beowulf essay summary

• Literature Notes
• Poem Summary
• About Beowulf
• Character List
• Summary and Analysis
• Lines 1-193
• Lines 194-606
• Lines 607-836
• Lines 837-1062
• Lines 1063-1250
• Lines 1251-1491
• Lines 1492-1650
• Lines 1651-1887
• Lines 1888-2199
• Lines 2200-2400
• Lines 2401-2630
• Lines 2631-2820
• Lines 2821-3182
• Character Analysis
• Grendel's Mother
• Character Map
• The Beowulf Poet
• The Beowulf Manuscript
• Critical Essays
• Major Themes in Beowulf
• Major Symbols in Beowulf
• Famous Quotes from Beowulf
• Film Versions of Beowulf
• Full Glossary for Beowulf
• Essay Questions
• Practice Projects
• Cite this Literature Note

Beowulf  is the longest and greatest surviving Anglo-Saxon poem. The setting of the epic is the sixth century in what is now known as Denmark and southwestern Sweden. The poem opens with a brief genealogy of the Scylding (Dane) royal dynasty, named after a mythic hero, Scyld Scefing, who reached the tribe's shores as a castaway babe on a ship loaded with treasure. Scyld's funeral is a memorable early ritual in the work, but focus soon shifts to the reign of his great-grandson, Hrothgar, whose successful rule is symbolized by a magnificent central mead-hall called Heorot. For 12 years, a huge man-like ogre named Grendel, a descendant of the biblical murderer Cain, has menaced the aging Hrothgar, raiding Heorot and killing the king's thanes (warriors). Grendel rules the mead-hall nightly.

Beowulf, a young warrior in Geatland (southwestern Sweden), comes to the Scyldings' aid, bringing with him 14 of his finest men. Hrothgar once sheltered Beowulf's father during a deadly feud, and the mighty Geat hopes to return the favor while enhancing his own reputation and gaining treasure for his king, Hygelac . At a feast before nightfall of the first day of the visit, an obnoxious, drunken Scylding named Unferth insults Beowulf and claims that the Geat visitor once embarrassingly lost a swimming contest to a boyhood acquaintance named Breca and is no match for Grendel. Beowulf responds with dignity while putting Unferth in his place. In fact, the two swimmers were separated by a storm on the fifth night of the contest, and Beowulf had slain nine sea monsters before finally returning to shore.

While the Danes retire to safer sleeping quarters, Beowulf and the Geats bed down in Heorot, fully aware that Grendel will visit them. He does. Angered by the joy of the men in the mead-hall, the ogre furiously bursts in on the Geats, killing one and then reaching for Beowulf. With the strength of 30 men in his hand-grip, Beowulf seizes the ogre's claw and does not let go. The ensuing battle nearly destroys the great hall, but Beowulf emerges victorious as he rips Grendel's claw from its shoulder socket, sending the mortally wounded beast fleeing to his mere (pool). The claw trophy hangs high under the roof of Heorot.

The Danes celebrate the next day with a huge feast featuring entertainment by Hrothgar's scop (pronounced "shop"), a professional bard who accompanies himself on a harp and sings or chants traditional lays such as an account of the Danes' victory at Finnsburh. This bard also improvises a song about Beowulf's victory. Hrothgar's wife, Queen Wealhtheow, proves to be a perfect hostess, offering Beowulf a gold collar and her gratitude. Filled with mead, wine, and great food, the entire party retires for what they expect to be the first peaceful night in years.

But Grendel's mother — not quite as powerful as her son but highly motivated — climbs to Heorot that night, retrieves her son's claw, and murderously abducts one of the Scyldings (Aeschere) while Beowulf sleeps elsewhere. The next morning, Hrothgar, Beowulf, and a retinue of Scyldings and Geats follow the mother's tracks into a dark, forbidding swamp and to the edge of her mere. The slaughtered Aeschere's head sits on a cliff by the lake, which hides the ogres' underground cave. Carrying a sword called Hrunting, a gift from the chastised Unferth, Beowulf dives into the mere to seek the mother.

Near the bottom of the lake, Grendel's mother attacks and hauls the Geat warrior to her dimly lit cave. Beowulf fights back once inside the dry cavern, but the gift sword, Hrunting, strong as it is, fails to penetrate the ogre's hide. The mother moves to kill Beowulf with her knife, but his armor, made by the legendary blacksmith Weland, protects him. Suddenly Beowulf spots a magical, giant sword and uses it to cut through the mother's spine at the neck, killing her. A blessed light unexplainably illuminates the cavern, disclosing Grendel's corpse and a great deal of treasure. Beowulf decapitates the corpse. The magic sword melts to its hilt. Beowulf returns to the lake's surface carrying the head and hilt but leaving the treasure.

After more celebration and gifts and a sermon by Hrothgar warning of the dangers of pride and the mutability of time, Beowulf and his men return to Geatland. There he serves his king well until Hygelac is killed in battle and his son dies in a feud. Beowulf is then named king and rules successfully for 50 years. Like Hrothgar, however, his peace is shattered in his declining years. Beowulf must battle one more demon.

A fiery dragon has become enraged because a lone fugitive has inadvertently discovered the dragon's treasure-trove and stolen a valuable cup. The dragon terrorizes the countryside at night, burning several homes, including Beowulf's. Led by the fugitive, Beowulf and eleven of his men seek out the dragon's barrow. Beowulf insists on taking on the dragon alone, but his own sword, Naegling , is no match for the monster. Seeing his king in trouble, one thane, Wiglaf, goes to his assistance. The others flee to the woods. Together, Wiglaf and Beowulf kill the dragon, but the mighty king is mortally wounded. Dying, Beowulf leaves his kingdom to Wiglaf and requests that his body be cremated in a funeral pyre and buried high on a seaside cliff where passing sailors might see the barrow. The dragon's treasure-hoard is buried with him. It is said that they lie there still.

Next About Beowulf

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Welcome to the LitCharts study guide on Anonymous's Beowulf . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

Beowulf: Introduction

Beowulf: plot summary, beowulf: detailed summary & analysis, beowulf: themes, beowulf: quotes, beowulf: characters, beowulf: symbols, beowulf: theme wheel, brief biography of anonymous.

Historical Context of Beowulf

Other books related to beowulf.

• Full Title: Beowulf
• When Published: Beowulf exists in a single damaged manuscript in the British Library. The manuscript was probably written in England in the early eleventh century, though the poem itself was probably first written down in the eighth century, and was passed on orally before that.
• Literary Period: Medieval; Anglo-Saxon
• Genre: Epic poem
• Setting: Northern Europe, especially Denmark and Sweden, around the sixth century
• Climax: Beowulf's final fight with a dragon
• Point of View: The unnamed speaker of the poem

Extra Credit for Beowulf

Old English Style. Beowulf is the longest poem written in Old English. Old English poetry uses alliterative meter, meaning that the stressed words in a line begin with the same sound. A line of Old English poetry has two halves, with a brief pause, called a caesura, in the middle of the line. The two halves of a line are linked by the alliteration (repetition of an initial consonant); at least three words in a line alliterate. Old English poetry also uses kennings , compressed metaphors like "heaven's candle" for the sun, or "whale's road" for the sea, or calling a woman married in an effort to gain peace a "peace weaver."

by Anonymous - Beowulf

• Beowulf Summary

The poem begins with a brief genealogy of the Danes. Scyld Shefing was the first great king of the Danes, known for his ability to conquer enemies. Scyld becomes the great-grandfather of Hrothgar , the king of the Danes during the events of Beowulf . Hrothgar, like his ancestors before him, is a good king, and he wishes to celebrate his reign by building a grand hall called Heorot . Once the hall is finished, Hrothgar holds a large feast. The revelry attracts the attentions of the monster Grendel , who decides to attack during the night. In the morning, Hrothgar and his thanes discover the bloodshed and mourn the lost warriors. This begins Grendel's assault upon the Danes.

Twelve years pass. Eventually the news of Grendel's aggression on the Danes reaches the Geats, another tribe. A Geat thane, Beowulf, decides to help the Danes; he sails to the land of the Danes with his best warriors. Upon their arrival, Hrothgar's thane Wulfgar judges the Geats worthy enough to speak with Hrothgar. Hrothgar remembers when he helped Beowulf's father Ecgtheow settle a feud; thus, he welcomes Beowulf's help gladly.

Heorot is filled once again for a large feast in honor of Beowulf. During the feast, a thane named Unferth tries to get into a boasting match with Beowulf by accusing him of losing a swimming contest. Beowulf tells the story of his heroic victory in the contest, and the company celebrates his courage. During the height of the celebration, the Danish queen Wealhtheow comes forth, bearing the mead-cup. She presents it first to Hrothgar, then to the rest of the hall, and finally to Beowulf. As he receives the cup, Beowulf tells Wealhtheow that he will kill Grendel or be killed in Heorot. This simple declaration moves Wealhtheow and the Danes, and the revelry continues. Finally, everyone retires. Before he leaves, Hrothgar promises to give Beowulf everything if he can defeat Grendel. Beowulf says that he will leave God to judge the outcome. He and his thanes sleep in the hall as they wait for Grendel.

Eventually Grendel arrives at Heorot as usual, hungry for flesh. Beowulf watches carefully as Grendel eats one of his men. When Grendel reaches for Beowulf, Beowulf grabs Grendel's arm and doesn't let go. Grendel writhes about in pain as Beowulf grips him. He thrashes about, causing the hall to nearly collapse. Soon Grendel tears away, leaving his arm in Beowulf's grasp. He slinks back to his lair in the moors and dies.

The Danes, meanwhile, consider Beowulf as the greatest hero in Danish history. Hrothgar's minstrel sings songs of Beowulf and other great characters of the past, including Sigemund (who slew a dragon) and Heremod (who ruled his kingdom unwisely and was punished). In Heorot, Grendel's arm is nailed to the wall as a trophy. Hrothgar says that Beowulf will never lack for riches, and Beowulf graciously thanks him. The horses and men of the Geats are all richly adorned, in keeping with Hrothgar's wishes.

Another party is held to celebrate Beowulf's victory. Hrothgar's minstrel tells another story at the feast, the story of the Frisian slaughter. An ancient Danish king had a daughter named Hildeburh ; he married her to a king of the Frisians. While Hnaef, Hildeburh's brother, visited his sister, the Frisians attacked the Danes, killing Hnaef and Hildeburh's son in the process. Hengest, the next leader of the Danes, desired vengeance, and in the spring, the Danes attacked the Frisians, killing their leader and taking Hildeburh back to Denmark.

After this story is told, Wealhtheow presents a necklace to Hrothgar while pleading with her brother-in-law Hrothulf to help her two young sons if they should ever need it. Next she presents many golden treasures to Beowulf, such as necklaces, cups, and rings. Soon the feast ends, and everyone sleeps peacefully.

In the night, Grendel's mother approaches the hall, wanting vengeance for her son. The warriors prepared for battle, leaving enough time for Grendel's mother to grab one of Hrothgar's counselors and run away. When Beowulf is summoned to the hall, he finds Hrothgar in mourning for his friend Aeschere . Hrothgar tells Beowulf where the creatures like Grendel live‹in a shadowy, fearful land within the moors.

Beowulf persuades Hrothgar to ride with him to the moors. When they reach the edge of the moors, Beowulf calls for his armor, takes a sword from Unferth, and dives into the lake. After a long time, Beowulf reaches the bottom of the lake, where Grendel's mother is waiting to attack. Beowulf swings his sword, but discovers that it cannot cut her, so he tosses it away. They then wrestle until Beowulf spies a large sword nearby. He grabs it by the hilt and swings‹killing Grendel's mother by slicing off her head. Still in a rage, Beowulf finds the dead Grendel in the lair and cuts off his head as a trophy.

As they wait, the Danes have given up all hope for Beowulf because he has been underwater for such a long time. They are shocked when Beowulf returns with Grendel's head and the hilt of the sword (which melted with the heat of Grendel's blood). They bear the hero and his booty back to Heorot, where another celebration takes place. Beowulf recounts his battle; Hrothgar praises him and gives him advice on being a king. A grand feast follows, and Beowulf is given more priceless treasures. The next morning, the Geats look forward to leaving Denmark. Before they leave, Beowulf promises aid for Hrothgar from the Danes. Hrothgar praises Beowulf and promises that their lands will have an alliance forever. As the Geats leave, Hrothgar finds himself wishing Beowulf would never leave.

The Geats return with much rejoicing to their homeland, where their king Hygelac and his queen Hygd greet them. In an aside, the narrator compares Hygd to the queen of the ancient Offa, who is not tamed until Offa comes to subjugate her. Beowulf tells his lord the events of his trip to Denmark. In the process, he tells another story that had previously been unmentioned. Hrothgar betrothed his daughter Freawaru to a prince of the Heathobards in order to settle an old feud. Beowulf speculates that someone will goad this Heathobard prince to take vengeance upon the Danes for all their past wrongs. Hygelac praises Beowulf for his bravery and gives him half the kingdom. They rule the kingdom together in peace and prosperity. Hygelac is killed in a battle soon after, so Beowulf becomes king of the Geats and rules the kingdom well.

In the fiftieth year of Beowulf's reign, a monster arises to terrorize the Geats. A treasure trove was left by an ancient civilization, which guarded it jealously until only one member of the race was left. After the last person's death, a fire-breathing dragon found the treasure and guarded it for three hundred years. One day, a slave stumbled upon the treasure and stole a cup as an offering to his lord. The dragon awakened to find something missing from his treasure, and began his rampage upon the Geats.

One day, Beowulf learns that this dragon has destroyed his own great hall. This attack sends him into deep thought. Soon he orders a shield to use for battle, but not without a heavy heart at what may happen to him. He recalls Hygelac's death in battle and his own narrow escape from this battle. He recalls a number of battles he has seen as he travels to the dragon's lair with eleven of his thanes. The servant who stole the cup leads them to the lair.

As they wait to attack the dragon, Beowulf recounts the Geat royal family's plight, in which Hygelac's oldest brothers killed each other and left their father to die of a broken heart. Beowulf says he served Hygelac well, and a sword (named Naegling ) that he won while serving Hygelac will help him save the kingdom once again. Beowulf leads the charge to the dragon's cave. The shield protects him from the dragon's flames, but his men flee in fear, leaving only one man behind. This man is Wiglaf , Beowulf's kinsman through Ecgtheow. Wiglaf becomes angry, but swears that he will stay by Beowulf's side.

Just then the dragon rushes up to them. Beowulf and the dragon swing at each other three times, finally landing mortal blows upon each other the last time. The dragon is beheaded, but Beowulf is bitten and has a mortal poison from the dragon flowing through his body as a result. Wiglaf bathes his lord's body as Beowulf speaks on the treasure. He says that Wiglaf should inherit it as his kinsman; then he dies.

After his death, the cowards return, to be severely chastised by Wiglaf. He sends a messenger to tell the people of their king's death. The messenger envisions the joy of the Geats' enemies upon hearing of the death of Beowulf. He also says that no man shall ever have the treasure for which Beowulf fought. Wiglaf and Beowulf's thanes toss the dragon's body into the sea. They place the treasure inside a mound with Beowulf's body and mourn for "the ablest of all world-kings."

Beowulf Questions and Answers

The Question and Answer section for Beowulf is a great resource to ask questions, find answers, and discuss the novel.

What lines are considered in each "cantos"?

I'm not sure what you means by "lines considered".

Beowulf Interview Questions

Why Beowulf should be hired, would of course... depend upon the job description. Beowulf is smart, creative, loyal, and innovative. He would make an excellent employee.

why do the geats carry Grendel's heavy head all the way back to Herot?

It's sort of a trophy to them.

Study Guide for Beowulf

Beowulf is an epic poem originally told in the Old English between the 8th and 11th centuries. Beowulf study guide contains literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

• About Beowulf
• Beowulf Video
• Character List
• Lines 1-193 Summary and Analysis

Essays for Beowulf

Beowulf essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Beowulf.

• Christianity and Danish Paganism
• Loyalties and Abilities: The Function of Heroism in Beowulf
• "Malignant by Nature," (137) Grendel as Man's Violent Impulse
• Liuzza and Heaney's Beowulf: A Comparison
• The Image of Women in Old English Literature

Lesson Plan for Beowulf

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Beowulf
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Beowulf Bibliography

E-Text of Beowulf

Beowulf e-text contains the full text of Beowulf.

• Lines 1-193
• Lines 194-709
• Lines 710-915
• Lines 916-1250
• Lines 1251-1649

Wikipedia Entries for Beowulf

• Introduction
• Historical background
• Authorship and date

A Summary and Analysis of Beowulf

By Dr Oliver Tearle (Loughborough University)

What happens in Beowulf , the jewel in the crown of Anglo-Saxon poetry? The title of the poem is probably the most famous thing about it – that, and the fact that a monster named Grendel features at some point. But because the specific details of the story are not widely known, numerous misconceptions about the poem abound. When was Beowulf  written?

This is a matter of some conjecture, with guesses ranging anywhere between the eighth century and the first half of the eleventh century. Critics can’t even agree on what the first line of the poem means . In the following post, we offer a short summary of  Beowulf , and an introduction to its main themes.

Plot Summary

We’ll start with a brief summary of  Beowulf  before proceeding to some textual analysis and critical reading.  Beowulf is a classic ‘overcoming the monster’ story. Most people know that the poem documents the struggle of the title character in vanquishing a monster named Grendel.

But what is less well known is that Beowulf has to slay not one big monster, but three: after he has taken care of Grendel, the dead monster’s mother shows up, and she proves even more of a challenge for our hero (though ultimately Beowulf triumphs and wins the day).

The poem then ends with Beowulf, now in his twilight years, slaying a third monster (this time, a dragon), although this encounter proves his undoing, as he is fatally wounded in the battle. The poem ends with his subsequent death and ‘burial’ at sea.

But the poem doesn’t begin with Beowulf. It opens with an account of a Danish king named Hrothgar, who was the one responsible for building a great hall (named Heorot), a hall which is now being terrorised by the monstrous Grendel. Beowulf hears that Grendel is killing Hrothgar’s men at Heorot and so our hero departs from home to go and help rid Heorot of this monster.

Beowulf is from a different kingdom – the nearby Geatland, in modern-day Sweden – so we have one of the classic tropes of adventure narratives, that of the hero leaving home to go and vanquish some foe in a foreign land. Think of Bilbo Baggins leaving the Shire, or Frodo for that matter, in  The Hobbit  and  The Lord of the Rings (and, indeed, we’ll return to Tolkien shortly).

Beowulf and his men spend the night at Heorot and wait for Grendel to turn up. When the monster appears, Beowulf and his men attack the troll-like monster with their swords.

But the monster – which is described as resembling a troll – cannot be killed with a blade, as Beowulf soon realises. So he does what lesser men would fear to do: he wrestles the monster with his bare hands, eventually tearing off one of its arms. Grendel flees, eventually dying of his wound.

The next night, Grendel’s mother – angered by the attack on her son – turns up to wreak vengeance, and once again Beowulf finds himself having to roll up his sleeves and engage in fierce combat, which this time takes place in the underwater lair of the monster deep beneath the surface of a lake.

Although he has been given a strong sword (named Hrunting) by Unferth (a man who had previously doubted Beowulf – the sword is given as a token of friendship), Beowulf finds this sword useless against Grendel’s mother. (Immunity to swords evidently runs in the family.) But this time, hand-to-hand fighting, which had proved handy against Grendel, is equally useless.

Beowulf only succeeds in vanquishing the monster when he grabs a magic sword from the pile of treasure lying in the monster’s lair, and is able to behead the monster with the weapon.

Travelling deeper into the monster’s lair, Beowulf comes across the dying Grendel, and – armed with his new magic sword – decides to lop off the son’s head as well, for good measure. Both monsters have now been slain, and Beowulf is a hero.

Following his victory over the two monsters, Beowulf then returns to the water’s surface (at ‘noon’ – which, interestingly, when the poem was written, was actually three o’clock in the afternoon, or the ninth hour after dawn) before rejoining his men and journeying back to the hall for mead and rejoicing.

The poem then moves forward fifty years to Beowulf’s last fight, his run-in with the dragon (which has been angered by the theft of some of its treasure – shades of The Hobbit once more?). This fight results in one last victory for our great hero, followed by his own death from the mortal would inflicted by the poisoned horn of the beast (though presumably Beowulf was rather advanced in years by this point anyway).

The poem ends with Beowulf’s burial at sea, which is described in much detail – why this might be is discussed below. But this much constitutes a reasonably complete summary of the plot of  Beowulf . So, what about the context for the poem?

Facts about  Beowulf

Although it is celebrated nowadays as an important work of Anglo-Saxon – indeed, ‘English’ – literature, Beowulf was virtually unknown and forgotten about, amazingly, for nearly a thousand years. It was only rescued from obscurity in 1815, when an Icelandic-Danish scholar named Thorkelin printed an edition of the poem.

And although it is seen as the starting-point of great English literature – at many universities, it is still the earliest literary text studied as part of the literary canon – it is very different from other medieval poetry, such as that by Chaucer or Langland, who were writing many centuries later.

It is set in Denmark, has a Swedish hero, and – when read in the original Anglo-Saxon – seems almost more German than ‘English’. This is, of course, because Anglo-Saxon (i.e. the language of the Angles and Saxons from north Germany)  was  Old English (the two terms are used synonymously), and at the very latest the poem was written down some time in the early eleventh century, before 1066 and the Norman invasion, which would bring many French words into English and would pave the way for Middle English (or the English of the Middle Ages).

In ending with the tale of a dragon attempting to defend a mound of treasure, the poem prefigures not only the works of J. R. R. Tolkien (who, as well as being the author of The Hobbit and The Lord of the Rings , was also an influential Anglo-Saxon scholar who translated Beowulf   and wrote an important article on it   – of which more below) but also, more surprisingly, other poems like Lewis Carroll’s nonsense masterpiece, ‘Jabberwocky’ . It also looks back to Greek and Roman epics like Homer’s Odyssey and Virgil’s Aeneid .

Indeed, during the nineteenth and twentieth centuries many scholars endeavoured to show that the author of Beowulf had been influenced by these classical works, but, in summary, the truth appears to be far more interesting. Rather than directly drawing on the work of Homer and Virgil, the Beowulf poet simply seems to have hit upon the idea of using similar plot devices and character types.

This suggests that different cultures, in these old days of oral storytelling, utilised the same methods in very different works of literature, without having direct knowledge of each other. We can compare Beowulf , too, with the legend of King Arthur (which began to appear in written sources around the same time), specifically in terms of the magic sword which the hero of both stories uses in order to fulfil his quest.

These aspects seem to be hard-wired within us and to be integral parts of human nature: for instance, ideas of bravery and of triumphing over an evil, superhuman force.

This plot, as our brief summary of Beowulf above suggests, shares many of the typical elements of heroic narratives. Although the analogy might seem a little crude, the mechanics of the plot are not so far removed from, say, a James Bond or Indiana Jones film, or a fast-paced fantasy novel or superhero comic strip. The hero takes it upon himself to save the kingdom at immense personal risk to himself.

The foe he faces is no ordinary foe, and conventional weapons are powerless against it. Despite the odds being stacked against him, he manages to ‘overcome the monster’, to borrow Christopher Booker’s phrase for this type of narrative . But this action has consequences, and is in fact merely the prologue to a bigger conflict that must take place: that between Beowulf and Grendel’s mother.

This is why it is odd that the story of the poem is generally thought of as ‘Beowulf versus Grendel’. But this next conflict will prove even more difficult: as well as swords being useless, the strong sword (Hrunting) given to Beowulf by Unferth will also be powerless against Grendel’s mother. But hand-to-hand combat – which was deployed successfully in the vanquishing of Grendel – is also of no use now.

The odds continue to be stacked against our hero, the difficulties multiplying, the tension raised to an almost unbearable pitch. Can he still save the day, when everything he tries seems to be of no avail? Well, yes – though for a while the chances of Beowulf triumphing are looking less and less likely.

The final encounter, with the dragon years later, will prove the most difficult of all – and although he is successful and overcomes the monster, he will pay the ultimate price: victory will come at the cost of his own life.

This patterning of three – three monsters, each of which proves successively more of a challenge to the hero – is found in numerous adventure plots. To a greater or lesser extent, it can be seen in much modern fantasy fiction – such as that by Tolkien.

One thing that the basic overarching story or plot summary of  Beowulf makes clear is just how formative and archetypal it is, not just in heroic ‘English’ literature, but in fantasy literature, too.

Interpretations of  Beowulf

Talking of Tolkien, it was his influential 1936 essay, ‘Beowulf: The Monsters and the Critics’, which was really responsible for a shift in the way that people read Beowulf.  Rather than viewing it as a historical document, Tolkien urged, we should be reading and appreciating it as a work of poetry.   Tolkien also argued that the poem is not an ‘epic’ but an  elegy , ending as it does with the moving account of its hero’s funeral.

Tolkien also argues that Beowulf’s death following his combat with the dragon represents a fitting and more ‘elemental’ end for the hero, who had successfully vanquished the monster Grendel and Grendel’s mother (who, although not human, were nevertheless closer to man than a dragon).

The story is about overcoming an evil foe, only to have to give way to death at the end: even heroes must accept that they will not live forever, even if their names will. ‘Men must endure their going hence’, as Shakespeare has it in  King Lear (a line borrowed for C. S. Lewis’s tombstone).

But Beowulf’s life has been a life well lived because he stood up to evil and was victorious. And Grendel and his mother are ‘evil’ in the Christian sense of the word: the author of  Beowulf tells us that they were spawned from Cain (the first murderer in the Bible) when he was cast out of Eden. Grendel and his mother, then, are similarly outcasts, something that has been rejected by mainstream society and whose violence must be overcome. (For more on Tolkien, have a read of our five fascinating facts about him .)

Beowulf’s name, by the way, was long thought to mean ‘bee-wolf’, as in the two animals. The ‘bee’ theory appears unlikely, however – as does the idea that it is from the same root as our word ‘bear’, suggesting bearlike strength.

No, it turns out that the first part of Beowulf’s name is more probably related to a pre-Christian god named ‘Beow’. Beowulf has an almost divine strength, but also something primal and temporal, but just as valuable: the courage of a wolf.

If you enjoyed this brief summary of, and introduction to,  Beowulf , then you can learn more about the poem here  at the British Library website.

Further Reading

26 thoughts on “A Summary and Analysis of Beowulf”

Beowulf is indeed a fascinating work and I always look forward to introducing my students to this foundation of hero motifs. Beowulf, despite his tendency to boast a bit (isn’t that where we get kennings?), he was pretty much the perfect hero–intregrity, strong, clever, self-sacrificing.

Reblogged this on Willow's Corner and commented: We read a snippet of Beowulf in Jr. High School (the dragon part) and I’ve always found the story fascinating. I can’t quite read the Old English, but I love to read the different translations. And anyone who’s a Tolkien fan should read his essay.

I would argue that Grendel’s mother (who is interestingly only ever referred to as “the mother”) commits her acts of revenge out of grief, as well as anger. Also, Beowulf is most commonly described as an epic poem; the label makes its main character, Beowulf, an epic-hero. By virtue of being a hero, Beowulf is set-apart from the society presented in the heroic epic. However, in order to be recognized as heroic hero, Beowulf must participate in society in some meaningful way. Thus the character’s role is split and this binary role is portrayed in different ways depending on the translation of Beowulf. There are more than 85 translations of Beowulf, and each one is slightly biased in its interpretation. Nobel Laureate Seamus Heaney’s translation in particular equates Beowulf with the dragon, another “other” figure, in a way that is not replicated by the other translators to emphasize Beowulf’s role as a distinct hero. Since translation is a form of interpretation, I believe Heaney’s translation is particularly biased in thinking about Beowulf in the ancient Ango-Saxon tale and makes Beowulf a more complex character than the original tale describes, torn by his glorious role as epic hero and his duty to his people within a carefully constructed social structure. As the author of this post writes, the morals, tropes, and figures create a bases for understanding many other English works that were to follow, so it’s interesting to see how relatively young Britain works with this tale and interprets its own history.

Tolkien was also heavily influenced by the old Norse (Norwegian/Icelandic) prose Edda and Voluspa; this was where he found the names of his dwarves. In addition, the poem Havamal also speaks of how everyone must die, except a man’s reputation.

Reblogged this on F.T. McKinstry and commented: Some interesting thoughts here on a classic, with references to J.R.R. Tolkien’s take on it.

Reblogged this on Mistrz i Małgorzata .

Fantastic article, it was education and entertaining all at once. I definitely want to go read Tolkien’s essay.

I have often wondered why the Beowulf story was lost for so long. The Arthurian story was passed down for generations, but Beowulf and his bravery forgotten. I think it is because people could relate to, and thus embrace, the faults of Arthur over the heroism in Beowulf.

Reblogged this on Storey on a Story Blog and commented: This is a great commentary on the story of Beowulf. I wanted to share it with you all.

The poem actually begins with Scyld Sheffing’s funeral, and it ends with Beowulf’s. This is deliberate. The central section is the killing of the monsters. The pattern is the establishment of the house of the Geats, the rescue of the house of Heorot by destroyng the house of Grendel, and the end of the house of the Geats with Beowulf.

How utterly fascinating! I have a copy of Beowolf which I confess to my shame I’ve never read despite it being on my shelf for more than 30 years. I must make amends!

Interesting post (!) and it struck a chord (!) funnily enough with a podcast i was listening to yesterday made by a music blogger, who did a 20 minute podcast on the 12 bar blues https://goodmusicspeaks.wordpress.com/good-music-speaks-podcast-3/ . Which of course is heavily dependent on the rule of 3 – line A; repeat line A; variation/resolution. And funnily enough, listening to a Mozart piano concerto, the same pattern was in the phrases, with the third line, the variation, leading of course to a musical resolution /transformation which enables the lead on the the complete next stage – so, in this, there is Beowulf triumphs, Beowulf triumphs again, Beowulf triumphs but in this third phrase his ‘phrase’ resolves with transformation/death.

I guess the ‘rule of three’ is viscerally satisfying!

There’s an excellent film called ‘The Thirteenth Warrior’, in which an exiled Islamic poet joins a band of Vikings to defeat what appears to be a Beowulfian monster attacking a hall. The producers showed some respect for scholarship by including authentic details, for instance the rituals surrounding the ship burial of a Viking chief.

The film being referenced in the comment above by poetmcgonagall, is a film adaptation of Michael Crighton’s excellent ‘Eaters of the Dead’ which gives a facinating take on the Beowulf/Grendel legend. Pay particular attention to his treatment of the Dragon which is all the more horrifying for not being a giant lizard.

I’ve read Beowulf many times over the years (was introduced to the Old-English version back in High School) and you’ve provided an excellent summary.

“not so far removed from, say, a James Bond or Indiana Jones film, or a fast-paced fantasy novel or superhero comic strip” Yes–but also, surely, the Western? What this tells us, I think, is how deep-rooted is the human need for the idea of the stranger who rides (all right, comes by boat) into town, deals with the monster/fear/rich landowner/evil bandit who is terrorising the townfolk and rides out again. No?

Reblogged this on Blogging Beowulf and commented: A great post on one of my favorite works.

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Reblogged this on cjheries and commented: If, in my first year at Reading University in 1964/65, we had studied Beowulf instead of extracts from the Anglo-Saxon Chronicle (so dull!) maybe I should have stuck with reading English instead of switching to Philosophy and obtained a better class of degree than the Gentleman’s I ended up woth (a pass, just like T S Eliot).

I’ve just startd reading Seamus Heaney’s translation and I must say it’s easy to follow so far!

I’ve had the Heaney translation on my shelves for years, but your post has piqued my interest. It will be moved to my TBR pile. Thank you!

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Reblogged this on beocorgi and commented: Very Interesting. I never thought of Jabberwocky like that but now that its pointed out I can definitely see it

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A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

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Pages 57-149

Pages 149-213

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Summary and Study Guide

Beowulf is an epic poem written in Old English by an anonymous author around the year 1000 CE. While most of the poem was discovered intact, some of it had been destroyed, likely burned in a fire. The 1999 translation by the acclaimed Irish poet Seamus Heaney won the Whitbread Award, and was praised for its freshness and accessibility.

This summary refers to the 2000 Farrar, Straus, and Giroux edition. Please note that the poem is presented in a facing-page translation, with the Old English to the left and the modern to the right. Page numbering in the guide reflects this, so that, for instance, a quotation on “Pages 3-5” will reflect two pages of the modern translation, not three.

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Plot Summary

Heorot, the great mead-hall constructed by the Danish King Hrothgar , is in danger. For years, it has been suffering under the onslaughts of Grendel , a terrible monster who resents the happiness and camaraderie of the clannish Danes. Every night, Grendel raids the mead-hall, drags Danish warriors out to his lair in a swamp, and messily devours them. No one can figure out how to defeat this monster or prevent his grim attacks.

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A foreign hero, a Geat named Beowulf, arrives to put a stop to the bloodshed. Though the envious and cowardly Unferth , one of Hrothgar’s men, doubts the newcomer, Hrothgar places his trust in him. Beowulf is as good as his word, and defeats Grendel in hand-to-hand combat, wrenching the monster’s arm from its socket. Hrothgar and his people rejoice, rewarding Beowulf with treasure and honors. However, their joy is short-lived: That very night, Grendel’s monstrous mother avenges her son in another gory attack on Heorot.

Beowulf swears that he will defeat Grendel’s mother , too, and dives into the swamp where she lives. Unferth provides a sword for Beowulf to fight with, but it turns out that Grendel’s mother cannot be killed with it. Beowulf must slay her with a sword from her own hoard, forged in the legendary time of the giants. At news of Beowulf’s second victory, the Danes are overwhelmed with joy. Hrothgar adopts Beowulf as his honorary son and sends him home to the Geatish king Hygelac, laden with gifts. Hygelac, too, rewards Beowulf for his valor.

When Hygelac falls in battle, Beowulf becomes king of the Geats. He has a successful 50-year reign and is beloved and respected by his people. However, monsters once again disturb the peace when a slave steals a goblet from a dragon’s hoard. The dragon wakes and begins vengefully destroying the countryside. Beowulf vows that, here as before, he will defeat the dragon singlehandedly. He brings a troop of his men to watch him fight. This time, it doesn’t go so well: Beowulf is badly wounded, and his men run away—all except one, a warrior named Wiglaf . Wiglaf rushes to Beowulf’s aid, and together they kill the dragon.

Beowulf dies of his wounds, and the honorable Wiglaf delivers his will to his people. As the Geats gather to burn Beowulf on a pyre, they mourn for more than their leader: They know that, in the absence of their great king, their enemies will soon destroy them.

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