irony in essay

Irony Definition

What is irony? Here’s a quick and simple definition:

Irony is a literary device or event in which how things seem to be is in fact very different from how they actually are. If this seems like a loose definition, don't worry—it is. Irony is a broad term that encompasses three different types of irony, each with their own specific definition:  verbal irony ,  dramatic irony , and  situational irony . Most of the time when people use the word irony, they're actually referring to one of these specific types of irony.

Some additional key details about irony:

• The term "irony" comes from the ancient Greek comic character called the "eiron," who pretends ignorance in order to deceive an opponent. 
• Irony overlaps with, but is not identical to, sarcasm and satire . 
• In the last twenty years or so, the term "ironic" has become popular to describe an attitude of detachment or subversive humor, like that of someone who wears a Christmas sweater as a joke. This more recent meaning of ironic is not entirely consistent with the original meaning of irony (a fact which itself might be described as being somewhat ironic). 

Irony Pronunciation

Here's how to pronounce irony: eye -run-ee

Irony in Depth

The term "irony" usually refers to three particular types of irony:

• Verbal irony is a figure of speech in which the literal meaning of what someone says is different from—and often opposite to—what they actually mean. For example, if someone has a painful visit to the dentist and when it's over says, "Well, that was pleasant," they are using verbal irony because the intended meaning of their words (that it  wasn't at all  pleasant) is the opposite of the literal meaning of the words. Verbal irony is the most common form of irony. In fact it is so common that when people mention "irony," they often are actually referring to verbal irony. 
• Dramatic irony  Is a plot device that highlights the difference between a character's understanding of a given situation, and that of the audience. When the audience watching a movie know what's behind that door, but the character in the movie has no idea... that's dramatic irony. 
• Situational irony  refers to an unexpected, paradoxical, or perverse turn of events. It is an example of situational irony when, in the O. Henry story " The Gift of the Magi ," a young wife cuts off her hair in order to buy her husband a chain for his prized watch, but the husband sells his watch to buy his wife a comb for her beautiful hair. 

Although these three kinds of irony may seem very different at first glance, they all share one important quality: a tension between how things appear and how they really are. For a more in-depth look at each of these devices, please visit their individual pages.

Also, it's worth knowing that sometimes instances of irony don't quite fit into any of these categories, and instead align with the more general definition of irony as something that seems to be one way, but is in fact another way. Put more broadly: sometimes irony is verbal irony, sometimes it's dramatic irony, sometimes it's situational irony, and sometimes it's just irony. 

Irony, Sarcasm, and Satire

Besides the three main types of irony described above, two other literary devices—sarcasm and satire—share a lot in common with irony:

• Sarcasm is a bitter, cutting, or mocking taunt used to denigrate a particular person, place, or thing. It can sometimes take the form of verbal irony. For instance, if you were to say to someone who had just cut you in line, "What a polite, civilized person you are!" that would be sarcasm in the form of irony, since your meaning is the opposite of the literal meaning of your words. Sarcasm very often involves irony. However, it doesn't always have to use irony. For instance, when Groucho Marx says "i never forget a face, but in your case I'll be glad to make an exception," he is being sarcastic, but his words, however witty they are, mean exactly what they say. 
• Satire is a form of social or political critique. Like sarcasm, it often makes use of irony, but it isn't always ironic.

You can get more details on both sarcasm and satire at their specific pages.

Irony Examples

All three forms of irony are used very frequently in literature, theater, and film. In addition, sometimes the irony found in any of these mediums is broader and doesn't fit into any of the specific categories, and is instead just general irony. 

Irony in "The Sell Out"

" The Sell Out " by Simon Rich is a short story recently published in the New Yorker that is full of irony. The story is narrated by a Polish Jew named Herschel, who lives in Brooklyn in the early twentieth century. Herschel accidentally preserves himself in brine for one hundred years, and when he is finally discovered, still alive, in 2017, he is introduced to his great-great-grandson, a young man who lives in present-day Brooklyn. On Herschel's first day, the great-great-grandson Simon tells Herschel about computers. Herschel describes the scene (note that Hershel's English isn't all that great):

It takes him long time, but eventually Simon is able to explain. A computer is a magical box that provides endless pleasure for free. Simon is used to constant access to this box—a never-ending flow of pleasures. When the box stops working—or even just briefly slows down—he becomes so enraged that he curses our God, the one who gave us life and brought us forth from Egypt.

This description is a great example of irony in the most general sense. The humor stems from the disparity between what seems to be true to Herschel (that computers are magic pleasure boxes) and what is actually true (that computers are, well, computers, and that people are kind of stupidly addicted to them). The use of irony is effective here because Hershel's description, as outlandish as it is, actually points to something that is  true about the way people use computers. Therefore, the disparity between "what is" and "what appears to be" to Herschel isn't merely a comical error; rather, it's ironic because it actually points to a greater truth about its subject.

Verbal Irony in Don Quixote

One famously ironic work is Miguel de Cervantes's Don Quixote .   At one point, the book's narrator states: 

… historians should and must be precise, truthful and unprejudiced, without allowing self-interest or fear, hostility or affection, to turn them away from the path of truth, whose mother is history.

We can identify the above quotation as an example of verbal irony if we consider that the book's hero, Don Quixote, is fundamentally incapable of distinguishing truth from fiction, and any historian of his life would have to follow a double track of reality and fantasy which continuously overlaps, tangles, and flips. One of the most basic premises of the book is that truth is more difficult to identify than it may seem. Therefore, when the narrator vows to follow the single path of truth, he is being ironic; in reality, he believes this to be impossible. 

Dramatic Irony in Othello

The device of dramatic irony is especially well-suited to the theater, which displays constantly shifting sets, scenes, and characters to a stationary audience that, therefore, often has a more complete or "omniscient" perspective compared to any of the characters. One excellent example of dramatic irony can be found in Shakespeare's  Othello . 

Through the play, the audience watches as Iago plots against his commander Othello, and seeks to make Othello believe that his wife Desdemona has been unfaithful to him. The audience watches as Iago plots to himself and with others. Sometimes Iago even directly reveals his plans to the audience. Meanwhile, Othello continues to trust Iago, and the audience watches as the the plan they know that Iago is pursuing slowly plays out just as he intended, and Othello eventually murders the entirely innocent Desdemona. The way that the play makes the audience aware of Iago's plot, even as Othello is not, means that the play is full of dramatic irony almost for its entire length. 

Situational Irony in The Producers

In this classic film, two friends come up with a complicated money-making scheme in which they put on a play that they think is absolutely certain to fail. Their plan backfires when the play, entitled "Springtime for Hitler," is so shockingly bad that people think it's a comedy and come to see it in droves. This is an example of situational irony because the outcome is the exact opposite of what the play's producers expected.

Why Do Writers Use Irony?

Irony is a tool that can be used for many different purposes. Though sarcasm and satire are two ways of using irony that are primarily negative and critical, ironic statements can also underscore the fragility, complexity, and beauty of human experience.

• Situational irony often demonstrates how human beings are always at the mercy of an unpredictable universe—and that life can always take an unexpected turn.
• Dramatic irony emphasizes that human knowledge is always partial and often incorrect, while giving the reader or viewer the satisfaction of a more complete understanding than that of the characters.
• In dialogue, verbal irony can display one character's sparkling wit, and another character's thickheadedness. Verbal irony can also create a connection between people who  get  the irony, excluding those who don't.

Ultimately, irony is used to create meaning—whether it's humorous or profound—out of the gap between the way things appear and how they actually are.

Other Helpful Irony Resources

• The Wikipedia page on irony : A helpful overview.
• The dictionary definition of irony : A basic definition, with a bit on the etymology.
• The comedian George Carlin explaining the difference  between situational irony and mere coincidence.
• A site with a helpful index of examples of different types of irony in television, film, video games, and other media.

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Definition of Irony

Irony is a literary device in which contradictory statements or situations reveal a reality that is different from what appears to be true. There are many forms of irony featured in literature. The effectiveness of irony as a literary device depends on the reader’s expectations and understanding of the disparity between what “should” happen and what “actually” happens in a literary work. This can be in the form of an unforeseen outcome of an event, a character ’s unanticipated behavior, or something incongruous that is said.

One of the most famous examples of irony in literature comes from The Gift of the Magi by O. Henry. In this story , a newly married couple decides independently to sacrifice and sell what means most to themselves in order to purchase a Christmas gift for the other. Unfortunately, the gifts they receive from each other are intended for the very prized possessions they both sold. As a result, though their sacrifices symbolize the love they have for each other, the actual gifts they receive are all but useless.

Common Examples of Irony

Many common phrases and situations reflect irony. Irony often stems from an unanticipated response ( verbal irony ) or an unexpected outcome ( situational irony ). Here are some common examples of verbal and situational irony:

• Verbal Irony
• Telling a quiet group, “don’t speak all at once”
• Coming home to a big mess and saying, “it’s great to be back”
• Telling a rude customer to “have a nice day”
• Walking into an empty theater and asking, “it’s too crowded”
• Stating during a thunderstorm, “beautiful weather we’re having”
• An authority figure stepping into the room saying, “don’t bother to stand or anything”
• A comedian telling an unresponsive audience , “you all are a great crowd”
• Describing someone who says foolish things as a “genius”
• Delivering bad news by saying, “the good news is”
• Entering a child’s messy room and saying “nice place you have here”
• Situational Irony
• A fire station that burns down
• Winner of a spelling bee failing a spelling test
• A t-shirt with a “Buy American” logo that is made in China
• Marriage counselor divorcing the third wife
• Sending a Christmas card to someone who is Jewish
• Leaving a car wash at the beginning of a downpour
• A dentist needing a root canal
• Going on a blind date with someone who is visually impaired
• A police station being burglarized
• Purchasing a roll of stamps a day before the price to send a letter increases

Examples of Irony in Plot

Irony is extremely useful as a plot device. Readers or viewers of a plot that includes irony often call this effect a “twist.” Here are some examples of irony in well-known plots:

• The Wizard of Oz (L. Frank Baum): the characters already have what they are asking for from the wizard
• Time Enough at Last (episode of “The Twilight Zone”): the main character, who yearns to be left alone to read, survives an apocalyptic explosion but breaks his reading glasses
• Oedipus Rex (Sophocles): Oedipus is searching for a murderer who, it turns out, is himself
• The Cask of Amontillado ( Edgar Allan Poe ): the character “Fortunato” meets with a very unfortunate fate
• Hansel and Gretel (Grimm fairy tale ): the witch, who intended to eat Hansel ad Gretel, is trapped by the children in her own oven

Real Life Examples of Irony

Think you haven’t heard of any examples of irony in real life? Here are some instances of irony that have taken place:

• It is reported that Lady Nancy Astor once said to Winston Churchill that if he were her husband, she would poison his tea. In response, Churchill allegedly said, “Madam, if I were your husband, I’d drink it.”
• Sweden’s Icehotel, built of snow and ice, contains fire alarms.
• Hippopotomonstrosesquippedaliophobia is the official name for fear of long words
• Fahrenheit 451 by Ray Bradbury is considered an anti-censorship novel , and it is one of the most consistently banned books in the United States.
• A retired CEO of the Crayola company suffered from colorblindness.
• Many people claimed and/or believed that the Titanic was an “unsinkable” ship.
• There is a hangover remedy entitled “hair of the dog that bit you” that involves consuming more alcohol.
• George H.W. Bush reportedly stated, “I have opinions of my own, strong opinions, but I don’t always agree with them.”

Difference Between Verbal Irony, Dramatic Irony, and Situational Irony

Though there are many forms of irony as a literary device, its three main forms are verbal, dramatic, and situational. Verbal irony sets forth a contrast between what is literally said and what is actually meant. In dramatic irony , the state of the action or what is happening as far as what the reader or viewer knows is the reverse of what the players or characters suppose it to be. Situational irony refers to circumstances that turn out to be the reverse of what is expected or considered appropriate.

Essentially, verbal and situational irony are each a violation of a reader’s expectations and conventional knowledge. When it comes to verbal irony, the reader may be expecting a character’s statement or response to be one thing though it turns out to be the opposite. For situational irony, the reader may anticipate an event’s outcome in one way though it turns out to happen in a completely different way.

Dramatic Irony is more of a vicarious violation of expectations or knowledge. In other words, the reader/audience is aware of pertinent information or circumstances of which the actual characters are not. Therefore, the reader is left in suspense or conflict until the situation or information is revealed to the characters involved. For example, a reader may be aware of a superhero’s true identity whereas other characters may not know that information. Dramatic irony allows a reader the advantage of knowing or understanding something that a particular character or group of characters does not.

Writing Irony

Overall, as a literary device, irony functions as a means of portraying a contrast or discrepancy between appearance and reality. This is effective for readers in that irony can create humor and suspense, as well as showcase character flaws or highlight central themes in a literary work.

It’s essential that writers bear in mind that their audience must have an understanding of the discrepancy between appearance and reality in their work. Otherwise, the sense of irony is lost and ineffective. Therefore, it’s best to be aware of the reader or viewer’s expectations of reality in order to create an entirely different and unexpected outcome.

Here are some ways that writers benefit from incorporating irony into their work:

Plot Device

Irony in various forms is a powerful plot device. Unexpected events or character behaviors can create suspense for readers, heighten the humor in a literary work, or leave a larger impression on an audience. As a plot device, irony allows readers to re-evaluate their knowledge, expectations, and understanding. Therefore, writers can call attention to themes in their work while simultaneously catching their readers off-guard.

Method of Reveal

As a literary device, irony does not only reveals unexpected events or plot twists . It serves to showcase disparity in the behavior of characters, making them far more complex and realistic. Irony can also reveal preconceptions on the part of an audience by challenging their assumptions and expectations. In this sense, it is an effective device for writers.

Difference Between Irony and Sarcasm

Although irony encapsulates several things including situations, expressions, and actions, sarcasm only involves the use of language that is in the shape of comments. Whereas irony could be non-insulting for people, sarcasm essentially means ridiculing somebody or even insulting somebody. Therefore, it is fair to state that although sarcasm could be a part of an element of irony, the irony is a broad term, encompassing several items or ingredients of other devices in it.

Use of Irony in Sentences

• A traffic cop gets suspended for not paying his parking tickets.
• “Father of Traffic Safety” William Eno invented the stop sign, crosswalk, traffic circle, one-way street, and taxi stand—but never learned how to drive.
• Alexander Graham Bell invented the telephone but refused to keep one in his study. He feared it would distract him from his work.
• Alan has been a marriage counselor for 10 years and he’s just filing for divorce.
• Oh, fantastic! Now I cannot attend the party I had been waiting for 3 months.

Examples of Irony in Literature

Irony is a very effective literary device as it adds to the significance of well-known literary works. Here are some examples of irony:

Example 1:  The Necklace (Guy de Maupassant)

“You say that you bought a necklace of diamonds to replace mine?” “Yes. You never noticed it, then! They were very like.” And she smiled with a joy which was proud and naïve at once. Mme. Forestier, strongly moved, took her two hands. “Oh, my poor Mathilde! Why, my necklace was paste. It was worth at most five hundred francs!”

In his short story , de Maupassant utilizes situational irony to reveal an unexpected outcome for the main character Mathilde who borrowed what she believed to be a diamond necklace from her friend Mme. Forestier to wear to a ball. Due to vanity and carelessness, Mathilde loses the necklace. Rather than confess this loss to her friend, Mathilde and her husband replace the necklace with another and thereby incur a debt that takes them ten years of labor to repay.

In a chance meeting, Mathilde learns from her friend that the original necklace was fake. This outcome is ironic in the sense that Mathilde has become the opposite of the woman she wished to be and Mme. Forestier is in possession of a real diamond necklace rather than a false one. This ending may cause the reader to reflect on the story’s central themes, including pride, authenticity, and the price of vanity.

Example 2:  Not Waving but Drowning  (Stevie Smith)

Nobody heard him, the dead man, But still he lay moaning: I was much further out than you thought And not waving but drowning .

Example 3:  A Modest Proposal (Jonathan Swift)

A child will make two dishes at an entertainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish, and seasoned with a little pepper or salt will be very good boiled on the fourth day, especially in winter .

Swift makes use of verbal irony in his essay in which he advocates eating children as a means of solving the issue of famine and poverty . Of course, Swift does not literally mean what he is saying. Instead, his verbal irony is used to showcase the dire situation faced by those who are impoverished and their limited resources or solutions. In addition, this irony is meant as a call to action among those who are not suffering from hunger and poverty to act in a charitable way towards those less fortunate.

Example 4: 1984 by George Orwell

War is Peace ; Freedom is Slavery and Ignorance is Strength .

There are several types of irony involved in the novel, 1984 , by George Orwell . The very first example is the slogan given at the beginning of the novel. This slogan is “ War is Peace ; Freedom is Slavery and Ignorance is Strength.” Almost every abstract idea is given beside or parallels to the idea that is contrary to it. These oxymoronic statements show the irony latent in them that although Oceania is at war, yet it is stressing the need for peace and the same is the case with others that although all are slaves of the state, they are calling it freedom. This is verbal irony.

Another example is that of situational irony. It is in the relationship of Winston and Julia that he secretly cherishes to have sexual advances toward her but outwardly hates her. When Julia finds that the place where it must be shunned, Junior Anti-Sex League, is the best place for such actions to do in hiding, it becomes a situational irony.

Synonyms of Irony

Some of the most known synonyms of irony are sarcasm, sardonicism, bitterness, cynicism, mockery, ridicule, derision, scorn, sneering, wryness, or backhandedness.

Related posts:

• Dramatic Irony
• 10 Examples of Irony in Shakespeare
• 15 Irony Examples in Disney Movies
• 11 Examples of Irony in Children’s Literature
• 12 Thought Provoking Examples of Irony in History
• Romeo and Juliet Dramatic Irony
• Brevity is the Soul of Wit
• To Thine Own Self Be True
• Frailty, Thy Name is Woman
• My Kingdom for a Horse
• Lady Doth Protest too Much
• The Quality of Mercy is Not Strain’d
• Ignorance is Strength

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Last updated on Nov 03, 2022

3 Types of Irony: Tell Them Apart With Confidence (+ Examples)

Irony is when the opposite of what is expected happens. In writing, there are three types of irony — verbal, situational, and dramatic.

• Verbal irony is when a person says one thing but means the opposite;
• Situational irony is when the opposite of what is expected happens; and
• Dramatic irony is when the audience knows something that characters do not.

The term “irony” comes from the Greek word eironeia , meaning "feigned ignorance," and storytellers of all stripes like to use the different forms of irony as a rhetorical or literary device to create suspense, humor, or as the central conceit in a plot.

To help you make heads or tails of this technique, this article will dig into the three common types of irony.

1. Verbal irony

Verbal irony is where the intended meaning of a statement is the opposite of what is actually said. People and literary characters alike use it to express amusement, emphasize a point, or to voice frustration or anger. In literature, verbal irony can create suspense, tension, or a comic effect. 

Verbal irony is actually the type of irony most used in everyday conversation, and can take the form of sarcasm — which is almost always used to denigrate someone or something. Regardless, the two are not the same thing, though many people conflate the concepts. 

To illustrate, here are a few common phrases that perfectly exemplify how verbal irony works — many of them similes comparing two entirely unlike things:

• "Clear as mud."
• "Friendly as a rattlesnake."
• "About as much fun as a root canal."

Understating and overstating

Broadly speaking, verbal irony works by either understating or overstating the gravity of the situation. 

An ironic understatement creates contrast by undermining the impact of something, though the thing itself will be rather substantial or severe. For example, in The Catcher in the Rye , Holden Caulfield casually says, "I have to have this operation. It isn't very serious. I have this tiny little tumor on the brain." Of course, Holden is lying here, which is why he can be so cavalier — and the nonchalant way he downplays something as serious as a brain tumor is ironic.

On the other hand, an ironic overstatement makes something minor sound like a much bigger deal to emphasize a quality it lacks. For example, say you win $5 in a lottery where the grand prize is $100 million. A friend asks you if you won anything, and you say, "Yeah, total jackpot" — that's an ironic overstatement.

💡 Note: Don’t confuse ironic overstatements with hyperbole , the rhetorical device of exaggeration. If a character says "I'm so tired, I could sleep for a million years,” and they are genuinely tired, that isn’t ironic — just exaggerated.

Highlighting a fallacy

Verbal irony is often used for satirical purposes, exaggerating or underplaying descriptions to reveal a deeper truth. Viewed through a lens of overstatement or understatement, the reader can see how flawed the original concept might be.

Verbal irony can be found in the very first lines of Romeo and Juliet (a play riddled with irony).

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.

Though the first line may sound respectful, we can see by the end of this verse that Shakespeare doesn’t actually mean to say that both households are alike in their great dignity. Instead, these lines imply the total opposite — that both households are equally un dignified. This irony also serves another purpose: notifying first-time readers that not all that glitters is gold. While both families might technically be considered nobility, their shared inability to act nobly toward one another ultimately leads to a bitter end for our tragic heroes .

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Providing insight into characters

Dialogue is an incredible tool for revealing what a character is like as how they choose to say something can speak volumes about who they are. Very often, people who use verbal irony tend to be highly self-aware.

For example, in Casablanca, the corrupt (yet charming) police captain Louis Renault follows instructions from German officials to order a raid on Rick's nightclub under the pretext of closing an illegal gambling den. "I'm shocked — shocked! — to find that gambling is going on in here!" Renault exclaims while thanking Rick’s croupier for bringing him his winnings. This knowing overstatement of 'shocked' reveals a lot about his cheerfully cynical worldview.

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Creating a comic effect

Of course, verbal irony can also be used for a simple comic result. Whether it's to highlight a witty character, lighten tension during a dark or difficult scene, or just to make people laugh, verbal irony can provide a much-needed moment of humorous relief. As you might expect, verbal irony is a common joke component.

For example, in Notting Hill , when love interests Anna and Will first meet at his bookshop , he confronts a man who’s trying to steal a book, and very politely threatens to call the police. When he returns to the till to help Anna, she hands over the book she’d like to buy and says “I was gonna steal one, but now I’ve changed my mind.” Obviously, the statement isn’t true — she’s using verbal irony to make light of the situation, diffusing awkwardness and showing her friendly inclination.

2. Situational irony

In literature, situational irony is a literary or plot device occurring when there is a discrepancy between what is expected to happen and what actually happens. You can use it to create suspense, humor, and surprise in your writing.

You can think of it as “the irony of events” to distinguish from the other types of irony, but it is not the same as coincidence or bad luck (apologies to Alanis Morrisette ). If you buy a new car and then accidentally drive it into a tree, that is coincidental and unlucky, but not ironic. However, if a professional stunt driver crashes into a tree on their way home from receiving a "best driver" award, that is situationally ironic. 

Within the context of a story, why might a writer use situational irony?

Creating a good ol’ fashioned twist

Authors can draw strong reactions from their readers by presenting them with carefully executed twists and turns. A  plot twist is all the more delicious when it's the polar opposite of what you'd typically expect. Storylines based on or containing situational irony inherently possess an element of surprise, so they're common in the comedy, thriller , crime, and mystery genres.

In Oscar Wilde’s The Importance of Being Earnest , for example, Jack proposes to Gwendolen under his fake name of Ernest, hoping to share the truth about his name once he’s been accepted. His plan is quickly thwarted when she accepts him because of his name, telling him that her “ideal has always been to love some one of the name of Ernest.” When he asks her what he thinks of “Jack” as a name, she declares that “The only really safe name is Ernest” — so his plan to reveal the truth is suddenly turned on its head, and he resolves to get christened as soon as possible. 

Emphasizing a theme or moral lesson

Steering readers to an unexpected destination in a story can also emphasize a theme or moral lesson — often reminding readers that an expected outcome is not always guaranteed. And because situational irony can urge readers to think twice about their own assumptions, authors often deploy it in fables or morality tales.

In Aesop's 'The Tortoise and the Hare,' for example, the unexpected outcome teaches us that slow and steady wins the race . Or perhaps the real moral is that you shouldn't be complacent and take naps during races.

Situational irony creates a contrast between appearances and underlying truths. When done properly, this can significantly alter a reader's interaction with, expectations of, and insight into a story. But irony must be used with care: without the help of intonation and body language, it requires people to read between the lines to understand its intentions; a reader who doesn’t see the irony will take these words at face value.

3. Dramatic irony

Dramatic irony occurs when the reader or viewer knows something that the characters in the story do not. This can create a sense of unease or anticipation as the audience waits to see how the characters will react to the situation they are in. 

So, to what effect can dramatic irony be used in a story?

Building fear and suspense

When readers or viewers know more than the characters do, they’re often left on pins and needles, waiting for the other shoe to drop or for an inevitable plot point to appear. Will the character discover the secret we already know? What will happen when they find out the truth? What if they find out the truth too late? Subconsciously, all of these questions run through their minds as the story unfolds, contributing to page-turning suspense.

The Hobbit contains a perfect example of dramatic irony — when Bilbo happens upon the ring while lost on a mountain, he puts it in his pocket and soon afterward encounters Gollum.

At this point, readers understand the significance of the ring and its importance to Gollum. However, Gollum does not yet realize he has lost the ring, and Bilbo doesn’t yet know who the ring belongs to. For this reason, the scene where Bilbo and Gollum engage in a game of riddles becomes more stressful for the audience who understands what’s at stake. 

📚 For some truly impressive suspense-building, check out this list of the 50 best suspense books of all time .

Eliciting sympathy for a character

If a character is happy but we know that tragedy lies ahead, we can’t help but sympathize with them. If the reader or audience is already "rooting for" the characters, they will hold on to the hope that things will turn out okay for them. And whatever the end result is — pain or relief —  the reader is likely to feel it twofold.

The audience knew all along! (image: Touchstone Pictures)

In the modern-day Shakespeare adaptation Ten Things I Hate About You , for example, bad-boy transfer student Patrick is paid by his classmate to woo the cold and aloof Kat. The audience knows that Kat will eventually discover the truth. The deception will wound her, and Patrick will (justifiably) lose her trust. This dramatic irony gives the scenes where they fall in love a bittersweet edge, making us sympathize with both characters. 

In fact, many romance tropes rely on dramatic irony, like the hate-to-love trope — just on account of the characters existing in a romance novel, readers know they're going to end up together. This results in that “slow burn” anticipation where readers are dying to see the characters confess their feelings, but have to live with their impatience as the romance slowly runs its course.

Setting up comical misunderstandings

A lot of comedy comes out of misunderstandings — where a character believes something that the audience knows not to be true, or doesn’t yet know something important. The dramatic irony turns into comedic tension as the character obliviously digs themselves (or other characters) into a deeper hole.

To give you an example of how this works: in a season one episode of Friends , Joey tried to win back his ex-girlfriend Angela by arranging a double date. Hebrings Monica but tells her that Angela’s new boyfriend, Bob, is actually her brother — making it seem as though Bob is Monica’s date. This misunderstanding turns to hilarious confusion as Monica is creeped out by how 'close' Bob and Angela seem to be.

Want more examples and in-depth explanation of any of these types of irony? We’ve spent some time breaking them down even further in the next posts in this guide — starting with verbal irony .

3 responses

Katharine Trauger says:

08/08/2017 – 05:39

I once received a birthday card telling me that irony is the opposite of wrinkly. But I do have a question: I believe, as you related to Hitchcock and I think about his works, that he used irony extensively, even more than one instance in a piece. It's a lot to remember and I've certainly not examined his works to verify that. However, I wonder if, although his works were beyond successful and loved by many, just how much irony is acceptable in today's writing. I agree it is a great device, but can it be overdone? Also, I am writing a piece which has what I believe an ironic ending. Is that a bad place to put a huge departure from the expected? I think O'Henry did that a lot, like when the man sells his watch to buy combs for his wife, and she sells her hair to buy a chain for his watch... But today, how much is too much and will readers come back for more?

↪️ Jim Morrison replied:

20/06/2018 – 21:42

While irony can be overused, it is not a bad thing to use irony - even to end a book. "Story" by Robert McKee discusses irony as an ending and explains how to use it and when to use it. As to your question about how much irony is accepted in today's society, I would say that it is more acceptable than before. With today's writing - particularly in theater - irony is a heavily used element. Thor: Ragnarok, for example, is dripping with ironic situations. Satire, the personal wheelhouse of Vonnegut and Heller, is not only a highbrow version of sarcasm, it is also heavy on the irony. So I say, personally, be as ironic as you want, just, as mentioned in the blog, be careful you don't overuse it to the point that the use of irony becomes ironic (i.e. you lose the audience). Cheers and happy writing.

Naughty Autie says:

30/05/2019 – 15:37

There is a blog which does not allow comments, yet it's called 'The Conversation'. Funny, I always thought that a conversation always took place between multiple people.

Comments are currently closed.

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What Is Irony? Definition and 5 Different Types of Irony to Engage Readers

by Fija Callaghan

Most of us are familiar with irony in our day to day lives—for instance, if you buy a brand new car only to have it break down on its very first ride (situational irony). Or if someone tells you they love your new dress, when what they actually mean is that it flatters absolutely no one and wasn’t even fashionable in their grandparent’s time (verbal irony).

Ironic understatement and ironic overstatement make their way into our conversations all the time, but how do you take those rascally twists of fate and use them to create a powerful story?

There are countless examples of irony in almost all storytelling, from short stories and novels to stage plays, film, poetry, and even sales marketing. Its distinctive subversion of expectation keeps readers excited and engaged, hanging on to your story until the very last page.

What is irony?

Irony is a literary and rhetorical device in which a reader’s expectation is sharply contrasted against what’s really happening. This might be when someone says the opposite of what they mean, or when a situation concludes the opposite of how one would expect. There are five types of irony: Tragic, Comic, Situational, Verbal, and Socratic.

The word irony comes from the Latin ironia , which means “feigned ignorance.” This can be a contradiction between what someone says and what they mean, between what a character expects and what they go on to experience, or what the reader expects and what actually happens in the plot. In all cases there’s a twist that keeps your story fresh and unpredictable.

By using different kinds of irony—and we’ll look at the five types of irony in literature down below—you can manage the reader’s expectations to create suspense and surprise in your story.

What’s not irony?

The words irony and ironic get thrown around a fair bit, when sometimes what someone’s really referring to is coincidence or plain bad luck. So what constitutes irony? It’s not rain on your wedding day, or or a free ride when you’ve already paid. Irony occurs when an action or event is the opposite of its literal meaning or expected outcome.

For example, if the wedding was between a woman who wrote a book called Why You Don’t Need No Man and a man who held a TEDtalk called “Marriage As the Antithesis of Evolution,” their wedding (rainy or not) would be ironic—because it’s the opposite of what we would expect.

Another perfect example of irony would be if you listened a song called “Ironic,” and discovered it wasn’t about irony after all.

Why does irony matter in writing?

Irony is something we all experience, sometimes without even recognizing it. Using irony as a literary technique in your writing can encourage readers to look at your story in a brand new way, making them question what they thought they knew about the characters, theme, and message that your story is trying to communicate.

Subverting the expectations of both your readers and the characters who populate your story world is one of the best ways to convey a bold new idea.

Aesop used this idea very effectively in his moralistic children’s tales, like “The Tortoise and the Hare.” The two title characters are set up to race each other to the finish line, and it seems inevitable that the hare will beat the tortoise easily. By subverting our expectations, and leading the story to an unexpected outcome, the author encourages the reader to think about what the story means and why it took the turn that it did.

The 5 types of irony

While all irony functions on the basis of undermining expectations, this can be done in different ways. Let’s look at the different types of irony in literature and how you can make them work in your own writing.

1. Tragic irony

Tragic irony is the first of two types of dramatic irony—both types always show the reader more than it shows its characters. In tragic dramatic irony, the author lets the reader in on the downfall waiting for the protagonist before the character knows it themselves.

This is a very common and effective literary device in many classic tragedies; Shakespeare was a big fan of using tragic irony in many of his plays. One famous example comes at the end of Romeo and Juliet , when poor Romeo believes that his girlfriend is dead. The audience understands that Juliet, having taken a sleeping potion, is only faking.

Carrying this knowledge with them as they watch the lovers hurtle towards their inevitable, heartbreaking conclusion makes this story even more powerful.

Another example of tragic irony is in the famous fairy tale “Red Riding Hood,” when our red-capped heroine goes to meet her grandmother, oblivious of any danger. The reader knows that the “grandmother” is actually a vicious, hungry wolf waiting to devour the girl, red hood and all. Much like curling up with a classic horror movie, the reader can only watch as the protagonist comes closer and closer to her doom.

This type of irony makes the story powerful, heartbreaking, and deliciously cathartic.

2. Comic irony

Comic irony uses the same structure as dramatic irony, only in this case it’s used to make readers laugh. Just like with tragic irony, this type of irony depends on allowing the reader to know more than the protagonist.

For example, a newly single man might spend hours getting ready for a blind date only to discover that he’s been set up with his former girlfriend. If the reader knows that both parties are unaware of what’s waiting for them, it makes for an even more satisfying conclusion when the two unwitting former lovers finally meet.

TV sitcoms love to use comedic irony. In this medium, the audience will often watch as the show’s characters stumble through the plot making the wrong choices. For example, in the TV series Friends , one pivotal episode shows a main character accepting a sudden marriage proposal from another—even though the audience knows the proposal was made unintentionally.

By letting the audience in on the secret, it gives the show an endearing slapstick quality and makes the viewer feel like they’re a part of the story.

3. Situational irony

Situational irony is when a story shows us the opposite of what we expect. This might be something like an American character ordering “shop local” buttons from a factory in China, or someone loudly championing the ethics of a vegan diet while wearing a leather jacket.

When most people think about ironic situations in real life, they’re probably thinking of situational irony—sometimes called cosmic irony. It’s also one of the building blocks of the twist ending, which we’ll look at in more detail below.

The author O. Henry was a master of using situational irony. In his short story “ The Ransom of Red Chief ,” two desperate men decide to get rich quick by kidnapping a child and holding him for ransom. However, the child in question turns out to be a horrendous burden and, after some negotiating, the men end up paying the parents to take him off their hands. This ironic twist is a complete reversal from the expectation that was set up at the beginning.

When we can look back on situational irony from the past, it’s sometimes called historical irony; we can retrospectively understand that an effort to accomplish one thing actually accomplished its opposite.

4. Verbal irony

Verbal irony is what we recognize most in our lives as sarcasm. It means saying the opposite of your intended meaning or what you intend the reader to understand, usually by either understatement or overstatement. This can be used for both tragic and comic effect.

For example, in Shakespeare’s Julius Caesar , Mark Anthony performs a funeral speech honoring the character Brutus. He repeatedly calls him “noble” and “an honorable man,” even though Brutus was actually involved in the death of the man for which the funeral is being held. Mark Anthony’s ironic overstatement makes the audience aware that he actually holds the opposite regard for the villain, though he is sharing his inflammatory opinion in a tactful, politically safe way.

Verbal irony is particularly common in older and historical fiction in which societal constraints limited what people were able to say to each other. For example, a woman might say that it was dangerous for her to walk home all alone in the twilight, when what she really meant is that she was open to having some company.

In Jane Austen’s Pride and Prejudice , the two younger girls wail that they’ve hurt their ankles, hoping to elicit some sympathy from the strong arms of the men. You can use this kind of rhetorical device to enhance your character development.

5. Socratic irony

Socratic irony is actually a little bit like dramatic irony, except that it happens between two characters rather than between the characters and the reader. This type of irony happens when one character knows something that the other characters don’t.

It’s a manipulative technique that a character uses in order to achieve a goal—to get information, to gain a confession, or to catch someone in a lie. For example, police officers and lawyers will often use this technique to trip someone up: They’ll pretend they don’t know something and ask questions in order to trick someone into saying something they didn’t intend.

Usually Socratic irony is used in a sly and manipulative way, but not always; a teacher might use the Socratic irony technique to make a child realize they know more about a subject than they thought they did, by asking them leading questions or to clarify certain points. Like verbal irony, Socratic irony involves a character saying something they don’t really mean in order to gain something from another character.

Is irony the same as a plot twist?

The “plot twist” is a stylistic way of using situational irony. In the O. Henry example we looked at above, the author sets up a simple expectation at the start of the story: the men will trade in the child for hard cash and walk away happy. Alas, life so rarely goes according to plan. By the time we reach the story’s conclusion, our expectation of the story has been completely twisted around in a fun, satisfying way.

Not all situational irony is a plot twist, though. A plot twist usually comes either at the end or at the midpoint of your story. Situational irony can happen at any time as major plot points, or as small, surprising moments that help us learn something about our characters or the world we live in.

You’ll often see plot twists being compared to dramatic irony, because they have a lot in common. Both rely on hidden information and the gradual unfurling of secrets. The difference is that with a plot twist, the reader is taken by surprise and given the new information right along with the characters. With dramatic irony, the reader is in on the trick and they get to watch the characters being taken off guard.

Both dramatic irony and plot twists can be used quite effectively in writing. It’s up to you as the writer to decide how close you want your readers and your characters to be, and how much you want them to experience together.

How to use irony in your own writing

One of the great advantages of irony is that it forces us to look at things in a new way. This is essential when it comes to communicating theme to your reader.

In literature, theme is the underlying story that’s being told—a true story, a very real message or idea about the world we live in, the way we behave within it, or how we can make it a better place. In order to get that message across to our readers, we need to give them a new way to engage with that story. The innate subversion of expectations in irony is a wonderful way to do this.

For example, the classic fairy tale “Beauty and the Beast” uses irony very effectively to communicate its theme: don’t judge a person by their appearance.

Based on our preconceptions of this classic type of fairy tale, we would go in expecting the handsome young soldier to be the hero and the beastly monster to be the adversary. We might also expect the beautiful girl to be helpless and weak-spirited, waiting for her father to come in and save her. In this story, however, it’s the girl who saves her foolish father, the handsome soldier who shows himself to be the true monster, and the beast who becomes a hero to fight for those he cares about.

Not only do these subversions make for a powerful and engaging story, they do something very important for our readers: they make them ask themselves why they had these preconceptions in the first place. Why do we expect the handsome soldier to be noble and kind? Why do we expect the worst from the man with the beastly face before even giving him the chance to speak?

It’s these honest, sometimes uncomfortable questions, more than anything else, that make the theme real for your reader.

When looking for ways to weave theme throughout your story, consider what preconceived ideas your reader might be coming into the story with that might stand in the way of what you’re trying to say. Then see if you can find ways to make those ideas stand on their head. This will make the theme of your story more convincing, resonant, and powerful.

The one mistake to never make when using irony in your story

I’m going to tell you one of life’s great truths, which might be a bit difficult for some people to wrap their heads around. Embrace it, and you’ll leave your readers feeling a lot happier and more satisfied at the end of your story. Here it is:

You don’t need to be the smartest person in the room.

Have you ever been faced with a plot twist in a story and thought, “but that doesn’t make any sense”? Or realized that a surprising new piece of information rendered the events of the plot , or the effective slow build of characterization, absolutely meaningless?

These moments happen because the author became so enamored with the idea of pulling a fast one on the reader, revealing their cleverly assembled sleight-of-hand with the flourish of a theater curtain, that they forget the most important thing: the story .

When using irony in your work, the biggest mistake you can make is to look at it like a shiny, isolated hat trick. Nothing in your story is isolated; every moment fits together as a thread in a cohesive tapestry.

Remember that even if an ironic turn is unexpected, it needs to make sense within the world of your story. This means within the time and place you’ve created—for instance, you wouldn’t create an ironic twist in a medieval fantasy by suddenly having a character whip out a cellphone—but also within the world of your characters.

For example, if it turns out your frail damsel in distress is actually a powerful sorceress intent on destroying the hero, that’s not something you can just drop into your story unannounced like a grenade (no matter how tempting it might be). You need to begin laying down story seeds for that moment right from the beginning. You want your reader to be able to go back and say “ ohhh , I see what they did there. It all makes sense now.”

Irony—in particular the “twist ending”—can be fun, surprising, and unexpected, but it also needs to be a natural progression of the world you’ve created.

Irony is a literary device that reveals new dimension

To understand irony, we need to understand expectation in our audience or readers. When you’re able to manipulate these expectations, you engage your audience in surprising ways and maybe even teach them something new.

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What Is Irony? Definition, Usage, and Literary Examples

Irony definition.

Irony  (EYE-run-ee) is a literary device in which a word or event means something different—and often contradictory—to its actual meaning. At its most fundamental, irony is a difference between reality and something’s appearance or expectation, creating a natural tension when presented in the  context  of a story. In recent years, irony has taken on an additional meaning, referring to a situation or joke that is subversive in nature; the fact that the term has come to mean something different than what it actually does is, in itself, ironic.

The history of the word points to its somewhat deceptive nature. It comes from the Ancient Greek  eiron , meaning a stock character in early theatrical productions who feigns ignorance to fool someone else.

Types of Irony

When someone uses irony, it is typically in one of the three ways: verbal, situational, or dramatic.

Verbal Irony

In this form of irony, the speaker says something that differs from—and is usually in opposition with—the real meaning of the word(s) they’ve used. Take, for example, Edgar Allan Poe’s short story  “The Cask of Amontillado.”  As Montresor encloses Fortunato into the catacombs’ walls, he mocks Fortunato’s plea—”For the love of God, Montresor!”—by replying, “Yes, for the love of God!” Poe uses this to underscore how Montresor’s actions are anything but loving or humane—thus, far from God.

Situational Irony

This occurs when there is a difference between the intention of a specific situation and its result. The result is often unexpected or contrary to a person’s goal. The entire  plot  of L. Frank Baum’s  The Wonderful Wizard of Oz  hinges on situational irony. Dorothy and her friends spend the story trying to reach the Wizard so Dorothy can find a way back home, but in the end, the Wizard informs her that she had the power and knowledge to return home all along.

Dramatic Irony

Here, there is a disparity in how a character understands a situation and how the audience understands it. In Henrik Ibsen’s play  A Doll’s House , the married Nora excitedly anticipates the day when she’ll be able to repay Krogstad, who illegally lent her money. She imagines a future “free from care,” but the audience understands that, because Nora must continue to lie to her husband about the loan, she will never be free.

Not all irony adheres perfectly to one of these definitions. In some cases, irony is simply irony, where something’s appearance on the surface is substantially different from the truth.

Irony vs. Coincidence

Irony is often confused with coincidence. Though there is some overlap between the two terms, they are not the same thing. Coincidence describes two or more unlikely activities that share unexplainable similarities. It is often confused with situational irony. For example, finding out a friend you made in adulthood went to your high school is a coincidence, not an ironic event. Additionally, coincidence isn’t classifiable by type.

Irony, on the other hand, has a much starker and more substantial disparity between intention and result, with the result often the direct opposite of the intention. For example, the fact that the word  lisp  is ironic, considering it refers to an inability to properly pronounce  s  sounds but itself contains an  s .

The Functions of Irony

How an author uses irony depends on their intentions and the story or scene’s larger  context . In much of literature, irony highlights a larger point the author is making—often a commentary on the inherent difficulties and messiness of human existence.

With verbal irony, a writer can demonstrate a character’s intelligence, wit, or snark—or, as in the case of “ The Cask of Amontillado ,” a character’s unmitigated evil. It is primarily used in dialogue and rarely offers up any insight into the plot or meaning of a story.

With dramatic irony, a writer illustrates that knowledge is always a work in progress. It reiterates that people rarely have all the answers in life and can easily be wrong when they don’t have the right information. By giving readers knowledge the characters do not have, dramatic irony keeps readers engaged in the story; they want to see if and when the characters learn this information.

Finally, situational irony is a statement on how random and unpredictable life can be. It showcases how things can change in the blink of an eye and in bigger ways than one ever anticipated. It also points out how humans are at the mercy of unexplained forces, be they spiritual, rational, or matters of pure chance.

Irony as a Function of Sarcasm and Satire

Satire and  sarcasm  often utilize irony to amplify the point made by the speaker.

Sarcasm is a rancorous or stinging expression that disparages or taunts its subject. Thus, it usually possesses a certain amount of irony. Because inflection conveys sarcasm more clearly, saying a sarcastic remark out loud helps make the true meaning known. If someone says “Boy, the weather sure is beautiful today” when it is dark and storming, they’re making a sarcastic remark. This statement is also an example of verbal irony because the speaker is saying something in direct opposition to reality. But an expression doesn’t necessarily need to be verbal to communicate its sarcastic nature. If the previous example appeared in a written work, the application of italics would emphasize to the reader that the speaker’s use of the word  beautiful  is suspect. To further clarify, the remark would closely precede or follow a description of the day’s unappealing weather.

Satire is an entire work that critiques the behavior of specific individuals, institutions, or societies through outsized humor. Satire normally possesses both irony and sarcasm to further underscore the illogicality or ridiculousness of the targeted subject. Satire has a long history in literature and popular culture. The first known satirical work, “The Satire of the Trades,” dates back to the second millennium BCE. It discusses a variety of trades in an exaggerated, negative light, while presenting the trade of writer as one of great honor and nobility.  Shakespeare  famously satirized the cultural and societal norms of his time in many of his plays. In 21st-century pop culture,  The Colbert Report  was a political satire show, in which host Stephen Colbert played an over-the-top conservative political commentator. By embodying the characteristics—including vocal qualities—and beliefs of a stereotypical pundit, Colbert skewered political norms through abundant use of verbal irony. This is also an example of situational irony, as the audience knew Colbert, in reality, disagreed with the kind of ideas he was espousing.

Uses of Irony in Popular Culture

Popular culture has countless examples of irony.

One of the most predominant, contemporary references, Alanis Morissette’s hit song “Ironic” generated much controversy and debate around what, exactly, constitutes irony. In the song, Morissette sings about a variety of unfortunate situations, like rainy weather on the day of a wedding, finding a fly floating in a class of wine, and a death row inmate being pardoned minutes after they were killed. Morissette follows these lines with the question, “Isn’t it ironic?” In reality, none of these situations is ironic, at least not according to the traditional meaning of the word. These situations are coincidental, frustrating, or plain bad luck, but they aren’t ironic. The intended meaning of these examples is not disparate from their actual meanings. For instance, another line claims that having “ten thousand spoons when all you need is a knife” is ironic. This would only be ironic, if, say, the person being addressed made knives for a living. Morissette herself has acknowledged the debate and asserted that the song itself is ironic because none of the things she sings about are ironic at all.

Pixar/Disney’s movie  Monsters, Inc.  is an example of situational irony. In the world of this movie, monsters go into the human realm to scare children and harvest their screams. But, when a little girl enters the monster world, it’s revealed that the monsters are actually terrified of children. There are also moments of dramatic irony. As protagonist Sully and Mike try to hide the girl’s presence, she instigates many mishaps that amuse the audience because they know she’s there but other characters have no idea.

In the iconic television show  Breaking Bad , DEA agent Hank Schrader hunts for the elusive drug kingpin known as Heisenberg. But what Hank doesn’t know is that Heisenberg is really Walter White, Hank’s brother-in-law. This is a perfect example of dramatic irony because the viewers are aware of Walter’s secret identity from the moment he adopts it.

Examples of Irony in Literature

1. Jonathan Swift,  “A Modest Proposal”

Swift’s 1729 essay is a satire rich in verbal ironies. Under the guise of a serious adviser, Swift suggests a way that poor Irish communities can improve their lot in life: selling their children to rich people. He even goes a step further with his advice:

I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.

Obviously, Swift does not intend for anyone to sell or eat children. He uses verbal ironies to illuminate class divisions, specifically many Britons’ attitudes toward the Irish and the way the wealthy disregard the needs of the poor.

2. William Shakespeare,  Titus Andronicus

This epic Shakespeare tragedy is brutal, bloody, farcical, and dramatically ironic. It concerns the savage revenge exacted by General Titus on those who wronged him. His plans for revenge involve Tamora, Queen of the Goths, who is exacting her own vengeance for the wrongs she feels her sons have suffered. The audience knows from the outset what these characters previously endured and thus understand the true motivations of Titus and Tamora.

In perhaps the most famous scene, and likely one of literature’s most wicked dramatic ironies, Titus slays Tamora’s two cherished sons, grinds them up, and bakes them into a pie. He then serves the pie to Tamora and all the guests attending a feast at his house. After revealing the truth, Titus kills Tamora—then the emperor’s son, Saturninus, kills Titus, then Titus’s son Lucius kills Saturninus and so on.

3. O. Henry,  “The Gift of the Magi”

In this short story, a young married couple is strapped for money and tries to come up with acceptable Christmas gifts to exchange. Della, the wife, sells her hair to get the money to buy her husband Jim a watchband. Jim, however, sells his watch to buy Della a set of combs. This is a poignant instance of situational irony, the meaning of which O. Henry accentuates by writing that, although “[e]ach sold the most valuable thing he owned in order to buy a gift for the other,” they were truly “the wise ones.” That final phrase compares the couple to the biblical Magi who brought gifts to baby Jesus, whose birthday anecdotally falls on Christmas Day.

4. Margaret Atwood,  The Handmaid’s Tale

Atwood’s dystopian novel takes place in a not-too-distant America. Now known as Gilead, it is an isolated and insular country run by a theocratic government. Since an epidemic left many women infertile, the government enslaves those still able to conceive and assigns them as handmaids to carry children for rich and powerful men. If a handmaid and a Commander conceive, the handmaid must give the child over to the care of the Commander and his wife. Then, the handmaid is reassigned to another “post.”

A primary character in the story is Serena Joy, a Commander’s wife. In one of the book’s many ironic instances, it is revealed that Serena, in her pre-Gilead days, was a fierce advocate for a more conservative society. Though she now has the society she fought for, women—even Commanders’ wives—have few rights. Thus, she ironically suffers from the very reforms she spearheaded.

Further Resources on Irony

The Writer  has  an article  about writing and understanding irony in fiction.

Penlighten ‘s detailed  list of irony examples  includes works mainly from classic literature.

Publishing Crawl  offers  five ways to incorporate dramatic irony into your writing .

Harvard Library has an in-depth breakdown of  the evolution of irony in postmodern literature .

TV Tropes  is  a comprehensive resource for irony  in everything from literature and anime to television and movies.

Related Terms

Choose Your Test

Sat / act prep online guides and tips, understanding the 3 types of irony.

General Education

Irony is one of the great forces of language and literature. Irony calls on us to use our wit and instinctual understanding of right and wrong, and often requires that we see humor where there is none. Some say that irony is as old as literature itself, and they may be right— in the human condition, we have always sought to find meaning in paradoxes. Since irony is so ubiquitous, it’s important to understand the different types of irony, and how or when they’re used. You'll be able to identify the different types, and call out the right and wrong ways to use them.

What Is Irony?

In short, irony is a literary or rhetorical device that states or shows the opposite of what is actually true for humorous or emphatic effect. Irony states to contrary to what is meant, but in a way that still makes the actual meaning understood.

Many people use sarcasm in their everyday interactions, which is one form of verbal irony. For example, when discussing an upcoming dentist appointment, you might say in an overly excited voice, “I can’t wait!” This is one type of irony (we’ll get to the types soon!) and shows that irony is deeply ingrained into the way we communicate.

If you’re not a naturally ironic person, you may be wondering why writers use irony in novels. Wouldn’t it just make more sense to say what they mean? While you’re not wrong, using all types of irony can help create suspense, invoke particular emotions, or inform our opinion of a character and their motivations . When we discuss the types of irony, we’ll go more in depth as to how and why a writer might use irony, and what they hope to achieve.

The 3 Types of Irony

Situational irony.

Situational irony is when the outcome of a situation is different than our expectations. Situational irony can be used to create drama, to drive home to realities of a tragedy, or to create humor. You'll find situational irony often in books and plays, as well as movies and TV. This type of irony helps us and the character make sense of their reality, and weaves together humor and tragedy.

Here are some examples of situational irony

General: A friend posts on social media about how social media is killing society and we all need to interact in person

Humor: A thief on the run gets into a getaway car but it's out of gas

Tragic: In Guy de Maupassant's short story The Necklace , Mathilda borrows a necklace from a wealthy friend and loses it. She and her husband go into crippling debt and wind up in poverty to replace the necklace, only to find out years later that the original necklace was a fake to begin with.

Dramatic Irony

Dramatic irony is a device employed by storytellers wherein the audience is aware of what’s going on, but the characters are not . Dramatic irony includes three phases: Installation , when the audience is informed of something the character does not know. Exploitation , using the information to develop curiosity and an emotional response from the audience. Resolution , what happens after the character finds out the information.

Romeo and Juliet's death scene is a great example of dramatic irony. We the audience/reader know that Juliet is drugged to fake her own death, but Romeo does not. So, we watch Romeo commit suicide, knowing that Juliet is alive, and that he too would know the truth if he'd waited. In this example, the installation is earlier in the play, when we learn of Juliet's plan, aware that Romeo does not know. Exploitation is when we watch their death scenes unfold. And the resolution is the end of the play, when the families find out what happened and finally end their feud. 

Another well-known example is the story of Oedipus Rex. Dramatic irony was first invented for us in Greek dramas. So while most of us modern readers know the story mainly through the play, ancient Greek play-goers would have been well-informed on the story of Oedipus before going into the play. The Greek audience was able to watch the story unfold with this knowledge already in mind, even though the main character, Oedipus, is unaware. This creates dramatic tension throughout the story and adds a new emotional layer to this classic myth.

Verbal Irony

As we discussed, verbal irony is an important tool in speech. Verbal irony is also an important tool in writing. Verbal irony occurs when a person of character says one thing but means another .

I mentioned above that sarcasm is one form of verbal irony. But remember, the definitions of sarcasm and verbal irony are not interchangeable, and sarcasm is only one form of verbal irony. Sarcasm is generally a little harsher than overall verbal irony, and verbal irony can also include double entendre, over- or under-exaggeration, and rhetorical questions .

Writers may use verbal irony to prove a point, or to help us better understand a situation or character. If a character uses verbal irony, that irony may be in reference to the plot, but also may be in reference to the character's own emotions . Verbal irony, can give us insight into a character’s true state, and challenge us to look deeper into that character’s motivations.

Verbal irony can also be used in a more general sense to bring humor to the novel, play, movie, etc. Verbal irony also helps us develop analytical skills, since it requires us as readers to pay attention to the nuances of dialogue and language .

Satire is one example of verbal irony that carries throughout an entire text.

There are actually quite a few instances of verbal irony in the Harry Potter series. In The Order of the Phoenix , Aunt Petunia asks Harry why he keeps watching the news. He replies, “Well, it changes every day, you see.” Though Harry is offering a truthful response on the surface, as readers we can tell that his answer is contemptuous, and his meaning (to point out how silly Aunt Petunia’s inquiry is) contradicts with the actual words he speaks. If read in the right tone, this conversation definitely will at least get a giggle.

As we discussed, over exaggeration is one form of verbal irony we also use commonly. If someone laughs at a joke and says “I laughed so hard I almost exploded!” This is over exaggeration and one form of verbal irony, since clearly, the person didn’t almost explode from laughter, and the statement contradicts with reality.

How to Tell the Different Types of Irony Apart

Remember, writers use irony to make a point about the distinction between appearance and reality. Usually, use of irony is also meant to drive home a point about the theme or symbolism. To gain a full understanding of the text and the purpose of using irony, you have to know the type of irony being used.

Identifying Situational Irony

Situational irony can be a little harder to identify. Chances are, you've read or witnessed situational irony and had a reaction without thinking to yourself, "hey, this is situational irony." Situational irony can be funny, sad, or everything in between. Here are some important questions to ask yourself:

Does the outcome of the situation differ from your expectations?

Are both you and characters aware that the outcome is different than the expectations?

Does the difference in expectations versus reality elicit a funny, tragic, or otherwise emotional response?

The famous car sing-along song, Ironic by Alanis Morissette, is filled with situational irony; we know it's situational because each lyric explains an event, and an outcome that differs from our expectations. It is not verbal because no one is speaking, and not dramatic because the audience i.e. the listener, knows the same amount of information as the "characters" in the song. The lyric "He won the lottery and died the next day," for example clearly is a case of situational irony.

Identifying Dramatic Irony

The most important element of dramatic irony is that the audience knows something that the characters do not. Because we're usually aware as an audience what the characters do or do not know, dramatic irony should be relatively easy to identify.

When identifying dramatic irony, we have to ask ourselves: does it follow the trajectory of dramatic irony: Installation, exploitation, and resolution? Does the gap in knowledge between the audience and the characters increase or create tension? If the answer is yes, you're probably looking at dramatic irony.

Identifying Verbal Irony

One key part of verbal irony is that it is spoken out loud by a character. Since we use verbal irony so often in our speech, this type of irony may be immediately clear to you. However, nuances of speech are much harder to get across on paper, so you can ask yourself a few questions to help figure out the context, and confirm whether or not verbal irony is being used.

Read the scene carefully. Remember that verbal irony can have many tones! It can be playful, contemptuous, snarky, etc. So if you think characters are using verbal irony, you can ask yourself the following:

What else is going on in the scene? Is there a reason a character would be utilizing verbal irony? Do they have a point to prove?

What is the relationship between the character speaking and the character(s) being spoken to? Would the speaking character need to use verbal irony to get a point across?

Now that you've mastered irony in all its forms, take care not to overuse it. Ironically, irony can often be overused and overwrought. But definitely do use these tips to identify all three types of irony to better understand your test questions or reading materials. Authors employ all types of irony in their work, and it's an important part of finding meaning in books as well as in everyday life.

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Carrie holds a Bachelors in Writing, Literature, and Publishing from Emerson College, and is currently pursuing an MFA. She worked in book publishing for several years, and believes that books can open up new worlds. She loves reading, the outdoors, and learning about new things.

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When and How to Use Irony

• Definition & Examples
• When & How to Use Irony

How to Use Irony

Irony can be tough to write because first you have to notice something ironic to write about a situation, which is a kind of insight . That’s also why it’s a fairly impressive writing technique. So the trick is not to practice writing irony but to practice noticing it. Look around you every day, and you will see plenty of ways in which ordinary expectations are contradicted by what happens in the real, unpredictable world.

As you look around for irony, take care to avoid the pitfall of confusing irony with coincidence . Often coincidences are ironic, and often they are not. Think of it this way: a coincidence would be if firemen, on the way home from putting out a fire, suddenly got called back out to fight another one. Irony would be if their fire truck caught on fire. The latter violates our expectations about fire trucks, whereas the former is just an unfortunate (but not necessarily unexpected) turn of events.

Another way of putting it is this: coincidence is a relationship between  facts (e.g. Fire 1 and Fire 2), whereas irony is a relationship between a fact and an expectation and how they contradict each other.

When to use irony

Irony belongs more in  creative writing than in formal essays . It’s a great way of getting a reader engaged in a story, since it sets up expectations and then provokes an emotional response. It also makes a story feel more lifelike, since having our expectations violated is a universal experience. And, of course, humor is always valuable in creative writing.

Verbal irony is also useful in creative writing, especially in crafting characters or showing us their mind and feelings. Take this passage as an example:

Eleanor turned on her flashlight and stepped carefully into the basement. She kept repeating to herself that she was not afraid. She was not afraid. She was not afraid.

Even though the author keeps repeating “she was not afraid,” we all know that Eleanor was afraid. But we also know that she was trying to convince herself otherwise, and this verbal irony gives us additional psychological insight into the character. Rather than just saying “Eleanor was afraid of the basement,” the author is giving us information about how Eleanor deals with fear, and the emotions she is feeling as she enters the basement.

In formal essays , you should almost never  use irony, but you might very well point it out . Irony is striking in any context, and a good technique for getting the reader’s attention. For example, a paper about the history of gunpowder could capture readers’ interest by pointing out that this substance, which has caused so much death over the years, was discovered by Chinese alchemists seeking an elixir of immortality.

It goes without saying that you shouldn’t express your own thoughts by using verbal irony in a formal essay – a formal essay should always present exactly what you mean without tricks or disguises.

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What Is Irony? Types, Examples and Meanings

What Is Irony?

Irony is a multifaceted, complicated linguistic concept that’s often distilled to a basic definition for the purposes of getting kids to pass standardized tests: “irony is the opposite of what is expected.” For that purpose, it’s a useful bit of rote recitation; the kind of information that helps you answer a multiple choice question or quick trivia bite.

But, despite being so broad a definition that it’s nearly formless, it doesn’t provide much coverage of what ironic devices are and how we can recognize and use them. The result is that even most native English speakers have more of a gut feeling about what is and isn’t irony, but might struggle to define irony without saying “irony is . . . like . . . when something’s ironic, you know?”

The New American Oxford Dictionary fortunately goes into a bit more detail than your average English-speaker caught unawares by a vocabulary question, presenting three definitions:

1) “The expression of one’s meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.”

2) “A state of affairs or an event that seems deliberately contrary to what one expects and is often amusing as a result.”

3) “A literary technique, originally used in Greek tragedy, by which the full significance of a character’s words or actions are clear to the audience or reader although unknown to the character.”

Merriam-Webster adds another definition, which also shows Classical Greek influence:

4) “A pretense of ignorance and of willingness to learn from another assumed in order to make the other’s false conceptions conspicuous by adroit questioning—also called Socratic irony.”

Each of these definitions corresponds to one of these four types of irony:

• Situational

What Is Verbal Irony?

Since this is an article about writing, let’s start with verbal irony—the type of irony that you do with wordplay. Since repetition is the mother of memory, here’s the definition again (courtesy of the New Oxford American Dictionary):

-“The expression of one’s meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.”

Think of verbal irony as sarcasm’s deeper, less malignant cousin.

While sarcasm is often intended to criticize a target, verbal irony isn’t so aggressive. It’s like the difference between laughing at and laughing with someone. With verbal irony, the audience is in on the joke, rather than the butt of the joke. Let’s look at some examples of verbal irony vs. sarcasm in the context of two people standing outside in a torrential downpour.

Verbal irony: -”Hey, nice weather we’re having.” -”Yeah, I might hit the beach later.”

See? In this exchange, both parties are in on the joke. They both understand that the weather sucks, which is such an obvious fact that it’d be redundant to say “Wow, pretty rainy, huh?” Instead, each party remarks on the obviously inclement weather using verbal irony. It adds just enough complexity and humor to the comment so as not to be a totally boring claim, and to avoid directly complaining. Note that verbal irony isn’t necessarily ha-ha funny (kind of like improv).

Sarcasm: -”Man, I’m soaked through my tee-shirt.” -”Yeah, way to wear a raincoat, genius.”

See how the second person in this exchange is attacking the first person? Don’t be misled by the term “genius” here—it is not sincere. If you read the subtext and understand sarcasm, you’ll understand that what person number two is actually saying here is “Wear a raincoat when it’s raining, moron.”

So, to reiterate: there is common ground between verbal irony and sarcasm, in that they both express meaning by using language that would signify the opposite of the speaker’s intent for emphasis, humor, or both. Sarcasm just tends to be meaner, and more clearly targets the person being addressed.

Do note that sarcasm, like verbal irony, can also be playful and not particularly malignant. Many English-speakers show affection via feigned aggression, and that can include sarcasm. Still, playful sarcasm remains sarcasm, as opposed to verbal irony, because the addressee is the target. Whether the goal is playful ribbing or total social-emotional devastation, sarcasm is a device with a target.

Verbal irony is more about creating contradictory subtext to convey meaning in unconventional ways than it is about hurting anyone’s feelings.

What Is Situational Irony?

Once again, situational irony is defined as:

“A state of affairs or an event that seems deliberately contrary to what one expects and is often amusing as a result.”

This is the meaning that most closely resembles the basic “irony is the opposite of what is expected” definition. Situational irony subverts expectations , contradicting an audience’s predictions—predictions that a reader makes based on their experience with more typical, formulaic prose that adheres to genre tropes and cliches.

Part of the trick with subverting audience expectations is to first establish a familiar pattern that leads the audience to predict the sort of conclusion they’re used to seeing. Situational irony suggests a typical scenario, then pulls a twist that surprises the reader (or viewer). It’s an important storytelling device that needs to follow some fundamental structural rules in order to be considered comprehensible and appealing to most readers.

Some of these rules are harder to bend or break than others. For example, the beginning, middle, and end narrative structure , which features a climax and conclusion, is a well-worn but also well-proven way to craft a story that people can intuitively understand. You can subvert these basics, and you might have to if you plan on writing mind-bending time-travel sci-fi, but the further you stray from the formula, the more likely you are to alienate some of your audience. Consider Christopher Nolan’s Inception . Most will agree that the movie was a mind-trip, but beyond that, opinion seems split between people who thought it was compelling, and those that found it convoluted and difficult to follow. Making your writing logical and easy to follow can be difficult, but ProWritingAid's Transition Report is here to help make the process a little easier.

However, if you play things too safe and stay entirely within the ruts of writers who came before you, you risk boring your audience. Situational irony allows for the best of both worlds: a grounded narrative structure that speaks to the way we understand stories and does not attempt to reinvent the wheel, but that includes twists and subversions that may surprise the reader—a marriage of the familiar with the unfamiliar.

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Let’s look to pop fiction for some examples of situational irony (spoiler warning, since we’re going to be dealing with some plot twists here):

The Sixth Sense

The first and most blatant example of situational irony in film that comes to mind is The Sixth Sense . A child psychologist is working with a troubled boy who can communicate with the dead. Plenty of movies had covered the “adult tries to figure out spooky kid” story before the movie came out in 1999. Still, the story was unique, and not because director M. Night Shyamalan totally reinvented the wheel. Instead, he took advantage of the audience’s familiarity with the formula to throw them off the scent of the big twist—that the child psychologist was just another dead person that the boy could talk to. This bit of situational irony made the movie unique, despite the fact that it otherwise followed convention.

Ridley Scott’s Alien is another great example. Given the benefit of several decades’ worth of hindsight, it’s obvious that Sigourney Weaver’s character, Ripley, is the protagonist of Alien and its sequels. But for the first act of the 1979 space horror flick, it’s unclear who among the Nostromo’s crew is actually the protagonist. Captain Dallas probably seemed the most obvious candidate: he’s in charge, he hatches the plan for fighting the alien, and he looks the part of the late 1970s masculine hero (bearded and everything). But then he’s killed by the alien, and we realize Sigourney Weaver was the one who would end up the hero. Oh, and one of the crew was a secret android the whole time. What originally seemed to be a relatively masculine sci-fi monster movie evolves seamlessly into a female-driven film and series that deals heavily in themes of fertility and motherhood. This is what makes the story unique and seminal, and often superior to its copycat films that forget to subvert expectations in a fresh way.

Or, while we’re in the endless void of space, how about Darth Vader telling Luke Skywalker that he’s his father? That was not what audiences in 1980 expected would happen after Vader cuts off Luke’s hand (which was also unexpected). Not only did this revelation subvert audience expectations and make Darth Vader far more interesting, it built energy for the plot to move forward and find its true themes: family, legacy, fear, and self-reflection. That’s situational irony, and it can elevate a boring story about “good guy vs. evil guy” into something profound, like “good guy (who kissed his own sister) vs. his corrupted father.”

Lamb to the Slaughter

If you’re looking for a slightly more literary example, see the Roald Dahl short story, Lamb to the Slaughter . Spoilers, of course: in the story, a wife murders her husband by bludgeoning him with a frozen leg of lamb. When the investigating detectives come around, the wife cooks the lamb and feeds it to them for dinner. The situational irony here: the murderer has disposed of the murder weapon by feeding it to the homicide detectives. (This short story was published in 1953, well before Hannibal Lecter taught us all to never go to a murder suspect’s house for dinner.)

What Is Dramatic Irony?

“A literary technique, originally used in Greek tragedy, by which the full significance of a character’s words or actions are clear to the audience or reader although unknown to the character.”

Or, in fewer words: dramatic irony is when the audience knows something that a character doesn’t.

An early and prominent example of dramatic irony is Sophocles’ Oedipus Rex . Here, Oedipus learns of a prophecy that he would kill his father and sleep with his mother. Learning his fate, Oedipus tries as hard as he can to avoid it, which is complicated by the fact that he thought he never knew his real parents. As the play goes on, the audience learns first what Oedipus cannot see for himself: that he has already fulfilled this prophecy, having unknowingly killed his father in a road rage incident, and having already fathered two sister-daughters with the woman who abandoned him to exposure as an infant. Only at the end does Oedipus realize what we (and Jocasta, his mother-wife) have already learned. That’s when he gouges out his own eyes, thereby matching physical blindness to the metaphorical blindness that prevented him from seeing the truth in his own prophecy (and the futility of trying to avoid it in the first place).

Shakespeare’s Romeo and Juliet is another: during the final scene, they employ dramatic irony as the audience knows that Juliet has only taken a sleeping potion that makes her appear dead. Romeo, believing her to be dead (and unaware of how to check for a pulse, presumably), swallows some real poison, killing himself.

More generally, the first act of any horror film or fiction where the characters do not yet realize they’re in a horror movie. Perhaps a family has just signed papers purchasing an old mansion, and the title of the film is Chateau de Killhouse . While they cheerfully unpack boxes, we, the audience, are fully aware that at least 90 minutes of horror await them. Dramatic irony separates us from the characters we’re observing, highlighting the difference between their limited awareness and our relative omnipotence. That we cannot tell the characters what we already know creates tension , and tension is good.

What Is Socratic Irony

Last and, honestly, least (unless you’re a professor of philosophy) is Socratic irony. Once again:

“[Socratic irony is a] pretense of ignorance and of willingness to learn from another assumed in order to make the other’s false conceptions conspicuous by adroit questioning—also called Socratic irony.”

Socratic irony is a big part of the Socratic method (go figure). In the Socratic method, a teacher plies a student with rhetorical questioning that’s designed to stimulate new lines of thought and eliminate potential hypotheses. Part of that method basically involves tricking your debate opponent into thinking they’re much smarter than you are. The hopeful result is that your opponent begins to underestimate you and overestimate themselves. By the time they realize you were feigning idiocy the whole time , you’ve sprung your logical trap. It’s the same idea that’s behind pool sharking.

Why is this “irony”? Because the person practicing Socratic irony is not saying what they mean, albeit to a constructive end (separating it from pure dishonesty or sarcasm).

Closing Thoughts

Hopefully this post has clarified irony for you. If it's only made you more confused, that would probably be ironic. When in doubt, try connecting your situation to one of the four dictionary definitions listed above.

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How to Write About Irony in a Literary Essay

How to Identify Figurative Language

Irony is typically difficult to clearly explain, especially as a literary device, since part of the point of its use is to be unclear. According to the famous definition of irony given by Henry Watson Fowler in “The King’s English,” irony occurs when “...the surface meaning and the underlying meaning of what is said are not the same.” Irony can be a powerful literary tool and is typically classified into three distinct types. Once you understand which type you are working with, you'll better be able to discuss it as you write your essay.

Verbal Irony

Irony often expresses itself within a character's speech. For example, if a protagonist claims to be afraid in one context but reveals fearlessness in another, then he is using verbal irony. In the case of Plato's dialogue "Phaedo," Socrates claims to have no knowledge at all, famously pretending to be ignorant. However, it becomes clear that he actually knows many things and is depicted as philosophically superior to other characters.

Dramatic Irony

Verbal irony is defined by the contradiction between what a character says and what that character means. However, dramatic irony occurs when a character has one understanding of the situation he finds himself in and the reader (or audience) another. For example, the reader of Shakespeare's "Much Ado about Nothing" knows that Hero was always faithful to her soon-to-be-husband, Claudio. Claudio, however, does not know this and acts as if the opposite is true.

Situational Irony

The most exaggerated form of irony is situational. This occurs when neither the audience nor the characters are endowed with any special knowledge about what is about to happen. Everyone expects one set of circumstances and is, instead, confronted by another. This can be used for comedic effect but is more typically associated with tragedy. Alfred Hitchcock used situational irony in his suspenseful movies: He was notorious for shocking audiences with wildly unpredictable conclusions.

Discussing Irony

Once you've identified a particular type of irony, provide an account of the literary effect it was intended to produce. Keep in mind that any type of irony could be used by an author for a variety of purposes. For example, Jonathan Swift was able to harshly criticize English monarchy in "Gulliver's Travels" without fear of punishment as he used ironic humor to mask his judgments. Quote the ironic passages, pointing out what the author is actually saying.

Determine Success

As you're writing, assess whether the use of irony is successful. Irony shouldn’t be immediately obvious, but it also doesn't serve a purpose if it is undetectable. Review whether the author’s use of irony adequately fulfills the purpose that inspired it. If the intent is to gently teach the reader a lesson, evaluate if this is done well or whether the irony is used clumsily. This is the ultimate standard by which literary irony is to be judged when reviewing it.

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• Kansas State University: Critical Concepts: Verbal Irony; Lyman A. Baker

Based in New York City, Ivan Kenneally has been writing about politics, education and American culture since 2006. His articles have appeared in national publications like the 'Washington Times," "Christian Science Monitor," "Cosmopolitan"and "Esquire." He has an Master of Arts in political theory from the New School for Social Research.

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How to Write About Irony in a Literary Essay

Irony is used across literary genres to a variety of effects. There are two main steps to writing about irony in a literary essay. First, there’s the definition: You’ll need to recognize irony in the text and figure out what type of irony it is. Second, there’s the interpretation: You’ll comment on how that specific type of irony contributes to the overall meaning of the larger text.

Verbal Irony

In general, you can think of irony as occurring when an outcome undermines someone’s expectations. Verbal irony happens when conversational expectations are undermined. When another person listens to you speak, he usually assumes you’re saying what you mean. If you use verbal irony, you say something that you don’t want a listener to take literally. Sarcasm is one kind of verbal irony: If it’s storming, you might say, “Oh, what perfect weather for a picnic!” but expect your friend to realize that you mean just the opposite. Overstatement ( hyperbole ) and understatement (litotes) are also types of verbal irony. As is probably clear, verbal irony is heavily context dependent -- listeners or readers must know something about the speaker’s situation to interpret it correctly.

Dramatic Irony

Dramatic irony occurs when the audience knows something that a character doesn’t know. Usually, this “something” is a crucial piece of information for a decision that the character has to make. (This is the kind of irony that makes you scream at an unsuspecting heroine, “Don’t go out the back door-- the killer’s waiting there!”) For example, in William Shakespeare’s play “Romeo and Juliet,” Romeo finds Juliet in a drugged sleep, but mistakenly believes that she is dead and, in great distress, commits suicide. The gap between Romeo’s perspective -- that Juliet is dead -- and the audience’s perspective -- that Juliet is merely feigning death -- constitutes dramatic irony.

Situational Irony

Situational irony happens when a text’s plot takes a completely different turn than both the characters and the audience expect. For instance, In “Star Wars Episode V: The Empire Strikes Back,” the story’s hero, Luke Skywalker, learns that the evil Darth Vader is really his father -- and the audience is just as surprised as he is. Situational irony is also sometimes called “cosmic irony” or “irony of fate.”

Interpreting Irony

Once you pinpoint and define irony, in your literary essay, you can show how irony is working to create, reinforce or undermine an overall theme of the text. For instance, in the example of dramatic irony from “Romeo and Juliet,” you could argue that Romeo’s hasty actions in response to his assumption comment on a larger theme of the play: the feud between his and Juliet’s parents. Although we might understand a smitten young lover’s rash decision to join his sweetheart in death, we can contrast his excusable immaturity with the parents’ inexcusable immaturity in holding a grudge that costs many lives. The dramatic irony of the death scene heightens our emotional response to the unnecessary nature of the lovers’ deaths. That emotion then makes us more invested in the play’s resolution, when the feuding families reconcile, and helps us to internalize one of the play’s messages: Bitter hate wounds the hater most deeply. As in all literary essays, make sure to discuss plenty of quotations (here, the ironic passages) as well as the textual and historical context to demonstrate irony’s role in the text as a whole.

• Kansas State University: Critical Concepts: Verbal Irony; Lyman Baker

Elissa Hansen has more than nine years of editorial experience, and she specializes in academic editing across disciplines. She teaches university English and professional writing courses, holding a Bachelor of Arts in English and a certificate in technical communication from Cal Poly, a Master of Arts in English from the University of Wyoming, and a doctorate in English from the University of Minnesota.

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What Is the Role of Irony in Literature?

Irony is a figure of speech in which the meaning intended by the author or speaker is the reverse of what is being avowed. A method for evoking humor, irony in literature is often like a private joke that creates a sense of complicity between author and reader. In effect, the author is saying to the reader, “I know you are smart enough to understand what is really going on here.” Irony in literature is intended to provoke the reader into thinking harder and analyzing a situation. By comparing and contrasting reality with suppositions about reality, the reader is able to arrive at a better understanding of the author’s intent.

The rhetorical device of irony in literature is often far more effective than a direct statement. A classic example of the use of irony in literature can be found in Harper Lee's To Kill a Mockingbird , an American novel set in a small Alabama town during the 1930s. While teaching a current events class, Miss Gates, the local school teacher, leads the class in a discussion about the rise of Nazism in Germany and the persecution of the Jewish people. Miss Gates told the class that only those who are prejudice persecute people, unlike those where they lived. Smug and comfortable in her support of the Jewish people, she is totally incapable of seeing the irony of her comments in light of her extreme prejudice toward black residents of the town.

Irony is common in everyday speech and is closely related to sarcasm — a harsh or bitter statement that often points out some sort of contradiction. Entertainers and comedians frequently use both irony and sarcasm to incite laughter. Comedian Bill Cosby used irony to great effect in “The Baffling Question,” an essay in which he discussed the serious issues that arise when raising children. The baffling question that the title of the essay refers to is the question of whether or not to have children. Cosby divulges that carrying on the family name was an important reason for his wanting a son, but after the trials and tribulations of raising his son, Cosby confessed to sometimes telling his son to not reveal his true identity.

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• Harper Lee wrote "To Kill a Mockingbird", which contains a classic example of irony in literature.
• By: michaeljung Irony in literature is often like a private joke that creates a sense of complicity between author and reader.
• By: Antonioguillem Irony is often used to incite laughter.
• By: Chris Tefme Irony in literature is intended to provoke the reader into thinking harder and analyzing a situation.
• By: daniaphoto Novelists who use irony in their books do so for several reasons.

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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