useful metaphors for creative writing

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Last updated on Feb 11, 2022

90+ Must-Know Metaphor Examples to Improve Your Prose

What figure of speech is so meta that it forms the very basis of riddles? The answer: a metaphor.

As Milan Kundera wrote in The Unbearable Lightness of Being : “Metaphors are dangerous. Metaphors are not to be trifled with.” Yet, paradoxically, they are an inescapable part of our daily lives — which is why it’s all the more important to understand exactly how they function.

To help, this article has a list of 97 metaphor examples to show you what they look like in the wild. But if you have a moment to spare, let's learn a bit more about what a metaphor is.

What is a metaphor?

A metaphor is a literary device that imaginatively draws a comparison between two unlike things. It does this by stating that Thing A is Thing B. Through this method of equation, metaphors can help explain concepts and ideas by colorfully linking the unknown to the known; the abstract to the concrete; the incomprehensible to the comprehensible. It can also be a rhetorical device that specifically appeals to our sensibilities as readers.

To give you a starting point, here are some examples of common metaphors:

• “Bill is an early bird.”
• “Life is a highway.”
• “Her eyes were diamonds.”

Note that metaphors are always non-literal. As much as you might like to greet your significant other with a warhammer in hand (“love is a battlefield”) or bring 50 tanks of gasoline every time you go on a date (“love is a journey”), that’s not likely to happen in reality. Another spoiler alert: no, Katy Perry doesn't literally think that you're a firework. Rather, these are all instances of metaphors in action.

How does a metaphor differ from a simile?

Simile and metaphor are both figures of speech that draw resemblances between two things. However, the devil’s in the details. Unlike metaphors, similes use like and as to directly create the comparison. “Life is like a box of chocolates,” for instance, is a simile. But if you say, “Life is a highway,” you’re putting a metaphor in motion.

The best way to understand how a metaphor can be used is to see it in practice — luckily, we’ve got a bucket-load of metaphor examples handy for you to peruse.

The Ultimate List of 90+ Metaphor Examples

Metaphors penetrate the entire spectrum of our existence — so we turned to many mediums to dig them up, from William Shakespeare’s Romeo and Juliet to the Backstreet Boys’ ancient discography. Feel free to skip to your section of interest below for metaphor examples.

Literature Poetry Daily Expressions Songs Films Famous Quotations

Metaphors in literature are drops of water: as essential as they are ubiquitous. Writers use literary metaphors to evoke an emotional response or paint a vivid picture. Other times, a metaphor might explain a phenomenon. Given the amount of nuance that goes into it, a metaphor example in a text can sometimes deserve as much interpretation as the text itself.

Metaphors can make prose more muscular or imagery more vivid:

1. “Exhaustion is a thin blanket tattered with bullet holes.” ― If Then , Matthew De Abaitua

2. “But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.” ― Rabbit, Run , John Updike

3. “The sun in the west was a drop of burning gold that slid near and nearer the sill of the world.” — Lord of the Flies , William Golding

4. “Bobby Holloway says my imagination is a three-hundred-ring circus. Currently I was in ring two hundred and ninety-nine, with elephants dancing and clowns cart wheeling and tigers leaping through rings of fire. The time had come to step back, leave the main tent, go buy some popcorn and a Coke, bliss out, cool down.” — Seize the Night ,   Dean Koontz

Writers frequently turn to metaphors to describe people in unexpected ways:

5. “But soft, what light through yonder window breaks? It is the east, and Juliet is the sun!” — Romeo & Juliet , William Shakespeare

6. “Who had they been, all these mothers and sisters and wives? What were they now? Moons, blank and faceless, gleaming with borrowed light, each spinning loyally around a bigger sphere.  ‘Invisible,’ said Faith under her breath. Women and girls were so often unseen, forgotten, afterthoughts. Faith herself had used it to good effect, hiding in plain sight and living a double life. But she had been blinded by exactly the same invisibility-of-the-mind, and was only just realizing it.” ― The Lie Tree , Frances Hardinge

7. “’I am a shark, Cassie,’ he says slowly, drawing the words out, as if he might be speaking to me for the last time. Looking into my eyes with tears in his, as if he's seeing me for the last time. "A shark who dreamed he was a man.’” ― The Last Star , Rick Yancey

8. “Her mouth was a fountain of delight.” — The Storm , Kate Chopin

9. “The parents looked upon Matilda in particular as nothing more than a scab. A scab is something you have to put up with until the time comes when you can pick it off and flick it away.” — Matilda , Roald Dahl

10. “Mr. Neck storms into class, a bull chasing thirty-three red flags." — Speak , Laurie Anderson

11. “’Well, you keep away from her, cause she’s a rattrap if I ever seen one.’” — Of Mice and Men , John Steinbeck

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Metaphors can help “visualize” a situation or put an event in context:

12. “But now, O Lord, You are our Father, We are the clay, and You our potter; And all of us are the work of Your hand.” —Isaiah 64:8

13. “He could hear Beatty's voice. ‘Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page from the second and so on, chainsmoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies.’” — Fahrenheit 451 , Ray Bradbury

To entertain and tickle the brain, metaphor examples sometimes compare two extremely unlike things:

14. “Delia was an overbearing cake with condescending frosting, and frankly, I was on a diet.” ― Lament: The Faerie Queen's Deception , Maggie Stiefvater

15. "The sun was a toddler insistently refusing to go to bed: It was past eight thirty and still light.” — Fault in Our Stars , John Green

16. “If wits were pins, the man would be a veritable hedgehog.” ― Fly by Night , Frances Hardinge

17. “What's this?" he inquired, none too pleasantly. "A circus?" "No, Julius. It's the end of the circus." "I see. And these are the clowns?" Foaly's head poked through the doorway. "Pardon me for interrupting your extended circus metaphor, but what the hell is that?” ― Artemis Fowl , Eoin Colfer

18. “Using a metaphor in front of a man as unimaginative as Ridcully was the same as putting a red flag to a bu — the same as putting something very annoying in front of someone who was annoyed by it.” ― Lords and Ladies , Terry Pratchett

Metaphors can help frame abstract concepts in ways that readers can easily grasp:

19. “My thoughts are stars I cannot fathom into constellations.” — Fault In Our Stars , John Green

20. “If you can look into the seeds of time, and say which grain will grow and which will not, speak then to me.” — Macbeth , William Shakespeare

21. “Memories are bullets. Some whiz by and only spook you. Others tear you open and leave you in pieces.” ― Kill the Dead , Richard Kadrey

22. “Wishes are thorns, he told himself sharply. They do us no good, just stick into our skin and hurt us.” ― A Face Like Glass , Frances Hardinge

23. “’Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.” ― A Room with a View , E.M. Forster

24. “There was an invisible necklace of nows, stretching out in front of her along the crazy, twisting road, each bead a golden second.” ― Cuckoo Song , Frances Hardinge

25. “All the world’s a stage, and all the men and women merely players.” — As You Like It , William Shakespeare

Particularly prominent in the realm of poetry is the extended metaphor: a single metaphor that extends throughout all or part of a piece of work . Also known as a conceit , it is used by poets to develop an idea or concept in great detail over the length of a poem. (And we have some metaphor examples for you below.)

If you’d like to get a sense of the indispensable role that metaphors play in poetry, look no further than what Robert Frost once said: “They are having night schools now, you know, for college graduates. Why? Because they don’t know when they are being fooled by a metaphor. Education by poetry is education by metaphor.”

Poets use metaphors directly in the text to explain emotions and opinions:

26. She must make him happy. She must be his favorite place in Minneapolis. You are a souvenir shop, where he goes to remember how much people miss him when he is gone. —“ Unrequited Love Poem ,” Sierra DeMulder

27. She is all states, and all princes, I. Nothing else is. Princes do but play us; compared to this, All honour's mimic, all wealth alchemy. —“ The Sun Rising ,” John Donne

28. I watched a girl in a sundress kiss another girl on a park bench, and just as the sunlight spilled perfectly onto both of their hair, I thought to myself: How bravely beautiful it is, that sometimes, the sea wants the city, even when it has been told its entire life it was meant for the shore. —“I Watched A Girl In A Sundress,” Christopher Poindexter

Extended metaphors in particular explore and advance major themes in poems:

29. All our words are but crumbs that fall down from the feast of the mind. Thinking is always the stumbling stone to poetry. A great singer is he who sings our silences. How can you sing if your mouth be filled with food? How shall your hand be raised in blessing if it is filled with gold? They say the nightingale pierces his bosom with a thorn when he sings his love song. —“ Sand and Foam ,” Khalil Gibran

30. But a BIRD that stalks down his narrow cage / Can seldom see through his bars of rage / His wings are clipped and his feet are tied So he opens his throat to sing. —“ Caged Bird ,” Maya Angelou

31. Two roads diverged in a wood, and I— I took the one less traveled by / And that has made all the difference. —“ The Road Not Taken ,” Robert Frost

32. Marriage is not a house or even a tent it is before that, and colder: the edge of the forest, the edge of the desert the edge of the receding glacier where painfully and with wonder at having survived even this far we are learning to make fire —“ Habitation ,” Margaret Atwood

33. These poems do not live: it's a sad diagnosis. They grew their toes and fingers well enough, Their little foreheads bulged with concentration. If they missed out on walking about like people It wasn't for any lack of mother-love. —“ Stillborn ,” Sylvia Plath

34. Hope is the thing with feathers / That perches in the soul / And sings the tune without the words / And never stops at all. —“ Hope Is The Thing With Feathers ,” Emily Dickinson

Daily Expressions

Here’s some food for thought (35): you’ve probably already used a metaphor (or more) in your daily speech today without even realizing it. Metaphorical expressions pepper the English language by helping us illustrate and pinpoint exactly what we want to say. As a result, metaphors are everywhere in our common vocabulary: you may even be drowning in a sea (36) of them as we speak. But let’s cut to our list of metaphor examples before we jump the shark (37).

38. Love is a battlefield.

39. You’ve given me something to chew on.

40. He’s just blowing off steam.

41. That is music to my ears.

42. Love is a fine wine.

43. She’s a thorn in my side.

44. You are the light in my life.

45. He has the heart of a lion.

46. Am I talking to a brick wall?

47. He has ants in his pants.

48. Beauty is a fading flower.

49. She has a heart of stone.

50. Fear is a beast that feeds on attention.

51. Life is a journey.

52. He’s a late bloomer.

53. He is a lame duck now.

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Metaphors are a must-have tool in every lyricist’s toolkit. From Elvis to Beyonce, songwriters use them to instinctively connect listeners to imagery and paint a visual for them. Most of the time, they find new ways to describe people, love — and, of course, break-ups. So if you’re thinking, “This is so sad Alexa play Titanium,” right now, you’re in the right place: here’s a look at some metaphor examples in songs.

54. You ain't nothin' but a hound dog / Cryin' all the time —“Hound Dog,” Elvis Presley

55. You're a fallen star / You're the getaway car / You're the line in the sand / When I go too far / You're the swimming pool / On an August day / And you're the perfect thing to say — “Everything,” Michael Buble

56. 'Cause baby you're a firework / Come on show 'em what your worth / Make 'em go "Oh, oh, oh!" / As you shoot across the sky-y-y — “Firework,” Katy Perry

57. I'm bulletproof nothing to lose / Fire away, fire away / Ricochet, you take your aim / Fire away, fire away / You shoot me down but I won't fall, I am titanium —“Titanium,” David Guetta

58. Life is a highway / I wanna ride it all night long / If you're going my way / I wanna drive it all night long —“Life Is A Highway,” Rascal Flatts

59. She's a Saturn with a sunroof / With her brown hair a-blowing / She's a soft place to land / And a good feeling knowing / She's a warm conversation —“She’s Everything,” Brad Paisley

60. I'm a marquise diamond / Could even make that Tiffany jealous / You say I give it to you hard / So bad, so bad / Make you never wanna leave / I won't, I won't —“Good For You,’ Selena Gomez

61. Remember those walls I built / Well, baby, they're tumbling down / And they didn't even put up a fight / They didn't even make a sound —“Halo,” Beyonce

62. Did I ever tell you you're my hero? / You're everything, everything I wish I could be / Oh, and I, I could fly higher than an eagle / For you are the wind beneath my wings / 'Cause you are the wind beneath my wings —“Wind Beneath My Wings,” Bette Midler

63. You are my fire / The one desire / Believe when I say I want it that way —“I Want It That Way,” Backstreet Boys

64. Your body is a wonderland / Your body is a wonder (I'll use my hands) / Your body is a wonderland —“Your Body Is A Wonderland,” John Mayer

65. I'm walking on sunshine (Wow!) / I'm walking on sunshine (Wow!) / I'm walking on sunshine (Wow!) / And don't it feel good —“I’m Walking On Sunshine,” Katrina and the Waves

66. If you wanna be with me / Baby there's a price to pay / I'm a genie in a bottle / You gotta rub me the right way —“Genie in a Bottle,” Christina Aguilera

67. If God is a DJ, life is a dance floor / Love is the rhythm, you are the music / If God is a DJ, life is a dance floor / You get what you're given it's all how you use it —“God Is A DJ,” P!nk

68. If this town / Is just an apple / Then let me take a bite —“Human Nature,” Michael Jackson

69. I just wanna be part of your symphony / Will you hold me tight and not let go? —“Symphony,” Clean Bandit

70. My heart's a stereo / It beats for you, so listen close / Hear my thoughts in every note —“Stereo Hearts,” Gym Class Heroes

71. I'm the sunshine in your hair / I'm the shadow on the ground / I'm the whisper in the wind / I'm your imaginary friend —“I’m Already There,” Lonestar

Films can add a different angle to the concept of a metaphor: because it’s a visual medium, certain objects on-screen will actually represent whatever the filmmaker intends it to represent. The same principle applies, of course — there’s still a direct comparison being made. It’s just that we can see the metaphor examples with our own eyes now.

Films can visually make clear comparisons between two elements on the screen:

72. “What beautiful blossoms we have this year. But look, this one’s late. I’ll bet that when it blooms it will be the most beautiful of all.” —from  Mulan

73. “Love is an open door Can I say something crazy? Will you marry me? Can I say something even crazier? Yes!” —from  Frozen

Metaphors are used in dialogue for characters to express themselves:

74. “You're television incarnate, Diana. Indifferent to suffering, insensitive to joy.” — Network

75. “Life's a climb. But the view is great.” — Hannah Montana: the Movie

Famous Quotations

Did you know that Plato was using metaphors to express his thoughts all the way back in 427 BC? Since then, some of our greatest minds have continued to turn to metaphors when illuminating ideas in front of the general public — a practice that’s become particularly prominent in political speeches and pithy witticisms. Here’s a sample of some of the ways that famous quotes have incorporated metaphor examples in the past.

76. “All religions, arts and sciences are branches of the same tree.” —Albert Einstein

77. “A good conscience is a continual Christmas.” —Benjamin Franklin

78. “America has tossed its cap over the wall of space.” —John F. Kennedy

79. “I don't approve of political jokes; I have seen too many of them get elected.” —Jon Stewart

80. “Conscience is a man’s compass.” —Vincent Van Gogh

81. “In the depths of winter, I finally learned that within me there lay an invincible summer.” —Albert Camus

82. “Time is the moving image of eternity.” ―Plato

83. “Every human is a school subject. This is rather a metaphorical way of saying it, to put it straight, those you love are few, and the ones you detest are many.” ―Michael Bassey Johnson

84. “Even if you're on the right track, you'll get run over if you just sit there.” —Will Rogers

85. “Life is little more than a loan shark: it exacts a very high rate of interest for the few pleasures it concedes.” —Luigi Pirandello

86. “America: in the face of our common dangers, in this winter of our hardship, let us remember these timeless words.  With hope and virtue, let us brave once more the icy currents, and endure what storms may come.” —Barack Obama

87. “Bolshevism is a ghoul descending from a pile of skulls. It is not a policy; it is a disease. It is not a creed; it is a pestilence.” —Winston Churchill

88. “Books are mirrors of the soul.” —Virginia Woolf

89. “My life has a superb cast, but I can't figure out the plot.” —Ashleigh Brilliant

90. “I feel like we’re all in a super shitty Escape Room with really obvious clues like, ‘vote’ and ‘believe women’ and ‘don’t put children in cages.’” — Natasha Rothwell

91. “I travel the world, and I'm happy to say that America is still the great melting pot — maybe a chunky stew rather than a melting pot at this point, but you know what I mean.” —Philip Glass

92. “Life is a long road on a short journey.” —James Lendall Basford

93. “What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which become poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a nation fixed, canonic and binding.” —Nietzsche

94. “Life is a foreign language: all men mispronounce it.” —Christopher Morley

95. “Dying is a wild night and a new road.” —Emily Dickinson

96. “And your very flesh shall be a great poem.” —Walt Whitman

And as a bonus gift, here’s one last metaphor for the road, from one of our brightest philosophers. We’ll let Calvin have the last word:

Did we miss any of your favorite metaphors? Have more metaphor examples for us? Leave them in the (non-metaphorical) box below and we'll add them right in.

6 responses

James Hubbs says:

21/10/2018 – 23:44

Very useful article. Thank you. However, Fahrenheit 451 was written by Ray Bradbury, not George Orwell.

↪️ Reedsy replied:

22/10/2018 – 00:42

Great spot, James! That's now been fixed. Glad that the article was useful :)

Jonboy says:

21/05/2019 – 19:11

That Sylvia Plath quote nailed me. Ouch! Haven't read it but have to now...

21/06/2019 – 17:02

Another metaphor I love is “I’m just like them— an ordinary drone dressed in secrets and lies.” It’s from Speak by Laurie Halse Anderson

DAVID COWART says:

18/11/2019 – 01:59

life is a highway is Tom Cochrane, not Rascal Flats

↪️ Martin Cavannagh replied:

22/11/2019 – 12:54

Rascal Flatts did a cover of the song. We were deciding between the two and decided that "Rascal Flatts" sounded funnier :D

Comments are currently closed.

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The Big List of 125+ Metaphor Examples and Tips for Writers

Metaphors are everywhere! To help you understand this rhetorical device, here’s a big list of 125+ metaphor examples   (plus tips for writers ). But first, let’s talk about the engine of storytelling that make metaphors work.

All About Metaphors

What is a metaphor?

A metaphor compares two dissimilar things by equating one thing as the other thing. By this comparison, our minds can bring one idea into the conceptual space of another idea. When you compare two objects, one of them is seen in a different light, illuminated and re-configured through that comparison.

The concrete becomes abstract, the ephemeral grounded momentarily, the unknown related to the known in a way that helps us understand. This tendency to compare two unlike things is a very human activity.

In fact, our brains are designed to think in metaphorical constructs. George Lakoff explains that “One of the fundamental findings of cognitive science is that people think in terms of frames and metaphors […] The frames are in the synapses of our brains, physically present in the form of neural circuitry. When the facts don’t fit the frames, the frames are kept and the facts ignored.” We see things differently when we look through the lens of metaphor.

Our minds weave ideas together continuously so that we can better understand events, objects, and even people and their motivations. Metaphors are not literal at all — in fact, they are intentionally told as figurative retellings of the world, laying a fabric of imaginative story over raw reality and transforming that reality into a mini-story.

Before we get to the big list of metaphor examples , it’s useful to know there are different ways of writing metaphors.

Metaphor VS. Simile

Metaphor is the big idea behind the comparison between two different objects. However, in English, we use two different words to describe different instances of the rhetorical device known as a metaphor.

A metaphor proper compares two things by simply stating that this thing is that thing. A = B.

Metaphor Examples

Examples of basic metaphors include:

• “Mary is a ray of sunshine.”
• “I’m swimming in emails.”
• “Vacation is heaven.”
• “Love is a battlefield.”

Simile Examples

A simile is a metaphor that uses the words like or as to make the same sort of metaphorical comparison.

Examples of similes in action include:

• “Dale works like a grumpy donkey.”
• “Life is like a box of chocolates.”
• “Her face shines as a jewel.”

Writers on Metaphorical Writing

Metaphors can bring the joy of storytelling into every sentence that you create and can propel your readers forward through your story. To provide you with a navigational map through the sea of metaphors, I’ve listed 125 metaphor examples  at work. But before we get to the big list, let’s see what famous writers have said about the power of metaphor.

The British novelist Mary Anne Evans (who published as George Eliot ) wrote about how metaphor compels us to act: “For we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.”

The Czech writer Milan Kundera agreed with Eliot. He wrote: “Metaphors are dangerous. Metaphors are not to be trifled with.” Yet despite this danger, novelists need to use metaphor to communicate deeper truths.

The hilarious Terry Pratchett sums up the idea in one of his novels: “A metaphor is a kind o’ lie to help people understand what’s true.”

Pratchett was on the right path. Because as one of the authors of the entire modern way of thinking about logic and storytelling told us, achieving master in metaphor is the height of storytelling. Aristotle said: “The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learnt from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in the dissimilar.”

The inimitable Ray Bradbury described his writing this way: “I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid.”

Finally, the Italian novelist and critic Umberto Eco explained the device precisely: “Metaphors set up not only similarities but also oppositions. A cup and a shield are alike in their form (round and concave), but opposite in their function (peace vs. war), just as Ares and Dionysus are alike insofar as they are gods, but opposite with regard to the ends they pursue and to the instruments they use.”

The Big List of 125+ Metaphors

Metaphors make us human and bring us into a story. They serve as guideposts on the storytelling path and help us navigate our experience. The wonderful novelist Haruki Murakami tells us that we should not try to explain them, but instead embrace the idea. Murakami writes: “Allegories and metaphors are not something you should explain in words. You just grasp them and accept them.”

In the big list of metaphor examples below, you’ll find metaphors from many writers in many genres of literature.

Browse freely — skip around! Enjoy swimming in the sea of metaphor!

Everyday Expressions

Human beings naturally think in metaphor. So you probably use metaphorical ideas in conversation every day. Metaphorical expressions populate the English language with verve and insight. Here are a few everyday expressions that are, in fact, metaphors.

Fit as a fiddle

Happy as a clam

Dull as dishwater

That man is a pig.

She is an old flame

Silent as the grave

Time is money

He is sharp as a tack

You are my sunshine

You are the light in my life.

That politician is a lame duck.

Don’t talk to a brick wall

She has ants in her pants.

Fear feeds on attention.

Depression is a dark shadow.

Joy is a gift.

Life is a journey.

She’s a late bloomer.

Human beings invented storytelling when our communication was an oral culture. Stories we told around the fire, or sung by storytellers who memorized by listening to other storytellers. In fact, early writers such as Socrates and Plato argued about the relative merits of writing stories down instead of telling or singing them! Today, storytellers continue to use song to entrance us — and every lyricist uses metaphors.

It might seem crazy what I’m ’bout to say / Sunshine she’s here, you can take a break / I’m a hot air balloon that could go to space / With the air, like I don’t care, baby, by the way– Pharrell Williams – Happy

I can’t let you go, your hand prints on my soul / It’s like your eyes are liquor, it’s like your body is gold– End Game, Taylor Swift

See the girl with the diamonds in her shoes? Yeah / She walks around like she’s got nothing to lose / Faith– Stevie Wonder and Ariana Grand

Did I ever tell you you’re my hero? / You’re everything, everything I wish I could be / Oh, and I, I could fly higher than an eagle / For you are the wind beneath my wings / ‘Cause you are the wind beneath my wings “Wind Beneath My Wings,” Bette Midler

If this town / Is just an apple / Then let me take a bite– “Human Nature,” Michael Jackson

You are my fire / The one desire / Believe when I say I want it that way– “I Want It That Way,” Backstreet Boys

Your body is a wonderland / Your body is a wonder (I’ll use my hands) / Your body is a wonderland– “Your Body Is A Wonderland,” John Mayer

The world was on fire and no one could save me but you / It’s strange what desire will make foolish people do…. / What a wicked game you play, to make me feel this way — Wicked Game, Chris Isaak

I’m walking on sunshine (Wow!) / I’m walking on sunshine (Wow!) / I’m walking on sunshine (Wow!) / And don’t it feel good —“I’m Walking On Sunshine,” Katrina and the Waves

If you wanna be with me / Baby there’s a price to pay / I’m a genie in a bottle / You gotta rub me the right way– “Genie in a Bottle,” Christina Aguilera

If God is a DJ, life is a dance floor / Love is the rhythm, you are the music / If God is a DJ, life is a dance floor / You get what you’re given it’s all how you use it– “God Is A DJ,” P!nk

My heart’s a stereo / It beats for you, so listen close / Hear my thoughts in every note– “Stereo Hearts,” Gym Class Heroes

I’m the sunshine in your hair / I’m the shadow on the ground / I’m the whisper in the wind / I’m your imaginary friend– “I’m Already There,” Lonestar

A tornado flew around my room before you came / excuse the mess it made, it usually doesn’t rain in Southern California– Thinking Bout You – Frank Ocean

Oh, she got both feet on the ground / And she’s burning it down / Oh, she got her head in the clouds / And she’s not backing down / This girl is on fire– Alicia Keys – Girl On Fire

Metaphor is used extensively in the literary arts.  In fact, much of the formalist movement in literary criticism focused on analyzing the effects and the implications of metaphor in literature.

Writers therefore often think in metaphors. This is the common mode of expression of great writers. Here are examples from several of our greatest literary thinkers.

In the depths of winter, I finally learned that within me there lay an invincible summer. —Albert Camus

Books are mirrors of the soul. — Virginia Woolf

She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.― Toni Morrison

“Anger is the wind which blows out the lamp of the mind.” ―  Bodie Thoene

“If funkytown was a trailerpark, this guy would be a double-wide.”― Maya Angelou

What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which become poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a nation fixed, canonic and binding. —Friedrich Nietzsche

Dying is a wild night and a new road. —Emily Dickinson

I have a huge and savage conscience that won’t let me get away with things.― Octavia E. Butler

And your very flesh shall be a great poem.– Walt Whitman

“Happiness is the china shop; love is the bull.” ― H.L. Mencken

“Life is a moderately good play with a badly written third act.” ― Truman Capote

“Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people…. Religion is only the illusory Sun which revolves around man as long as he does not revolve around himself.” ― Karl Marx

“Failure is the condiment that gives success its flavor.” ― Truman Capote

“I’m a little pencil in the hand of a writing God, who is sending a love letter to the world.”― Mother Teresa

“Into the darkness they go, the wise and the lovely. ” ― Edna St. Vincent Millay

Poetry is often constructed of extended metaphor. This is a technique that takes a single comparative idea and explores how that idea works in a longer work of poetry. In earlier times, this extended metaphorical device was also known as a  conceit . Here are some examples from poetic history.

Let’s start with a famous yet complete poem that contains several metaphors throughout:

Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow. — Dreams, Langston Hughes

And in this poem, Syliva Plath describes her pregnancy:

An elephant, a ponderous house A melon strolling on two tendrils….. I’ve eaten a bag of green apples, Boarded the train there’s no getting off. — Sylvia Plath, Metaphors

Before high piled books, in character, Hold like rich garners the full-ripened grain. — When I have Fears, John Keats

Hope is the thing with feathers That perches in the soul, And sings the tune without the words, And never stops at all. – Emily Dickinson

The world is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil — God’s Grandeur, Gerard Manley Hopkins

We often sing lullabies to our children that we ourselves may sleep. All our words are but crumbs that fall down from the feast of the mind. Thinking is always the stumbling stone to poetry. A great singer is he who sings our silences. “Sand and Foam,” Khalil Gibran

The caged bird sings with a fearful trill of things unknown but longed for still and his tune is heard on the distant hill for the caged bird sings of freedom. —“Caged Bird,” Maya Angelou

Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. —“The Road Not Taken,” Robert Frost

Marriage is not a house or even a tent it is before that, and colder: the edge of the forest, the edge of the desert —“Habitation,” Margaret Atwood .

Metaphors in the Bible

One of the earliest written collections of a culture’s literature is today known as the Bible. The Bible is actually a collection of many shorter works, which were later compiled into one volume. The Bible contains many examples of literary technique, among them many instances of metaphorical language.

The teaching of the wise a fountain of life . — Proverbs 13:14

You are the salt of the earth. But if the salt loses its saltiness, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled underfoot.– Matthew 5:13

Jesus said to them, ‘ i am the bread of life; he who comes to me will not hunger, and he who believes in me will never thirst.’– John 6:35

O Lord, You are our Father, We are the clay, and You our potter; And all of us are the work of Your hand.– Isaiah 64:8

The Lord is my shepherd, I shall not want.– Psalm 23:1

Then Jesus again spoke to them, saying, ‘ i am the Light of the world; he who follows me will not walk in the darkness, but will have the Light of life.’– John 8:12

“I am the good shepherd, … and I lay down my life for the sheep.”– John 10:14-15

The Lord is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold.– Psalm 18:2

I am the vine; you are the branches. If you remain in me and I in you, you will bear much fruit; apart from me you can do nothing.– John 15:5

Shakespeare

William Shakespeare is broadly considered to be the greatest playwright in the English language. It might be interesting to know that many of the common metaphors we use in everyday speech today originated in Shakespeare’s prose. Here are some examples of both everyday phrases that came from Shakespeare’s pen, as well as other metaphorical examples from Shakespeare’s wonderful writing.

‘wild goose chase’ ―  William Shakespeare,  Romeo and Juliet

‘seen better days’ ―  William Shakespeare, As You Like It

‘forever and a day’ ―  William Shakespeare, As You Like It

‘good riddance’ ―  William Shakespeare,  Troilus and Cressida .

“When the devout religion of mine eye Maintains such falsehood, then turn tears to fires, And these, who, often drowned, could never die, Transparent heretics, be burnt for liars! One fairer than my love? The all-seeing sun Ne’er saw her match since first the world begun.” ― William Shakespeare,   Romeo and Juliet

But, look, the morn, in russet mantle clad, Walks o’er the dew of yon high eastern hill ―  William Shakespeare,  Hamlet

Look, love, what envious streaks Do lace the severing clouds in yonder East: Night’s candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops — William Shakespeare,  Romeo and Juliet

His face is all carbuncles, and whelks, and knobs, and flames of fire; and his lips plows at his nose, and it is like a coal of fire, sometimes blue, and sometimes red; but his nose is executed, and his fire is out. ―  William Shakespeare,  Henry V

Thou  sure and firm-set earth, Hear not my steps, which way they walk, for fear The very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. ―  William Shakespeare,  Macbeth

For his bounty, There was no Winter in’t; an Autumn  ’twas That grew the more by reaping: his delights Were dolphin-like; they show’d his back above The element they liv’d in: in his livery Walk’d crowns and crownets ―  William Shakespeare,  Antony & Cleopatra

Death, that hath suck’d the honey of thy  breath, Hath had no power yet upon thy beauty: Thou art not conquer’d; beauty’s ensign yet Is crimson in thy lips and in thy cheeks, And death’s pale flag is not advancèd there. Why art thou yet so fair? shall I believe That unsubstantial Death is amorous; And that the lean abhorrèd monster keeps Thee  here in dark to be his paramour? ―  William Shakespeare,  Romeo and Juliet

O, then th’ Earth shook to see the heavens on fire, And not in fear of your nativity. Diseasèd Nature oftentimes breaks forth In strange eruptions;  oft  the teeming Earth Is with a kind of cholic pinch’d and vex’d By the imprisoning of unruly wind Within her womb; which, for enlargement striving, Shakes the old beldame Earth, and topples down Steeples and moss-grown towers. At your birth, Our grandam Earth, having this  distemperature , In passion shook ―  William Shakespeare,  Henry IV

Come, thick night, And  pall  thee in the  dunnest  smoke of Hell, That my keen knife see not the wound it makes, Nor Heaven peep through the blanket of the dark, To cry  Hold, hold ! ―  William Shakespeare,  Macbeth

Heaven’s cherubin, hors’d Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind. ―  William Shakespeare,  Macbeth

It is suppos’d, He that meets Hector issues from our choice: And choice, being mutual act of all our souls, Makes merit her election; and  doth  boil, As ’twere from forth us all, a man distill’d Out of our virtues. ―  William Shakespeare,Troilus and Cressida

To be, or not to be; that is the question: Whether ‘tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them. ―  William Shakespeare,  Hamlet

O thou day o’ the world, Chain mine arm’d neck; leap thou, attire and all, Through proof of harness to my heart, and there Ride on the pants triúmphing! ―  William Shakespeare,  Antony & Cleopatra

This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself… This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm this England… ―  William Shakespeare,  Richard II

All the world’s a stage , And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts ―  William Shakespeare,  As You Like It

I wasted time, and now doth time waste me; For now hath time made me his numbering clock: My thoughts are minutes; and with sighs they jar Their watches on unto mine eyes, the outward watch… Now sir, the sound that tells what hour it is Are clamorous groans, which strike upon my heart, Which is the bell: so sighs and tears and groans Show minutes, times, and hours. ―  William Shakespeare,  Richard II

Like to the Pontic sea, Whose icy current and compulsive course Ne’er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody thoughts, with violent pace ―  William Shakespeare,  Othello

But soft! What light through yonder window breaks? It is the East, and Juliet is the sun! Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief That thou her maid art far more fair than she. Be not her maid, since she is envious. Her vestal livery is but sick and green, And none but fools do wear it. ―  William Shakespeare,  Romeo and Juliet

Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date; ―  William Shakespeare, Sonnet 18

Death’s second self, that seals up all in rest. In me thou see’st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consumed with that which it was nourish’d by. This thou perceiv’st, which makes thy love more strong, To love that well, which thou must leave ere long. ―  William Shakespeare, Sonnet 73

My mistress’ eyes are nothing like the sun; Coral is far more red, than her lips red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. ―  William Shakespeare, Sonnet 130

Writing Metaphor Examples

Now that you have some grounding in the historical use of metaphor in song, poetry and literature, here are some additional examples from writers through the centuries.

“The sun in the west was a drop of burning gold that slid near and nearer the sill of the world.”– Lord of the Flies , William Golding

“Her mouth was a fountain of delight.”– The Storm , Kate Chopin

“The parents looked upon Matilda in particular as nothing more than a scab. A scab is something you have to put up with until the time comes when you can pick it off and flick it away.”– Matilda , Roald Dahl

“’Well, you keep away from her, cause she’s a rattrap if I ever seen one.’”– Of Mice and Men , John Steinbeck

“He could hear Beatty’s voice. ‘Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page from the second and so on, chainsmoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies.’”– Fahrenheit 451 ,  Ray Bradbury

“There was an invisible necklace of nows, stretching out in front of her along the crazy, twisting road, each bead a golden second.”– Cuckoo Song , Frances Hardinge

“Every word was a singing sparrow, a magic trick, a truffle for me. The words made me laugh in delight.”― Elizabeth Gilbert,  Eat, Pray, Love

“Know that diamonds and roses are as uncomfortable when they tumble from one’s lips as toads and frogs: colder, too, and sharper, and they cut.”― Neil Gaiman,  Fragile Things: Short Fictions and Wonders

“But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.”― Updike, John, Rabbit, Run

“If Bagel’s face was a lump of clay on a pottery wheel, it’d been rapidly thrown from an angry grey blob to a rather enthusiastic vase.”― Mandy Ashcraft,  Small Orange Fruit

“I want to paint the way a bird sings.”― Claude Monet,  Monet By Himself

“He is capable of turning everything into anything–snow into skin, skin into blossoms, blossoms into sugar, sugar into powder, and powder back into little drifts of snow–for all that matters to him, apparently, is to make things into what they are not, which is doubtless proof that he cannot stand being anywhere for long, wherever he happens to be.”― Robert Musil,  The Man Without Qualities

“She remembered love, though, and a feeling of warmth. It was like remembering light, or the glow that sometimes persists after a light has gone out.”― Alexander McCall Smith,  Emma

“God blows on the leaves, they turn to gold, and we call it autumn.”― Joyce Rachelle

“What is it that you contain? The dead, time, light patterns of millenia opening in your gut. What is salted up in the memory of you? Memory past and memory future.”― Jeanette Winterson,  Gut Symmetries

“The sky is diluted scarlet. It is an oddity, a noticeable wound in the fabric of our world. In specific areas, like Solange’s island, it stands out like a blooming flower in a dying garden.”― Ilse V. Rensburg,  Time Torn

“His music gave no lesser joy than a vacation. Creativity in his music and its success stood out as an example to all kinds of artists, in the lectures of business speakers, engineers, and to anyone who built or constructed something in their respective profession.”― Amit Kalantri,  One Bucket of Tears

“She looked playful and eager, but not quite sure of herself, like a new kitten in a house where they don’t care much about kittens.”― Raymond Chandler,  The Lady in the Lake

“It’s like the tide, Jo, when it turns it goes slowly–but it can’t be stopped.”― Louisa May Alcott,  Little Women

“Reminiscences of old, dried-over pains were no consolation in the face of this. They had the effect of cold beads of water on a hot iron – they danced and fizzled up while the room stank from their steam.”― Gloria Naylor,  The Women of Brewster Place

“Depression is kind of quantum physics of thought and emotion. It reveals what is normally hidden. It unravels you”― Matt Haig,  Reasons to Stay Alive

“At one extreme…the hours seemed to aggregate and sell like a wave, swallowing huge chunks of her day. At the other extreme when her attention was disengaged and fractured she experienced time at its most granular wherein moments hung around like particles diffused and suspended and standing in water. There used to be a middle way, too, when her attention was focussed but vast and time felt like a limpid pool ringed by sunlit ferns.”― Ruth Ozeki,  A Tale for the Time Being

“Life is a hurricane, and we board up to save what we can and bow low to the earth to crouch in that small space above the dirt where the wind will not reach. We honor anniversaries of deaths by cleaning graves and sitting next to them before fires, sharing food with those who will not eat again. We raise children and tell them other things about who they can be and what they are worth: to us, everything. We love each other fiercely, while we live and after we die. We survive; we are savages.”― Jesmyn Ward,  Men We Reaped

“It was one of those dangerous moments when speech is at once sincere and deceptive, when feeling, rising high above its average depth, leaves flood-marks which are never reached again.”― George Eliot,  The Mill on the Floss

“Garbage in, garbage out. Or rather more felicitously: the tree of nonsense is watered with error, and from its branches swing the pumpkins of disaster.”― Nick Harkaway,  The Gone-Away World

“I said nothing for a time, just ran my fingertips along the edge of the human-shaped emptiness that had been left inside me.”― Haruki Murakami, Blind Willow, Sleeping Woman

“Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.”― Joseph Campbell, Thou Art That: Transforming Religious Metaphor

“I wonder which is preferable, to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you’re depleted of all that was once as precious to you as hoarded gold, as close to you as your skin – everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone – and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you?”― Margaret Atwood, The Blind Assassin

“Illness is the night side of life, a more onerous citizenship. Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick. Although we all prefer to use the good passport, sooner or later each of us is obliged, at least for a spell, to identify ourselves as citizens of that other place.”― Susan Sontag, Illness as Metaphor

“I found myself in a sea in which the waves of joy and sorrow were clashing against each other.”― Naguib Mahfouz

“The water made a sound like kittens lapping.”—  The Yearling , by Marjorie Kinnan Rawlings

“Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East . . .” —  Peter Pan , by J. M. Barrie

“Computers are like Old Testament gods; lots of rules and no mercy.” ― Joseph Campbell, The Power of Myth

And just for fun…. here’s one last metaphor to wrap up the list!

“Love is a snowmobile racing across the tundra and then suddenly it flips over, pinning you underneath. At night, the ice weasels come.” ― Matt Groening, The Big Book of Hell

How to Use Metaphors in Writing —  3 Essential Tips

1. avoid common idioms and clichés.

Part of the reason that lists like the ones above exist is that most writers know about these comparisons. If you wish to be original, then you would do well to avoid re-using common metaphors that famous writers like William Shakespeare, George Eliot, and Toni Morrison have already used.

Using clichés in your writing will bore your readers and lead them to find more original, inspired writers to read. Here’s one helpful list of clichés you’ll want to avoid in your writing.

2. Compare Logically

A metaphor compares two dissimilar things. While these things should on the surface be very different, they must share some sort of detectable common attributes. Don’t compare two things that just can’t be compared. The metaphor should make some sort of logical sense to the reader.

For example, if you wanted to use a metaphor to describe the rhythmic sound of a drum, it would make sense to compare this to another thing with a rhythmic motion, such as a heartbeat or waves. But it would not make sense to compare a drumbeat to oil sitting in a pan, or a still pool of water. The connection has to exist for you to use it in your work.

Make your metaphors easy to understand so a reader can quickly grasp your point.

3. Avoid Purple Prose with too many metaphors

It is possible to over-use metaphors. Storytelling that launches into metaphorical descriptions without a good grounding in plot and the basics of character description turns into “purple prose” — writing that is full of colorful images but without a sense of momentum or purpose.

Your writing slows down when you use too many metaphors or use them in the wrong way. If you over-use the metaphorical toolset, you risk boring your reader.

Furthermore, if you use too many metaphors, this actually lessens the impact of each metaphor, since they’ll all start to blend together and each one will become less memorable on its own.

If your prose seems over-loaded with metaphors, try to strip down the description to the bare bones, and only use a metaphor that helps us to experience the scene in a new light. If the bare bones description works without a metaphor, it’s always wise to leave it out.

Less is more in the use of metaphors!

Good luck and keep writing!

Read more notes on writing: 

➤ literary devices & terms: 52+ definitions plus examples, ➤ what kind of writer are you pantsers vs plotters, ➤ a word count guide for every book genre: fiction & nonfiction , ➤ how many words do famous writers write every day, ➤ how to deliver a book to an editor: formatting your manuscript .

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Using Metaphors in Creative Writing

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What is a metaphor?

The term metaphor meant in Greek "carry something across" or "transfer," which suggests many of the more elaborate definitions below:

Related terms

Why use metaphors.

People get so accustomed to using the same words and phrases over and over, and always in the same ways, that they no longer know what they mean. Creative writers have the power to make the ordinary strange and the strange ordinary, making life interesting again.

When readers or listeners encounter a phrase or word that cannot be interpreted literally, they have to think—or rather, they are given the pleasure of interpretation. If you write "I am frustrated" or "The air was cold" you give your readers nothing to do—they say "so what?" On the other hand, if you say, "My ambition was Hiroshima, after the bombing," your readers can think about and choose from many possible meanings.

By writing "my dorm is a prison," you suggest to your readers that you feel as though you were placed in solitary, you are fed lousy food, you are deprived of all of life's great pleasures, your room is poorly lit and cramped—and a hundred other things, that, if you tried to say them all, would probably take several pages.

There are many gaps in language. When a child looks at the sky and sees a star but does not know the word "star," she is forced to say, "Mommy, look at the lamp in the sky!" Similarly, when computer software developers created boxes on the screen as a user interface, they needed a new language; the result was windows. In your poems, you will often be trying to write about subjects, feelings, etc., so complex that you have no choice but to use metaphors.

Or so says Aristotle in Poetics: "[T]he greatest thing by far is to be a master of metaphor." It is "a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars."

Creative ways to use metaphors

Most books give rather boring examples of metaphors such as my father is a bear or the librarian was a beast. However, in your poetry (and fiction for that matter) you can do much more than say X is Y, like an algebraic formula. Definitely play with extended metaphors (see above) and experiment with some of the following, using metaphors...

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Examples of Metaphors in Literature

Allison Bressmer

Though you may not have noticed, you have likely heard or used quite a few metaphors today. Perhaps you’ve said someone has a “heart of gold” or conversely, a “heart of stone” or called a lively child “a real firecracker!”

A metaphor makes a direct comparison between two things that are generally not related or similar, but share a specific quality or characteristic that is emphasized through the comparison.

While we may learn about metaphor most directly through poetry and literature, metaphors aren’t just for artists. They add color and carry meaning even in our everyday language.

What Is a Metaphor?

How is a metaphor different from a simile, why use metaphors, examples of types of metaphors, what is a mixed metaphor, how to use metaphors in your writing, examples of metaphors, why metaphors are powerful.

A metaphor is a type of figurative language . It is a figure of speech used to convey a message that goes beyond the literal meaning of their words.

Figures of speech are not intended to be taken literally.

A person can’t have a heart of gold or stone, and a child is a human, not an explosive!

So what’s the point of the comparison then? The point is to go beyond literal meanings.

Gold is precious; it’s pure and valuable. A person with a heart of gold is sincere and kind—a purely good person who adds value to others’ experiences.

Stone is cold and hard. A person with a heart of stone shows no emotional tenderness or empathy—no softness or warmth in their personalities.

A firecracker is full of energy and vibrancy. That firecracker child is probably running around the house and full of sass!

A metaphor makes a direct comparison between two unlike things in order to highlight the one (or so) shared quality between those two things. A metaphor outright “calls” or “labels” that one thing as another thing: the heart is gold or stone; the child is a firecracker.

While a metaphor makes a direct comparison—it states that one thing is another thing—a simile makes its comparisons a little less directly by including the words like or as .

• Simile: She’s as fast as a cheetah!
• Metaphor: She’s a cheetah!

• Simile: Their relationship was like a tornado.
• Metaphor: Their relationship was a tornado.

Sometimes you might prefer the directness of a metaphor; other times a simile will carry your meaning more effectively. Some comparisons just work better as similes than metaphors and vice versa. Whatever works for your specific situation, metaphors and similes can bring creativity and intensity to your words and writing style.

There are plenty of reasons to use metaphors in your work!

1. To Add Creativity

Writers want to express ideas creatively. They want to draw readers into experiences or emotions. They want to describe characters or scenes or events with originality to keep their readers engaged.

Sometimes, literal language just isn’t enough to get those jobs done. Or, maybe it can, but metaphor can do it better, with more intensity and vibrancy.

In Lucille Clifton’s poem “Miss Rosie,” the speaker, frustrated and angry by what Miss Rosie has become, calls her “you wet-brown bag of a woman.” I suppose the speaker could have said “Miss Rosie—you are useless” and still conveyed anger, but I doubt I would remember it. It’s kind of hard to forget that creative “wet-brown-bag” comparison.

2. To Bring Emotional Intensity

What statement conveys more feeling?

• I love you very much.
• My love for you is a raging fire.

Okay, perhaps my metaphor example is corny. But it is also more intense. Raging fire emphasizes the passion and heat and “out-of-controlness” that comes with being in love. It easily out-intensifies very much.

3. To Use the Power of Imagery

Each of the examples of metaphor used so far in this post have probably activated your senses. You can picture and perhaps even feel that cold heart of stone, or the pure, shining beauty of the heart of gold . You might have felt the heat of the fire and pictured its wild, red-hot flames.

4. To Provoke Thought

The meaning of a metaphor isn’t always glaringly obvious. You might have had to stop and think about the characteristics of a wet, brown bag before you could understand the speaker’s accusation in “Miss Rosie.” Once you stop and think, though, you can see the layers of meaning. A wet brown bag was once useful, but is now mushy, musty waste that’s good for nothing.

5. To Create Atmosphere

Sometimes, the sensory images or emotions evoked through metaphor can help set an atmosphere or mood for a scene or event, drawing audiences more deeply into the experience.

• The wedding was a fairytale.

The metaphor makes it easy to image a picture-perfect, enchanting celebration, full of happily-ever-after vibes.

• I finally found escape in the abandoned barn. The torrential rain was rapid machine-gun fire echoing threats of my destruction.

The metaphor adds to the danger of this moment. Not only has the person had to escape, but even the sound of the rain itself perpetuates the feeling that the character is under attack.

So far, the metaphors you’ve seen in this post have been standard metaphors . Standard metaphors simply make that direct comparison between two unlike things:

• Traffic was a beast today.
• That baby is a treasure!

However, standard is not the only type of metaphor. Here are some others:

Implied Metaphor

She hissed her warning— “Keep your mouth shut or I’ll shut it for you.”

In this case, no snake is mentioned, but the “hiss” implies the comparison of “she” to that dangerous, threatening creature.

Visual Metaphor

Visual metaphors show, rather than directly state, the comparison.

Does anyone remember the once-popular ad campaign that showed someone in a kitchen holding an egg and saying “this is your brain.” Then, the person cracked the egg into a hot pan, and as we watched that egg sizzle, said “This is your brain on drugs.”

Instead of directly saying, “drug use makes your brain a fried egg,” the campaign made a visual comparison.

Extended Metaphor

This term really defines itself! An extended metaphor is one that continues over multiple lines or stanzas of poetry, or sentences or paragraphs or segments of prose. Emily Dickinson’s poem “Hope is the Thing with Feathers'' is an example.

Dead Metaphor

A dead metaphor is one whose meaning, due to frequent use and/or the passage of time, has shifted or just lost its metaphorical power and become rather boring or cliche.

For example, some metaphors I’ve used in this post could be considered dead.

Heart of gold and heart of stone ; love is a raging fire— these are metaphors that have lost some of their luster, maybe even prompt an eye roll, though we still understand their meanings.

If we call someone a laughing-stock, we mean the person is a fool, a joke, an embarrassment. But many who use the metaphor probably don’t know its likely origin, going back to the 1500s, when people were publicly punished and ridiculed by having their ankles and wrists locked into holes between two sliding boards—a contraption called “stocks.”

Thankfully, we don’t use that form of punishment anymore, but we have kept the metaphor.

A mixed metaphor is a mistake. It occurs when a person combines elements of two unrelated metaphors to confusing, and often humorous, effect.

For example, we might call a person who is emotionally strong a tough cookie, which is itself an interesting (possibly dead) metaphor. What qualities does a cookie share with a strong person? I can’t find an origin story, but I’ll assume that it refers to a cookie that perhaps required a bit of effort to bite into.

If you say someone is not the sharpest knife in the drawer, you’re saying that they aren’t too smart. This metaphor’s meaning is easier to discern as “sharp” or “keen” are synonyms for “smart.”

But if you say a person is “not the toughest cookie in the drawer” you’ve just mixed your metaphors, and haven't really said much of anything—other than perhaps you need to “sharpen” yourself!

Don’t force metaphors or try too hard to sound “poetic.” Sometimes, the desire to be creative can lead you to produce overdone, overwrought, or overly complex metaphors. Remember, you want the metaphor to enhance the readers’ experience, not leave them frustrated and confused.

Think with your senses. Metaphors can create or deepen your work’s sensory effect. What metaphors can you use to intensify the sights, sounds, smells, tastes, or touch of your work?

Don’t overwhelm your work— especially prose—with metaphors. Metaphors are powerful figures of speech, but that doesn’t mean they should fill every line of your speech or text. Use metaphors thoughtfully and strategically in order to maintain their power and effect.

Be original. Avoid the cliches and stay away from often used images. For example, there are already plenty of love-compared-to-roses and snow-compared-to-blankets metaphors.

You might have to do some brainstorming. The first ideas that come to mind might be obvious because they’re common. Keep thinking. Check out ProWritingAid’s Clichés Report to look for these exhausted figures of speech. Then you can try to freshen them up with a new, creative metaphor!

Sign up for a free account and try it for yourself.

Now that we know what a metaphor is, let’s take a closer look at some examples of metaphors at work in the real world.

Metaphor Examples from Literature

“The sun was a toddler insistently refusing to go to bed: It was past eight thirty and still light.”— Fault in Our Stars , John Green

“All the world’s a stage, and all the men and women merely players.”— As You Like It , William Shakespeare

“Her mouth was a fountain of delight.”— The Storm , Kate Chopin

“Life for me ain’t been no crystal stair.”— Mother to Son , Langston Hughes (the entire poem is an example of an extended metaphor)

“I’m a riddle in nine syllables”— Metaphors , Sylvia Plath (each line of the poem is a different metaphor, but the metaphors are all describing one thing.

“But, soft! What light through yonder window breaks? / It is the east, and Juliet is the sun.”— Romeo and Juliet , William Shakespeare

“The frosted wedding cake of the ceiling”— The Great Gatsby , F. Scott Fitzgerald

“Behind him, sitting on piles of scrap and rubble, was the blue kite. My key to Baba’s heart.”— The Kite Runner , Khaled Hosseini

“This blood is a map of the road between us.”— Tear , Linda Hogan

“In her hands, I always became the pawn. I could only run away. And she was the queen, able to move in all directions, relentless in her pursuit, always able to find my weakest spots.”— The Joy Luck Club , Amy Tan

Metaphor Examples from Music

“Life is a highway / I wanna ride it all night long”—Tom Cochrane

“Baby you’re a firework!”—Katy Perry, Ester Dean, Stargate, Sandy Vee

“You are the thunder and I am the lightning”—Selena Gomez, Antonina Armato, Tim James, Devrim Karaoglu

“Love is a temple, Love a higher law”—U2

“You are the sunshine of my life”—Stevie Wonder

Metaphor Examples from Speeches or Famous Quotes

“I assume unhesitatingly the leadership of this great army of our people dedicated to a disciplined attack upon our common problems.”—Franklin D. Roosevelt, First Inaugural Address

"All religions, arts and sciences are branches of the same tree.”—Albert Einstein

“If this virus were a physical assailant, an unexpected and invisible mugger, which I can tell you from personal experience it is, then this is the moment we have begun together to wrestle it to the floor.”— Boris Johson qtd. in the Guardian

“But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation.”— Dr. Martin Luther King Jr. , “I Have A Dream”

“What’s that got to do with women’s rights or negroes’ rights? If my cup won’t hold but a pint, and yours holds a quart, wouldn’t you be mean not to let me have my little half measure full?”— Sojourner Truth , “Ain’t I a Woman?”

Metaphor Examples from Advertising

• Budweiser is the “king” of beers
• Chevrolet is the “heartbeat” of America
• Exxon Oil used to tell drivers: “put a tiger in your tank!”

In her article “ The Words that Help Us Understand the World, ” Helene Schumacher says that metaphors “can explain complex concepts we may not be familiar with, help us to connect with each other, and can even shape our thought processes. They help us better understand our world.”

Author James Geary, quoted in the article, says “The only way we have of learning something new is by comparing it to something we already know.”

Metaphors bring to light something we had not perhaps considered or recognized. That something may be a depth of emotion, an insight. Whatever that “something” is, the metaphor delivers it in a unique, stirring way not matched by literal words alone.

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Allison Bressmer is a professor of freshman composition and critical reading at a community college and a freelance writer. If she isn’t writing or teaching, you’ll likely find her reading a book or listening to a podcast while happily sipping a semi-sweet iced tea or happy-houring with friends. She lives in New York with her family. Connect at linkedin.com/in/allisonbressmer.

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Using Metaphors in Creative Writing

What is a metaphor.

The term metaphor meant in Greek “carry something across” or “transfer,” which suggests many of the more elaborate definitions below:

Related terms

Why use metaphors.

• They enliven ordinary language. People get so accustomed to using the same words and phrases over and over, and always in the same ways, that they no longer know what they mean. Creative writers have the power to make the ordinary strange and the strange ordinary, making life interesting again.
• They are generous to readers and listeners; they encourage interpretation. When readers or listeners encounter a phrase or word that cannot be interpreted literally, they have to think—or rather, they are given the pleasure of interpretation. If you write “I am frustrated” or “The air was cold” you give your readers nothing to do—they say “so what?” On the other hand, if you say, “My ambition was Hiroshima, after the bombing,” your readers can think about and choose from many possible meanings.
• They are more efficient and economical than ordinary language; they give maximum meaning with a minimum of words. By writing “my dorm is a prison,” you suggest to your readers that you feel as though you were placed in solitary, you are fed lousy food, you are deprived of all of life’s great pleasures, your room is poorly lit and cramped—and a hundred other things, that, if you tried to say them all, would probably take several pages.
• They create new meanings; they allow you to write about feelings, thoughts, things, experiences, etc., for which there are no easy words; they are necessary. There are many gaps in language. When a child looks at the sky and sees a star but does not know the word “star,” she is forced to say, “Mommy, look at the lamp in the sky!” Similarly, when computer software developers created boxes on the screen as a user interface, they needed a new language; the result was windows. In your poems, you will often be trying to write about subjects, feelings, etc., so complex that you have no choice but to use metaphors.
• They are a sign of genius. Or so says Aristotle in Poetics: “[T]he greatest thing by far is to be a master of metaphor.” It is “a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars.”

Creative ways to use metaphors

Most books give rather boring examples of metaphors such as my father is a bear or the librarian was a beast. However, in your poetry (and fiction for that matter) you can do much more than say X is Y, like an algebraic formula. Definitely play with extended metaphors (see above) and experiment with some of the following, using metaphors…

Powerful Examples of Similes and Metaphors to Improve Your Writing

Understanding similes, simile definition, examples of similes, tips for using similes, understanding metaphors, metaphor definition, examples of metaphors, tips for using metaphors, applying similes and metaphors in your writing, enhancing description, creating imagery, adding emotion and depth, similes and metaphors in literature, classic literature, modern literature, similes and metaphors in pop culture, movies and tv, advertising.

Similes and metaphors are powerful tools that can help you take your writing to the next level. They allow you to create vivid imagery and evoke emotions in your readers, making your work more engaging and memorable. In this blog, we'll explore simile and metaphor examples, along with tips on how to use them effectively in your writing. Let's dive in!

Similes are a type of figurative language that compare two different things using the words "like" or "as." They help your readers better visualize and understand the ideas you want to convey. Let's start with the basics:

A simile is a figure of speech that compares two unlike things using the words "like" or "as." This comparison highlights a specific quality or characteristic shared by the two things, making the description more vivid and relatable. For example:

• Her smile was as warm as the sun on a summer day.
• He ran like the wind, leaving everyone else behind.

Similes can add depth and color to your writing, making it more engaging. Here are some more simile examples to inspire you:

• Her eyes sparkled like stars in the night sky.
• He was as stubborn as a mule, refusing to change his mind.
• Their love was as deep as the ocean.
• The baby's laughter was as sweet as the sound of a music box.
• The room was as silent as a graveyard at midnight.

To make the most of similes in your writing, keep these tips in mind:

• Be specific: Choose comparisons that paint a clear and vivid picture for your readers.
• Be relevant: Make sure the simile adds value to your writing and supports the point you're trying to make.
• Avoid clichés: Steer clear of overused similes, like "as busy as a bee" or "as cool as a cucumber." Instead, get creative and come up with your own unique simile and metaphor examples.

Metaphors, like similes, are a form of figurative language that can enrich your writing by creating strong imagery and conveying emotions. However, they differ from similes in one key aspect—metaphors don't use "like" or "as" for comparison. Instead, they directly state that one thing is another. Let's take a closer look:

A metaphor is a figure of speech that describes an object or action by equating it with something else, without using "like" or "as." This comparison helps to emphasize a particular quality or characteristic of the object or action. For example:

• Her voice was music to his ears.
• Time is a thief that steals our moments away.

Using metaphors in your writing can create powerful imagery and make your words more memorable. Here are some metaphor examples to spark your creativity:

• All the world's a stage , and we are merely players.
• My thoughts are swirling leaves in the wind of my mind.
• Her heart is a garden blooming with kindness.
• The sun is a golden coin tossed into the sky.
• His words were daggers that pierced her heart.

When incorporating metaphors into your writing, consider these guidelines:

• Be original: Avoid clichéd metaphors that your readers have likely encountered before. Create your own fresh and unique metaphor examples.
• Stay focused: Ensure that your metaphor is relevant to the point you're trying to make and enhances the overall message.
• Keep it simple: While it's tempting to craft complex metaphors, remember that clarity is key. Keep your metaphors straightforward and easy to understand.

Similes and metaphors can add depth, emotion, and vivid imagery to your writing. When used effectively, they can elevate your work and create a lasting impression on your readers. Let's explore some ways to incorporate similes and metaphor examples into your writing:

Both similes and metaphors can help you describe characters, settings, and emotions more vividly. By comparing an object or action to something else, you can create a more striking image in your reader's mind:

• His eyes were as cold as ice when he looked at her. (simile)
• The city was a sleeping giant waiting to be awakened by the first rays of sunlight. (metaphor)

By comparing objects, actions, or emotions to something unexpected, similes and metaphors can paint vivid pictures in your reader's mind. This can enhance the overall reading experience and make your words more memorable:

• The clouds were like cotton candy floating in the sky. (simile)
• Her laughter was a symphony of joy that filled the room. (metaphor)

Similes and metaphors can be powerful tools for expressing emotions and adding depth to your writing. By choosing the right comparisons, you can evoke specific feelings or create a particular mood:

• She felt as if a thousand butterflies were fluttering in her stomach. (simile)
• Grief was a heavy stone that weighed her down. (metaphor)

Remember, the key to successful use of similes and metaphor examples is to be creative, clear, and relevant to the message you want to convey. By incorporating these techniques in your writing, you can create a stronger connection with your readers and leave a lasting impression.

Similes and metaphors have been used by writers throughout history to create memorable, evocative works. Let's look at some examples of similes and metaphors in both classic and modern literature, as well as poetry.

In classic literature, similes and metaphors have been used to create rich descriptions and convey emotions. Here are a few powerful examples:

• In To Kill a Mockingbird by Harper Lee: "People generally see what they look for, and hear what they listen for, and they have the right to subject their children to it all."
• In Great Expectations by Charles Dickens: "Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be."
• In Moby Dick by Herman Melville: "The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth."

Modern literature also employs similes and metaphors to create vivid imagery and evoke emotions. Here are some examples:

• In The Fault in Our Stars by John Green: "My thoughts are stars I cannot fathom into constellations."
• In The Hunger Games by Suzanne Collins: "Hope is the only thing stronger than fear."
• In Harry Potter and the Philosopher's Stone by J.K. Rowling: "The castle was a vast maze of ramparts, turrets, and halls."

Poetry often relies heavily on similes and metaphors to create powerful imagery and convey emotions. Here are some examples from famous poets:

• In "The Road Not Taken" by Robert Frost: "Two roads diverged in a wood, and I— / I took the one less traveled by, / And that has made all the difference."
• In "A Red, Red Rose" by Robert Burns: "O my Luve is like a red, red rose / That's newly sprung in June; / O my Luve is like the melody / That's sweetly played in tune."
• In "I Wandered Lonely as a Cloud" by William Wordsworth: "For oft, when on my couch I lie / In vacant or in pensive mood, / They flash upon that inward eye / Which is the bliss of solitude."

By examining simile and metaphor examples in literature, you can gain inspiration and insight into how these powerful devices can enhance your own writing and create a lasting impact on your readers.

Similes and metaphors aren't just limited to literature—they also play a significant role in popular culture. Let's explore some examples of similes and metaphors in music, movies, TV shows, and advertising to see how these devices add depth and meaning to our everyday entertainment.

Music often uses similes and metaphors to create vivid imagery and convey emotions. Here are a few examples from popular songs:

• In "Firework" by Katy Perry: "Do you ever feel like a plastic bag / Drifting through the wind, wanting to start again?"
• In "I Will Always Love You" by Whitney Houston: "If I should stay / I would only be in your way / So I'll go but I know / I'll think of you every step of the way."
• In "Let It Be" by The Beatles: "When the brokenhearted people living in the world agree / There will be an answer, let it be."

Movies and television shows often use similes and metaphors to create memorable scenes and lines. Here are some examples:

• In Forrest Gump : "Life is like a box of chocolates; you never know what you're gonna get."
• In The Dark Knight : "You either die a hero, or you live long enough to see yourself become the villain."
• In Game of Thrones : "When you play the game of thrones, you win or you die. There is no middle ground."

Advertisers often use similes and metaphors to create catchy slogans and memorable ads. Here are some examples:

• In Nike's slogan: "Just do it."
• In McDonald's slogan: "I'm lovin' it."
• In Apple's "Think Different" campaign: "Here's to the crazy ones. The misfits. The rebels. The troublemakers."

By examining simile and metaphor examples in pop culture, you can see how these powerful devices add depth and meaning to our everyday entertainment, making them more memorable and engaging for audiences.

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Using Metaphors to Enhance Your Writing

by Melissa Donovan | Feb 29, 2024 | Writing Tips | 18 comments

A while back, I wrote a piece that had nothing to do with food, but food became a running metaphor while I was revising. The food metaphor was so delicious (or maybe I was so hungry) that I rewrote the entire post with food on the brain.

The blog posts I write with metaphors get a lot of positive feedback; everyone seems to embrace them. Metaphors are clearly useful for enticing readers.

So what makes metaphors work?

What Are Metaphors?

Why are metaphors so effective.

Metaphors often engage our senses by connecting an otherwise intangible subject to sight, sound, smell, touch, or taste. If you can engage any of these senses through metaphor, your writing will become more vivid, entertaining and memorable; it will be easier for readers to relate to what you’re saying, because they can experience it viscerally.

Metaphors also simplify complex concepts, making them easier to understand and digest. I can spend a full paragraph using detailed, literal descriptions of a character. Or I can tell you that the character is a rat, and looks like one too. In just a few words, I’ve conveyed a lot about the character’s looks and personality. Without the metaphor, it might have taken a lot more time to describe this character.

When Are Metaphors Ineffective?

Ineffective metaphors rely on clichés to communicate an idea: he’s a rock, she’s a breath of fresh air . These are figures of speech (metaphors) that have been around for a long time and made their way into casual usage. They work well in regular conversation but can feel stale in a work of poetry or fiction. They have become clichés.

Metaphors also need to be clear. We don’t want the reader pausing to process a metaphor and wonder what it means.

Finally, metaphors should be somewhat sparse and shouldn’t be mixed. If you’ve got a running food metaphor, don’t mix it with metaphors about the weather. Keep it simple to avoid cluttering up your writing and confusing readers.

Experiment with Using Metaphors

Here’s an experiment you can do to explore using metaphors in a piece of writing:

Make a list of twenty-five things. They can be people, places, objects, and topics for discussion. For each item on the list, come up with a single metaphor that could represent it. Be open-minded as you work through the list. For example, one of your items might be child . If you come up with munchkin as a metaphor, you’ll discover that the child has taken on personality and specific features. Let the items on your list inspire the metaphors, but then let the metaphors influence the items in return.

Use Metaphors Wisely!

If you decide to experiment with using metaphors in your writing, come back here and tell us about it!

How often do you use metaphors in your writing? Have they improved your writing? What have you learned about using metaphors? Share your thoughts and experiences by leaving a comment.

18 Comments

Melissa, what a great point! Visual metaphors are a common persuasion tactic. Applying the same tactic to other forms of writing has a similar impact. I never consciously thought about that until your post. We want to draw readers in whether we’re writing a poem, blog post, short story, or marketing messages. We want them to feel, and act. When working on jobs for clients I am innately aware of this fact but seem to forget it when writing for myself. Thanks for the excellent tip!

I have done some pieces in the past using metaphor but I think I tend to make it do too much. It’s like my imagination is on speed or something. So I have sort of forbidden myself to do for a while now. Maybe it works best if the piece is in one form and the metaphor slant is introduced in a rewrite? It’s worth contemplating because I think it could be a useful tool to navigate difficult topics. At least that the reason I used it in the past.

@Karen: The metaphor really jumps out at the reader. I think it’s useful for otherwise dry, boring pieces and helps to make them more palatable. I forget to use metaphors too, so this was a good reminder for me.

@Deb (gscottage): I think any way that the metaphor finds its way into your writing is fine (rewrite or otherwise). I’ve incorporated metaphor during the rewrite and the first draft and haven’t found one way to be better than the other. There is something to be said about spontaneity though. A forced metaphor can be obvious.

Ellen gave me sh*t on Brett’s blog, implying I dont’ know what a metaphor is. She said I should come here and read your post. So here I am.

A metaphor has something to do with moons and balloons, right, Ellen? 🙂

Actually, I DO know what a metaphor is…I’m trying put a few in my writing (I hope!)

I like the gentle reminders you write, Melissa. You make sure we stay honest and don’t forget our English lessons.

@Friar: Hello there! Glad you could stop by. You’re right, we mustn’t forget our English lessons. After all, that’s where we learn all the rules that we are destined to break.

If I had an English teacher as interesting as you in High School (instead of the dill-weed who taught me), I would have ended up embracing literature and English, instead of hating it.

Mabye there’s still hope for me yet.

@Friar: Aw, you’re too kind! I thought about becoming an English teacher. I wanted to teach at the college level (creative writing) but I’m not big on public speaking. Thank you.

I looked into teaching college a few years back. They would only hire part-time. It paid 25 bucks an hour ,but they would only pay you for the 4-6 hours a week you actually lectured! (You wouldn’t even get Prep Time).

Ouch. I didnt’ feel like living off $150 a week. So I ended up at the Widget Factory.

@Friar: That’s a shame and surprising that they wouldn’t compensate for prep time, which is probably where teachers do most of their work!

This is a great post, Melissa, and like the others, I’ve often thought you’d make a great English teacher. Well, really you are! You teach your readers so much here, at Writing Forward. Who knows, maybe in 20 years you’ll take college creative writing classes by storm, hardly taking a breath! I’d love to be in your creative writing class. 😉

And, if that doesn’t happen… just write us a book! 🙂

@Michele: Well, that is a huge compliment! I am not out to teach as much as I am trying to share my experiences, hoping they can help someone. A book does sound like a fun project. If only I had the time…well, like you said, maybe in twenty years.

You’re welcome. 😉 Well, I think sharing our experiences actually does teach, don’t you? I love to learn and glean from those around me. And, I hope I can offer something for someone else to glean from as well. 🙂

The book… the time… Well, 20 years was off the top of my head–about getting up the nerve to teach. I hope it doesn’t have to actually be that long before we can read a book of yours!

Melissa, I agree. Metaphors enhance my reading experiences, but I do struggle to find the right ones when I’m writing. After NaNoWriMo I’m going to give your writing exercise a try.

I would also like to say I’ve read books where metaphors and similes were used so often they nauseated me, instead of exciting me.

Metaphors can definitely be overdone. The trick is to find the right metaphor and the right balance. Good luck!

I’m so glad I stumbled across your blog. I’m a literature and writing student and was just accepted into the honors program at my university. The only problem is, I am having trouble figuring out what I want to do for my senior honors project! I have so many interests and am feeling a little overwhelmed about coming up with a good idea. Any thoughts on brainstorming project ideas?

Hi Brook. There are many brainstorming tools available online that you might find useful. I often use lists or a whiteboard when I’m brainstorming. Beyond that, it’s hard to offer suggestions without knowing the details of your assignment. Best of luck to you!

You’ve really got me thinking, Melissa. Thanks for this. I wrote a lighthearted science fiction short story about a woman lit mag editor who got transported to the other side of the Milky Way after being sucked through a hole in the sleeve of her lilac-coloured cashmere cardigan. It triggered laughter yet was taken seriously when I performed it. Of course the woman manages to get back to Earth the same way… I realise what I did was keep the metaphor going throughout the story – only about 1000 words. So thanks, now I’m off to try a similar technique with a different metaphor!!

That’s great, Shirley! Keep writing.

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Using Similes and Metaphors to Enrich Our Writing (Part 1)

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Consider these two sentences from Leonard Gardner's novel Fat City :

The stooped forms inched in an uneven line, like a wave , across the onion field. Occasionally there was a gust of wind, and he was engulfed by sudden rustling and flickering shadows as a high spiral of onion skins fluttered about him like a swarm of butterflies .

Each of these sentences contains a simile : that is, a comparison (usually introduced by like or as ) between two things that are generally not alike--such as a line of migrant workers and a wave, or onion skins and a swarm of butterflies.

Writers use similes to explain things, to express emotion, and to make their writing more vivid and entertaining. Discovering fresh similes to use in your own writing also means discovering new ways to look at your subjects.

Metaphors also offer figurative comparisons, but these are implied rather than introduced by like or as . See if you can identify the implied comparisons in these two sentences:

The farm was crouched on a bleak hillside, where its fields, fanged in flints, dropped steeply to the village of Howling a mile away. (Stella Gibbons, Cold Comfort Farm )

Time rushes toward us with its hospital tray of infinitely varied narcotics, even while it is preparing us for its inevitably fatal operation. (Tennessee Williams, The Rose Tattoo )

The first sentence uses the metaphor of a beast "crouched" and "fanged in flints" to describe the farm and the fields. In the second sentence, time is compared to a doctor attending a doomed patient.

Similes and metaphors are often used in descriptive writing to create vivid sight and sound images , as in these two sentences:

Over my head the clouds thicken, then crack and split like a roar of cannonballs tumbling down a marble staircase; their bellies open--too late to run now!--and suddenly the rain comes down. (Edward Abbey, Desert Solitaire )

The seabirds glide down to the water--stub-winged cargo planes--land awkwardly, taxi with fluttering wings and stamping paddle feet, then dive. (Franklin Russell, "A Madness of Nature")

The first sentence above contains both a simile ("a roar like that of cannonballs") and a metaphor ("their bellies open") in its dramatization of a thunderstorm. The second sentence uses the metaphor of "stub-winged cargo planes" to describe the movements of the seabirds. In both cases, the figurative comparisons offer the reader a fresh and interesting way of looking at the thing being described. As essayist Joseph Addison observed three centuries ago, "A noble metaphor, when it is placed to an advantage, casts a kind of glory round it, and darts a luster through a whole sentence" ( The Spectator , July 8, 1712).

• The Top 20 Figures of Speech
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• The 9 Parts of Speech: Definitions and Examples
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• The Different Types of Metaphors
• Figure of Speech: Definition and Examples
• 14 Sound Similes Evaluating Figurative Comparisons
• Organizational Metaphor
• Use Popular Songs to Teach Similes
• Submerged Metaphor
• What Is Personification?

Metaphor Examples for Writers

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A metaphor is a literary device writers use to make their writing more evocative. Without going into wordy explanations, a writer can use the  figurative language  of a metaphor for illustrative purposes or to highlight the similarities between two different ideas, activities, or objects. 

A metaphor is made up of two parts, a tenor, which is the subject of the metaphor, and the vehicle, which is the thing that illustrates the metaphor. There are more than a dozen different kinds of metaphors, including absolute, complex, conceptual, conventional, creative, dead, extended, mixed, primary, root, simile, submerged, therapeutic, and visual, that are used in writing to illustrate or symbolize something else.

An example of one of the more expressive metaphors in literature comes from American fiction writer F. Scott Fitzgerald, who once wrote, "All good writing is swimming underwater and holding your breath." A complex metaphor like this works because it is sensory. Most people know what it feels like to swim underwater while they hold their breath. Even if they are not writers, the metaphor he uses gives a sense of what the process feels like.

Metaphors often get confused with similes. Whereas a metaphor makes a declarative statement that one thing is another thing, a simile uses words “like” or “as” to compare two similar things. The difference is subtle but distinct. For example, if Fitzgerald had written that "good writing is like swimming underwater," it would be a simile. The other part that can get confusing is that a simile is a type of metaphor, but a metaphor is not always a simile.

Metaphors in Literature and Popular Culture

Perhaps one of the most commonly cited examples of a metaphor in English literature is Shakespeare's "All the world's a stage" monologue from "As You Like It":

"All the world's a stage, And all the men and women merely players; They have their exits and their entrances..."

One reason this metaphor is effective is that each line contains a separate metaphor, but all come together as part of a single, broader idea—that life itself is like a stage play. Some other examples of metaphors in literature and popular culture include:

• "You are the sunshine of my life...And if I thought our love was ending, I'd find myself drowning in my own tears." ​-Stevie Wonder
• "I finally asked you to dance on the last slow song, beneath the moon that was really a disco ball." ​-Lady Antebellum
• "The sky was a purple bruise, the ground was iron, and you fell all around the town until you looked the same." ​-Elvis Costello
• "You ain't nothing but a hound dog." -Made famous by Elvis Presley, but written by Jerry Leiber and Mike Stoller
• “A hospital bed is a parked taxi with the meter running." ​-Groucho Marx
• “Dying is a wild night and a new road.” -Emily Dickinson
• “Time rises and rises, and when it reaches the level of your eyes you drown.” -Margaret Atwood
• “I’m a little pencil in the hand of a writing God.” -Mother Teresa
• “Books are the mirrors of the soul.” -Virginia Woolf

Each of these metaphors works in different ways, but they all force the reader to think about what they mean. Once the reader is able to make a connection to the metaphor, the meaning becomes very clear. Take that last line, for instance. Imagining a mirror that can look into your soul evokes a powerful image of the impact books can have.

Mixed and Extended Metaphors

Like most literary devices, metaphors can be ineffective when misused. They end up either confusing the reader or drawing attention to the author's lack of skill. A mixed metaphor moves from one reference to a second, unrelated, or inconsistent thing.

For example, in the statement "Our keyboard will teach your mind's eye to play by ear," the speaker has mixed two metaphors, leading to nonsense.

However, there are some instances when mixed metaphors work despite themselves somehow. In his song "Little Red Corvette," Prince, a songwriter known for his sexually-charged lyrics, compares the proclivities of a paramour to a fast car and mixes in a metaphor about the use of contraceptives.

"I guess I should've known by the way you parked your car sideways, that it wouldn't last," he sings, before mixing in another metaphor with the line, "See, you're the kinda person that believes in makin' out once—love 'em and leave 'em fast. I guess I must be dumb 'cuz you had a pocket full of horses, Trojan and some of them used."

The latter part of that verse is a mixed metaphor that then becomes an extended metaphor later in the song when Prince references his paramour's past lovers. "I guess I should've closed my eyes when you drove me to the place where your horses run free. 'Cause I felt a little ill when I saw all the pictures of the jockeys that were there before me."

Cliched Metaphors to Avoid

As you can see, you don't have to look very far to find examples of metaphors. We hear and use various common expressions and cliches every day that are metaphors:

• It's raining cats and dogs.
• I'm visiting an old flame.
• He's a loose cannon.
• She found herself behind the eight ball. 
• He drives me up a wall.
• She saw the light at the end of the tunnel.

Although these are all are good examples of what metaphors are and how they can effectively express thoughts or ideas, they represent the sort of cliches—or dead metaphors—that should be avoided in writing. Metaphors are most effective when they are original and help readers envision complex feelings or actions in ways they never have.

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• Ways to Use Figurative Language in Writing
• Types of Figurative Language That Enhance Your Writing
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• How to Use Metaphors Correctly and Avoid Cliches
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• Reader Question: Should gasoline or kerosene be burned in a diesel engine?
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11 Creative Writing Techniques

Learn how to add pizzazz to any type of writing.

The articles below show you how to use creative writing tools in fiction or non-fiction. Each article features a series of examples so it becomes easier to apply the technique.

List of creative writing techniques

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Personification

Show don’t tell

Repetition in writing

Contrast in writing

The rule of three in writing

Parallelism

1. Metaphors

Learn how to use metaphors and get inspired by these examples …

Learn how to use metaphors >>

Metaphor examples >>

Get inspired by over 10 simile examples by various authors …

Simile examples >>

3. Analogies

Get inspired by these analogy examples …

Analogy examples >>

Improve your writing style

Learn how to write better and find your voice. Get free writing tips in your inbox.

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Get inspired by these imagery examples …

Imagery examples >>

5. Personification

Learn how to use personification to make your writing sparkle …

Personification examples >>

6. Show don’t tell

Get inspired by these examples of “show, don’t tell” …

Show don’t tell examples >>

7. Repetition in writing

Get inspired by these examples of word repetition …

Examples of repetition in writing >>

8. Contrast in writing

Discover how to use contrast in your writing …

Examples of contrast in writing >>

9. The rule of 3 in writing

Get inspired by these examples of the rule of 3 …

The rule of 3 in writing >>

10. Parallelism in writing

Get inspired by these examples of the parallelism …

Parallelism examples >>

11. Switch the point of view (POV)

Discover how to switch the point of view …

Point of view examples >>

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How To Use Metaphors To Inspire Creative Thinking

A metaphor compares an existing problem with another unrelated problem, object or situation. A useful tool in brainstorming, here’s how you might use metaphors for creative thinking and problem solving, by:

• Identifying similarities between the two disparate problems
• Examining the old problem in a new context
• Looking outside what we know, as well as our comfort zone, for potential solutions

Use the instructions below to incorporate metaphors into your creative thinking or brainstorms. If it’s helpful, you might start with  Introduction to Metaphors .

How To Use Metaphors in Brainstorming

1.  State the problem facing you right now.

If working in a group, sometimes it’s helpful to give a short analysis or describe the problem more richly. At the same time, you might work with the brainstorm participants to purge, that is:  strip down and clarify the overall problem into a simple, single sentence.

Remember to state the problem as a problem. And, it should be descriptive and written in plain, conversational English.

As an example, for a new diabetes medication, the client said the problem was compliance . That’s not the problem. It is a single word that doesn’t adequately describe the problem. The real problem was Patients forget to take their medication.

2.  Paraphrase the problem statement by re-stating it as a metaphor.

The easiest way to do this is to complete this sentence: This problem is like (fill in the blank) .

Here’s some metaphors we created to sell a product that was a failure the first time around, but had improved significantly with a “new and improved” version.

• This problem is like a bad date who keeps calling you for a second chance.
• This problem is like a getting your hand burnt a second time on the stove.
• This problem is like  your partner wanting to return to a holiday destination that you detested the first time you visited.
• This problem is like hearing your sister is going to re-marry her no-good ex-husband.

Whether working independently or in a group, try to come up with at least 10 different metaphors to start.

3.  Select one metaphor that you find imaginative or provocative.

• What unique perspective is revealed in this metaphor?
• How might I use the suggestion uncovered in the metaphor to solve my unrelated problem?
• What’s similar between the two problems (original and the metaphor)? Is there an insight?

What are the potential ways to use this new metaphor to solve my original problem?

4.  Transfer the solution from the metaphor to your specific problem or issue.

It’s important to remember that you often need to force the metaphor.   Sometimes the metaphor will be so obscure or illogical that your brain can’t make sense of it. That’s actually good. You need tension and confusion to disrupt your assumptions and former thinking. By trying to make sense of a nonsensical metaphor, your subconscious will help resolve the problem with a new idea. To help, team up with another person, or break your workshop participants into groups of 2 or 3.

An Example of Metaphorical Thinking in Brainstorming

A hair-care company wanted us to create new ways to encourage people to trial its products.

Women in the category already have their preferred shampoo and are not interested in trying something untested.

Examples of Metaphors

People don’t like to change. So, our problem is like …

• Getting children to eat vegetables
• Converting people to a new religion
• Trying to give the cat a bath
• Trying to make a dog to swallow a pill
• Begging someone to love you
• Find other ways to prepare the vegetables to disguise the fact they’re vegetables
• Make the vegetables fun by creating a game, a song, or a story
• Create demonstrations where women – similar to our audience – are trying the product successfully. Was there a Tupperware party or Avon Calling aspect to create for our hair-care products?
• Show how others like vegetables, so much that they’ll eat yours if you’re not careful

How can transfer any of these solutions to our problem?

• How do we re-package or disguise our hair-care products as something else?
• How do we make our hair-care products fun?
• How do we turn our hair-care products into a game?
• How do we create songs/stories out of our hair-care products?
• How do we show our new products are exclusive, hard-to-get, or something that everyone else has?

Have you tried using metaphors in your brainstorming? How has it worked? Do you have any example to share?   Please add your thoughts and comments below.

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5 Types of Figurative Language With Examples

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Figurative language is a cornerstone of expressive writing. Unlike literal language, which conveys information plainly and directly, figurative language introduces an imaginative spark, offering the reader new ways to view ideas and emotions.

Writers can use different types of figurative language , depending on what they want to express. Read on for examples and to learn how these techniques add depth and complexity to writing.

What Is Figurative Language?

5 types of figurative language, 5 figurative language examples, writing figurative language.

Figurative language refers to phrases or words that deviate from their conventional or literal meaning to communicate a more complicated and often more powerful message. Figurative language enriches our everyday speech and writing, transforming plain sentences into vivid expressions that resonate with listeners and readers.

Figurative language appears throughout English literature. Writers use figurative language to convey complex ideas and emotions or to make their writing more engaging. By moving beyond the literal meaning of words, authors can paint pictures in the reader's mind, evoke feelings and connect with their readers on a deeper level.

Whether through a simile's direct comparison or the extreme exaggeration of hyperbole, these words and techniques empower writers to describe the indescribable, connecting words to the vast realm of human experiences.

There are several different types of figurative language, each one useful for a different situation and purpose.

A simile is a direct comparison between two things that uses the words "like" or "as." It is a great example of how figurative language can create a vivid image for the reader.

For instance, saying "her smile was as bright as the sun" not only describes the brightness of her smile but also conveys a sense of warmth and happiness.

2. Metaphor

Metaphors make implicit comparisons between two unlike things, meaning the writer implies or suggests they are alike in a significant way without using the words "like" or "as."

For example, in the phrase "time is a thief," the writer compares time and a thief to suggest that time, like a thief, can steal life's moments. Unlike similes, which make their comparisons explicit, metaphors do so implicitly.

3. Personification

Personification involves giving human qualities to inanimate objects or nonliving things. Writers use this literary device to add emotion and lifelike human characteristics to nonhuman elements. For instance, saying "the wind howled throughout the night" attributes the human action of howling to the wind.

4. Hyperbole

Hyperbole is an intentional exaggeration used for emphasis. A common expression like "I've told you a million times" does not literally mean a million but suggests a high frequency to emphasize the speaker's frustration.

Like other figurative language types, a hyperbole can also produce a comic effect if the writer chooses to use the sentence that way.

Idioms are culturally specific expressions whose meanings cannot be deduced from the literal meanings of the words they contain.

For example, "Wall Street" is not merely a street but a metonym for the financial industry in the United States. Another idiom , "new wheels," refers to a new car, relying on the reader's cultural knowledge to grasp the implicit meaning.

These figurative language examples express ideas more vividly and creatively than literal language could.

• "Her cheeks are red like a rose." This simile compares the color of her cheeks to a rose, suggesting a vibrant red hue.
• "The world is a stage." This metaphor is a line by William Shakespeare, a master of the English language and creative expression. It suggests that life is like a play in which everyone has a part to perform.
• "The wind whispered through the trees." This personification attributes the human action of whispering to the wind. When a writer assigns human abilities to nonliving entities, it can go a long way toward affecting the mood of a scene.
• "I've been waiting forever." This hyperbole exaggerates the length of time the speaker has been waiting, suggesting a very long time to emphasize impatience or frustration.
• "Break a leg." This idiom is usually a way to wish someone good luck, especially before a performance, without directly mentioning luck. However, these words could also be a threat, demonstrating how certain phrases can have different meanings depending on the speaker's intention.

To write figurative language effectively, it’s crucial to consider the context and the intended audience. Think about what emotional or sensory impact you want your text to have. Also, consider the overall tone of your writing.

It's important to use figurative language sparingly to avoid overwhelming the reader and to maintain clarity and impact where it is most effective. This can prevent your prose from becoming overloaded with decorations that may distract or confuse the reader.

Lastly, choosing the right type of figurative language is also important. This allows you to vividly convey complex ideas and emotions, making your writing more relatable and memorable for the reader. Using it well can pique a reader's interest and hold their attention.

Edgar Allan Poe, William Shakespeare, Zora Neale Hurston, and other literary giants excelled at using figurative language to evoke specific atmospheres and emotions, crafting memorable lines that resonate through the ages.

One of the best-known uses of figurative language is Shakespeare's depiction of life: "All the world's a stage, and all the men and women merely players."

We created this article in conjunction with AI technology, then made sure it was fact-checked and edited by a HowStuffWorks editor.

Please copy/paste the following text to properly cite this HowStuffWorks.com article:

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