes, indeed, sometimes getting a book right does take “too long.” Frustrating but worth it!

June 19, 2020 at 5:30 am

so I wrote a first paragraph and I was hoping that someone might help me with critiquing it “You know that every time I peek my head through this window and see the tower, my heart fills with uneasiness, how it pokes into the sky here in Paris and is quite the centerpiece in the culture. Of course, I was talking about the Eiffel tower, the looming feeling I get measures to about the amount you get when you see the corpse of a person next to a puddle of blood with a 15mm Occitane Pistol floating along slowly to a sewer pipe. When you know whatever caused it can just peek out and get you too, slide its fingers along the side of the trigger, and in seconds your years of life have come to an end. ” by the way, Occitane is a region in France, in the book I am writing it also holds a secret underground gun producing factory.

June 19, 2020 at 6:26 am

Noah—Thanks for taking the time to comment. Anne and I do not offer critique services, but wish you the best of luck with your book.

August 15, 2021 at 4:10 pm

Here’s the first sentence of my second novel, plus the short one that follows:

“Who was that,” Greg asked as he and Josie drove home from the folk dance, “the fiddler, singing, at the end? You know him?” Jealousy tainted his question.

It seems to set up the emotional tension that permeates the book.

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Teens come up with trigonometry proof for Pythagorean Theorem, a problem that stumped math world for centuries

By Bill Whitaker

May 5, 2024 / 7:00 PM EDT / CBS News

As the school year ends, many students will be only too happy to see math classes in their rearview mirrors. It may seem to some of us non-mathematicians that geometry and trigonometry were created by the Greeks as a form of torture, so imagine our amazement when we heard two high school seniors had proved a mathematical puzzle that was thought to be impossible for 2,000 years. 

We met Calcea Johnson and Ne'Kiya Jackson at their all-girls Catholic high school in New Orleans. We expected to find two mathematical prodigies.

Instead, we found at St. Mary's Academy , all students are told their possibilities are boundless.

Come Mardi Gras season, New Orleans is alive with colorful parades, replete with floats, and beads, and high school marching bands.

In a city where uniqueness is celebrated, St. Mary's stands out – with young African American women playing trombones and tubas, twirling batons and dancing - doing it all, which defines St. Mary's, students told us.

Junior Christina Blazio says the school instills in them they have the ability to accomplish anything. 

Christina Blazio: That is kinda a standard here. So we aim very high - like, our aim is excellence for all students. 

The private Catholic elementary and high school sits behind the Sisters of the Holy Family Convent in New Orleans East. The academy was started by an African American nun for young Black women just after the Civil War. The church still supports the school with the help of alumni.

In December 2022, seniors Ne'Kiya Jackson and Calcea Johnson were working on a school-wide math contest that came with a cash prize.

Ne'Kiya Jackson: I was motivated because there was a monetary incentive.

Calcea Johnson: 'Cause I was like, "$500 is a lot of money. So I-- I would like to at least try."

Both were staring down the thorny bonus question.

Bill Whitaker: So tell me, what was this bonus question?

Calcea Johnson: It was to create a new proof of the Pythagorean Theorem. And it kind of gave you a few guidelines on how would you start a proof.

The seniors were familiar with the Pythagorean Theorem, a fundamental principle of geometry. You may remember it from high school: a² + b² = c². In plain English, when you know the length of two sides of a right triangle, you can figure out the length of the third.

Both had studied geometry and some trigonometry, and both told us math was not easy. What no one told  them  was there had been more than 300 documented proofs of the Pythagorean Theorem using algebra and geometry, but for 2,000 years a proof using trigonometry was thought to be impossible, … and that was the bonus question facing them.

Bill Whitaker: When you looked at the question did you think, "Boy, this is hard"?

Ne'Kiya Jackson: Yeah. 

Bill Whitaker: What motivated you to say, "Well, I'm going to try this"?

Calcea Johnson: I think I was like, "I started something. I need to finish it." 

Bill Whitaker: So you just kept on going.

Calcea Johnson: Yeah.

For two months that winter, they spent almost all their free time working on the proof.

CeCe Johnson: She was like, "Mom, this is a little bit too much."

CeCe and Cal Johnson are Calcea's parents.

CeCe Johnson:   So then I started looking at what she really was doing. And it was pages and pages and pages of, like, over 20 or 30 pages for this one problem.

Cal Johnson: Yeah, the garbage can was full of papers, which she would, you know, work out the problems and-- if that didn't work she would ball it up, throw it in the trash. 

Bill Whitaker: Did you look at the problem? 

Neliska Jackson is Ne'Kiya's mother.

Neliska Jackson: Personally I did not. 'Cause most of the time I don't understand what she's doing (laughter).

Michelle Blouin Williams: What if we did this, what if I write this? Does this help? ax² plus ….

Their math teacher, Michelle Blouin Williams, initiated the math contest.

Bill Whitaker: And did you think anyone would solve it?

Michelle Blouin Williams: Well, I wasn't necessarily looking for a solve. So, no, I didn't—

Bill Whitaker: What were you looking for?

Michelle Blouin Williams: I was just looking for some ingenuity, you know—

Calcea and Ne'Kiya delivered on that! They tried to explain their groundbreaking work to 60 Minutes. Calcea's proof is appropriately titled the Waffle Cone.

Calcea Johnson: So to start the proof, we start with just a regular right triangle where the angle in the corner is 90°. And the two angles are alpha and beta.

Bill Whitaker: Uh-huh

Calcea Johnson: So then what we do next is we draw a second congruent, which means they're equal in size. But then we start creating similar but smaller right triangles going in a pattern like this. And then it continues for infinity. And eventually it creates this larger waffle cone shape.

Calcea Johnson: Am I going a little too—

Bill Whitaker: You've been beyond me since the beginning. (laughter) 

Bill Whitaker: So how did you figure out the proof?

Ne'Kiya Jackson: Okay. So you have a right triangle, 90° angle, alpha and beta.

Bill Whitaker: Then what did you do?

Ne'Kiya Jackson: Okay, I have a right triangle inside of the circle. And I have a perpendicular bisector at OP to divide the triangle to make that small right triangle. And that's basically what I used for the proof. That's the proof.

Bill Whitaker: That's what I call amazing.

Ne'Kiya Jackson: Well, thank you.

There had been one other documented proof of the theorem using trigonometry by mathematician Jason Zimba in 2009 – one in 2,000 years. Now it seems Ne'Kiya and Calcea have joined perhaps the most exclusive club in mathematics. 

Bill Whitaker: So you both independently came up with proof that only used trigonometry.

Ne'Kiya Jackson: Yes.

Bill Whitaker: So are you math geniuses?

Calcea Johnson: I think that's a stretch. 

Bill Whitaker: If not genius, you're really smart at math.

Ne'Kiya Jackson: Not at all. (laugh) 

To document Calcea and Ne'Kiya's work, math teachers at St. Mary's submitted their proofs to an American Mathematical Society conference in Atlanta in March 2023.

Ne'Kiya Jackson: Well, our teacher approached us and was like, "Hey, you might be able to actually present this," I was like, "Are you joking?" But she wasn't. So we went. I got up there. We presented and it went well, and it blew up.

Bill Whitaker: It blew up.

Calcea Johnson: Yeah. 

Ne'Kiya Jackson: It blew up.

Bill Whitaker: Yeah. What was the blowup like?

Calcea Johnson: Insane, unexpected, crazy, honestly.

It took millenia to prove, but just a minute for word of their accomplishment to go around the world. They got a write-up in South Korea and a shout-out from former first lady Michelle Obama, a commendation from the governor and keys to the city of New Orleans. 

Bill Whitaker: Why do you think so many people found what you did to be so impressive?

Ne'Kiya Jackson: Probably because we're African American, one. And we're also women. So I think-- oh, and our age. Of course our ages probably played a big part.

Bill Whitaker: So you think people were surprised that young African American women, could do such a thing?

Calcea Johnson: Yeah, definitely.

Ne'Kiya Jackson: I'd like to actually be celebrated for what it is. Like, it's a great mathematical achievement.

Achievement, that's a word you hear often around St. Mary's academy. Calcea and Ne'Kiya follow a long line of barrier-breaking graduates. 

The late queen of Creole cooking, Leah Chase , was an alum. so was the first African-American female New Orleans police chief, Michelle Woodfork …

And judge for the Fifth Circuit Court of Appeals, Dana Douglas. Math teacher Michelle Blouin Williams told us Calcea and Ne'Kiya are typical St. Mary's students.  

Bill Whitaker: They're not unicorns.

Michelle Blouin Williams: Oh, no no. If they are unicorns, then every single lady that has matriculated through this school is a beautiful, Black unicorn.

Pamela Rogers: You're good?

Pamela Rogers, St. Mary's president and interim principal, told us the students hear that message from the moment they walk in the door.

Pamela Rogers: We believe all students can succeed, all students can learn. It does not matter the environment that you live in. 

Bill Whitaker: So when word went out that two of your students had solved this almost impossible math problem, were they universally applauded?

Pamela Rogers: In this community, they were greatly applauded. Across the country, there were many naysayers.

Bill Whitaker: What were they saying?

Pamela Rogers: They were saying, "Oh, they could not have done it. African Americans don't have the brains to do it." Of course, we sheltered our girls from that. But we absolutely did not expect it to come in the volume that it came.  

Bill Whitaker: And after such a wonderful achievement.

Pamela Rogers: People-- have a vision of who can be successful. And-- to some people, it is not always an African American female. And to us, it's always an African American female.

Gloria Ladson-Billings: What we know is when teachers lay out some expectations that say, "You can do this," kids will work as hard as they can to do it.

Gloria Ladson-Billings, professor emeritus at the University of Wisconsin, has studied how best to teach African American students. She told us an encouraging teacher can change a life.

Bill Whitaker: And what's the difference, say, between having a teacher like that and a whole school dedicated to the excellence of these students?

Gloria Ladson-Billings: So a whole school is almost like being in Heaven. 

Bill Whitaker: What do you mean by that?

Gloria Ladson-Billings: Many of our young people have their ceilings lowered, that somewhere around fourth or fifth grade, their thoughts are, "I'm not going to be anything special." What I think is probably happening at St. Mary's is young women come in as, perhaps, ninth graders and are told, "Here's what we expect to happen. And here's how we're going to help you get there."

At St. Mary's, half the students get scholarships, subsidized by fundraising to defray the $8,000 a year tuition. Here, there's no test to get in, but expectations are high and rules are strict: no cellphones, modest skirts, hair must be its natural color.

Students Rayah Siddiq, Summer Forde, Carissa Washington, Tatum Williams and Christina Blazio told us they appreciate the rules and rigor.

Rayah Siddiq: Especially the standards that they set for us. They're very high. And I don't think that's ever going to change.

Bill Whitaker: So is there a heart, a philosophy, an essence to St. Mary's?

Summer Forde: The sisterhood—

Carissa Washington: Sisterhood.

Tatum Williams: Sisterhood.

Bill Whitaker: The sisterhood?

Voices: Yes.

Bill Whitaker: And you don't mean the nuns. You mean-- (laughter)

Christina Blazio: I mean, yeah. The community—

Bill Whitaker: So when you're here, there's just no question that you're going to go on to college.

Rayah Siddiq: College is all they talk about. (laughter) 

Pamela Rogers: … and Arizona State University (Cheering)

Principal Rogers announces to her 615 students the colleges where every senior has been accepted.

Bill Whitaker: So for 17 years, you've had a 100% graduation rate—

Pamela Rogers: Yes.

Bill Whitaker: --and a 100% college acceptance rate?

Pamela Rogers: That's correct.

Last year when Ne'Kiya and Calcea graduated, all their classmates went to college and got scholarships. Ne'Kiya got a full ride to the pharmacy school at Xavier University in New Orleans. Calcea, the class valedictorian, is studying environmental engineering at Louisiana State University.

Bill Whitaker: So wait a minute. Neither one of you is going to pursue a career in math?

Both: No. (laugh)

Calcea Johnson: I may take up a minor in math. But I don't want that to be my job job.

Ne'Kiya Jackson: Yeah. People might expect too much out of me if (laugh) I become a mathematician. (laugh)

But math is not completely in their rear-view mirrors. This spring they submitted their high school proofs for final peer review and publication … and are still working on further proofs of the Pythagorean Theorem. Since their first two …

Calcea Johnson: We found five. And then we found a general format that could potentially produce at least five additional proofs.

Bill Whitaker: And you're not math geniuses?

Bill Whitaker: I'm not buying it. (laughs)

Produced by Sara Kuzmarov. Associate producer, Mariah B. Campbell. Edited by Daniel J. Glucksman.

Bill Whitaker is an award-winning journalist and 60 Minutes correspondent who has covered major news stories, domestically and across the globe, for more than four decades with CBS News.

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This Mother's Day, share a heartfelt message with these 30 quotes about mothers

Celebrating mothers and motherhood has been a tradition for centuries, even before Mother's Day was officially created. It dates back to  the ancient Greeks and Romans who held festivals for Rhea and Cybele, the mother goddesses, the History Channel reports. Today, the holiday continues to honor mothers and mother figures.

While you might think that you show your mother love for everything she does throughout the year, the second Sunday in May serves as another chance to do so. And how you display your gratitude could vary depending on your love language .

If you're a fan of words of affirmation, here are some quotes to share – or write on a card – this Mother's Day.

Making a bouquet? Here are what flowers are safe v. toxic for cats.

Mother's Day, motherhood quotes

• "I realized when you look at your mother, you are looking at the purest love you will ever know." – Mitch Albom , "For One More Day"
• "Mama was my greatest teacher, a teacher of compassion, love and fearlessness. If love is sweet as a flower, then my mother is that sweet flower of love." – Stevie Wonder
• "A mother is your first friend, your best friend, your forever friend." – Amit Kalantri , "Wealth of Words"
• "Mother's love is peace. It need not be acquired, it need not be deserved." – Erich Fromm
• "Mother is a verb. It's something you do. Not just who you are." – Cheryl Lacey Donovan , "The Ministry of Motherhood"
• "Acceptance, tolerance, bravery, compassion. These are the things my mom taught me." – Lady Gaga
• "A mother's love is patient and forgiving when all others are forsaking, it never fails or falters, even though the heart is breaking." – Helen Rice
• "A mother's love is more beautiful than any fresh flower." – Debasish Mridha
• "When your mother asks, 'Do you want a piece of advice?' it's a mere formality. It doesn't matter if you answer yes or no. You're going to get it anyway." – Erma Bombeck
• "All that I am or ever hope to be, I owe to my angel mother." – President Abraham Lincoln
• "I wondered if my smile was as big as hers. Maybe as big. But not as beautiful." – Benjamin Alire Sáenz , "Aristotle and Dante Discover the Secrets of the Universe"
• "Sometimes the strength of motherhood is greater than natural laws." – Barbara Kingsolver , "Homeland and Other Stories"
• "A mother is she who can take the place of all others but whose place no one else can take." – Gaspard Mermillod
• "I can imagine no heroism greater than motherhood." –   Lance Conrad , "The Price of Creation"
• "To describe my mother would be to write about a hurricane in its perfect power. Or the climbing, falling colors of a rainbow." – Maya Angelou
• "A mother's arms are more comforting than anyone else's." – Princess Diana
• "My mother is my root, my foundation. She planted the seed that I base my life on, and that is the belief that the ability to achieve starts in your mind." – Michael Jordan
• "There's no way to be a perfect mother and a million ways to be a good one." – Jill Churchill
• "Being a mother is an attitude, not a biological relation." – Robert A. Heinlein , "Have Space Suit—Will Travel"
• "Mothers and their children are in a category all their own. There's no bond so strong in the entire world. No love so instantaneous and forgiving." – Gail Tsukiyama , "Dreaming Water"
• "When you are a mother, you are never really alone in your thoughts. You are connected to your child and to all those who touch your lives. A mother always has to think twice, once for herself and once for her child." – Sophia Loren
• "Once you’re a mom, you’re always a mom. It’s like riding a bike, you never forget." – Taraji P. Henson
• "The world, we'd discovered, doesn't love you like your family loves you." – Louis Zamperini
• "The woman who is my best friend, my teacher, my everything: Mom." – Sandra Vischer , "Unliving the Dream"
• "Mothers possess a power beyond that of a king on his throne." – Mabel Hale
• "The influence of a mother in the lives of her children is beyond calculation." – James E. Faust
• "But behind all your stories is always your mother's story, because hers is where yours begins." – Mitch Albom , "For One More Day"
• "My mother sacrificed her dreams so I could dream." – Rupi Kaur
• "Mother's arms are made of tenderness, and sweet sleep blesses the child who lies within." – Victor Hugo
• "No language can express the power and beauty and heroism of a mother’s love." – Edwin Hubbel Chapin

Looking for inspiration? 50 positive quotes for peak motivation

Just Curious for more? We've got you covered

USA TODAY is exploring the questions you and others ask every day. From " Who was the oldest Golden Girl? " to " What is the smallest country? " to " What's May's birthstone? " − we're striving to find answers to the most common questions you ask every day. Head to our  Just Curious section  to see what else we can answer.

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Kendrick Lamar vs. Drake Beef Goes Nuclear: What to Know

The two rappers had circled one another for more than a decade, but their attacks turned relentless and very personal in a slew of tracks released over the weekend.

By Joe Coscarelli

The long-building and increasingly testy rap beef between Kendrick Lamar and Drake exploded into full-bore acrimony and unverifiable accusations over the weekend. Both artists rapid-fire released multiple songs littered with attacks regarding race, appropriation, sexual and physical abuse, body image, misogyny, hypocrisy, generational trauma and more.

Most relentless was Lamar, a Pulitzer Prize winner from Compton, Calif., who tends toward the isolated and considered but has now released four verbose and conceptual diss tracks — totaling more than 20 minutes of new music — targeting Drake in the last week, including three since Friday.

Each racked up millions of streams and the three that were made available commercially — “Euphoria,” “Meet the Grahams” and “Not Like Us” — are expected to land near the top of next week’s Billboard singles chart, while seeming to, at least momentarily, shift the public perception of Drake, long a maestro of the online public arena and meme ecosystem .

In between, on Friday night, Drake released his own broadside against Lamar — plus a smattering of other recent challengers — in a teasing Instagram interlude plus a three-part track and elaborate music video titled “Family Matters,” in which he referred to his rival as a fake activist and attempted to expose friction and alleged abuse in Lamar’s romantic relationship.

But that song was followed within half an hour by Lamar’s “Meet the Grahams,” an ominous extended address to the parents and young son of Drake, born Aubrey Graham, in which Lamar refers to his rival rapper as a liar and “pervert” who “should die” in order to make the world safer for women.

Lamar also seemed to assert that Drake had more than a decade ago fathered a secret daughter — echoing the big reveal of his son from Drake’s last headline rap beef — a claim Drake quickly denied on Instagram before hitting back in another song on Sunday. (Neither man has addressed the full array of rapped allegations directly.)

On Tuesday, a security guard was shot and seriously injured outside of Drake’s Toronto home, which appeared on the cover art for Lamar’s “Not Like Us.” Authorities said they could not yet speak to a motive in the shooting, but the investigation was ongoing. Representatives for Drake and Lamar did not immediately comment.

How did two of the most famous artists in the world decide to take the gloves off and bring real-life venom into an extended sparring match for rap supremacy? It was weeks, months and years in the making, with a sudden, breakneck escalation into hip-hop infamy. Here’s a breakdown.

Since late March, the much-anticipated head-to-head seemed inevitable. Following years of “will they or won’t they?” lyrical feints, Lamar hit directly on record first this year during a surprise appearance on the song “Like That” by the Atlanta rapper Future and the producer Metro Boomin, both formerly frequent Drake collaborators.

With audible disgust, Lamar invoked the track “First Person Shooter” from last year’s Drake album, “For All the Dogs,” in which a guest verse from J. Cole referred to himself, Drake and Lamar as “the big three” of modern MCs.

Lamar took exception to the grouping, declaring that there was no big three, “just big me.” He also called himself the Prince to Drake’s Michael Jackson — a deeper, more complex artist versus a troubled, pop-oriented hitmaker.

“Like That” spent three weeks at No. 1 on the Billboard Hot 100, as Future and Metro Boomin released two chart-topping albums — “We Don’t Trust You” and “We Still Don’t Trust You” — that were anchored by a parade of Drake’s past associates, each of whom seemed to share a simmering distaste toward the rapper, who later called the ambush a “20 v. 1” fight.

In early April, J. Cole fought back momentarily , releasing the song “7 Minute Drill,” in which he called Lamar overrated, before backtracking, apologizing and having the song removed from streaming services. But Drake soon picked up the baton, releasing a wide-ranging diss track called “Push Ups” less than a week later that addressed the field, with a special focus on Lamar’s height, shoe size and supposedly disadvantageous business dealings.

Less than a week later, Drake mocked Lamar’s lack of a response on “Taylor Made Freestyle,” a track released only on social media. It featured Drake taunting Lamar for being scared to release music at the same time as Taylor Swift and using A.I. voice filters to mimic Tupac and Snoop Dogg imploring Lamar to battle for the good of the West Coast.

“Since ‘Like That,’ your tone changed a little, you not as enthused,” Drake rapped in an abbreviated third verse, as himself. “How are you not in the booth? It feel like you kinda removed.” (“Taylor Made Freestyle” was later removed from the internet at the request of the Tupac Estate.)

But it was a seemingly tossed-off line from the earlier “Push Ups” that included the name of Lamar’s longtime romantic partner — “I be with some bodyguards like Whitney” — that Lamar would later allude to as a red line crossed, making all subject matter fair game in the songs to come. (It was this same alleged faux pas that may have triggered an intensification of Drake’s beef with Pusha T in 2018.)

How We Got Here

Even with Drake-dissing cameos from Future, Ye (formerly Kanye West), Rick Ross, the Weeknd and ASAP Rocky, the main event was always going to be between Drake, 37, and Lamar, 36, who have spent more than a decade subtly antagonizing one another in songs while maintaining an icy frenemy rapport in public.

In 2011, when Drake introduced Lamar to mainstream audiences with a dedicated showcase on his second album, “Take Care,” and an opening slot on the subsequent arena tour, the tone was one of side-eying competition. “He said that he was the same age as myself/and it didn’t help ’cause it made me even more rude and impatient,” Lamar rapped on “Buried Alive Interlude” of his earliest encounter with a more-famous Drake. (On his Instagram on Friday, Drake released a parody of the track, citing Lamar’s jealousy since then.)

The pair went on to appear together on “Poetic Justice,” a single from Lamar’s debut album, “Good Kid, M.A.A.D City,” in 2012, as well as “___ Problems” by ASAP Rocky the same year.

But their collaborations ceased as Drake became his generation’s premier hitmaker across styles in hip-hop and beyond, while Lamar burrowed deeper into his own psyche on knotty concept albums that brought wide critical acclaim alongside less constant commercial success.

When asked, the two rappers tended to profess admiration for one another’s skill, but seemed to trade subtle digs in verses over the years, always with plausible deniability and in the spirit of competition, leading to something of a hip-hop cold war.

The Week It Went Nuclear

Lamar’s first targeted response, “Euphoria,” was more than six minutes long and released last Tuesday morning. In three sections that raised the temperature as they built, he warned Drake about proceeding and insisted, somewhat facetiously, that things were still friendly. “Know you a master manipulator and habitual liar too,” Lamar rapped. “But don’t tell no lie about me and I won’t tell truths ’bout you.”

He accused the biracial Drake, who was born and raised in Toronto, of imitating Black American heritage and insulting him subliminally. “I hate the way that you walk, the way that you talk, I hate the way that you dress,” Lamar said. “I hate the way that you sneak diss, if I catch flight, it’s gon’ be direct.” And he called Drake’s standing as a father into question: “Teachin’ him morals, integrity, discipline/listen, man, you don’t know nothin’ ’bout that.”

Days later, Lamar doubled down with an Instagram-only track called “6:16 in LA,” borrowing both Drake’s “Back to Back” diss tactic from his 2015 beef with Meek Mill and a song title structure lifted from what is known as Drake’s time-stamp series of raps. Opting for psychological warfare on a beat produced in part by Jack Antonoff, Swift’s chief collaborator, Lamar hinted that he had a mole in Drake’s operation and was aware of his opponent’s opposition research.

“Fake bully, I hate bullies, you must be a terrible person,” he rapped. “Everyone inside your team is whispering that you deserve it.”

That night, Drake’s “Family Matters” started with its own justification for getting personal — “You mentioned my seed, now deal with his dad/I gotta go bad, I gotta go bad” — before taking on Lamar’s fatherhood and standing as a man in excruciating detail. “They hired a crisis management team to clean up the fact that you beat on your queen,” Drake rapped. “The picture you painted ain’t what it seem/you’re dead.”

Yet in a chess move that seemed to anticipate Drake’s familial line of attack, Lamar’s “Meet the Grahams” was released almost immediately. “This supposed to be a good exhibition within the game,” Lamar said, noting that Drake had erred “the moment you called out my family’s name.” Instead of a rap battle, Lamar concluded after another six minutes of psychological dissection, “this a long life battle with yourself.”

He wasn’t done yet. Dispensing with subtlety, Lamar followed up again less than 24 hours later with “Not Like Us,” a bouncy club record in a Los Angeles style that delighted in more traditional rap beef territory, like juvenile insults, proudly unsubstantiated claims of sexual preferences and threats of violence.

Lamar, however, didn’t leave it at that, throwing one more shot at Drake’s authenticity as a rapper, calling him a greedy and artificial user as a collaborator — “not a colleague,” but a “colonizer.”

On Sunday evening, Drake responded yet again. On “The Heart Part 6,” a title taken from Lamar’s career-spanning series, Drake denied the accusation that he preyed on young women, indicated that he had planted the bad information about his fake daughter and seemed to sigh away the fight as “some good exercise.”

“It’s good to get out, get the pen working,” Drake said in an exhausted outro. “You would be a worthy competitor if I was really a predator.” He added, “You know, at least your fans are getting some raps out of you. I’m happy I could motivate you.”

Joe Coscarelli is a culture reporter with a focus on popular music, and the author of “Rap Capital: An Atlanta Story.” More about Joe Coscarelli

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