edgar allan poe tell tale heart essay

Poe's Stories

Edgar allan poe, ask litcharts ai: the answer to your questions.

A Summary and Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’

By Dr Oliver Tearle (Loughborough University)

‘The Tell-Tale Heart’ is a Gothic novel in miniature. All of the elements of the Gothic novel are here: the subterranean secret, the Gothic space (scaled down from a full-blown castle to a single room), the gruesome crime – even the hovering between the supernatural and the psychological.

In just five pages, it’s as if Edgar Allan Poe has scaled down the eighteenth-century Gothic novel into a story of just a few thousand words. But what makes this story so unsettling?

Closer analysis reveals that ‘The Tell-Tale Heart’ centres on that most troubling of things: the motiveless murder.

First, a brief summary of ‘The Tell-Tale Heart’. An unnamed narrator confesses that he has murdered an old man, apparently because of the old man’s ‘Evil Eye’ which drove the narrator to kill him. He then describes how he crept into the old man’s bedroom while he slept and stabbed him, dragging the corpse away and dismembering it, so as to conceal his crime.

He goes to some lengths to cover up all trace of the murder – he even caught his victim’s blood in a tub, so that none was spilt anywhere – and then he takes up three of the floorboards of the chamber, and conceals his victim’s body underneath. But no sooner has he concealed the body than there’s a knock at the door: it’s the police, having been called out by a neighbour who heard a shriek during the night.

The narrator lets the police officers in to search the premises, and tells them a lie about the old man being away in the country. He keeps his calm while showing them around, until they go and sit down in the room below which the victim’s body is concealed.

The narrator and the police officers talk, but gradually the narrator begins to hear a ringing in his ears, a noise that becomes louder and more insistent. He believes that it is the beating of the dead man’s heart, taunting him from beyond the grave. Eventually, he can’t stand it any more, and tells the police to tear up the floorboards, the sound of the old man’s beating heart driving him to confess his crime.

The narrator of ‘The Tell-Tale Heart’ is clearly unstable, as the end of the story reveals, but his mental state is questionable right from the start, as the jerky syntax of his narrative suggests:

True! – nervous – very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses – not destroyed – not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily – how calmly I can tell you the whole story.

The multiple dashes, the unusual syntactical arrangement, the exclamation and question marks: all suggest someone who is, at the very least, excitable. His repeated protestations that he is sane and merely subject to ‘over acuteness of the senses’ don’t fully convince: there is too much in his manner (to say nothing of his baseless murder of the old man) to suggest otherwise.

A motiveless crime?

And indeed, what makes ‘The Tell-Tale Heart’ especially chilling – and here we might draw a parallel with another of Poe’s best-known tales, ‘The Black Cat’ – is that the killer freely confesses that his murder of the old man was a motiveless crime:

I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture – a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees – very gradually – I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Murder is never justified, but it is sometimes understandable when a person has been driven to extremes and isn’t thinking clearly. But Poe’s narrator didn’t even kill the old man for something as cynical as financial gain. Even his proffered motive – the old man’s ‘Evil Eye’ – is weak. He has to convince himself that that was why he did it, after the fact : ‘I think it was his eye! yes, it was this!’ (our emphasis).

One can imagine a police detective doing a double-take in the interview room. ‘You think it was his eye?’ This alone makes it clear that we are dealing with an unhinged mind, somebody who, to borrow from Bob Dylan, ‘killed for no reason’. Motiveless murderers are often the most unsettling.

Consider the ‘motiveless malignity’ of Iago , perhaps Shakespeare’s finest villain, who offers a number of potential motives for wanting to destroy the lives of Othello and Desdemona, and in doing so reveals that he very probably doesn’t have a real motive – other than wishing to cause trouble for the hell of it.

Poe and Macbeth

But Othello is not Poe’s main Shakespearean intertext for ‘The Tell-Tale Heart’. Closer analysis of the story reveals that an important precursor-text to ‘The Tell-Tale Heart’, and probable influence on Poe, is William Shakespeare’s Macbeth .

Both texts centre on the murder of an ‘old man’; in both cases, the murderer is driven to feel guilt over his crime by being ‘haunted’ by his victim from beyond the grave (Banquo’s ghost in Macbeth , the old man’s beating heart in Poe’s story); both Macbeth and Poe’s narrator show signs of being at least a little mentally unstable; in both texts, the murder of the victim is followed by a knocking at the door.

But what makes Poe’s tale especially effective is the way he employs doubling to suggest that it is perfectly natural that the narrator should be paranoid about the sound coming from the floorboards. For before he had murdered the old man, the narrator had imagined his victim ‘trying to comfort himself’ when he heard a noise outside his bedroom:

All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim.

But of course this is really the narrator projecting his own unease around sounds; and it thus foreshadows his later paranoia over the supposed sound coming from under the floorboards – the sound that will drive him to confess to his crime.

But along with the ‘motiveless’ nature of the narrator’s crime, the other aspect of ‘The Tell-Tale Heart’ which makes it such a powerful analysis of the nature of crime and guilt is the slight ambiguity hovering over that sound which taunts the narrator at the end of the story.

An ambiguous tale

It seems most likely that the sound exists only in his head, since the policemen are apparently oblivious to it as they continue to chat away calmly to the narrator. (This is the one real weak point in Poe’s story: once they’ve searched the premises they appear to hang around to make small talk with the narrator. Haven’t they got more important things to do? Unless the narrator isn’t as calm at this point as he believes, and they suspect foul play and are trying to get him to reveal something incriminating…)

But we cannot be entirely sure. Even if the sound is supernatural in origin – and Poe was obviously a master of the supernatural, as several of his other best stories attest – it may be that his victim is making his ghostly heartbeat heard only to the narrator, burrowing away deep within his mind.

But on balance we’re tempted to think that Poe, along with Dickens around the same time (compare the studied analysis of the murderer Jonas Chuzzlewit’s mind as he flees the scene), is pioneering a new kind of approach to the ‘ghost story’ here – one in which the ‘ghost’ is no more than a hallucination or phantom of the character’s mind.

Although such ambiguity had been used to good effect by Shakespeare, in the ghost story it is Poe, in such stories as ‘The Tell-Tale Heart’, who used this ambiguous plot detail to offer a deeper, more unsettling analysis of the nature of conscience.

Discover more from Interesting Literature

Subscribe to get the latest posts to your email.

Type your email…

6 thoughts on “A Summary and Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’”

Wonderful article! When I studied Poe in college my premise for one of my best papers centered on whether or not the murderer was sane or insane and even used “Methinks he protests too much” at the end. I believe I could’ve written several papers on this short story alone with several different topics. Again, wonderful article.

Thank you! Good Hamlet allusion too – one of the triumphs of Poe’s story, I think, is the instability of his narrator. Glad you enjoyed our analysis :)

Ahhhhh…and now here you have brought forth one of my most beloved tale tellers. Poe has influenced not only my own tales but my early life as well. Terrific analysis! The ambiguous nature of the conscience brought to fever pitch. :)

Thank you! It’s one of the real gems among Poe’s tales – and as you say, he’s a great tale-teller so there are quite a few to choose from :)

I’ve wondered if the heartbeat was the narrator’s own, since he was in a state of agitation and excitement while talking to the policemen. In any case, it’s a great story, and this is an interesting analysis.

Pingback: A Summary and Analysis of Edgar Allan Poe’s ‘The Black Cat’ | Interesting Literature

Comments are closed.

Subscribe now to keep reading and get access to the full archive.

English Studies

This website is dedicated to English Literature, Literary Criticism, Literary Theory, English Language and its teaching and learning.

“The Tell-Tale Heart” by Edgar Allan Poe: A Critical Analysis

“The Tell-Tale Heart” by Edgar Allan Poe, first published in 1843, is a haunting short story not contained within a specific collection.

Introduction: “The Tell-Tale Heart” by Edgar Allan Poe

Table of Contents

“The Tell-Tale Heart” by Edgar Allan Poe, first published in 1843, is a haunting short story not contained within a specific collection. It’s a psychological thriller narrated by an unnamed character who insists on their sanity despite describing a meticulously planned murder. The story centers on the narrator’s obsession with the victim’s pale eye and a growing fixation on a sound they believe to be the old man’s beating heart, creating a chilling atmosphere of suspense and unease. As the story progresses, the line between the narrator’s perceived sanity and their deteriorating mental state blurs, leaving the reader to question the truth and grapple with the themes of guilt and madness.

Main Events in “The Tell-Tale Heart” by Edgar Allan Poe

The Narrator’s Obsession and Murderous Plan:

The unnamed narrator insists on his sanity despite describing a premeditated murder.
He becomes fixated on the old man’s pale blue eye with a film over it, calling it a “vulture eye.”
The narrator denies any motive like passion, greed, or insult, claiming it’s solely the eye that drives him to kill.
Over several days, the narrator meticulously plans the murder, entering the old man’s room each night to find him asleep.

The Murder and Hiding the Evidence:

On the eighth night, the narrator accidentally startles the old man awake but manages to keep him still in the dark.
The narrator describes a growing sense of triumph as he prepares to commit the murder.
He becomes fixated on a low beating sound, which he believes is the old man’s terrified heart growing louder.
In a frenzy, the narrator throws open the lantern and murders the old man.
After the murder, the narrator displays a chilling calmness as he dismembers the body with meticulous care.
He hides the body parts under the floorboards, confident no human eye could detect anything wrong.

Police Investigation and the Narrator’s Descent:

The police arrive to investigate a scream heard by a neighbor, arousing suspicion.
The narrator remains confident and welcomes the officers, inviting them to search the entire house.
He even leads them to the old man’s room and shows them his undisturbed belongings.
The narrator’s confidence grows as the officers seem satisfied with his explanations.
However, the narrator begins to feel increasingly anxious and believes he hears the beating of the old man’s heart growing louder.
His attempts to appear calm and talkative fail as the sound intensifies in his own mind.
Driven to the brink, the narrator accuses the officers of mocking him and confesses to the murder, revealing the body’s hiding place.

Literary Devices in “The Tell-Tale Heart” by Edgar Allan Poe

Characterization in “the tell-tale heart” by edgar allan poe.

The narrator in “The Tell-Tale Heart” by Edgar Allan Poe is a complex and unreliable character. Here’s a breakdown of his characterization using examples from the story:

1. Mentally Unstable:

Example: “TRUE!—nervous—very, very dreadfully nervous I had been and am…” (Paragraph 1). The narrator readily admits his nervousness, which hints at a larger mental issue.
Example: “How then am I mad? Hearken! and observe how healthily—how calmly I can tell you the whole story.” (Paragraph 1). He contradicts himself by claiming sanity while exhibiting erratic behavior.

2. Obsessive:

Example: “It was his eye! yes, it was this! One of his eyes resembled that of a vulture—a pale blue eye, with a film over it.” (Paragraph 2). He fixates on a minor physical detail, the old man’s eye, to an unhealthy degree.
Example: “Every night, about midnight, I turned the latch of his door and opened it—oh, so gently!” (Paragraph 3). The repetition of his nightly routine highlights his obsessive planning and actions.

3. Deceptive:

Example: “I was never kinder to the old man than during the whole week before I killed him.” (Paragraph 3). He hides his true intentions by feigning kindness towards the victim.
Example: “The officers were satisfied. My manner had convinced them.” (Paragraph 18). He deceives the police with a confident demeanor despite his inner turmoil.

4. Unreliable Narrator:

Example: “I loved the old man. He had never wronged me.” (Paragraph 2). This statement is contradicted by his plan to murder the old man.
Example: “…every night just at midnight, I looked in upon him while he slept.” (Paragraph 3). He claims the eye bothers him, yet sneaks in nightly even when the eye is closed.

5. Deteriorating Mental State:

Example: “Ha!—would a madman have been so wise as this?” (Paragraph 3). He questions his own sanity while trying to convince the reader otherwise.
Example: “Villains! I shrieked, “dissemble no more! I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!” (Paragraph 19). His mental state crumbles as he confesses the crime due to heightened auditory hallucinations.

Major Themes in “The Tell-Tale Heart” by Edgar Allan Poe

Unreliable Narration and the Descent into Madness: The story unfolds through the eyes of an unnamed narrator who insists on his sanity despite exhibiting clear signs of mental instability. His justifications for the murder and his obsession with the old man’s eye reveal a distorted perception of reality. We see this in his opening claim, “TRUE!—nervous—very, very dreadfully nervous I had been and am; but why will you say that I am mad?” (Paragraph 1). Here, he acknowledges his nervousness but denies madness, setting the stage for his unreliable narration. As the story progresses, his actions become increasingly erratic, culminating in his delusional belief that he hears the dead man’s heart beating. This auditory hallucination, a physical manifestation of his guilt, exposes the narrator’s complete descent into madness. (“Villains! I shrieked, “dissemble no more! I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!” Paragraph 19).
The Power of Guilt and the Inevitability of Confession: The narrator meticulously plans and commits the murder, believing he can escape punishment. However, guilt gnaws at him, intensifying his anxieties and distorting his senses. His seemingly flawless plan crumbles under the weight of his conscience. The repetition of the phrase “beating of the old man’s heart” (various paragraphs) emphasizes the growing obsession with this imagined sound, a constant reminder of his crime. Despite his attempts to maintain composure during the police visit, his guilt manifests as a heightened sense of hearing, ultimately leading him to confess. (“…every night just at midnight, I looked in upon him while he slept.” Paragraph 3). This unexpected confession highlights the power of guilt and the human psyche’s inability to suppress the truth for long.
The Duality of Human Nature: The narrator wrestles with a conflict between good and evil. He claims to love the old man yet meticulously plans his murder. This internal struggle reflects the potential for darkness that exists within everyone. We see this duality in his statement, “I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this!” (Paragraph 2). Here, he attempts to justify his actions by blaming the old man’s eye, but the reader is left to question the true motives behind the murder. The story explores the idea that even the most seemingly ordinary person can harbor violent impulses.
The Thin Line Between Sanity and Madness: The narrator’s deteriorating mental state blurs the line between sanity and madness. His meticulous planning suggests a calculated mind, yet his obsession and hallucinations point towards a fractured psyche. The story raises questions about the nature of madness and how easily it can take hold. We see this blurring in his self-reflection, “Ha!—would a madman have been so wise as this?” (Paragraph 3). He questions his own sanity while trying to convince the reader otherwise, leaving the reader to wonder if he was ever truly sane to begin with. “The Tell-Tale Heart” explores the terrifying possibility that madness can creep in subtly, distorting reality and leading to horrific acts.

Writing Style in “The Tell-Tale Heart” by Edgar Allan Poe

Vivid and Haunting Imagery (Paragraph 3) * “I turned the latch of his door and opened it—oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out…”
Repetition (various paragraphs) * “beating of the old man’s heart” – This phrase is repeated throughout the story, emphasizing the narrator’s obsession and growing anxiety.
First-Person Point of View (Paragraph 1) * “TRUE!—nervous—very, very dreadfully nervous I had been and am…” – The story unfolds through the eyes of the unnamed narrator, placing the reader directly in his thoughts and deteriorating mental state.

Literary Theories and Interpretation of “The Tell-Tale Heart” by Edgar Allan Poe

Questions and thesis statements about “the tell-tale heart” by edgar allan poe.

Narrator’s Unreliability
Guilt and the Inevitable Confession
The Descent into Madness
Symbolism and Meaning
Gothic Elements and Atmosphere
Psychological Exploration of Character
How does the narrator’s unreliable narration impact the story’s suspense and horror?
In what ways does the story explore the themes of guilt and the urge to confess?
How does the narrator’s mental state deteriorate throughout the story?
What are the symbolic meanings of the vulture eye, the darkness, and the beating heart?
How do classic gothic elements contribute to the overall atmosphere of dread and unease?
To what extent does the story offer a realistic portrayal of a troubled mind?

Thesis Statements

Edgar Allan Poe’s “The Tell-Tale Heart” utilizes an unreliable narrator to create a chilling atmosphere of suspense and expose the inevitable breakdown of a guilt-ridden conscience.
The relentless sound of the beating heart in “The Tell-Tale Heart” serves not only as a symbol of the murdered man but also as a physical manifestation of the narrator’s overwhelming guilt, ultimately leading to his confession.
Through the portrayal of a character’s descent into madness in “The Tell-Tale Heart,” Poe explores the terrifying possibility of how seemingly ordinary individuals can harbor violent impulses and ultimately succumb to their own distorted perceptions.
By employing symbolic elements like the vulture eye and the beating heart, Poe imbues “The Tell-Tale Heart” with deeper meaning, suggesting a battle between good and evil and the enduring power of guilt.

Short Questions and Answer about “The Tell-Tale Heart” by Edgar Allan Poe

Literary works similar to “the tell-tale heart” by edgar allan poe.

Henry James’s “The Turn of the Screw” utilizes an unreliable first-person narrator, much like Poe’s, creating a story shrouded in ambiguity regarding the protagonist’s sanity and the existence of the supernatural.
Sheridan Le Fanu’s “Carmilla,” a foundational vampire tale, shares “The Tell-Tale Heart’s” chilling atmosphere and dependence on an unreliable narrator, keeping the reader guessing about the protagonist’s perceptions and the truth of the vampiric threat.
Shirley Jackson’s “ The Lottery ,” a masterpiece of suspense with a shocking twist ending, explores the darkness within human nature, similar to Poe’s works.
Jackson’s “We Have Always Lived in the Castle” delves into psychological themes and the blurring of reality, reminiscent of the mental deterioration depicted in “The Tell-Tale Heart.”
Charlotte Perkins Gilman’s “ The Yellow Wallpaper ,” a powerful indictment of societal norms and the treatment of mental illness, echoes Poe’s exploration of psychological deterioration under societal pressures.

Online Resource:

Poe, Edgar Allan. “The Tell-Tale Heart.” https://learningenglish.voanews.com/a/tell-tale-heart-edgar-allen-poe-american-stories/2634706.html (Accessed March 23, 2024). The full text of the story, a valuable resource for any analysis.

“The Use of Force” by William Carlos Williams
“An Occurrence at Owl Creek Bridge” by Ambrose Bierce: Analysis
“Civil Peace” by Chinua Achebe: Analysis
“Good Country People” by Flannery O’Connor: Analysis

Background of the Story

“The Tell-Tale Heart” is a story by Edgar Allan Poe written in 1843. It is about a murderer who tries to persuade his readers of his mental stability while telling the tale of the brutish act. He denies that he suffers from some mental illness and openly boasts of his cleverness and cunning behavior. He kills an old man though he loves him. He holds no grudges against him and murders him without any motive.

The old man’s “vulture-eye” makes the narrator angry and he decides to kill him. He attends to every minute detail in the process of murder; carefully kills him, disjoints every part of his body, and then buries the body parts underground in the room. He also receives the policemen with utmost comfort but, slowly and gradually, his anxiety increases. His guilty conscience constantly pricks him and reminds him of his brutal act. Eventually, he cannot bear the secret anymore and confesses his crime to the policemen.

The untrustworthy narrator does not have a solid reason to murder the old man (apart from his hatred for the old man’s eye). Furthermore, Poe has not given us detail about the narrator’s relationship with the old man. We do not know, as readers, whether the narrator is a male or a female. Poe only focuses on the events and situations which lead to the killing rather than focusing on individuals.

The story is one of the classics of Poe’s short stories and of its genre. The setting and diction used in the story make it a classic Poe story. The story is a proof of human being’s inherently evil nature. The unreliable narrator in the story brutally murders the old man irrationally and without any reason. The story also explores the paranoiac state of mind of the narrator.

The Tell Tale Heart Summary

At the start of the story, the narrator is answering an imaginary listener. He confesses that he has been ill but denies the fact that he is insane. Furthermore, he announces that the illness has given him more strength especially to his “sense of hearing”. He tells the imaginary listener that he is more vigilant now and is able to hear everything. Then he tells the listener to listen carefully as he narrates the story.

He confesses that there was no motive for what he did. He loved the old man who never harmed him. The motive behind the murder was not his wealth and gold, however, one of his eyes made him kill the old man. He hated his vulture-like eye and it persuaded him to murder the old man. The narrator says that the old man’s eye angered him so he made up his mind to kill him to shut that eye once and for all.

Again he tries to prove his sanity by admitting that he planned carefully to murder the old man making us aware that an insane person cannot plan. He informs his readers that for seven continuous nights he would go into the old man’s room, quietly, and would wait for the exact moment to commit the crime. He would examine the old man’s eye with the help of his lantern and would find it close. He would return annoyingly as it is his “Evil Eye” which motivates him to murder him. Ironically, in the morning he would ask the old man how he spent the night.

He continues with the story and tells us that on the night of the murder he went to the old man’s room with more caution. He wonders at his cunning plan and laughs at the old man’s lack of awareness. Out of nowhere, the old man sensed something and moved. The narrator tells us that he did not feel afraid as he knew the old man could not see him in the darkness. He, quietly, entered the room. The old man suspected something and asked who was in the room.

The narrator informs us that he did not move an inch for an hour knowing that the old man is alert. Then he hears a frightening cry from the old man sitting alert in his bed. He tells us that the old man knows not of his presence but he can assume his death impending upon him. Afterwards, he gradually puts light on the old man and realizes that his hateful eye is open. It makes him angry. He does not notice his face because he is not interested in it rather it is his eye that troubles him. The sight of his eye fills him with rage.

Furthermore, as he boasts of his increased hearing sense, he hears the beating of the victim’s heart. He tries to stay calm but the beating of the old man’s heart increases his anger. The narrator becomes anxious and is unable to bear his heartbeat anymore. The narrator takes the help of the bedsheets and holds it firmly “over his head”. The old man, slowly and gradually, suffocates and his heartbeat stops. The narrator takes a sigh of relief knowing that his eye will never trouble him again.

He again challenges those who question his sanity and tells them that they should consider how he hid the dead body so as no one can find it. He disjoints every part of the dead body carefully. Then he removes the planks and hides the pieces there cautiously making sure nothing is left behind. Afterwards, he puts the planks down again, with great care, so that no one can get a clue of their removal.

When he finishes, the clock strikes four in the morning. Someone knocks at the door. He calmly opens the door and realizes that three policemen have arrived. They have been called upon by one of the neighbors who heard the shriek of the old man. They are here to investigate any mishap. He receives them calmly and tells them that he shrieked because of a nightmare. He escorts them all over the house and tells them to do their search. He even leads them to the old man’s room and offers them chairs to sit there and rest.

He confesses that his calm demeanor made the cops believe his explanation and they sat calmly there. They chat continuously and after a while, the narrator wishes they should depart. Slowly and gradually, he becomes anxious and his calmness fades away. In the meantime, he hears some sound. At first, he perceives it to be inside his head but then he realizes that the sound is not internal rather it is in the room. He talks louder and causes commotion in the room to cover it up but it gets louder with the passage of time.

He walks to and fro in the room to make some noise but its intensity increases. However, the policemen seem not to hear it and they are busy chatting and smiling as usual. The narrator thinks the policemen know and they are laughing at his stupidity. He says he constantly suffered because of their smiles and hearing that sound. Eventually, he cannot stand it anymore and confesses his crime. He tells the policemen to uncover the planks and they will find the mutilated body of the old man and his pumping heart.

Mental Health

Poe’s story shows its readers the importance of mental health. The story demonstrates that mental illness can drive a person to the vilest acts. Psychological problems can lead individuals to act dangerously without any motive. The narrator, in the story, suffers from some mental problems which lead to his destruction.

He, time and again, denies the fact that he suffers from mental illness but his awkward actions prove that he suffers from some psychological problem. He is obsessed with killing the old man for no apparent reason and scrutinizes him for seven successive nights. The narrator, being paranoiac, kills the old man out of fear but that is not an acceptable reason.

Furthermore, he also enjoys the moment when he suffocates the old man, holding the bed sheets tightly over his face. This event makes him a sadist; who enjoys inflicting pain on others. This event also shows that he has some psychological problems. Through these events, Poe demonstrates the idea that an individual’s psychological health is as important as his physical health.

Guilt is another significant theme in the story. Although the narrator does not feel guilty of his crime openly, however, it is his guilty conscience which leads him to confess his crime. At first, he murders the old man in his room and calmly hides his dead body underground. Then he calmly receives the policemen and leads them across the house. However, in the hearts of his heart, he feels nervous with the passage of time.

Slowly and gradually, he hears sounds which he did not hear previously. He becomes anxious and tries to evade the sounds by making a commotion. However, his guilt does not leave him until he confesses his crime. He is of the opinion that the heartbeat is that of the old man’s heart but actually it is his own heart pumping with guilt. Externally, he enjoys killing the old man but his guilty conscience does not let him enjoy the brutal act.

Confinement

The theme of confinement is central to the story. The actions in the story are confined to a house only. Neither the narrator nor the old man go outside the house throughout the story. The narrator wants to break this confinement by murdering the old man but is unsuccessful. He murders the old man but never breaks his confinement.

The narrator thinks he will escape the life of confinement by killing the old man who is a threat to his freedom, according to him, but never succeeds. Instead, after killing he becomes more confined to the old man’s room. First, he would roam around the house but after killing him, he sits with the policemen in the old man’s room. He does not leave the room until he confesses his crime.

This confinement can imply that the narrator’s own psych has imprisoned him and he is unable to escape it. He thought he would gain freedom by killing the old man unaware of the fact that it is his mental confinement rather than his physical which never lets him free.

Characters Analysis

Characters are people who have some individual traits in a piece of writing. Without characters, a piece of literature looks dull. They are mouthpieces for a writer through which a writer expresses their opinions about a particular issue. Characters provide them with an outlet to contribute to the social structure. Some characters are major characters on which the writer focuses more while others are minor characters who have a supporting role in a piece of writing.

Poe’s story revolves around the unreliable narrator who murders an old man for no apparent reason. Other characters in the story are not significant. The detailed analysis of his character is given below;

The Narrator

Poe does not give us information about the narrator’s gender. We, as readers, do not know whether he is a male or a female. We assume that he is a male and that is why we use the pronoun “He” for the narrator. After reading the story we conclude that he has many problems in his character; he suffers from paranoia, he is nervous and has some physical as well as mental illness. He tries to prove his sanity for the most part of the story.

After reading the story, we assume that the narrator acts according to his natural impulses. The narrator murders the old man because he thinks the old man is a threat to his individual freedom. Being paranoiac, the narrator assumes the old man is always trying to harm him, although he confesses that he has never harmed him, he acts in advance and takes his life. He murders the old man due to his own fear.

Furthermore, the narrator suffers from some kind of physical instability. His ears are hypersensitive and he hears sounds which others do not hear. We, as readers, do not know about his past and cannot claim that he suffers from some ailment but his awkward behavior and his physical instability make us think he is not physically fit.

As Poe lived most of his life in the southern United States we can, contextually, assume that the narrator is a “Southern Gothic Hero”. The narrator may have a master-slave relationship with the old man. It may be the case that the old man as a ‘master’ mistreats the narrator as a ‘slave’. This may have urged the narrator to murder the old man to get rid of his authoritative behavior.

Lastly, the narrator may be a sadist; ‘a person who derives pleasure, especially sexual gratification, from inflicting pain or humiliation on others’, and to fulfill his sadistic impulses he may have murdered the old man without any apparent reason.

The narrator’s character in the story is an enigmatic one and arises many questions in the readers’ minds. The above analysis is not blunt realities about his characters but mere assumptions.

Literary Analysis

Edgar Allan Poe’s short story poses many questions to be answered by the readers. The reality of the narrator, the motive behind his murder, his relationship with the old man, and the issues of his mental and physical health are to be discussed in this analysis section.

The narrator is an unreliable person having no specific name. Even we do not know about his gender. Most of the critics believe that the narrator is a male, as was the norm at that time, however, others believe that it may be a female character who narrates the story. The narrator acts illogically throughout the story and follows his instincts rather than his reason. On the basis of these qualities, some critics believe that the narrator might be a female because irrationality and emotionality were associated with women at that time. Poe focuses more on the events in the story rather than the individuals, so he leaves it open for his readers to decide whether the narrator is a male or a female.

There seems to be no motive behind the narrator murdering the old man except for the old man’s ‘Evil Eye’ which the narrator dislikes. However, this excuse is not strong enough to take someone’s life. Critics believe that the narrator suffers from paranoia and his paranoiac personality leads him to commit the murder. A paranoiac person feels fear of others all the time. Same is the case with the narrator in the story. He feels afraid of the old man though he has never harmed him. In order to counter his fear, he kills the old man without any apparent reason.

On the other hand, the narrator may want individual freedom and that is why he kills the old man. He confesses himself that he was not targeting the old man’s gold or money. He may be struggling to gain freedom which may seem impossible if the old man lives so he decides to kill him. Ironically, he becomes more confined after murdering the old man. Consequently, we can say that there is no apparent reason for murdering the old man. These are mere speculations.

There are diverse opinions about the relationship between the narrator and the old man. They both live in the same house. The narrator loves the old man until he murders him. The old man never harms the narrator. Some critics opine that there is a master-slave relationship between the two. The old man serves as the master and the narrator is a slave to him. As the old man’s ‘Evil Eye’ is the object of hatred for the narrator, this relationship makes sense. The ‘Evil Eye’ represents the dominance of the old man which the narrator never accepts, so he tries to kill him to gain freedom.

Other critics believe that there is a father-son relationship between the two. However, according to my understanding of the story, this assumption is a little weak. Why, on earth, will a son kill his own father so brutally if he loves him and his father never harms him. It may happen, in some cases, but is not true for this story. A son will never go to such extremes to gain freedom from his father, according to my opinion. Finally, Poe leaves this relationship open for the readers to decide.

Furthermore, the narrator throughout the story tries to prove his sanity but his actions and his words are enough for the readers to conclude that he suffers from physical as well as mental problems. He leaves no stone unturned to prove that he is not a mad person but his actions prove otherwise. He gives logical reasons for his irrational act but fails. His motiveless murder, his sadistic attitude during the murder, and his calm demeanor after the murder prove that he suffers from some psychological problem.

He plans the murder methodically and never gives the old man a clue about his plan. However, he kills the old man without any evident reason which shows his psychological instability. His paranoiac mentality urges him to kill the old man before he could harm him. The motiveless murder also throws light on his sadistic personality. He enjoys inflicting pain upon others. He also enjoys mutilating the old man’s dead body. He does not shudder or feel any fear of doing this hideous act.

The narrator’s brutal act also refers to the inherently evil nature of human beings. He murders the old man without any rationale. This refers to the idea of the ‘Original sin’ which means that every human being has the tendency to sin or do evil acts, without any reason, because they are born sinners. William Golding in his novel Lord of the Flies also explores this idea of human being’s evil nature from birth. We can associate these ideas with the narrator as he kills the old man without any motive.

Poe’s story is a classic horror story. All elements of Gothic fiction are present in the story. The hidden corpse, the supernatural setting of the story, the horrible murder, and the mentally unstable protagonist, all these elements make it a classic example of Gothic fiction. The narrator, who is the protagonist of the story, suffers from some psychological problem and commits a murder without any obvious reason. He hears sounds which no one else hears, leading to the fact that he suffers from some mental problem.

Mystery and fear is another element of Gothic fiction which is also present in the story. The narrator, himself, is an enigmatic personality who no one knows fully. He has no name and no specific gender. He is paranoiac and his fear of being harmed leads him to murder the innocent old man. The setting of the story also conforms to the idea of Gothic fiction. The story is set in a bizarre and strange house with no detailed description. The narrator commits the murder in a dark room. The underground hiding of the corpse adds to the canny setting of the story.

The supernatural elements also add to the Gothic form in the story. The pounding heart of the dead old man comes to haunt the narrator. Whether it is the heartbeat of the old man’s heart or the narrator’s own heart is debatable, however, it increases the narrator’s anxiety. It haunts him until he confesses his crime to the policemen.

As Poe lived in times when Romanticism was at its peak so the influence of Romanticism is pretty much there in his fiction. He wrote about the strange and bizarre things and neglected literature for a didactic approach. He focused on emotions rather than rationale and wrote literature which had a direct effect on feelings and emotions. The narrator in the story acts according to his intuitions and does not care about the consequences. The Romantic influence on his writings is greater in this regard.

Settings in Romantic literature are some strange places and “The Tell-Tale Heart” is no exception. The story is, mainly, set in a horrible and bizarre room full of darkness. Poe believed that the greatest art should be set in a place which is different from the ordinary world and most of his stories are set in places which are out of this world, literally.

The influence of Romanticism is evident in Poe’s characterization. Most of his main characters have no names and no genders. The narrator in the story is also deprived of any name or gender. He focused on the overall effect of his art rather than on individuals’ importance. Lastly, the subject matter is also peculiar and unusual. According to Romantic writers, mundane subjects have no place in literature. Poe, himself hated ordinary and common subjects and dealt with the unusual. So he wrote about those subjects which amazed the common readers. He wrote literature that was horrific and not ordinary. The influence of Romanticism is evident in his writings.

The title of the story is significant. It points to the hearts of both the old man and the narrator. The old man’s heart beats rapidly when he perceives someone in his room. His heart awakens him to the danger in the room. However, the narrator gets furious and murders the old man. The next time, the pounding of the heart comes from the underground. This assumption is false because underground lies the mutilated body of the old man. This actually is the pounding of the narrator’s own heart. The narrator is nervous and his pumping heart reminds him of his guilty act. The heart “tells tales”, one of fear and the other of guilt.

The story is set in a house we, as readers know little of. Poe does not describe the house fully to his readers. The murder takes place in the bedroom of the old man which is dark and horrific.

Writing style

The structure and style of the story are very compact. It can be read in one sitting. The language is simple and there are seemingly no archaic words. There is a mixture of long and short sentences. The choice of words completely fits the subject matter in the story. Poe uses very authentic words to convey his idea in the best possible manner. It makes a powerful impact on the reader.

All the events and situations comfortably lead to the climax in the story and then pass that intent into the befitting ending. The sentences are well connected and they fittingly play their role in taking the story to the desired ending. There is not a single loose thread. The sentences contribute to the overall effect of the story. The writer very tactfully makes this story powerful by the authentic use of language.

Point of View

The story is told by an untrustworthy narrator in the first person. For the most part of the story, he tries to prove that he does not suffer from some mental problems. Throughout the story, he tries to justify his irrational actions logically.

The tone of the story is gloomy and anxious. Though the narrator is a murderer yet the readers feel sympathy for him as he suffers from severe psychological problems. After the murder, he suffers from nervousness and feels guilty of his crime. The melancholic tone of the story is intermixed with the nervous feelings of the narrator.

The old man’s eye is the sole object of hatred for the narrator. He wants to shut it forever. If we assume that the relationship between the two is that of a master and slave then the eye represents the authoritative gaze of the master. The narrator shuts it to free himself from the dominance of the master. However, if the narrator is a female then the eye represents the authoritative gaze of a dominant male. The narrator then wanted to free herself of male dominance and murdered the old man.

On the other hand, the narrator refers to the eye of the old man as ‘vulture-like’. Vultures like to eat sick or dead animals. As a paranoiac, the narrator fears the old man will harm him so he acts to counter his fear and murders him to protect himself from being devoured.

The Bed and Bedroom

The bed and bedroom are the places of comfort and warmth generally. However, Edgar Allan Poe negates all the comfort associated with the bed and bedroom. The narrator openly spies on the old man when he sleeps in his room. He breaches all the norms of one’s bedroom and does not consider the privacy of the old man. Ironically, the bedroom becomes a place of agony for the old man. The narrator uses bed sheets as murder weapons to suffocate the old man and hides his body underground.

The house represents the subconscious of the narrator. When he hides the mutilated body of the old man underground, he symbolically hides his crime in his subconscious. Nonetheless, we can retrieve the information hidden in our subconscious mind. Same is the case with the narrator. His pounding heart reminds him of his own guilt and never stops until he confesses his crime to the policemen.

Poe uses irony to great effect in the story. Firstly, the narrator murders the old man because he hates his “vulture eye” and he deems it a flaw in his character. However, the narrator negates the fact that he also suffers from paranoia which is a severe flaw than the “vulture eye” of the old man. A person with severe illness murders a person with less severe physical flaws is ironic.

Secondly, the narrator boasts of his sanity and leaves no stone unturned to provide details that will prove his sanity to the readers. On the other hand, he gives a detailed analysis of how he murdered the old man without any reason. It is ironic because a healthy and sound person will never kill another person.He also confesses that he loves the old man who has never harmed him yet he brutally kills him. This is ironic because how can a person brutally kill a person he loves and who has never harmed him.

A person’s bedroom is a place of privacy and comfort for an individual. Poe makes the bedroom of the old man his death place, which is ironic. The narrator breaches all norms of the old man’s privacy and kills him in his own bedroom. Ironically, he uses his bed as a murdering weapon. He suffocates the old man using his bedsheets and hides his disjointed body underground in his bedroom. The old man’s bedroom, a place of warmth and comfort, becomes his graveyard.

In a nutshell, Edgar Allan Poe very tactfully conveys his message in this short story. He gives his readers an insight into the paranoiac mind of a person. Through this story, he enables his readers to not be deceived by outward expressions of an individual as he may be harmful to them inwardly. He also throws light on the significance of the mental health of an individual. He opines that psychological health is more important than physical health because it can lead individuals to their own destruction.

Short Stories

The Masque of the Red Death
The Fall of the House of Usher

56 The Tell-Tale Heart Essay Topics & Examples

Looking for The Tell-Tale Heart essay topics? The short story by Edgar Allan Poe, a recognized master of horror fiction, is definitely worth analyzing!

🖤 The Tell-Tale Heart Essay Prompts

❓ the tell-tale heart essay questions, 🏆 best the tell tale heart topic ideas & essay examples, 📌 the tell-tale heart essay topics, 👍 the tell-tale heart essay examples.

In your The Tell-Tale Heart essay, you might want to write about the story’s characters, themes, or symbols. Anyway, our article will be helpful. Find here all you might need to write a paper on Poe’s short story! The Tell-Tale Heart essay examples, prompts, questions, and topic ideas.

The Tell-Tale Heart Point of View Analysis

Poe wrote the novel from the first-person point of view. The protagonist tells the story of a murder while stating that his senses were destroyed by “the disease” but he’s still sane. Think why this might be important. Is the mad person’s narration reliable?

How different would be the story if it were told by the old man or police officers?

Symbols in The Tell-Tale Heart

If you’re writing The Tell-Tale Heart symbolism essay, you may choose one or few symbols in the story:

The old man’s eye. Analyze why the eye catches the attention of the killer. The narrator calls it the “vulture eye” and “evil. In your essay you can explain why the narrator does not dare to kill the old man when his eye was closed, and the crime was committed only when he saw the open eye.
The old man’s heart. The heart in the novel symbolizes the killer’s conscience and his humanity as he finally confesses. Analyze why the narrator hears the heartbeat twice.

Another point to consider in your The Tell-Tale Heart essay is the analysis of the connection between time and heart. Time is compressed and stretched.

It pulses as the heart. But time also symbolizes death and the killer acts as part of a watch. Thus, the heart in the novel symbolizes life, and, through time, it turns out to be a symbol of death.

The Tell-Tale Heart Literary Analysis

Typical academic articles are hard to read because of complex words and compound sentences. When you read Poe’s masterpieces, you read them quickly because the author writes in short sentences.

Poe uses many figures of speech like similes, personification, anaphora, and irony. Analyze how these figures help Poe to convey the main idea to the reader.

The Tell-Tale Heart Characters

There are four characters you might want to explore in your character analysis: the narrator, police officers, the old man, and the neighbor.

All of them play an important role in the plot. For example, the narrator is mentally ill person who doesn’t make a difference between the “unreal” and “real”. There are also a few signs that he rarely sleeps. You can analyze how his insomnia might impacted his actions and desire to kill.

What is the theme of The Tell-Tale Heart ?
What is the mood of The Tell-Tale Heart ?
What genre is The Tell-Tale Heart ?
What is the conflict in The Tell-Tale Heart ?
What does the heart symbolize in The Tell-Tale Heart ?
What is the tone of The Tell-Tale Heart ?
What is the central idea of The Tell-Tale Heart ?
What point of view is The Tell-Tale Heart ?

If you’re looking for The Tell-Tale Heart essay topics or ideas to add to it, check IvyPanda’s free samples of high-quality papers!

The Tell-Tale Heart Psychological Analysis & Critique The outstanding character in the tale, who is also the narrator, attracts a lot of attention from the readers. The narrator forms the basis of the tale.
Edger Allen Poe’s “The Tell-Tale Heart” Analysis The narrator in the beginning of the story clearly states that he is not insane but his actions make the reader frown at his sanity.
The Tell-Tale Heart by Edgar Poe This metaphor is necessary to show that the feeling of guilt distorts his perception of reality. This is one of the details that can be distinguished.
Gothic Romanticism in Edgar Allan Poe’s “The Tell-Tale Heart”, Nathaniel Hawthorn’s “The Birthmark” In the film “The Black Swan” directed by Darren Aronofsky, Nina struggles to fit into the ultimate role of the play “The Swan Lake”, as the Black Swan, even though she is comfortable playing the […]
The Investigation of Ethical Issues in The Tell-Tale Heart and The Pond The secondary problem is related to an ethical dilemma with regards to the responsibility of the husband to provide and care for the family.
The Tell-Tale Heart Essay However, when the police came to the Old Man’s house he gives himself away to the police because he hears the heart of the old man beating behind the floorboard and this incident may suggest […]
The Tell-Tale Heart (1843) This section tackles the main characters of the story and as aforementioned, the narrator and the old man are the only central characters in the story.
The Murderer’s Motivation Depicted in Poe’s “The Tell-Tale Heart”
The Characters of Nervousness in “The Tell-Tale Heart” by Edgar Allan Poe
Morality in Edgar Allan Poe’s “The Tell-Tale Heart”
Paranoia in Prose and an Analytical Treatment of Edgar Allan Poe’s “The Tell-Tale Heart”
Stylistic Analysis of “The Tell-Tale Heart” by Edgar Allan Poe
Sanity of the Narrator in “The Tell-Tale Heart” by Edgar Allan Poe
Poe’s Use of the Senses in “The Cask of Amontillado” and “The Tell-Tale Heart”
The Role of the Gaze in Poe’s “The Tell-Tale Heart”
An Analysis of the Creating of an Atmosphere of Horror and Build Tension in “The Tell-Tale Heart” by Edgar Allan Poe
Writing Styles in “The Tell-Tale Heart” by Edgary Allen Poe
Stability of Characters in “To Build a Fire” and “The Tell-Tale Heart”
Styles of “An Occurrence at Owl Creek Bridge” Versus “The Tell-Tale Heart”
Feeling of Madness Throughout “The Tell-Tale Heart” by Edgary Allen Poe
The Inspiration From the Authors’ Lives in “The Tell-Tale Heart” and “The Cask of Amontillado” by Edgar Allan Poe
Inescapable Truth: An Analysis of “The Tell-Tale Heart”
Rationalization and Suspense in Poe’s “The Raven” and “The Tell-Tale Heart”
Identity as an Important Part of “The Tell-Tale Heart”
Analysis of Symbolism in Edgar Allan Poe’s “The Fall of the House of Usher” and “The Tell-Tale Heart”
“The Tell-Tale Heart” Character Analysis of Main Character
The Importance of Suspense in “The Tell-Tale Heart” by Edgar Allan Poe
Horror and Figurative Language in “The Tell-Tale Heart”
Imagery Through the Eye of “The Tell-Tale Heart”
The Attempt to Prove a Man’s Sanity in “The Tell-Tale Heart” by Edgar Allan Poe
Psychosis and Guilt in “The Tell-Tale Heart”
Literary Elements of Edgar Allan Poe’s “The Tell-Tale Heart”
Philosophy of Composition in the “Tell-Tale Heart”
The Reflection of the Soul in Edgar Allan Poe’s “Tell-Tale Heart”
Role of Realism in Edagar Allan Poe’s “The Tell-Tale Heart”
Mental Challenges in “The Tell-Tale Heart”
The Themes of Surveillance and Control in “Discipline and Punish” by Michael Foucault and “The Tell-Tale Heart” by Edgar Allan Poe
The Narrator’s Story in “The Tell-Tale Heart” by Edgar Allan Poe
Similarities Between Edgar Allan Poe and “The Tell-Tale Heart”
Edgar Allan Poe’s “The Tell-Tale Heart” as a Gothic Horror
Techniques Used in Writing “The Tell-Tale Heart” and “The Red Room”
Understanding Poe’s “The Tell-Tale Heart”: Insanity or a Stroke of Brilliance
Mind Games and the Narrator Madness in “The Tell-Tale Heart”
A Comparison of “The Tell-Tale Heart” by Edgar Allan Poe and the Work of Raymond Carver
Misperceptions and “The Tell-Tale Heart” by Edgar Allan Poe
“The Cast of Amontillado” vs. “The Tell-Tale Heart” by Edgar Alan Poe
Morality in “Young Goodman Brown” by Hawthorne and “The Tell-Tale Heart”
Internal Conflict in “The Tell-Tale Heart” by Edgar Allan Poe
Chicago (A-D)
Chicago (N-B)

IvyPanda. (2023, December 13). 56 The Tell-Tale Heart Essay Topics & Examples. https://ivypanda.com/essays/topic/the-tell-tale-heart-essay-examples/

"56 The Tell-Tale Heart Essay Topics & Examples." IvyPanda , 13 Dec. 2023, ivypanda.com/essays/topic/the-tell-tale-heart-essay-examples/.

IvyPanda . (2023) '56 The Tell-Tale Heart Essay Topics & Examples'. 13 December.

IvyPanda . 2023. "56 The Tell-Tale Heart Essay Topics & Examples." December 13, 2023. https://ivypanda.com/essays/topic/the-tell-tale-heart-essay-examples/.

1. IvyPanda . "56 The Tell-Tale Heart Essay Topics & Examples." December 13, 2023. https://ivypanda.com/essays/topic/the-tell-tale-heart-essay-examples/.

Bibliography

IvyPanda . "56 The Tell-Tale Heart Essay Topics & Examples." December 13, 2023. https://ivypanda.com/essays/topic/the-tell-tale-heart-essay-examples/.

The Raven Essay Titles
The Fall of the House of Usher Research Ideas
The Cask of Amontillado Research Ideas
Hills Like White Elephants Essay Ideas
The Handmaid’s Tale Research Ideas
The Glass Menagerie Paper Topics
I Know Why the Caged Bird Sings Research Ideas
The Great Gatsby Ideas
Lord of the Flies Research Ideas
Letter From Birmingham Jail Titles
The House on Mango Street Research Topics
Scarlet Letter Research Ideas
The Gift of the Magi Ideas
Sir Gawain and the Green Knight Research Topics
Sinners in the Hands of an Angry God Research Topics

Read stories by Edgar Allan Poe at Poestories.com

The Tell-Tale Heart

by Edgar Allan Poe (published 1843)

TRUE! -- nervous -- very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them. Above all was the sense of hearing acute . I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily -- how calmly I can tell you the whole story. It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees -- very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever. Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! --would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously --oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept. Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of my sagacity . I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily. I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?" I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night, hearkening to the death watches in the wall. Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of my head within the room. When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye. It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot. And have I not told you that what you mistake for madness is but over acuteness of the senses? --now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage. But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! --do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the sound would be heard by a neighbor! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more. If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs. I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye -- not even his --could have detected any thing wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had been too wary for that. A tub had caught all --ha! ha! When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity , as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises. I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim. The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct: --it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not within my ears. No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath -- and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations ; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men -- but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror! --this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision ! I could bear those hypocritical smiles no longer! I felt that I must scream or die! --and now --again! --hark! louder! louder! louder! louder! -- "Villains!" I shrieked, " dissemble no more! I admit the deed! --tear up the planks! --here, here! --it is the beating of his hideous heart!"

html5 pulp8

Edgar Allan Poe

The tell-tale heart.

TRUE!—nervous—very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses—not destroyed—not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily—how calmly I can tell you the whole story.

It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture—a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees—very gradually—I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded—with what caution—with what foresight—with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it—oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly—very, very slowly, so that I might not disturb the old man’s sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha!—would a madman have been so wise as this? And then, when my head was well in the room, I undid the lantern cautiously—oh, so cautiously—cautiously (for the hinges creaked)—I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights—every night just at midnight—but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch’s minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers—of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back—but no. His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out—"Who’s there?”

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening;—just as I have done, night after night, hearkening to the death watches in the wall.

Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief—oh, no!—it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself—"It is nothing but the wind in the chimney—it is only a mouse crossing the floor," or “It is merely a cricket which has made a single chirp.” Yes, he had been trying to comfort himself with these suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked with his black shadow before him, and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel—although he neither saw nor heard—to feel the presence of my head within the room.

When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little—a very, very little crevice in the lantern. So I opened it—you cannot imagine how stealthily, stealthily—until, at length a single dim ray, like the thread of the spider, shot from out the crevice and fell full upon the vulture eye.

It was open—wide, wide open—and I grew furious as I gazed upon it. I saw it with perfect distinctness—all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man’s face or person: for I had directed the ray as if by instinct, precisely upon the damned spot.

And have I not told you that what you mistake for madness is but over acuteness of the senses?—now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well, too. It was the beating of the old man’s heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder every instant. The old man’s terror must have been extreme! It grew louder, I say, louder every moment!—do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me—the sound would be heard by a neighbor! The old man’s hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once—once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs.

I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye—not even his—could have detected any thing wrong. There was nothing to wash out—no stain of any kind—no blood-spot whatever. I had been too wary for that. A tub had caught all—ha! ha!

When I had made an end of these labors, it was four o’clock—still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart,—for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled,—for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search—search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The ringing became more distinct:—it continued and became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definiteness—until, at length, I found that the noise was not within my ears.

No doubt I now grew very pale;—but I talked more fluently, and with a heightened voice. Yet the sound increased—and what could I do? It was a low, dull, quick sound—much such a sound as a watch makes when enveloped in cotton. I gasped for breath—and yet the officers heard it not. I talked more quickly—more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men—but the noise steadily increased. Oh God! what could I do? I foamed—I raved—I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder—louder—louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God!—no, no! They heard!—they suspected!—they knew!—they were making a mockery of my horror!—this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die!—and now—again!—hark! louder! louder! louder! louder!—

“Villains!” I shrieked, “dissemble no more! I admit the deed!—tear up the planks!—here, here!—it is the beating of his hideous heart!”

Published 1850

#AmericanWriters

Liked or faved by...

Other works by Edgar Allan Poe...

Many years ago, I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want...

YE who read are still among the living; but I who write shall have long since gone my way into the region of shadows. For indeed strange things shall happen, and secret things be known,...

A dark unfathom’d tide Of interminable pride— A mystery, and a dream, Should my early life seem; I say that dream was fraught

Of course I shall not pretend to consider it any matter for wonder, that the extraordinary case of M. Valdemar has excited discussion. It would have been a miracle had it not—especially...

HEAR the sledges with the bells, Silver bells! What a world of merriment their me… How they tinkle, tinkle, tinkle, In the icy air of night!

In youth I have known one with wh… In secret communing held—as he wit… In daylight, and in beauty, from h… Whose fervid, flickering torch of… From the sun and stars, whence he…

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch,—as distinct too, yet as intim...

The happiest day—the happiest hour My seared and blighted heart hath… The highest hope of pride and powe… I feel hath flown. Of power! said I? Yes! such I we…

In spring of youth it was my lot To haunt of the wide world a spot The which I could not love the le… So lovely was the loneliness Of a wild lake, with black rock bo…

Of the history of Tamerlane little is known; and with that little, I have taken the full liberty of a poet.—That he was descended from the family of Zinghis Khan is more than probable—b...

“Listen to me,” said the Demon, as he placed his hand upon my head. “There is a spot upon this accursed earth which thou hast never yet beheld And if by any chance thou hast beheld ...

I AM come of a race noted for vigor of fancy and ardor of passion. Men have called me mad; but the question is not yet settled, whether madness is or is not the loftiest intelligence —w...

“LISTEN to me,” said the Demon as he placed his hand upon my head. “The region of which I speak is a dreary region in Libya, by the borders of the river Zaire. And there is no quiet the...

In the greenest of our valleys By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion…

DURING the autumn of 18—, while on a tour through the extreme southern provinces of France, my route led me within a few miles of a certain Maison de Sante or private mad-house, about w...

The Tell-Tale Heart

Publisher description.

Introducing "The Tell-Tale Heart" audiobook - an enthralling masterpiece by the legendary Edgar Allan Poe. Immerse yourself in the captivating world of gothic horror as you listen to this spine-chilling tale brought to life through the power of audio. With "The Tell-Tale Heart" audiobook, you'll experience the gripping narrative like never before. Expertly narrated, every word and pause will send shivers down your spine, enveloping you in the eerie atmosphere that Poe is renowned for. As you listen, you'll be transported to a world of dark secrets, obsession, and madness. This audiobook captures all the chilling details that make "The Tell-Tale Heart" a timeless classic. From the haunting heartbeat that echoes throughout the story to the relentless suspense that builds with each passing moment, you'll be on the edge of your seat, unable to tear yourself away. As an audiobook, "The Tell-Tale Heart" offers convenience and accessibility. Whether you're commuting, relaxing at home, or simply want to indulge in some thrilling entertainment, this audio version allows you to enjoy Poe's masterpiece anytime, anywhere. Uncover the depths of terror as you delve into the mind of a narrator plagued by guilt and paranoia. With every word spoken, you'll feel their torment and desperation, making this audiobook a truly immersive experience. Don't miss out on experiencing Edgar Allan Poe's iconic tale in an entirely new way. Get your hands on "The Tell-Tale Heart" audiobook today and let its haunting whispers transport you into a world of macabre fascination and unrelenting suspense.

IMAGES

116 The Tell-Tale Heart Essay Topics You Need To Know
"The Tell-Tale Heart" by Edgar Allan Poe
"The Tell-Tale Heart" by Edgar Allan Poe Task Cards
The Tell Tale Heart
Essay on Edgar Allen Poe’s the tell tale heart
The Tell-Tale Heart

VIDEO

"The Tell-Tale Heart" by Edgar Allan Poe
The Tell Tale Heart by Edgar Allan Poe
The Tell Tale Heart by Edgar Allan Poe
The Tell Tale Heart
The TELL-TALE HEART by EDGAR ALLAN POE Summary, Analysis, Interpetation, Explained Review
Jonathan Frid reads "The Tell-Tale Heart" by Edgar Allan Poe

COMMENTS

Poe's Stories: The Tell-Tale Heart Summary & Analysis
The narrator of "Tell-Tale Heart" thinks we must suspect him of madness again, but we will be dissuaded when we see for ourselves the methodical, patient way that he goes about the murder. For seven nights, he creeps to the old man 's bedroom door, opens the latch, puts an unlit lantern into the room and carefully puts his head in after. Then he opens the shutter of the lantern so that a ...
Essay on The Tell Tale Heart
Learn More. The Tell Tale Heart is a short story about a nameless narrator who commits murder. The narrator kills an old man who had a blue vulture like eye that made the narrator very uncomfortable. He plans the murder, executes it, and hides the body of the old man in the floorboard. The story falls under the gothic genre (Snodgrass, 2005).
A Summary and Analysis of Edgar Allan Poe's 'The Tell-Tale Heart'
Summary. First, a brief summary of 'The Tell-Tale Heart'. An unnamed narrator confesses that he has murdered an old man, apparently because of the old man's 'Evil Eye' which drove the narrator to kill him. He then describes how he crept into the old man's bedroom while he slept and stabbed him, dragging the corpse away and ...
"The Tell-Tale Heart" by Edgar Allan Poe: A Critical Analysis
Table of Contents. "The Tell-Tale Heart" by Edgar Allan Poe, first published in 1843, is a haunting short story not contained within a specific collection. It's a psychological thriller narrated by an unnamed character who insists on their sanity despite describing a meticulously planned murder.
The Tell-Tale Heart, Edgar Allan Poe
A case in point is Poe's short story of 1843, "The Tell-Tale Heart." Narrated in retrospect, Poe's confessional tale features a "Mad" protagonist who recalls his grisly murder of an old man, his ...
The Tell Tale Heart Analysis: [Essay Example], 973 words
Edgar Allan Poe's "The Tell-Tale Heart" is a chilling and macabre short story that has captivated readers for generations. This psychological thriller delves into the mind of an unnamed narrator who becomes obsessed with the pale blue eye of an old man and ultimately commits a heinous act. The story is a fascinating exploration of guilt ...
Poe's Short Stories "The Tell-Tale Heart" (1843 ...
A summary of "The Tell-Tale Heart" (1843) in Edgar Allan Poe's Poe's Short Stories. Learn exactly what happened in this chapter, scene, or section of Poe's Short Stories and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
The Tell-Tale Heart Critical Essays
Critical Evaluation. There are two physical settings in Edgar Allan Poe's "The Tell-Tale Heart": the house the narrator shares with the old man where the murder takes place and the location ...
The Tell Tale Heart Summary, Themes, & Analysis
Contents. "The Tell-Tale Heart" is a story by Edgar Allan Poe written in 1843. It is about a murderer who tries to persuade his readers of his mental stability while telling the tale of the brutish act. He denies that he suffers from some mental illness and openly boasts of his cleverness and cunning behavior.
The Tell-Tale Heart
January 1843. " The Tell-Tale Heart " is a short story by American writer Edgar Allan Poe, first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as ...
Edgar Allan Poe's "The Tell-Tale Heart": A Literary Analysis
The Tale That Is "The Tell-Tale Heart". "The Tell-Tale Heart" is one of the creations of Edgar Allan Poe, known as the man who pioneered detective and solve-a-crime stories (Meyers 1992). The said short story is about an anonymous narrator who seems to prove that he is sane yet exhibits a somewhat contrasting behavior for having ...
The Tell-Tale Heart Essays and Criticism
The use of an unreliable first-person narrator in Edgar Allan Poe's "The Tell-Tale Heart" serves a number of crucial functions. By telling this story from the viewpoint of a deranged major ...
56 The Tell-Tale Heart Essay Topics & Examples
In your The Tell-Tale Heart essay, you might want to write about the story's characters, themes, or symbols. Anyway, our article will be helpful. Find here all you might need to write a paper on Poe's short story! The Tell-Tale Heart essay examples, prompts, questions, and topic ideas.. 🖤 The Tell-Tale Heart Essay Prompts
The Tell-Tale Heart: Full Story Summary
Driven mad by the idea that they are mocking his agony with their pleasant chatter, he confesses to the crime and shrieks at the men to rip up the floorboards. A short summary of Edgar Allan Poe's The Tell-Tale Heart. This free synopsis covers all the crucial plot points of The Tell-Tale Heart.
Analyzing The Tell-tale Heart by Edgar Allan Poe
"The Tell-Tale Heart" by Edgar Allan Poe is a renowned short story that delves into the mind of an unnamed narrator who murders an elderly man and is haunted by his own guilt. Published in 1843, this gothic horror tale explores various elements of formalist literary theory, including the use of imagery to develop symbols, the work's organic unity, and its interconnectedness.
The Tell-Tale Heart by Edgar Allan Poe
The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound.
The Tell-Tale Heart, by Edgar Allan Poe
The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once—once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many minutes, the heart beat on with a muffled sound.
The Tell-Tale Heart by Edgar Allan Poe Essay
Edgar Allan Poe's "The Tell-Tale Heart", a short story about internal conflict and obsession, showcases the tortured soul due to a guilty conscience. The story opens with an unnamed narrator describing a man deranged and plagued with a guilty conscience for a murderous act. This man, the narrator, suffers from paranoia, and the reason for ...
The Tell-Tale Heart
"The Tell-Tale Heart" Edgar Allan Poe The following entry presents criticism of Poe's short story "The Tell-Tale Heart" (1843). See also, The Narrative of Arthur Gordon Pym Criticism and "The Fall ...
Critical Essay- Tell-Tale Heart analysis and quotes Flashcards
Critical Essay- Tell-Tale Heart analysis and quotes. The Tell-Tale Heart is a gothic horror short story by Edgar Allan Poe. It consists of the narrator's denial as to his state of sanity. He is tortured by his own mind into killing an old man. Poe uses techniques such as foreshadowing, symbolism, themes, irony and the unreliability of the ...
The Unreliable Narrator In The Tell-Tale Heart By Edgar Allan Poe
The term "delusional" is defined as having "a false belief or judgment about external reality, held despite incontrovertible evidence to the contrary, occurring especially in mental conditions" (Oxford English Dictionary). In Edgar Allan Poe's The Tell-Tale Heart, the narrator is an ideal example of this word.
‎The Tell-Tale Heart on Apple Books
Introducing "The Tell-Tale Heart" audiobook - an enthralling masterpiece by the legendary Edgar Allan Poe. Immerse yourself in the captivating world of gothic horror as you listen to this spine-chilling tale brought to life through the power of audio. With "The Tell-Tale Heart" audiobook,…
The Tell-Tale Heart Critical Overview
One nineteenth century critic, George Woodberry, simply called it a ''tale of conscience'' in his 1885 study, Edgar Allan Poe. Although ''The Tell-Tale Heart'' did not receive much ...
The Tell-Tale Heart
The Tell-Tale Heart, Edgar Allan Poe ... A thesis statement is a road map of an argumentative essay, and it introduces the topic at hand, which the writer will address for the remainder of the ...
PDF The Tell-Tale Heart
Short Story: "The Tell-Tale Heart" Author: Edgar Allan Poe, 1809-49 First published: 1843. The original short story is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries' copyright laws to be certain they can legally download this ...

Poe's Stories

A Summary and Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’

Discover more from Interesting Literature

6 thoughts on “A Summary and Analysis of Edgar Allan Poe’s ‘The Tell-Tale Heart’”

“The Tell-Tale Heart” by Edgar Allan Poe: A Critical Analysis

Introduction: “The Tell-Tale Heart” by Edgar Allan Poe

Main Events in “The Tell-Tale Heart” by Edgar Allan Poe

Literary Devices in “The Tell-Tale Heart” by Edgar Allan Poe

Major Themes in “The Tell-Tale Heart” by Edgar Allan Poe

Writing Style in “The Tell-Tale Heart” by Edgar Allan Poe

Literary Theories and Interpretation of “The Tell-Tale Heart” by Edgar Allan Poe

Thesis Statements

Short Questions and Answer about “The Tell-Tale Heart” by Edgar Allan Poe

Suggested Readings: “The Tell-Tale Heart” by Edgar Allan Poe

Online Resource:

Related posts:

Leave a Reply Cancel reply

Background of the Story

The Tell Tale Heart Summary

Mental Health

Confinement

Characters Analysis

The Narrator

Literary Analysis

Writing style

Point of View

The Bed and Bedroom

More From Edgar Allan Poe

Short Stories

56 The Tell-Tale Heart Essay Topics & Examples

🖤 The Tell-Tale Heart Essay Prompts

The Tell-Tale Heart Point of View Analysis

Symbols in The Tell-Tale Heart

The Tell-Tale Heart Literary Analysis

The Tell-Tale Heart Characters

The Tell-Tale Heart

Edgar Allan Poe

Liked or faved by...

Other works by Edgar Allan Poe...

The Tell-Tale Heart

IMAGES

VIDEO

COMMENTS