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Essays About Heroes: 5 Examples And Topic Ideas

Here, we’ll look at examples of essays about heroes and questions that can be used as topics for essays about an imagined or real hero.

A few different images likely come to mind when you hear the word hero. You may imagine Superman flying above the world with his superpower of flight. You may imagine a personal hero, a real person who has made a significant impact on your life for the better. You might think of a true hero as someone who has shown heroic qualities in the public eye, working to help ordinary people through difficult situations.

When writing an essay about your life hero, it’s important to consider the qualities of that person that make them stand out to you. Whether you choose to write an essay about how your mom got you through tough times and became your role model or about a political figure who made a difference in the lives of people in history, it’s key to not just focus on the person’s actions—you’ll also want to focus on the qualities that allowed them to act heroically.

Here, we’ll explore examples of hero essays and potential topics to consider when writing about a hero.

For help with your essays, check out our round-up of the best essay checkers

Examples Of Essays About Heroes

  • 1. These Are The Heroes Of The Coronavirus Pandemic By Ruth Marcus
  • 2. Why Teachers Are My Heroes By Joshua Muskin
  • 3. Martin Luther King Jr.—Civil Rights Activist & Hero By Kathy Weiser-Alexander

4. Steve Prefontaine: The Track Of A Hero By Bill O’Brian

5. forget hamilton, burr is the real hero by carey wallace, topic ideas for essays about heroes, 1. what makes a hero, 2. what are the most important characteristics of heroes in literature, 3. what constitutes a heroic act, 4. is selflessness required for heroism, 1.  these are the heroes of the coronavirus pandemic  by ruth marcus.

Examples of essays about heroes: These Are The Heroes Of The Coronavirus Pandemic By Ruth Marcus

“Is this what they signed up for? There is some danger inherent in the ordinary practice of medicine, but not this much. I confess: I do not know that I would do the same in their circumstances; I am not sure I am so generous or so brave. If my child were graduating from medical school, how would I deal with her being sent, inadequately protected, into an emergency room? If my husband were a physician, would I send him off to the hospital — or let him back into the house in the interim?” Ruth Marcus

Healthcare workers have had no choice but to go above and beyond in recent years. In this essay, Marcus discusses the heroism of those in the healthcare field. He delves into the traits (including selflessness and courage) that make doctors, nurses, and other healthcare workers heroes.

2.  Why Teachers Are My Heroes   By Joshua Muskin

“Teachers are my heroes because they accept this responsibility and try extremely hard to do this well even when the conditions in which they work are far from ideal; at least most do. Our jobs as society, education systems, and parents is to do our best to be strong allies to teachers, since their success is essential to ours.” Joshua Muskin

In this essay, Dr. Muskin discusses the many challenges teachers face and what parents, administrators, and education researchers can do to help teachers support students. Muskin explains that most teachers go above and beyond the call of duty to serve their classrooms.

3.  Martin Luther King Jr.—Civil Rights Activist & Hero   By Kathy Weiser-Alexander

“During this nonviolent protest, activists used boycotts, sit-ins, and marches to protest segregation and unfair hiring practices that caught the attention of the entire world. However, his tactics were put to the test when police brutality was used against the marchers, and King was arrested. But, his voice was not silenced, as he wrote his “Letter from a Birmingham Jail” to refute his critics.” Kathy Weiser-Alexander

In this essay, Weiser-Alexander details both the traits and the actions of Dr. King before and during the civil rights movement. The author touches on King’s commitment to justice, persistence, and willingness to stand for his beliefs despite difficult circumstances.

“I remember this so vividly because Prefontaine was a hero to me, a hero in a way that no one was before, or really has been since. A British commentator once called him “an athletic Beatle.” If so, his persona was much more Lennon than McCartney. Actually, I thought of him more as Mick Jagger — or ultimately James Dean.” Bill O’Brian

A hero to many in the running world, Prefontaine’s confidence, unique style, and unmatched athletic ability have been heralded for decades. In this essay, O’Brian shares how he, as a distance runner during the era of Pre, related to his struggles and ambition.

“Burr fought against an ugly tide of anti-immigrant sentiment in the young republic, led by Hamilton’s Federalist party, which suggested that anyone without English heritage was a second-class citizen, and even challenged the rights of non-Anglos to hold office. In response, Burr insisted that anyone who contributed to society deserved all the rights of any other citizen, no matter their background.” Carey Wallace

In this essay, Wallace explains why Aaron Burr, the lifelong nemesis of founding father Alexander Hamilton, should be considered a historical hero. This essay exposes someone seen as a villain but much of society with a different take on their history. 

It can be interesting to think about your definition of a hero. When describing what the term hero means to you, you may want to choose a person (or a few people) you look up to as a hero to solidify your point. You might want to include fictional characters (such as those in the Marvel universe) and real-life brave souls, such as police officers and firefighters.

A word of caution: stay away from the cliche opening of describing how the dictionary defines a hero. Instead, lead-in with a personal story about a hero who has affected your life. While talking about a public figure as a hero is acceptable, you may find it easier to write about someone close to you who you feel has displayed heroic qualities. Writing about a family member or friend who has shown up as a heroic main character in your life can be just as exciting as writing about a real or imagined superhero.

From Beowulf to Marvel comics, heroes in literature take on many different traits. When writing an essay on what trait makes a hero come alive in a short story, novel, or comic, choose a few of your favorite heroes and find common themes that they share.

Perhaps your favorite heroes are selfless and are willing to put themselves last in the name of sacrifice for others. Perhaps they’re able to dig deep into the truth, being honest even when it’s hard, for the greater good. There’s no need to list endless heroes to make your point—choosing three or four heroes from literature can be a great way to support your argument about what characteristics define heroism in literature.

When someone is named a hero in real life, we often picture them saving people from a burning building or performing a difficult surgical operation. It can be difficult to pin down exactly what constitutes a heroic act. When writing about what constitutes a heroic act, think about people who go above and beyond, performing feats of courage, honesty, and bravery to support themselves or others. When writing about what constitutes a heroic act, discuss real-life or literary examples of heroes at work.

To many people, being a hero means giving back to others. While giving something away or trading in one’s well-being for others can certainly be seen as a heroic act, many people wonder if selflessness is required for heroism or if a hero can serve the greater good in a way that also supports their happiness. When writing about whether selflessness is required for heroism, choose examples from literature and real-life to support your point.

Tip: If writing an essay sounds like a lot of work, simplify it. Write a simple 5 paragraph essay instead.

If you’re still stuck, check out our available resource of essay writing topics .

essay on character of hero

Amanda has an M.S.Ed degree from the University of Pennsylvania in School and Mental Health Counseling and is a National Academy of Sports Medicine Certified Personal Trainer. She has experience writing magazine articles, newspaper articles, SEO-friendly web copy, and blog posts.

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What Makes a Person Heroic?

Characteristics of a hero.

Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book."

essay on character of hero

Shereen Lehman, MS, is a healthcare journalist and fact checker. She has co-authored two books for the popular Dummies Series (as Shereen Jegtvig).

essay on character of hero

  • Definitions
  • Characteristics

What makes a person heroic? Is there a hero gene, naturally giving someone the characteristics of a hero? According to one study, the answer might rest in the type of heroism we are addressing.

In a paper published in 2010, researchers reported that people who engaged in one-time acts of bravery (like rushing into a burning building or rescuing someone from the path of an oncoming train) are not necessarily that much different from control groups of non-heroes.

By contrast, people who engage in lifelong heroism (such as professional nurses who regularly comfort the sick and dying) do share a number of important personality traits such as empathy , nurturance, and a need to live by a moral code.

Definitions of Heroism

The scientific study of heroism is a relatively recent topic of interest within the field of psychology.

Researchers have offered different definitions of exactly what makes a hero, but most suggest that heroism involves prosocial, altruistic actions that involve an element of personal risk or sacrifice. 

Researchers Franco, Blau, and Zimbardo suggest that heroism involves more than just this, however. In their definition, a heroic person is someone who:

  • Acts voluntarily for the service of others who are in need, whether it is for an individual, a group, or a community
  • Performs actions without any expectation of reward or external gain
  • Recognizes and accepts the potential risk or sacrifice made by taking heroic actions

Researchers also do not necessarily agree about the central characteristics that make up heroism. One study published in 2015 in the Journal of Personality and Social Psychology suggested that heroes have 12 central traits, which are:

  • Determination
  • Inspirational
  • Moral integrity
  • Self-sacrifice
  • Selflessness

The psychology of heroism might not be well understood, but many experts do believe that it is possible for people to learn to be heroes . The following are just a few of the major characteristics that researchers have ascribed to heroes.

Concern for the Well-Being of Others

According to researchers, empathy, and compassion for others are key variables that contribute to heroic behavior.   People who rush in to help others in the face of danger and adversity do so because they genuinely care about the safety and well-being of other people.

One study published in 2009 found that people who have heroic tendencies also have a much higher degree of empathy.  

People who engage in acts of heroism have concern and care for the people around them and they are able to feel what those in need of help are feeling.

Understanding Other Perspectives

Researchers suggest that heroes aren't just compassionate and caring; they have a knack for being able to see things from the perspective of others.   They can "walk a mile in another man's shoes," so to speak.

When they encounter a situation where an individual is in need, they are immediately able to see themselves in that same situation and see what needs to be done to help.

Heroes Have Useful Skills and Strengths

Clearly, having the training or physical ability to deal with a crisis can also play a major role in whether or not people become heroes.

In situations where would-be rescuers lack the know-how or sheer physical strength to make a difference, people are less likely to help or are more likely to find less direct ways to take action. And in many cases, this approach is probably best; after all, people senselessly rushing into a dangerous situation can pose even more difficulties for rescue workers.

People who are trained and capable, such as those with first aid training and experience, are more ready and able to step up when their skills are needed.

Heroes Have a Strong Moral Compass

According to heroism researchers Zimbardo and Franco, heroes have two essential qualities that set them apart from non-heroes: they live by their values and they are willing to endure personal risk to protect those values.  

Their values and personal beliefs give them the courage and resolve to endure risk and even danger in order to adhere to those principles.

Heroes Are Competent and Confident

It takes both skill and self-confidence to rush into where others fear to tread. Researchers suggest that people who perform heroic acts tend to feel confident in themselves and their abilities.

When faced with a crisis , they have an intrinsic belief that they are capable of handling the challenge and achieving success no matter what the odds are. Part of this confidence might stem from above-average coping skills and abilities to manage stress.

Heroes Aren't Afraid to Face Fear

A person who rushes into a burning building to save another person is not just extraordinarily brave; he or she also possesses an ability to overcome fear. Researchers suggest that heroic individuals are positive thinkers by nature, which contributes to their ability to look past the immediate danger of a situation and see a more optimistic outcome.  

In many cases, these individuals may also have a higher tolerance for risk. Plenty of caring and kind people might shrink back in the face of danger. Those who do leap into action are typically more likely to take greater risks in multiple aspects of their lives.

Heroes keep working on their goals, even after multiple setbacks. Persistence is another quality commonly shared by heroes.

In one 2010 study, researchers found that people identified as heroes were more likely to put a positive spin on negative events.  

When faced with a potentially life-threatening illness, people with heroic tendencies might focus on the good that might come from the situation such as a renewed appreciation for life or an increased closeness with loved ones.  

"The decision to act heroically is a choice that many of us will be called upon to make at some point in time. By conceiving of heroism as a universal attribute of human nature, not as a rare feature of the few 'heroic elect,' heroism becomes something that seems in the range of possibilities for every person, perhaps inspiring more of us to answer that call," write heroism researchers, Zeno Franco, and Philip Zimbardo .  

A Word From Verywell

Researchers have found that in a lot of ways, heroes are not all that different from most people. However, there are a number of skills you can build that can boost your hero characteristics.

Building empathy, becoming competent and skilled, and being persistent in the face of obstacles are all abilities you can work on over time. By doing so, you can improve your ability to help others and come through in times of need.

Walker LJ, Frimer JA, Dunlop WL. Varieties of moral personality: beyond the banality of heroism .  J Pers . 2010;78(3):907‐942. doi:10.1111/j.1467-6494.2010.00637.x

Franco ZE, Blau K, Zimbardo PG. Heroism: A Conceptual Analysis and Differentiation between Heroic Action and Altruism .  Review of General Psychology . 2011;15(2):99-113. doi:10.1037/a0022672.

Kinsella EL, Ritchie TD, Igou ER. Zeroing in on heroes: a prototype analysis of hero features . J Pers Soc Psychol. 2015;108(1):114-27. doi:10.1037/a0038463

Staats S, Wallace H, Anderson T, Gresley J, Hupp JM, Weiss E. The hero concept: self, family, and friends who are brave, honest, and hopeful . Psychol Rep. 2009;104(3):820-32. doi:10.2466/PR0.104.3.820-832

By Kendra Cherry, MSEd Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book."

Psychologily

Qualities of a Hero

10 Qualities of a Hero: What Makes a True Hero According to Psychology

When we think of heroes, we often picture someone brave, selfless, and inspiring. Heroes come in many forms, from everyday people who perform extraordinary acts of kindness to larger-than-life figures who save the world from destruction. But what exactly makes a hero? What qualities do they possess that set them apart from the rest of us?

According to research, heroes share several key characteristics. They are brave, determined, and have a strong sense of conviction. They are also honest and empathetic and have an excellent capacity for nurturing and protecting others. Heroes often put themselves in harm’s way to help others, and they inspire those around them to be their best selves.

One of the most essential qualities of a hero is their moral integrity . Heroes stand up for what is right, even when difficult or unpopular. They do not compromise their values or beliefs, and they are willing to make sacrifices for the greater good. Whether they are fighting for social justice, rescuing people from danger, or simply being a positive role model, heroes have a profound impact on the world around them.

Qualities of a Hero: Innate Goodness

As we explore the qualities of a hero, one trait that stands out is their innate goodness. Heroes possess a natural sense of compassion and integrity that sets them apart from others. Let’s take a closer look at these two sub-traits.

Compassion is the ability to feel empathetic towards others and to take action to alleviate their suffering. Heroes possess an innate sense of compassion that drives them to help others in need. They can put themselves in other people’s shoes and understand their pain and struggles. This sense of compassion motivates heroes to act selflessly and put others’ needs before their own.

Integrity is another sub-trait that is closely tied to innate goodness. Heroes possess a strong sense of integrity that guides their actions and decisions. They have a deep-rooted sense of what is right and wrong, and they never compromise their values or beliefs. This unwavering commitment to integrity makes heroes stand out from the crowd. They are willing to make difficult choices and take risks to uphold their principles.

Heroes possess an innate goodness characterized by compassion and integrity. These traits make them stand out from others and inspire us to be better people. By cultivating these qualities within ourselves, we can all strive to be heroes in our own right.

Qualities of a Hero: Courage and Bravery

Courage and bravery are two of the most important qualities of a hero. These qualities are essential in facing difficult situations and overcoming obstacles. In this section, we will discuss the sub-sections of fearlessness and risk-taking.

Fearlessness

Fearlessness is the ability to face danger or difficulty without fear. It is an essential quality of a hero, allowing them to act bravely in the face of adversity. Fearlessness is not the absence of fear but rather the ability to confront and overcome it.

There are many examples of fearlessness in history. For instance, Martin Luther King Jr. was fearless in pursuing civil rights despite facing violence and oppression. Malala Yousafzai was fearless in her fight for education for girls in Pakistan, even after being shot by the Taliban.

Risk Taking

Risk-taking is another essential quality of a hero. It is the willingness to take on challenges and face uncertainty. Heroes often take risks to achieve their goals, even when the odds are against them.

Risk-taking can be seen in many areas of life, from business to sports to personal relationships. For example, Elon Musk took a massive risk in starting SpaceX, a company that aims to colonize Mars. Serena Williams takes risks on the tennis court, going for difficult shots even when it might be safer to play it safe.

Courage and bravery are essential qualities of a hero. Fearlessness and risk-taking are two sub-sections that make up these qualities. Heroes throughout history have demonstrated these qualities in their pursuit of justice, freedom, and other noble causes.

Qualities of a Hero: Selflessness

As we explore the qualities of a hero, we cannot overlook the importance of selflessness. Heroes are often motivated by a desire to help others, even if it means sacrificing their well-being. Selflessness is a trait that is often associated with heroes.

Altruism is defined as the selfless concern for the welfare of others. Heroes often display this trait by putting the needs of others before their own. They are willing to go out of their way to help someone in need, even if it means putting themselves in danger. Altruism is a critical component of selflessness and a quality we should all strive to possess.

Another aspect of selflessness is sacrifice. Heroes often sacrifice their comfort and well-being for the greater good. This could mean giving up their time, money, or safety to help others. Sacrifice is not an easy thing to do, but heroes are willing to make tough choices and put themselves in harm’s way for the benefit of others.

Selflessness is an essential trait of a hero. Altruism and sacrifice are two key components of selflessness that heroes often display. We should all strive to possess these qualities and be willing to put the needs of others before our own.

Qualities of a Hero: Perseverance

Perseverance is a crucial quality of a hero. It means to continue striving towards a goal despite obstacles and setbacks. Heroes are known for their resilience and determination, two key sub-qualities of perseverance.

Resilience is the ability to bounce back from adversity. Heroes often face complex challenges, but their resilience allows them to overcome them. Resilient people are not easily discouraged by failure or setbacks. Instead, they use these experiences as opportunities to learn and grow.

Determination

Determination is the quality of being firmly committed to a goal. Heroes are known for their unwavering determination to achieve their objectives. Determined people are willing to put in the hard work and effort required to succeed. Obstacles or setbacks take time to deter them.

Perseverance is not just about overcoming obstacles but also about maintaining a positive attitude and mindset. Heroes are known for their ability to stay focused and motivated, even in the face of adversity. They understand that setbacks are a natural part of the journey towards success.

Perseverance is an essential quality of a hero. Resilience and determination are two key sub-qualities contributing to a hero’s ability to overcome obstacles and achieve their goals. By cultivating these qualities, we can all become heroes in our own lives.

Qualities of a Hero: Leadership

Leadership is a crucial quality of a hero. Heroic leaders inspire and direct their followers towards a common goal. They possess the ability to motivate others and lead them through challenging situations. In this section, we will discuss the qualities that make a heroic leader.

Inspiration

Heroic leaders inspire their followers to achieve greatness. They possess a clear vision and communicate it effectively to their team. They lead by example and are willing to take risks themselves. They are passionate about their goals and inspire others to share their vision.

One example of an inspiring leader is Nelson Mandela. He fought against apartheid and was imprisoned for 27 years. Despite the hardships he faced, he remained committed to his cause and inspired millions of people around the world. His leadership and determination led to the end of apartheid and the establishment of a democratic South Africa.

Heroic leaders provide direction to their followers. They have a clear plan and communicate it effectively to their team. They ensure that everyone understands their role and responsibilities. They monitor progress and make adjustments as necessary to keep their team on track.

An example of a leader who provided direction is Steve Jobs. He was the co-founder of Apple and was known for his attention to detail. He had a clear vision for the company and communicated it effectively to his team. He turned Apple into one of the most successful companies in the world.

Heroic leaders possess the qualities of inspiration and direction. They inspire their followers to achieve greatness and provide direction to help them reach their goals. They are passionate about their vision and are willing to take risks to achieve it.

Qualities of a Hero: Wisdom

Wisdom is an essential quality of a hero. It is characterized by the ability to make sound judgments and decisions based on knowledge and experience. In this section, we will discuss the two sub-sections of wisdom: judgment and knowledge.

Judgment is the ability to make good decisions based on careful consideration of all available information. It involves weighing the pros and cons of a situation and making a decision that is in the best interest of all parties involved. A hero with good judgment can think critically and objectively, even in high-pressure situations.

One example of a hero with excellent judgment is Nelson Mandela. During his time as the President of South Africa, he made the difficult decision to forgive his oppressors and work towards reconciliation, rather than seeking revenge. This decision helped to heal the wounds of apartheid and set South Africa on a path toward a brighter future.

Knowledge is the foundation of wisdom. It is the accumulation of information and experience that allows a hero to make informed decisions. A hero with extensive knowledge is better equipped to solve problems and make a positive impact on the world.

One example of a hero with vast knowledge is Marie Curie. She was a physicist and chemist who made groundbreaking discoveries in radioactivity. Her work led to the developing of new medical treatments and technologies that have saved countless lives.

Wisdom is a crucial quality of a hero. It is the combination of good judgment and extensive knowledge that allows a hero to make a positive impact on the world. By striving to develop our wisdom, we can all become heroes in our own right.

Frequently Asked Questions

What are some common characteristics of heroic figures.

Heroic figures often possess qualities such as courage, selflessness, and a strong sense of purpose. They are willing to put themselves in harm’s way to help others or achieve a greater good. They also tend to have a strong moral compass and a willingness to stand up for what they believe in, even in the face of adversity.

What are some qualities that make someone a hero?

Some qualities that make someone a hero include bravery, empathy, selflessness, and a willingness to take action. Heroes are often motivated by a desire to make a positive impact on the world and help others, even if it means putting themselves at risk. They also tend to possess a strong sense of integrity and a commitment to doing what is right.

What are some heroic traits that are valued in society?

Society values heroic traits such as courage, selflessness, and a willingness to help others. These traits are seen as admirable and worthy of respect. Other traits that are valued in heroes include perseverance, determination, and a strong sense of purpose.

What distinguishes a hero from an ordinary person?

What distinguishes a hero from an ordinary person is their willingness to take action and put themselves at risk in order to help others or achieve a greater good. Heroes often possess qualities such as courage, selflessness, and a strong sense of purpose that set them apart from others.

What are some examples of people who are considered heroes?

Examples of people who are considered heroes include firefighters, police officers, medical professionals, and members of the military. Other examples include activists, volunteers, and everyday people who have performed acts of kindness or bravery in the face of danger or adversity.

What are some ways in which people can develop heroic qualities?

People can develop heroic qualities by cultivating traits such as courage, empathy, and selflessness. This can be done through practice and by intentionally seeking out opportunities to help others or make a positive impact on the world. Additionally, seeking out role models and learning from their actions can also help to develop heroic qualities.

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Big Ideas Articles & More

What makes a hero, we all have an inner hero, argues philip zimbardo . here's how to find it..

This month, Greater Good features videos of a presentation by Philip Zimbardo, the world-renowned psychologist perhaps best known for his infamous Stanford Prison Experiment. In his talk, Zimbardo discusses the psychology of evil and of heroism, exploring why good people sometimes turn bad and how we can encourage more people to perform heroic acts. In this excerpt from his talk, he zeroes in on his research and educational program designed to foster the “heroic imagination.”

More on Heroism

Watch the video of Philip Zimbardo's Greater Good talk on heroism.

Read his essay on " The Banality of Heroism ," which further explores the conditions that can promote heroism vs. evil.

Read this Greater Good essay on the "psychology of the bystander."

Learn more about Zimbardo's Heroic Imagination Project.

What makes us good? What makes us evil?

Research has uncovered many answers to the second question: Evil can be fostered by dehumanization, diffusion of responsibility, obedience to authority, unjust systems, group pressure, moral disengagement, and anonymity, to name a few.

essay on character of hero

But when we ask why people become heroic, research doesn’t yet have an answer. It could be that heroes have more compassion or empathy; maybe there’s a hero gene; maybe it’s because of their levels of oxytocin—research by neuroeconomist Paul Zak has shown that this “love hormone” in the brain increases the likelihood you’ll demonstrate altruism. We don’t know for sure.

I believe that heroism is different than altruism and compassion. For the last five years, my colleagues and I have been exploring the nature and roots of heroism, studying exemplary cases of heroism and surveying thousands of people about their choices to act (or not act) heroically. In that time, we’ve come to define heroism as an activity with several parts.

First, it’s performed in service to others in need—whether that’s a person, group, or community—or in defense of certain ideals. Second, it’s engaged in voluntarily, even in military contexts, as heroism remains an act that goes beyond something required by military duty. Third, a heroic act is one performed with recognition of possible risks and costs, be they to one’s physical health or personal reputation, in which the actor is willing to accept anticipated sacrifice. Finally, it is performed without external gain anticipated at the time of the act.

Simply put, then, the key to heroism is a concern for other people in need—a concern to defend a moral cause, knowing there is a personal risk, done without expectation of reward.

By that definition, then, altruism is heroism light—it doesn’t always involve a serious risk. Compassion is a virtue that may lead to heroism, but we don’t know that it does. We’re just now starting to scientifically distinguish heroism from these other concepts and zero in on what makes a hero.

My work on heroism follows 35 years of research in which I studied the psychology of evil, including my work on the infamous Stanford Prison Experiment . The two lines of research aren’t as different as they might seem; they’re actually two sides of the same coin.

A key insight from research on heroism so far is that the very same situations that inflame the hostile imagination in some people, making them villains, can also instill the heroic imagination in other people, prompting them to perform heroic deeds.

Take the Holocaust. Christians who helped Jews were in the same situation as other civilians who helped imprison or kill Jews, or ignored their suffering. The situation provided the impetus to act heroically or malevolently. Why did some people choose one path or the other?

Another key insight from my research has been that there’s no clear line between good and evil. Instead, the line is permeable; people can cross back and forth between it.

This is an idea wonderfully represented in an illusion by M. C. Escher, at left. When you squint and focus on the white as the figures and the black as the background, you see a world full of angels and tutus dancing around happily. But now focus on the black as the figures and the white as the background: Now it’s a world full of demons.

What Escher’s telling us is that the world is filled with angels and devils, goodness and badness, and these dark and light aspects of human nature are our basic yin and yang. That is, we all are born with the capacity to be anything. Because of our incredible brains, anything that is imaginable becomes possible, anything that becomes possible can get transformed into action, for better or for worse. 

Some people argue humans are born good or born bad; I think that’s nonsense. We are all born with this tremendous capacity to be anything, and we get shaped by our circumstances—by the family or the culture or the time period in which we happen to grow up, which are accidents of birth; whether we grow up in a war zone versus peace; if we grow up in poverty rather than prosperity.

George Bernard Shaw captured this point in the preface to his great play “Major Barbara”: “Every reasonable man and woman is a potential scoundrel and a potential good citizen. What a man is depends upon his character what’s inside. What he does and what we think of what he does depends on upon his circumstances.”

So each of us may possess the capacity to do terrible things. But we also posses an inner hero; if stirred to action, that inner hero is capable of performing tremendous goodness for others.

Another conclusion from my research is that few people do evil and fewer act heroically. Between these extremes in the bell curve of humanity are the masses—the general population who do nothing, who I call the “reluctant heroes”—those who refuse the call to action and, by doing nothing, often implicitly support the perpetrators of evil.

So on this bell curve of humanity, villains and heroes are the outliers. The reluctant heroes are the rest. What we need to discover is how to give a call to service to this general population. How do we make them aware of the evil that exists? How do we prevent them from getting seduced to the dark side?

We don’t yet have a recipe for creating heroes, but we have some clues, based on the stories of some inspiring heroes.

I love the story of a wonderful nine-year-old Chinese boy, who I call a dutiful hero. In 2008, there was a massive earthquake in China’s Szechuan province. The ceiling fell down on a school, killing almost all the kids in it. This kid escaped, and as he was running away he noticed two other kids struggling to get out. He ran back and saved them. He was later asked, “Why did you do that?” He replied, “I was the hall monitor! It was my duty, it was my job to look after my classmates!”

This perfectly illustrates what I call the “heroic imagination,” a focus on one’s duty to help and protect others. For him, it was cultivated by being assigned this role of hall monitor.

Another story: Irena Sendler was a Polish hero, a Catholic woman who saved at least 2,500 Jewish kids who were holed up in the Warsaw ghetto that the Nazis had erected. She was able to convince the parents of these kids to allow her to smuggle them out of the ghetto to safety. To do this, she organized a network.

That is a key principle of heroism: Heroes are most effective not alone but in a network. It’s through forming a network that people have the resources to bring their heroic impulses to life.

What these stories suggest is that every one of us can be a hero. Through my work on heroism, I’ve become even more convinced that acts of heroism don’t just arrive from truly exceptional people but from people placed in the right circumstance, given the necessary tools to transform compassion into heroic action.

Building on these insights, I have helped to start a program designed to learn more of heroism and to create the heroes of tomorrow.

The Heroic Imagination Project (HIP) is amplifying the voice of the world’s quiet heroes, using research and education networks to promote a heroic imagination in everyone, and then empower ordinary people of all ages and nations to engage in extraordinary acts of heroism. We want to democratize the notion of heroism, to emphasize that most heroes are ordinary people; it’s the act that’s extraordinary.

There are already a lot of great heroes projects out there, such as the Giraffe Heroes Project . The HIP is unique in that it’s the only one encouraging research into heroism, because there’s very little.

Here are a few key insights from research we’ve done surveying 4,000 Americans from across the country. Each of these statements is valid after controlling for all demographic variables, such as education and socioeconomic status.

Heroes surround us. One in five—20 percent—qualify as heroes, based on the definition of heroism I provide above. Seventy-two percent report helping another person in a dangerous emergency. Sixteen percent report whistle blowing on an injustice. Six percent report sacrificing for a non-relative or stranger. Fifteen percent report defying an unjust authority. And not one of these people has been formally recognized as a hero.

Opportunity matters. Most acts of heroism occur in urban areas, where there are more people and more people in need. You’re not going to be a hero if you live in the suburbs. No shit happens in the suburbs!

Education matters. The more educated you are, the more likely you are to be a hero, I think because you are more aware of situations.

Volunteering matters. One third of all the sample who were heroes also had volunteered significantly, up to 59 hours a week.

Gender matters. Males reported performing acts of heroism more than females. I think this is because women tend not to regard a lot of their heroic actions as heroic. It’s just what they think they’re supposed to do for their family or a friend.

Race matters. Blacks were eight times more likely than whites to qualify as heroes. We think that’s in part due to the rate of opportunity. (In our next survey, we’re going to track responses by area code to see if in fact these heroes are coming from inner cities.

Personal history matters. Having survived a disaster or personal trauma makes you three times more likely to be a hero and a volunteer.

Based on these insights into heroism, we’ve put together a toolkit for potential heroes, especially young heroes in training, who already have opportunities to act heroically when they’re kids, such as by opposing bullying.

A first step is to take the “hero pledge,” a public declaration on our website that says you’re willing to be a hero in waiting. It’s a pledge “to act when confronted with a situation where I feel something is wrong,” “to develop my heroic abilities,” and “to believe in the heroic capacities within myself and others, so I can build and refine them.”

You can also take our four-week “Hero Challenge” mini-course online to help you develop your heroic muscles. The challenge may not require you to do anything heroic, but it’s training you to be heroic. And we offer more rigorous, research-based education and training programs for middle and high schools, corporations, and the millitary that make people aware of the social factors that produce passivity, inspire them to take positive civic action, and encourage the skills needed to consistently translate heroic impulses into action.

We’re also in the process of creating an Encyclopedia of Heroes, a collection of hero stories from all over the world. Not just all the classic ones and fictional ones, but ones that people from around the world are going to send in, so they can nominate ordinary heroes with a picture and a story. It will be searchable, so you can find heroes by age, gender, city and country. These are the unsung, quiet heroes—they do their own thing, put themselves in danger, defend a moral cause, help someone in need. And we want to highlight them. We want them to be inspirational to other people just like them.

Essentially, we’re trying to build the social habits of heroes, to build a focus on the other, shifting away from the “me” and toward the “we.” As the poet John Donne wrote: “No man [or woman] is an island entire of itself; every man is a piece of the continent, a part of the main; … any man’s death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee.”

So every person is part of humanity. Each person’s pulse is part of humanity’s heartbeat. Heroes circulate the life force of goodness in our veins. And what the world needs now is more heroes—you. It’s time to take action against evil.

About the Author

Headshot of Philip Zimbardo

Philip Zimbardo

Philip Zimbardo, Ph.D. , is a professor emeritus of psychology at Stanford University, a professor at Palo Alto University, a two-time past president of the Western Psychological Association, and a past president of the American Psychological Association. He is also the author of the best-selling book The Lucifer Effect and the president of the Heroic Imagination Project .

You May Also Enjoy

essay on character of hero

Very nice information. In this world this is the very difficult question that what makes people good or evil. This post has helped a lot to understand the difference. Actually in my point of it depends upon the individual that what he/she thinks. If he/she thinks negative all the time them they became evil and thinking vice versa makes them good.

Andrew | 2:31 am, January 19, 2011 | Link

I really like reading this article because there are many individuals in the world that are heroes but are not recognized.  Heroes that have help humanity progress and prosper have fought with the greatest weapons which are love, respect, sincerity, and peace.  The governments that have had the greatest fear of seeing people free have always use war for colonization, genocide, and false treaties.  However, love is much stronger than war, and thanks to the modern forms of communication and exchange of information, more people are united for peace and do not support or participate in colonization or human genocide.  Since the start of humanity most people have use peace to progress, few have participated in war and few are participating. May peace prevail on earth!

Victor | 7:48 pm, January 29, 2011 | Link

A son raising up against an evil father. A brother standing up to a bully attacking his sibling. A stranger rallying to the side of a woman being assaulted in the street.

My sons are my strength. My reason to help others, that they may find the help they need in their lives.

pops | 9:39 am, February 3, 2011 | Link

Of course religion and eduction has a big impact on a child. But once a child is trying to live a good life (earning good karma or call it whatever you want) good things will happen to that child and he or she will recognize this.

So I think you can definitely change from evil to good.. maybe you _can be changed_ from good to evil.

Massud Hosseini | 7:28 am, September 17, 2011 | Link

Actually in my point of it depends upon the individual that what he/she thinks

asalah | 9:41 pm, September 24, 2011 | Link

“Research has uncovered many answers to the second question: Evil can be fostered by dehumanization, diffusion of responsibility, obedience to authority, unjust systems, group pressure, moral disengagement, and anonymity, to name a few.”  <—What I find amazing about this statement is that anything is being branded “evil” at all.  Well, maybe not.  Relativism seems to be something that’s employed when convenient, disregarded when it’s not.

Kukri | 6:58 pm, November 6, 2011 | Link

This is a very comprehensive discussion on heroism. Victor makes a great point in his comment about how most heroes go unnoticed by the vast majority of people. I think that lack of notoriety is part of what it means to be a hero: doing that which is unexpected without the need for a pat on the back. quotes for facebook status

quotes for facebook status | 11:25 pm, December 22, 2011 | Link

The article that you have been shared is very awesome. This is a very nice compilation, possibly the best on the web. Hope to see more useful information from this site… valentines day quotes

valentines day quotes | 8:15 pm, January 6, 2012 | Link

Generally I do not learn from posts on blogs, however I wish to say that this write-up very pressured me to check out and I did so! Your writing style has amazed me. Thank you, quite nice article.

drake quotes | 11:08 pm, January 11, 2012 | Link

I found this informative and interesting blog so i think so its very useful and knowledge able.I would like to thank you for the efforts you have made in writing this article. I am hoping the same best work from you in the future.

marilyn monroe quotes | 4:45 am, January 12, 2012 | Link

Thanks for the comments here very informative and useful keep posting comments here everyday guys thanks again.

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When a sniper’s bullet hits one soldier and misses the person next to him, that alone does not make the wounded soldier more heroic.

brokesteves | 6:10 am, April 24, 2012 | Link

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essay on character of hero

How to Write a Character Analysis Essay

essay on character of hero

A character analysis essay is a challenging type of essay students usually write for literature or English courses. In this article, we will explain the definition of character analysis and how to approach it. We will also touch on how to analyze characters and guide you through writing character analysis essays.

Typically, this kind of writing requires students to describe the character in the story's context. This can be fulfilled by analyzing the relationship between the character in question and other personas. Although, sometimes, giving your personal opinion and analysis of a specific character is also appropriate.

Let's explain the specifics of how to do a character analysis by getting straight to defining what is a character analysis. Our term paper writers will have you covered with a thorough guide!

What Is a Character Analysis Essay?

The character analysis definition explains the in-depth personality traits and analyzes characteristics of a certain hero. Mostly, the characters are from literature, but sometimes other art forms, such as cinematography. In a character analysis essay, your main job is to tell the reader who the character is and what role they play in the story. Therefore, despite your personal opinion and preferences, it is really important to use your critical thinking skills and be objective toward the character you are analyzing. A character analysis essay usually involves the character's relationship with others, their behavior, manner of speaking, how they look, and many other characteristics.

Although it's not a section about your job experience or education on a resume, sometimes it is appropriate to give your personal opinion and analysis of a particular character.

What Is the Purpose of a Character Analysis Essay

More than fulfilling a requirement, this type of essay mainly helps the reader understand the character and their world. One of the essential purposes of a character analysis essay is to look at the anatomy of a character in the story and dissect who they are. We must be able to study how the character was shaped and then learn from their life. 

A good example of a character for a character analysis essay is Daisy Buchanan from 'The Great Gatsby.' The essay starts off by explaining who Daisy is and how she relates to the main character, Jay Gatsby. Depending on your audience, you need to decide how much of the plot should be included. If the entire class writes an essay on Daisy Buchanan, it is logical to assume everyone has read the book. Although, if you know for certain that your audience has little to no knowledge of who she is, it is crucial to include as much background information as possible. 

After that, you must explain the character through certain situations involving her and what she said or did. Make sure to explain to the reader why you included certain episodes and how they have showcased the character. Finally, summarize everything by clearly stating the character's purpose and role in the story. 

We also highly recommend reading how to write a hook for an essay .

Still Need Help with Your Character Analysis Essay?

Different types of characters.

To make it clear how a reader learns about a character in the story, you should note that several characters are based on their behaviors, traits, and roles within a story. We have gathered some of them, along with vivid examples from famous literature and cinema pieces:

How to Write a Character Analysis Essay

Types of Characters

  • Major : These are the main characters; they run the story. Regularly, there are only one or two major characters. Major characters are usually of two types: the protagonist – the good guy, and the antagonist: the bad guy or the villain. 
  • Protagonist (s) (heroes): The main character around whom most of the plot revolves. 

For example, Othello from Shakespeare's play, Frodo from The Lord of the Rings by J.R.R. Tolkien, Harry Potter from the Harry Potter series by J.K. Rowling, and Elizabeth Bennet from 'Pride and Prejudice' by Jane Austen.

  • Antagonist (s): This is the person that is in opposition to the protagonist. This is usually the villain, but it could also be a natural power, set of circumstances, majestic being, etc. 

For example, Darth Vader from the Star Wars series by George Lucas, King Joffrey from Game of Thrones, or the Wicked Queen from 'Snow White and Seven Dwarfs.'

  • Minor : These characters help tell the major character's tale by letting them interact and reveal their personalities, situations, and/or stories. They are commonly static (unchanging). The minor characters in The Lord of the Rings by J.R.R. Tolkien would be the whole Fellowship of the ring. In their own way, each member of the Fellowship helps Frodo get the ring to Mordor; without them, the protagonist would not be a protagonist and would not be able to succeed. In the Harry Potter series by J.K. Rowling, minor characters are Ronald Weasley and Hermione Granger. They consistently help Harry Potter on his quests against Voldemort, and, like Frodo, he wouldn't have succeeded without them.

On top of being categorized as a protagonist, antagonist, or minor character, a character can also be dynamic, static, or foil.

  • Dynamic (changing): Very often, the main character is dynamic.
An example would also be Harry Potter from the book series by J.K. Rowling. Throughout the series, we see Harry Potter noticing his likeness to Voldemort. Nevertheless, Harry resists these traits because, unlike Voldemort, he is a good person and resists any desire to become a dark wizard.
  • Static (unchanging): Someone who does not change throughout the story is static.
A good example of a static character is Atticus Finch from “How to Kill a Mockingbird” by Harper Lee. His character and views do not change throughout the book. He is firm and steady in his beliefs despite controversial circumstances. 
  • Foils : These characters' job is to draw attention to the main character(s) to enhance the protagonist's role.
‍ A great example of a foil charact e r is Dr. Watson from the Sherlock Holmes series by Arthur Conan Doyle.

How to Analyze a Character 

While preparing to analyze your character, make sure to read the story carefully.

  • Pay attention to the situations where the character is involved, their dialogues, and their role in the plot.
  • Make sure you include information about what your character achieves on a big scale and how they influence other characters.
  • Despite the categories above, try thinking outside the box and explore your character from around.
  • Avoid general statements and being too basic. Instead, focus on exploring the complexities and details of your character(s).

How to Write a Character Analysis Essay?

To learn how to write a character analysis essay and gather a more profound sense of truly understanding these characters, one must completely immerse themself in the story or literary piece.

  • Take note of the setting, climax, and other important academic parts.
  • You must be able to feel and see through the characters. Observe how analysis essay writer shaped these characters into life.
  • Notice how little or how vast the character identities were described.
  • Look at the characters' morals and behaviors and how they have affected situations and other characters throughout the story.
  • Finally, observe the characters whom you find interesting. 

Meanwhile, if you need help writing a paper, leave us a message ' write my paper .'

How Do You Start a Character Analysis Essay

When writing a character analysis essay, first, you have to choose a character you'd like to write about. Sometimes a character will be readily assigned to you. It's wise to consider characters who play a dynamic role in the story. This will captivate the reader as there will be much information about these personas.

Read the Story

You might think that if you already have read the book, there is no need to do so again; however, now that you know the character you would like to focus on, reading it again will have plenty of benefits. It will give you an opportunity to be more precise while reading the scenes that relate directly to your character and are important for his/her analysis. While reading the book, pay attention to every tiny detail to make sure you grasp the whole array of your character's traits. 

Consider the following things:

  • What specific descriptions does the author provide for each character?

For example, when J.K. Rowling describes Harry Potter for the first time, she describes his clothes as old and oversized, his hair untidy, and his glasses as broken. It might seem just like a simple description, but she expresses compassion and pity for an orphan neglected by his only relatives. 

  • What kinds of relationships does your character have with others?

Think about how Harry builds up his friendships with others. First, he and Ron do not like Hermione because she acts like a know-it-all, but when she gets stuck in the dungeons with a horrendous troll, he rushes to save her regardless. 

  • How do the actions of the character move the plot forward?

In 'The Philosopher's Stone,' Harry is very observant of any events taking place at school. He analyzes people's actions, which builds up the plot around the stone and its importance for the magical world.

Get help with your character analysis from our experts.

Choose a Dynamic Character

Choosing a dynamic character is a great idea. This does not necessarily have to be the protagonist, but a character that undergoes many changes has grown throughout the story and is not boring and/or static. This gives you a perfect advantage to fully show the character and make your paper entertaining and engaging for the reader. If you choose a character that is not very dynamic, your essay might seem monotonous because your character will not end up doing much and will not be very involved in the story.

While you are reading, it is useful to take notes or highlight/underline any of the critical elements of the story. This will add depth to your character description(s). By providing vivid and specific examples, you connect your reader to the character, and the character comes alive in their eyes. Review your notes and formulate the main idea about your character when you're finished reading with your character in mind.

Make an initial draft while taking note of the character analysis essay outline provided by your instructor. You may follow the recommended character analysis essay format if you have not been provided with a sample.

Choose a Main Idea

While reading the story, make sure you keep track of your notes. It is a good idea to look at them, choose the ones that are the most representative of your character and find patterns. This will be your thesis. Then, you must support this idea with examples and situations involving your character. 

If your character were Jem Finch from 'To Kill a Mockingbird' by Harper Lee, the main idea would be how his personal character is shaped through racial conflicts, social inequalities, and internal struggles between public opinion, his own views, and what is actually right. Essaypro offers you history essay help. Leave us a notice if you need to proofread, edit, or write your essay.

Character Analysis Questions

Now that you have jotted down some main concepts about your character, here is a list of questions that can help you fill in the blanks you might still have:

character analysis quesions

  • Where do the events involving your character take place?
  • What are the relationships between your character and other significant characters?
  • What is the primary change your character has gone through throughout the story?
  • What is your character's background?
  • What is your character's occupation?
  • What kind of emotions does your character go through?
  • What are your character's values?
  • What is your character's value?
  • Does your character have friends?
  • Is there a lesson your character has learned by the end of the story?
  • Does the character achieve the goals he/she has set for himself/herself?

Make a Character Analysis Essay Outline

When you're unsure how to write a character synopsis, remember that creating a literary analysis outline is one of the most critical steps. A well-constructed character analysis outline will keep your thoughts and ideas organized.

Character Analysis Essay Introduction:

Make the introduction to your paper brief and meaningful. It should hold together your entire essay and spark your audience's interest. Write a short description of the character in question. Don't forget to include a character analysis thesis statement which should make a case for the character's relevance within the narrative context.

Character Analysis Essay Body:

Subdivide your body paragraphs into different ideas or areas regarding the character. Look at your professor's rubric and ensure you'll be able to tackle all the requirements. You should also be provided with questions to be answered to formulate your analysis better. The body should answer the following questions:

  • What is the character's physical appearance, personality, and background?
  • What are the conflicts the character experiences, and how did he/she overcome them?
  • What can we learn from this character?
  • What is the meaning behind the character's actions? What motivates him/her?
  • What does the character do? How does he/she treat others? Is he/she fair or unjust?
  • What does the character say? What is his/her choice of words? Does he/she have a rich vocabulary?
  • How does the character describe themself? How do others describe him/her?
  • What words do you associate with the character? Perhaps a word like 'hope,' 'bravery,' or maybe even 'freedom'?

Character Analysis Essay Conclusion:

It's time to master the secrets of how to write character analysis essay conclusions. Your ending should also hold your ideas together and shape a final analysis statement. Mention things about the character's conflicts that we could experience in real life. Additionally, you can write about how a character should've reacted to a certain situation.

Character Analysis Essay Example

Read our blogs ‘Character Analysis of Jem Finch', 'The Great Gatsby Book Through Daisy Buchanan Character,' 'Analysis of Characters in Beowulf,' or simply use these character analysis essay examples to reference your paper. You might also be interested in a synthesis essay example .

Now that you know what is character analysis, it might be time to choose a character to write about. If you find yourself in a situation where you need to type ' do my homework for me ,' you should contact our writers. You also get a free plagiarism report, formatting, and citing when  buying an essay from us!

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How To Write A Character Analysis Essay?

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essay on character of hero

  • Heroism: Why Heroes are Important
  • Markkula Center for Applied Ethics
  • Focus Areas
  • More Focus Areas

Why Heroes are Important

The impact of role models on the ideals to which we aspire.

When I was 16 years old, I read Henry David Thoreau's book Walden for the first time, and it changed my life. I read about living deliberately, about sucking the marrow out of life, about not, when I had come to die, discovering that I had not lived, and I was electrified. Somehow he convinced me that living deliberately meant becoming a philosopher, and I have not looked back since. And I try as often as I can to remind myself of Thoreau's warning to all philosophy professors: "There are nowadays professors of philosophy, but not philosophers. Yet it is admirable to profess because it was once admirable to live. To be a philosopher is not merely to have subtle thoughts, nor even to found a school, but so to love wisdom as to live according to its dictates, a life of simplicity, independence, magnanimity, and trust. It is to solve some of the problems of life, not only theoretically, but practically." If - horrible thought - I should fail to earn tenure here, I would largely blame that damned quotation. But even if that disaster should strike, I know I would find solace by asking how Henry would respond to such a setback, and I know I would be a better man by following his example. Thoreau is one of my dearest heroes, and I do not know who I would be without him.

The term "hero" comes from the ancient Greeks. For them, a hero was a mortal who had done something so far beyond the normal scope of human experience that he left an immortal memory behind him when he died, and thus received worship like that due the gods. Many of these first heroes were great benefactors of humankind: Hercules, the monster killer; Asclepius, the first doctor; Dionysus, the creator of Greek fraternities. But people who had committed unthinkable crimes were also called heroes; Oedipus and Medea, for example, received divine worship after their deaths as well. Originally, heroes were not necessarily good, but they were always extraordinary; to be a hero was to expand people's sense of what was possible for a human being.

Today, it is much harder to detach the concept of heroism from morality; we only call heroes those whom we admire and wish to emulate. But still the concept retains that original link to possibility. We need heroes first and foremost because our heroes help define the limits of our aspirations. We largely define our ideals by the heroes we choose, and our ideals -- things like courage, honor, and justice -- largely define us. Our heroes are symbols for us of all the qualities we would like to possess and all the ambitions we would like to satisfy. A person who chooses Martin Luther King or Susan B. Anthony as a hero is going to have a very different sense of what human excellence involves than someone who chooses, say, Paris Hilton, or the rapper 50 Cent. And because the ideals to which we aspire do so much to determine the ways in which we behave, we all have a vested interest in each person having heroes, and in the choice of heroes each of us makes.

That is why it is so important for us as a society, globally and locally, to try to shape these choices. Of course, this is a perennial moral issue, but there are warning signs that we need to refocus our attention on the issue now. Consider just a few of these signs:

o A couple years ago the administrators of the Barron Prize for Young Heroes polled American teenagers and found only half could name a personal hero. Superman and Spiderman were named twice as often as Gandhi, Martin Luther King, or Lincoln. It is clear that our media make it all too easy for us to confuse celebrity with excellence; of the students who gave an answer, more than half named an athlete, a movie star, or a musician. One in ten named winners on American Idol as heroes.

o Gangsta rap is a disaster for heroism. Just this week, director Spike Lee lamented the fact that, while his generation grew up idolizing great civil rights leaders, today young people in his community aspire to become pimps and strippers. Surely no one wants their children to get their role models from Gangsta rap and a hyper materialistic, misogynistic hiphop culture, but our communities are finding it difficult to make alternative role models take hold.

o And sometimes, the problem we face is that devotion to heroes is very strong, but directed toward the wrong heroes. In the Muslim world, Osama bin Laden and his like still have a widespread heroic appeal. We can tell how we are doing in the struggle for Muslim hearts and minds by the degree to which this continues to be true.

So what must we do? How should we address the problem? Part of the answer is personal. It never hurts us to remind ourselves who our own heroes are and what they represent for us, and to ask ourselves whether we are doing all we can to live up to these ideals. Not long ago there was a movement afoot to ask always, "What would Jesus do?" I'd like to see people asking questions like that, about Jesus or others, all the time. I confess I get a little thrill every time I see a protest poster asking, "Who would Jesus bomb?" That's heroism doing its work, right there. Moreover, those of us who are teachers - and all of us are teachers of our own children at least - have a special opportunity to introduce heroes to those we teach. And teaching about heroes really isn't hard; heroic lives have their appeal built in, all we need to do is make an effort to tell the stories. I assure you, the reason those students didn't choose Lincoln and King and Gandhi as heroes was not that they had heard their stories and dismissed them. It is our job to tell the stories. Tell your students what a difference people of courage and nobility and genius have made to the world. Just tell the stories! We should recommit to that purpose. Start by going home tonight and listing your five most important heroes.

But part of the answer to our problem is broader. It is clear that the greatest obstacle to the appreciation and adoption of heroes in our society is pervasive and corrosive cynicism and skepticism. It was widely claimed not long ago that 9/11 signalled the end of irony, but it is clear now that the reports of irony's death were greatly exaggerated. This obstacle of cynicism has been seriously increased by scandals like the steroids mess in Major League Baseball, by our leaders' opportunistic use of heroic imagery for short term political gain, and by the Pentagon's stories of glorious soldiers like Jessica Lynch and Pat Tillman that - by no fault of the soldiers involved - turned out to be convenient fabrications.

The best antidote to this cynicism is realism about the limits of human nature. We are cynical because so often our ideals have been betrayed. Washington and Jefferson held slaves, Martin Luther King is accused of philandering and plagiarizing, just about everybody had sex with someone they shouldn't, and so on. We need to separate out the things that make our heroes noteworthy, and forgive the shortcomings that blemish their heroic perfection. My own hero Thoreau had his share of blemishes. For instance, although he was supposed to be living totally independently out by Walden Pond, he went home to Mother on the weekends. But such carping and debunking misses the point. True, the false steps and frailties of heroic people make them more like us, and since most of us are not particularly heroic, that may seem to reduce the heroes' stature. But this dynamic pulls in the other direction as well: these magnificent spirits, these noble souls, amazingly, they are like us, they are human too. And perhaps, then, what was possible for them is possible for us. They stumbled, they wavered, they made fools of themselves - but nonetheless they rose and accomplished deeds of triumphant beauty. Perhaps we might do so too. Cynicism is too often merely an excuse for sparing ourselves the effort.

Again, the critical moral contribution of heroes is the expansion of our sense of possibility. If we most of us, as Thoreau said, live lives of quiet desperation, it is because our horizons of possibility are too cramped. Heroes can help us lift our eyes a little higher. Immanuel Kant said that "from the crooked timber of humanity, no straight thing was ever made." That may well be true. But some have used that warped, knotted timber to build more boldly and beautifully than others, and we may all benefit by their examples. Heaven knows we need those examples now.

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The Hero’s Journey Ultimate Writing Guide with Examples

essay on character of hero

by Alex Cabal

What do Star Wars , The Hobbit , and Harry Potter have in common? They’re all examples of a story archetype as old as time. You’ll see this universal narrative structure in books, films, and even video games.

This ultimate Hero’s Journey writing guide will define and explore all quintessential elements of the Hero’s Journey—character archetypes, themes, symbolism, the three act structure, as well as 12 stages of the Hero’s Journey. We’ll even provide a downloadable plot template, tips for writing the Hero’s Journey, and writing prompts to get the creative juices flowing.

What is the Hero’s Journey?

The Hero’s Journey is a universal story structure that follows the personal metamorphosis and psychological development of a protagonist on a heroic adventure. The protagonist goes through a series of stages to overcome adversity and complete a quest to attain an ultimate reward—whether that’s something tangible, like the holy grail, or something internal, like self confidence.

In the process of self-discovery, the archetypal Hero’s Journey is typically cyclical; it begins and ends in the same place (Think Frodo leaving and then returning to the Shire). After the epic quest or adventure has been completed by overcoming adversity and conflict—both physical and mental—the hero arrives where they once began, changed in some as they rose to meet the ultimate conflict or ordeal of the quest.

Joseph Campbell and Christopher Vogler

The Hero’s Journey has a long history of conversation around the form and its uses, with notable contributors including Joseph Campbell and the screenwriter Christopher Vogler , who later revised the steps of the Hero’s Journey.

Joseph Campbell’s “monomyth” framework is the traditional story structure of the Hero’s Journey archetype. Campbell developed it through analysis of ancient myths, folktales, and religious stories. It generally follows three acts in a cyclical, rather than a linear, way: a hero embarks on a journey, faces a crisis, and then returns home transformed and victorious.

Campbell’s ideation of the monomyth in his book The Hero With a Thousand Faces was influenced by Carl Jung’s perspective of psychology and models of self-transformation , where the Hero’s Journey is a path of transformation to a higher self, psychological healing, and spiritual growth.

While Campbell’s original take on the monomyth included 17 steps within the three acts, Christopher Vogler, in his book The Writer’s Journey , refined those 17 steps into 12 stages—the common formula for the modern structure many writers use today.

It’s also worth checking out Maureen Murdock’s work on the archetype, “The Heroine’s Journey.” This takes a look at the female Hero’s Journey, which examines the traditionally masculine journey through a feminist lens.

Hero’s Journey diagram: acts, steps, and stages

Below, you can see the way Volger’s Hero’s Journey is broken into twelve story beats across three acts.

A diagram representing the Hero’s Journey. The 12 steps of the journey surround a circle, which goes in a direction from act 1 to the final act.

Why is the Hero’s Journey so popular?

The structure of the Hero’s Journey appears in many of our most beloved classic stories, and it continues to resonate over time because it explores the concept of personal transformation and growth through both physical and mental trials and tribulations. In some sense, every individual in this mythic structure experiences rites of passage, the search for home and the true authentic self, which is mirrored in a protagonist’s journey of overcoming obstacles while seeking to fulfill a goal.

Additionally, the Hero’s Journey typically includes commonly shared symbols and aspects of the human psyche—the trickster, the mother, the child, etc. These archetypes play a role in creating a story that the reader can recognize from similar dynamics in their own relationships, experiences, and familiar world. Archetypes allow the writer to use these “metaphorical truths”—a playful deceiver, a maternal bond, a person of innocence and purity—to deeply and empathetically connect with the reader through symbolism. That’s why they continue to appear in countless stories all around the world.

Hero’s Journey character archetypes

Character archetypes are literary devices based on a set of qualities that are easy for a reader to identify, empathize with, and understand, as these qualities and traits are common to the human experience.

It should be noted that character archetypes are not stereotypes . While stereotypes are oversimplifications of demographics or personality traits, an archetype is a symbol of a universal type of character that can be recognized either in one’s self or in others in real life.

The following archetypes are commonly used in a Hero’s Journey:

The hero is typically the protagonist or principal point-of-view character within a story. The hero transforms—internally, externally, often both—while on their journey as they experience tests and trials and are aided or hindered by the other archetypes they encounter. In general, the hero must rise to the challenge and at some point make an act of sacrifice for the ultimate greater good. In this way, the Hero’s Journey represents the reader’s own everyday battles and their power to overcome them.

Heroes may be willing or unwilling. Some can be downright unheroic to begin with. Antiheroes are notably flawed characters that must grow significantly before they achieve the status of true hero.

The mentor often possesses divine wisdom or direct experience with the special world, and has faith in the hero. They often give the hero a gift or supernatural aid, which is usually something important for the quest: either a weapon to destroy a monster, or a talisman to enlighten the hero. The mentor may also directly aid the hero or present challenges to them that force internal or external growth. After their meeting, the hero leaves stronger and better prepared for the road ahead.

The herald is the “call to adventure.” They announce the coming of significant change and become the reason the hero ventures out onto a mysterious adventure. The herald is a catalyst that enters the story and makes it impossible for the hero to remain in status quo. Existing in the form of a person or an event, or sometimes just as information, they shift the hero’s balance and change their world.

The Threshold Guardian

This archetype guards the first threshold—the major turning point of the story where the hero must make the true commitment of the journey and embark on their quest to achieve their destiny. Threshold guardians spice up the story by providing obstacles the hero must overcome, but they’re usually not the main antagonist.

The role of the threshold guardian is to help round out the hero along their journey. The threshold guardian will test the hero’s determination and commitment and will drive them forward as the hero enters the next stage of their journey, assisting the development of the hero’s character arc within the plot. The threshold guardian can be a friend who doesn’t believe in the hero’s quest, or a foe that makes the hero question themselves, their desires, or motives in an attempt to deter the hero from their journey. Ultimately, the role of the threshold guardian is to test the hero’s resolve on their quest.

The Shape Shifter

The shape shifter adds dramatic tension to the story and provides the hero with a puzzle to solve. They can seem to be one thing, but in fact be something else. They bring doubt and suspense to the story and test the hero’s ability to discern their path. The shape shifter may be a lover, friend, ally, or enemy that somehow reveals their true self from the hero’s preconceived notion. This often causes the hero internal turmoil, or creates additional challenges and tests to overcome.

The shadow is the “monster under the bed,” and could be repressed feelings, deep trauma, or festering guilt. These all possess the dark energy of the shadow. It is the dark force of the unexpressed, unrealized, rejected, feared aspects of the hero and is often, but not necessarily, represented by the main antagonist or villain.

However, other characters may take the form of the shadow at different stages of the story as “foil characters” that contrast against the hero. They might also represent what could happen if the hero fails to learn, transform, and grow to complete their quest. At times, a hero may even succumb to the shadow, from which they will need to make sacrifices to be redeemed to continue on their overall quest.

The Trickster

The trickster is the jester or fool of the story that not only provides comic relief, but may also act as a commentator as the events of the plot unfold. Tricksters are typically witty, clever, spontaneous, and sometimes even ridiculous. The trickster within a story can bring a light-hearted element to a challenge, or find a clever way to overcome an obstacle.

The Hero’s Journey can be found all across comparative mythology

Hero’s Journey themes and symbols

Alongside character archetypes, there are also archetypes for settings, situations, and symbolic items that can offer meaning to the world within the story or support your story’s theme.

Archetypes of themes, symbols, and situations represent shared patterns of human existence. This familiarity can provide the reader insight into the deeper meaning of a story without the writer needing to explicitly tell them. There are a great number of archetypes and symbols that can be used to reinforce a theme. Some that are common to the Hero’s Journey include:

Situational archetypes

Light vs. dark and the battle of good vs. evil

Death, rebirth, and transformation in the cycle of life

Nature vs. technology, and the evolution of humanity

Rags to riches or vice versa, as commentary on the material world and social status

Wisdom vs. knowledge and innocence vs. experience, in the understanding of intuition and learned experience

Setting archetypes

Gardens may represent the taming of nature, or living in harmony with nature.

Forests may represent reconnection with nature or wildness, or the fear of the unknown.

Cities or small towns may represent humanity at its best and at its worst. A small town may offer comfort and rest, while simultaneously offering judgment; a city may represent danger while simultaneously championing diversity of ideas, beings, and cultures.

Water and fire within a landscape may represent danger, change, purification, and cleansing.

Symbolic items

Items of the past self. These items are generally tokens from home that remind the hero of where they came from and who or what they’re fighting for.

Gifts to the hero. These items may be given to the hero from a mentor, ally, or even a minor character they meet along the way. These items are typically hero talismans, and may or may not be magical, but will aid the hero on their journey.

Found items. These items are typically found along the journey and represent some sort of growth or change within the hero. After all, the hero would never have found the item had they not left their everyday life behind. These items may immediately seem unimportant, but often carry great significance.

Earned rewards. These items are generally earned by overcoming a test or trial, and often represent growth, or give aid in future trials, tests, and conflicts.

The three act structure of the Hero’s Journey

The structure of the Hero’s Journey, including all 12 steps, can be grouped into three stages that encompass each phase of the journey. These acts follow the the external and internal arc of the hero—the beginning, the initiation and transformation, and the return home.

Act One: Departure (Steps 1—5)

The first act introduces the hero within the ordinary world, as they are—original and untransformed. The first act will typically include the first five steps of the Hero’s Journey.

This section allows the writer to set the stage with details that show who the hero is before their metamorphosis—what is the environment of the ordinary world? What’s important to the hero? Why do they first refuse the call, and then, why do they ultimately accept and embark on the journey to meet with the conflict?

This stage introduces the first major plot point of the story, explores the conflict the hero confronts, and provides the opportunity for characterization for the hero and their companions.

The end of the first act generally occurs when the hero has fully committed to the journey and crossed the threshold of the ordinary world—where there is no turning back.

Act Two: Initiation (Steps 6—9)

Once the hero begins their journey, the second act marks the beginning of their true initiation into the unfamiliar world—they have crossed the threshold, and through this choice, have undergone their first transformation.

The second act is generally the longest of the three and includes steps six through nine.

In this act, the hero meets most of the characters that will be pivotal to the plot, including friends, enemies, and allies. It offers the rising action and other minor plot points related to the overarching conflict. The hero will overcome various trials, grow and transform, and navigate subplots—the additional and unforeseen complexity of the conflict.

This act generally ends when the hero has risen to the challenge to overcome the ordeal and receives their reward. At the end of this act, it’s common for the theme and moral of the story to be fully unveiled.

Act Three: Return (Steps 10—12)

The final stage typically includes steps 10—12, generally beginning with the road back—the point in the story where the hero must recommit to the journey and use all of the growth, transformation, gifts and tools acquired along the journey to bring a decisive victory against their final conflict.

From this event, the hero will also be “reborn,” either literally or metaphorically, and then beginning anew as a self-actualized being, equipped with internal knowledge about themselves, external knowledge about the world, and experience.

At the end of the third act, the hero returns home to the ordinary world, bringing back the gifts they earned on their journey. In the final passages, both the hero and their perception of the ordinary world are compared with what they once were.

The 12 steps of the Hero’s Journey

The following guide outlines the 12 steps of the Hero’s Journey and represents a framework for the creation of a Hero’s Journey story template. You don’t necessarily need to follow the explicit cadence of these steps in your own writing, but they should act as checkpoints to the overall story.

We’ll also use JRR Tolkien’s The Hobbit as a literary example for each of these steps. The Hobbit does an exemplary job of following the Hero’s Journey, and it’s also an example of how checkpoints can exist in more than one place in a story, or how they may deviate from the typical 12-step process of the Hero’s Journey.

Step One: “The Ordinary World”

1. The Ordinary World

This stage in the Hero’s Journey is all about exposition. This introduces the hero’s backstory—who the hero is, where they come from, their worldview, culture, and so on. This offers the reader a chance to relate to the character in their untransformed form.

As the story and character arc develop, the reader is brought along the journey of transformation. By starting at the beginning, a reader has a basic understanding of what drives the hero, so they can understand why the hero makes the choices they do. The ordinary world shows the protagonist in their comfort zone, with their worldview being limited to the perspective of their everyday life.

Characters in the ordinary world may or may not be fully comfortable or satisfied, but they don’t have a point of reference to compare—they have yet to leave the ordinary world to gain the knowledge to do so.

Step One example

The Hobbit begins by introducing Bilbo in the Shire as a respectable and well-to-do member of the community. His ordinary world is utopian and comfortable. Yet, even within a village that is largely uninterested in the concerns of the world outside, the reader is provided a backstory: even though Bilbo buys into the comforts and normalcy of the Shire, he still yearns for adventure—something his neighbors frown upon. This ordinary world of the Shire is disrupted with the introduction of Gandalf—the “mentor”—who is somewhat uncomfortably invited to tea.

2. Call to Adventure

The call to adventure in the Hero’s Journey structure is the initial internal conflict that the protagonist hero faces, that drives them to the true conflict that they must overcome by the end of their journey.

The call occurs within the known world of the character. Here the writer can build on the characterization of the protagonist by detailing how they respond to the initial call. Are they hesitant, eager, excited, refusing, or willing to take a risk?

Step Two example

Bilbo’s call to adventure takes place at tea as the dwarves leisurely enter his home, followed by Gandalf, who identifies Bilbo as the group’s missing element—the burglar, and the lucky 14th member.

Bilbo and his ordinary world are emphasized by his discomfort with his rambunctious and careless guests. Yet as the dwarves sing stories of old adventures, caverns, and lineages, which introduce and foreshadow the conflict to come, a yearning for adventure is stirred. Though he still clings to his ordinary world and his life in the Shire, he’s conflicted. Should he leave the shire and experience the world, or stay in his comfortable home? Bilbo continues to refuse the call, but with mixed feelings.

Step Three: “Refusal of the Call”

3. Refusal of the Call

The refusal of the call in the Hero’s Journey showcases a “clinging” to one’s original self or world view. The initial refusal of the call represents a fear of change, as well as a resistance to the internal transformation that will occur after the adventure has begun.

The refusal reveals the risks that the protagonist faces if they were to answer the call, and shows what they’ll leave behind in the ordinary world once they accept.

The refusal of the call creates tension in the story, and should show the personal reasons why the hero is refusing—inner conflict, fear of change, hesitation, insecurity, etc. This helps make their character clearer for the reader.

These are all emotions a reader can relate to, and in presenting them through the hero, the writer deepens the reader’s relationship with them and helps the reader sympathize with the hero’s internal plight as they take the first step of transformation.

Step Three example

Bilbo refuses the call in his first encounter with Gandalf, and in his reaction to the dwarves during tea. Even though Bilbo’s “Tookish” tendencies make him yearn for adventure, he goes to bed that night still refusing the call. The next morning, as Bilbo awakes to an empty and almost fully clean hobbit home, he feels a slight disappointment for not joining the party, but quickly soothes his concerns by enjoying the comfort of his home—i.e. the ordinary world. Bilbo explores his hesitation to disembark from the ordinary world, questioning why a hobbit would become mixed up in the adventures of others, and choosing not to meet the dwarves at the designated location.

4. Meeting the Mentor

Meeting the mentor in the Hero’s Journey is the stage that provides the hero protagonist with a guide, relationship, and/or informational asset that has experience outside the ordinary world. The mentor offers confidence, advice, wisdom, training, insight, tools, items, or gifts of supernatural wonder that the hero will use along the journey and in overcoming the ultimate conflict.

The mentor often represents someone who has attempted to overcome, or actually has overcome, an obstacle, and encourages the hero to pursue their calling, regardless of the hero’s weaknesses or insecurities. The mentor may also explicitly point out the hero’s weaknesses, forcing them to reckon with and accept them, which is the first step to their personal transformation.

Note that not all mentors need to be a character . They can also be objects or knowledge that has been instilled in the hero somehow—cultural ethics, spiritual guidance, training of a particular skill, a map, book, diary, or object that illuminates the path forward, etc. In essence, the mentor character or object has a role in offering the protagonist outside help and guidance along the Hero’s Journey, and plays a key role in the protagonist’s transition from normalcy to heroism.

The mentor figure also offers the writer the opportunity to incorporate new information by expanding upon the story, plot, or backstory in unique ways. They do this by giving the hero information that would otherwise be difficult for the writer to convey naturally.

The mentor may accompany the hero throughout most of the story, or they may only periodically be included to facilitate changes and transformation within them.

Step Four example

The mentor, Gandalf, is introduced almost immediately. Gandalf is shown to be the mentor, firstly through his arrival from—and wisdom of—the outside world; and secondly, through his selection of Bilbo for the dwarven party by identifying the unique characteristics Bilbo has that are essential to overcoming the challenges in the journey. Gandalf doesn’t accompany Bilbo and the company through all of the trials and tribulations of the plot, but he does play a key role in offering guidance and assistance, and saves the group in times of dire peril.

Step Five: “Crossing the Threshold”

5. Crossing the Threshold

As the hero crosses the first threshold, they begin their personal quest toward self-transformation. Crossing the threshold means that the character has committed to the journey, and has stepped outside of the ordinary world in the pursuit of their goal. This typically marks the conclusion of the first act.

The threshold lies between the ordinary world and the special world, and marks the point of the story where the hero fully commits to the road ahead. It’s a crucial stage in the Hero’s Journey, as the hero wouldn’t be able to grow and transform by staying in the ordinary world where they’re comfortable and their world view can’t change.

The threshold isn’t necessarily a specific place within the world of the story, though a place can symbolize the threshold—for example a border, gateway, or crossroads that separate what is safe and “known” from what is potentially dangerous. It can also be a moment or experience that causes the hero to recognize that the comforts and routine of their world no longer apply—like the loss of someone or something close to the hero, for example. The purpose of the threshold is to take the hero out of their element and force them, and the reader, to adapt from the known to the unknown.

This moment is crucial to the story’s tension. It marks the first true shift in the character arc and the moment the adventure has truly begun. The threshold commonly forces the hero into a situation where there’s no turning back. This is sometimes called the initiation stage or the departure stage.

Step Five example

The threshold moment in The Hobbit occurs when the party experiences true danger as a group for the first time. Bilbo, voted as scout by the party and eager to prove his burglar abilities, sneaks upon a lone fire in the forest where he finds three large trolls. Rather than turn back empty-handed—as he initially wants to—Bilbo chooses to prove himself, plucking up the courage to pickpocket the trolls—but is caught in the process. The dwarves are also captured and fortunately, Gandalf, the mentor, comes to save the party.

Bilbo’s character arc is solidified in this threshold moment. He experiences his first transformation when he casts aside fear and seeks to prove himself as a burglar, and as an official member of the party. This moment also provides further characterization of the party as a whole, proving the loyalty of the group in seeking out their captured member.

Gandalf’s position as the mentor is also firmly established as he returns to ultimately save all of the members of the party from being eaten by trolls. The chapter ends with Bilbo taking ownership of his first hero talisman—the sword that will accompany him through the rest of the adventure.

6. Tests, Allies, Enemies

Once the hero has crossed the threshold, they must now encounter tests of courage, make allies, and inevitably confront enemies. All these elements force the hero to learn the new ways of the special world and how it differs from the hero’s ordinary world—i.e. how the rules have changed, the conditions of the special world vs. the ordinary world, and the various beings and places within it.

All these elements spark stages of transformation within the hero—learning who they can trust and who they can’t, learning new skills, seeking training from the mentor, and overcoming challenges that force and drive them to grow and transform.

The hero may both succeed and fail at various points of this stage, which will test their commitment to the journey. The writer can create tension by making it clear that the hero may or may not succeed at the critical moment of crisis. These crises can be external or internal.

External conflicts are issues that the character must face and overcome within the plot—e.g. the enemy has a sword drawn and the hero must fight to survive.

Internal conflicts occur inside the hero. For example, the hero has reached safety, but their ally is in peril; will they step outside their comfort zone and rise to the occasion and save their friend? Or will they return home to their old life and the safety of the ordinary world?

Tests are conflicts and threats that the hero must face before they reach the true conflict, or ordeal, of the story. These tests set the stage and prime the hero to meet and achieve the ultimate goal. They provide the writer the opportunity to further the character development of the hero through their actions, inactions, and reactions to what they encounter. The various challenges they face will teach them valuable lessons, as well as keep the story compelling and the reader engaged.

Allies represent the characters that offer support to the protagonist along the journey. Some allies may be introduced from the beginning, while others may be gained along the journey. Secondary characters and allies provide additional nuance for the hero, through interactions, events, and relationships that further show who the hero is at heart, what they believe in, and what they’re willing to fight for. The role of the allies is to bring hope, inspiration, and further drive the hero to do what needs to be done.

Enemies represent a foil to the allies. While allies bring hope and inspiration, enemies will provide challenges, conflicts, tests, and challenges. Both allies and enemies may instigate transformative growth, but enemies do so in a way that fosters conflict and struggle.

Characterization of enemies can also enhance the development of the hero through how they interact and the lessons learned through those interactions. Is the hero easily duped, forgiving, empathetic, merciful? Do they hold a grudge and seek revenge? Who is the hero now that they have been harmed, faced an enemy, and lost pieces of their innocent worldview? To answer that, the hero is still transforming and gestating with every lesson, test, and enemy faced along the way.

Step Six example

As the plot of The Hobbit carries on, Bilbo encounters many tests, allies, and enemies that all drive complexity in the story. A few examples include:

The first major obstacle that Bilbo faces occurs within the dark and damp cave hidden in the goblin town. All alone, Bilbo must pluck up the wit and courage to outriddle a creature named Gollum. In doing so, Bilbo discovers the secret power of a golden ring (another hero talisman) that will aid him and the party through the rest of the journey.

The elves encountered after Bilbo “crosses the threshold” are presented as allies in the story. The hero receives gifts of food, a safe place to rest, and insight and guidance that allows the party to continue on their journey. While the party doesn’t dwell long with the elves, the elves also provide further character development for the party at large: the serious dwarf personalities are juxtaposed against the playful elvish ones, and the elves offer valuable historical insight with backstory to the weapons the party gathered from the troll encounter.

Goblins are a recurring enemy within the story that the hero and party must continue to face, fight, and run from. The goblins present consistent challenges that force Bilbo to face fear and learn and adapt, not only to survive but to save his friends.

Step Seven: “Approach to the Inmost Cave”

7. Approach to the Inmost Cave

The approach to the inmost cave of the Hero’s Journey is the tense quiet before the storm; it’s the part of the story right before the hero faces their greatest fear, and it can be positioned in a few different ways. By now, the hero has overcome obstacles, setbacks, and tests, gained and lost allies and enemies, and has transformed in some way from the original protagonist first introduced in the ordinary world.

The moment when the hero approaches the inmost cave can be a moment of reflection, reorganization, and rekindling of morale. It presents an opportunity for the main characters of the story to come together in a moment of empathy for losses along the journey; a moment of planning and plotting next steps; an opportunity for the mentor to teach a final lesson to the hero; or a moment for the hero to sit quietly and reflect upon surmounting the challenge they have been journeying toward for the length of their adventure.

The “cave” may or may not be a physical place where the ultimate ordeal and conflict will occur. The approach represents the momentary period where the hero assumes their final preparation for the overall challenge that must be overcome. It’s a time for the hero and their allies, as well as the reader, to pause and reflect on the events of the story that have already occurred, and to consider the internal and external growth and transformation of the hero.

Having gained physical and/or emotional strength and fortitude through their trials and tests, learned more rules about the special world, found and lost allies and friends, is the hero prepared to face danger and their ultimate foe? Reflection, tension, and anticipation are the key elements of crafting the approach to the cave.

Step Seven example

The approach to the cave in The Hobbit occurs as the party enters the tunnel of the Lonely Mountain. The tunnel is the access point to the ultimate goal—Thorin’s familial treasure, as well as the ultimate test—the formidable dragon Smaug. During this part of the story, the party must hide, plot, and plan their approach to the final conflict. It’s at this time that Bilbo realizes he must go alone to scout out and face the dragon.

8. The Ordeal

The ordeal is the foreshadowed conflict that the hero must face, and represents the midpoint of the story. While the ordeal is the ultimate conflict that the hero knows they must overcome, it’s a false climax to the complete story—there’s still much ground to cover in the journey, and the hero will still be tested after completing this, the greatest challenge. In writing the ordeal phase of the Hero’s Journey, the writer should craft this as if it actually were the climax to the tale, even though it isn’t.

The first act, and the beginning of the second act, have built up to the ordeal with characterization and the transformation of the hero through their overcoming tests and trials. This growth—both internal and external—has all occurred to set the hero up to handle this major ordeal.

As this stage commences, the hero is typically faced with fresh challenges to make the ordeal even more difficult than they previously conceived. This may include additional setbacks for the hero, the hero’s realization that they were misinformed about the gravity of the situation, or additional conflicts that make the ordeal seem insurmountable.

These setbacks cause the hero to confront their greatest fears and build tension for both the hero and the reader, as they both question if the hero will ultimately succeed or fail. In an epic fantasy tale, this may mean a life-or-death moment for the hero, or experiencing death through the loss of an important ally or the mentor. In a romance, it may be the moment of crisis where a relationship ends or a partner reveals their dark side or true self, causing the hero great strife.

This is the rock-bottom moment for the hero, where they lose hope, courage, and faith. At this point, even though the hero has already crossed the threshold, this part of the story shows how the hero has changed in such a way that they can never return to their original self: even if they return to the ordinary world, they’ll never be the same; their perception of the world has been modified forever.

Choosing to endure against all odds and costs to face the ordeal represents the loss of the hero’s original self from the ordinary world, and a huge internal transformation occurs within the hero as they must rise and continue forth to complete their journey and do what they set out to do from the beginning.

The ordeal may also be positioned as an introduction to the greater villain through a trial with a shadow villain, where the hero realizes that the greatest conflict is unveiled as something else, still yet to come. In these instances, the hero may fail, or barely succeed, but must learn a crucial lesson and be metaphorically resurrected through their failure to rise again and overcome the greater challenge.

Step Eight example

Bilbo must now face his ultimate challenge: burgle the treasure from the dragon. This is the challenge that was set forth from the beginning, as it’s his purpose as the party’s 14th member, the burglar, anointed by Gandalf, the mentor. Additional conflicts arise as Bilbo realizes that he must face the dragon alone, and in doing so, must rely on all of the skills and gifts in the form of talismans and tokens he has gained throughout the adventure.

During the ordeal, Bilbo uses the courage he has gained by surmounting the story’s previous trials; he’s bolstered by his loyalty to the group and relies upon the skills and tools he has earned in previous trials. Much as he outwitted Gollum in the cave, Bilbo now uses his wit as well as his magical ring to defeat Smaug in a game of riddles, which ultimately leads Smaug out of the lair so that Bilbo can complete what he was set out to do—steal the treasure.

Step Nine: “Reward”

The reward of the Hero’s Journey is a moment of triumph, celebration, or change as the hero achieves their first major victory. This is a moment of reflection for both the reader and the hero, to take a breath to contemplate and acknowledge the growth, development, and transformation that has occurred so far.

The reward is the boon that the hero learns, is granted, or steals, that will be crucial to facing the true climax of the story that is yet to come. The reward may be a physical object, special knowledge, or reconciliation of some sort, but it’s always a thing that allows for some form of celebration or replenishment and provides the drive to succeed before the journey continues.

Note that the reward may not always be overtly positive—it may also be a double-edged sword that could harm them physically or spiritually. This type of reward typically triggers yet another internal transformation within the hero, one that grants them the knowledge and personal drive to complete the journey and face their remaining challenges.

From the reward, the hero is no longer externally driven to complete the journey, but has evolved to take on the onus of doing so.

Examples of rewards may include:

A weapon, elixir, or object that will be necessary to complete the quest.

Special knowledge, or a personal transformation to use against a foe.

An eye-opening experience that provides deep insight and fundamentally changes the hero and their position within the story and world.

Reconciliation with another character, or with themselves.

No matter what the reward is, the hero should experience some emotional or spiritual revelation and a semblance of inner peace or personal resolve to continue the journey. Even if the reward is not overtly positive, the hero and the reader deserve a moment of celebration for facing the great challenge they set out to overcome.

Step Nine example

Bilbo defeats the dragon at a battle of wits and riddles, and now receives his reward. He keeps the gifts he has earned, both the dagger and the gold ring. He is also granted his slice of the treasure, and the Lonely Mountain is returned to Thorin. The party at large is rewarded for completing the quest and challenge they set out to do.

However, Tolkien writes the reward to be more complex than it first appears. The party remains trapped and hungry within the Mountain as events unfold outside of it. Laketown has been attacked by Smaug, and the defenders will want compensation for the damage to their homes and for their having to kill the dragon. Bilbo discovers, and then hides, the Arkenstone (a symbolic double edged reward) to protect it from Thorin’s selfishness and greed.

Step Ten: “The Road Back”

10. The Road Back

The road back in the Hero’s Journey is the beginning of the third act, and represents a turning point within the story. The hero must recommit to the journey, alongside the new stakes and challenges that have arisen from the completion of the original goal.

The road back presents roadblocks—new and unforeseen challenges to the hero that they must now face on their journey back to the ordinary world. The trials aren’t over yet, and the stakes are raised just enough to keep the story compelling before the final and ultimate conflict—the hero’s resurrection—is revealed in the middle of the third act.

The hero has overcome their greatest challenge in the Ordeal and they aren’t the same person they were when they started. This stage of the story often sees the hero making a choice, or reflecting on their transformed state compared to their state at the start of the journey.

The writer’s purpose in the third act is not to eclipse the upcoming and final conflict, but to up the stakes, show the true risk of the final climax, and to reflect on what it will take for the hero to ultimately prevail. The road back should offer a glimmer of hope—the light at the end of the tunnel—and should let the reader know the dramatic finale is about to arrive.

Step Ten example

What was once a journey to steal treasure and slay a dragon has developed new complications. Our hero, Bilbo, must now use all of the powers granted in his personal transformation, as well as the gifts and rewards he earned on the quest, to complete the final stages of the journey.

This is the crisis moment of The Hobbit ; the armies of Laketown are prepared for battle to claim their reward for killing Smaug; the fearless leader of their party, Thorin, has lost reason and succumbed to greed; and Bilbo makes a crucial choice based his personal growth: he gives the Arkenstone to the king as a bargaining chip for peace. Bilbo also briefly reconnects with the mentor, Gandalf, who warns him of the unpleasant times ahead, but comforts Bilbo by saying that things may yet turn out for the best. Bilbo then loyally returns to his friends, the party of dwarves, to stand alongside them in the final battle.

11. Resurrection

The resurrection stage of the Hero’s Journey is the final climax of the story, and the heart of the third act. By now the hero has experienced internal and external transformation and a loss of innocence, coming out with newfound knowledge. They’re fully rooted in the special world, know its rules, and have made choices that underline this new understanding.

The hero must now overcome the final crisis of their external quest. In an epic fantasy tale, this may be the last battle of light versus darkness, good versus evil, a cumulation of fabulous forces. In a thriller, the hero might ultimately face their own morality as they approach the killer. In a drama or romance, the final and pivotal encounter in a relationship occurs and the hero puts their morality ahead of their immediate desires.

The stakes are the highest they’ve ever been, and the hero must often choose to make a sacrifice. The sacrifice may occur as a metaphoric or symbolic death of the self in some way; letting go of a relationship, title, or mental/emotional image of the self that a hero once used as a critical aspect of their identity, or perhaps even a metaphoric physical death—getting knocked out or incapacitated, losing a limb, etc.

Through whatever the great sacrifice is, be it loss or a metaphoric death, the hero will experience a form of resurrection, purification, or internal cleansing that is their final internal transformation.

In this stage, the hero’s character arc comes to an end, and balance is restored to the world. The theme of the story is fully fleshed out and the hero, having reached some form of self-actualization, is forever changed. Both the reader and the hero experience catharsis—the relief, insight, peace, closure, and purging of fear that had once held the hero back from their final transformation.

Step Eleven example

All the armies have gathered, and the final battle takes place. Just before the battle commences, Bilbo tells Thorin that it was he who gave the Arkenstone to the city of men and offers to sacrifice his reward of gold for taking the stone. Gandalf, the mentor, arrives, standing beside Bilbo and his decision. Bilbo is shunned by Thorin and is asked to leave the party for his betrayal.

Bilbo experiences a symbolic death when he’s knocked out by a stone. Upon awakening, Bilbo is brought to a dying Thorin, who forgives him of his betrayal, and acknowledges that Bilbo’s actions were truly the right thing to do. The theme of the story is fully unveiled: that bravery and courage comes in all sizes and forms, and that greed and gold are less worthy than a life rich in experiences and relationships.

Step Twelve: “Return with the Elixir”

12. Return with the Elixir

The elixir in the Hero’s Journey is the final reward the hero brings with them on their return, bridging their two worlds. It’s a reward hard earned through the various relationships, tests, and growth the hero has experienced along their journey. The “elixir” can be a magical potion, treasure, or object, but it can also be intangible—love, wisdom, knowledge, or experience.

The return is key to the circular nature of the Hero’s Journey. It offers a resolution to both the reader and the hero, and a comparison of their growth from when the journey began.

Without the return, the story would have a linear nature, a beginning and an end. In bringing the self-actualized hero home to the ordinary world, the character arc is completed, and the changes they’ve undergone through the journey are solidified. They’ve overcome the unknown, and though they’re returning home, they can no longer resume their old life because of their new insight and experiences.

Step Twelve example

The small yet mighty hero Bilbo is accompanied on his journey home by his mentor Gandalf, as well as the allies he gathered along his journey. He returns with many rewards—his dagger, his golden ring, and his 1/14th split of the treasure—yet his greatest rewards are his experience and the friends he has made along the way. Upon entering the Shire Bilbo sings a song of adventure, and the mentor Gandalf remarks, “My dear Bilbo! Something is the matter with you, you are not the hobbit you were.”

The final pages of The Hobbit explore Bilbo’s new self in the Shire, and how the community now sees him as a changed hobbit—no longer quite as respectable as he once was, with odd guests who visit from time to time. Bilbo also composes his story “There and Back Again,” a tale of his experiences, underlining his greatest reward—stepping outside of the Shire and into the unknown, then returning home, a changed hobbit.

Books that follow the Hero’s Journey

One of the best ways to become familiar with the plot structure of the Hero’s Journey is to read stories and books that successfully use it to tell a powerful tale. Maybe they’ll inspire you to use the hero’s journey in your own writing!

The Lord of the Rings trilogy by J. R. R. Tolkien.

The Harry Potter series by J. K. Rowling.

The Earthsea series by Ursula K. Le Guin.

The Odyssey by Homer.

Siddhartha by Herman Hesse.

Pride and Prejudice by Jane Austen.

Writing tips for the Hero’s Journey

Writing a Hero’s Journey story often requires planning beforehand to organize the plot, structure, and events of the story. Here are some tips to use the hero’s journey archetype in a story:

Use a template or note cards to organize and store your ideas. This can assist in ensuring that you tie up any loose ends in the plot, and that the cadence of your story is already outlined before you begin writing.

Use word count goals for writing different sections of your story. This can help you keep pace while you plan and write the first draft. You can always revise, edit, and add in detail at later stages of development, but getting the ideas written without bogging them down with details can assist in preparing your outline, and may perhaps provide additional inspiration and guidance along the way.

Lean into creativity and be flexible with the 12 steps. They don’t need to occur in the exact order we’ve listed above, but that ordering can offer great checkpoint moments for your story.

Invest in characterization and ensure that your main character is balanced with credible strengths and weaknesses. A perfect, pure hero has no room to grow. A one-dimensional villain who relies on the trope of “pure evil” without any motivations for their actions is boring and predictable.

Ensure tension and urgency is woven into the story. An epic tale to the grocery store for baby formula may still be fraught with danger, and the price of failure is a hungry child. Without urgency, tension, and risk, a Hero’s Journey will fall flat.

Be hard on your characters. Give them deep conflicts that truly test their nature, and their mental, physical, and spiritual selves. An easy journey isn’t a memorable one.

Have a balance of scenes that play on both positive and negative emotions and outcomes for the hero to create a compelling plot line that continues to engage your reader. A story that’s relentlessly positive doesn’t provide a pathway for the hero to transform. Likewise, a story that’s nothing but doom, strife, and turmoil, without a light at the end of the tunnel or an opportunity for growth, can make a story feel stagnant and unengaging.

Reward your characters and your reader. Personal transformation and the road to the authentic self may be grueling, but there’s peace or joy at the end of the tunnel. Even if your character doesn’t fully saved the world, they—and the reader—should be rewarded with catharsis, a new perspective, or personal insight at the end of the tale.

Hero’s Journey templates

Download these free templates to help you plan out your Hero’s Journey:

Download the Hero’s Journey template template (docx) Download the Hero’s Journey template template (pdf)

Prompts and practices to help you write your own Hero’s Journey

Use the downloadable template listed below for the following exercises:

Read a book or watch a movie that follows the Hero’s Journey. Use the template to fill in when each step occurs or is completed. Make note of themes and symbols, character arcs, the main plot, and the subplots that drive complexity in the story.

When writing, use a timer set to 2—5 minutes per section to facilitate bursts of creativity. Brainstorm ideas for cadence, plot, and characters within the story. The outline you create can always be modified, but the timer ensures you can get ideas on paper without a commitment; you’re simply jotting down ideas as quickly as you can.

Use the downloadable template above to generate outlines based on the following prompts.

A woman’s estranged mother has died. A friend of the mother arrives at the woman’s home to tell her that her mother has left all her belongings to her daughter, and hands her a letter. The letter details the mother’s life, and the daughter must visit certain places and people to find her mother’s house and all the belongings in it—learning more about her mother’s life, and herself, along the way.

The last tree on earth has fallen, and technology can no longer sustain human life on Earth. An engineer, having long ago received alien radio signals from a tower in their backyard, has dedicated their life to building a spaceship in their garage. The time has come to launch, and the engineer must select a group of allies to bring with them to the stars, on a search for a new life, a new home, and “the others” out there in the universe.

A detective is given a new case: to find a much-talked-about murderer. The twist is, the murderer has sent a letter to the detective agency, quietly outing a homicidal politician who is up for re-election and is a major financial contributor to the police. In the letter, the murderer states that if the politician doesn’t come clean about their crimes, the murderer will kill the politician on the night of the election. The detective must solve the case before the election, and come to terms with their own feelings of justice and morality.

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9 Compelling Characteristics Of A Hero

Anyone who does anything remotely positive seems to get labeled a hero in the media lately.

They are undoubtedly great people, but the word hero has long been reserved for someone who does something extraordinary.

The qualities of a hero must arouse admiration or even awe.

The word hero derives from the ancient Greek word heros , which held a meaning related to protecting people.

These ancient roots still matter today, although the definition of a hero has evolved in modern times.

What is a True Hero?

1. idealistic, 2. courageous, 3. great capacity for empathy, 4. humility, 5. conviction, 7. strength, 8. nurturing, 9. resilience, examples of a true hero, the psychology of heroism, respect and compassion for strangers, vigilance and fortitude, honesty and confidence, communalism, final thoughts.

A hero's actions must, by definition, go beyond what most people would do.

Ancient literature called people with supernatural abilities heroes because they were born of a god and a human.

Heroes had great strength, like Hercules, or protection from wounds, like Achilles. 

Scholars note that these ancient heroic stories featured men who wanted glory.

People or societies might have sometimes benefited from their heroic deeds, but that was not what motivated ancient heroes.

The modern traits of a hero differ on two points. The modern hero is purely mortal without any notion of divine parentage.

Also, the modern hero must act for the purpose of helping others.

9 Characteristics of a Hero

You won't find just one answer to the question, “What makes someone a hero?”

Psychologists have begun to study the traits that make a hero. A 2009 study initially published in Psychological Reports found that people who exhibited heroic qualities had high confidence in their abilities. 

They were generally competent people who believed themselves capable of succeeding even when the odds were against them. You don't have to spend much time looking at heroes to see that they are complex people. 

They share some or all of the following traits frequently used to describe a hero.

Heroes draw strength from believing that their ideals have merit. They see their ideals as a force for good in the world. They will stand up for their ideals in the face of criticism, personal loss, and even physical danger. 

Idealism generally goes hand in hand with possessing a strong moral code. A deep sense of morality may drive a hero to take action because not taking action would be immoral.

Of course, you expect a hero to be courageous. Courage is one of the top qualities of a hero that people recognize. This characteristic does not merely mean being fearless. 

It more accurately means acting fearless even when being afraid. A courageous person sees that a situation is dangerous or impossible but chooses to overcome fear and try anyway.

Consider the historical example of Harriet Tubman, who made 20 expeditions into the slave-holding Southern United States to smuggle slaves to free areas. Federal law at the time authorized harsh penalties for people aiding escaped slaves. She even had a bounty on her head of $40,000. 

She must have indeed feared capture but pursued her goal of freeing slaves anyway. Her idealism that human bondage was immoral motivated her as well.

The qualities of a hero include caring about other people . They feel the distress of others and want to help them. This capacity is called empathy. It goes beyond sympathy, which is understanding how others might feel. When you're empathetic, you directly experience the emotions of those in trouble.

Dr. Georges Bwelle of Cameroon told CNN that he wanted to reduce people's pain and make them laugh when asked why he provided free medical care in his native country. Dr. Bwelle is an example of an empathetic person who's unwilling to stand by when others suffer.

When you read heartwarming interviews with real-life heroes, they almost always tell the media that being a hero never crossed their minds. They say something along the lines of “I just did what needed to be done.” This is humility. They do not seek glory or awards, or any compensation.

Even the humble, however, can show great courage. In 2013, 69-year-old William Ayotte of Manitoba, Canada, attacked a polar bear with a shovel because it mauled a woman outside his home. 

He bashed the 275-pound animal in the eye with the shovel. The bear dropped the woman and then attacked him. His fast decision to attack saved the woman from certain death. Another neighbor managed to scare the bear away. Ayotte later said that he doesn’t see himself as a hero.

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Sometimes heroes are convinced that they have something important to contribute to the betterment of humanity. An unmovable sense of conviction can give someone the strength to do something extraordinary.

A scientist experimenting on himself may not be your first thought when asked to describe a hero. However, the results of such a dangerous act ultimately benefited humanity in the case of Dr. Barry Marshall of Australia. During his research with pathologist Dr. Robin Warren, Marshall learned that a bacterial infection caused stomach ulcers and not simply stress as the medical community believed.

He tried to tell the medical community that antibiotics could cure ulcers, which are painful and sometimes fatal. His experiments on mice, however, did not produce clear evidence. When no one would believe him, he chose to drink a bacterial liquid and give himself a stomach ulcer, which he cured with antibiotics. 

His conviction gave him the courage to endanger himself. His decision subsequently revolutionized ulcer treatment and saved people from misery and death .

Heroes see situations for what they are. They do not lie to themselves or others about what is going on. They do not shrug off slavery because it is legal. They do not accept that women should not vote because that's what society believes. 

When William Ayotte saw the polar bear attacking a woman, he told himself, “If I don't do anything, she's not going to make it.” In it's simplest form, heroism comes down to making the choice to deal with reality.

People sometimes choose to act heroically when they realize they have the physical strength to do good. Pulling someone from floodwaters takes physical strength. Not everyone can do it, and not everyone who can do it does do it, but a hero will.

Of course, strength is not just about muscles. All heroes require emotional strength . A man who pulls people from a burning car needs the mental strength to place himself in harm's way. Many heroes face great adversity for many years as they pursue their prosocial goals.

To nurture means that you put effort into helping someone else live and thrive. A hero wants to make it possible for other people to succeed. 

Nurturing life extends to the natural world as well. Environmental hero, Marilyn Baptiste of Canada, rallied her indigenous community three times to defeat a mining company that would have destroyed a lake that supported her people's livelihood. 

Environmental campaigners worldwide often face harassment and murder for their efforts to preserve natural resources that sustain communities. Cattle ranchers killed Chico Mendes of Brazil, who fought to save the rain forest. He died a hero.

Activists, doctors, and scientists who devote their lives to just causes must possess resilience . This is one of the most important traits of a hero, especially for those whose heroism consumes their lives. They must recover from defeats and keep going. 

Marilyn Baptiste surely knew many setbacks and betrayals while fighting a proposed mine three times, but she always returned to fight the good fight.

infographic characteristics of a hero

It may happen in a moment of crisis, such as when Lenny Skutnik famously jumped into the icy waters of the Potomac River in Washington D.C. and saved a woman. She had been about to drown after escaping an airplane that had crashed into a bridge. 

The strong desire to save a life motivated the hero to swim out to her. Not everyone on the shore jumped in the water, but he did.

Another type of modern hero accepts ongoing sacrifice and risk in the pursuit of a positive goal. The famous suffragette Alice Paul endured physical attacks and harassment while picketing the White House alongside her allies. 

She went to prison for protesting the government. In prison, she organized a hunger strike to continue to promote voting rights for women despite losing her freedom and suffering abuse.

Modern examples like these illustrate that a hero:

  • Rises to the occasion
  • Disregards personal safety
  • Wants to benefit others
  • Does not accept being helpless

What types of people grow up to be heroes?

Courage, resilience, and compassion are common traits among valiant actors. Heroes also exhibit a heightened degree of empathy, which makes sense, as they're highly attuned and motivated by others' needs, often prioritizing them over their own well-being. 

But personal attributes aren't the only contributing factor when defining heroism. Situational, social, and cultural factors also play a role, and they're not always purely altruistic. 

For example, some would-be heroes may be motivated to go above and beyond when people are watching due to the increased possibility of widespread admiration and praise. 

Urgency and association also have a significant impact. For instance, someone who loves their pets like children may find the courage to run into a burning building to save them. 

Several studies suggest that individuals who perform incredible feats in service of others slip into a “flow state,” meaning their body and mind are in perfect communion, resulting in intense focus and enhanced ability. 

All that said, heroism is a bit of a psychological anomaly and presents on a spectrum — like many personality categories. 

Dr. Frank Farley explains the phenomenon by distinguishing between small-h and big-H heroism. Here's how he defines the two.

  • Big-H Heroism : Farley associates big-H heroism with substantial risk, including imprisonment, injury, or even death. In some cases, their valor is monumental enough to change the course of history. People like Rosa Parks, the unknown Tiananmen Square protestor, and Witold Pilecki fall into this category.
  • Small-h Heroism : Farley uses Fred Rogers, from Mister Rogers's Neighborhood, as an exemplar of “everyday heroism.” These folks deeply believe in “helping others, doing good deeds, showing kindness, etc., where serious harm or major consequences are not usually a result.”

How You Can Develop Hero Traits 

Is heroism something you're born with, or can it be developed? In his article, “ What Makes a Hero ,” Philip Zimbardo argues for the latter and advocates teaching “heroic imagination.” But how? 

Research shows that fostering certain behaviors and traits may strengthen “heroic instincts.” Let's look at what those are.

Individuals who are more open to and respectful of strangers tend to be more heroic. Why? Because they're less likely to be hamstrung by a subconscious indifference to people different from themselves. 

Parents should, of course, teach their kids about “stranger danger.” However, developing a reverence for all living things can increase one's capacity for heroism.

There's a mental fitness element to heroism. 

Specifically, most are hyper-aware of their surroundings, allowing them to act quickly and appropriately. Sometimes it's instinctual; other times, it's studied. 

Heroes also need emotional fortitude to forge through harrowing situations and circumstances.

Though some acts of heroism are semi-rooted in the potential for personal adulation, most people who demonstrate impressive bravery are unfailingly honest. 

This may be a symptom of true confidence, as people with it have usually dissected themselves, tackled their shadow selves, and developed a healthy sense of humility. When folks have done “the work,” they're refreshingly honest with themselves and others. Plus, they're typically more motivated to lend helping hands because they understand the universality of pain and struggle.

Heroes value “we” over “me.” So if you want to enhance your “hero quotient,” learning to love the beauty of community — both micro and macro — is vital. People who believe “it takes a village” are usually more willing to stick their necks out for fellow humans.

Heroes show us how to take care of each other, whether through a one-time act of bravery or a lifetime of fighting for the greater good.

When life tests you, the good examples set by heroes set the standard for how to respond.

Heroes also inspire people to lead productive lives helping those around them. Their successes give more people the courage to do what needs to be done.

Even in failure, heroes can show people that the struggle was worth the sacrifice. No one looks up to people who never tried to make things better. No one will even remember them.

Although the modern hero embraces humility, the ancient notion of glory remains intact. The glory comes from leading others to the high road even when the journey is difficult. 

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If you are writing a hero essay, you have to describe a particular person who did something great. This can be a story about brave heroes of the World War II that were fighting with an enemy to save other people. You may write about a smart scientist who invented something significant to simplify our life. Maybe you even have your own hero? Your main task here is to write about personal qualities to explain to your readers why this certain person is a great hero. It's important to find strong words to describe this particular man or woman, there are a lot of things to write about. This type of paper requires good skills in writing and a lot of time. We have created this detailed instruction to help people in writing a strong hero essay. Read all pages of our article, it will help to figure out how to make a successful story that will attract many readers. Follow our simple hints, don't forget to plan your time beforehand! In case you lack time or ideas, remember that StudyCrumb can help you with any academic essay. Just say " Write my essay cheap " and our professionals will create a wonderful paper on any topic. 

4 Steps of Creating a Brilliant Story About Your Hero

These are the main steps that will help people to make a good essay.

  • Brainstorm your ideas to choose your hero. You are free to write about anyone: from a heroic person that saves people and their lives to a fictional character from a cartoon for children. The most important thing is to mention the qualities of the chosen person to show your readers their power and strength. Find a character analysis example to base on.
  • Make a clear outline for your future work. You may think it's not necessary to do it at all, but creating an outline is an important step in writing; if you are traveling in the unknown place, you definitely have a map, don't you? The same is with creating your paper. An outline is your map to guide you through the process of writing, that's why you shouldn't neglect this step.
  • Write a draft of your essay. Here everything is simple: just follow your outline, don't try to pay attention to grammar and punctuation. You will have a chance to fix all errors later. Try to be concentrated on your writing.
  • Revise your hero essay to correct all mistakes and misprints. We suggest taking some time for rest after you have finished your paper and then start editing your work. It's more effective to check the paper with refreshed eyes. We suggest using various online programs to run online spell check and correct grammar mistakes.

How to Make a Good Outline for My Hero Essay?

As we already mentioned, an essay outline is an important part of writing your story about heroes; here is how you should build it:

  • Introduction Here it's important to introduce your hero to readers: explain why this person is very important to you. Don't forget to provide your audience with a short background.
  • The main part Here you should describe all qualities and characteristics of your hero to people. Provide heroic acts in details, don't forget about examples to support your argument. For instance, don't just write that a person was very brave. Provide a story that will prove it: tell your readers how your courage and character saved someone's life or did something significant for others.
  • Conclusion This is a part of your paper where you have to rephrase the main idea of your writing to finish your essay logically. Don't make it too big, never try to put anything new here. A good ending should be a short accord in your work.

Ideas for Writing an Interesting Paper About a Hero

If you feel stuck with your writing, we have a bunch of interesting ideas you can choose from:

  • Make a story about a real hero from books or newspapers. This can be an essay about a brave soldier who fought in the war, this may be a work about a fireman with courage who saved a lot of people and children from fire.
  • Write about a fictional hero. Many people read a lot of stories about Superman or Batman - they are big heroes. It's possible to create a bright and interesting paper about such characters. Keep in mind you should describe their feats and achievement and explain to your readers why they have to admire them.
  • Famous people : actors, politicians, scientists, etc. can be your heroes easily. You can make an exciting story about a movie star; it's possible to write about a great scientist you admire a lot. Maybe you even have figured out your future profession thanks to these people? This is a great idea to create your hero story about!
  • Sometimes even ordinary people can become heroes. Maybe your best friend saved a little puppy fighting with a couple of angry dogs? Your uncle seems to be a brave hero because he is a zoologist who fights with poachers to make this world better? Feel free to write about such heroes too. They are very important for all us.

5 Tips to Create a Perfect and Bright Work About a Hero

Follow these effective hints to write an exciting hero paper and get a high grade:

  • Write about someone your audience doesn't expect to hear. When people hear a word "hero", they have brave knights with courage in their mind. Try to catch people attention with a story about a homeless man who saved a kitten from cars or about a neighbor's son who helps the old people of your district (buys food for them every day).
  • Usually, people expect reading from hero essays about such qualities as bravery, fame, and courage. It's possible to make an exciting story about a character who is very kind or extremely optimistic even in a bad situation. Surprise your readers with something they don't expect! This is a very effective thing when you're making a hero essay.
  • Think out of the box - feel free to write about anything that comes to your mind. Keep in mind that you should support your argument with examples. Describe actions, not just how the chosen person looks! A huge smile plus nice face cannot convince readers you are writing about a kind character. If you will mention that a young man helped old woman to cross the street, then it proves this is an act of kindness.
  • Whether you're making a story about a real person or write about a hero from cartoons, movies, or comics, write about the facts you are familiar with. There is no reason to use your fantasy, trying to provide readers with a fairy tale.
  • Make a bright introduction to grab the attention of your readers. People won't read a boring story, your main task here is to motivate them to read the entire work. There are several ways of creating an interesting beginning. Try to start your essay with a quote, put a question, or provide the audience with an anecdote. Just try to be non-ordinary to write a creative essay !

Why Is It Important to Read Hero Essay Examples?

Needless to say, it's quite useful to read hero essay examples to create your own interesting story. Reading helps to refine writing skills, we suggest searching for essay samples, no matter what kind of paper you're working on. Here we want to share our successful sample of an interesting hero essay that may be helpful to read:  

My dad is a great hero to me. Even if he doesn't do anything special in his everyday job, I admire him a lot. He is a lawyer who helps to make equitable justice. My dad taught me that it's quite important to be an honest person. My dad is a great hero to me. Even if he doesn't do anything special in his everyday job, I admire him a lot. He is a lawyer who helps to make equitable justice. My dad taught me that it's quite important to be an honest person. At the start, that cruel man tried to defame my father's client - he wanted to make him guilty in everything; my dad already had evidence against the man so he suggested him staying quiet. It didn't work, the next day someone offered my father a bribe. I can't write the sum here - this money would be enough for all us to live without working anymore. In addition, my mother was fighting cancer, we needed a lot of money. My father didn't accept that: he rejected the deal and he found a man who offered a bribe. Nowadays, that man with his sly partner are in jail. The father's client was acquitted in the court from a criminal charge. I already have chosen my future profession - I want to be a lawyer like my dad. I admire this person because he is a strong hero for me because he is the most honest man I know.

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Daniel Howard is an Essay Writing guru. He helps students create essays that will strike a chord with the readers.

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W hat is a hero? Heroism is a concept we’re taught at a very young age. But is the definition we’re taught really accurate? Today, we’re going to explore the hero definition in a new light by looking at examples in psychology, film, and literature. By the end, you’ll know what makes a hero, and how to make your own characters heroic. 

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Hero Meaning Explained

Let's define hero.

When I say “hero,” who do you think of? Hercules? Superman? A role model? Heroes play an important role in our everyday lives because they serve as a beacon of excellence that we strive towards.

HERO DEFINITION

What is a hero.

A  hero  is a person who demonstrates an utmost commitment to their morals, no matter the obstacle or consequence. Heroes are venerated in stories for possessing extraordinary abilities, such as exceptional strength, intelligence, or fortitude. This character is not to be confused with a superhero. A superhero often shares the same moral and charitable qualities but they also have special powers or abilities.

Classic Hero Traits:

  • An unwavering dedication to their morals
  • A priority to uphold the greater good
  • Courage in the face of adversity

The hero is almost always the protagonist of a story. But a protagonist is not always a hero. Those two terms get confused a lot and while there is overlap, they are distinct categories.

But in many ways, we believe that heroes are beyond reach; idealized to an unattainable degree – but that doesn’t have to be the case. This next video from Academy of Ideas examines the psychology of heroism, and explains how you can be your own heroic character.

The Psychology of Heroism by Academy of Ideas

This is not a messianic figure – it’s simply a person who defends their moralistic beliefs vigorously. Of course, those moralistic beliefs have to be rooted in charity; the utilitarian notion of the greater good outweighing the greater evil need not apply.

QUALITIES OF A HERO IN LIT.

Hero examples in literature.

Literature is defined simply as a written work; so as you can guess, there have been a lot of heroes throughout the history of literature.

Let’s take a look at a few:

Gilgamesh from The Epic of Gilgamesh  

By contemporary standards, Gilgamesh is more of a superhero, but considering that he’s regarded as the first hero in literature, we had to include him here. Gilgamesh demonstrates exceptional persistence against overwhelming odds to become a hero of feat.

Atticus Finch from To Kill a Mockingbird  

Atticus demonstrates extraordinary resolve by defending Tom Robinson against bigotry.

Nancy Drew from the Nancy Drew series 

Nancy represents an outlet for women seeking heroes in a market saturated with male heroes. Nancy displays great intelligence in her quest to unmask various villains .

This next video from Ted-Ed breaks down  Joseph Campbell’s  The Hero’s Journey by looking at famous literature examples of heroes.

What Makes a Hero? by Ted-Ed

The Hero’s Journey may serve as a blueprint for effective storytelling, but it’s not the only way writers characterize heroes. Remember, heroes are simply individuals who defend their morals in spite of potential consequences. 

Now, let’s look at some hero examples in film and television.

Heroic Characters Explained

Heroes in movies & television.

Big-budget cinema – at least nowadays – is a medium for the sensational, which means that its heroes are often “super” in nature. It’s worth noting that superheroes are different from heroes. 

Heroes demonstrate extraordinary ability within the realm of reality, superheroes demonstrate extraordinary ability outside that realm.

So, we’re going to stick to regular heroes in this section. Here are a few hero examples in film/television (some of who are rooted in plays/literature):

Juror #8 in 12 Angry Men : Juror #8 is a classic example because he defends his morals with absolute conviction, despite limited support from his peers. For more, check out our 12 Angry Men script teardown .

Rick Blaine in Casablanca : Rick represents a sub-type that we regard as the dormant hero. This character rejects heroism due to a traumatic defeat. However, they are later called back into action, and overcomes their greatest foe to emerge victorious. For more, check out our Casablanca script teardown .

Indiana Jones in the Indiana Jones movies: Indiana Jones is the perfect example of a classic Hollywood hero. Indy doesn’t possess superheroic abilities, but he does possess extraordinary intelligence and courage.

Now here’s a thought exercise for you: is Thanos the hero – or more appropriately the superhero – 0f Avengers: Infinity War ? Let’s examine that question with a video essay! Check it out below.

Avengers: Infinity War Script Breakdown  •   Subscribe on YouTube

I’d argue that Thanos displays a sense of heroism by defending his moral beliefs. However, his call is a perverse one: rooted in utilitarian justice rather than charity. 

Related Posts

  • What is an Archetype →
  • What is an Antagonist →
  • What is a Character Arc →

What is an anti-hero?

Now that we know what we call an individual who defends their moralistic beliefs no matter the consequence, let’s explore the question: what is an anti-hero? Anti-heroes are incredibly popular in today’s media scene. In our next article, we break down how characters like Walter White and the Underground Man rejected the hero’s call and became anti-heroes instead.

Up Next: Anti-Hero Explained →

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15 Greatest Western TV Characters of All Time

For decades, the Western genre has dazzled and enchanted audiences all across the world with their fearless heroes and exciting storylines.

  • Character-driven Western TV shows like Bonanza , Gunsmoke , and Maverick helped shape the genre's golden age on television.
  • From Marshal Matt Dillon to Eric "Hoss" Cartwright, these iconic Western TV characters left an enduring mark on pop culture.
  • Bold and unforgettable, characters like Lucas McCain, Kwai Chang Caine, and Al Swearengen continue to captivate audiences to this day.

Since the inception of Hollywood itself, the Western genre has captivated audiences with the thrilling adventures of unforgettable cowboys, outlaws, and gunslingers. These heroes have left an everlasting mark on the entertainment industry, and many of them made their names on the small screen.

The world of television has been home to some seriously spectacular shows that all focused on the American frontier and the Wild West, with trailblazing hits like Bonanza, Gunsmoke, and The Lone Ranger becoming ratings successes during their runs. Cinema legends Clint Eastwood and Steve McQueen both got their big breaks in the Western genre, just like how David Carradine first rose to prominence in Kung Fu . But when it comes to televised Westerns, these legends shine just as brightly as their theatrical counterparts. These are 15 of the greatest Western TV characters of all time .

15 Eric "Hoss" Carwright (Bonanza)

For a whopping 415 episodes, Dan Blocker portrayed the lovable gentle giant Eric "Hoss" Cartwright in the groundbreaking series Bonanza , which centered on the affluent Cartwright family as they fought to protect their Nevada ranch from outside threats in the dangerous Wild West. The sensational program ran for 14 seasons and became one of the longest-running U.S. Westerns , delivering brilliant ratings and garnering widespread acclaim.

A Knockout Western Great

Beloved for being big and friendly and earning his endearing nickname because of his compassionate demeanor, Hoss was the middle Cartwright child and was deeply loyal and fiercely protective of his loved ones and friends. Upon the show's debut in 1959, Hoss quickly became its breakout character and was a staple in Bonanza until Dan Blocker's untimely death at 43 in 1972. Rather than try and fail to recast the unique role, producers decided to write Hoss off (the first time in television history to do so with a male lead, per Mental Floss ). Bonanza lasted one season without Blocker before bidding farewell in 1973. Stream on Prime VIdeo

14 Marshal Matt Dillon (Gunsmoke)

Initially a radio series that ran from 1952 to 1961, Gunsmoke was given the television treatment in 1955 with James Arness starring as U.S. Marshal Matt Dillon. The series followed the lawman as he fights to keep peace and order in Dodge City, Kansas. Western icon John Wayne recommended Arness for the lead character and felt he was going to be a huge up-and-comer, and he even introduced the actor as the tough and rugged Matt Dillon in a prologue for the show's first episode.

Why the Longest-Running Western TV Show Ended So Abruptly

Arness' weary & determined marshal.

Never one to shy away from using force to subdue a criminal, the world-weary Dillon had grown accustomed to the violence and dangers that came with his job and became wiser as the years raged on. A man with a conscience who expresses regret when having to take a life, Dillon is a resilient lawman who has been shot and wounded numerous times over the show's run, yet always manages to outmaneuver his adversaries in the pursuit of justice. Gunsmoke ran for twenty seasons and held the record for being the longest-running Primetime series until being surpassed by Law & Order: SVU in 2019. Stream on Paramount+

13 The Lone Ranger & Tonto (The Lone Ranger)

Undeniably one of the small screen's most iconic crime-fighting duos , The Lone Ranger (Clayton Moore) and Tonto (Jay Silverheels) took on nefarious outlaws and traveled the American West while restoring law and order to the country in The Lone Ranger . After living through a lethal ambush that left five of his fellow Texas Rangers dead, the eponymous hero is nursed back to good health by the kind Native American Tonto, and decides to become a vigilante with his savior and new companion.

Formidable Crime-Fighting Duo

The Lone Ranger became ABC's first official hit and was the highest-rated show on the network, with fans tuning in week-after-week to watch the fearsome twosome take on outlaws of all shapes and sizes. Each episode of the five-season series famously concluded with someone asking who that masked man was, as the heroes would ride off to their next destination in the pursuit of justice. Both Moore and Silverheels would also go on to reprise their roles for two theatrical features, both of which proved to be modest hits. Stream on Tubi

12 Bret Maverick (Maverick)

James Garner landed his big Hollywood breakthrough when he took on the role as the cool, calm, and collected poker-playing rounder Bret Maverick in the smash-hit series Maverick , following the titulargambler as he and his equally cunning brothers travel the country in search of both a high-stakes poker game and a good time. The exciting program originally solely starred Garner as the one and only Maverick, but later added in his brother Bart (Jack Kelly) in order to have more episodes on hand for a season.

Garner Becomes a Leading Man

Bret Maverick is sly and fun-loving. The character flipped the traditional cowboy characteristics upside down, as the television hero was apprehensive to risk his life and stick his nose into trouble. Nonetheless, Maverick always rose to the occasion and proved to be courageous when duty called, and he always walked away from a gunfight triumphant. Maverick helped make Garner a household name and proved to be ratings gold, beating out fellow heavy hitter The Ed Sullivan Show in viewership and becoming an instant Western classic. Rent/Buy on Prime Video

11 Cullen Bohannon (Hell on Wheels)

Chronicling the crusade former Confederate soldier Cullen Bohannon (Anson Mount) embarks upon to avenge the brutal deaths of his wife and son, Hell on Wheels focuses on Cullen as he joins the Union Pacific Railroad to hunt down the Union soldiers responsible for the crimes during the American Civil War. Plagued by guilt over the murders of his family and by the horrors he witnessed in battle, Cullen travels west and becomes a resident of the titular lawless town, which subsequently moves along with the construction of the railroad. Along his journey for retribution, the determined man ends up climbing the ranks within the Transcontinental Railroad, ultimately discovering a new purpose and calling in his life.

A Man's Merciless Mission

To prepare for his audition as the revenge-seeking Cullen Bohannon, Mount played the video game Red Dead Redemption , as many felt the former soldier bared a striking resemblance to the game's lead character, John Marston. Though Mount borrows heavily from cinematic westerns in his performance, as described in an interview with Uproxx , he still brings a more intimate touch to the character due to the series' expansive scope and length. Hell on Heels was an underrated show that ran for five thrilling seasons and showcased Cullen's personal struggles and growth as a character, while depicting the history of the railroad. Stream on Apple TV+

10 Lucas McCain (The Rifleman)

Set in the fictional town of North Fork, New Mexico Territory during the 1880s, The Rifleman starred Chuck Connors as Union veteran and widower Lucas McCain, who returns to his life as a rancher after serving in the war. Now living on the homestead, he also raises his young son, Mark. McCain helps Marshal Micah Torrance attempt to keep the community and its residents civil and preserve law and order while acclimating to his new world and reality.

Devoted & Protective Father

The series featured Lucas McCain famously toting his signature Winchester Model 1892 rifle, as producers wanted to be able to distinguish the character and show from competing Westerns on television . McCain is extremely protective of his son and is known throughout the land as an intimidating and highly-skilled shooter who makes it his mission to keep North Fork safe. After five seasons starring in the lead role, Connors went on to reprise the character in the 1991 made-for-TV film The Gambler Returns: The Luck of the Draw. Stream on Prime Video

9 Victoria Barkley (The Big Valley)

Silver screen staple Barbara Stanwyck shifted her illustrious career to the world of television when she headlined The Big Valley. The series follows wealthy family matriarch Victoria Barkley (Stanwyck) and her adult children as they keep their California ranch up-and-running in the 1870s, tackling one adventure after another. The owner and head of the Barkley ranch, Victoria, stepped up to keep the homestead running after the death of her husband, doing so with admirable determination and fervor. After her husband's passing six years prior, Victoria traded in her elegant gowns and high-society functions for denim jeans and the cowgirl life, becoming hands-on with the ranch.

A Tough & Feisty Heroine

The character was a bit controversial at the time due to Stanwyck's unwavering resolve to portray Victoria as a strong and capable woman, as opposed to the fragile, damsel types often depicted in Westerns. Stanwyck became one of the most popular and successful actresses on television during the show's four seasons, winning a Primetime Emmy for her feisty performance. On top of her Emmy win for Best Lead Actress in a Drama Series, she would earn two more nominations for the same award in the successive years afterward. Currently unavailable for streaming.

The 10 Longest-Running Western TV Series of All Time

8 james west (the wild wild west).

The Wild Wild West brilliantly blended the Western, sci-fi, and spy genres and centered on the many wondrous adventures of the handsome and confident James West (Robert Conrad) and gadget-savvy Artemus Gordon (Ross Martin) two prominent Secret Service agents who are tasked with protecting the country and President Ulysses S. Grant from nefarious threats and deadly foes.

Television's Quirky Duo

The fun and quirky series focused on the delightful duo as they battled against larger-than-life villains by utilizing Gordon's dazzling inventions and West's fearless resolve, with the Western being regarded as a major pioneer in the steampunk genre. Conrad performed most of his own fight scenes and stunts over the course of The Wild Wild West 's four seasons, and his performance as the suave and sophisticated agent became the most celebrated role of his career; the lead pair would go on to reunite for two made-for-TV films in 1970 and 1980. Stream on Prime Video

7 Raylan Givens (Justified)

Widely regarded as one of the greatest shows of the 2010s and an acclaimed addition to the neo-Western genre, Justified is based on the Elmore Leonard novels and focuses on the headstrong, cowboy hat-sporting lawman Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) as he uses his own unique brand of justice to take down bad guys in his home turf of Harlan County, Kentucky.

Throwback to Classic Cowboys

Olyphant shined as the silent and stoic Givens, a man with a checkered past who is quick to shoot first and ask questions later. Because of this, he had subsequently become the problem child of the law enforcement service. The laconic, laid-back cowboy must face familiar faces like his harsh father Arlo and former friend-turned-criminal Boyd Crowder (Walton Goggins) throughout the compelling drama, enchanting audiences along the way. Olyphant said that he was drawn to portray Raylan because of "the ease and the charm and the sort of old-fashionedness" of the character, and he reprised the role for the limited sequel series Justified: City Primeval. Stream on Hulu

6 Kwai Chang Caine (Kung Fu)

The late and great David Carradine first embraced his love of martial arts when he portrayed the perpetually wandering, zen Shaolin monk Kwai Chang Caine in Kung Fu , which chronicled the peace-loving, half-Chinese/half-White-American man as he traveled throughout the American West in search of his family roots and mysterious half-brother Danny Caine. Along the way, Caine uses his impressive skills to fight for the underdog and promote unity and compassion.

A Lifelong Passion Is Ignited

The decision to cast the non-Asian Carradine as Kwai Chang Caine sparked initial controversy due to accusations of whitewashing, but the actor quickly showcased his respect and talent for the role and left a lasting impression. Caine stuck to his beliefs and morals and only utilized his training when he had to defend himself or someone else being wronged, and the character and show is credited with helping popularize both Eastern philosophy and martial arts for audiences in the west. Carradine was also compelled to study and practice Shaolin quan and kung fu after landing the career-defining role. Buy on Apple TV+

5 The Virginian (The Virginian)

Set in late 19th century Wyoming before it became a state, The Virginian is based on the Owen Wister novel of the same name and centers on the titular Shiloh Ranch foreman (James Drury) as he helped keep the establishment afloat while also enforcing the law in the surrounding rugged region. Throughout the course of the series, the Virginian worked as the foreman for five distinct ranch owners and dealt with a colorful array of problems and hurdles, but ultimately remained devoted to his duties.

Trailblazing TV Western

The Virginian was television's first 90-minute Western program and ran for an impressive nine seasons and 249 episodes, with viewers watching in wonder as the tough-as-nails ranch hand made it his mission to enforce order in Wyoming. Producers of the show specifically chose not to reveal the foreman's real name and kept his background mysterious, in hopes that it would increase audience intrigue and set itself apart from other Westerns; the approach worked, and The Virginian became a major ratings success. Stream on Freevee

4 Rowdy Yates (Rawhide)

Hollywood legend and Western icon Clint Eastwood skyrocketed to prominence when he landed the pivotal role of Rowdy Yates in Rawhide , sharing the screen with fellow star Eric Fleming. The series took place in the 1860s and followed the cattle driving boss Gil Favor, as he and his right-hand-man, Rowdy, commanded a cowhand crew and traveled across the country. Along the way, they had a habit of getting swept up in all kinds of entertaining adventures.

Clint Eastwood’s 20 Most Iconic Movie Characters

Eastwood's small screen beginnings.

Rawhide was a major stepping stone in Eastwood's decades-spanning career and first introduced him to audiences across the world. His brash and confident character, Rowdy, quickly became a beloved fan-favorite. In just three weeks upon its release, the Western reached the top 20 in television ratings and went on to spawn a whopping 8 seasons and 217 episodes. The series and headstrong role gave the talented actor the recognition he needed to begin his cinema takeover, and remains a must-see for both Western and Eastwood lovers. Stream on Pluto TV

3 Al Swearengen (Deadwood)

The critically-acclaimed HBO period drama Deadwood famously details the lawless 1876 mining town as both honorable and shady characters show up in hopes of getting rich. The series focused on former Montana marshal Seth Bullock (Timothy Olyphant) as he arrives to set up a new life and hardware business. Bullock quickly finds himself at odds with Gem Saloon owner Al Swearengen (Ian McShane), a ruthless businessman who will stop at nothing to make sure Deadwood thrives.

A Career-Defining Performance

McShane dazzled viewers with his exceptional portrayal of the complex antihero Swearengen , winning a Golden Globe Award for his riveting imagining of the historical figure on top of earning an Academy Award nomination. Heavily considered to be one of the greatest television shows of all time, in large part due to McShane's unforgettable delivery, Deadwood was shockingly canceled after three seasons (much to the outrage of audiences) but returned to screen thirteen years later. McShane returned to star in Deadwood: The Movie and once again enchanted fans of the original series. Stream on Max

2 Josh Randall (Wanted Dead or Alive)

Before he established himself as the "King of Cool" in cinema, the incomparable Steve McQueen landed his breakthrough role when he starred as bounty hunter Josh Randall in the black-and-white Western Wanted Dead or Alive . A spin-off of the show Trackdown , the exciting series followed a Confederate veteran-turned-bounty hunter as he helps clean up the Wild West in the 1970s, tracking down wanted men and fighting for justice as he travels the countryside.

McQueen's Transition to the Big Screen

McQueen was specifically sought after by the creators of the program because of his cool and easy-going style, bringing that same attitude to his character Josh Randall and making him an antihero. During his time on the show, the celebrated actor also began to appear in Hollywood productions, including The Magnificent Seven , and McQueen became one of the first television stars to successfully cross over to film. He appeared in all 94 episodes of the series, which was eventually canceled after three seasons. Stream on Tubi

1 Beth Dutton (Yellowstone)

Love her or hate her, but Yellowstone 's breakout character Beth Dutton (Kelly Reilly) knows how to leave a lasting impression. The cutthroat daughter of powerful cattle ranch owner John Dutton, Beth and her family fight tooth-and-nail to keep their beloved homestead safe against enemies wanting to encroach upon their land. The knockout series has sparked a cultural phenomenon and its overwhelming success has led to multiple spin-offs surrounding the history of the Dutton clan.

Beth Packs a Powerful Punch

The fiery and resilient character is complex and deeply protective of her family and loved ones, and is never afraid to get her hands dirty for a cause she deems worthwhile. Beth is a true survivor who can handle whatever life throws at her, and is quick to confront her enemies and anyone threatening the Dutton name. She is her father's ultimate champion and has emerged as one of Yellowstone 's most buzzed-about and unforgettable characters , with audiences loving to witness Beth's ferocious attitude and unique brand of chaos. Stream on Peacock

essay on character of hero

My Hero Academia Season 7 Character Guide Who Stars in the Final Act?

My Hero Academia Season 7 is finally here. This season takes us into the show’s final arc as Izuku Midoryia must fight to save the world from All For One’s grasp. My Hero Academia boasts one of the largest casts in Shōnen Jump, but that doesn’t mean all will be major players this season.

We’ve broken down each main character and their role in this story, at least the ones we can discuss while avoiding spoilers. Here’s what you need to know about the cast of My Hero Academia Season 7 .

My Hero Academia: Youre Next: Trailer, Release Date, and Everything We Know So Far

Izuku midoryia, hero name: deku.

When we last saw Izuku Midoryia, he faced the biggest challenge of his young hero career. The weight of the world is on his shoulders as he’s the only one capable of defeating All For One and Tomura Shigaraki. As the final successor of One For All, Deku possesses eight different quirks and must use them to protect his friends and stop the world from entering a new age of darkness.

Izuku has gone from powerless to the world’s strongest hero in a matter of months. He’s destined to become the greatest hero ever, but that doesn’t mean it won’t come without cost. This season will finally tackle U.A.’s traitor and have those closest to Izuku in harm's way. He’ll have to go beyond his limits and find a way to become the new symbol of peace.

Cathleen Bate

Hero name: star and stripe.

With Japan falling into utter despair, the United States’ No. 1 hero jumps into action to support her inspiration, All Might. Once Star and Stripe arrive, she quickly showcases why she’s the strongest hero in the West. Cathleen Bate’s quirk, New Order, allows her to bend the rules of reality around her, making her one of the strongest characters in the entire series.

Voiced by Japanese voice actress X and English voice actress Y, Star is set to have a massive impact on the show’s latest season, especially as she clashes with Tomura Shigaraki.

Tomura Shigaraki

Formerly: tenko shimura.

Tomura Shigaraki wants to destroy everything. After dealing with an abusive father, the young boy used his quirk to decay his entire family. Shigaraki was alone and no hero ever came to save him. This incident leads him down the path of destruction and causes him to become a pawn in All for One’s games.

Shirgaraki is now the new wielder of All For One’s power, much like Deku now possesses One For All. The two proteges are on a collision course, but will Deku be able to save Shigaraki’s soul, or will he be overtaken by the darkness? That’s where we find Tomura in Season 7.

All For One

Real name: unknown.

The Lord of Evil, All For One, has been the puppet master behind My Hero Academia ’s entire history. All For One is the show’s emperor Palpatine, in that he will never die and will do everything he can to rule the world. His main goal is to take One For All away from Izuku Midoriya. The power he gave to his brother has been passed down for generations.

He can have the last remnant of his brother’s spirit by stealing One For All. To do so, All For One will manipulate those around, mainly Tomura Shigaraki and his friends, as he accumulates more power in an effort to aid his quest for One For All. He’s evil incarnate and must be stopped at all costs.

Shoto Todoroki

Hero name: shoto.

Shoto Todoroki is easily one of Deku’s dearest friends, but he’s going to be dealing with his own drama this season. After the revelation that Dabi is his older brother hellbent on making their father suffer, Shoto has had to become the rock of the Todoroki family.

Shoto has to be there for his sister, brother, and mother while also aiding his father in the conflict with Dabi. Overcoming generational trauma and forgiving those who hurt him is a journey Shoto has been on since we first met him, and it all comes to a head in Season 7.

Touya Todoroki

Villain name: dabi.

Touya Todoroki was Enveador’s oldest son and aspired to become a hero who could rival the power of All Might. Unfortunately, Touya was born with a defective quirk. He has his father's fire but lacks heat resistance; instead, having cold resistance like his mother. This causes him to burn himself when using his power constantly and ultimately leads to his apparent death.

Touya has returned as the villain Dabi and is set on making his father suffer for his abusive ways. Dabi, like Shigaraki, wants to see heroes burn because when they needed them, they were nowhere to be found.

Enji Todoroki

Hero name: endeavor.

Enji Todoroki is a complicated figure. He became obsessed with surpassing All Might, and he hurt his family in unspeakable ways. After All Might’s retirement, Endeavor became Japan’s No. 1 hero but quickly learned just how hard it is to be the symbol of peace. Enji has regrets about his past, and while he’s not looking for forgiveness , he wants to atone for his mistakes.

The past never dies, and Dabi is here to ensure Endeavor pays for his transgressions. Enji must stop his son while also aiding Deku in his battle against Tomura Shigaraki as the fate of Japan hangs in the balance.

My Hero Academia's Todoroki Family Tree

Katsuki "kacchan" bakugo, hero name: great explosion murder god dynamight.

Over the last few seasons, Bakugo has gone from being Deku’s bully to being one of his closest friends. Kacchan is rough around the edges but has become quite powerful. He wants to save those in trouble and defeat those who stand in his way. Bakugo is trying to make up for his past mistakes and become a hero who inspires those around him, like All Might.

He has to face his own demons but also learn how to work with others if he’s to achieve a total victory. As the war grows more dire, Lord Explosion Murder God Dynamight has to step up, and give it all, even if that means risking his life.

Tsunagu Hakamada

Hero name: best jeanist.

In a surprise turn of events, Best Jeanist was revealed to be alive and aided the heroes in their battle with Shigaraki last season. The stylist hero is here to weave a tapestry that will bind society together as they face All For One, which is a stain that needs to be removed entirely.

Jeanist mentors Bakugo and is a comrade of Mirko, Hawks, Edgeshot, and Endeavor. The Top five heroes must work together with Deku and his classmates if they ever want to patch up this torn world.

Shinya Kamihara

Hero name: edgeshot.

Edgeshot is a character we’ve rarely seen in My Hero Academia ’s previous seasons, but that will all change in Season 7. The hero is a former classmate of Best Jeanist and is willing to support his fellow heroes in whatever way he can. He also forms an unbreakable bond with Bakugo as they both share the same drive to win this war, whatever it takes.

My Hero Academia

Release Date May 5, 2018

Cast Daiki Yamashita, Nobuhiko Okamoto, Ayane Sakura, Justin Briner

Main Genre Anime

Genres Animation, Action, Adventure

Rating TV-14

Watch on Crunchyroll

My Hero Academia Season 7 Character Guide  Who Stars in the Final Act?

Home — Essay Samples — Literature — Macbeth — Macbeth: A Tragic Hero Analysis

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Macbeth: a Tragic Hero Analysis

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Published: Mar 16, 2024

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The definition of a tragic hero, macbeth’s tragic flaw: ambition, the influence of the supernatural, moral decline and guilt, the tragic end.

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Shakespeare, William. Macbeth. Edited by Barbara A. Mowat and Paul Werstine, Folger Shakespeare Library, 2011.

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How far are you willing to go to get what you want? One of the themes in William Shakespeare’s play Macbeth is greed. How a humble person can turn into a savage and uncontrollable beast just for wanting more. In the play [...]

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essay on character of hero

Hercules : Character Analysis of a Hero, Disney ‘Hercules’

This essay about Disney’s “Hercules” explores the character dynamics and themes that make the film stand out in the realm of animated classics. It highlights Hercules’ development from a clumsy adolescent to a true hero, emphasizing his internal struggle and growth. The analysis also covers Megara’s role as a complex, independent character who learns to open her heart again, and Hades’ portrayal as a charismatic yet malevolent villain. Supporting characters like Phil, Pegasus, and the Muses are acknowledged for adding humor, warmth, and depth to the narrative. The essay concludes that “Hercules” is a rich tapestry of storytelling, memorable for its exploration of identity, love, and the essence of heroism, resonating with audiences through its relatable characters and their personal growth.

How it works

In the pantheon of Disney’s animated classics, “Hercules” stands out not just for its inspired reimagining of ancient mythology but also for the depth and charm of its characters. This film, released in 1997, takes us on a journey with Hercules, a hero who is as endearing for his strengths as he is for his vulnerabilities. But what makes “Hercules” truly compelling is not just the hero himself but the cast of characters that surround him, each bringing their own flavor to the story.

Hercules, the protagonist, is a far cry from the traditional, infallible hero. His journey is one of self-discovery and personal growth. Born a god but raised as a mortal, Hercules is an outsider in both worlds. This duality forms the crux of his character development. His quest is not just about regaining his godhood but also about finding where he truly belongs. His strength is unparalleled, yet it’s his heart and determination that truly define him. Hercules’ journey from a clumsy adolescent to a true hero is filled with trials, but his perseverance and his willingness to sacrifice for others highlight the essence of true heroism.

Then there’s Megara, commonly known as Meg. Meg is not your typical damsel in distress. She’s witty, independent, and carries a past that has taught her to be wary of love. Meg’s complexity as a character comes from her cynicism juxtaposed with her eventual willingness to open her heart again. Her relationship with Hercules is beautifully developed, showing that love can indeed heal old wounds and that strength does not only come from physical prowess but also from the courage to be vulnerable.

No story of heroism would be complete without a compelling antagonist, and Hades provides that in spades. The lord of the underworld, with his fiery temper and quick wit, makes for an unforgettable villain. Hades’ plan to overthrow Zeus and take over Mount Olympus by using Hercules is driven by a deep-seated jealousy and ambition. However, it’s his charismatic personality, delivered with a comedic flair, that makes him a villain you love to hate. His interactions with Hercules add a dynamic layer to the narrative, emphasizing the classic battle between good and evil.

Supporting characters like Philoctetes (Phil), Pegasus, and the Muses add richness to the story. Phil, the cantankerous satyr who becomes Hercules’ mentor, is a standout. His skepticism about training yet another hero is matched only by his genuine care for Hercules. Phil’s guidance and tough love play a crucial role in Hercules’ growth. Pegasus, Hercules’ loyal winged steed, and the Muses, who narrate the tale with soulful musical interludes, bring humor, warmth, and a touch of Greek chorus to the narrative.

The characters in “Hercules” give the plot vitality, even though the narrative is as timeless as the stories it is based on. Even the gods are fallible, complicated, and exquisitely human. Through its characters, the movie does a fantastic job of examining questions of identity, belonging, and what constitutes true heroism. Every character, all the way down to Hercules, contributes a different aspect to the plot, resulting in “Hercules” being a multifaceted piece of storytelling.

To put it simply, “Hercules” is a tale about a hero who proves his worth by vanquishing monsters. It’s about discovering one’s own self, the strength of love, and the road of self-discovery. The reason the characters in “Hercules” endure is not due to their perfection, but rather to their relatability. Their tribulations, victories, and personal development speak to us, which is why “Hercules” is a tale that never gets old or ceases to enthrall.

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Screen Rant

Every my hero academia movie in order (and the best way to watch them).

My Hero Academia is a wildly popular anime and manga series with several movies. Here's how best to watch the series' anime films online.

  • My Hero Academia 's movies have become an important part of the series' canon, with characters and events from the films appearing in the manga.
  • The movies offer fans exciting moments, awesome fights, and incredible animation that even casual fans will enjoy.
  • While the movies are not all available on one streaming service, they can be easily found on BluRay or rented digitally, making it worth the effort for fans to watch them.

The My Hero Academia franchise has been massively popular, and that popularity has led to several movies being released. Unlike many other anime franchises, which tend to relegate their movies to non-canonical status, My Hero Academia 's movies have been brought into the series' canon, with characters from the films appearing in the manga, albeit mostly in brief cameos. That makes it a little more important than usual for My Hero Academia fans to stay caught up on the series' films, which isn't always an easy task in the modern, fragmented streaming marketplace.

To date, there have only been three My Hero Academia movies, with a fourth My Hero Academia film already announced These movies are set at various points in the series' chronology, usually pretty close to where the anime was when they were released.

My Hero Academia is known for using its big screen time well, with awesome fights and some incredible moments that will blow away even close fans who've never seen the films before. The films have all been very successful in their theatrical runs, and are definitely worth taking the time to watch for anyone who's even a casual fan of the series.

My Hero Academia: Two Heroes

My hero academia's first film goes all-out to deliver something big.

My Hero Academia: Two Heroes opens with a flashback to All Might's time in America, when he worked with a scientist who developed support gear, David Shield. In the present, All Might receives an invitation to a hero expo at the artificial I-Island, and opts to bring Midoriya along. Several of the other students end up attending as well.

Not long after arriving, Midoriya meets Melissa Shield , David's daughter, who presents him with a special gauntlet that will allow him to use One for All without hurting himself. Not long after, the expo comes under attack from a villain named Wolfram, who takes the entire island hostage. The students must fight back against Wolfram and his goons, but can All Might, whose power is already waning, actually defeat this foe?

Two Heroes takes its name from the idea of Deku and All Might fighting side-by-side , something fans desperately wanted to see. The movie is loaded with exciting moments, and Melissa Shield is an adorable character who instantly became a fan favorite. Melissa has appeared in the manga on several occasions and even builds Deku another gauntlet later in the story. The anime features a special tie-in episode,"Special Episode: Save the World With Love!" which acts as a prologue to the film, and establishes when it takes place.

My Hero Academia: Heroes: Rising

Heroes: rising offers excellent character moments and an incredible twist.

Heroes: Rising follows the entirety of U.A.'s Class 1-A as they're sent to a small island, Nabu Island, to act as its local heroes for their winter semester safety program. The island is quite peaceful and idyllic, meaning there isn't a lot of danger for the kids to get involved in, which gives them the opportunity to really get to know the islands' residents as they help them with everyday tasks.

A villain involved with the League of Villains, who goes by the name "Nine" for his nine Quirks, arrives at the island, however, seeking a certain child whose blood could save his life. With their capacity to communicate with the mainland immediately destroyed, the kids of Class 1-A are on their own to deal with Nine and his gang.

Heroes Rising is equally split between calm, peaceful moments and intense action , which makes up the bulk of the back half of the movie. The film is intended to be set during the Meta Liberation Army arc of the manga, which hadn't yet been adapted for the anime at the time of its release, meaning some characters such as Hawks debuted in the film first. Heroes: Rising is well known among fans for its climax , which features a moment that no fan would've predicted.

My Hero Academia: World Heroes' Mission

World heroes' mission expands the series' world around the globe.

World Heroes' Mission takes the kids of Class 1-A on a globe-spanning adventure, introducing heroes from overseas , not just Japan. The emergence of a terrorist organization dedicated to ridding the world of those with Quirks, called Humarise, necessitates all hands on deck, leading to Bakugo, Todoroki, and Midoriya being sent to the foreign nation of Otheon, where Humarise is rumored to be based out of.

Midoriya meets up with a local named Rody, a poor boy caring for his two younger siblings, who happens to be delivering a package for the group. With Rody now a target of Humarise as well, he and Midoriya must work together to track down their villainous leader, Flect Turn, and defeat the supremacist group once and for all.

World Heroes' Mission was very well received, with much praise for the character of Rody and his relationship with Midoriya . Rody acts as the emotional core of the film, so the execution of his character was critical. Like Two Heroes , this film featured an anime tie-in prequel episode as well, called "Long Time, No See, Selkie." Rody and his siblings made a cameo in the manga, as did many of the international heroes created for the film.

My Hero Academia: You're Next

Class 1-a faces all might's villainous doppelganger.

The next entry in My Hero Academia's movie franchise, My Hero Academia: You're Next is slated to premiere in Japan on August 2nd . My Hero Academia movie 4 introduces All Might's evil double , a villain named Dark Might who resides in a giant floating fortress. Set in the aftermath of the Paranormal Liberation arc, it appears as though Dark Might aims to exploit the chaos created in the aftermath of that massive conflict. Not much is known beyond that basic premise, but that alone is more than enough to get fans hyped to finally see an all-out battle between Deku and someone with the appearance of his mentor.

You're Next is the first My Hero Academia movie not directed by series director Kenji Nagasaki and will instead see veteran animator Tensai Okamura take the helm.

Why Dark Might looks like All Might and whether he has the ultimate symbol of peace's powers remains to be seen, which makes the mystery posed by the new film all the more tantalizing. With My Hero Academia's manga quickly approaching its ending , You're Next could very well be the last My Hero Academia movie, so it makes sense that Studio Bones would want to go big with such an intriguing premise.

Will There Be More My Hero Academia Movies After You're Next?

With My Hero Academia's manga and anime so close to ending, many fans are left wondering whether the franchise will return for a fifth movie or if You're Next will be the franchise's last cinematic outing for the foreseeable future. Nothing official has been announced, of course, but fans have good reason to be hopeful that You're Next won't be the last movie to feature Deku and the rest of Class 1-A.

My Hero Academia's anime studio, Bones, has previously released anime movies based on franchises that had already wrapped up. The two most notable examples are the pair of Fullmetal Alchemist movies. Conquerors of Shambala was a 2005 epilogue to 2003's Fullmetal Alchemist series that wrapped up a handful of dangling plot threads left after that series' conclusion. In contrast, 2011's The Sacred Star of Milos was an interquel set in the middle of Fullmetal Alchemist: Brotherhood .

My Hero Academia's Final Arc Proves Deku's Biggest Strength isn't All For One

Though fans might initially be skeptical that My Hero Academia could receive a Conquerors of Shambala style epilogue given that the latter film only made sense because of how much Fullmetal Alchemist's 2003 series deviated from the movie, it's still quite possible that an epilogue film is in the cards. Naruto's anime studio Pierrot made two epilogue films with The Last: Naruto the Movie and Boruto: Naruto the Movie . Given how much Naruto influenced My Hero Academia , it's not far-fetched to think Kohei Horikoshi would approve Bones to wrap up My Hero Academia's story after the manga ends.

What is the Best Way to Watch My Hero Academia's Movies?

Unfortunately, My Hero Academia 's films are, at present, scattered across multiple streaming services, meaning there's no simple way to watch all three. Aside from streaming, however, all three are easily available on BluRay , which do come with some additional special features. The My Hero Academia films can also be digitally rented on marketplaces like Youtube, Google Play, and Amazon. Crunchyroll's page for My Hero Academia: Two Heroes is titled " My Hero Academia Movies", implying that the other two films may someday be available to stream there, but at present only the first film is available.

Are My Hero Academia 's Movies Worth Watching?

The My Hero Academia films are absolutely worth watching for fans of the franchise, especially as characters from the films have become more ingrained in the manga. This has the benefit of making the films feel like they matter, something that a lot of anime movies that are non-canonical to their series have trouble doing. Where exactly the films fit into the anime is a sometimes difficult question, and the anime often keeps references to the films vague for that reason.

As big-budget anime films, the My Hero Academia movies have plenty of incredibly animated action to offer, which can be worth the price of admission alone for fans who really want to see the characters go all out. The films are also fairly enjoyable even for those who aren't caught up on the series, thanks to Deku's earnest desire to be a hero.

My Hero Academia 's movies have maintained a high quality across all three releases so far, and anticipation for the fourth film, which is said to be set during the Dark Hero arc, is exceptionally high. While it may not be as easy as if they were all on one streaming service, it's worth the effort for fans to track down and see these movies. Full of epic battles, character moments, and all kinds of expansions of My Hero Academia 's world, the series' films are astonishingly good and offer fans everything they might want out of an anime movie.

My Hero Academia

In My Hero Academia, some humans have superpowers called quirks. Izuku Midoriya, nicknamed Deku, is not one of them. Deku has always idolized heroes like the number one hero, All Might, and since he was a child, he has always wanted to be a hero. However, his lack of a quirk has always held him back, but a chance encounter with All Might after discovering a classmate in danger sets Deku on the path to becoming a true hero. My Hero Academia centers around Deku and a class of heroes-in-training at UA. This school shapes young quirk users into future heroes through fake rescue missions, combat training, and other hero-tempering tasks. With young Deku inheriting the "One-For-All" quirk, he will learn what it means to be a true hero while facing off with dastardly supervillains.

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COMMENTS

  1. Essays About Heroes: 5 Examples And Topic Ideas

    A hero to many in the running world, Prefontaine's confidence, unique style, and unmatched athletic ability have been heralded for decades. In this essay, O'Brian shares how he, as a distance runner during the era of Pre, related to his struggles and ambition. 5. Forget Hamilton, Burr Is The Real Hero By Carey Wallace.

  2. What Makes a Person Heroic? Characteristics of a Hero

    Moral integrity. Protective. Self-sacrifice. Selflessness. Strength. The psychology of heroism might not be well understood, but many experts do believe that it is possible for people to learn to be heroes. The following are just a few of the major characteristics that researchers have ascribed to heroes.

  3. What Is a Hero Essay, and How Can You Make Yours Good?

    Put simply, a hero essay is one in which you describe someone you look up to or admire. This could be a family member, teacher, community leader, friend, celebrity, or even a random stranger who did a kind deed. When writing about whoever you end up choosing, keep in mind that the hero essay is not just describing what the person is like.

  4. 10 Qualities of a Hero: What Makes a True Hero According to Psychology

    Heroes possess a natural sense of compassion and integrity that sets them apart from others. Let's take a closer look at these two sub-traits. Compassion. Compassion is the ability to feel empathetic towards others and to take action to alleviate their suffering. Heroes possess an innate sense of compassion that drives them to help others in ...

  5. Examples Of Heroism: [Essay Example], 857 words GradesFixer

    Examples of Heroism. In times of adversity, individuals often rise to the occasion and demonstrate acts of heroism that inspire and captivate us. From selfless acts of courage on the battlefield to everyday heroes who go above and beyond to help others in need, examples of heroism can be found in various forms and contexts.

  6. What Makes a Hero?

    Heroes surround us. One in five—20 percent—qualify as heroes, based on the definition of heroism I provide above. Seventy-two percent report helping another person in a dangerous emergency. Sixteen percent report whistle blowing on an injustice. Six percent report sacrificing for a non-relative or stranger.

  7. How to Write a Character Analysis: Outline, Examples

    The character analysis definition explains the in-depth personality traits and analyzes characteristics of a certain hero. Mostly, the characters are from literature, but sometimes other art forms, such as cinematography. In a character analysis essay, your main job is to tell the reader who the character is and what role they play in the story.

  8. Heroism: Why Heroes are Important

    We need heroes first and foremost because our heroes help define the limits of our aspirations. We largely define our ideals by the heroes we choose, and our ideals -- things like courage, honor, and justice -- largely define us. Our heroes are symbols for us of all the qualities we would like to possess and all the ambitions we would like to ...

  9. Definition Essay: What Makes a Hero

    A hero is someone who selflessly puts the needs of others before their own, often sacrificing their own well-being for the greater good. Their actions are driven by a deep sense of empathy, compassion, and a genuine desire to alleviate the suffering of others. One defining characteristic of a hero is their unwavering courage.

  10. Writing the Hero's Journey: Steps, Examples & Archetypes

    This ultimate Hero's Journey writing guide will define and explore all quintessential elements of the Hero's Journey—character archetypes, themes, symbolism, the three act structure, as well as 12 stages of the Hero's Journey. We'll even provide a downloadable plot template, tips for writing the Hero's Journey, and writing prompts ...

  11. Characteristics of a Hero

    This type of courage often goes unnoticed but is fundamental to the hero's character, allowing them to make difficult choices that others might shy away from. Another indispensable characteristic of a hero is empathy, the ability to understand and share the feelings of others. Empathy fuels the hero's motivation to act, not for personal ...

  12. 9 Characteristics Of A Hero With Examples

    Idealism generally goes hand in hand with possessing a strong moral code. A deep sense of morality may drive a hero to take action because not taking action would be immoral. 2. Courageous. Of course, you expect a hero to be courageous. Courage is one of the top qualities of a hero that people recognize.

  13. Definition Of Heroism Essay: Great Example And Writing Tips

    Definition of Heroism Essay Sample. Recently, the word "heroism" has become increasingly used. In the traditional sense, heroism is the highest manifestation of devotion and courage in public duty performance. A hero is a person who, for his achievements or qualities, is seen as an ideal, an example to follow.

  14. Hero

    hero, in literature, broadly, the main character in a literary work; the term is also used in a specialized sense for any figure celebrated in the ancient legends of a people or in such early heroic epics as Gilgamesh, the Iliad, Beowulf, or La Chanson de Roland.. These legendary heroes belong to a princely class existing in an early stage of the history of a people, and they transcend ...

  15. Definition of a Hero Essay

    Heroes are essential figures in society, serving as beacons of hope, strength, and inspiration for us all. Let us strive to emulate their virtues and to make the world a better place for future generations. Heroes are individuals who embody extraordinary courage and selflessness, often putting the needs of others before their own.

  16. Hero Essay

    Here is a more detailed outline for an essay on a hero: People talk about heroes. People admire all sorts of traits. But what are the qualities of a real hero? ... e.g.. 'my best friend', 'a Canadian athlete', 'the main character in the novel Shiloh by P.R. Naylor') _____. (Now describe how that quality is shown in 3 to 5 sentences

  17. How to Write a Brilliant Hero Essay Quickly and Easily

    4 Steps of Creating a Brilliant Story About Your Hero. These are the main steps that will help people to make a good essay. Brainstorm your ideas to choose your hero. You are free to write about anyone: from a heroic person that saves people and their lives to a fictional character from a cartoon for children.

  18. Qualities Of A Hero

    Essay Example: When we think about heroes, our minds often conjure images of caped crusaders and gallant knights. However, the essence of a hero is not captured by their costume or era but by the qualities that define their character. These are the individuals who step up in moments of need

  19. What Makes a Hero? Theorising the Social Structuring of Heroism

    The article presents a thematic discussion of a body of texts found by combining a systematic and more intuitive process. First, I have located relevant items through the Social Science Citation Index, where I have searched for 'hero', 'heroes', 'heroine', 'heroines', 'heroic' and 'heroism' in the title or resume of papers within the category of sociology (accessed 1 ...

  20. Hero in Shakespeare's Much Ado about Nothing

    Essay Example: In William Shakespeare's *Much Ado About Nothing*, the character Hero serves as a pivotal yet understated figure whose experiences and reactions drive much of the play's plot and thematic exploration. Unlike the typical Shakespearian hero who might wield power or instigate action

  21. What is a Hero

    Classic Hero Traits: An unwavering dedication to their morals. A priority to uphold the greater good. Courage in the face of adversity. The hero is almost always the protagonist of a story. But a protagonist is not always a hero. Those two terms get confused a lot and while there is overlap, they are distinct categories.

  22. Heroes: Every Main Character's Powers & Abilities Explained

    Heroes featured an incredible cast of powered people with a wide variety of powers and abilities. The series originally aired on NBC from 2006 to 2010, where it became a huge success and amassed a dedicated fanbase. This was partially down to the incredible characters and writing developed by creator Tim Kring, who were uniquely different from most other contemporary superhero stories.

  23. 15 Greatest Western TV Characters of All Time

    Character-driven Western TV shows like Bonanza, Gunsmoke, and Maverick helped shape the genre's golden age on television.; From Marshal Matt Dillon to Eric "Hoss" Cartwright, these iconic Western ...

  24. My Hero Academia Season 7 Character Guide Who Stars in the Final Act?

    Edgeshot is a character we've rarely seen in My Hero Academia's previous seasons, but that will all change in Season 7. The hero is a former classmate of Best Jeanist and is willing to support ...

  25. 10 DC Movie Characters With The Best Development Of All Time

    The movies following the heroes and villains of the DC Universe bring many characters from the comics to life, and some of them have seen some truly brilliant development over their respective appearances. Throughout the timeline of DC movies, there have been many adaptations of DC Comics characters and stories.Bringing iconic heroes and villains to life on the big screen is no small feat, and ...

  26. Macbeth: A Tragic Hero Analysis: [Essay Example], 619 words

    The character of Macbeth is a complex and multi-dimensional one, and his journey from a noble and valiant warrior to a power-hungry and corrupted tyrant is a compelling one. This essay will analyze the character of Macbeth and explore the elements that make him a tragic hero, as well as the factors that contribute to his downfall.

  27. Hero Pose Walkthrough

    Hero Pose is one of three Quests required to open a trap door in the Sunken Ruins during Eternity Isle&apos;s &quot;The Spark of Imagination,&quot; storyline,

  28. Character Analysis of a Hero, Disney 'Hercules'

    This essay about Disney's "Hercules" explores the character dynamics and themes that make the film stand out in the realm of animated classics. It highlights Hercules' development from a clumsy adolescent to a true hero, emphasizing his internal struggle and growth.

  29. Every My Hero Academia Movie In Order (And The Best Way To Watch Them)

    The My Hero Academia franchise has been massively popular, and that popularity has led to several movies being released. Unlike many other anime franchises, which tend to relegate their movies to non-canonical status, My Hero Academia's movies have been brought into the series' canon, with characters from the films appearing in the manga, albeit mostly in brief cameos.

  30. Exploring Character Development Through Photo Essay: 9th ...

    Choice Book in Verse Photo Essay Project - 2024 Poetry Unit 9 th Grade English Honors Worth: 0ne project grade in the 60% tests/essays/projects category DUE: Friday, April 26, by 11:59 pm on Turnitin.com Consequences apply for late projects of 10 points off per day late. Be sure to double check that you have submitted the assignment to Turnitin.com and received a confirmation receipt of ...