creative writing describing a river

How To Describe a River in Writing (100+ Examples & Words)

Rivers are the veins of the Earth, flowing with life and stories.

Here is how to describe a river in writing:

Describe a river in writing by focusing on its course, sound, color, temperature, wildlife, banks, reflections, mood, interaction with light, and historical significance. Use colorful words and phrases to bring its unique characteristics to life in your narrative.

This guide will teach you everything you need to know about how to describe a river in writing.

Types of Rivers to Describe in Writing

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• Mountain Rivers : Originating from high altitudes, these rivers are typically characterized by steep gradients, fast-flowing currents, and rocky beds. They often create rapids and waterfalls as they descend.
• Lowland Rivers : Found in flatter areas, lowland rivers have a gentle slope and slower current, often meandering through the landscape.
• Rain-fed Rivers : These rivers swell and flow primarily during the rainy season, often drying up or reducing significantly in the dry season.
• Glacial Rivers : Fed by the melting of glaciers, these rivers are often cold, with a milky appearance due to the sediment known as glacial flour.
• Perennial Rivers : Flowing throughout the year, perennial rivers are fed by a combination of rainfall, springs, and snowmelt.
• Intermittent Rivers : These rivers flow only during certain times of the year, typically in response to seasonal rainfall.
• Tributaries : Smaller rivers or streams that feed into a larger river, contributing to its flow and volume.
• Deltaic Rivers : Forming deltas where they meet the sea, these rivers carry sediments that create rich, fertile land.
• Subterranean Rivers : Flowing underground, these hidden rivers carve through caves and are often only partially accessible.
• Artificial Rivers : Man-made rivers or canals, created for navigation, irrigation, or other purposes.

10 Elements of Rivers to Describe in a Story

Let’s explore ten essential elements of rivers and how to describe them, providing you with ample examples to enhance your narrative.

1. The River’s Course

The course of a river – its path from source to mouth – is fundamental to its identity.

It shapes the river’s behavior, influences its surroundings, and impacts the stories unfolding along its banks.

A river’s course can be straight, winding, or braided, each type offering a different narrative potential.

• “The river carved a sinuous path through the lush valley, a serpent winding through Eden.”
• “Rushing straight as an arrow, the river channeled its force, unyielding and determined.”
• “The river meandered lazily, like a daydreamer taking a leisurely stroll.”
• “In its youthful stage, the river danced over rocks, playful and untamed.”
• “A network of braided channels spread across the delta, like the roots of an ancient tree.”
• “At each turn, the river unveiled hidden groves and secret fishing spots.”
• “The river’s journey was interrupted by sharp turns, creating eddies and whirlpools.”
• “In its old age, the river looped and doubled back, reluctant to reach the sea.”
• “The river traced the contours of the landscape, a natural artist at work.”
• “Bending around cliffs, the river sculpted the land, a master carver over millennia.”

2. The River’s Sound

The sound of a river is as much a part of its character as its course.

It can be a gentle babble, a soothing whisper, or a roaring torrent, each conveying a different mood and atmosphere.

• “The gentle babbling of the river was like a lullaby, calming and serene.”
• “A symphony of splashes and gurgles accompanied the river’s journey over pebbles and rocks.”
• “The river’s roar in the canyon echoed, a testament to its raw power.”
• “Soft whispers of flowing water created a tapestry of sound, soothing and constant.”
• “At the waterfall, the river’s voice crescendoed into a thunderous applause.”
• “The quiet flow was barely audible, like a secret conversation among the stones.”
• “In the still night, the river’s murmuring was a companion to the stars.”
• “The playful chattering of the river as it skipped over obstacles brought a sense of joy.”
• “A deep, resonant sound emanated from the river’s depths, mysterious and ancient.”
• “As rain fell, the river’s song grew louder, a chorus swelling with each drop.”

3. The River’s Color

The color of a river can vary greatly, influenced by its source, the minerals it carries, and the light it reflects.

Describing its color adds a visual dimension to the narrative.

• “The river shimmered in hues of emerald and sapphire, a jewel under the sun.”
• “A rich, muddy brown, the river carried the soil of distant lands in its flow.”
• “The glacial river’s icy blue was mesmerizing, a frozen dance of light and water.”
• “In the twilight, the river turned a soft, pearly gray, mirroring the sky.”
• “Green with algae, the river spoke of the life teeming beneath its surface.”
• “The river’s black waters at night were like a portal to another world.”
• “A silvery sheen coated the river, a reflection of the moon’s gentle glow.”
• “Rust-colored from iron-rich soils, the river was a ribbon of fire in the sunlight.”
• “The crystal-clear water revealed every pebble and fish, a window into the riverbed.”
• “In the rain, the river’s colors muted, a watercolor painting blending into the landscape.”

4. The River’s Temperature

The temperature of a river can influence the behavior of its inhabitants and the experience of those who venture near it.

It can range from icy cold to comfortably warm.

• “The river’s icy touch was invigorating, a shock of cold that awakened the senses.”
• “Warm as bathwater, the river invited a leisurely swim on a hot summer day.”
• “The cool current provided a refreshing respite from the afternoon heat.”
• “A frigid stream from the mountain’s heart, the river numbed fingers and toes.”
• “The tepid water was like a gentle embrace, soothing and mild.”
• “In the spring, the river’s chill was a reminder of the melting snow that fed it.”
• “Swimming in the river felt like dipping into liquid sunshine, its warmth enveloping me.”
• “The river, chilled by the deep forest’s shade, flowed silently and cold.”
• “Near the hot springs, the river’s warmth was a natural spa, therapeutic and inviting.”
• “In winter, the river’s icy surface hid the still-cold waters beneath.”
• “The river’s lukewarm embrace in the evening hinted at the day’s lingering heat.”

5. The River’s Wildlife

The wildlife in and around a river is a testament to its ecological richness.

Describing the creatures that inhabit its waters and banks can bring a scene to life.

• “Fish darted in the river’s clear depths, flashes of silver in the sunlight.”
• “Birds sang from the riverside, a chorus of melodies blending with the water’s flow.”
• “Frogs croaked rhythmically at dusk, serenading the river with their evening chorus.”
• “Otters played in the river, their antics a joyful dance of life.”
• “Elegant herons stood along the banks, silent sentinels fishing in the shallows.”
• “Dragonflies skimmed the river’s surface, a display of aerial acrobatics in vibrant colors.”
• “Beavers busied themselves with dam-building, architects of the river’s landscape.”
• “Ducks and geese paddled along, creating gentle ripples in the calm waters.”
• “A deer cautiously approached the river, its reflection joining it for a drink.”
• “Schools of small fish swirled in the shallows, a living mosaic beneath the waves.”

6. The River’s Banks

The banks of a river frame its waters and are often as varied and interesting as the river itself.

From sandy shores to rocky ledges, the banks tell their own story.

• “Tall grasses swayed along the river’s banks, a gentle dance with the breeze.”
• “Trees leaned over the water, their leaves creating dappled patterns of light and shadow.”
• “The sandy shore was a soft, warm blanket, inviting sunbathers and picnickers.”
• “Rocks and boulders lined the river, creating miniature waterfalls and eddies.”
• “Flowers bloomed in abundance on the riverbank, a riot of colors and scents.”
• “Mudflats appeared at low tide, revealing the river’s hidden underbelly.”
• “Steep cliffs towered over the river, casting dramatic shadows on the water below.”
• “Roots of ancient trees gripped the banks, as if holding the river in an embrace.”
• “Gravel beds crunched underfoot, a testament to the river’s erosive power.”
• “In some places, the bank disappeared altogether, the river merging with the surrounding forest.”

7. The River’s Reflections

Reflections on a river can be as telling as the river itself, offering a mirrored view of the world around it.

They add a layer of beauty and depth to the scene.

• “The river reflected the sky, a canvas of clouds and blue painted on its surface.”
• “Trees mirrored in the still water, their upside-down images a ghostly forest.”
• “The mountains loomed over the river, their grandeur doubled in its reflective depths.”
• “Birds flying over were mirrored on the water, their flight captured in a fleeting moment.”
• “At sunrise, the river blazed with the colors of the morning, a symphony of light.”
• “The full moon cast a silver path across the river, a bridge to the other side.”
• “Leaves floating on the surface created a moving mosaic, nature’s art in motion.”
• “Stars twinkled on the river at night, a mirror to the heavens.”
• “The river caught the fire of the sunset, ablaze with oranges and reds.”
• “Clouds drifted in the river’s surface, a slow parade mirrored in the gentle currents.”

8. The River’s Mood

A river’s mood can change with the weather and seasons, reflecting the emotions of a scene.

Describing this mood can set the tone for the entire narrative.

• “In the storm, the river was angry, its waters churning with fury.”
• “On a sunny day, the river was joyful, sparkling with life and light.”
• “In the fog, the river was mysterious, a hidden world shrouded in mist.”
• “As the leaves fell, the river became melancholic, a reflection of autumn’s mood.”
• “In the moonlight, the river was romantic, a silver path in the darkness.”
• “When frozen, the river was silent and still, a pause in its endless journey.”
• “In the dawn’s early light, the river was hopeful, a new day beginning.”
• “During the flood, the river was powerful and relentless, reshaping the land.”
• “In the evening, the river was peaceful, a serene end to the day.”
• “Under the stars, the river became magical, a mystical pathway through the night.”

9. The River’s Interaction with Light

The way light interacts with a river can transform its appearance, creating a spectrum of visual effects.

Describing this interplay can add a vivid, almost magical quality to your narrative.

• “Sunbeams pierced the canopy, turning the river into a ribbon of gold.”
• “At dusk, the river absorbed the fading light, a soft glow lingering on its surface.”
• “Moonlight cast a silvery sheen, giving the river an otherworldly appearance.”
• “The sunrise set the river ablaze, a fiery mirror to the awakening sky.”
• “Shadows and light danced on the water, a delicate balance of contrast and harmony.”
• “In the midday sun, the river sparkled like a thousand diamonds strewn across its surface.”
• “The overcast sky turned the river a somber gray, a mirror to the mood above.”
• “Raindrops created tiny, concentric circles, a dynamic interplay of light and motion.”
• “The northern lights above transformed the river into a canvas of ethereal colors.”
• “In the twilight, the river’s surface shimmered, capturing the last whispers of daylight.”

10. The River’s Historical and Cultural Significance

Rivers often hold historical and cultural significance, serving as lifelines for civilizations and inspirations for countless stories and myths.

• “Legends whispered of ancient battles fought along the river’s banks, its waters a silent witness.”
• “The river had been a trade route for centuries, its flow carrying goods and stories.”
• “Sacred rituals were performed by the water, the river a conduit to the divine.”
• “Ancient carvings on the rocks told the river’s story, a testament to its enduring presence.”
• “Folk songs sung by the river spoke of love, loss, and the passage of time.”
• “The river’s name was entwined with local lore, a character in the community’s narrative.”
• “Historic settlements along the riverbanks showcased its role in human settlement.”
• “On its waters, festivals celebrated the river’s bounty and beauty.”
• “The river was a boundary in old maps, a natural divider of lands and peoples.”
• “In the quiet of the night, the river seemed to whisper the secrets of the ages.”

Check out this video about how to describe a river in writing:

50 Best Words to Describe Rivers in Writing

Choosing the right words is crucial in painting a vivid picture of a river in writing.

Words can capture the essence, movement, and mood of a river, making it leap off the page.

Here are 50 descriptive words to help you bring rivers to life in your writing:

• Slow-moving
• Crystal-clear
• Invigorating

50 Best Phrases to Describe Rivers

Phrases can often convey the complexity and beauty of rivers more effectively than single words.

Here are 50 phrases that encapsulate different aspects of rivers, enriching your narrative with their depth and imagery:

• A ribbon of blue cutting through the landscape
• Murmuring secrets as it flows
• Reflecting the ever-changing sky
• Dancing with the sunlight
• Carving its path through ancient rocks
• Whispering to the pebbled shore
• A mirror to the world above
• Cradling life in its watery embrace
• Where history and nature intertwine
• The heartbeat of the wilderness
• A journey from mountain to sea
• Echoing the rhythm of the rain
• A canvas of nature’s hues
• Twisting like a dragon’s spine
• The painter of its own meandering story
• A serenade of water and wind
• The laughter of the earth
• A conduit between past and present
• The keeper of age-old secrets
• A symphony of ripples and waves
• Shimmering under the moon’s gaze
• A pathway for wandering souls
• The song of the untamed
• A cradle of biodiversity
• The sculptor of valleys and canyons
• Where myths and legends are born
• The lifeline of the land
• A fluid mosaic of light and shadow
• Bridging realms with its flow
• The whisperer of ancient tales
• A tapestry woven by nature
• Flowing like time itself
• A dance of light and water
• The artist of its own landscape
• A melody of movement and stillness
• The breath of the earth
• An ever-changing masterpiece
• The vein of the wilderness
• A journey through seasons and time
• The waltz of water and land
• The stage for nature’s drama
• A testament to resilience and change
• The guardian of hidden depths
• A blend of tranquility and tumult
• The echo of the mountains
• The canvas for sunrise and sunset
• A fluid bridge between worlds
• The nurturer of life and growth
• A symphony composed by nature
• The eternal storyteller of the earth

3 Full Examples for How to Describe a River in Writing

Describing a river effectively can vary significantly based on the genre of writing.

Here are three examples of how to describe a river, tailored to different genres: Thriller, Romance, and Science Fiction.

Thriller: The River’s Menace

The river flowed dark and treacherous under the moonless sky, its currents a silent predator lurking in the night.

The sound of water churning over rocks was like the low growl of a beast waiting in ambush. Shadows played on its surface, hiding secrets too dangerous to reveal. Each ripple seemed to whisper warnings, and the cold mist that rose from its depths carried an air of foreboding.

This was no idyllic waterway but a pathway into the heart of darkness, where every turn held a potential threat.

Romance: The River’s Embrace

The river flowed gently, a serene backdrop to a blossoming romance.

Sunlight danced on its surface, creating a sparkling path that led to an unknown future. The soft murmur of the water was like tender whispers shared between lovers. Along its banks, flowers bloomed in vibrant colors, mirroring the emotions that bloomed in their hearts. In the evening, the river reflected the glorious hues of the sunset, enveloping the lovers in a warm embrace.

It was a place of beginnings and promises, where every ripple spoke of love and hope.

Science Fiction: The River of Time

The river flowed not just with water, but with time itself.

Its currents were streams of moments, converging and diverging in an endless dance. Along its banks, reality seemed to warp, bending under the weight of possibilities. The water shimmered with an ethereal glow, illuminating a path that spanned beyond the known universe. Here, the river was not just a part of the landscape but a portal to other dimensions, a conduit to worlds unimagined.

It was a cosmic river, a flow of time and space that defied all laws of nature.

Final Thoughts: How to Describe a River in Writing

Capturing the essence of a river in writing is an art that enriches any narrative.

Explore more creative writing tips and techniques on our website.

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Writing Nestling

How To Describe A River In Writing (10 Best Ways)

Embarking on the art of describing a river in writing is akin to setting sail on a literary voyage where words become the oars that navigate the currents of imagination.

A river, with its meandering flow and dynamic personality, presents a rich tapestry for writers to explore and convey to readers.

This guide is an invitation to delve into the intricacies of capturing a river’s essence through the written word. From the visual poetry of its scenic landscapes to the melodic cadence of its flow, we will embark on a journey to unravel the techniques that breathe life into the river on the page.

Whether it’s the rhythmic dance of water, the seasonal metamorphosis, or the historical whispers carried in its currents, this guide aims to be a compass for writers navigating the fluid and ever-changing landscape of river descriptions.

So, let the words flow like a tributary, and let’s embark on a literary exploration of how to vividly describe a river.

Table of Contents

How To Describe A River In Writing

Describing a river in writing involves capturing its sensory details and conveying the overall experience. Here is a step-by-step process:

Observation

Begin by closely observing the river. Take note of its size, width, and flow. Pay attention to the surrounding landscape, such as the banks, vegetation, and any notable features.

Sensory Details

Describe the sensory elements of the river. Discuss the sounds it makes, whether it’s a gentle babble or a roaring cascade. Note the smells associated with the river, such as the freshness of the water or the earthy scent of the surroundings.

Visual Imagery

Use vivid and descriptive language to paint a picture of the river. Discuss the color of the water, the reflections, and the play of light on its surface. Mention any wildlife or boats that may be present.

Emotional Tone

Consider the emotional tone you want to convey. Does the river evoke a sense of tranquility, adventure, or mystery? Tailor your language to reflect the mood you want the reader to experience.

Temporal Elements

Address the river’s changing nature over time. Describe how it may alter with the seasons , the time of day, or in response to weather conditions. Mention any observable patterns in its behavior.

Comparisons and Metaphors

Enhance your description by using comparisons and metaphors. For example, you might liken the river to a silver ribbon winding through the landscape or describe its movements like a dancer gracefully gliding.

Human Interaction

If applicable, include any human elements related to the river. This could involve people fishing, boating, or simply enjoying the riverbanks. Consider how human presence adds to the overall scene.

Historical or Cultural Context

If the river has historical or cultural significance, incorporate relevant details. Discuss any stories, legends, or events associated with the river that contribute to its character.

Flow and Movement

Focus on the river’s dynamic qualities. Describe how it moves, whether it’s a fast-paced cascade or a meandering flow. Use words that convey a sense of rhythm and energy.

Summarize your overall impression of the river. Tie together the sensory details, emotions, and unique characteristics you’ve highlighted, leaving the reader with a lasting and evocative image of the river.

Remember to engage the reader’s senses and emotions throughout the description to create a rich and immersive portrayal of the river.

Understanding the River

Understanding the river is like deciphering nature’s ancient poetry, written in the fluid dance of currents and the rhythmic song of water against stone.

It’s more than a mere geographical entity; it’s a living, breathing storyteller, weaving tales of time and transformation.

To comprehend the river is to unlock the secrets of its meandering journey, tracing the contours of its banks like the lines on an aged palm, each curve narrating a chapter of its history.

It is a symphony of liquid notes, a whispering oracle that reveals the eons it has witnessed. So, dive into the river’s embrace, let its essence seep into your senses, and unravel the enigmatic prose that flows within its ever-changing waters.

Understanding the river is an invitation to immerse yourself in the ceaseless narrative of nature, a journey where every ripple is a word, and every bend is a punctuation mark in the lyrical composition of existence.

Researching the specific river

Embarking on the journey to research a specific river is akin to opening a treasure chest filled with geological gems, historical artifacts, and ecological wonders.

This meticulous exploration is not merely about locating a body of water on a map; it’s a quest to unravel the river’s identity, tracing its sinuous path through time and terrain.

Delve into the geographical intricacies, where coordinates tell tales of landscapes shaped by nature’s artistry. Unearth historical footprints, discovering the river’s role in the chronicles of human civilization, from ancient civilizations to modern societies.

Navigate the depths of unique features, be they waterfalls cascading like liquid silk or meandering stretches that carve a serpentine narrative through valleys.

In researching a specific river, you embark on an intellectual adventure, peeling back layers of knowledge to reveal a rich tapestry woven by the intersection of water, land, and the human experience.

Sensory Imagery

Sensory imagery is the painter’s palette of words, a literary kaleidoscope that invites readers to not just see, but to taste the vibrant hues of a narrative, to hear the symphony of words, and to touch the textures woven into the fabric of a story.

It’s the art of crafting prose that transcends mere description, immersing the audience in a world where they can feel the crisp breeze on their skin, taste the tang of salt in the air, and hear the whispers of leaves in the moonlit stillness.

Sensory imagery isn’t just about sight; it’s a multisensory feast that transports the reader beyond the page and into the very heart of an author’s imagination.

It’s the difference between reading about a river and feeling the cool, refreshing embrace of its waters, a literary alchemy that transforms words into an immersive sensory symphony.

Visual Descriptions

Visual descriptions are the kaleidoscopic brushstrokes that bring a narrative canvas to life, inviting readers into a world painted with words.

It’s not merely about recounting what meets the eye; it’s an intricate dance of details that stitches together the visual tapestry of a scene.

The play of light and shadow, the myriad colors that dance across a landscape, and the intricate details that escape casual glances – visual descriptions encapsulate the essence of a place, freezing moments in time with the precision of a masterful artist’s stroke.

It’s the sparkle of sunlight on a river’s surface, the rustle of leaves caught in a breeze, and the panoramic sweep of a mountain vista that, when articulated, transport the reader into the very heart of the depicted scene.

Visual descriptions are the magic ink that transforms the mundane into the extraordinary, making the written word a portal to worlds where imagination and reality seamlessly converge.

Auditory Descriptions

Auditory descriptions compose the lyrical soundtrack of a narrative, weaving a tapestry of sound that resonates with readers on a visceral level.

Beyond the visual, they plunge into the unseen symphony of the environment, capturing the rustle of leaves in a gentle breeze, the rhythmic percussion of raindrops on a tin roof, or the harmonious chorus of birds greeting the dawn.

Auditory descriptions evoke emotions and memories, painting scenes with the sounds that define them. It’s the crackling of a bonfire, the distant hum of city life, or the serene silence of a snowfall.

Through carefully chosen words, auditory descriptions not only enrich the sensory experience but also serve as a conduit to the soul of a setting, allowing readers to immerse themselves in the rich, evocative soundscape of a story.

They transform written language into a symphony, where each word resonates like a note, creating a composition that lingers in the reader’s mind long after the last page is turned.

Utilizing Figurative Language

Utilizing figurative language in writing is akin to adding a dash of cosmic stardust to the ordinary alphabet. It’s the celestial ballet of metaphors and similes pirouetting across the page, turning prose into a constellation of vivid images that defy the gravitational pull of mundanity.

Metaphors are the warp and weft of storytelling, weaving the fabric of imagination, while similes are like the secret handshakes between words, forging unexpected connections.

Personification breathes life into the inanimate, making the moon a clandestine confidante and the wind a mischievous trickster.

Figurative language isn’t just a linguistic flourish; it’s a literary alchemy that transmutes words into a realm where the mundane becomes magical, and the ordinary is imbued with an extraordinary sparkle.

In the symphony of storytelling, figurative language is the crescendo that elevates prose to a celestial sonata, where every sentence is a constellation waiting to be discovered.

Metaphors and Similes

Metaphors and similes are the sorcerers of language, conjuring a spell that transforms the mundane into the extraordinary.

Metaphors are the hidden bridges between disparate worlds, seamlessly blending the tangible and the abstract, allowing readers to traverse from the known to the sublime.

They’re the poetic shortcuts that paint vivid landscapes with a single brushstroke, turning a simple raindrop into a liquid diamond or a sunset into a molten palette of dreams.

Similes, on the other hand, are the comparisons that twinkle like stars in the literary firmament, illuminating the text with their celestial glow.

Like metaphorical constellations, they guide readers through the vast expanse of imagination, making the unfamiliar feel like an old friend.

Together, metaphors and similes breathe life into language, infusing it with a poetic resonance that transcends the boundaries of mere description, and in doing so, they invite readers to dance on the tightrope between reality and reverie.

Personification

Personification is the literary enchantress, weaving the spell that animates the inanimate, bestowing the ordinary with an extraordinary pulse.

It is the art of breathing life into the lifeless, granting human qualities to the elements of nature or everyday objects.

When personification takes the stage, the wind becomes a mischievous whisperer, the sun a benevolent storyteller, and the mountains stoic guardians of ancient tales.

It transforms the mundane into the magical, allowing readers to see the world through the eyes of a benevolent creator, where even the smallest pebble might harbor secrets and the moon may be privy to silent confessions.

Personification transcends mere description; it is an alchemical process that infuses the narrative with a touch of the fantastical, making the reader not just a spectator but a participant in a whimsical dance between the tangible and the imaginative.

Describing Movement and Flow

Describing movement and flow in writing is like capturing the elusive choreography of nature’s ballet. It’s more than just words on a page; it’s a dance of sentences pirouetting through the air, capturing the essence of rivers that waltz over rocks and breezes that tango through the leaves.

The narrative becomes a river itself, flowing seamlessly, cascading down the paragraphs with the grace of a waterfall. The movement is not just about the physical; it’s the ebb and flow of emotions, the undulating rhythm of a story’s heartbeat.

It’s the fluidity of words that mimic the current, taking readers on a literary voyage where every sentence is a ripple and every paragraph a whirlpool of imagination.

Describing movement is the art of making words fluid, inviting readers to wade into the stream of prose and be swept away by the current of storytelling.

Conveying the speed and rhythm of the river

Conveying the speed and rhythm of the river is like transcribing the heartbeat of nature onto the parchment of language.

It’s an intricate dance, where words become the choreographers, orchestrating the lively tempo of the water’s journey.

The river, at times, moves with the urgency of a sprinting gazelle, its currents racing downstream in a fervent rush. Other moments unveil a more languid cadence, as if the river were savoring the poetic pauses between each ripple.

Describing the speed and rhythm becomes a symphony of adjectives and adverbs, as one tries to encapsulate the fluidity of the river’s movement.

It’s a poetic endeavor that requires the finesse of a conductor, aligning each phrase to the rhythm of the water’s melody, inviting readers to feel the pulse of the river’s timeless song.

Detailing changes in current and water dynamics

Detailing changes in current and water dynamics is akin to narrating the river’s own evolving biography, written in the nuanced language of its movements.

It’s a story of twists and turns, where the currents perform a ballet of metamorphosis, transforming from tranquil whispers to turbulent roars.

Describing the subtle shifts in water dynamics requires the precision of a cartographer, mapping the ebb and flow as the river meanders through the topography of its own narrative.

A sudden acceleration might echo the heartbeat of a storm, while a gentle eddy could mirror the reflective pauses in the passage of time.

It’s an art of observation that goes beyond the surface, delving into the depths where eddies become whispers of submerged secrets and rapids echo the spirited rebellion of the river against the constraints of the landscape.

Detailing these changes is an invitation for readers to embark on a journey through the ever-changing script of water, where every ripple pens a new chapter in the fluid story of nature.

Exploring the impact of weather on the river’s behavior

Exploring the impact of weather on the river’s behavior unveils the river’s dynamic dialogue with the atmospheric elements, as if it were a poetic dance partner in the ever-changing ballroom of nature.

Weather is the maestro orchestrating the river’s performance – a torrential downpour transforms the river into a roaring maestro, conducting a thunderous symphony as it swells and surges.

In contrast, the gentle touch of sunlight might coax the river into a languid ballet, its waters shimmering like liquid gold.

Frosty mornings may cloak the riverbanks in an ethereal silence, while gusty winds become the river’s enthusiastic partner, whisking away whispers from its surface.

It’s a symbiotic relationship where the river becomes the weather’s canvas, painting its emotional response across the landscape.

Exploring these meteorological nuances is to decipher the river’s atmospheric sonnet, where raindrops become stanzas and sunshine transforms into verses, etching a narrative that transcends the mere ephemerality of weather.

Addressing Seasonal Changes

Addressing seasonal changes in the life of a river is akin to witnessing a kaleidoscopic metamorphosis orchestrated by Mother Nature herself.

Each season arrives as a masterstroke, transforming the river’s character and scenery with a cinematic flair. In winter, the river dons a tranquil cloak of stillness, its waters hushed beneath a crystalline tapestry of ice, while spring brings a vibrant crescendo, awakening the river with the exuberance of new life and a symphony of melodic flows.

Summer sees the river assuming the role of a refreshing oasis, inviting sun-dappled adventures, while autumn paints the scene in a palette of fiery hues, the river mirroring the vibrant foliage in a breathtaking dance of reflection.

Addressing seasonal changes is akin to penning verses in a celestial diary, where each chapter is a poetic ode to the river’s perennial reinvention, echoing the harmonious cadence of time and the eternal rhythm of nature’s cyclical ballet.

Describing the river in different seasons

The river, a transient maestro of nature’s symphony, undergoes a captivating metamorphosis with each passing season.

In winter, the river surrenders to the frost’s embrace, transforming its liquid expanse into a silent tableau of ice sculptures, as if the very essence of its flow were suspended in a crystalline dream.

Spring breathes life back into its veins, a rebirth echoed in the babbling currents and the vibrant bloom that adorns its banks. Summer sees the river donning a robe of effervescent activity, its waters becoming a haven for sunlit reflections and playful ripples, inviting laughter and leisure along its shores.

As autumn paints the landscape with a kaleidoscope of hues, the river becomes a canvas, mirroring the fiery foliage with a reflective grace.

Each season is a chapter in the river’s cyclical narrative, a testimony to the profound connection between this aqueous storyteller and the ever-changing tapestry of the natural world.

Historical and Cultural Context

Navigating the historical and cultural currents that intertwine with a river is like embarking on an archaeological voyage where each ripple conceals a chapter of human civilization.

The river, more than a waterway, is a time-traveling bard, whispering tales of bygone eras along its serpentine course.

Its banks have witnessed the footprints of ancient civilizations, the echoes of battles lost and won, and the silent narratives of cultural rituals that have ebbed and flowed like its waters.

The river is not just a geographical entity; it’s a living museum where the sediment of history settles, and the echoes of diverse cultures resonate.

From the rituals performed on its shores to the bridges built to span its currents, the river is an archaeological text written in water, inviting intrepid explorers to decode the layers of human heritage etched into its banks and bed.

In understanding the historical and cultural context of a river, one becomes not just a reader of its stories but a custodian of the submerged narratives that shape its aquatic identity.

Crafting a Narrative

Crafting a narrative is akin to wielding a quill dipped in the ink of imagination, where each stroke becomes a ripple in the river of storytelling.

It’s not merely about stringing words together but about conjuring a world where sentences dance and paragraphs hum with the energy of a thousand tales waiting to be told.

Like a river carving its path through landscapes, a narrative meanders through the topography of characters, plot twists , and settings, sculpting a literary terrain that invites readers to embark on a journey of discovery.

The storyteller, akin to a river guide, directs the flow of words, creating currents of suspense, pools of emotion, and deltas of revelation.

Crafting a narrative is not just a literary endeavor; it’s a sacred act of world-building, where ink becomes the architect and words the bricks that construct realms where readers willingly drown and emerge forever changed.

Building a story around the river

Building a story around the river is like composing a symphony where the water is both the conductor and the protagonist.

The river becomes more than a backdrop; it evolves into a dynamic character, whispering its own secrets and shaping the destinies of those who dwell along its shores. The narrative flows and meanders, mirroring the undulating currents of the river itself.

Characters navigate its bends, face the rapids of challenges, and find solace in its tranquil pools. The river is not merely a setting but a narrative force, influencing the plot’s tempo with its seasonal changes, reflecting the characters’ emotional ebbs and flows.

It weaves itself into the very fabric of the story, becoming a living, breathing entity that propels the plot forward like a force of nature.

In building a story around the river, the writer becomes a navigator, steering through the narrative waters to unveil the secrets and stories hidden within its fluid embrace.

Editing and Refining

Editing and refining are the alchemical processes that transform raw literary ore into a gleaming narrative masterpiece.

It’s not a mere dissection of words; it’s a surgical art, where each incision breathes new life into the prose. Like a sculptor chiseling away excess stone to reveal the statue within, editing carves precision from the rough-hewn blocks of sentences.

It’s a dance of discernment, where unnecessary words are shed like autumn leaves, allowing the core story to emerge in its unadulterated brilliance.

Refining is the crucible in which ideas meld, sentences polish, and the narrative’s luster is brought to a high gloss.

It’s not just about fixing; it’s about elevating the manuscript to the realm of literary refinement.

In the crucible of editing, the story is not merely revised but reborn, emerging from the crucible with a shine that beckons readers like a beacon in the vast sea of written expression.

Frequently Asked Questions (FAQ) about How To Describe A River In Writing

How can i make my river descriptions more vivid and evocative.

Dive into sensory details – paint with words to capture the river’s visual, auditory, and tactile dimensions. Enrich your descriptions by incorporating the nuanced elements that make the scene come alive.

What role does figurative language play in describing a river?

Figurative language, like metaphors and similes, is the secret sauce. It transforms your descriptions from mundane to magical, creating imaginative connections that resonate with readers and bring the river to life in unexpected ways.

How do I convey the river’s changing dynamics over different seasons?

Each season is a character in the river’s story . Explore the dance between the river and the seasons, detailing the shifts in mood, color, and atmosphere. Use the changing backdrop to infuse your descriptions with depth and variety.

Why is it important to consider the historical and cultural context of a river?

A river is a silent witness to history. Weaving in historical and cultural elements adds layers to your narrative, connecting the river to the broader human experience and providing a richer backdrop for your descriptions.

How can I create a narrative around the river without it feeling forced?

Let the river be a character with agency. Allow it to influence the plot, characters, and emotions. Building a story around the river should feel natural, as if the water itself is guiding the course of your narrative.

What’s the significance of editing and refining when describing a river?

Editing is the refining process that polishes your prose into a literary gem. It’s about precision – chiseling away excess, streamlining sentences, and ensuring each word contributes to the river’s vivid portrayal. Refinement elevates your writing from good to extraordinary.

How can I balance vivid descriptions with concise writing?

Strike a balance between lush descriptions and concise language. Focus on the most impactful details that convey the essence of the river. Less can be more, allowing readers to engage their own imagination in filling in the gaps.

What’s the best way to ensure my river descriptions resonate emotionally with readers?

Infuse your descriptions with emotion. Connect the river to human experiences, making it a mirror for the reader’s feelings. Whether it’s serenity, awe, or nostalgia, evoke emotions that create a lasting impact.

Can you provide tips for crafting a compelling introduction to a river description?

Begin with an enticing hook that draws readers into the river’s world. Consider using vivid imagery, intriguing metaphors, or posing a thought-provoking question. The introduction sets the tone for the entire descriptive journey.

How can I receive constructive feedback on my river descriptions?

Join writing communities or workshops where you can share your work. Constructive feedback from peers can offer valuable insights and different perspectives, helping you refine and enhance your river descriptions.

In the art of describing a river in writing , the journey is as enriching as the destination. The words we choose to weave into the tapestry of rivers shape not just the scenery but the very essence of our narratives.

From the visual panoramas to the nuanced dance of currents, we’ve explored the tools that transform descriptions into immersive experiences.

As we conclude this exploration, remember that the river is not just a backdrop but a dynamic protagonist in the stories we tell.

The seasons, history, cultural context, and the river’s own narrative arc are threads in the literary fabric we create.

Editing and refining serve as the final brushstrokes, refining our prose into a masterpiece that resonates emotionally.

May your future descriptions of rivers flow with the vitality and grace of the waters they depict, inviting readers to embark on a journey where words become the vessel navigating the meanders of imagination.

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10 Words to Describe a Calm River

By Brittany Kuhn

The way you describe your setting can have an impact on how your characters respond or react to the events in your plot. Even if you are just describing a calm river in order to help the reader visualize the setting, it’s important to use descriptive words that tap into the senses a bit more. If you need some words to describe a calm river, try using one of the 10 below to help your reader ‘see’ the river in all its serenity.

1. Tranquil

Definitions.

• Without disturbance or commotion.
• Unwavering or steady.

“She gazed out at the tranquil river, feeling its peace and stillness within her.”

“The tranquil river flowed effortlessly along its banks.”

How it Adds Description

The word tranquil suggests that the river is peaceful and calm, almost heavenly: the water moves swiftly but easily along the banks, maybe there are birds chirping sweetly and the sun is shining brightly. Use tranquil if you want your reader to imagine the river as perfect and picturesque.

• Free of unpleasantness or disruption.
• Complete calm and quietude.

“The serene river made him feel at ease.”

“Travelling on the serene river was a breeze compared to the tumultuous storm at sea.”

Serene is best used when comparing the river to something wild and frayed because it creates an image of a setting so peaceful that it calms everything around it. Maybe your character is nervous or scared; if you have them visit or come across a serene river, they may immediately feel at ease and able to handle whatever situation they find themselves in.

“The river was so still that she could see the fish moving beneath the surface.”

“The still river reflected his image back at him.”

Still suggests a body of water that is flat, like glass. You can use it to describe a river that has no movement or if you want your characters to be able to see what’s beneath the water’s surface. You could also use still to describe a river before something has shattered the stillness, making the event that much more impressive. Think of the image a shattered window or mirror has; disturbing a still river would have the same effect.

Without noise or movement.

“The river was so quiet you could hear the dewdrops falling from the leaves.”

“He was surprised at how quiet the river was considering how loud the storm was the night before.”

If you want to highlight how the river sounds, describing it as quiet will help your reader imagine the lack of noise and imagine water moving smoothly, without anything in its way. Quiet could be used in a positive manner, highlighting the lack of noise if the character needs things to be silent. Or you could also use quiet to show a calm river that is a bit eerie or hiding something sinister, if it is too quiet.

5. Peaceful

Easygoing , without force.

“The driftwood travelled along the peaceful river, with nothing to stop its travels.”

“She fell asleep in her rowboat as it floated along the peaceful river, content in the knowledge that she was safe from harm.”

Like tranquil and serene , peaceful tells your reader there is nothing to fear in this river; the animals won’t bite, there won’t be any unexpected waterfalls or rapids. Your characters can travel easily.

Without commotion or trouble.

“The placid river calmed her anxious nerves.”

“He felt at home, sitting on the banks of the placid river.”

Placid implies a body of water with zero movement: no animals, no waves, not even a breeze. It could be used as a positive adjective, like in the examples above, or you could use it as a negative, to suggest that there is something wrong with the river since there is no activity within it.

• So clear it’s see-through.
• Completely calm and undisturbed.

“She gazed into the limpid river, watching the fish swim to and fro.”

“The limpid river sat unmoving, not a ripple breaking through its waters.”

Limpid suggests to the reader that the surface of the water is so flat that it looks like a piece of glass. Limpid also suggests that nothing is moving, not even the fish, so you could use it to describe a river in the middle of summer, when the heat is so thick and humid that everything wants to stay asleep until it cools off a little.

• Having an even or level surface.
• easygoing or untroubled.

“The smooth river flowed easily along the banks.”

“She enjoyed the boat ride along the smooth river.”

Because smooth can describe both a texture and movement, use it in your own novel to show how a river looks and feels at the same time. You can also use smooth to show how pleasant the calm river is to the characters interacting with it, especially if they are travelling down the river by boat. A smooth ride is much more enjoyable than a rough one.

A condition of calm and relaxation .

“While the river was normally chaotic and agitated, today it seemed sedated.”

“The river became sedate after they rounded the bend, not a ripple in sight.”

Since sedated implies someone or something that has been calmed by something or someone else, use sedate in your own story when trying to show a river that has changed from being rough or rapid. This will show your reader that there has been a positive change in the setting, and they should probably pay attention to what is happening next.

Relaxed , pleasing, comfortable.

“He floated along the mellow river, feeling quite at ease himself.”

“The sounds of the mellow river cooled his angry mind.”

Like a mellow person, a mellow river is a place of peace and happiness. Use it in your own novel to make the reader feel contentment in the setting. It is especially useful to show a setting contrasting with a character’s excitement or anxiety (in order to calm them down) or with a stormy and scary environment.

• Conjunctions
• Prepositions

450+ Adjectives Words to Describe a River With Examples

A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases a river flows into the ground and becomes dry at the end of its course without reaching another body of water. Small rivers can be referred to using names such as stream, creek, brook, rivulet, and rill.

There are no official definitions for the generic term river as applied to geographic features, although in some countries or communities a stream is defined by its size. Many names for small rivers are specific to geographic location; examples are run in parts of the United States, burn in Scotland and England, and beck in northern England.

Sometimes a river is defined as being larger than a creek, but not always: the language is vague. It is hard to measure the length of a river. Depending on how much water is flowing in a river, the width of the river, and the depth of the river, the size of a river can change. A river can be as short as a few hundred feet or as long as thousands of miles. Adjectives commonly used to describe rivers include winding , meandering , lazy , slow-moving, and deep .

Table of Contents

Adjectives For River

Rivers are amazing natural phenomena. They are large bodies of water that flow from one place to another, often with great force. They can be calm and serene, or they can be wild and dangerous. Regardless of their personality, rivers are an important part of our world.

Adjectives that can be used to describe rivers include:

• Beautiful: A river can be beautiful, with its flowing waters and natural surroundings.
• Mystic: A river can also be mystical, with an air of mystery surrounding it.
• Powerful: A river can be powerful, with its great force and ability to move large amounts of water.
• Dangerous: A river can be dangerous, with its strong currents and potential for flooding.
• Calming: A river can be calming, with its gentle flow and peaceful surroundings.

No matter what adjectives you use to describe a river, one thing is for sure – they are an amazing part of our world.

How to Describe a River with River Adjectives?

Describing a river through adjectives not only captures its physical appearance but also its essence, mood, and the emotions it evokes. Here are some best practices for using adjectives to describe a river, ensuring your descriptions are vivid, engaging, and reflective of the river’s unique character.

1. Choose Adjectives that Reflect Mood and Movement

Rivers are dynamic, constantly changing entities that reflect a wide range of moods and movements. Select adjectives that capture these aspects, such as “meandering” for a river that flows in gentle curves or “torrential” for one that is fast and powerful.

The choice of adjectives should mirror the river’s character at the moment you wish to describe.

Meandering through the valley, the river carved a path of serenity and grace, inviting onlookers to pause and reflect on its gentle journey.

2. Consider the River’s Context

The surrounding environment and the river’s role within it can greatly influence the adjectives you choose.

A river running through a desert, for example, might be described as “lifegiving” or “oasis-like,” while a river in a bustling city could be “industrious” or “veined.” Consider how the river interacts with its surroundings to select the most fitting adjectives.

In the heart of the bustling city, the veined river flowed like the lifeline of an ancient organism, connecting different parts with a steady pulse.

3. Use Sensory Descriptions

Engage all five senses to create a multi-dimensional description of the river. Besides its visual aspects (“glistening,” “murky”), think about how it sounds (“babbling,” “roaring”), feels (“chilly,” “invigorating”), smells (“fresh,” “earthy”), and even tastes (“mineral-rich,” “brackish”) if relevant. This approach helps to immerse the reader fully into the scene.

The river’s glistening surface caught the morning sun, creating a babbling chorus that was music to the ears, while its chilly touch awakened the senses.

4. Employ Metaphors and Similes

Metaphors and similes can enrich your descriptions, drawing parallels between the river and other concepts or objects to evoke deeper meanings or emotions.

Describing a river as “the village’s lifeline” or comparing its flow to “the graceful movements of a dancer” can provide deeper insights into its nature and impact.

Like a lifeline threading through the desert, the river was an oasis of life in the parched landscape, its crystalline waters a mirror to the sky.

5. Highlight the River’s Impact on Life

Rivers often play a crucial role in the ecosystems and human communities they traverse. Describing a river as “nourishing” or “sustaining” can reflect its importance to local wildlife and people, while “destructive” or “merciless” might be used for rivers that cause flooding or damage.

The nourishing river was a cradle of biodiversity, its banks teeming with life and its waters sustaining both the land and the people who lived by its grace.

6. Reflect on Historical and Cultural Significance

Some rivers have profound historical, cultural, or spiritual significance. Adjectives like “sacred,” “historic,” or “legendary” can allude to these aspects, adding depth to your description by acknowledging the river’s place in human history and mythology.

The sacred river flowed through the city’s heart, its historic banks witnesses to centuries of human joy and tragedy, a legendary thread in the fabric of time.

7. Be Precise and Varied

Precision in your choice of adjectives ensures clarity and avoids clichés. Instead of “beautiful,” consider more specific adjectives like “crystalline” or “serene” to describe the river’s beauty. Variety in adjective use keeps the description engaging and avoids redundancy.

Even under the midday sun, the river remained invigoratingly cool , its serene flow a contrast to the surrounding landscape’s rugged beauty

8. Create a Narrative or Emotional Journey

Consider framing your description of the river as part of a narrative or emotional journey. This approach can transform a simple description into a compelling story or reflection, inviting readers to connect with the river on a personal level.

As the frozen river thawed with the first whispers of spring, it seemed to awaken from its slumber, each babbling curve a verse in the earth’s rejuvenation.

9. Incorporate Seasonal or Time-of-Day Changes

Rivers change appearance and character depending on the season or time of day. Describing these variations (“frozen” in winter, “misty” at dawn) can add dynamism to your description, reflecting the river’s ever-changing nature.

Under the misty dawn light, the river transformed into a mysterious pathway, its waters a shimmering guide through the awakening landscape.

10. Use Imagery to Evoke Emotion

Finally, the best descriptions of a river do more than paint a picture; they evoke emotions. Use imagery and carefully chosen adjectives to create an emotional response in the reader, connecting them to the river in a way that is felt as well as seen.

The river, merciless in its flood, carved a path of destruction, yet in its retreat, it left a silent promise of renewal, a testament to nature’s cyclic heart.

By following these best practices, your descriptions of rivers will not only capture their physical attributes but also their essence, mood, and the myriad ways in which they touch the lives and landscapes they flow through.

Words to Describe a River Flowing

Uncommon adjective words to describe river flowing, how to describe a beautiful river, how you should not describe a river tips.

When discussing rivers, it’s essential to avoid certain descriptors and adjectives that do not convey the necessary respect, accuracy, or appreciation for these natural wonders. Misleading, insensitive, or overly simplistic descriptions can not only misinform but also undervalue the importance of rivers in our ecosystems, cultures, and histories. This section outlines how not to describe rivers, offering guidance on avoiding common pitfalls in river description.

Avoiding Insensitivity

Anthropomorphizing excessively.

While it can be poetic to attribute human characteristics to rivers, overdoing it can lead to descriptions that obscure the natural qualities and ecological functions of rivers.

Describing a river as “angry” or “sad,” for example, might evoke certain imagery but fails to accurately represent the river’s dynamics and its responses to environmental factors.

Disregarding Cultural Significance

Rivers hold profound cultural and spiritual significance for many communities. Descriptions that ignore or trivialize these relationships can be insensitive.

Avoid using adjectives that diminish their importance, such as “insignificant” or “mere,” when they are central to the identities and beliefs of people.

Steering Clear of Inaccuracy

Misleading simplifications.

Rivers are complex ecosystems. Describing them with overly simplistic adjectives, such as “dirty” without context, can be misleading.

It’s important to provide accurate descriptions that reflect the condition of a river, considering pollution levels, sediment types, and other environmental factors.

Incorrect Characterizations

Avoid using terms that inaccurately characterize a river’s nature or behavior, such as “tame” for rivers that are navigable or “wild” for those that aren’t.

These descriptions fail to capture the full range of a river’s behaviors and its capacity for change over time or in response to human intervention.

Avoiding Overgeneralization

Applying broad stereotypes.

Each river is unique, with its own set of characteristics and dynamics. Broadly applying stereotypes, such as describing all rivers in a region as “pristine” or “polluted,” overlooks the specific conditions and histories of individual rivers. It’s crucial to recognize and describe each river’s unique qualities rather than relying on generalizations.

Ignoring Seasonal and Temporal Changes

Rivers can change dramatically with the seasons, weather patterns, and over time. Descriptions that ignore these changes, such as always calling a river “tranquil” or “raging,” can be misleading. It’s important to acknowledge that a river’s appearance and behavior can vary, and descriptions should reflect the river’s state at the time of observation or within the context being discussed.

Describing rivers requires sensitivity, accuracy, and an appreciation for their complexity and significance. Avoiding the use of insensitive, inaccurate, and overgeneralized words and adjectives can help ensure that descriptions of rivers are respectful, informed, and reflective of their true nature and importance. By carefully choosing our words, we can better appreciate and communicate the vital role that rivers play in our world.

Final verdict

A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases a river flows into the ground and becomes dry at the end of its course without reaching another body of water. Small rivers may be referred to using names such as stream, creek, brook, rivulet, and rill.

There are no official definitions for the generic term river as applied to geographic features, although in some countries or communities a stream is defined by its size. Many names for small rivers are specific to geographic location; examples are run in parts of the United States, burn in Scotland and England, and beck in northern England. Sometimes a river is defined as being larger than a creek, but not always: the language is vague.

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Glen, Stream, River: 58 Words to Describe Bodies of Water

Nov 6, 2016 | Writing

Hard to believe it’s already been over 20 years

For my 25th birthday, our good friend Mike took Electra and me for hill-climbing to the McDonalds stronghold outside of Edinburgh. On our way there, we passed two streams, which Mike identified as Glen Doom and Glen Sorrow .

Their charming names notwithstanding, I wondered what the difference between a glen and a stream is. Some 20 years later, I finally have my answer, courtesy of Meg Neal of Atlas Obscura . who has compiled 58 different ways of describing bodies of water,

Size Matters: Starting Small

As Meg explains, the distinction between the various terms is usually defined by size. As the old adage goes:

you can step over a brook, jump over a creek, wade across a stream and swim across a river.

To describe a small stream , you might use any of the following:

• A stream (#1) tends to be the generic term for flowing water; a
• a river (#2) is the largest, while a
• a creek (#3) is a small stream and
• a brook (#4) is even smaller and often babbling.
• Beyond that, small streams can be described as a rivulet (#5, a very small stream or baby stream),
• a rill (#6, a very small brook or rivulet),
• a beck (#7, yet another name for small stream),
• a kill (#8, an old Dutch term in colonial New York for creek or stream),
• a streamlet (#9, yep, a small stream,),
• a runnel , also called runlet, run, rundle or rindle (#10, again, a small stream or brook or rivulet),
• a brooklet (#11, a small brook),
• a bourn (#12, a small stream, particularly one that flows intermittently or seasonally),
• a beck (#13, a small river or synonym for stream or brook),
• a crick (#14, a variation in the pronunciation of creek in parts of the U.S.),
• a ghyll (#15, a narrow stream or rivulet, or a ravine through which through small stream flows), and
• a syke or sike (#16, another Old English term for small stream, especially one that is dry in summer).

A Larger Stream

Image: freeimages.com

What about a large stream ?

• In Scotland and England, that’s sometimes called a burn (#17).
• A spring (#18) is when water flows up from under the ground to the surface.
• A bayou (#19) is very slow moving water, generally a tributary of a lake or river that is sluggish and marshy and filled with vegetation.
• A tributary (#20) for that matter is any stream that flows into a larger main stream or river, while
• a distributary (#21) is the opposite: a stream that branches off from the main river and flows away from it.
• A meander (#22) is just what it sounds like, a turn or bend in a winding river.
• A freshet (#23) is a sudden flow of freshwater from rapid heavy rain or melting snow after a spring thaw. (It can also mean the place where a river or stream empties into the ocean, combining freshwater into salt water.)
• In the same realm, an estuary (#24) is where a river empties into the sea—the place where the mouth of the river meets out the ocean tide.
• And the headwaters (#25) is the source, the very beginning of a river or stream.

Surrounded by Land

There is sweeping category of bodies of water that are either partially or entirely surrounded by land. The former is often found in coastal areas where the shoreline curves in, like a long broad indentation, so the sea is partially surrounded by land but with a wide mouth connected to the open ocean.

• A gulf (#26) is the largest of these broad inlets, and tends to have a narrow mouth opening to the sea.
• Smaller than a gulf is a bay (#27) which is also largely landlocked but with a wider mouth. Smaller still we call a
• Smaller still we call a cove (#28), a small recess or indent in the shoreline that forms a sheltered nook with a narrow entrance.
• A cove will have just a narrowing opening to the sea, while a bight (#29) is a wide indent of the shore, like a bay but smaller and broader—these bights were historically a perfect safe harbor for pirates.
• Speaking of harbors (#30) these are defined as any area of water where ships can anchor and be sheltered from the rough waters and winds of the open ocean.
• That’s slightly different than a port (#31), which are specifically defined as any geographical area where ships are loaded and unloaded. In a similar vein, a sheltered body of water near the shore but slightly outside the enclosed harbor is sometimes called
• a roadstead or roads (#32). Here, ships anchor while they wait to enter the port.
• We all know the common term for a large body of water surrounded by land on all sides; that would be a lake (#33).
• A pond (#34) is just a smaller version, and often formed artificially.
• A particularly shallow but broad sheet of standing water is sometimes referred to as a mere (#35), particularly in Old English dialects or literature.
• Even smaller and shallower is a puddle (#36), typically consisting of dirty rainwater.
• On the flip side, a deep body of still freshwater forms a pool (#37).
• And a tarn (#38) is a small pool or lake found in the mountains, sometimes with steep banks formed by a glacier.
• Things get interesting when the body of water is almost entirely surrounded by land. An oxbow lake (#39) is formed when a wide bend in a river is eventually cut off from the main stream entirely by erosion and becomes a free-standing pool of water. It’s named for its characteristic U-shaped curve, resembling an oxbow.
• A lake or inlet of the sea that is nearly landlocked is sometimes—primary in Scotland—called a loch (#40).

Where the Sea Projects Inland

The Geiranger Fjord. Image: freeimages.com

• also called an arm of the sea or sea arm (#42).
• A firth (#43) a regional word used in Scotland, is similar in that it’s a narrow inlet of the sea, or a large sea bay, or long arm of the sea.
• A fjord (#44) is a long, narrow inlet flanked by steep cliffs on three sides and is connected to the sea. It’s formed when a glacier cuts a U-shaped valley below sea level that fills with sea when the glacier retreats. They’re common along the Norwegian coast, an elongated arm of the sea that’s longer than it is wide.
• A sound (#45) is an ocean inlet even larger than a bay and wider than a fjord—specifically a part of the ocean between two bodies of land, like a wide inlet parallel to the coastline flanked by a nearby island.
• A channel (#46) is also constrained on two sides by banks, but is specifically a bed of water that joins two larger bodies of water.
• A strait (#47) is similar to a channel only narrower.
• A lagoon (#48) is a shallow elongated body of water separated form a larger body of water by a sandbank, coral reef or other barrier, while
• a barachois (#49) is a coastal lagoon separation by the ocean by a sand bar that may periodically get filled with salt water when the tide is high.
• There are some aquatic terms that are a bit more unusual. Before becoming a surfwear company, a  billabong (#50) defined where a river changes course and creates an isolated stagnant pool of backwater behind where the former branch dead ends.
• A kettle (#51) in addition to boiling water for tea, is a sort of pothole formed from retreating glaciers or draining floods, hollowed out when buried blocks of glacier ice melts.
• A narrows (#52) is a narrow water passes where a strait or river passes through a vertical bed of hard rock.
• A lee (#53) can refer to as a natural body of running water flowing under the earth (though more commonly means the sheltered side of a ship or other object facing away from the wind).
• A canal (#54) is an artificial waterway meant for travel, usually connecting two other water bodies for ships to navigate.
• A shoal (#55) is a place where the sea, river or another body of water is shallow but the submerged sandbank is exposed at low tide.
• An oasis (#56) is a fertile spot in the desert where water comes from an underground spring.
• Finally, though they’re often used interchangeably, there’s a linguistic difference between the ocean and sea. An ocean (#57) is the largest body of water there is, divided into five geographic bodies.
• Seas (#58) are generally parts of these oceans, located where the ocean and land meet. Used in the singular, however, “the sea” is used to mean the continuous body of salt water that covers most of the Earth’s surface—an interconnected global ocean blanketing the planet.

You can check out the complete post in Atlas Obscura .

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14 Comments

Forget the thesaurus. I’ll just jump over to your blog when I’m stuck for a word. 🙂

Ha ha – that’s the nicest thing anyone’s ever said about my blog 😀

Although I find that hard to believe, thank you. 🙂

It is amazing how many nouns you may use to decorate a story… in fact, it is quite trivial using only a couple of words when you have at your disposition a good choice. I myself always have some difficulties when I have to pick the right choice for the correct translation (from italian to english); you can’t do that using a translator… but need to go to a good vocabulary! I will mark this page for future use… thank you Nicholas :-)c

A pleasure! I’m thrilled that you found it useful 🙂

This is awesome for us word collectors, Nicholas. A number of new ones. It’s going in my word notebook 🙂

Yay! I’m so glad to hear that 😀

Very useful resource, to see them all defined in reference to each other; it’s hard to get that sense of comparison when looking at a dictionary. Thanks for sharing!

How true! Thanks for reading 🙂

Cool list. Amazing how many words are there because of one or two differences. Why are the places called Glen Doom and Glen Sorrow?

Probably because of the notorious Glencoe massacre that took place in the nearby Inveraray Castle (that might even be the inspiration behind the GoT’s infamous Red Wedding).

Check out https://www.scotlandnow.dailyrecord.co.uk/lifestyle/heritage/reputation-clan-campbell-sealed-after-6980632 for the details.

That would do it.

Great advice, and essential tips too. Saves me being stuck with, “They crossed the water in front of them.”! Best wishes, Pete.

Lol – a problem that’s more common than you might expect 😀

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Best Descriptive Writing Sites   Describing the beauty of nature

Best descriptive sentences: rivers, mountains, beaches, waterfalls, forests, lakes and the 4 seasons.   27 comments.

Best descriptive sentences:

rivers, mountains, beaches, waterfalls, forests, lakes, spring, summer, autumn and winter.

This is a collection of sentences from the first 10 chapters of ‘Writing with Stardust’, the ultimate descriptive guide for students, teachers and writers. It contains 3 levels of ability, from the beginner to the more advanced. The book itself contains 5 levels of ability.

I hope you enjoy the post and that it benefits you in some way. You can get more information on my books by clicking on any of the book images at the end of this post. It will take you to the Amazon website where you can discover more about ‘Writing with Stardust’ for yourself.

LEVEL 1: BASIC SENTENCES

1. I saw a jewel-blue stream in the forest. COLOUR

2. It was splashing as it moved through the trees. SOUND

3. It curved gently through the forest. SHAPE

4. It hopped over the rocks happily. ACTION

5. My friend told me that rivers are the roads of the forest . METAPHOR

6. This one was flickering like glitter on the surface. SIMILE

7. I could see a family of ducks paddling on the water. OTHER IMAGES

8. I took a drink. It was very refreshing . SENSATION

9. The aroma of the forest was great. SMELL

10. It drew me to a berry bush. I ate one and it tasted rich. TASTE

LEVEL 2: A BASIC PARAGRAPH

I spied a gem-blue stream in the forest. It was seeping and dribbling as it swerved through the trees. It jumped for joy over the timeworn rocks. I heard once that rivers are the arteries of the forest . This one was sparkling like tinsel . The fluttering butterflies drifted over it lazily. I bent my head down to drink from it. It was very stimulating . The aroma of the forest was very powerful. I plucked a few berries and they were lush and fruity to the tongue.

LEVEL 3: CREATIVE PARAGRAPHS

A turquoise-blue stream wound its merry way through the forest. Babbling and burbling , it sprung over the limestone rocks in its way. Pebbles whisked about in the under wash like pieces of glitter . Streams are the liquid soul of the forest , and this one was glowing.   Chords of soft light speared down from above, bathing its surface in gold. It was glinting with little sparkles, like a thousand diamonds blessed with an inner fire . A galaxy of dragonflies fizzed through the beams of light, wings a-glitter in the sun. The hedgerows were pregnant with berries and we tasted some. They energized us with their pleasant waft . The delicious taste stayed with us all the way home.

1. The mountains were bone-white . COLOUR

2. A wall of snow came crashing down. SOUND

3. The mountains were crinkled at the top. SHAPE

4. They were sky-piercing . ACTION

5. The foot of one mountain was covered in mist. PATHETIC FALLACY

6. The mountain peaks were like a row of arrow tips . SIMILE

7. We could see some deer clattering across a mountain. OTHER IMAGES

8. The air felt ice cold . SENSATION

9. We could smell stewed mutton coming from a camp. SMELL

10. We tasted some and it was astral . TASTE

The mountains were vampire-white . A wave of white snow went rumbling down the sides. They were all crumpled at the base. They were sky-stabbing at the top. The legs of the mountains were very wide. The peaks of the mountains were like harpoon tips . They were shrouded in ghost-grey mist . The air was chilling and numbing . We could smell a pot roast being cooked. We tasted some and it was stellar .

The serrated mountains loomed in the distance. We made our way towards them as we had to make base camp by nightfall. They were flour-white and brooded over the land. Just as we approached, a chute of snow detached itself and went trundling down one of the mountains. It slid over the knotted edge and then went crashing into the chasm below. The silence that followed was spine chilling. It froze our marrow to think that we would be climbing in those conditions tomorrow.

The heaven-touching apex of the mountain was drenched in brilliant light. Spikes of thin light impaled the snow in a bristling, moving line. We assumed that the heat had displaced the snow from the hip of the time chiselled mountain. All across our line of sight, the tips of the mountain range stuck up like a row of thorns. Swaddled around them were necklaces of powdery snow . The air became arctic cold as we came closer to base camp. The unmistakable whiff of chargrilled lamb wafted to our noses. Dinner that night was cosmic .

1. The beach was flax-gold . COLOUR

2. We heard the snoozy sea lap gently. SOUND

3. We walked on a bow of beach . SHAPE

4. Cylinders of light moved across the sea. METAPHORS

5. The other tourists were leather-brown . TANS

6. The neon-blue sky was threaded with silver. KNITTING TERMS FOR THE SKY

7. Children were squealing on the beach. OTHER IMAGES

8. The sun toasted our skin. SENSATION

9. The sea air smelled of chlorine . SMELL

10. The spicy sauces in the burger burned our tongues. TASTE

The beach we walked on was moon glow-gold . The sea looked dozy as it rested in the afternoon glow. We were walking on a horseshoe of beach . Towers of radiant light soaked the sea with their beauty. The holiday makers we saw all had coconut-brown faces . Clown-hatted donkeys were braying loudly as children pulled their tails. The burning sun roasted us like nuts in an oven. The sea sky seemed threaded with silver. A warm, tangy odour came from the sea as we walked towards a hot dog stand. The sulfurous mustard burned us nearly as much as the sun.

It’s not often you get to see a sunrise-gold beach. That was our privilege as we gazed out at the slothful sea . Ebbing ever so gently, it looked at peace in its jade-green gown. It felt like we were walking on a carpet of candy floss, such was its softness. The golden sand swept around in a scythe of beach , hemmed in by towering dunes. Far out to sea, rivers of pulsing light saturated the sea with gold. Only the occasional tourist walked past us. There was an absence of sun-blasted bodies in this Babylon of beaches.

The horizon seemed to be stitched with a silver line. The seagulls were squawking over our heads and squabbling for morsels from the hotel kitchen. As the sun scorched our bodies to a crisp, a funfair of barbecued aromas drifted towards us. The saline tang of the sea mingled with the cuisine, adding salt to its appeal. We decided to obey our rumbling stomachs and eat. Lobster on a bed of watercress was our fare that afternoon. It tasted tender and briny and the shell food sauce had a hint of bouquet to it.

WATERFALLS:

1. The waterfall was aquarium-blue . COLOUR

2. It was drizzling onto the rocks. SOFT SOUNDS

3. The larger waterfall was pounding the rocks. LOUD SOUNDS

4. It tumbled down the mountain. ACTION

5. The bliss-pool at the bottom was varnish clear. A DIVINITY-POOL

6. It looked like a wall of blue satin threaded with silver. TEXTURE

7. The flowers next to it were nodding gently. OTHER IMAGES

8. It was freezing and we were shaking with the cold. SENSATION

9. The flowers growing nearby had a honey sweet smell . SMELL

10. We ate an ice cream cone on the bank and it was divine . TASTE

The waterfall was Atlantis-blue . It was gushing over the rocks. At its widest point, it was surging and plunging down the mountain. It had a beautiful serenity-pool at the bottom. It was veneer clear. The waterfall flowed as smoothly as syrup . The frogs croaking nearby added to the wonderful sounds. We threw ourselves under the waterfall. It was so cold that we started shuddering . We collapsed on the bank and let the nougat sweet smell of flowers wash over us. Later we had some ham sandwiches and they were Godly .

The waterfall was Mediterranean-blue and magical. It was swishing over the rocks joyfully. It was thundering down into the pool like a gigantic water spout. When it toppled into the ecstasy-pool , it foamed it at the bottom. The rest of the pool was as clear as cellophane, enabling us to see down into the rocky bottom. Fronds of forest-green plants waved gently in the depths. The waterfall looked like a sheet of blue velour as it swished down. Its edges were hemmed with whipped-white lines.

We could see a gaggle of geese grazing by the bank and the scene was picture perfect. A group of Amazonian ferns, edged with saw’s teeth and statue still, added a tropical flavour. We stood under the waterfall to cool down, but it was catacomb cold. It gave us goose bumps immediately. We ended up quivering and shivering on the bank. The nectar sweet smell of the spring flowers perked up our spirits. We had a cup of chocolate and it was Godlike after our moment of madness.

THE FOREST:

• The forest was nut-brown . COLOUR
• The twigs were crunching under my feet. SOUND
• The trees were the towers of the forest. METAPHOR
•  I heard a wildcat slinking away. ANIMAL SOUNDS
• The morning stars shone like silver petals . THE STARS
• Nuts were scattered on the floor of the forest. FOREST EDIBLES
• We took the leaf-carpeted path home. OTHER IMAGES
• The beauty of the forest comforted our hearts . SENSATION
• The smell of the forest was pulpy . SMELL
• We picked some berries and they tasted orchard sweet . TASTE

The forest was tannin-brown . The grass was crispy under our feet. We looked up and the trees were skyscraper tall . Hares were scampering away from us up ahead. The morning stars were shining like silver snowflakes . Wood sorrel flecked the blanket of grass. We walked in and out of shady glades . The peace of the morning was soul soothing . The forest’s smell was fresh and organic . We picked some wild pears and they were meadow sweet .

The forest we entered was oak-brown and primitive. The grasses we stepped on were crackly beneath our feet because of the recent dry spell. We were in awe of the size and majesty of the trees. Their knotted arms rose ever upwards, as far as my head could lift. They were hoary fortresses and stood proudly. The orchestra of birdsong we could hear from them suddenly stopped. A pair of jays was screeching high up in the canopy of the trees. Jays are the scavengers of the bird world. Their cruel, corvid eyes are always on the lookout for a feathered meal. In the winter, they raid squirrel stores for their nuts, often damning them to starvation. They drifted across our vision in a flash of flesh-pink and warlock-black, trying to size us up. That was the last we saw of them, as they are a furtive bird, full of suspicion.

The morning stars peeped down at us like silver asters , glinting and shimmering. They looked happy in their solar-silver isolation. We could see wild basil growing freely on the clumpy, mossy mattress of the floor. The simpering wind carried a fragrance with it. It was spirit refreshing to smell the mulchy mix of the forest’s perfume. We ate a few windfall apples and they were mead sweet with a bitter twist. It was only after we got the stomach cramps that we regretted it.

1. The lake was skyline-silver. COLOUR

2. It lay in the middle of a cave quiet valley. THE QUIET VALLEY

3. It was window clear. THE CLEAR LAKE

4. It was peaceful and statue still. THE STILL LAKE

5. Trout were dive bombing in the lake. SOUND

6. A mob of flies rose into the air. THE FLY ARMY

7. I had a ‘zap’ moment because it was so beautiful. A MOMENT OF CLARITY

8. The itching grass snapped me out of it. SENSATIONS OF PAIN

9. A sap sweet smell hung in the air. SMELL

10. The water I drank was sharp but pleasant. TASTE

The lake was as silver as diamond flame and the atmosphere was convent quiet . Even the depths were vodka clear . It was soothing and yogi still . Freckled trout were leaping for flies and thunking on its surface. The rising sun caused a division of armed flies to swarm into the air. The scene was so glorious that I had a lightning bolt moment . The thistles pricking my leg broke my train of thought. The damp grass smelled utopian . I took a sip of water from a stream. It tasted like a sweet medicine , a potion for the spirit.

The lake appeared as if by magic as we crested the ridge. It was in teardrop-silver in colour and it was shaped like a perfectly flat disc of metal. No sound rang out from the shimmering emptiness of space around it. Monastery quiet , it was lined with pine trees and the whiff of mint wafted up to us. We decided to make our way to its decanter clear shore. The idyllic scene took our breath away. Unruffled by wind or rain, it was vault still and restful. The only sounds were the bumbling of bees and the heavy echo of a raven crawking.

Out on the lake, flopping trout were slapping the surface. They were hoping to catch one of the squadron of flies that buzzed about. The heaven-leaking light added a golden tint to the face of the lake and it was paradise. A startling eureka moment came unbidden, which involved the beauty of the natural world. I kept it to myself. The nipping midges didn’t take away from the pleasure of that day. I can still see the rain-pearled grass in my mind’s eye. I remember the saccharine sweet smell of that grass. I remember that the water tasted like the nectar of the gods . Most of all, I remember how it felt to be young on that special day.

1. The fields were parsley-green . COLOUR

2. Lonely calves were lowing in the fields. SOUND

3. The moon was like a ghostly-silver disc in the sky. SIMILES FOR THE MOON

4. A carnival of scents blew in the air. THE MOVEMENT OF SCENTS

5. A host of daisies scattered the meadow. SPRING FLOWERS

6. Strands of thin light came from the sky. METAPHORS FOR LIGHT

7. The milk-splashed calves brayed for company. OTHER IMAGES

8. The scene was spirit-lifting . SENSATION

9. There was a cream fresh smell. SMELL

10. The spring foods had a candy floss sweet taste. TASTE

The fields were glade-green . The sound of chirping chicks filled the air. The moon was like a phantom-silver orb . A pageant of smells floated in the spring air and a horde of dandelions littered the meadow. Staffs of slim light spilled from the sky. Proud-breasted pigeons strutted across the meadow. The scene was spirit-refreshing and pastoral. The meadow smelled pear fresh . There was a blossom sweet taste to the food we ate.

The malachite-green fields seemed to be covered in a bright sheen under the dawn moon. We could hear yipping fox cubs breaking the quiet of the world. Clouds shaped like tufty pillows glided slowly across the sky. They carried an airy, warm, drizzling rain with them. It cleansed the land and banished the strangling coldness and stunned silence of winter. Plinking and pattering off the leaves, then fading into memory, the rain energized the flora. It left behind a world baptized and rebirthed by its liquid grace. Song thrushes trilled as the spectre-silver moon began to wane and the fog of flowers in the meadow slowly revealed itself. We could smell their aromas hovering in the air.

Versace-purple crocuses seemed to glow before our eyes. Jewel-green grasshoppers bounced atop the grass like leggy trampolines. In the stony verges, Rafael-red valerian sprouted from between coral-black cracks. Spears of dawn light suddenly drenched the farthest corners with their golden magic. A pair of misty-eyed cubs yelped as they saw us and darted to safety. A murmuration of starlings wheeled and banked overhead like wind-tossed gunpowder. The rustic scene was spirit-renewing and we let the menu of melon fresh scents wash over us. We ate our hamper of food under the leafy umbrella of a great oak and it tasted molasses sweet .

1. The night sky was heather-purple . COLOUR

2. Humming bees darted through the air. BEE MUSIC

3. The stars were glittering like scattered space dust . METAPHORS FOR THE SUN

4. The beaked chorus of birds filled the air. THE DAWN CHORUS

5. The edible ceps looked like shiny penny buns. EDIBLE FOODS

6. Clouds were latched to the unending sky . THE SWEEP OF SKY

7. The afternoon sky was cocktail-blue . THE BRIGHTEST BLUES

8. The grass was downy soft . SENSATION

9. A stew of smells filled the air. SMELL

10. The summer food was gelatin sweet . TASTE

The night sky was juniper-purple . The sound of intoning bees filled the air. The stars were glowing like beacons for the lost souls of the world. A feathered medley echoed through the trees. The garlic smell of ramsons drifted through the air. The clouds were bracketed to the eternal, summer sky. It was like a dome of solar blue . The grass was silk soft . A broth of smells swirled around me. The food we ate was honeysuckle sweet .

An amethyst-purple tint invades the late summer skies. The world is changing and autumn is approaching. Soon the land will be a-fire in the warm glow of tree-flame. Pagan rituals such as Hallowe’en will bring back long dead memories of trolls, spooks and hobgoblins.

For now, however, the fields are still Elysium-green. Bees are still murmuring in that strange cult hum exclusive to them. They flit from flower to flower, surfing the short spaces as they go. The stars are summer stars, flickering like pulsing lodestars . A sol-fa of song erupts as they fade away, the ancient alchemy of the dawn chorus .

Bilberries and chanterelles adorn the forest floor, questing for sunlight. The perpetual skies of summer are buckled with clouds and they flare up in a luminous, neon-blue when the mood takes them. Summer is nature’s treasure trove. The fields are laden with goldenrod-yellow flowers and silver-washed fritillaries carry their bushels of pollen carefully. A goulash of scents twirls above the satin soft petals and the pear sweet taste of the air is a blessed joy.

But summer brings with it a bitter twist. The nights are closing in on each other and the long days are faltering. Enjoy the beaches, the barbecues and the birds. In a few short months, all will be cold.

1. The ember-red leaves of autumn burn slowly. COLOUR

2. The huffing wind was too lazy to scatter the leaves. UNUSUAL WIND VERBS

3. Clouds form like puffy plates . METAPHORS FOR THE CLOUDS

4. The leaves are a-flame in a quilt of colour. ARCHAIC WORDS FOR AUTUMN

5. We enjoy chomping on blackcurrants. AN AUTUMN FEAST

6. The fiery-reds cast a rich hue on the forest. COLOURS USING HEAT

7. The ghost-grey skies of autumn change the mood. OTHER IMAGES FOR AUTUMN

8. Autumn is a time to be afraid . SENSATION

9. A larder of aromas drizzled from the trees. SMELL

10. The wild berries had a savoury taste . TASTE

The leaves were molten-red . The yawning wind made them shiver slightly. Fluffy fleeces of cloud passed over the forest. The trees were a-flicker like night lights. A group of children were gulping on wild gooseberries. The blazing-brown dome of leaves gave off a nice glow. Owls haunted and hunted through moon-splashed trees. We were spooked by their swivelling heads and lamp round eyes. A perfumery of scents hazed through the forest. The ravishing taste of freshly baked bread stayed in our memories.

The barbecue-red leaves hang silently on the trees. Muffling winds deaden all sound in the forest and slow the billowy bells of cloud . The oak leaves are still a-light , but barely. Dainty noses, sniffling and snuffling, glow the same mercury-red as the trees. They replace the sound of children slobbering over elderberries.

Fog-tinted fairy trees stand alone in fields, noosed by coils of dragon breath. A weak pitter-patter is heard, but it is not the sound of children’s feet. It is the centuries-old, hissing drip of raindrops in caves. Spiders flood the forest, clutching their snare strings tightly, their eyes a-glitter with hatred. Owl-light replaces daylight as autumn comes to a close. The seething energy of the forest becomes vow-silent as promises to nature are kept. The burnt-red leaves turn a smouldering-gold as the first of the heavy rains fall.

The rain drenches everyone. They are not the soft, sodden, swollen raindrops of summer. They are not the light, aerated mizzling of spring showers. They are plump, pregnant with moisture, ploppy and destructive. The long, straight streaks of cloud we call mare’s tails do not carry them. The skies are damnation-black and churning with anger. There is a cataclysm coming. It is time for daunting winter to display his wares.The hotchpotch of aromas that graced the air is gone. The delectable, marchpane taste of the autumn harvest has faded from the palate. When the first snowfall comes, the world will be mummified in a powdery silence. It is time to be afraid again.

1. The snow was whalebone-white . SNOW COLOUR

2. The battering gusts were awful. SOUND

3. The screeching winds were dreadful. STORMS

4. A gentle hush cloaked the land. SILENCE

5. The gravel-grey skies were bare. SKY COLOUR

6. The empty skies were silent. BARREN SKIES

7. Winter squeezes everything to death. CHOKING WINTER

8. Peppery scents filled the room. SMELL

9. Our quivering bodies were cold. SENSATION

10. The seasoned vegetables were delicious. TASTE

The snow was polar-white . The flogging squalls of winter blew loudly. Screeching winds occasionally rose up. When they died, a tomb-like silence haunted the land. Flint-grey skies oversaw the land. The bleak skies were depressing. Winter smothered the land with its vice-like grip. Malt liqueurs , taken to warm up chilled bodies, were a poor substitute for the sun. Sore joints creaked and groaned like rusty hinges. The scent of creamy, mushroom vol – au-vents floating through the house cheered us up.

The snow was zombie-white . Winter’s lacerating hurricanes and whining winds had come and gone, leaving a terrible calmness . The skies above were an unholy mixture of shale-grey clouds and pasty streaks. Callous winter was stifling the world with its icy breath.

I could see a group of kidults playing on a frozen pond. They stamped their frozen feet and thumped their chilly bodies to warm up. Their ears caught fire and turned an icy-blue where their scarves couldn’t reach. Nose-icicles dripped from their frozen faces. Their wheezy, wind-filled lungs were belching out steam as they itched and scratched at their raw skin. They started skating. They slipped, slid and slithered on the polished ice. Hissing and swishing with their skates, they swooped and whooped across the ice. Then they screamed as the ice broke. It must have felt like lances of fire lighting up their skin as they fell in to the perishing cold water.

Their teeth were chattering when they crawled back out. They followed the oaken oven smells home to warm up. I hoped that the yeasty beer would warm their hearts as their bodies were frozen.

Click on any of the book images below to find out more about ‘Writing with Stardust’ or any of Liam’s other books.

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Posted August 10, 2014 by liamo in Uncategorized

Tagged with best books for describing nature , best descriptive books for writers , best descriptive sentences , best descriptive sites for teachers

27 responses to “ Best descriptive sentences: rivers, mountains, beaches, waterfalls, forests, lakes and the 4 seasons. ”

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thanks, this helped ALOT!!!

Hi Allira: You’re very welcome and I hope my other posts can help you as well in the future. Thank you for the lovely comment and be well. ‘Bye for now. Liam.

amazing..thnx for all this. got an A** going for business♥

Hi Kyla: You’re very welcome. Thanks for leaving the kind comment and I’m delighted you got an A. Cheers for now. Liam.

Hi Liam: I hope you’re well.Thanks for the sunny face and the comment and I wish you the best. ‘Bye for now.

THIS WAS SO HELPFUL THANKSSS

Hi kashish; Thank you for the really nice comment. I’m delighted it helped you. Cheers for now. Liam.

Very helpful, and very kind of you to put it out there – thank you lots, Liam.

Hi there: You’re very welcome and glad to be of help in any way. Hope you’re well and will keep uploading posts like this. Thanks for taking the time to comment. Cheers for now. Liam.

That was really helpful. do you have any resources for cie alevel English? or any tips?(commentary, descriptive writing and narrative writing)

Hi arsen: I hope you are well. Unfortunately, we don’t have the a-levels in Ireland. If you look at my home page, however, I’m sure you will find something that can assist you. Thanks for the kind comment. Cheers for now. Liam.

Hi Liam, if I could send you my writings, could you go through it and help me improve it? (via email) it would mean a world to me( it would help me in my exams too. I have no other resources) thank you! [email protected]

Hi arsen: I don’t have much time but send them on and I’ll see what I can do. No promises. Liam.

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Hi Aiden: I hope you are well. ‘Writing with Stardust’ is descriptive writing book for everyone and ‘Blue-Sky Thinking’ is a book designed for teachers and students. I hope this answers your question and thanks for the kind comment. Cheers for now. Liam.

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Writing the River

By Leslie Thomas

What does the river say to you? This is the core question posed by Write to the River (WTTR), a creative writing project that I launched in partnership with the Twin Cities nonprofit Friends of the Mississippi River (FMR) and photographer Tom Reiter, in spring 2017.

Writing is not just for the Robert Frosts of the world or for professional writers who see themselves as artists. We all can be writers capturing the truth of our own lives, with their pain, joys, grittiness and heroism, if we give ourselves a chance to trust our voice. Expressive writing can serve a wide variety of life-enhancing purposes. Fundamentally, when we put pen to paper, we have the opportunity to celebrate who we are and create a tangible product that surprises us with welcome new meanings and links. (Chavis 2011, 160)

WTTR is an open invitation, a call for all to engage with our river environment through story or poetic verse. No professional or river-related experience is necessary. All ages and writing styles are welcome, including short prose, formal verse or one’s own verse. It offers an opportunity to create, and a platform to share a river connection.

WTTR welcomes new river related meanings and links through creative writing.

It is also substantially different from the rest of FMR’s work. Over its 25 years, FMR has grown to be recognized as a hardworking and strong force for good for the metro Mississippi. Annually, it attracts thousands of people (myself included) to speak up at the capitol in St. Paul, and get our hands dirty (literally) at events where we dig, pull, and plant for the river. So how does a creative project like this fit into such a robust action- and results-oriented organization? Better than we ever thought it would.

A Great River Story: Friends of the Mississippi River

In 1992, a roomful of people gathered to lay out the future of a new national park flowing through the heart of the metro Twin Cities, the Mississippi National River and Recreation Area . (MNRRA).

At one of the first public meetings to create a management plan for the park, a few “river rats” looked around and felt a bit out of place. While people representing business and government interests were in attendance, there weren’t many like them: people who loved the river and were willing to speak on its behalf. That’s when Friends of the Mississippi River was born.

Officially incorporated in 1993, FMR has grown from a handful of founders to engage over 5,000 people annually as river advocates and volunteers—at community meetings, at the capitol, and in hands-on river protection and restoration projects. FMR headquarters has grown from a walk-in closet to a half-floor of a downtown St. Paul building with 19 staff in four departments: water quality, river corridor and land-use, land protection, and stewardship and public engagement.

Out for a swim: trees along the river improve water quality and wildlife habitat.

Over the years the organization has protected and restored thousands of acres of forest and prairie habitat,  reduced harmful pollutants , and protected our sense of identity as a river city by preserving beloved views, parks, and natural areas that connect our metro communities to the river. All the while, it continues to cultivate tomorrow’s river stewards, engaging over a thousand youth in river protection and education activities annually.

“But none of this work would be possible,” says Whitney Clark, now in his 21 st year as executive director of FMR, “if it weren’t for our collective affinity for the river.”

That affinity is fostered by personal and cultural connections. For Clark, it was fishing with his grandfather that strengthened his connection to nature. “During our shore lunches we listened to the waves lapping against the boat, observed the sunlight reflecting on the trees along the rocky shores. Being there with him, it was easy for me to love the natural world.” Today, Clark is proud to pass this value to the next generation, both via FMR and in his own family.

Paddling tranquil water: one of the many ways to connect with the Mississippi River.

One of the biggest overarching accomplishments, Clark notes, is of a different nature. “It is the large movement we created, elevating the profile and status of the Mississippi River in our area. Now, community members ask the question ‘Will it hurt the river?’ before proceeding.”  This is a significant change in the metro-wide conversation, a paradigm shift. And even though it isn’t one that we can put numbers to, that doesn’t mean it isn’t important. In fact, it may be FMR’s most important accomplishment in its 25 years.

“ FMR is about protecting the health and integrity of the Mississippi River system that we are each connected to in one way or another,” adds Clark. “Our collective affinity for the river serves as the scaffolding for all of FMR’s work; so providing a forum for people to celebrate the river and connect to one another is our core mission.”

Start by Planting Seeds

When I moved closer to the Mississippi River in 2013, I wanted to learn how I could help protect and connect to my new landscape. I found FMR online and signed up to receive their biweekly “Mississippi Messages.” Then I responded to a volunteer call for a native prairie seed-collecting event at Sand Coulee Scientific and Natural Area (SNA). “Previous seed collection is not required—all abilities and groups are welcome,” resonated with me.

Seed collecting with FMR at Sand Coulee SNA in Hastings, MN. Image courtesy of FMR Staff Photographer.

I learned to identify several native plants and how to sustainably extract seeds for later planting. Renowned for its rare plant and animal species, Sand Coulee SNA offers a glimpse of what Minnesota looked like before 1850. Being there rekindled the memory of a poignant, historic diary entry I’d once read by a farmer in Lakeland, Minnesota.

June 24, 1854: The prairie is now a beautiful green interspersed with beautiful flowers in great abundance and variety. Some of these flowers must be preserved—not that they can ever be made any more beautiful or arranged with any better taste than now. But this great prairie flower garden as arranged by the hand of the Creator is now exposed to the plow and the lowing herds are already making their paths and selecting their shades and watering places and it is plain that the native beauty must give way to the artificial.

—  from the diary of Mitchell Jackson. (Blegen 1939)

After that, I signed up to become a River Guardian with FMR and receive action alerts for the river. What began as an online search for connection lead to me becoming part of a large volunteer community doing meaningful environmental work. It may sound hokey to some, but there was and is a certain magic in that transformation, one that continues to inspire me. I began to write about the river in my creative work, which includes poetry, and wished for a sense of community around the more creative and personal aspects of river engagement as well. Surely there were others who felt the same?

FMR was a natural place for me to inquire about partnering on a creative writing project devoted to the river, and I’m certain a seed was planted inside me that day at Sand Coulee SNA.

A Leap of Faith

At our first meeting, FMR Communication Manager Sue Rich acknowledged that it was my “pleasant persistence” that got the idea through the door. We laughed as we considered that this is how many projects likely begin, with a nudging person peddling their project, insistent on its potential merit. As we talked, my initial offering—a metro-wide poetry contest and anthology—evolved into something ongoing and beneficial to FMR’s mission. Writing judges were nixed in favor of approachability and inclusion; it would be online and we’d make it as open as we could with the resources at hand.

But would anyone submit creative writing without a prize or the prestige of rising above the competition? Both storylines—the importance of persistence and faith—were familiar and fundamental to FMR. And with that, we knew we had to move forward.

WTTR: How it Works

The Mississippi River as it flows through the Twin Cities is not one but three rivers. It enters the metro as a prairie river with banks instead of bluffs. Then, as it roars over St. Anthony Falls in downtown Minneapolis, it becomes a gorge river wending its way through the steep-sided bluffs in south Minneapolis and western St. Paul. Finally, as it joins the Minnesota River near Fort Snelling, it relaxes and widens to become a floodplain river.

Which river would people focus on for Write to the River? Its changing nature as well as the number of visiting spots could make it a challenge to face the dreaded blank page. We needed to give people a common starting point.

You could call it a form of Ekphrastic creative writing, a fancy word for writing inspired by other works of art, including paintings, photographs, or statues. Writers “interpret, inhabit, confront, and speak to their subjects.” No two perceptions will be the same; every writer will see something unique from their own experiences.

Hidden Falls showcases the varied river landscape.

WTTR contributors are not limited to writing to the image provided; it is offered as a starting point to inspire writing and showcase scenes along the river.

For each season, one image is chosen by a volunteer team of writers and river enthusiasts. The image is selected from 10 photos provided by FMR volunteer photographer Tom Reiter, based on its broad inspirational and emotive qualities to serve as a writing prompt. Reiter’s stunning photographs capture different scenes, elements, and activities along the Upper Mississippi River basin throughout the year.

It is often the feeling of being in a place that prompts a photographer to capture an image. Reiter explains, “When I click the camera’s shutter, it’s often because something I’m seeing invokes certain feelings within me. If a picture could have that effect on me, I wondered if it would produce a similar reaction in others?”

A brief caption is provided with each image, along with the location for anyone who would like to visit—we aim for just enough information to prompt participation, without overly influencing the writing direction. To get creative juices flowing, we ask readers and potential contributors a few leading questions: What feelings does the photo evoke? Does it remind you of a past experience? Can you imagine walking here? What sounds, smells and tastes might you experience?

WTTR summer 2017 submission “Lonesome whistle” over the Mississippi River at Hastings, MN, near several FMR habitat restoration and Vermillion Stewards volunteer sites.

In addition to appearing in each “Mississippi Messages,” the image and invitation to submit a writing piece are shared on FMR’s web and social media sites and with local libraries, bookstores, and with colleagues, friends, and family. Participants are given approximately 6 weeks to reflect on the image, write their piece and send it to the project email. After the submission period closes, writing pieces are in turn featured on the FMR website, and the link to the online issue is distributed through the same channels for their readership to enjoy.

Tom, Whitney, Sue, and I have all been pleasantly surprised by the number of people who responded, sharing their personal river stories. And in keeping with the spirit of Ekphrastic writing, everyone has seen something different in the featured photo.

The writing reflects diversity of voice and ways the river is appreciated—as a meaningful constant, an important connection to the past and natural world, and source of healing, inspiration, and work. It includes the gripping tales of a retired towboat captain’s experiences on the Lois E , a heartfelt story of a busy Minneapolis nurse who finds reprieve living on a houseboat, poignant poems of Native American ancestral river links, and inspiring memoir.

Below are the photographic image and caption prompts offered during WTTR’s first year, some of the writing we received in response, and thoughts from the writers on their involvement with the project. To see all of the writing, please visit the site .

Year One: WTTR Creative Writing Sampler

Winter 2017-18 submission prompt.

The sun sets upon St. Paul, MN from the beloved  Indian Mounds Park  bluff top view.

TAKING TIME By Jim Larson

The sun has done its best all day to turn the ice back to water but the River won’t have it.

The River knows to rest this time of year; no tugs, no barges, no kayaks. The empty trees all have the same idea.

Even the buildings have their eyes closed. Time to put this day back with all the others.

Time to gather up a few friends at a quiet table.  Get some talk flowing about what keeps you warm below the surface.

Interview with Jim Larson

LT: I learned you write poetry often. Is there something about WTTR that inspired you in a different way?

Jim : The thing that caught my fancy was the title of the whole project, “Write to the River.” It did not say, “Write about the River.” So it seemed appropriate to write about a photo, but to write to the river.

LT: Your poem gives meaningful voice to different elements within the photo. Can you share more about that?

Jim : This was an invitation to invest the river with a certain agency, maybe even a sense of character. And while we’re at it, why not do the same with the other elements in the photo—the sun, the trees, the buildings? The hope was to animate each thing and set them into some sort of relationship without getting all Walt Disney about it.

LT: How can creative writing expand awareness and appreciation of the river?

Jim : Any audience enjoys hearing stories about characters and their relationships. The poem, however briefly, attempts to provide that. The true completion of the piece is accomplished in the minds of the audience as they follow along and add personal associations from their own imaginations.

Step Outside By Christine Yaeger

Don’t lament. The tomb of concrete spreadsheets will rake your soul, but the barren tracks will be uprooted into flourishing.

Step outside. The light will cascade off of ice crystals as the flame subsides its quest, vanquished yet unconquered.

Listen. Whispering grass underneath the shadowed limbs sunken roots, deep and abiding.

Rejoice. The thaw will awaken the unseen miracles carrying messages of hope into another day.

Interview with Christine Yaeger

LT: I learned you work with the Minnesota Department of Natural Resources. Can you tell me how you became involved in this field?

Christine : I knew I wanted to pursue a career in natural resources after taking a college course in environmental studies. I had interest in our collective dependence on natural resources, and how it brings our values into focus. Through my studies I gained a different appreciation, learning Latin names and how resources like timber are used in industry. I worked at several entities on water quality sampling, agriculture grants, and data coordination, before landing at the DNR.

LT: What can you tell me about your experience with WTTR?

Christine :  I heard about WTTR through the FMR newsletter. I appreciate the important work FMR does for water and people, and the invitation to submit a creative writing piece. I like the mission-driven nature of my work at the DNR, which involves strategic planning. WTTR offers a different opportunity, applying an artistic response to a river photograph. I was inspired by the evocative light within the image.

LT: Can projects like WTTR offer something meaningful for those doing environmental work?

Christine : WTTR is an opportunity for creative ideas to simmer and become a story or poem, and to read other river writing. Sitting alone to reflect can help to recharge from the layers and fast pace of life, as well any discouraging news, and be inspired afresh.

Fall 2017 Submission Prompt

A paddleboat passenger enjoying the Big River and St. Paul’s iconic High Bridge.

Empress by Linda Moua

At any given moment I feel as though I am guest on her flowing body At this very moment She provides passage to spy on carefully hidden neighbors

At any given moment I could fall through her chilly surface and suffer an abrupt shock At this very moment She can only feel the towing of my paddles left to right

At any given moment I look up to her thicket of verdant friends to find inner peace At this very moment She has craftily coaxed me to silence as I slip into awe

At any given moment I see that I am only a small explorer in her noble domain Because at this very moment She has painted me a self- portrait of who she is and why she is mighty

Interview with Linda Moua

LT: I learned you work with FMR. What do you do for them?

Linda : I work part-time as FMR’s development and advocacy assistant, working in our database, doing administrative work, and occasionally assisting at off-site public events.

LT: Do you recall what inspired you to get involved in river work?

Linda:  I’ve always tried to be environmentally conscious but my relationship with FMR transpired because I was attracted to the people who worked there, and the dedication they were known for having toward their mission.

LT: Is there one particular challenge pertaining to your work?

Linda : As someone whose childhood time outside meant pulling weeds and watering endless rows of seeds more so than hiking and swimming, I have learned that “spending time outdoors” means different things to different people, and that experiencing fun and engaging activities outdoors should happen early on. Growing up in a large, low-income and recently immigrated household, there wasn’t a lot of environmentally related outings my family took, other than going to the farm. Eventually my neighborhood community started collaborating with outreach programs to take us kids on hiking trails, beaches, and other activities. I’m grateful for those experiences, but know it hasn’t always been easy to establish or launch cross-cultural connections. That said, I’m proud of FMR’s efforts to be mindful and inclusive in youth engagement programs, because I know how memories like those can shape one’s outlook about experiencing nature.

LT: Is there anything you would like to share about writing to the river?

Linda : I loved that I was able to combine my appreciation for the river while exercising my poetry skills! I don’t consider myself an avid partaker of water-related activities but have always enjoyed time spent leisurely walking alongside the river or learning about its different eco-systems. Also, reading the work from other contributors showed me that spending time with nature can unexpectedly inspire, humor, or heal us.

LT: Your poem is so poignant, expressing appreciation for the river. Are there any ways the writing of it spilled over into your work?

Linda: For me, writing this poem further attested to the river’s beauty and resilience and why people connect with FMR to help protect and restore it. It also strengthens my appreciation for the projects we do and the staff I get to work with.

LT: Are there any ways your work informs your creative writing?

Linda: While writing this poem I tapped into a memory of our FMR staff canoeing trip last fall. After much time spent worrying about capsizing, I finally started feeling those moments of unclouded reflection as I paddled down the river. My poem speaks to the river’s daunting yet inspiring presence because that’s what I felt that day. The emotions were easy to evoke but it took time to think through how I wanted to portray those feelings. Using techniques I’d learned in my writing courses, I decided to describe them via a poetic homage.

Spring 2017 Submission Prompt

“Morning Color” at Pine Bend Bluffs SNA in Inver Grove Heights, MN one of FMR’s most popular protection and restoration sites.

Untitled by Michael Daugherty

A place where my ancestors speak, but there is no one left to listen. Hush waters whisper to our souls to remind us of what we’re missing.

I want to stop and breathe in deeply and try to smell the smoke of their fires. I want to hear their songs in the creaking branches, hoping that it will inspire me to remember my blood.

O whisper to me the inspiriting beauty of life that captivated my ancestors so that they prayed and gave thanks!

Oh why can’t I see the smoke rising above the trees.

Interview with Michael Daugherty

LT: Your moving poem speaks to ancestral ties to the river. Can you share a little about yourself?

Michae l: I grew up in Quapaw, Oklahoma, where I graduated high school in 2004. Today I live in Neosho, Missouri, with my wife Amy and my son Eli. I am an enrolled member of the Eastern Shawnee Tribe of Oklahoma.

LT: Is there anything you’d like to share about your WTTR experience?

Michael : I like writing poetry, but don’t share it too often. I’m an introvert and with no formal education in creative writing, very self-conscious when it comes to my writing. When I first saw the photo of the sunrise over the Mississippi, I was in awe of how beautiful it was. The first image that came to mind was seeing smoke rising above the trees. I wondered if Indigenous people, especially my ancestors, had ever camped or lived in that area, or somewhere along the Mississippi River. I could see it. I wanted to smell that smoke. Unfortunately, there was no smoke and any sign of Indigenous people living there would most likely be gone. The poem came to me pretty easy, though it took me a day and a half of reading the poem over and over again before I finally submitted it. I’m glad I did. I was very excited to see it on the website. I’m very proud of it and extremely thankful for the opportunity.

LT: Is there a river photographic image you can suggest for our project?

Michael : I can’t think of an image, but hope this project continues. The stories people share about those places have their own vision, knowledge, and love for the water and land that can open our eyes to a different way of how we look at the earth. I think it’s good to share with each other our love for the earth. There is a deeper understanding to be gained from each other. The poetry and prose I’ve read on the website are amazing and touching.

LT: Can you share anything that speaks to the power of story?

Michael: I believe storytelling is an important part of any culture. Stories can open minds, inspire, and heal. A single story can plant love inside the hearts of children for a world that can seem scary. A story can teach and inspire people to care for the earth and for each other. Stories tell us who we are, who we were, where we come from, and where we can go. When it comes to our future, our children, nothing is more important than an inspiring story to help open their minds to alternate paths in life, rather than a single path that society demands they take. Our lands, our air, our water—they don’t survive unless we can tell a child a story that teaches them the importance of those sacred elements. Stories have to live on in our children to pass on to our grandchildren. That’s how we change the world.

The River Story Map

In Spring 2017, I was profoundly moved by one Write to the River submission in particular, a letter to the river from Michael Bischoff. In it, Michael thanks the river for the healing role it continues to play in his life with terminal brain cancer.

Dear Mississippi River,

You are family to me, so you probably know my story already, but I’m writing to express my love and gratitude for you and all those who have cared for you, and loved you, as I do.

I found out a year and a half ago that I have an aggressive kind of brain cancer. We tried chemo, but it didn’t work. The cancer grew while I was taking the chemo. We tried a new experimental treatment, but yesterday my doctor told me that treatment was ending because it hadn’t produced enough results. So, I’ve turned to you, dear river, as my primary healer. A year ago, I made a commitment to myself and you, that I would come slowly walk and sit by your banks every day. I committed to receiving the healing, wisdom, and grace you wanted to offer. You’ve been my most faithful and generous healer. I trust you, and I will be faithful to you.

This week you guided the great blue herons to an island in the middle of your waters, close to my house. I sit at your edge and watch the herons flirt and fight in their nests, above your patient waters. My wingspan is the same as the herons. As they stretch their wings, I hold out my arms, gliding with them over your waters. I want to share their intimacy with you, flying so close to you, getting to know your length.

You’ve been so generous with me, nourishing me, washing away cancer and anxiety. If I believed medical statistics guided my body, my life would be over tomorrow. But I know that your water fills and guides my body more than medical statistics. I know that I am a small part of your watershed, and that after my body stops breathing, I will still be a part of your wholeness.

Today, and every day, I will sit at your side, watching the ice melt into your wholeness, hearing the woodpeckers knock pieces of the trees down closer to you. As my body declines, may I also fall into your wholeness, resting in the grace you carry across this continent that we call home.

— Michael Bischoff

Michael Bischoff reflects near the river’s edge.

Not long after, Michael and I were sitting at a table discussing his idea for another new project: The River Story Map. While it can occasionally overlap with WTTR, the River Story Map aims to capture and share personal river stories tied to the specific place along the river connected to their experience.

The River Story Map launched in January 2018, featuring 25-plus stories of connection to the river in honor of FMR’s silver year. These honest and personal reflections portray the river as a source of intrigue and adventure, a beloved date night venue, and even an unlikely partner in tales of loss and healing.

As the map continues to grow, we expect word about it to circulate more as well. Michael asked me to be sure to let Open Rivers readers know that we welcome everyone to add an image and story about a place along the river that is meaningful to them.

The Power of Sharing Creative Writing

I often think of WTTR unfolding as dendritic branches from Tom Reiter’s lens, to the writer’s creation, to the reader’s mind. Like seed collecting in a prairie, a sense of community develops around contributing to something meaningful while sharing river interpretations.

“The Mississippi River is an incredibly valuable natural asset,” says photographer Reiter. “Those who take the time to explore its wonder are richly rewarded with its beauty, history and power. It’s those feelings that people enjoy sharing with others and WTTR provides the forum.”

While the River Story Map has afforded greater opportunity to connect to the river locally, WTTR has found itself expanding across state and even international lines. Writer Barbara DeCoursey Roy lives in St. Louis, but assists with WTTR photo selection. She also contributed a thought-provoking submission to the winter 2017 prompt about the river’s power as a connective force during divisive times:

Great River By Barbara DeCoursey Roy

The river doesn’t see color or division. Red or blue states merely states of being—sundown trending garnet,

but turning midnight blue just before dawn cleanses muddy water, washing away the sins of the fathers.

One indivisible.  Holy water, the Black Robe rode; bloody water, Grant’s ironclads trolled. Hosting both beaver and trapper.

Oasis for Red on their trail of tears; a Red Sea for Blacks hankering for the warmth of other suns.

Strife-roiled, yet rolling.  On.  Unconstrained by armies of the dead.   Breaking boundaries imposed by paltry dreams, feeding underground

streams, breaching the banks of imagination. A mighty chorus of voices singing “Mni Wiconi.” Water is Life.  Colorless, fluid, never tame.

DeCoursey Roy shared the edition in which her poem was featured on Facebook and a dozen of her international poet friends posted congratulations or shared the link. “Great poems, like the river, serve as containers to hold the tension of opposites. I believe in the power of writing to forge connections among diverse groups of people. I believe the love of our country’s great natural resources has the same power, if we harness it,” says DeCoursey Roy.

WTTR Spring 2018 image. Our Twin Cities river corridor is part of an internationally significant flyway that provides vital resting places and food for both resident and migrating birds.

Impact: Our Collective Affinity

So far, roughly 3,300 people have visited Write to the River online , most spend a long time on the page, with roughly two-thirds of them returning. And while we don’t request demographic information, we can say there has been a diverse mix of backgrounds, including some identifying as Native American and some as Hmong. Experience levels on the river vary from people frightened of being on the water to seasoned river pilots.

But how do you quantify the impact of a poem or a creative writing project? Numbers can be illusory or, when they are available, misleading. Webpage hits can’t capture poems shared on social media or printed and hung in an office cubicle. And while we can point to a rise in the number of WTTR readers, as well as River Guardians and members, this is little more than correlation. We know that some WTTR participants (even ones who submit works that could be considered politically charged) prefer to remain solely connected to the creative writing side of things. But we also know that many advocates and environmentalists delight in the opportunity to reconnect to the passion that underlies their work.

“WTTR is a reminder of the heart connection many of us have as river advocates, but don’t always get the chance to express while working in policy or natural resource science,” says FMR director Clark. “It’s all important; the work of volunteers, organizations, elected officials, scientists, etc., and based on a shared underlying foundation. WTTR is an opportunity to tap into that deeper foundation of place and create a confluence of ideas. ”

  As we see both WTTR and the River Story Map circulated among not only traditional writing circles but fellow water organizations, watershed districts, and other agencies, and as the writing continues to flow in, we are honored to provide a forum to strengthen our connection to the river, to refuel, and recharge. We also can’t help but wonder if we created a niche no one knew needed to be filled.

River ‘concrete’ poem by Christine Bronk from Fall 2017 Write to the River.

As part of the celebration of FMR’s 25 th anniversary, a special exhibit of Write to the River took place July 3-29 at the Wabasha Brewing Company near the river in St. Paul. Visitors stopped by for a pint, a photo, and a poem or story to honor FMR’s 25 years of protecting, restoring and enhancing the river.

For questions about Write to the River project, contact Leslie Thomas at [email protected] . To learn more about FMR, Write to the River, and the River Story Map, link to: https://fmr.org ,  https://fmr.org/write-to-the-river , and  https://fmr.org/river-stories-map .

All images courtesy of Tom Reiter, unless otherwise stated. Special thanks to FMR Communications Manager Sue Rich, who contributed to this article.

Blegen, T. C. 1939. Minnesota Farmers Diaries. St. Paul: The Minnesota Historical Society .

Chavis, Geri Giebel. 2011. Poetry and Story Therapy: The Healing Power of Creative Expression. London: Jessica Kingsley Publishers.

Recommended Citation

Thomas, Leslie. 2018. “Writing the River.”  Open Rivers: Rethinking Water, Place & Community,  no. 11.  https://openrivers.lib.umn.edu/article/writing-the-river/ .

DOI:  https://doi.org/10.24926/2471190X.4672

Download PDF of Writing the River by Leslie Thomas.

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The Emotion Amplifier Thesaurus , a companion to The Emotion Thesaurus , releases May 13th.

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WRITERS HELPING WRITERS®

Helping writers become bestselling authors

Setting Description Entry: Desert

August 30, 2008 by BECCA PUGLISI

A landscape of sand, flat, harsh sunlight, cacti, tumbleweeds, dust devils, cracked land, crumbing rock, sandstone, canyons, wind-worn rock formations, tracks, dead grasses, vibrant desert blooms (after rainfall), flash flooding, dry creek…

Wind (whistling, howling, piping, tearing, weaving, winding, gusting), birds cawing, flapping, squawking, the fluttering shift of feasting birds, screeching eagles, the sound of one’s own steps, heavy silence, baying wild dogs…

Arid air, dust, one’s own sweat and body odor, dry baked earth, carrion

Grit, dust, dry mouth & tongue, warm flat canteen water, copper taste in mouth, bitter taste of insects for eating, stringy wild game (hares, rats) the tough saltiness of hardtack, biscuits or jerky, an insatible thirst or hunger

Torrid heat, sweat, cutting wind, cracked lips, freezing cold (night) hard packed ground, rocks, gritty sand, shivering, swiping away dirt and sweat, pain from split lips and dehydration, numbness in legs, heat/pain from sun stroke, clothes…

Helpful hints: –The words you choose can convey atmosphere and mood.

Example 1: When I started my journey across the winding dunes of sand, the sky was clear blue glass. Now, as I stagger toward mountains growing no bigger despite three days of walking, that blue glass is marred by flecks of swirling ash…vultures waiting for their next meal…

–Similes and metaphors create strong imagery when used sparingly.

Example 1: The dust devil swirled across the canyon like a rattlesnake on the hunt. (Simile)…

Think beyond what a character sees, and provide a sensory feast for readers

Setting is much more than just a backdrop, which is why choosing the right one and describing it well is so important. To help with this, we have expanded and integrated this thesaurus into our online library at One Stop For Writers . Each entry has been enhanced to include possible sources of conflict , people commonly found in these locales , and setting-specific notes and tips , and the collection itself has been augmented to include a whopping 230 entries—all of which have been cross-referenced with our other thesauruses for easy searchability. So if you’re interested in seeing a free sample of this powerful Setting Thesaurus, head on over and register at One Stop.

On the other hand, if you prefer your references in book form, we’ve got you covered, too, because both books are now available for purchase in digital and print copies . In addition to the entries, each book contains instructional front matter to help you maximize your settings. With advice on topics like making your setting do double duty and using figurative language to bring them to life, these books offer ample information to help you maximize your settings and write them effectively.

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers —a powerhouse online library created to help writers elevate their storytelling.

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Reader Interactions

March 10, 2020 at 4:15 am

Wow this helped me so much on my essay thanks I have altleast 20 things down for it from this website 😊❤️✨

October 7, 2019 at 5:11 pm

this is a very helpful extract where I could pick out some descriptions of the desert and how the climate is Thank you very much for doing this because it gives me the feel and the imagination that I am there now in the desert

February 23, 2019 at 9:35 am

helpful school work !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

October 7, 2018 at 1:43 pm

this has helped me so much for my gcse exams.that i am glad that somebody helped me

September 7, 2017 at 1:56 am

Such vivid descriptions creates a desert picture in my mind. Feel like am already there. Was doing last chapters of my novel wanted to write something about cold deserts. I come from the tropics and have no idea about cold deserts, any information will see me through.

May 6, 2017 at 3:13 pm

This was very helpul for my essay, love it.

May 7, 2017 at 3:41 pm

I’m so glad it was timely!

September 4, 2008 at 8:08 am

I do have one story that’s set in a desert land. But the greatest influence on me – in terms of living in so many different places – is that I always have people of different cultures and species having to live together, cooperate or deal with the various tensions that arise from their varying natures and customs. It’s a lot of fun. And because these stories are fantasies, they can be bizarre while still being realistic.

September 1, 2008 at 6:20 pm

Wow Marian–what a great culture to draw on. Does your work ever reflect where you lived?

And yes please–if you have descriptiors to add, go for it. Often I think of stuff after the fact, and each setting is so vast, there are infinite ways to describe!

Thanks everyone as always for visiting and commenting!

September 1, 2008 at 1:26 pm

I liked the low crime rate (because of the draconian penalties). It was so low that once, when my mom arrived at work to find the office open and burgled, 21 police officers showed up in response to her call (probably the most excitement they had had all week). The forensics people had to shove their way through the crowd.

There’s also the lack of taxes. So provided you’re an indoor person, which I am, you might find it tolerable. Oh, and women always got to go to the front of any line (e.g. at the post office), and had the front seats of buses reserved for them.

One thing I didn’t like was the censorship, which at times bordered on the ridiculous. For instance, the single government-owned ISP wouldn’t let you access the site http://www.ralan.com , which contains lots of useful information about markets in publishing. Why? Because there’s some prominent Israeli whose last name is Ralan. It’s not the same person, but no one bothered to check before blocking the site.

Television programs censor kisses or references to making love, and when I bought a scientific book on human anatomy, the naughty bits were blacked out with a Magic Marker. I once smuggled a Boris Vallejo book into the country and felt very daring. 🙂

So it wasn’t a completely unpleasant experience, but I escaped to Canada as quickly as I could, and I prefer it here.

September 1, 2008 at 6:17 am

Am starting to catch up on these wonderful posts! Is it OK to mention things I would include in your list of sights? Reptiles: snakes, lizards etc. Insects: spiders, biting ants, beetles etc. And sounds? The slither of sand sliding under the belly of a snake or lizard.

Great stuff. Bish

August 31, 2008 at 8:52 pm

Gosh, Marian, that sounds intense. Did you like it there?

August 31, 2008 at 4:56 pm

I actually lived in a desert (well, in the Middle East) for twelve years. Unbearable heat during the summer, up to 45 degrees Celsius, and equally unbearable humidity, since we were on the Gulf Coast.

Since I didn’t have a car, I used to go grocery shopping after sunset, thinking it would be cooler. But the pavement had been baked in the sunlight, so the heat rose off it like a solid wave. And during the day, objects in the distance shimmered, it was so hot. Sometimes I would walk past stores just so their automatic doors would open and I’d feel cool air for a moment.

The least little wind would raise puffs of dust, and a full-out sandstorm was a nightmare. Of course, one good thing about the heat and dryness was that the place was remarkably sterile. You don’t get too much insect or rodent life in an oven. The few plants that grew wild tended to be small, shrubby and tenacious.

Now, of course, I am living in a country that is the exact opposite and I shiver my way through the endless winter months. 🙂

August 31, 2008 at 10:05 am

Thanks for all of your detailed posts!

August 31, 2008 at 12:04 am

I love how I feel like I’m getting mini lessons here! Do ya’ll give out diploma’s? ;0)

thanks for all your work!

August 30, 2008 at 8:42 pm

Angela thanks you, Pema! Or, I’m sure she will when she gets back ;).

And PJ, thanks for the reminder. When Angela’s gone, this place just goes to pot…

August 30, 2008 at 10:18 am

Perfect! I have deserts, too! And how I remember to spell it right – with dessert you always want more, so there are two s letters. With desert, you want less, so there is only one. Hey – Please add this to your sidebar! I know you will, but I use your blog like every day and never want to forget something. It ROCKS!

August 30, 2008 at 8:33 am

Your words are so descriptive, it almost sounds like you’re posting this entry from the Arabian desert! 😉

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Monday, September 25, 2017

Tips on writing an underwater scene.

“Hero slipped beneath the calm surface and descended downward to the coral reef. Orange and yellow tube sponges were scattered across the reef. The cracklings of snappers and grunts filled his ears. He passed over large mounds of brain coral that looked exactly like their name sakes. He swam over to the ledge and did a free fall. He left behind the reds and yellows of the reef and entered a realm of blues and violets. The only sound he heard was his exhaust bubbles rushing to the surface. His depth gauge read 190 feet. Almost to the point where air turns toxic, 212 feet. He knelt on a sandy bottom, trying to remember why he made this dive. Nitrogen narcosis fogged his mind. A lone bull shark circled him, the brute’s body as solid as a locomotive.”

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Water - quotes and descriptions to inspire creative writing

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If the sky were molten and infused with the ancient magic, perhaps it would become the water.

Water cares not of the movements made yet supports and flows all the same.

Water is the great transformer, from raindrop to towering wave.

I wonder if I would ever notice water, had I been born in the oceans with fins for limbs. I suppose then it would have been my air and I would have moved within it more easily than a bird in the sky. As it is, I love dive within those salty formless arms and feel the freedom it gives, transparent and blue, soft and strong.

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Picture Prompts

125 Picture Prompts for Creative and Narrative Writing

What story can these images tell?

By The Learning Network

For eight years, we at The Learning Network have been publishing short, accessible, image-driven prompts that invite students to do a variety of kinds of writing via our Picture Prompts column.

Each week, at least one of those prompts asks students: Use your imagination to write the opening of a short story or poem inspired by this image — or, tell us about a memory from your own life that it makes you think of.

Now we’re rounding up years of these storytelling prompts all in one place. Below you’ll find 125 photos, illustrations and GIFs from across The New York Times that you can use for both creative and personal writing. We have organized them by genre, but many overlap and intersect, so know that you can use them in any way you like.

Choose an image, write a story, and then follow the link in the caption to the original prompt to post your response or read what other students had to say. Many are still open for comment for teenagers 13 and up. And each links to a free Times article too.

We can’t wait to read the tales you spin! Don’t forget that you can respond to all of our Picture Prompts, as they publish, here .

Images by Category

Everyday life, mystery & suspense, relationships, science fiction, travel & adventure, unusual & unexpected, cat in a chair, happy puppy, resourceful raccoon, cows and cellos, people and penguins, opossum among shoes, on the subway, sunset by the water, endless conversation, falling into a hole, lounging around, sneaker collection, the concert, meadow in starlight.

Related Picture Prompt | Related Article

Public Selfies

Night circus, tarot cards, castle on a hill, security line, batman on a couch, reaching through the wall, beware of zombies, haunted house, familial frights, witches on the water, blindfolded, phone booth in the wilderness, shadow in the sky, a letter in the mail, hidden doorway.

Point of No Return

Darkened library, under the table, playing dominoes, looking back, a wave goodbye, out at dusk, conversation, walking away, alone and together, a new friend, heated conversation, up in a tree, hole in the ceiling, under the desk, at their computers, marching band, band practice, in the hallway, in the lunchroom, the red planet, tech gadgets, trapped inside, astronaut and spider, computer screen, special key, tethered in space, on the court, in the waves, city skateboarding.

Fishing in a Stream

Over the falls.

Under the Sea

Sledding in the mountains, cracked mirror, wilderness wayfaring, car and cactus, walking through town, tropical confinement, travel travails, roller coasters, atop the hill, climbing a ladder, under the ice, other selves.

Students 13 and older in the United States and Britain, and 16 and older elsewhere, are invited to comment. All comments are moderated by the Learning Network staff, but please keep in mind that once your comment is accepted, it will be made public and may appear in print.

Find more Picture Prompts here.