definition of mystery essay

Definition of Mystery

  The term mystery literally means something that is a dilemma for the public. It is difficult for people to understand such as the mysteries of the universe or the mystery of some murder. It could be puzzling, dilemmatic, or enigmatic. The roots of the word lie in an archaic term derived from Anglo-French misterie. It was a derivative of the old French term, mistere, which means a secret. Its modern French equivalent is mystere that also means the same thing. However, the Latin equivalent from which it seems to have been derived is mysterium that means a secret object or a sacrament.

Mystery is a fiction genre where a murder or similar crime, remains mysterious until the end of the book. In literature, it is a genre that focuses on something difficult to understand. It often occurs with the word, story . Such stories involve a whodunit scenario where a criminal hides somewhere and the process ensues to uncover him.

Elements of Mystery Story  

Generally, a mystery story is like all other simple stories. The only difference lies in the problem, its solution, and the consequences. All other elements such as characters, setting , plot , and dialogs are the same.

Examples of Mystery in Literature

The Murders in the Rue Morgue by Edgar Allen Poe

I soon noticed a special reasoning power he had, an unusual reasoning power. Using it gave him great pleasure. He told me once, with a soft and quiet laugh, that most men have windows over their hearts; through these he could see into their souls. Then, he surprised me by telling what he knew about my own soul; and I found that he knew things about me that I had thought only I could possibly know. His manner at these moments was cold and distant. His eyes looked empty and far away, and his voice became high and nervous. At such times it seemed to me that I saw not just Dupin, but two Dupins — one who coldly put things together, and another who just as coldly took them apart.

This mystery passage occurs in the mystery story of Edgar Allen Poe, “The Murders of the Rue Morgue.” The mystery of this passage lies in that the speaker or the narrator states that the person he is talking about has told him that he knows the secrets of their hearts. He has disclosed it to the speaker by stating his secrets. The way the narrator describes the person and his skills have a somewhat mysterious atmosphere that makes “The Murders in the Ruge Morgue” a mystery story.

The Woman in White by Wilkie Collins

I had first become acquainted with my Italian friend by meeting him at certain great houses where he taught his own language and I taught drawing. All I then knew of the history of his life was, that he once held a situation in the University of Padua; that he had left Italy for political reasons (the nature of which he uniformly declined to mention to any one); and that he had been for many years respectably established in London as a teacher of languages.

Although this passage occurs in the wider context of the novel , The Woman in White, the mere description of the Italian friend here lends credence to the mysteriousness of the story. The mention of his teaching assignment, his situation in the university, and his political views show that the narrator wants to create a mystery about the character in question.

The Hounds of Baskervilles by Arthur Conan Doyle

Mr. Sherlock Holmes, who was usually very late in the mornings, save upon those not infrequent occasions when he was up all night , was seated at the break-fast table. I stood upon the hearth-rug and picked up the stick which our visitor had left behind him the night before. It was a fine, thick piece of wood, bulbous-headed, of the sort which is known as a “Penang lawyer.” Just under the head was a broad silver band nearly an inch across. “To James Mortimer, M.R.C.S., from his friends of the C.C.H.,” was engraved upon it, with the date “1884.” It was just such a stick as the old-fashioned family practitioner used to carry—dignified, solid, and reassuring.

This passage occurs in the popular novel of Sir Arthur Conan Doyle, The Hounds of Baskerville. The story revolves around a mansion where a hound seems to have caused panic among the residents and the new inmates. However, Sherlock Holmes, as usual, resolves this mystery by catching the person after sending his deputy to know the circumstances and himself staying in the background. This passage shows the resolution of how Holmes himself creates mystery when entering the story.

Murder on the Orient Express by Agatha Christie

It was freezingly cold, and this job of seeing off a distinguished stranger was not one to be envied, but Lieutenant Dubosc performed his part manfully. Graceful phrases fell from his lips in polished French. Not that he knew what it was all about. There had been rumours, of course, as there always were in such cases. The General’s—his General’s—temper had grown worse and worse. And then there had come this Belgian stranger—all the way from England, it seemed. There had been a week—a week of curious tensity. And then certain things had happened. A very distinguished officer had committed suicide, another had suddenly resigned, anxious faces had suddenly lost their anxiety, certain military precautions were relaxed. And the General, Lieutenant Dubosc’s own particular General, had suddenly looked ten years younger.

This passage from Murder on the Orient Express shows how Lieutenant Dubosc is performing his duties mysteriously. The environment, the action of the characters like the General and Lieutenant, and the series of suicides have led credence to the excellence of the story in terms of mysterious circumstances. Even this short passage has almost all the elements of mystery.

Functions of Mystery

A mystery story creates suspense , makes the readers wait for the next incident to happen, and read more. In almost all of these functions, mysteries excel other stories. As the examples show, their main function is to entertain the readers, make the readers aware of the skills of the writer, and also make them release their pent-up emotions by indulging in the passive activity of reading.

Related posts:

• Deuteragonist
• Equivocation
• Science Fiction
• Turning Point
• Supporting Sentence
• Urban Legend
• Antonomasia
• Comic Relief
• Black Humor
• Narrative Poem
• Dramatic Monologue
• Existentialism
• In Medias Res
• Short Story
• Romanticism
• Feminine Rhyme
• Metaphysical
• Auditory Imagery
• Sensory Language
• Implied Metaphor
• Rhetorical Device
• Sound Devices
• Exact Rhyme
• Examples of Symbolism in Poetry

Post navigation

How to Write a Mystery Story: 12 Powerful Writing Tips

Mystery stories have a unique allure, drawing readers into a world of crime, suspense, false clues, secrets, and intrigue. If it’s done well, they will imagine themselves in the sleuth’s footsteps, shrouded in a cloak of apprehension, unraveling the enigmatic clues that lead to a spine-tingling revelation.

But what makes a mystery story truly engaging, and how can you write one that will keep your readers guessing until the very end?

In this guide, we’ll share 12 powerful mystery writing tips that will show you how to write a mystery novel, transforming your storytelling process and leaving your readers eager to turn the pages, desperate to uncover the truth.

What Makes a Mystery Story?

Mystery is a genre that revolves around a puzzle that needs to be solved. This question can be a crime, but it can also be another type of mystery, such as a supernatural occurrence or a missing person.

These stories contain a central character who takes on the responsibility of unraveling the mystery and uncovering the truth. Readers are invited to follow the investigator’s thought processes, reasoning, and fact-finding methods as they diligently pursue leads, analyze evidence, and piece together the puzzle’s fragments.

To heighten the narrative tension, mystery stories usually employ elements of conflict , suspense and surprise. Authors reveal clues and evidence gradually, as well as introduce red herrings—misleading details or plot twists meant to divert attention away from the real villain or actual solution.

As the story progresses, readers become amateur detectives themselves, actively participating in the investigation by piecing together clues, speculating on motives, and attempting to solve the mystery before the characters do.

As such, this genre harnesses the innate human fascination with the unknown, the uncanny, and the insatiable curiosity to unearth hidden truths.

Literary Genre Quiz (Easy)

Your answer:

Correct answer:

SHARE YOUR RESULTS

Your Answers

9 Types of Mystery Stories

Mystery stories come in various subgenres, each with its own unique elements and characteristics. Here are some of the different subgenres, along with descriptions of each.

1. Cozy Mystery

Cozy mysteries are known for their light-hearted and non-violent approach to crime-solving. They typically feature amateur detectives, often in a small-town or village setting, who solve crimes with wit, charm, and the help of their community. These mysteries emphasize the puzzle-solving aspect rather than graphic violence or suspense.

Some popular cozy mystery series include Agatha Christie’s Miss Marple series, Donna Andrews’s Meg Langslow novels, and Leslie Meier’s stories with reporter/investigator Lucy Stone .

2. Hard-Boiled Mystery

These unsentimental mysteries are gritty and realistic, featuring tough, cynical, and morally complex protagonists, often private investigators or police detectives. These stories delve into the darker aspects of crime and society, with a focus on urban settings, violence, moral ambiguity, and the bending of rules to solve cases.

Dashiell Hammett’s Sam Spade series, Raymond Chandler’s Philip Marlowe stories, and Ross Macdonald’s Lew Archer books represent this subgenre with aplomb.

3. Police Procedural

Police procedurals offer an in-depth look into the workings of law enforcement agencies. These stories emphasize the step-by-step investigation process, including interviews, forensic analysis, and legal procedures. Authors often research and accurately depict police work and criminal justice systems.

Here you will find Michael Connelly’s Harry Bosch series, Patricia Cornwell’s Kay Scarpetta forensic pathologist novels, and Tana French’s Dublin Murder Squad series.

4. Legal Mystery

This mystery type is centered on lawyers, prosecutors, or legal professionals who solve mysteries within the context of the courtroom or legal proceedings. These stories often involve complex legal dilemmas, courtroom drama, and ethical quandaries.

The most famous contributor to this subgenre is John Grisham, ably accompanied by Scott Turow, Steve Martini, and Richard North Patterson.

5. Medical Mystery

These science-focussed mysteries involve the investigation of perplexing medical cases, diseases, or outbreaks, often featuring healthcare professionals, medical detectives, or amateur sleuths who strive to uncover the underlying medical cause, solve medical puzzles, or prevent potential health crises.

Almost all Robin Cook and Michael Palmer books fall into this category, together with Leonard Goldberg’s Daughter of Sherlock Holmes series and Michael Crichton’s ” The Andromeda Strain”.

6. Historical Mystery

Historical mysteries are set in the past, often featuring a historical period, event, or figure as a backdrop. These stories provide readers with a sense of time and place while incorporating historical details and mysteries that fit within the chosen era.

In this subgenre, you will find Anne Perry’s Thomas Pitt novels situated in Victorian-era London, C.J. Sansom’s Matthew Shardlake series from the Tudor era, and Lindsey Davis’s Falco series set in ancient Rome.

7. Supernatural Mystery

Paranormal or supernatural mysteries incorporate elements of the paranormal, such as ghosts, vampires, or supernatural phenomena, into the mystery plot. These stories often blur the lines between the natural and the supernatural, creating an eerie and mysterious atmosphere and an unusual mystery that requires substantial out-of-the-box thinking to solve.

Some of the most famous authors include Shirley Jackson, Edgar Allan Poe, and Stephen King.

8. Whodunit Mystery

Whodunit mysteries, also known as classic or traditional mysteries, emphasize the puzzle aspect of the story. The central question is “Who committed the crime?” Readers are presented with clues and red herrings, and they are encouraged to solve the mystery alongside the investigator. The crime is usually a murder, and the protagonist is a detective who is trying to solve the case.

Here the classics are Agatha Christie’s Hercule Poirot series, Arthur Conan Doyle’s Sherlock Holmes books, and the Lord Peter Wimsey novels by Dorothy L. Sayers.

9. Psychological Mystery

Psychological thrillers, also often called psychological mysteries, blend elements of mystery and suspense with a focus on the psychological and emotional aspects of the characters. These stories usually involve unreliable narrators, mind games, and the exploration of the human psyche.

These books have been particularly popular since the turn of the century and include “Gone Girl” by Gillian Flynn, “The Girl on the Train” by Paula Hawkins, and classics like “Strangers on a Train” by Patricia Highsmith.

How to Write a Mystery Story

If you feel motivated to write your own mystery story but you feel like you need some guidance on the practical aspects of constructing one, this section provides a step-by-step guide on the art and craft of writing a mystery novel that will keep your readers eagerly turning the pages. So, let’s get started.

Step 1: Understand the Genre

By immersing yourself in the genre, you’ll become familiar with its conventions. This knowledge helps you create a story that resonates with readers who appreciate the specific characteristics of mysteries.

From cozy to supernatural mysteries, explore the subgenres so that you can choose the one that aligns with your writing style and interests. Knowing the nuances of each subgenre helps you tailor your story effectively.

While reading, analyze the structure of the novels. Identify common tropes and plot devices used in the genre. Consider how authors introduce clues, red herrings, and character motivations.

Take notes on what works well in the novels you enjoy. Pay attention to character development, pacing, dialogue, and how authors handle suspense and revelations.

Step 2: Craft a Mystery

While this step looks impossibly huge, you don’t have to work out all the details here. You can fill in much of it in later steps, so don’t feel overwhelmed.

But at least start by clearly defining the central mystery or crime that drives your story. This is the core puzzle that your protagonist will aim to solve. The mystery can be almost anything: murder, theft, missing persons, kidnapping, identity theft, sabotage, blackmail, cybercrime, a political conspiracy, a secret society/cult, or some other unexplained phenomenon.

Consider your own interests and passions. Writing about a mystery that fascinates you will make the storytelling process more enjoyable and authentic.

Real-life events, news stories, or historical incidents can serve as inspiration for your story. Adapt these events and add fictional elements to create a compelling narrative.

Use the “what if” technique to brainstorm potential mysteries. Start with a simple question like “What if a famous painting went missing?” or “What if a small-town librarian discovered an old diary with hidden secrets?”

Step 3: Develop a Backstory

Every crime or action to be investigated should have a motive. Why did the perpetrator commit it? The motive should be logical and compelling, providing a strong reason for the actions taken. Some possible motivations include the following:

• Greed: Greed or financial gain are powerful motivators for crimes like theft, embezzlement, fraud, and murder.
• Revenge: Revenge and personal vendettas can lead to crimes such as murder, blackmail, or acts of sabotage.
• Envy: Jealousy can drive individuals to commit stalking, harassment, or even violence against those perceived as rivals.
• Desperation: Dire circumstances like financial ruin, addiction, or a desperate need to protect loved ones may lead to criminal actions as a last resort.
• Power and Control: A desire for dominance and control over others can motivate crimes like kidnapping, human trafficking, or abusive behavior.
• Political or Ideological Beliefs: Some characters may commit crimes in the name of political or ideological beliefs, leading to acts of terrorism, espionage, or subversion.
• Love and Passion: Romantic or passionate relationships can lead to crimes of passion, including murder or acts of violence committed in the heat of the moment.
• Curiosity and Experimentation: Some mysteries may stem from characters’ curiosity, experimentation, or a desire to test boundaries, leading to unforeseen consequences. Think scientific experiment gone wrong, exploring forbidden areas, opening sealed containers, dabbling in occult rituals, AI experimentation, dark web exploration, etc.

Together with constructing a reason why the mysterious event happened, start thinking of the relationships your story will have to include to make sense of this reason. While you can develop your characters in depth later, describe the family dynamics, friendships, rivalries, or past connections that may have contributed to the events.

Step 4: Establish Clear Stakes

Define what’s at stake in the story. Why is solving the mystery important? What consequences will result if it remains unsolved?

Stakes give your protagonist a compelling motive to investigate the mystery. They also create tension and suspense, as characters race against time to unravel the mystery and prevent negative consequences. In short, they make readers care about the outcome.

The most immediate and high-stakes consequence of failing to solve a mystery is life or death. But such a failure can also lead to imprisonment, reputational damage, financial ruin, loss of valuable artifacts or knowledge, trauma, guilt, or danger to a community or political system.

Step 5: Create a Protagonist

Your detective or main character serves as the driving force behind the narrative, and their qualities, quirks, and motivations can greatly influence the reader’s engagement. Include the following in their profile:

• Characteristics: Consider unique physical traits, personality quirks, or habits that set your detective or protagonist apart from the typical investigator.
• Motivations: While you can include the stakes of investigative failures here, also describe personal or ethical reasons why your character wants or needs to solve the mystery.
• Backstory: Explore their past experiences, traumas, successes, and failures. Understanding their history will help you portray their motivations and vulnerabilities effectively.
• Flaws and Weaknesses: Introduce character flaws, weaknesses, or personal challenges that your detective or protagonist must overcome. Weaknesses that relate to the challenges they will confront are particularly appealing.
• Unique Skills or Expertise: If there is a particular profession, hobby, or talent that make your character well-suited for solving mysteries, describe them here.
• Character Growth Arc: Consider how your protagonist’s experiences throughout the story will shape them and lead to personal development.

Step 6: Create Supporting Characters

Populate your story with a cast of diverse and interesting characters, including potential suspects, witnesses, and allies for your investigator. Each character should have their own motives, secrets, and function in the story.

The allies will be people with unique skills, knowledge, or expertise that complement the protagonist’s abilities. They should have their own motivations for helping with the investigation. To make it interesting, you can also develop complex relationships between the protagonist and their aids in the form of conflicts or tensions that arise as the investigation progresses.

The potential suspects can be either heroes or villains, but should, by definition, not be the main character responsible for the crime or mystery. Consider these elements of suspects:

• Motives: Give each suspect a clear and distinctive motive for being involved in the mystery. These motives should be believable and provide a plausible reason for their potential involvement in the event.
• Backstories: Explore their personal histories and experiences to understand what drives them and what secrets they may be hiding.
• Alibis: Establish alibis for your suspects that can be investigated and verified by your protagonist. This will help you to construct clues and red herrings later.
• Relationships: Consider the relationships between suspects. Do they have alliances, rivalries, or conflicts with each other? These dynamics can create additional layers of intrigue.

Step 7: Build a Setting

Building a rich story setting is essential for immersing readers in your mystery and enhancing the overall atmosphere and believability of your narrative. A setting can be so suitable and well developed that it almost serves as another character.

Draw inspiration from real places, events, or settings that align particularly well with your narrative. For example, a snowed-in Victorian Mansion is a good place for a paranormal investigator to investigate a haunting, since they cannot simply leave when events become too scary.

Sherlock Holmes did this particularly well in his Arthur Conan Doyle stories, where the foggy and atmospheric streets of Victorian-era London with their ancient alleyways, echoing footfalls, and glimpses of silhouettes contribute to the sense of menace and intrigue in the stories.

Alternatively, you can pick a setting that contrasts with your mystery in a way that is memorable in some way. In “Death on the Nile,” for example, Agatha Christie transports readers to the beautiful, exotic, and romantic setting of a luxurious riverboat on Egypt’s Nile River, where a murder mystery soon develops.

Engage readers’ senses by describing sights, sounds, smells, textures, and even tastes that characterize the environment.

Step 8: Craft Clues and Red Herrings

Layering clues and red herrings is a crucial step in crafting a captivating mystery story. Clues propel the investigation forward and guide readers closer to the truth, while red herrings are false leads designed to misdirect and create suspense.

Clue vs. Red Herring

If a detective finds a hidden compartment in a suspect’s desk containing a photograph of the victim and an old love letter, it can either be a clue or a red herring, as follows:

Clue: The suspect had a romantic relationship with the victim, potentially leading to a motive for the murder.

Red Herring: The photograph and love letter were planted by someone else to frame the suspect, diverting attention from the real culprit.

Crafting Clues and Red Herrings

To craft good clues and red herrings, keep these factors in mind:

• Core Clues: Identify the core clues that are essential for solving the mystery. These are the pieces of information that, when combined, lead to the ultimate solution. These clues should be logically connected and scattered throughout the story to help readers solve the mystery, but avoid introducing them too early.
• Red Herring Opportunities: Look for opportunities to introduce distractions, misdirection’s, or false leads that divert the protagonist and reader away from the true solution. Avoid using more than two of three simultaneously, as readers will then not notice them.
• Character Motives: Consider the motives of characters, including potential suspects, witnesses, and allies. What reasons might they have to provide false information or create deceptive situations? Align red herrings with character motivations.
• Progressive Revelation: Start with minor or subtle clue hints and progressively escalate to more significant revelations. This builds suspense and maintains reader interest.
• Character Involvement: Involve characters actively in the discovery of clues and red herrings. Allow them to interpret and react to the information they encounter, deepening their engagement in the mystery.
• Balanced Revelations: Ensure that genuine clues and red herrings are revealed in a balanced manner. Avoid having a long stretch of the story with only one type of revelation. Mix genuine progress with moments of misdirection.
• Seamless Integration: Incorporate both types of lead naturally into the narrative. They should arise from character interactions, evidence, dialogue, or the environment. Avoid making them too obvious or contrived.
• Clue Variety: Use different types of clues and red herrings to keep the mystery engaging. These can include physical evidence (e.g., a bloodstained shirt), verbal hints (e.g., a cryptic message), or character behavior (e.g., an unexplained absence).
• Foreshadowing: Foreshadow major clues with subtle hints or references earlier in the story. Foreshadowing helps make the ultimate reveal feel earned and logical.

Step 9: Plan the Investigation

Now that you’ve specified the potential suspects, the clues, and the red herrings, you can plan the protagonist’s investigation. Much of it will fall into place with the insertion of the details in the previous steps, so a good approach is to develop a timeline or chronology of events related to the mystery to lead your protagonist down a logical investigative path.

Decide when your protagonist will stumble onto the clues and red herrings. At the beginning, they will probably encounter more false than real clues. Once they eliminate these, the clues will start playing a bigger role in their investigations and their thinking.

Establish how they will encounter the information that feeds into their investigations. Physical evidence, witness testimonies, research, undercover investigations, anonymous tips, characters’ suspicious behavior, coincidentally crossing paths with a suspect, the noticing of patterns, or any other method can work.

Step 10: Build Suspense and Tension

The stakes you identified in a previous step will help you to build tension, but you can also use other methods to convey a sense of urgency that propels the investigation forward. Time constraints, impending danger, or impending consequences can intensify tension and keep readers on edge.

Control the pace at which you reveal information. Gradually disclose clues, red herrings, and key revelations throughout the story. Avoid overloading the reader with too much information at once, as this will lead to wildly exciting periods interspersed with long, tedious parts.

Foreshadowing allows you to hint at future developments and create an atmosphere of anticipation. Drop subtle clues or suggestions about what’s to come, leaving readers eager to see how these hints will play out.

Use the setting and conflicts between the investigators and/or the suspects to build further tension.

Another way to prevent readers from getting bored is to include emotionally charged scenes that resonate. These scenes can involve personal revelations, confrontations, or high-stakes confrontations with suspects or adversaries.

Step 11: Write a Satisfying Resolution

This is the culmination of your mystery story, where the central mystery is solved, loose ends are tied up, and the reader experiences a sense of closure and fulfillment.

The resolution should unveil the truth behind the mystery in a gradual and logical manner. Avoid a sudden, last-minute revelation that feels contrived. Instead, let the protagonist piece together the final clues and deductions.

A good way is to orchestrate a confrontation between the protagonist and the culprit or key players involved in the mystery. This showdown can be emotionally charged and provide the outstanding answers.

Ensure that the resolution is plausible and consistent with the clues and information provided throughout the story. Readers should be able to look back and see how the solution was seeded throughout the narrative.

The resolution should explain why the crime or event occurred, who was responsible, and how it was carried out. Provide a clear understanding of the “whys” and “hows.”

Show the impact of the resolution on the characters, particularly the protagonist. Allow them to experience growth, closure, or transformation as a result of solving the mystery. Address any personal stakes introduced earlier in the story.

If your story has a theme, use the resolution to reflect and reinforce it. The resolution can offer insights or lessons related to justice, morality, or the human condition.

Step 12: Revise Your Story

Read through your story to examine it for plot holes, inconsistencies, contrived plot points, character depth, inappropriate pacing, and the incorrect placement and effectiveness of clues and red herrings.

You should ideally hand copies to friends, relatives, and beta readers who enjoy mystery fiction. Readers who read regularly in this genre will be able to help you identify tropes, clues, and investigative details to improve.

Based on these insights, revise your story until it is ready for professional review.

8 Common Pitfalls to Avoid in Mystery Writing

Even the most experienced mystery writers employ editors to delete their cliches, close their plot holes, and fix their logical inconsistencies. There are certain traps that beckon all mystery writers, so it’s important to be aware of them if you want to write a mystery story that is polished and professional.

Here are some common pitfalls to avoid in mystery writing:

1. Too Easy to Solve

One of the biggest pitfalls that mystery writers can make is making the mystery too easy to solve. If the reader can figure out the solution to the mystery too early on, they will be bored and disappointed.

To avoid this pitfall, make sure that you plant enough clues throughout your story, but don’t make it too easy for the reader to figure out the solution. Use red herrings to misdirect the reader and keep them guessing until the very end.

2. Too Difficult to Solve

While mysteries often involve intricate plots, avoid making them overly convoluted or completely impossible to solve. If the reader can’t figure out at least potential solutions to the mystery, they will be frustrated and confused.

To get around this pitfall, make sure that you give the reader enough information to solve the mystery, but without giving everything away. Leave some of the clues up to the reader to interpret.

3. Too Few Potential Suspects

Readers of mystery stories know that the main villain is usually someone who seems likeable and is a good friend of the protagonist. So, if you have only one or two such characters in your story, it will be far too easy for readers to identify the villain.

Accordingly, make sure that there are enough suspects who are basically likeable, at least until seventy percent through the story.

4. Predictable Ending

A mystery with a predictable ending can be disappointing. Strive for a resolution that surprises and satisfies readers, even if they’ve made some correct guesses along the way.

In other words, even if readers can predict the villain, make sure that the motivations for their crimes or the details of how they committed them are surprising.

5. A Deus Ex Machina Ending

A Deus Ex Machina ending is an ending that is resolved by a sudden, unlikely, or unexplained event that is not foreshadowed or explained in the story. It can make the ending feel unsatisfying, unrealistic, and like a cheat.

You can avoid this by making sure that your ending stems from something that has gone before in the story. You should write the story in such a way that the reader has all the information they need to understand the solution to the mystery.

6. Overuse of Coincidences

Coincidences can sometimes be useful, but not if your protagonist coincidentally stumbles onto most of the clues they need to solve the mystery. Your readers want to believe that the mystery is resolved through your protagonist’s efforts and intelligence.

Consequently, try to minimize coincidences or, if necessary, provide a plausible explanation for them.

7. Neglecting Character Development

Well-developed characters are essential in any genre, but they’re especially important in mysteries. Avoid creating one-dimensional characters solely driven by the plot. Readers should care about what happens to them.

Formulate backstories, motivations, and personalities for the more important characters.

8. Too Many Red Herrings

While red herrings can add intrigue, using too many can overwhelm readers and make the story feel contrived.

Make sure each red herring serves a purpose in the narrative. It has to lead to a potential suspect or a direction for the investigation.

Literary Genre Quiz (Hard)

Frequently Asked Questions

In this section, we will answer some of the most common questions about the definition and characteristics of mystery stories.

What Defines a Mystery Story?

A mystery story is a narrative that revolves around an enigma, puzzle, or unresolved question, typically involving a crime or unusual event. It engages readers by presenting a central mystery that propels the plot, characters, and readers on a quest for answers, often leading to a successful investigation and resolution of the mysterious event.

What Are the Elements of a Mystery Story?

A mystery story has a central puzzle that needs to be solved, a protagonist who is trying to solve it, clues that are scattered throughout the story, red herrings that mislead the reader, often a climax in which the protagonist and antagonist confront each other, and a resolution in which the mystery is solved.

What Are Popular Mystery Story Examples?

Popular mystery story examples include iconic works like Sir Arthur Conan Doyle’s Sherlock Holmes series, featuring the brilliant detective Sherlock Holmes and his loyal friend Dr. Watson solving complex cases; Agatha Christie’s Hercule Poirot and Miss Marple series, renowned for their intricate plots and memorable characters; Dashiell Hammett’s “The Maltese Falcon,” in which a hard-boiled private detective solves a case involving a priceless statue, greed, and murder; and modern mysteries like Gillian Flynn’s “Gone Girl,” celebrated for its psychological twists and unreliable narrators.

Final Thoughts

To write a good mystery story, remember that a compelling central mystery is at the heart of it all. Engage your readers with a tantalizing puzzle that invites them to participate in the unraveling. Develop characters that feel real, with motives that drive their actions and reactions. Master the art of suspense, using carefully placed clues, red herrings, and plot twists to keep your audience guessing.

But above all, never forget that crafting a good mystery is not just about the destination but the journey itself. Embrace the challenge, let your creativity flow, and may your stories be the kind that readers can’t put down!

Yves Lummer

As the founder of BookBird, Yves Lummer has pioneered a thriving community for authors, leading more than 100,000 of them towards their dreams of self-publishing. His expertise in book marketing has become a catalyst for multiple best-sellers, establishing his reputation as an influential figure in the publishing world.

Elements of a Story: 8 Story Elements Explained

February 6, 2024

170 Book Puns: Funny Puns & Jokes You’ll Never Forget

February 4, 2024

Side Character: Definition, Examples & Writing Tips

How to Start a Story: 10 Secret Writing Tips

Inciting Incident: Definition, Purpose & Examples

January 23, 2024

Biography vs. Autobiography vs. Memoir: Art of Life Stories

November 22, 2023

Privacy Overview

Want to sell more Books?

VIDEO COURSE

Finish your draft in our 3-month master class. Sign up now to watch a free lesson!

Learn How to Write a Novel

Finish your draft in our 3-month master class. Enroll now for daily lessons, weekly critique, and live events. Your first lesson is free!

Blog • Perfecting your Craft

Posted on Dec 02, 2020

How to Write a Mystery: The 6 Secret Steps Revealed

A great mystery novel will draw in readers with compelling characters, tricky twists, and a clever trail of clues. Of course, the secret to writing a hit like Gone Girl isn’t going to fall into your lap. But in this post we’ll help you strap on your deerstalker, grab your magnifying glass, and crack the code of great mystery architecture!

1. Investigate the subgenres of mystery

You may already know what sort of mystery you want to write. However, it still pays to read plenty of mystery books to get a good grasp on the genre before you start! When it comes to mystery and murder mystery subgenres, here are the usual suspects:

Cozy mysteries

Cozy mysteries often take place in small towns, frequently featuring charming bakeries and handsome mayors. Though the crime is normally murder, there’s no gore, no severed heads in boxes, and no lotion in the basket. As a result, there are rarely any traumatized witnesses or family members in these murder mysteries — making cozies perfect for a gentle fireside read.  Example : the Miss Marple series by Agatha Christie.

Recommended reads

• A Guide to Cozy Mysteries [blog post]
• And Then There Were None: The 10 Best Agatha Christie Books [blog post]

Police procedurals

Police procedurals commonly center on a police investigation (betcha didn’t see that one coming). They feature realistic law enforcement work, such as witness interrogation and forensic science, and require a great deal of research to convince seasoned readers of their authenticity.  Example : Tana French’s Dublin Murder Squad series.

Noir detective novels

Most associate “noir” with black-and-white films of cynical gumshoes and femme fatales — but did you know that dark, gritty noir novels came first? Their flawed characters and complex plots are renowned for leaving readers in the grey. ( Did the investigator do the right thing? Was the culprit really evil?) The crime may be solved by the end, but the mystery itself is rarely so open-and-shut.  Example : The Postman Always Rings Twice by James M. Cain.

Prefer your detectives a little more clean-cut? Check out our guide to reading the Sherlock Holmes books !

A suspense mystery is all about high stakes and unexpected twists — elements that make it nearly impossible to stop reading. The mystery builds throughout the narrative, clues are painstakingly planted to divulge just the right amount of information, and things are constantly edging towards a dramatic, often shocking climax.  Example : Gillian Flynn’s Gone Girl .

• The 50 Best Suspense Books of All Time [blog post]

Which genre (or subgenre) am I writing?

Find out which genre your book belongs to. It only takes a minute!

2. Commit to a crime before you write

While some authors like to write without an outline, improvisation doesn’t lend itself well to the mystery genre. To build suspense effectively and keep your readers engaged, you’ll need to drip feed information bit by bit — which means you’ll need to know your crime and its culprit inside out before you put pen to paper.

Consider not only who committed the crime, but how they pulled it off, and why. Is there anything unusual about their methods, or any specific details you can include that will add texture to your story — say, the lingering smell left behind by a specific real-world poison, or the unusual wounds created by an unconventional weapon? Would anyone else have witnessed the crime — or thought they witnessed it — and if so, how might your criminal keep them silent?

By mapping out and researching your crime, you can think about telltale clues that may have been left behind, and when best to reveal these clues to your readers to keep them hooked. Just make sure you clear your browser history afterwards.

3. Research and pick your setting with purpose

Setting is the backbone of mystery; it fosters the right atmosphere and typically plays a significant role in the plot. But according to crime fiction editor Allister Thompson , far too many mysteries are set in the same old places. “The world doesn’t need another crime novel set in New York,” he says, “or in London if you're British, or in Toronto if you’re from Canada.”

Instead of an overused urban setting, why not set your murder mystery someplace unique? “Not only does it give you more interesting material, it also gives you a really good marketing angle,” Allister says. “The distinct cultural mix and geography of Albuquerque, for example, was a huge part of Breaking Bad’ s hook.”

For more tips from Allister, check out this Reedsy Live on mystery writing mistakes and how to avoid them.

This all requires research to execute well. Local news sites should give you an idea of what matters to an area’s residents, the problems they face, and what’s interesting about their community. You’ll come to understand what might actually unfold in a setting like this one, adding depth and authenticity to your mystery.

4. Carve out an intriguing cast of characters

Mysteries are largely about human intrigue, and to pull that off, you’ll need to assemble an interesting cast of characters . Dedicate time to fleshing out your victim, perpetrator, suspects, and sleuth, and you’ll have a much easier time getting readers invested in cracking the case. 

To ensure you know your characters inside out, try filling out a character profile — check out our free one below. 

FREE RESOURCE

Reedsy’s Character Profile Template

A story is only as strong as its characters. Fill this out to develop yours.

Create a memorable sleuth

Your sleuth, whether they’re a nosy neighbor or a chief inspector, serves as the eyes and ears of your novel — so it’s important that the reader cares about them from the start! 

To do this, establish some baseline stakes by determining your sleuth’s motive. What’s stopping them from saying “I guess we’ll never know” and walking away? Would an innocent person be jailed? Will the killer strike again? Or is your sleuth’s motive less selfless, maybe a promotion or a cash reward?

Your sleuth doesn’t have to be a quirky mega-genius a la Sherlock Holmes, but even your “everyman” amateur detective should still be a well-rounded and unique character. Give them idiosyncrasies, interests, and a life outside of the crime, including perhaps a history or connection to the victim that makes them especially invested — “ this time, it’s personal… ”

Profile your perp

To write a killer culprit, you’ll first need to get their motive right. Your entire plot hinges on this character and their reason for committing a crime, so it has to be thoroughly believable! 

Unless you’re dealing with a serial killer (in which case their motive might be more nebulous and unhinged), figuring out your culprit’s motive should always involve the question: What does the killer stand to gain or lose ? More often than not, the answer will involve money, passion, or both — or perhaps the oft-pilfered title of “best village baker”, if you’re writing a cozy. 

Explore the dynamics between the victim and suspects

For there to even be a mystery, your culprit can’t be the only possible criminal. To keep readers hunting for the truth, try to show your other suspects having any two of the following:

• means (did they have access to a weapon?), 
• motive (how would they have benefited from the crime?), 
• and opportunity (were they close to the crime scene?). 

It’s then the job of the sleuth (and the reader in tandem) to dig out whether they have all three — and even if so, whether they actually did it. 

To muddy the waters, explore your victim’s relationship to all the suspects, not just the culprit. A morally grey victim, with a messy past and complex relationships, will allow for more intrigue in your murder mystery. Readers are presented with multiple possibilities, and will have to rule them out in turn as new information comes to light, just like a real detective.

If you want to develop amazing characters to populate your mystery, why not check out our free 10-day course on the subject?

FREE COURSE

How to Develop Characters

In 10 days, learn to develop complex characters readers will love.

5. Build tension throughout the story

The central pillar of any good mystery is the push-and-pull between question and answer. As the author, it’s your job to draw the reader’s attention to the right things at precisely the right moment. 

The best way to ensure this is to nail your story structure ! By expertly planning your novel’s shift from the unknown to the known, you’ll produce the gripping rise in action that all great mystery novels possess. Here’s how to do just that.

Looking for inspiration for your next mystery story? Look no further than our mystery plot generator !

Hit 'em with a hook

Every story should start with a great first line, but mysteries are particularly fertile ground for first-rate hooks. Many authors open with the crime. The opening line of Darker than Amber , for example, is brief, unexpected, and action-focused:

“We were about to give up and call it a night when somebody dropped the girl off the bridge.” — John D. MacDonald, Darker than Amber

There’s no one “right way” to open your mystery novel. But to make sure it’ll capture readers' attention, try to write an opening that a) jolts readers into paying attention, b) leads them to ask further questions, and c) introduces some stakes (conflict, danger, etc.).

Pull out the red string and connect your clues

You’ve successfully enticed readers with your hook! Now, to keep them engaged, you’ll need to structure your plot around the clues to your mystery’s solution. 

This moment takes place when the pivotal clue turns up, or when your sleuth realizes the significance of a forgotten lead. What happens at that point leads to your novel's ending.

Give your sleuth time to think

While you may want to make your story as action-packed as possible, it's also important to slow down at times.  As well as including those action-oriented info-finding scenes (think: examining the crime scene for physical clues, talking to suspects to glean their alibis), you'll want to include more cerebral scenes that show them thinking or talking through their theory of the case, says Reedsy mystery editor Anne Brewer .

"These types of scenes give you an opportunity to sign post to the reader where the investigation is going (you can even employ misdirection here by having the sleuth make mistakes and get things wrong sometimes), as well as show off their special skills that make them a good investigator."

Consider red herrings

Because they lead the reader down the garden path and away from the truth, you might think red herrings would cause frustration. But when done well, they’re part of the fun, and that’s why they’re a tried-and-true trope of murder mystery. 

By upping the tension and escalating the pace, even if it’s towards a dead end, red herrings conjure the signature push-and-pull of the mystery genre. (Not to mention, they keep readers from guessing the answers too soon!)

For a classic mystery bait-and-switch, you might consider:

• a character who appears complicit, but isn’t;
• an object that seems more important than it is ( cleverly subverting Chekhov’s Gun !); or
• a misleading clue that was planted by the culprit.

Finally, remember that when it comes to the ending of your mystery, it’s important to play fair. Don’t suddenly introduce an evil twin as the final twist without setting it up earlier! The ultimate conclusion should be both unexpected  and  earned if you want to satisfy readers, says Reedsy editor Alyssa Matesic . "You don't want to hint too obviously at the twist (such as who the killer is), because then the reader might put the pieces together prematurely and the reveal scene will feel lackluster and anticlimactic. At the same time, you don't want the twist to feel like it comes out of left field, because then you'll lose the reader's trust. You need to leave just enough breadcrumbs throughout the story so the reader feels like the twist has been right under their nose the whole time."

6. Revise your mystery (with the help of experts)

Once you’ve finished your first draft , you should absolutely celebrate with party poppers and champagne… but then it’s time to transform it into a truly standout mystery! After taking the time to perform a thorough self-edit , summon the courage to send your manuscript out into the world — the world of beta readers , that is. 

Beta readers

Beta readers are the invaluable people who read your draft and provide honest, third-party feedback. They can tell you which characters they connected with and which they didn’t, identify plot holes, and point out any other issues you’ve become blind to during your revisions.

As well as asking for general feedback on your story, ask your beta readers to record their working theories as they read. This way you can see whether readers will pick up on clues at the right moment, and whether they’re misled just the right amount by your red herrings.

Professional editor

An experienced mystery editor who eats, sleeps and breathes these books can offer suggestions that even the most talented beta readers will struggle to express. 

In the first stages of editing, a developmental editor will provide you with a holistic, in-depth review of your manuscript, helping you examine characterization and redistribute your clues to build to a stunning conclusion. 

After producing a second draft, Thompson recommends working with a copy editor : “It’s too competitive out there not to put your best work forward [...] without errors, bad grammar, or spelling mistakes.” So polish up that manuscript like a magnifying glass if you want it to stand a chance of success!

NEW REEDSY COURSE

How to Write a Novel

Enroll in our course and become an author in three months.

So, there you have it! If you follow these six steps, you should be well on your way to giving mystery readers what they crave — a thrilling tale of bad guys, cliffhangers, and diligent sleuths. But if you want to test out your new knowledge on a smaller scale first, head over to Reedsy Prompts and investigate our archive of mysterious short story starters to kick things off.

Continue reading

Recommended posts from the Reedsy Blog

Man vs Nature: The Most Compelling Conflict in Writing

What is man vs nature? Learn all about this timeless conflict with examples of man vs nature in books, television, and film.

The Redemption Arc: Definition, Examples, and Writing Tips

Learn what it takes to redeem a character with these examples and writing tips.

How Many Sentences Are in a Paragraph?

From fiction to nonfiction works, the length of a paragraph varies depending on its purpose. Here's everything you need to know.

Narrative Structure: Definition, Examples, and Writing Tips

What's the difference between story structure and narrative structure? And how do you choose the right narrative structure for you novel?

What is the Proust Questionnaire? 22 Questions to Write Better Characters

Inspired by Marcel Proust, check out the questionnaire that will help your characters remember things past.

What is Pathos? Definition and Examples in Literature

Pathos is a literary device that uses language to evoke an emotional response, typically to connect readers with the characters in a story.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Keep readers on the edge of their seats

Use our three-act template to plot the twists and turns of your mystery novel.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

• Literary Terms
• Definition & Examples
• When & How to Write an Essay

I. What is an Essay?

An essay is a form of writing in paragraph form that uses informal language, although it can be written formally. Essays may be written in first-person point of view (I, ours, mine), but third-person (people, he, she) is preferable in most academic essays. Essays do not require research as most academic reports and papers do; however, they should cite any literary works that are used within the paper.

When thinking of essays, we normally think of the five-paragraph essay: Paragraph 1 is the introduction, paragraphs 2-4 are the body covering three main ideas, and paragraph 5 is the conclusion. Sixth and seventh graders may start out with three paragraph essays in order to learn the concepts. However, essays may be longer than five paragraphs. Essays are easier and quicker to read than books, so are a preferred way to express ideas and concepts when bringing them to public attention.

II. Examples of Essays

Many of our most famous Americans have written essays. Benjamin Franklin, Thomas Paine, and Thomas Jefferson wrote essays about being good citizens and concepts to build the new United States. In the pre-Civil War days of the 1800s, people such as:

• Ralph Waldo Emerson (an author) wrote essays on self-improvement
• Susan B. Anthony wrote on women’s right to vote
• Frederick Douglass wrote on the issue of African Americans’ future in the U.S.

Through each era of American history, well-known figures in areas such as politics, literature, the arts, business, etc., voiced their opinions through short and long essays.

The ultimate persuasive essay that most students learn about and read in social studies is the “Declaration of Independence” by Thomas Jefferson in 1776. Other founding fathers edited and critiqued it, but he drafted the first version. He builds a strong argument by stating his premise (claim) then proceeds to give the evidence in a straightforward manner before coming to his logical conclusion.

III. Types of Essays

A. expository.

Essays written to explore and explain ideas are called expository essays (they expose truths). These will be more formal types of essays usually written in third person, to be more objective. There are many forms, each one having its own organizational pattern.  Cause/Effect essays explain the reason (cause) for something that happens after (effect). Definition essays define an idea or concept. Compare/ Contrast essays will look at two items and show how they are similar (compare) and different (contrast).

b. Persuasive

An argumentative paper presents an idea or concept with the intention of attempting to change a reader’s mind or actions . These may be written in second person, using “you” in order to speak to the reader. This is called a persuasive essay. There will be a premise (claim) followed by evidence to show why you should believe the claim.

c. Narrative

Narrative means story, so narrative essays will illustrate and describe an event of some kind to tell a story. Most times, they will be written in first person. The writer will use descriptive terms, and may have paragraphs that tell a beginning, middle, and end in place of the five paragraphs with introduction, body, and conclusion. However, if there is a lesson to be learned, a five-paragraph may be used to ensure the lesson is shown.

d. Descriptive

The goal of a descriptive essay is to vividly describe an event, item, place, memory, etc. This essay may be written in any point of view, depending on what’s being described. There is a lot of freedom of language in descriptive essays, which can include figurative language, as well.

IV. The Importance of Essays

Essays are an important piece of literature that can be used in a variety of situations. They’re a flexible type of writing, which makes them useful in many settings . History can be traced and understood through essays from theorists, leaders, artists of various arts, and regular citizens of countries throughout the world and time. For students, learning to write essays is also important because as they leave school and enter college and/or the work force, it is vital for them to be able to express themselves well.

V. Examples of Essays in Literature

Sir Francis Bacon was a leading philosopher who influenced the colonies in the 1600s. Many of America’s founding fathers also favored his philosophies toward government. Bacon wrote an essay titled “Of Nobility” in 1601 , in which he defines the concept of nobility in relation to people and government. The following is the introduction of his definition essay. Note the use of “we” for his point of view, which includes his readers while still sounding rather formal.

 “We will speak of nobility, first as a portion of an estate, then as a condition of particular persons. A monarchy, where there is no nobility at all, is ever a pure and absolute tyranny; as that of the Turks. For nobility attempers sovereignty, and draws the eyes of the people, somewhat aside from the line royal. But for democracies, they need it not; and they are commonly more quiet, and less subject to sedition, than where there are stirps of nobles. For men’s eyes are upon the business, and not upon the persons; or if upon the persons, it is for the business’ sake, as fittest, and not for flags and pedigree. We see the Switzers last well, notwithstanding their diversity of religion, and of cantons. For utility is their bond, and not respects. The united provinces of the Low Countries, in their government, excel; for where there is an equality, the consultations are more indifferent, and the payments and tributes, more cheerful. A great and potent nobility, addeth majesty to a monarch, but diminisheth power; and putteth life and spirit into the people, but presseth their fortune. It is well, when nobles are not too great for sovereignty nor for justice; and yet maintained in that height, as the insolency of inferiors may be broken upon them, before it come on too fast upon the majesty of kings. A numerous nobility causeth poverty, and inconvenience in a state; for it is a surcharge of expense; and besides, it being of necessity, that many of the nobility fall, in time, to be weak in fortune, it maketh a kind of disproportion, between honor and means.”

A popular modern day essayist is Barbara Kingsolver. Her book, “Small Wonders,” is full of essays describing her thoughts and experiences both at home and around the world. Her intention with her essays is to make her readers think about various social issues, mainly concerning the environment and how people treat each other. The link below is to an essay in which a child in an Iranian village she visited had disappeared. The boy was found three days later in a bear’s cave, alive and well, protected by a mother bear. She uses a narrative essay to tell her story.

VI. Examples of Essays in Pop Culture

Many rap songs are basically mini essays, expressing outrage and sorrow over social issues today, just as the 1960s had a lot of anti-war and peace songs that told stories and described social problems of that time. Any good song writer will pay attention to current events and express ideas in a creative way.

A well-known essay written in 1997 by Mary Schmich, a columnist with the Chicago Tribune, was made into a popular video on MTV by Baz Luhrmann. Schmich’s thesis is to wear sunscreen, but she adds strong advice with supporting details throughout the body of her essay, reverting to her thesis in the conclusion.

VII. Related Terms

Research paper.

Research papers follow the same basic format of an essay. They have an introductory paragraph, the body, and a conclusion. However, research papers have strict guidelines regarding a title page, header, sub-headers within the paper, citations throughout and in a bibliography page, the size and type of font, and margins. The purpose of a research paper is to explore an area by looking at previous research. Some research papers may include additional studies by the author, which would then be compared to previous research. The point of view is an objective third-person. No opinion is allowed. Any claims must be backed up with research.

VIII. Conclusion

Students dread hearing that they are going to write an essay, but essays are one of the easiest and most relaxed types of writing they will learn. Mastering the essay will make research papers much easier, since they have the same basic structure. Many historical events can be better understood through essays written by people involved in those times. The continuation of essays in today’s times will allow future historians to understand how our new world of technology and information impacted us.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

• Cambridge Dictionary +Plus

Meaning of mystery in English

Your browser doesn't support HTML5 audio

mystery noun ( STRANGE/UNKNOWN THING )

• They never cleared up the mystery of the missing money .
• He was a man of mystery - erased from the history books .
• I'm afraid it's a fathomless mystery.
• There was a feel of mystery about the place .
• Why anyone buys music with such insipid lyrics is a mystery.
• all of a doodah idiom
• all over the place idiom
• alphabet soup
• at sea idiom
• discombobulation
• disorganization
• muddle something up
• muddle-headed
• unaccountable
• unaccountably
• unexplainable
• unexplained
• unsearchable

mystery noun ( BOOK/ MOVIE/PLAY )

• Afrofuturism
• allegorical
• autobiographical
• bodice-ripper
• boy-meets-girl
• director's cut
• non-documentary
• non-literary
• period piece
• stream of consciousness
• tragicomedy

mystery | Intermediate English

• mysteriously

Examples of mystery

Collocations with mystery.

These are words often used in combination with mystery .

Click on a collocation to see more examples of it.

Translations of mystery

Get a quick, free translation!

Word of the Day

the fact that people or animals do what they are told to do

Binding, nailing, and gluing: talking about fastening things together

Learn more with +Plus

• Recent and Recommended {{#preferredDictionaries}} {{name}} {{/preferredDictionaries}}
• Definitions Clear explanations of natural written and spoken English English Learner’s Dictionary Essential British English Essential American English
• Grammar and thesaurus Usage explanations of natural written and spoken English Grammar Thesaurus
• Pronunciation British and American pronunciations with audio English Pronunciation
• English–Chinese (Simplified) Chinese (Simplified)–English
• English–Chinese (Traditional) Chinese (Traditional)–English
• English–Dutch Dutch–English
• English–French French–English
• English–German German–English
• English–Indonesian Indonesian–English
• English–Italian Italian–English
• English–Japanese Japanese–English
• English–Norwegian Norwegian–English
• English–Polish Polish–English
• English–Portuguese Portuguese–English
• English–Spanish Spanish–English
• English–Swedish Swedish–English
• Dictionary +Plus Word Lists
• mystery (STRANGE/UNKNOWN THING)
• mystery (BOOK/ MOVIE/PLAY)
• Collocations
• Translations
• All translations

Add mystery to one of your lists below, or create a new one.

{{message}}

Something went wrong.

There was a problem sending your report.

• Daily Crossword
• Word Puzzle
• Word Finder

Word of the Day

• Synonym of the Day
• Word of the Year
• Language stories
• All featured
• Gender and sexuality
• All pop culture
• Grammar Coach ™
• Writing hub
• Grammar essentials
• Commonly confused
• All writing tips
• Pop culture
• Writing tips

Advertisement

[ mis -t uh -ree , -tree ]

the mysteries of nature.

The masked guest is an absolute mystery to everyone.

a mystery by Agatha Christie.

the mystery of Mona Lisa's smile.

Synonyms: secrecy , mystique , obscurity , ambiguity , riddle , secret , problem , puzzle , enigma

• any truth that is unknowable except by divine revelation.
• a sacramental rite.
• Eucharist ( def 1 ) .

the mysteries of the Passion.

• any of the 15 events in the lives of Christ and the Virgin Mary meditated upon during the recitation of the rosary.
• ancient religions that admitted candidates by secret rites and rituals the meaning of which was known only to initiated worshipers.

the mysteries of Freemasonry.

• (in the Christian religion) the Eucharistic elements.
• mystery play .

[ mis -t uh -ree ]

• a craft or trade.
• a guild, as of merchants.

/ ˈmɪstərɪ /

• a trade, occupation, or craft
• a guild of craftsmen

/ ˈmɪstərɪ; -trɪ /

• an unexplained or inexplicable event, phenomenon, etc
• a person or thing that arouses curiosity or suspense because of an unknown, obscure, or enigmatic quality
• the state or quality of being obscure, inexplicable, or enigmatic
• a story, film, etc, which arouses suspense and curiosity because of facts concealed
• Christianity any truth that is divinely revealed but otherwise unknowable
• Christianity a sacramental rite, such as the Eucharist, or ( when plural ) the consecrated elements of the Eucharist
• often plural any of various rites of certain ancient Mediterranean religions
• See mystery play short for mystery play

Discover More

Word history and origins.

Origin of mystery 1

Origin of mystery 2

Example Sentences

Yet, only when we understand how it works—and that is still a mystery—will we be able to tune its behavior and start developing it into a technology.

The most challenging part was getting all those edge cases right, particularly when there were repeated letters in one of your guesses or in the mystery word itself.

The identity and social standing of the mud-wrapped individual remains a mystery.

Volunteering to take a mystery shot for science can definitely give parents and teens pause.

Much of shorting’s mystery comes from its complicated mechanics.

But the real mystery and injustice came from Brooke being essentially written out of the history of the civil rights movement.

The fate of AirAsia Flight 8501 and the 162 souls on board is a tragedy, but it will not remain a mystery for much longer.

So far, the mystery man in the morgue has not been identified, and neither has Mr. Douli.

Due to the video lacking audio, what they were fighting about remains a mystery—“was Jay cheating?”

But his motives for shooting John Paul II have remained a mystery shrouded in multiple conspiracy theories.

Here began indeed, in the drab surroundings of the workshop, in the silent mystery of the laboratory, the magic of the new age.

The beauty, the mystery,—this fierce sunshine or something—stir——' She hesitated for a fraction of a second.

The sudden pall of darkness in this strange house of mystery was just a tiny bit awesome.

He professed both to abominate and despise all mystery, refinement, and intrigue, either in a prince or a minister.

At last the report of several rifles from the island of trees gave us a clue to the mystery.

Related Words

[ ak -s uh -lot-l ]

Start each day with the Word of the Day in your inbox!

By clicking "Sign Up", you are accepting Dictionary.com Terms & Conditions and Privacy Policies.

Definition of 'mystery'

Video: pronunciation of mystery

mystery in American English 1

Mystery in american english 2, mystery in british english 1, mystery in british english 2, examples of 'mystery' in a sentence mystery, related word partners mystery, trends of mystery.

View usage over: Since Exist Last 10 years Last 50 years Last 100 years Last 300 years

Browse alphabetically mystery

• mysterious stranger
• mysterious symbol
• mysterious visitor
• mystery buyer
• mystery deepens
• All ENGLISH words that begin with 'M'

Related terms of mystery

• mystery bag
• deep mystery
• mystery genre
• mystery guest
• View more related words

Quick word challenge

Quiz Review

Score: 0 / 5

Wordle Helper

Scrabble Tools

Advertisement

Supported by

The Poetry issue

The Shape of the Void: Toward a Definition of Poetry

“Poetry leaves something out,” our columnist Elisa Gabbert says. But that’s hardly the extent of it.

• Share full article

By Elisa Gabbert

I once heard a student say poetry is language that’s “coherent enough.” I love a definition this ambiguous. It’s both helpful (there’s a limit to coherence, and the limit is aesthetic) and unhelpful (enough for what, or whom?). It reminds me of a dictionary entry for “detritus” that I copied down in a notebook: “the pieces that are left when something breaks, falls apart, is destroyed, etc.” That seemed so artfully vague to me, so uncharacteristically casual for a dictionary. It has a quality of distraction, of trailing off, of suggesting you already know what detritus means. Part of me resists the question of what poetry is, or resists the answer — you already know what it means.

But let’s answer it anyway, starting with the obvious: If the words have rhyme and meter, it’s poetry. Nonwords with rhyme and meter, as in “Jabberwocky,” also are poetry. And since words in aggregate have at least some rhyme and rhythm, which lines on the page accentuate, any words composed in lines are poetry. There’s something to be said for the obvious. Virginia Woolf wrote of E.M. Forster: “He says the simple things that clever people don’t say; I find him the best of critics for that reason. Suddenly out comes the obvious thing one has overlooked.”

Is there much else? I think so. I think poetry leaves something out. All texts leave something out, of course — otherwise they’d be infinite — but most of the time, more is left out of a poem. Verse, by forcing more white space on the page, is constantly reminding you of what’s not there. This absence of something, this hyper-present absence, is why prose poems take up less space than other prose forms; the longer they get, the less they feel like poems. It’s why fragments are automatically poetic: Erasure turns prose into poems. It’s why any text that’s alluringly cryptic or elusive — a road sign, assembly instructions — is described as poetic. The poetic is not merely beauty in language, but beauty in incoherence, in resistance to common sense. The missingness of poetry slows readers down, making them search for what can’t be found. The encounter is almost inherently frustrating, as though one could not possibly pay enough attention. This is useful: Frustration is erotic.

“What is poetry?” is not the same question, quite, as “What is a poem?” How many poems did Emily Dickinson write? It depends what you count. In “Writing in Time,” the scholar Marta Werner writes, of Dickinson’s so-called Master letters, “At their most fundamental, ontological level, we don’t know what they are.” Perhaps my favorite poem of Dickinson’s is not, perhaps, a poem — it’s an odd bit of verse in the form of a letter to her sister-in-law, ending with the loveliest, slantest of rhymes: “Be Sue, while/I am Emily —/Be next, what/you have ever/been, Infinity.” Are the “breaks” really breaks? The letter is written on a small, narrow card; the words go almost to the edge of the paper. I think, too, of Rilke’s letters, which often read like poems. In 1925, he wrote to his Polish translator: “We are the bees of the Invisible. We wildly gather the honey of the visible, in order to store it in the great golden hive of the Invisible.” In these letter-poems, poetry reveals itself as more a mode of writing, a mode of thinking, even a mode of being , than a genre. The poem is not the only unit of poetry; poetic lines in isolation are still poetry. The poem is a vessel; poetry is liquid.

From time to time I’m asked, with bewilderment or derision, if this or that poem isn’t just “prose chopped into lines.” This idea of the free verse poem as “chopped” prose comes from Ezra Pound via Marjorie Perloff, who quotes Pound in her influential essay “The Linear Fallacy,” published in 1981. The essay encourages an oddly suspicious, even paranoid reading of most free verse as phony poetry, as prose in costume. The line, in Perloff’s view, in these ersatz poems, is a “surface device,” a “gimmick.” She removes all the breaks from a C.K. Williams poem to make the case that a stanza without the intentional carriage returns is merely a paragraph.

I find this baffling — as if chopping up prose has no effect. It does have an effect, the way putting more panes in a window changes the view. The architect Christopher Alexander thought big plate glass windows were a mistake, because “they alienate us from the view”: “The smaller the windows are, and the smaller the panes are, the more intensely windows help connect us with what is on the other side. This is an important paradox.” To state the Forsterian obvious again, adding breaks to a paragraph is not always going to make an interesting poem — but most poets don’t write that way. They write in the line , in the company of the void. That changes how you write — and more profoundly, how you think, and even how you are, your mode of being. When you write in the line, there is always an awareness of the mystery, of what is left out. This is why, I suppose, poems can be so confounding. Empty space on the page, that absence of language, provides no clues. But it doesn’t communicate nothing — rather, it communicates nothing . It speaks void, it telegraphs mystery.

By “mystery” I don’t mean metaphor or disguise. Poetry doesn’t, or shouldn’t, achieve mystery only by hiding the known, or translating the known into other, less familiar language. The mystery is unknowing, the unknown — as in Jennifer Huang’s “Departure”: “The things I don’t know have stayed/In this home.” The mystery is the missing mountain in Shane McCrae’s “The Butterflies the Mountain and the Lake”:

the / Butterflies monarch butterflies huge swarms they Migrate and as they migrate south as they Cross Lake Superior instead of flying

South straight across they fly South over the water then fly east still over the water then fly south again / And now biologists believe they turn to avoid a mountain

That disappeared millennia ago.

The missing mountain is still there. As for what is on the page, the language that changes the shape of the void, I’m of the opinion it can be almost anything. One of my favorite books that no one has heard of is “Survey Says!,” by Nathan Austin. It’s just a list of guesses ventured by contestants on “Family Feud,” arranged, most ingeniously, in alphabetical order by their second letter, so you get sequences like this: “A bra. Abraham Lincoln. A building. Scaffolding. Scalpel. A car. A card game. A cat. A cat. Ice cream. Ice cream. Ice cream. Ice cream.” We get the answers; the questions are missing. “Get a manicure. Get a toupee. Get drunk. Retirement fund. Get out of bed. Get ready! Let’s go with manuals. Get sick in there. Let’s say a pet. Let’s say shoes. Bette Davis.” The poetry seems to perform hypnosis, the found rhymes and assonance and anaphora enacting an enchantment, a bewitchery; it seems to be giving subconscious advice. Get ready! You must change your life.

Elisa Gabbert is the author of five collections of poetry, essays and criticism, most recently “ The Unreality of Memory & Other Essays .” Her On Poetry columns appear four times a year.

Explore More in Books

Want to know about the best books to read and the latest news start here..

Salman Rushdie’s new memoir, “Knife,” addresses the attack that maimed him  in 2022, and pays tribute to his wife who saw him through .

Recent books by Allen Bratton, Daniel Lefferts and Garrard Conley depict gay Christian characters not usually seen in queer literature.

What can fiction tell us about the apocalypse? The writer Ayana Mathis finds unexpected hope in novels of crisis by Ling Ma, Jenny Offill and Jesmyn Ward .

At 28, the poet Tayi Tibble has been hailed as the funny, fresh and immensely skilled voice of a generation in Māori writing .

Amid a surge in book bans, the most challenged books in the United States in 2023 continued to focus on the experiences of L.G.B.T.Q. people or explore themes of race.

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

• More from M-W
• To save this word, you'll need to log in. Log In

Definition of essay

 (Entry 1 of 2)

Definition of essay  (Entry 2 of 2)

transitive verb

• composition

attempt , try , endeavor , essay , strive mean to make an effort to accomplish an end.

attempt stresses the initiation or beginning of an effort.

try is often close to attempt but may stress effort or experiment made in the hope of testing or proving something.

endeavor heightens the implications of exertion and difficulty.

essay implies difficulty but also suggests tentative trying or experimenting.

strive implies great exertion against great difficulty and specifically suggests persistent effort.

Examples of essay in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'essay.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Middle French essai , ultimately from Late Latin exagium act of weighing, from Latin ex- + agere to drive — more at agent

14th century, in the meaning defined at sense 4

14th century, in the meaning defined at sense 2

Phrases Containing essay

• essay question
• photo - essay

Articles Related to essay

To 'Essay' or 'Assay'?

You'll know the difference if you give it the old college essay

Dictionary Entries Near essay

Cite this entry.

“Essay.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/essay. Accessed 23 Apr. 2024.

Kids Definition

Kids definition of essay.

Kids Definition of essay  (Entry 2 of 2)

More from Merriam-Webster on essay

Nglish: Translation of essay for Spanish Speakers

Britannica English: Translation of essay for Arabic Speakers

Britannica.com: Encyclopedia article about essay

Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free!

Can you solve 4 words at once?

Word of the day.

See Definitions and Examples »

Get Word of the Day daily email!

Popular in Grammar & Usage

Commonly misspelled words, how to use em dashes (—), en dashes (–) , and hyphens (-), absent letters that are heard anyway, how to use accents and diacritical marks, on 'biweekly' and 'bimonthly', popular in wordplay, the words of the week - apr. 19, 10 words from taylor swift songs (merriam's version), a great big list of bread words, 9 superb owl words, 10 words for lesser-known games and sports, games & quizzes.

Definition of Pop Culture

This essay about pop culture explores its dynamic and multifaceted nature as a reflection of societal values, beliefs, and aspirations. It emphasizes pop culture’s role in everyday life, from entertainment to a medium for expressing collective experiences and driving social change. The text discusses the personal impact of pop culture, its evolution with trends and technologies, and both its benefits and potential drawbacks in fostering connection and creativity.

How it works

Pop culture, that enigmatic kaleidoscope of societal expressions, eludes confinement within a singular definition, akin to a constellation whose stars continually rearrange in the night sky. It’s a dynamic symphony composed of myriad influences, weaving together the tapestry of human experience with threads of creativity, innovation, and collective imagination. To encapsulate its essence is to embark on a voyage through the pulsating veins of contemporary culture, navigating through its ever-shifting currents and swirling eddies.

At its heart, pop culture pulsates with the rhythm of society’s heartbeat, resonating through every aspect of daily life.

It’s the infectious melodies that infiltrate our playlists, the captivating narratives that unfold on screens both big and small, and the sartorial statements that adorn our bodies like wearable art. It’s the memes that traverse the digital landscape at warp speed, the hashtags that unite disparate voices under a common banner, and the viral sensations that captivate our collective attention with irresistible allure. Yet, pop culture is more than mere entertainment; it serves as a reflection of our values, beliefs, and aspirations, capturing the spirit of the times

in vivid technicolor. From the dystopian landscapes of speculative fiction to the vibrant hues of street art adorning urban landscapes, it serves as a canvas upon which society projects its dreams and anxieties, its triumphs and tribulations. In its kaleidoscopic complexity, pop culture offers a multifaceted lens through which to view the world, inviting us to explore the depths of human experience with curiosity and empathy. However, the subjective nature of pop culture ensures that its significance is inherently personal, resonating differently with each individual who encounters it.

What may strike a chord with one person may leave another indifferent, highlighting the diversity of perspectives that enrich the cultural tapestry. It’s this plurality of voices and experiences that infuses pop culture with its vitality, ensuring that it remains a vibrant and ever-evolving phenomenon. Moreover, pop culture is a dynamic force, continually reinventing itself to reflect changing tastes, trends, and technologies. What may be considered groundbreaking today may be relegated to the annals of nostalgia tomorrow, as new voices emerge to shape the cultural landscape. Yet, even as it evolves, pop culture retains an intrinsic ability to provoke thought, spark conversation, and inspire action, serving as a catalyst for social change and collective imagination.

Of course, pop culture is not without its pitfalls and controversies. Its relentless pursuit of novelty and innovation can sometimes lead to superficiality and homogenization, as artists and creators chase after the latest trends and fads. Moreover, its commercialization can sometimes overshadow its artistic and cultural value, reducing complex works of art to mere commodities in the marketplace. Yet, for all its imperfections, pop culture remains a powerful and potent force for connection and creativity, bridging divides and fostering a sense of community among individuals from diverse backgrounds and walks of life.

In a world marked by division and discord, pop culture offers a common language through which to celebrate our shared humanity and collective aspirations. In conclusion, the definition of pop culture defies easy categorization, encompassing a vast and ever-expanding constellation of influences and expressions. It is a reflection of our collective dreams and desires, a mirror held up to society’s soul. As we navigate the complexities of the modern world, let us embrace the transformative power of pop culture to inspire, unite, and elevate us to new heights of creativity and connection.

Cite this page

Definition Of Pop Culture. (2024, Apr 22). Retrieved from https://papersowl.com/examples/definition-of-pop-culture/

"Definition Of Pop Culture." PapersOwl.com , 22 Apr 2024, https://papersowl.com/examples/definition-of-pop-culture/

PapersOwl.com. (2024). Definition Of Pop Culture . [Online]. Available at: https://papersowl.com/examples/definition-of-pop-culture/ [Accessed: 24 Apr. 2024]

"Definition Of Pop Culture." PapersOwl.com, Apr 22, 2024. Accessed April 24, 2024. https://papersowl.com/examples/definition-of-pop-culture/

"Definition Of Pop Culture," PapersOwl.com , 22-Apr-2024. [Online]. Available: https://papersowl.com/examples/definition-of-pop-culture/. [Accessed: 24-Apr-2024]

PapersOwl.com. (2024). Definition Of Pop Culture . [Online]. Available at: https://papersowl.com/examples/definition-of-pop-culture/ [Accessed: 24-Apr-2024]

Don't let plagiarism ruin your grade

Hire a writer to get a unique paper crafted to your needs.

Our writers will help you fix any mistakes and get an A+!

Please check your inbox.

You can order an original essay written according to your instructions.

Trusted by over 1 million students worldwide

1. Tell Us Your Requirements

2. Pick your perfect writer

3. Get Your Paper and Pay

Hi! I'm Amy, your personal assistant!

Don't know where to start? Give me your paper requirements and I connect you to an academic expert.

short deadlines

100% Plagiarism-Free

Certified writers