photo class assignments

10 Photo Assignments to Inspire and Challenge Your Skills

Liz Masoner is a professional photographer and she shares her tips and techniques on photo editing and how to photograph nature, portraits, and events with film and digital cameras. Liz has over 30 years of experience and she is the author of three books on photography.

The best way to learn photography is to practice, though sometimes you can get stuck in a rut and not know what to shoot. That is why photographers love assignments; they give us a purpose and an idea of what to photograph. 

Why Are Assignments Important?

Self-assignments are key to any photographer's growth. Even professionals with decades of experience will work on personal assignments that they may never get paid for. The goal of any self-assignment is to spur creativity, solve problems, learn new techniques, and challenge yourself.

As you start out in photography, you're probably filled with excitement and ready to shoot anything you can. That being said, sometimes a little direction and guidance are necessary.

Below, you will find ten photography assignments. Each covers a new topic, skill, or concept and they were chosen to help you learn how to see as a photographer. They are meant to be a personal challenge that you can complete at your own pace and with no outside judgment, simply as a means to practice and improve your photography. Hopefully, you will learn something new with each assignment and be able to use that in every photograph you take in the future.

Remember when composing your images to keep in mind the basics: the rule of thirds,  shutter speed , aperture,  depth of field , and  exposure .

Assignment #1: Up Close

This assignment encourages you to get close and personal with your subject. It is an exercise in viewing a common object in a new way and examining its finer details.

• Choose an object that you see or interact with every day.
• Focus on a small part of it, get as close as your camera will allow you to focus, and shoot away.
• Try to capture different angles and unusual lighting to add to the mystery of this tiny world.

From the whiskers of your cat to a fragile Christmas ornament, and even common soap bubbles, there is an entire world that we often overlook because we don't get close enough.

Assignment #2: Motion

Photography is a static medium which means that it doesn't move. Conveying a sense of motion is often crucial to capturing a scene or emotion and it is an essential skill for photographers to practice.

The goal of this exercise is to understand how shutter speeds can be used to convey motion.

• Choose a subject or series of subjects that will allow you to convey motion in your images.
• It can be slow motions, like that of a turtle, or fast motion, like a speeding train.
• Blur it, stop it, or simply suggest that there is motion in the photograph.

Challenge yourself to capture the same motion in different ways. For instance, you might go to a race track and stop the movement of the cars completely in one image, then leave the shutter open and allow them to blur out of the frame in the next. 

Assignment #3: Shadows

Shadows are everywhere and they are vital to photography because this is the art of capturing light. With light comes shadows and when you begin to look at shadows as a photographer, your world will open up.

• Take a look around for shadows and record them with your camera.
• You could show the shadow as the total focus of the image. Perhaps the shadow is incidental to the subject.
• Is the shadow natural or created by flash?

Shadows are integral to creating depth in a two-dimensional medium such as photography. Take some time to seriously explore the "dark side" of the light.

Assignment #4: Water

Water is everywhere in photography and it presents many challenges. There are reflections and movements to work with and in this exercise, you will take a deeper look at water.

• Find water anywhere: lakes, streams, puddles, even the glass on your kitchen table.
• Pay attention to reflections and use them to your advantage in the photographs. Use this opportunity to get familiar with a polarizing filter (a very useful tool in your camera kit) so you can accentuate or eliminate reflections.
• Play with the motion of a stream or the crashing waves. Notice the difference between stopping the flow of water and allowing it to blur to create a real sense of movement.

Be sure to make water the subject and not an accent to the image. Water alone is beautiful and mysterious and your challenge is to explore all of its potential as a subject.

Assignment #5: Leading Lines

A classic assignment in photography schools, 'leading lines ' is a popular and fun subject. The goal of this assignment is to learn how to direct the viewer to your subject using lines.

• Choose a subject then look around for lines in the scene that you can use to 'lead' the viewer to the subject. 
• Find an interesting line then determine what the subject of your photograph is.
• Remember that lines can be man-made or natural. For instance, the yellow line down the middle of the road or a tree branch. Even a person's arm can be a leading line of their face.

Use this assignment as an excuse to take an afternoon photo excursion. Walk downtown or in the woods and look around you for interesting lines that lead the eye to a subject. There is an amazing assortment of lines out there in the world and once you begin to see them, you won't be able to stop. 

Assignment #6: Perspective

How do you normally stand when you shoot? If your answer is straight up like a 5-foot-something human being then this assignment is for you. The perspective assignment challenges you to view the world from an entirely new perspective, which in turn gives the viewer a new look at the ordinary.

• Take another afternoon or evening for a photo excursion wherever you like.
• This time, every time you find something to photograph, stop!
• Ask yourself: How would a squirrel see that tree? How would a robin view that birdbath? How would a snake view that log?
• Take your photographs from very high or very low angles. Get on your belly or stand on a chair, whatever you have to (safely) do to get the 'right' angle on your subject.

If you pay attention to professional photographs, many of the images that have the WOW factor are photographed from extreme angles. People enjoy these photos because they've never seen an object from that viewpoint. It is new and unique, and you can train yourself to shoot with this in mind.

Assignment #7: Texture

You may have captured a few textural details in the 'Up Close' assignment, but this assignment takes that to the next level. The goal in this one is to study textures and forget about the object itself: the texture becomes the subject. You will also begin to realize how light affects the appearance of texture.

• Find a few objects that have very detailed textures like trees or rocks, even knit sweaters or woven rugs.
• Photograph them as close as your lens will allow.
• Use different angles and capture the same texture as the light changes. Notice how the different lighting directions and camera angles can change how much texture appears.

Textures are all around us and many of the best photographs in the world play up the textural element. This assignment should teach you how to recognize and accentuate those elements in your photos.

Assignment #8: Color Harmony

Color is important to photography because the world is full of color. This exercise requires a bit of study in color theory, which you will then put into practice in your photographs.

Do you remember art class in elementary school? You may have learned that yellow and blue make green, but color theory goes beyond that. There are cool and warm colors, complementary and contrasting colors, neutral colors, and bold colors.

It can get quite complicated, and photographers should have a basic understanding of color so you can use that when composing photographs. You don't have to study color like a painter would but can use tricks used by interior designers to influence your color decisions.

• Once you have an idea of color theory, take another photo excursion and put what you've learned into practice.
• Capture photographs with the primary or tertiary colors.
• Look for complementary colors then contrasting colors to photograph.
• Try finding a scene to photograph that is filled with neutral colors, then one that uses a bold color to 'pop' from the scene.

This is an advanced lesson, but one that any photographer working with color images will find useful. As you practice working with colors, it will become second nature and you will know how to work with color to change the feel of your images.

Assignment #9: Emotions

Take a photo of a person smiling or scowling, right? Not so. The intent of this assignment is to convey emotion in photographs  without  a face.

• Take photographs that express each of the basic emotions: happy, sad, and mad.
• How would you express the feeling of anger with no person? What about happiness? Sadness?

This is a purely conceptual assignment, but it is important to be able to relay emotion in your photographs and you might not always have a person available to do that with. Challenge yourself to think deeper about this one.

Assignment #10: Don't Look!

Are you ready to put your photography skills to the test? In today's world of digital cameras and the ability to see image captures right there on the LCD screen, photographers are losing some of the skills needed to visualize a photograph.

In this assignment, your challenge is to shoot as if you were using a film camera. That means that you will not look at the photographs you've taken until they are downloaded on your computer. Instead of relying on the camera's screen to see if you 'got the shot' you will rely on your instinct and knowledge, just like photographers did before digital photography. Can you do it?

• Plan a photo excursion to a particular location and permit yourself to photograph only 36 images (a roll of 35mm film).
• Turn off your camera's LCD screen so it does not show you the image after you have taken it.
• If you cannot turn off the camera's screen, cut a piece of thick paper and tape it over the screen. Use masking or painter's tape so you don't leave a residue on the back of your camera.
• Go out and shoot your 36 frames, thinking carefully about each image because you don't have an endless number of shots. Bonus points if you turn your camera to completely manual settings for focus and exposure.
• Don't peek at your photos until you get home and download them.

How did you do? Were you able to get good exposures on your own? How did it feel to be 'blind' and not know how your image turned out right away? 

This is similar to what it is like to shoot with film and it does require you to think harder about every image you take. Next time you shoot, slow down and pay attention, pretend that the screen is not there and rely on your own skills to create a great image. You will be a better photographer in the end.

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12 Exciting Photography Assignments to Challenge and Inspire

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Everyone likes a good photo challenge. But photography assignments can also be very discouraging if they’re approached the wrong way. A good photography challenge will strengthen your photo skills and inspire you in multiple ways. A bad one will leave you wondering why you even tried photography in the first place.

12 Exciting Photography Assignments

Here are 12 exciting photography assignments to help you find the right one.

1. Shoot With a Limited Amount of Equipment

2. Take a Photo Every Day for a Year

3. Limit Yourself to X Photos a Day

4. Take Photos With Your Smartphone Camera Only

5. Experiment With a Completely Different Genre

There’s a wide variety of photography genres out there. There’s underwater, glamour , smartphone , landscape , and portrait , to name a few. Trying something new can help you fall in love with photography all over again. So take a temporary break from your main photo genre. If you’re a portrait photographer , take panoramic photos of your neighborhood. If you spend lots of time photographing animals, improve your self-portrait photography skills. When you expose yourself to different genres, you’ll learn many valuable lessons. And they will be useful long after the photography assignments end.

6. Photograph the Same Person or Object Every Day

7. Quit Social Media Temporarily

8. Create a Stop-Motion Video Using Photos

9. Take Creative Self-Portraits With a Friend

10. Crop or Rotate All Your Photos in a Specific Way

11. Include the Same Object in Every Photo

12. Invest in a Photo Book and Complete Every Assignment in It

Conclusion: Exciting Photography Assignments

You don’t need to travel the world or break the bank to improve as a photographer. A single assignment that lasts at least a week can teach you many lessons. And it’ll help you become a better photographer. All you have to do is find photography assignments that work for you. Then, dedicate some time to it, and watch your photo skills strengthen!

Popular Content

15 Photography Assignments to Challenge and Inspire

By Tata Rossi 23 days ago, Amateur Photography

Photography assignments allow you to experiment with something you have never tried before and play around with different photographic approaches. With such an assignment, you will challenge yourself and develop your skills.

15 Ways to Make Photography Assignments

This list of photo assignments consists of 15 points, so I am sure that you will find the idea to your liking.

1. Self Portraits

The first task is a no-brainer: just take a self-portrait picture each day. Don’t forget to use a tripod and shutter release aside from regular shooting with your arm extended and holding a camera.

Since you will be the model, feel free to unleash your creativity with all sorts of make-up, outfits, poses until you figure out a proper look. Remember to use props as well. Then share your shots with the world via social networks or the dedicated Flickr and Twitter groups.

2. Color Challenge

Here is one of the greatest color photography assignments for the urban environment photos . Bring the camera with you and take pictures for several hours. Pick a color (or ask a friend to choose it for you to complicate the task) and photograph subjects of the chosen color only.

Once you are done, you will find yourself seeing this color everywhere! Then pick the best shots and merge them into a collage or mosaic in Photoshop .

3. After Dark

Practice with night photography and try taking pictures after dark. In case you are outside the city, you may shoot moonlight or star trails. While being in the city, capture light trails of vehicles or buildings with the light-up windows. Regardless of the location, experiment with light-painting by means of long exposure photography and moving a flashlight across areas of the scene.

4. Crop or Rotate All your Photos a Specific Way

One of the best photography practice assignments is to neglect your comfort zone and try something new for a change. For instance, if you have a tendency to snap the same kinds of photos, you should modify their perspective.

Try an approach to cropping or rotating your next 50-100 shots that differs from your regular one. Play around with square photos, 180° rotation or whatever else you can come up with. Once you get out of the familiar artistic routine, you will be able to perceive the world from another angle and get creative.

5. Quit Social Media Temporarily

Social networks can serve as an excellent source of photography inspiration or lead to a complete lack of it. If you use social networks without critical thinking, you may start comparing yourself to other photographers, which will be a total waste of time and effort.

While it may be one of the hardest photography assignments these days, taking a hiatus from social networks is highly important. Log off your Instagram account for some time or uninstall apps that leave you in a bad mood.

In case your job requires staying online on a daily basis, devote some of your time to non-Internet tasks, like taking pictures or gaining knowledge on photography. I suggest taking some online photography courses .

6. Shoot Every Day for a Month

If you wish to become a better photographer , you shouldn’t stop shooting. By taking pictures constantly, you will receive more feedback and will be interacting more actively with the world.

One of the most widespread photography class assignments is to take one picture each day for a month. Do it with the help of the smartphone, DSLR camera or any device that can photograph. But don’t take meaningless pictures just because you have to. The shots you take should resonate with you in one way or another and be valuable to you.

The Zen masters suggest that you have a “daily practice.” When we repeat something, we become closer to recognizing the “truth”. You may read a great number of photo theory books , but you won’t be able to shoot properly. Only through practice, repetition, feedback and constructive criticism, you can grow as a photographer. Remember that this assignment is about forming a habit, not about taking a perfect picture each day.

7. Experiment with a Completely Different Genre

The array of photography genres is truly vast. Underwater photography , glamour, smartphone, landscape photography , portrait photography – that’s only a beginning. If you feel like you are losing interest in photography, switch to another genre.

Try staying away from your primary photography genre for a while. In case you shoot portraits, go outside and capture the area where you live in. If you are involved in photographing pets , play around with self-portraiture. By getting familiar with various photography genres, you are widening your photography horizons and gaining new knowledge that may come in useful one day.

8. Put Together a Photo Album

We live in a digital world, and even nowadays’ photography comes mostly in a digital form. We constantly find ourselves sharing our photos online. It is a rare thing to print photographs, even touch them, let alone create something physical out of them.

That’s why one of the greatest photography tasks is to compile a photo album. You can buy one at a store or online. Print the desired shots in the small 4×6 size. I suggest collaborating on this task with your friend, child or partner. Think of the main idea, theme or story of the album. Put all the printed shots on a surface and consider how you will lay them out in an album, how you will pair them and in what sequence.

No wonder that our parents and elderly relatives used to create a photo book together. It is a nice way to preserve precious memories in a physical form and bring back the moments that we sometimes tend to forget over time.

9. Take Creative Self-Portraits with a Friend

While you may enjoy your own company while taking self-portraits, you may feel bored or lonely after some time. In this case, you can implement one of the most entertaining photography assignment ideas and take self-portraits with a friend (pets are welcome as well!).

Don’t forget to think through the poses, set up the tripod and find the perfect photography light. As you will be engaged in all these activities, you will be able to get a hang of a photographer’s workflow. Then, when it comes to a real photo shoot with the clients, you will be more skilled at dealing with the camera and lights.

10. Attend a Photography Workshop

Photography workshops is an excellent investment in your education as a photographer and one of the most helpful beginner photography assignments.

Pick a workshop that is dedicated to the topic relevant for you. Thanks to workshops, you will get not only theoretical but also practical information. Also, you will have your questions answered by real professionals.

11. Photograph the Same Person or Object Every Day

In case you aren’t as excited about photography as before, try capturing one and the same person or object each day for a week or month. Similar to the smartphone photography challenge, as a result, you will realize the importance of having the freedom to photograph anything you wish.

While snapping pictures of the same object, you will boost your lighting skills. To make the shots differ from each other, don’t hesitate to play around with various types of lighting and photo editing apps .

12. Go a Month Without Using Social Media

Being the photographer of the 21st century, you may find yourself in the never-ending trap of feeling the need to post photos on social networks each day. It all turns into some sort of addiction – all you crave is likes, comments and new followers. If you don’t receive the online praise you need, your photography stops making sense.

In fact, photography is something you should pursue on your own. What truly matters here is your personal thoughts on your shots, not the opinion of users online. Simply uninstall all the social network applications from the smartphone (you can bring them back once the assignment is over). Posting photos and looking through photos of others is prohibited.

If you manage to stay away from social networks for a month, you will acquire a clearer purpose of your photography work. Besides, you won’t be so obsessed with the imaginary social network competition that everyone seems to be involved in.

13. Shoot with a Limited Amount of Equipment

Regardless of whether you are an experienced, amateur or a beginner photographer , you are likely to be after all sorts of photography gear to enhance your results.

How about photography assignments where you have to use a restricted amount of shooting equipment? You can photograph strictly with one camera body or camera lens . There is no need to do it for an entire month.

For this assignment, I suggest coming up with a plan, and do it, for instance, only once a week. Working with the same gear every day will give you more flexibility in both the creative and physical aspects of the process.

So, in case you deal only with a zoom lens, you will have to experiment whenever you shoot indoors . With a wide-angle lens only, you will need to work on cropping and correcting distortions.

14. Limit Yourself to X Photos a Day

Similar to the previous assignment, limiting yourself to 10, 20, 30 or more shots per day, week or month will help you realize what your true creative needs are. Besides, with a photo limit, you will understand what subjects or scenes you are more inclined to photograph.

Another benefit of a photo limit is that it will bring more patience and creativity into the process. You won’t be able to take numerous pictures of one place, so you will be forced to risk and play around with various perspectives.

15. Take Photos with Your Smartphone Camera Only

Take pictures only with a smartphone camera for a week. For better results, download a top-notch camera app and try to figure out all of its settings. A modern smartphone will help beginning photographers get acquainted with the technical side of the shooting process.

To complicate the task, I suggest recreating some of your portfolio photos with the smartphone camera. With this assignment, you will learn all the intricacies of shooting with a smartphone and may even start taking shots not only with a standard camera but with a smartphone one as well on a regular basis!

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Photography tips, tutorials and guides for Beginner and Intermediate Photographers.

10 Creative Photography Assignments to Inspire You Into Action

by Andrew S Gibson | Last Updated: November 8, 2022

Finding interesting things to photograph can be one of the most difficult things for a photographer to do.

You’re surrounded by potentially interesting subjects, but you might not realize it if you’re stuck for inspiration. I have been stuck, so I know what that feels like.

The good news is that the world is full of interesting ideas and subjects. All you have to do is find the good ones and develop them into personal photography projects that work for you.

Of course, wouldn’t be easier if you could find lots of ideas in one place?

That’s why I wrote an ebook called 100 Creative Photography Assignments . It gives you lots of ideas for projects that you can do close to home, without traveling to exotic locations.

The book is structured into 20 broad themes, with five assignments for each theme.

To give you a taste of what’s in the book, and to help you get inspired into action here are 10 of my favorite assignments. (The theme for each is shown in brackets after the assignment number and name)

Assignment 3: Urban trees (trees)

Humans have planted trees in formal gardens for centuries to bring nature into towns and cities. Photographing trees in urban environments gives you something that is different than traditional landscapes.

How can you explore the juxtaposition of man-made and natural items?

In the photo below, the tree, which is obviously well-cared for fits in perfectly with the historic home. The two go together, as intended.

But in other situations, you might find a jarring contrast between the natural and urban environments. That is called juxtaposition and it can make for some really striking images.

Assignment 8: People and the sea (or a lake)

How do people interact with the sea?

The sea has strong links to leisure, sport, and industry, all of which have plenty of potential photographically. Think beyond simple photos of people on summer holidays. How can you explore the relationship between people and water in more depth?

Another approach is to show scale and photograph people in a way that shows the vast size and scope of the ocean. Yet another is to show people battling the weather, perhaps fishermen at sea.

Assignment 20: Framed by color (frames)

Some frames are visual rather than literal. One way to make a visual frame is to look for compositions where the main subject is surrounded by a solid block of color, as in the photo below.

This is another assignment that tests your observational skills. It also has the potential to make an interesting series. What happens when you group a set of photos that use color as a frame together?

Assignment 24: Weathered surfaces (texture)

Old buildings of all descriptions are made of materials with interesting textures. The definition of old is relative, your chosen building might be hundreds of years old or just a few.

The important thing is that it looks old. That means visible signs of weathering, like the metal wall and wooden door frame in the photo below. Some texture surfaces, like rust, also have interesting colors that you can use to your advantage.

Assignment 31: On the outside (buildings)

One approach to photographing buildings is to include as much of the building as possible in the frame. But what happens if you take another approach?

Have you ever stopped to notice the interesting things that people put outside buildings?

In Italy, I found a shrine on the outside of a colorful red building in Venice (below). In the United States window boxes and mailboxes are commonplace. Nearly everywhere you go you’ll see plants in pots outside people’s homes.

All these items make potentially interesting subjects and have the potential to be turned into an interesting series.

This assignment gets more interesting when you do it in different places, and compare the things you find outside buildings in one place with those in another location.

Assignment 39: Urban decay (your local neighborhood)

Some buildings can look good for centuries if they’re well maintained. But others soon fall into decay, especially if they’re not kept up. Look for the beauty in decayed or run-down buildings.

You expect older buildings to be in a state of disrepair, especially if you live in a country that has plenty of ruins. But more modern, urban decay can be just as interesting.

Why do modern buildings fall into disrepair? What stories do they tell about their neighborhoods, towns, and cities?

Another approach to this idea is to photograph urban decay in other countries, and then compare the results with what you capture in your local area.

Assignment 54: Capture the character of a place (b/w)

The absence of color gives you another way of capturing the character of a place. Yes, it’s true that in some areas color is an essential part of the essence of the place. But in others, it’s less important.

Working in black and white gives you a chance to see through the colors and get to the essence of a place. Visually speaking that’s texture, contrast, and tone.

But in another way, black and white images seem to help you see further and deeper. They’re moody, atmospheric, and timeless. Use these characteristics to create a set of photos that capture the character of a place.

It’s also an assignment you can do when you travel. It’s easier because you get to see everything with fresh eyes. But for a real challenge try it in your local neighborhood, where familiarity can prevent you from seeing things that might be obvious to newcomers.

Assignment 62: Embrace hard light (light and shadow)

In this assignment, your brief is to photograph a scene on a sunny day when shadows are falling across the subject in an interesting way.

Look at the way the sun casts shadows across the scene during the day. How do the shadows move as the sun moves across the sky? Do the shadows make interesting shapes?

For example, in the photo below the shadow falling across the building comes from a neighboring house and you can clearly see the chimney.

Assignment 71: Signs (everyday objects)

We’re surrounded by signs – signs that tell us which way to go, what to do, that advertise to us, state the name of a business, or tell us about roadworks.

Signs are designed to be informative, but they can also tell a story. Signs in the American mid-west look different from signs in New York City. Signs here in the UK look different from the ones in rural France. Old signs have character and tell you something about the place.

What interesting photos can you make using signs?

Assignment 94: People in the landscape (landscape)

Some landscapes are empty or void of visitors. But others are closer to large population centers and therefore you’re more likely to see other people there in the scene. The idea of a pristine landscape untouched by man is appealing, but it’s also interesting to see how people interact with the scene.

One way to approach this assignment is to use people for scale. A human figure can anchor a composition and show the width and breadth of the landscape. A small figure in the frame emphasizes the size of the landscape, and the idea of people being small compared to the beauty of nature.

The photo below juxtaposes two elements of human interaction. The stone pillar is part of a Neolithic settlement, and the people on the right are modern visitors who came to see it.

Taking it further – traveling and exploring your archives

You’ll get the most from these assignments if you make new photos for them. They’ll get you thinking about your local neighborhood – and areas a little further afield – in a new way.

The beauty of these assignments is that most of them are repeatable. You can select your favorites and use them as themes to follow when you’re traveling away from home.

You might also find that you can go through your archives and find photos that match a particular assignment. It’s an interesting exercise because you’ll start to see themes and connections that you didn’t realize were there.

For example, I have photos that fit Assignment 39: Urban decay from Alaska, Chile, and my hometown (see above). And I can continue to explore this theme when I travel to new places as well.

These ideas are explored further in Creative Photography Assignments: Themes & Projects, a bonus ebook that comes with 100 Creative Photography Assignments.

100 Creative Photography Assignments

Buy 100 Creative Photography Assignments now for just $14 USD.

Buy it now and get out there taking photos!

Note from Darlene: This is perfect if you want to get out there doing some photography. But maybe due to covid, finances, or other circumstances you can’t currently travel. Look no further than your front door to get started! To really challenge yourself do the 100 assignments one a day for the next 100 days!

About Andrew S Gibson

Andrew S. Gibson is a writer based in England’s southwest. His interest in photography began when his parents bought him a Ricoh KR-10m camera more than 20 years ago. Since then, he’s taken photos in over 60 countries, studied for a degree in photography, and worked as Technical Editor for EOS magazine. Today, he makes a living helping people make better photos through ebooks and photography courses.

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Enroll in our free photography basics for beginners course, or 12-part portrait photography course , also free.

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The Best Photography Classes with Assignments

• By Shimona Carvalho

If you think a photography course with assignments is for high school students, you’d be wrong. I think assignments are the best way to learn photography. Because they let you practice each concept before moving on.

It’s one thing to learn something conceptually and another to be able to use it in practice and see in real life how it trades off with other settings.

There’s something about using your hands and eyes that makes all the mumbo jumbo real and lasting.

Darkroom Days

When I started out, I actually took a darkroom photography class. Yes, film and enlargers and all that good stuff. I don’t even recall exactly why I took that class – I was out of university and working already so it’s not like it just happened to be an available class.

Anyway, I loved it. Being in the darkroom, working all that equipment, seeing images appear on wet paper. It felt kinda magical. Isn’t it weird how analog stuff feels like magic now that we’re so used to digital?

And that’s where I got the basics of photography. The best part was, all the things I learned operating a film SLR, transferred over pretty well to the digital world.

Treat yo’ self!

Find some fun gifts for new photographers right here.

If you want to learn cheaply today, you could try with a film camera as they are easy to find on craigslist. But I think the film cost might offset the cheap cost of the camera.

Instead you can actually try with an old DSLR or even a point and shoot that has manual settings. Just make sure it has full manual.

If you want to buy something you can keep for a while and grow into, consider my favorite two cameras detailed in this post. Both are pretty affordable and excellent.

Learn Photography Step By Step

When you learn photography there’s a lot of stuff at play. And when you just try to absorb it at once, honestly, it’s pretty confusing.

So instead, the professor taught us one concept, and then gave us an assignment to shoot using that concept. Then we went off and shot a roll that week.

Remember rolls? 36 photos. In a little canister.

Isn’t it weird how analog stuff feels like magic now that we’re so used to digital?

Because it was film, we had to make notes about what settings we used per shot. And the real feedback came after we got to see the results.

Now, you can just adjust all the things at once and see the results right away. So nobody wants to take it one concept at a time. But I’m still convinced that’s the best way to learn.

You want to learn say, what aperture means. Then you want to just go out and practice controlling aperture and learning how that affects your photography.

So what you need are assignments that go along with your learning.

Free Online Photography Course with Assignments

For a price you can’t beat – free! Here are some online photography courses with assignments.

1. Emma Davies One Year With My Camera

Emma has an interesting format for her class. it combines teaching, assignments and community.

You get a weekly email with a lesson and an assignment. You join a community of like-minded, positive, supportive photographers. And you keep shooting.

I like Emma’s clear, motivating, jargon-free way of writing. Her site and emails are incredibly well-designed and thought out. And the facebook community is a gentle, supportive crew.

The first thing you do is make this promise: “The only photographer I will compare myself to is the one I used to be.”

Best of all, her course is free over email.

Although if you like her content, she also has a set of excellent workbooks that go along with it to help you keep track of your progress on the assignments. You can either follow just the blog, or just the book, or even check out her  video course .

Start here.

2. Reddit’s Photoclass 2019

Another option is the PhotoClass2019 subreddit. If you’ve used reddit before, you’ll know it’s a massive forum with many subforums where people can post, comment, upvote and downvote.

As with all things reddit, the demographic definitely skews young and male. The writing is very casual and not proofread, and the site itself does not lend itself to formatting. You will likely find a lot of general internet-speak that may not make a lot of sense if you’ve never been on reddit before.

That said, if you’re comfortable with that, this is a great class.

While reddit has a reputation for being a tough crowd, this photoclass and the moderators that run it seem to do a good job keeping everyone positive, polite and motivating.

3. Mark Levoy’s Photography Course at Google

This course is more along the lines of a college course, and actually has a focus on the science and technology behind photography.

This is definitely a class targeted at engineers or others who love tech. You’ll be seeing some equations and learn about sensors, optics, photons, etc… They have the familiar feel of watching an class in university, but an excellent university, with a great professor in Mark Levoy .

This is definitely the advanced option. There is no community associated with this class but if you like to dig deep and go it alone, this is the course for you.

Best Books to Learn Photography From

If all you want is a great book to learn from, there are a few good options.

The Complete Course book is one that lays out a plan to learn photography in 20 weeks. If that seems like a long time, know that you will learn plenty in the first few weeks and you can just keep going as long as you are discovering new things.

The course is also set up with assignments and tasks so that should be great for pacing your learning.

Bryan Peterson’s book is popular enough that it’s in its fourth printing. He goes through the basics with a lot of pictures and examples that should help everyone learn how to control their camera.

It’s definitely meant for beginners though so pass if you’re already comfortable with aperture, shutter speed and exposure settings.

Learn Photography on your Own

So I hope this has inspired you to take the time and learn about your camera and the art and craft of Photography.

As I mentioned in this article on the 3 key components of great photography , your skill and knowledge is a big part of that.

Take the time to level up your photography with one of these free online photography courses with assignments, or even one of the recommended books.

This post has affiliate links. As an Amazon Associate I earn from qualifying purchases. The opinions presented are my own.

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15 Project Ideas to Spark Your Creativity

A Post By: Nancy Young

Photography has never been as popular as it is today. People of all ages learn photography in various schools and online universities, and lots of talented photographers have a wonderful opportunity to reveal themselves not only as artists, but also as teachers.

By Alex Eylar

Like all creatives, photographers can sometimes experience creative block or a lack of interesting ideas, no matter what side of the school desk they are sitting on. One way for photography mentors and teachers to fight this problem is through the use of creative assignments.

In this article I’ve put together 15 creative project ideas to use in your photography class (if you are a teacher) or for yourself. When completed properly, a student assignment is a great teaching tool. If it’s well-designed and structured, it enables students to develop their technical skills and artistic vision, as well as improve their general thinking abilities and subject knowledge. So whether you’re a photography teacher looking for effective assignment ideas or a self-taught photography student focused on training your eye and critical vision, this roundup will surely come in handy.

1. 365 Project

No matter what you call it, the 365 Project or Photo a Day project, the result is the same – a photo for every day of the year. These kinds of long-term projects give you an opportunity not only to explore and learn photography, but also develop creative seeing and improve your post-production skills. 365 Projects have changed the lives of a lot of photographers, and who knows, maybe you’re next?

Further Reading : 11 Tips for a Successful 365 Project

By Olli Henze

By Dennis Skley

2. 100 Strangers

The 100 Strangers project enables you to interact with 100 strangers and take a photo of each of them. It can be quite scary to start shooting people in the street, or local cafe, if you’re an introvert. But being a photographer is not as easy as it may seem at first. Photography is all about overcoming your fears. This project will help you do that.

By Louisa Billeter

3. 52 Weeks

The 52 Weeks project is similar to 365, but this time you’re supposed to come up with a new photo each week, not each day. The difference between these two projects is that you can choose a theme for every week. For instance, you may shoot particular subjects, places, or even do some photowalks. A photowalk is an awesome way to find inspiration, discover new locations, and come up with really valuable, interesting ideas in the end.

By shutterbugamar

4. Social Awareness Project

Capturing dramatic moments that will influence the minds of their viewers is a mission that many iconic photographers are dedicated to. Spend a weekend shooting the faces on your local streets, or collaborating with a non-profit can help you develop your skills as a documentarist and photojournalist. Such photo projects are definitely not easy to work on, both emotionally and technically, but the reward of being an activist is obvious – every time you click the shutter button you create a photo that could change the world.

World of Coal by Ouie Sanchez on 500px

5. Self-Portrait

Of course, you may have taken a self-portrait many times with your smartphone. Instagram has turned self-portraits into something usual and mundane.

However, self-portraits can be quite helpful in opening up, and exploring parts of photography in which you don’t normally find yourself involved. Mix it up and stay creative with your surroundings and emotions. For example, look at the work of Kyle Thompson , who has really succeeded in self-photography.

Check out these Self Portrait Photography Tips for some hints on where to start.

By Özgün ERDEM

6. New Lens Type

You may pick one lens and use it exclusively during this project. A 50mm is a good starting point , as it forces you to move around and stay selective. A fisheye lens could also make an interesting theme.

Moreover, you may experiment with freelensing which is an inexpensive way to get a similar photo effect as from an expensive tilt-shift lens. The idea behind a tilt-shift lens is tilting the lens at an angle to the sensor to change the orientation of the plane of focus (PoF). The technique of freelensing, not only gives you the ability to change the PoF, but it also gives you some pretty cool light leaks from not having the lens actually attached to the camera.

By Nuwandalice

By David Hepworth

7. Monochrome

Try to shoot all your photos in monochrome, or convert them to black and white in post-processing . The beauty of black and white photography is that it focuses more on visual elements such as tone, texture and shapes. By starting this project for yourself, you’ll see the objects in a different light, and rather than just color, your eyes will be better trained to recognize various forms and shapes.

8. Panoramas

Panoramas are one more way to develop your creative vision. Panoramas usually give the viewer a much wider viewing angle than normal. You can create some small panoramas by merging three photos in one, or go full 360 and make tiny globes like the ones in the picture below. It’s all up to you!

Further Reading: 8 Guidelines To Taking Panoramic Photos With Any Camera

By Johanna Herbst

Promised Land by Beno Saradzic on 500px

The Birds and the Barn by Bruce Hood on 500px

In today’s world of foodie-Instagram, everyone could be a food photographer. Especially if you’re fond of cooking, then food photography is right for you. It’s a myth that you need a super-wow camera to capture food. Food photography is all about styling and beautiful background. No matter what kind of photographer you call yourself, it’s advantageous to have some food photography skills under your belt.

Further Reading : How to Take Mouth watering photos of food

By Christopher Chan

10. Sunset and Sunrise

As dawn breaks and the sun comes up, you get to see the creeping rays of sunlight bathe everything in their shining glow. Such scenes are the perfect environment for memorable photos that you can’t pass up. Sunrises and sunsets happen every day. It may sound quite obvious and ordinary, but these times of the day are a golden opportunity to capture breathtaking images.

Read more about how to photograph sunsets and sunrises .

By Mike Behnken

By Linda O’Dell

Paradise Pier Sunset by William McIntosh on 500px

11. Single Theme

Pick an object and try to get a collection of snapshots representing it. For example, try to shoot only circular objects everywhere you go. Or pick a color, for instance blue, and try to go all day long photographing only blue things. The aim of this assignment is to learn to see the ordinary object in a different way.

La bicicleta by Adrian Hernandez Binz on 500px

12. Phone Camera

The main advantage of your phone camera is that it’s with you everywhere you go. Moreover, these days smartphones’ camera quality is much better than years ago and you may come up with images that look almost as good as if they were taken with an expensive DSLR. Using your phone allows you to put exposure on the back burner, and lets you focus more on composition instead. You may also use various photo-editing apps to add various photo effects.

By Takeshi Garcia

13. Urban Exploration

Urban exploration photography is the art of finding abandoned places, houses, locations; explore them and shoot in a unique way. It’s potentially dangerous, exciting, and a lot of fun. In order not to get scared, you should take your friends with you. Even if they’re not interested in photography, exploring abandoned places is really breathtaking.

Editor’s note: always follow the laws when doing urban exploration. Do not enter where prohibited and always stay safe. Abondoned buildings can be dangerous or illegal to enter. Be careful.

Read more about urban exploration photography .

By Michal Jan?ek

14. Perspectives

Shoot a whole set of images from one perspective, such as from a child’s the point of view. Or try to capture all photos from up high. We are used to seeing the majority of shots at eye level, why not to try something different? It’s a great way to learn how to deviate from the normal .

Fishing by Minhajul Haque on 500px

By Ken Owen

15. Film Photography

Film photography is something every photographer should practice for a few reasons.

First of all, unlike digital photography, you don’t get to see the image you took for a while. It may seem annoying, but you’ll get used to it.

Second of all, you will begin to think more carefully before pressing the shutter button. While shooting digital photography, you may take 10 photos of the same thing to choose the best shot in the end. But with film photography you will not have that chance.

Read this helpful post with suggestions on getting started with shooting with film .

By Gioia De Antoniis

Bonus Assignment

Once you accomplish your creative assignment, create a dedicated photography portfolio ( Defrozo and Koken provide website building tools for free) or write a guest post for some photography blog to describe your journey and share your experience with fellow enthusiasts. Developing your marketing and blogging skills increases the likelihood of building a prospering and successful photography business.

Resources for Inspiration

The web has so many opportunities to get fresh ideas for your next photography project. I’d like to share some resources you may get inspiration from.

Ted is aimed to amplify the ideas of students and teachers from all over the globe. Their mission is to spread great ideas and inspire students of any specialization. You may browse 1800+ TED talks on photography available on their site to spark your curiosity.

OKDOTHIS App

This smartphone app was made by a celebrity photographer Jeremy Cowart. OKDOTHIS is a photography community that inspires people to do more. It’s based on DOs which are creative tasks made by other members of the community. You may upload a photo in someone’s DO or create your own one. The app has also a built-in photo editor.

Behance is a leading online platform to showcase and discover creative work. All the creatives starting from web designers to photographers share their best artwork here. You may browse the Behance gallery in Photography to find new projects from other photographers.

Weekly Assignments in the dPS Forum

Check out the weekly assignments in the dPS forum for more inspiration. DPS nominates a topic for each week. It could be a lot of fun and a great way to improve your photography skills in various areas.

Make it Happen

What homework do you prefer to give to your students? What assignments appeal to you most? What project interests you and gets you thinking creatively? Share your experience and suggestions in the comments.

Read more from our Tips & Tutorials category

is a passionate writer and blogger. She writes tons of inspirational articles on photography and web design, despite the fact that she is an economist by education. Nancy believes in the magic of written words to inspire and motivate. She is a part of the Onedesblog Team .

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Lesson Plan

Five Photography Assignments That Invite You to Look Closely at the World

Students, try one of these exercises inspired by the visual series The Take. What can you learn about the world by looking at it through a particular lens?

By Natalie Proulx

How often do you look — really look — at the world around you? Below, we offer five photography assignments that challenge students to do just that, all inspired by The New York Times visual series The Take .

In this series, The Times asks photographers to explore different cultural themes through images — for example, to document what they see when they look up, to capture the sounds they hear in New York City or to find dance in everyday movements.

What can you learn about the world by looking at it through a particular lens? Choose one (or more) of the five assignments below to try out. For each, we’ll guide you through a warm-up activity, a reading of the Take article that inspired the exercise and your own photo shoot. When you’re done, you can create your own visual article by putting together a gallery of your images and writing a short commentary on what they mean to you.

These exercises are meant to be accessible to anyone with a camera or smartphone, whether you’re an experienced photographer or you’re just looking for a fun visual challenge. If you’d like to experiment with some composition and editing techniques, see our related photography lesson plan .

And if none of these projects inspires you, look through The Take’s archives for more ideas.

Assignment No. 1

Most of us spend our days looking down: at our phones, computers, homework, meals. What would you see if you looked up instead? For this assignment, we invite you to photograph what you see when you turn your gaze to the sky.

Warm-up: Wherever you are right now, look up. What do you see?

Spend some time studying the images, shapes, patterns, colors, lines, light, shadows, angles or movements above you. What catches your attention? What have you never noticed before? How is this angle different from looking at something straight on, straight down or from the side? Is there anything you see that strikes you as artistic, that might make for an interesting photograph?

How often do you look up? What does this quick exercise tell you about what might happen when you do?

Read “ When 4 Photographers Looked Up, This Is What They Saw .”

For this assignment, The Take simply asked photographers to look up. View the photos they made and their commentary on them. Then choose one that stands out to you. What did the photographer want to capture in it? Was the photo successful in your opinion? What does the image say to you? What does it show us about looking up?

Your turn: Photograph what you see when you look up.

You might approach this assignment in two ways: 1) You can carry your camera around with you for a day or several days and photograph anything interesting you see when you look up, as the photographer Ali Cherkis did venturing around New York City. 2) Or you might start with a specific place and idea in mind that you want to photograph, as Stella Blackmon did when she wanted to capture the “sense of wonder” she felt from seeing children climbing in the trees at her great-aunt’s home in Ozark, Mo.

Assignment No. 2

Capture the Sounds of a Place

Photography might seem like it’s all about sight, but it can evoke other senses, too. The Take challenged four photographers to try to capture the sounds of New York City in images. How can you show what the place you live sounds like?

Warm-up: What sounds can you hear in this photograph?

Study the photograph above closely. What might you hear if you were in the scene? Which elements of the image help convey those sounds? What senses or emotions does the photograph evoke in you? What story does it tell about New York City?

Read “ Sounds of the City .”

For this assignment, The Take sent four photographers to capture New York’s soundscape in images. Spend some time with the photos and the photographers’ commentary on them. Which images most strongly and clearly imply sound to you? Which ones surprise you or perhaps challenge an assumption you have about life in New York City? Choose one of these photos and repeat the exercise you did in the warm-up.

Your turn: Photograph the sounds of a place.

For this assignment, you might travel around your city or town and photograph the sounds you find. Or you might focus on a more contained space, such as your school, the skate park, your neighborhood or any other place where you spend time. You might try to capture many disparate sounds — quiet ones, loud ones, harsh ones, pleasant ones — as Daniel Arnold did in his photos of various corners of New York City. Or you can try to capture a particular type of sound, as Ike Edeani did in his photos of the subway stations’ “mini concerts.”

Assignment No. 3

Find Art Wherever You Go

Four photographers went in search of candid moments and images that struck them — impressionistically, conceptually or naturally — as art. Where can you spot art in the world around you?

Warm-up: What does art look like?

How do you know when you see something that is art? What elements make it so? What does it do to you, the viewer?

Look around the space you are in right now. Is there anything that strikes you as art? Perhaps it’s the way your jacket is draped over a chair, how light is coming in through a window, the interesting pattens created by a shadow on your desk or the shape someone’s face makes when they smile or frown. What about this thing makes it seem artistic to you?

Read “ Art Is Everywhere. Just Look to the Streets. ”

The Take invited four photographers to look for art in the streets of New York. Spend some time looking at all of the photographs and reading the commentary. Then, focus on one photographer’s images. How does this photographer conceptualize art? How does that idea come through in one of his or her photos? What do you think makes this photo artistic — impressionistically, conceptually or naturally?

Your turn: Photograph candid moments and images that look like art to you.

Where can you find art in the world around you? You might take your camera out for a day and start shooting anything that strikes you as art. Or you might shoot with a particular vision in mind, such as Sabrina Santiago who was “interested in what people are saying from the back,” or Trevor Wisecup who looked for “abnormalities in our day-to-day life, glitches in the matrix if you will.” Challenge yourself to capture candid moments, rather than trying to stage images.

Assignment No. 4

Explore the Ways We Move

The Take asked four photographers to find dance in our everyday gestures, whether reaching for a jug of milk, hugging a loved one or scaling a rock wall. How can you find beauty in how we physically navigate the world?

Warm-up: Can you see beauty in the ways that people move, even when there is no music?

Can you find dance in people’s everyday rituals and routines? To answer this question you might go somewhere crowded — your school’s hallway, a park, a basketball game — and spend a few minutes just observing people. Do any gestures look like dance to you? What is it about these movements that resemble those that dancers might make?

Read “ There’s Dance All Over, No Matter Where You Look .”

During the height of the coronavirus pandemic in the United States, The Take asked photographers to show how people were physically navigating a world in which awareness of our bodies — how much space we took up, whether we were six feet from our neighbor — had become the norm. What they found was a kind of dance in these everyday movements.

Spend some time with the images and photographers’ commentary. Then choose one photograph to look at more closely. Why does this image speak to you? How does it represent dance? What emotion, experience or idea do you think the photographer wanted to capture in it?

Your turn: Photograph how people move through the world.

For this assignment, you can take your camera around with you for a day or two and snap a photo anytime you see a movement, posture or gesture that looks like dance to you. Or, you can go to a specific place. For example, the photographer Camilo Fuentealba went to Costco to document “the daily rituals we must partake in just to survive,” while Noah Sahady went to the San Bernardino National Forest to capture “the harmony of rock climbers and nature.” You might play with taking both candid and staged shots, or, like Jillian Freyer, shooting the “fragments in between.”

Assignment No. 5

Show Us What Fun Looks Like

Three artists photographed the many forms fun can take. An end-of-day ice cream ritual. Caring for rescued chickens. A bubble bath for an inanimate friend. What does a good time look like to you?

Warm-up: What do you do for fun?

Brainstorm a big list of everything you’re doing for fun these days. Do you play video games? Hang out with friends? Play sports? Make things? Write down everything you can think of, whether it’s an everyday ritual or a special event.

Then go through your list. Which of these activities feels most compelling or unique to you and your friends? Which might make interesting photographs?

Read “ Making Your Own Fun .”

The Take asked three photographers to document how they were having fun during the lockdown period of the coronavirus pandemic. Spend a few minutes looking at the photos and reading the commentary. Then choose one photographer’s images to focus on. What do you notice about their artistic choices — about their composition, the photographic style, how they were made? What do you wonder? What can we learn about fun from these photos?

Your turn: Photograph your fun.

Return to the list you made in the warm-up and choose one or several things from it to photograph. You might consider how you can get creative with your photographic style and composition, as the photographers in the article did. You can stage photos, as Sheida Soleimani did, or you can try to capture more candid moments.

Going Further

Make a Visual Article

Put together your photos with a written reflection to create your own The Take-inspired piece.

Related Article

Once you have completed one of the exercises above, choose three to six photos from your shoot and create a gallery of images that speaks to the theme of the assignment. Then, write a short commentary reflecting on the assignment and what you learned from it, just as the photographers and Times editors do in The Take.

Here are some questions that can help guide your reflection:

Who or what inspired you? Did you stage your photos or seek out candid moments? What composition and editing techniques did you use, and why?

Is there a thread — some theme, emotion or experience — that connects your images? Was it something you set out to capture? Or something you discovered during the shoot or after seeing your finished photos? Taken together, what do your photos reveal about the subject of the assignment?

What is something new you discovered or learned through this exercise? How, if at all, did it make you look at the world or the people around you differently?

How challenging did you find this assignment? Why?

You can put your images and commentary together using a digital program like Google Slides or Canva . Teachers might invite students to share their work via a gallery walk , whether in the classroom or online.

Find more lesson plans and teaching ideas here.

Natalie Proulx joined The Learning Network as a staff editor in 2017 after working as an English language arts teacher and curriculum writer. More about Natalie Proulx

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Get Inspired With These Creative Photography Assignments

Last year I wrote about what to do when you find yourself in a  photography rut (I’ve reposted the article so it appears near the top of the recent articles list, or you can click the link to read it).

One of the ideas is giving yourself creative photography assignments or briefs. Over the last year I’ve realized just how powerful this idea is as I’ve set myself assignments and briefs to follow.

I believe in this way of working so strongly that I wrote a new assignments ebook, 100 Creative Photography Assignments , with the aim to give you enough ideas and inspiration to give you at least a year’s worth of shooting.

The book is structured into twenty broad themes, with five assignments for each theme. 

Today I’d like to share some of my favorite assignments from the book with you. The theme is listed in brackets after the assignment.

These assignments will boost your creativity. Some of them are easy. None of them are complicated. Most of them are challenging. All of them are designed to help you see the creative potential in everyday subjects.

To give you a taste of what’s in the book here are some of my favorite assignments. Whether you buy the book or not, I hope you’ll find these ideas useful.

Assignment 19: Hands (Frames)

Use somebody’s hands as a frame for something they are holding. It helps if the object is smaller than your model’s hand. Stuck for ideas? Ask somebody to cup their hands and fill them with strawberries. It’s verging on cliche but fun to play with.

I made the photo below on a walk with my son. He picked up the yellow berries and held them out for me to make a photo. His hand frames the berries, and the dark background frames his hand. It’s another variation on the frame within a frame idea.

Assignment 28: Botanical gardens (Flowers)

Botanical gardens are ideal for finding flowers that don’t normally grow in your local area. Big tropical flowers in particular make great subjects. 

The advantage of botanical gardens is that they often have large greenhouses full of interesting plants and flowers you can photograph all year. 

You can move in close to make great close-up photos of unusual flowers. You can also step back and make photos of flowers in their environment. Add interest by including the glass of the greenhouse walls.

Assignment 33: Street art (Buildings)

Street art is a fascinating subject because, in urban environments, there’s so much of it. It’s a theme you can return to as you travel, photographing street art in different parts of the world.

For me, there is a clear difference between graffiti, which is mindless vandalism, and street art like in the photo on this page, which is made by skillful artists. The first is depressing (which could be an interesting theme in itself and is also connected to Assignment 39: Urban decay ). The second is uplifting and celebrates creativity and freedom of expression. 

But of course, you may have a different opinion and you can interpret the brief any way you like.

Assignment 36: In the area (Your local neighborhood)

The hardest thing about photographing your own neighborhood is familiarity. The longer you’ve been living there the more likely it is that you’ve stopped noticing how interesting it might be to somebody seeing it with fresh eyes.

This assignment is your opportunity to put that right and make a series of photos that show the local architecture in your neighborhood. Whether it’s suburban housing, rural life or urban living, there’s something interesting to photograph. 

If it helps, imagine you’re a visitor from another country seeing your neighborhood for the first time. What would they find interesting about it? What makes it different? If your neighborhood is boring, how can you capture that boredom?

Assignment 39: Urban decay (Your local neighborhood)

Some buildings can look good for centuries if they’re well looked after. But others soon fall into decay, especially if they’re not maintained. Look for the beauty in decayed or run-down buildings. 

You expect older buildings to be in a state of disrepair, especially if you live in a country that has plenty of ruins. But more modern urban decay can be just as interesting. Why do modern buildings fall into disrepair? What stories do they tell about their neighborhoods, towns and cities?

Another approach to this idea is to photograph urban decay in other countries, and then compare the results with what you get in your local area.

Assignment 58: Small towns and cities (Urban skyline)

This assignment is similar to the previous one except that this time your brief is to make a photo of the skyline in a smaller town or city. 

The focus is on ordinary buildings. Residential areas are often an interesting subject. As you wander around you’ll see a big difference in architectural styles as you move from one neighborhood to another. 

These are smaller, more intimate urban skylines. It’s another assignment with great potential to turn into a series.

Assignment 65: Shadow as a frame (Light and shadow)

Your brief for this assignment is to photograph a scene with a brightly lit subject framed by shadow. Architecture is a great subject as you can use standard features like arches and doorways. 

As long as you have something interesting lit by the sun to juxtapose against a shady foreground you’ll have enough contrast to get this effect. You can play with the shadows in post-processing to see whether making them darker improves the composition.  

Another approach to this brief is to stand indoors and shoot out through the window. If the scene outside is lit by the sun there’s enough contrast to create a black frame around it.

Assignment 72: Abandoned furniture (Everyday objects)

The other day I walked past an old armchair abandoned in the street, and it reminded me of the photo on this page that I made in Newport, Rhode Island, some time ago. 

It also reminded me of a red couch I saw abandoned in a field in Mexico, some old chairs I saw outside a house in Alaska, and the time I saw a motorcycle gang sitting on an old sofa watching a carnival in New Zealand.

This is a good assignment to keep at the back of your mind. If you see a piece of abandoned furniture somewhere, make a photo of it, even if it’s with your smartphone. As time goes by you’ll build an interesting series of images. 

Assignment 80: Limited color palettes (Composition)

The final composition assignment tests your observational skills by asking you to make photos of scenes with a limited color palette. 

Often this type of scene is dominated by a single vibrant color, like the orange flowers in the photo on the right. Using a limited color palette simplifies the design of the photo by simplifying the colors used in the composition. 

If you’re outside making photos, then this brief is a good test of your composition skills. But you can also think about this assignment if you have more control over the scene. 

If you’re making a portrait of somebody, for example, what happens if you ask them to wear a blue jumper, blue jeans and stand in front of a blue wall? What difference does it make if they wear an orange jumper instead? Exploring the use of color like this can give interesting results.

Assignment 83: Cool colors (Mood)

A few years ago I spent a summer in northern Spain, where there are a lot of cloudy days. But the clouds gave the landscape another mood, fertile rather than arid, cool rather than hot, contemplative rather than vacation-like. 

Cloudy light has a higher color temperature than sunlight, which means it’s naturally blue. You can neutralize that by adjusting White Balance, or you can enhance it instead, adding to the mood and feel of the scene. That’s what I chose to do in the photo on the right. It’s also your brief for this assignment. Look for a scene that works well with cooler, blue colors (like a winter landscape or a cloudy seascape) and make a photo that captures the moodiness of the scene. 

Assignment 91: Road signs (Landscape)

Some photographers equate landscape photography with photographing the wilderness, but there are many parts of the world where the natural landscape coexists with man-made elements. In long-settled countries like Britain the entire landscape has been affected by man in one way or another. 

For this assignment your brief is to incorporate road signs into a landscape photo. How can you juxtapose man-made and natural elements of the landscape in an interesting way?

In the photo on this page, I was struck by the symmetry created by placing the road sign between the distant wind turbines, another man-made element of the landscape.

100 Creative Photography Assignments

These assignments come from my new ebook 100 Creative Photography Assignments

I’m proud of this one and wish I’d had it 20 years ago when I was starting out in photography.  Click here to learn more

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2 Engaging Projects for Beginning Photography Students

Photography is one of the most popular electives in my school. I think a big reason for this is because students think it’s so easy to take pictures. These days, students can snap selfies and photos anytime, with little planning or thought. However, when they try to translate their social media skills to photography class, many of them realize their skills aren’t quite as sharp as they thought.

It’s important to show students taking a good photo involves more than a click of a button. In addition, we must help students discover a new way of looking and learn to see all of the details they’ve been missing. Starting off with projects to build these skills is crucial!

Here are 2 engaging projects I use with my beginning middle school photography students.

1. Photo Scavenger Hunts

Being able to leave the confines of the classroom is a big draw of photography classes, especially for middle schoolers. Scavenger hunts are a great way to help them focus during these periods of newfound freedom. Below are two ideas to try.

The Digital “Photo-bet”

The very first project we do in my middle school photography class involves locating the twenty-six letters of the alphabet in our surroundings. This Digital Photo-bet project takes time and hones students’ patience along with their observational and organizational skills. For this project, I typically have students use iPads to take the photos. This way, they stay focused on looking for the letters instead of playing with the camera.

The parameters of the project are simple:

• Students must look for objects and shapes that resemble letters. They may not take photos of actual letters.
• Students cannot stage their photos or retouch their findings. They must capture the “letters” as-is.
• The letters do not have to be captured in order. However, students should keep track of which letters they’ve captured as they go along.
• When finished, students must create a sentence or series of phrases that use all of the letters in a single composition. Students love to discuss these pieces and discuss the “letters” they see.

During the project, students quickly begin collaborating to find images and compare their letters with each other. There are usually a few students who insist the sticks they discovered had fallen exactly in the shape of an “N.” I trust them unless proven otherwise.

After the project is complete, I often notice students talking with each other about how they see their surroundings differently. They’re paying more attention, which is the goal.

Elements and Principles

Another early project involves photographing the elements and principles of art . It’s a good way to assess students’ background knowledge and introduce them to the capabilities of a Digital SLR camera.

For lots of students, this is one of their first exposures to a Digital SLR camera, and the features and capabilities of the camera are a bit overwhelming. Therefore, it’s a good idea to present and demonstrate a few basic concepts and techniques.

Here are 3 I like to focus on with my students:

• Focus Taking pictures in focus is a continual struggle because middle school students always seem to be in a rush to get things done quickly. They also have a tough time remembering their cameras might be set to Manual Focus instead of Auto. The main idea here is encouraging them to slow down and check the focus instead of snapping the picture and moving on.
• Composition and Lighting I encourage my students to try and shoot with the goal of as little post-production editing as possible. Therefore, we talk a lot about using the viewfinder to compose a good image to start with. I teach them to look for distracting backgrounds or poor lighting from the get-go. Thinking in this way will save time in the long run.
• Digital means you can take lots of photos! I often have students go out to shoot only to return with a handful of images. They haven’t grasped the idea that they can take a large number of photo and choose the best shot from the group afterward. Many of them believe one shot is all they’ll need. Inevitably, students end up wishing they could have taken more images to capture a specific subject or moment.

Once students have gotten to know their cameras a bit and have reviewed the elements and principles, they head out to photograph them around our school. They really try to outdo each other with their images. I’ve had students look for textures no one can guess or use their peers to represent motion.

2. Light Painting

I usually do light painting with my students toward the end of the semester. It’s a fun way for them to learn how to manipulate images through the science of photography and light rather than software.

At this point, they’ve learned how time and light are the most important factors in creating a strong photograph. Now, they get to play with the concepts.

To do light painting, you’ll need: 

• A flashlight
• A dark space

Setting up in a dark or virtually pitch black space is best, though not a necessity. Have students set up the camera and tripod and adjust the shutter speed to a setting upward of a second. On most cameras, you do this with the TV (Time Variable) setting on the dial. Students may have to play with the actual shutter speed setting to find the ideal shutter speed length for their image, so encourage them to try out multiple variations.

After the shutter is opened, students move the flashlight around in either a shape or letter and the light is captured in trails until the shutter closes. They can write messages, create effects, and just generally play with light. I often end up with students spending multiple class periods trying to capture the perfect photo.

These engaging projects are a surefire way to get your students comfortable with their cameras and the basics of photography. As your students gain skills and confidence, you can let them explore and play a little more.

What are your favorite introductory photography projects?

With which camera features do your students encounter the most challenges when they begin working with photography?

Magazine articles and podcasts are opinions of professional education contributors and do not necessarily represent the position of the Art of Education University (AOEU) or its academic offerings. Contributors use terms in the way they are most often talked about in the scope of their educational experiences.

Raymond Yang

Ray Yang is the Director of Equity, Diversity and Inclusion of NAEA and a former AOEU Writer. They believe the arts can change the world.

Art Room All-Stars: 12 Superlatives to Lighten Up Your End-of-Year Mood

10 One-Day Photography Activities to Keep Students “Focused” Until the End of the Year

Go Big Before Going Home: Finish the Year with a Collaborative Paper Mache Sculpture

5 Art Activities to Unwind After Testing and Portfolio Submissions 

11 Advanced Photography Exercises for High School Students

Whew! Eleven advanced photo assignments…did you try them all?

As I explored these photography assignments again, I had so much fun taking new photos and applying the techniques right alongside you!

If you didn’t join in on all the fun, you’ll find the complete list of photo prompts we explored below. Click on each link to see the short blurb with related tips and tricks for each prompt.

Also, if you teach photography, here’s a free lesson plan that goes along with this whole series. Click the button below and enter your email! (You can also  click here to purchase the entire unit, including all the worksheets with keys, test with key and review, a complete presentation, and a project outline.)

Alphabet Photography

ABC! Ready, Set Go! Take your alphabet pictures; you may be surprised at how fun and challenging finding photography letters can be!

Extra Credit

Do you need some extra points? Here are some photoshoot ideas that will get you extra points in the grade book and give you a reason to support your school! So go [insert your school’s name here]!

Built-In Camera Flash

You may need to use the flash on your camera when you’re in a pinch! Check the link for tips to make the light look as natural as possible!

External Flash

If you’ve got an external flash, it’s time to learn to use it! It can come in very handy in low-light situations!

Candid Photography

What is candid photography? Well, it’s a bit like being a spy! You’ll need to take pictures on the sly to capture those authentic expressions you’re looking for.

Story Telling in Photography

A picture is worth a thousand words? You bet! Maybe more! Take thoughtful, rich photos that have the ability to strike emotion in your viewers.

Pattern in Photography

Pattern photography is some of the most artistic photography you can take. Finding a good pattern and then capturing the perfect angle to accentuate it is fun!

High Contrast in Photography

I think most the great photographers thrive on high-contrast photography. These photos pop out and say, “LOOK AT ME!”

Low Contrast in Photography

This type of photo is much more subdued than your high-contrast photo, but if done effectively, it can really set the mood!

Color Contrast in Photography

We live in a world of color, so naturally, we  must  learn how to make the colors look good in our photos! So, using the color wheel and some good old-fashioned simplicity, we’ll get some pictures with great color contrast!

Light Painting Idea

What do you get when you mix a camera (with a tripod), a dark room, and some light sticks? Light Painting! This is one of the most fun photography assignments I’ve ever done!

I hope you take the time to try all these out! Also, don’t forget to click the links above to download the worksheets and view the full articles on each.

Thank you SO MUCH for all YOU do for those budding Photographers out there. YOU are truly amazing, too!

Click here to receive the  FREE lesson plan  that goes with this blog series and be added to my email list so that you don’t miss a thing! (If you want to do the thing right, check out this link to get information about the entire unit! )

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52 photography projects: a great technique to try every week of the year

Our pick of the perfect weekend photography projects

• Home photography projects
• Outdoor photography projects
• More outdoor photography projects
• Long-term photography projects

Looking for photography projects to stimulate your creativity? Whether you’re a beginner who’s just learning the ropes or a seasoned snapper in need of inspiration, trying out a new technique can help you grow as a photographer. That’s why the list below features our pick of the best ideas to try with your camera.

From painting with light trails to capturing twilight landscapes, there are countless creative ways to use your camera and its lens. This round-up of our favorite weekend projects features suggestions to suit every skill level – whether you’re shooting with a smartphone or a ‘proper’ camera like a DSLR.

Some you can do from the comfort of you home, while others will have you heading out in search of specific scenes. Whether it’s a novel technique or an inventive suggestion for finding fresh subjects, every idea below has one thing in common: it should challenge you to try something different and find a fresh perspective.

Most of the projects can be attempted using the equipment you already own. Those that do require additional materials should all be achievable with pocket-money purchases – and if there’s any crafting involved, it should be well worth the effort when you see the results.

We’ve shared 52 of our favorite suggestions to do in 2022 below. Try them all and, in a year’s time, there’s a good chance you’ll be a better photographer, with a keener understanding of your camera and what it’s capable of. Plus you’ll be all set to attempt the final project: self-publishing a photo book.

The best home photography projects:

1. water drop art.

The basic idea with this project is to suspend a container of liquid and let drops fall through a small hole, then capture the resulting splash. Timing the shutter as the splash is created is everything. We achieved good results using two flashguns set to their lowest power (1/128th), an aperture of f/22 and water mixed with Xanthan gum to make a more viscous solution. We also used a SplashArt water drop kit from PhotoTrigger , which helped to regulate the size and frequency of the drops.

2. Indoor splash shots

For this project you'll need a flashgun that you can fire remotely, a container with clear sides for your water, a coloured background and a tripod. Set up the container and backdrop, then position the flash over the container. With the camera on a tripod and set to manual focus and exposure - f/8, ISO200 and the fastest shutter speed that will work with your flash - drop the object into the water and fire the shutter as it hits.

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3. Shapes of bokeh

Out-of-focus orbs of light can add magic to any image, but the bokeh effect needn’t be limited to standard circles. From love hearts to stars, a simple cutout filter can transform background sparkles into brilliant shapes. 

Using your lens cap as a guide, draw a circle on a piece of card. Cut out the circle, score a small shape in the centre using scissors or a craft knife, then push the card onto the front of your lens (or attach it with an elastic band). When you next shoot a scene, any unfocused light will take the form of your shape. 

Use a wide aperture to maximize the effect and remember that, as the filter restricts the amount of light entering your lens, you’ll want to set a longer exposure or higher ISO. Try simple shapes such as triangles to get started, before progressing to stars, hearts, crosses and more.

4. Create smoke art

Smoke trails are a firm favourite among still-life photographers. But how about taking it to the next level and using the shapes in a creative Photoshop project. Once you've taken a few good smoke art photos, make a blank document in Photoshop, then copy and paste one of the smoke images into it. Set the blending mode to Screen and use Warp Transform to reshape it. Continue the process to combine a range of smoke shots into a new image.

5. DIY lightbox

Lightboxes are used to illuminate objects evenly against a plain background, often for the purposes of product or food photography. Luckily, you don’t have to have a pro budget to make one at home. All you need is a cardboard box, some white paper and a table lamp. 

Remove the top flaps, stand the box on one end and cut window holes in either side. Line the box with a single, seamless piece of white paper and cover the holes with thin paper or fabric, taped in place. Then it’s as simple as positioning a desk lamp on one or both sides: the paper will diffuse the light, evenly illuminating whatever object you put inside. 

Or for an even simpler setup, use a single piece of paper as the backdrop, with one white wall made from card, and position near a window (as pictured). Experiment with aperture and shutter speed to shoot subjects with totally white backgrounds or some shadow for a sense of perspective. Then mix things up with color backgrounds. If the quality is high enough, you could list your images for sale on a stock photography website to earn some lockdown pocket money.

6. Lubricate your lens

Want to give your housebound portraits added glow? If you have a spare lens filter lying around, try an old Hollywood trick: smear a layer of Vaseline on the glass to give your images a soft, dreamy look, keeping aperture wide to emphasize the ethereal effect with a shallow depth of field. 

Get experimental by leaving the middle of the filter free from Vaseline to create a halo effect, with the centre in clear focus but the outer elements blurry and soft. Don’t want to sacrifice a filter? Stretch cling-film tight across the lens and keep it in place with an elastic band, before using the Vaseline in the same way. If you’re not into portraits, try the effect when shooting a light source for a unique style of diffusion.

7. Make your own filters

It’s no secret that color is a major element of any image, but you don’t need expensive filters or editing software to experiment with saturation. In fact, you don’t even need to leave your home: all manner of household objects can function as color filters to bring new hues to your photography – and to transform mundane moments into brighter snaps. 

Attach tissue paper to your lens with an elastic band for an instant change of scene, or try shooting through thin fabric with a light source placed behind. Too easy? Take a snap through a laundry capsule for a liquid tone adjustment or use a whisky bottle for sepia shades with a hint of distortion. Petals are pretty effective, too, as are translucent sweet wrappers.

8. Try cross-polarization

This fun project exploits the effect that polarised light has on some plastics. You'll need two polarising filters - ideally one of these should be a sheet of polarising film. You can pick up an A4 sheet of Lee 239 polarising film for £50 (try www.robertwhite.co.uk or www.pnta.com ). The sheet of film should be placed on a lightbox or in front of the only light source. An iPad screen and most computer screens have a polarising filter built in, so if you don't have a sheet of polarising film you can always experiment by creating a white document to fill the screen. Simply attach the circular polariser to the camera lens and rotate it to make the colours appear in clear plastic items

9. Food landscapes

Spice up your food photography! All you need is a set of model figures - Hornby 00 gauge figures are perfect, as they're available in a wide range of poses. Preiser has a great range too. The most important aspect is to establish a sense of narrative. Here you can see that there's a conversation between the characters, with the mountaineer on the 'mash face' being helped by his colleagues on the ground.

10. Fine-art food

Try turning your dinner ingredients into photo art using just a lightbox and a very sharp knife. Slice fruit and vegetables as thinly and evenly as possible, then place them on the lightbox. With the camera positioned directly above, use Live View to focus manually on the details. Set an aperture of f/8 to give adequate depth of field, and dial in some exposure compensation of +1 to +3 stops as the bright light can fool the camera's meter into underexposure.

11. Flowers in ice

A relatively inexpensive way of taking 'kitchen sink' close-ups that look great blown up as wall art. Freeze flowers in plastic containers of distilled or de-ionised water (available through your local auto or hardware store). The flowers will float, so try to weigh them down or fasten them in place so that they freeze under the water. Place the block of ice on top of a clear bowl or glass in a white sink or plate, so that the light can bounce through from below. Position a flashgun off to one side, angled down towards it, and shoot from the opposite side.

12. Abstracts in oil

Oil floating on the surface of water is a great way to make striking abstracts. This table-top photo project exploits the refractive quality of oil and bubbles to accentuate and distort colours. All you need to do is place a few drops of cooking oil on the surface of water in a glass dish. Make sure the dish is supported about 25cm about the table top, then place coloured paper under it and use an anglepoise lamp or flashgun to light the paper.

13. Play with fire

It doesn’t take a pyromaniac to see the photographic potential of fire, but it does take patience, skill and plenty of precautionary measures to capture a stunning action shot of a match igniting. If you’d rather not risk singeing your fingertips, try a different type of flame photography.

Shooting by candlelight alone can lead to magical results. As with any single source of light, it allows you to experiment extensively with shadows – especially if you’re capturing a portrait – while the soft, warm tone and flicker of the flame both contribute to an especially ethereal effect.

In a darkened room, try shooting with a medium-high ISO and a relatively slow shutter speed. Start with just a candle and your subject, before introducing additional elements and playing with positioning. A nearby wall, for example, will throw the candlelight back in different ways, while glass will add to the magic with fiery reflections

Tweak shutter speed to affect the strength of shadows or try adding further flames – though you might need to adjust the white balance if things look more yellow than mellow.

14. Repaint the walls with camera obscura

Familiar with pinhole photography? That technique relies on camera obscura – a natural optical effect that occurs when a small hole in an otherwise sealed space (such as a box) projects an inverted image of the world outside onto the opposite wall. You could make a pinhole camera as an at-home project, or you could go even bigger: with the right setup, you can create the camera obscura phenomenon in an entire room. 

First, you’ll need to black out a room – for example, by taping opaque sheets over your windows. Then you’ll need to make an aperture through which light can enter; the smaller the hole, the sharper but dimmer the image. Camera obscura works best in small/medium rooms, with an aperture of around 10-15mm diameter. Allow your eyes to adjust and determine whether you need to brighten the image by making a larger hole, then marvel as an inverted version of the outside world appears on the wall. 

Capture the entirety of this remarkable natural effect using a wide angle, a relatively long exposure and a tripod, or focus on specific elements of your room to emphasis the effect – such as houses appearing to float upside down on your mantelpiece.

15. Camera tossing

Chucking your precious photographic equipment into the air might sound like something designed to void the warranty, but – provided you’re not too clumsy – camera tossing can deliver some truly spectacular results. Try it in a dark room with a single light source. Set a shutter speed of around one second (roughly the length of time it’ll be in the air) and, as the timer hits zero, launch it upwards. Catching it is the important part, but once you’re comfortable with the technique you can experiment with multiple light sources, different colors and even spinning your camera as you release it.

16. Psychedelic soap film

This is a wonderful project that makes for vibrant desktop wallpaper or abstract wall art. You'll need liquid soap mixed with glycerine for long-lasting soap film, plus a wire loop, a black cloth background and a macro lens of at least 100mm. The colours created by soap film only appear when hit by light from a certain angle, so set up near a north-facing window and shoot from around 45 degrees.

17. Refractive art

Light bends when it passes through water, causing the objects behind to change appearance. This is called refraction, and you'll make use of this phenomenon in this arty photo project. All you need is a few glasses, a flashgun, a tripod and a black-and-white pattern print. Simply place the pattern in the background with the glasses in front. Fill them with different levels of water and move the pattern backwards or forwards to fine-tune the effect.

18. Kitchen close-ups

Your kitchen is an ideal location for shooting a macro project. Its reflective surfaces can be used to create interesting backgrounds for your shots, and a shallow depth of field can transform the most mundane of objects you'll find there. Creating a triptych of images can result in a piece of fantastic wall art for your kitchen too, although it's important to think about how they're going to work together before you start shooting. Here, 3 objects - a fork, a bowl of cereal and coffee granules - were all shot from a similar angle, with the impression of height linking the sequence.

19. Invert the world with a crystal ball

Shoot through a crystal ball and, while you won’t see into the future, you will capture an inverted version of the scene behind the orb. Just as light is refracted when it passes through the glass elements of a lens, the same thing happens with a glass sphere. There are dedicated photography balls on the market, but the effect can often be achieved using a clear marble or even a paperweight. Nothing suitable? A water-filled wine glass can also work. 

All sorts of subjects look good through an orb, from sunsets and cityscapes to abstract items and even portraits. Try shooting with a macro lens to fill the frame with the sphere, or with a wider angle to include some of the scene behind. To really play with perspectives, rotate the image with editing software so that the background is inverted but the scene in the orb is the right way up.  You can also incorporate elements that support the ball into the image, such as hands, bowls or miscellaneous objects.

20. Still-life bokeh

Something as simple as a crumpled piece of foil can be the basis for a creative photo project. Position a still-life subject on a sheet of glass with a piece of dark material underneath it. Scrunch up the kitchen foil then smooth it back out and place it in the background. Shine a table lamp or torch on the foil and, with a tripod mounted camera, dial in the lens's widest aperture to create some beautiful ' bokeh '. During the exposure, shine a flashlight onto the subject.

21. Play with shadows

Photography is fundamentally about capturing light, which is exactly why shadows can be so powerful. They can create contrast with lighter parts of a composition or add texture to an otherwise plain subject. They can even be manipulated to tell a story. Incorporating shadows into your images will challenge you to think not just about the objects within a scene, but how things outside of the frame can affect the light that falls within it.

To play with shadows, all you need is a light source and a solid object to block it. This could be something natural, such as the shadow of a tree cast by sunlight. Equally, it could be something man-made, such as the outline of a street sign created by a car’s headlights. Or it could be something you create yourself: try playing puppet-master by shining a torch and dancing your hand in front of it. 

You can also invert this idea by shooting a subject which is predominantly in shadow and experimenting with how splashes of light fall upon it.

22. Still life light trails

Light trails can be used in all kinds of photography, but they're perfect for a creative still life project. You can use a regular Maglite torch, but try removing the end to reveal the bulb and make the light more direct. Use some electrical tape to attach a coloured sweet wrapper, which you can use as a makeshift 'gel'. Set the canera's shutter speed to around 30 secs with an aperture of around f/8, then start moving the torch within the frame before pressing the shutter. Continue the movement throughout the exposure. Here, we suspended the torch from a piece of string and made a gentle circular movement to create a spiral around the bottle.

23. Light spirals

You'll need to attach a torch, suspended by string, to an open area of ceiling. Fit the widest lens you have on your camera, and mount it on a tripod pointing straight up. With the light turned on, autofocus on the tip of the torch and set the lens to manual focus to lock the setting in. With an aperture of f/11 or f/16 dialled in, use Bulb mode and a remote release to keep the shutter open for a minute or so as you send the torch spinning in the dark…

• Best camera flash: dedicated flashguns for Canon and Nikon DSLR
• Best macro lens 2018: close-up lenses for Canon and Nikon DSLRs
• Macro lenses: how to choose one, and how to use it

Current page: Home photography projects

Formerly News Editor at Stuff, Chris now writes about tech from his tropical office. Sidetracked by sustainable stuff, he’s also keen on cameras, classic cars and any gear that gets better with age.

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Wedding invitations, 65+ photography project ideas you can start today.

Written by  Shutterfly Community Last Updated: Dec 8, 2020

Do you want to sharpen your skills, learn fresh techniques or just have fun with your camera? Photography projects help you accomplish all three.

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Through themed projects, you can capture unique images that follow a certain framework or style. Your project can last a week, month or year—depending on how in depth you’d like to go. To offer you inspiration, we’ve compiled 68 creative photography projects that are appropriate for all skill levels.

Once you’ve completed your project, be sure to create a photo book with your images or select your favorite for a canvas print .

1. Self Portrait

By switching the focus from other subjects to yourself as the subject, your photography takes on a whole new perspective. When setting up your shot, choose a landmark item to use as a stand-in until you’re ready to jump in the frame.

Play with auto and manual focus with your stand-in until you get the shot just right. Then, enter the scene using the timer option.

For the wisdom project, the goal is to gather photographs of those who have offered you wisdom or a helpful perspective. You might feature grandparents or mentors—or be inclined to include young ones who have provided you a fresh angle on life.

Aim to capture individuals in their natural state, especially if it’s in a location where they shared a special moment with you.

3. Candid Photo

Photographing someone in their natural state allows for their true personality to shine through. With a candid photography project, incorporate a range of human subjects for a diverse collection, or capture the same subject across different settings and days.

Building a portfolio of several candids allows you to paint a vivid persona of your subjects.

4. Street Style Photography

Authentic street style photography allows you to snag shots of the latest fashion—all without the strut of the runway. Look for colors first (either eye-catching or stunningly neutral), then watch for the cut and structure of the clothes.

Aim for overall beauty within the frame, including the street or walkway, so the focus isn’t solely on the clothes.

5. All About The Details

Create a collection of shots with unique subjects that focus on the details. Whether the photos are for an engagement , graduation or everyday occasion, you can take portraits of smaller details, like wisps of hair, relaxed hands and prominent features. Making your subjects feel comfortable and confident in front of the camera is the first priority. Plan a single shoot for various angles to help capture what looks best on a given day or moment.

6. Natural Element

Plan for your gallery of photos to include candid shots of the subject in their element. Whether they love the beach or like to craft, you can capture your subject in their favorite space or place to go.

If a subject feels awkward in front of the camera, have him or her lean against something vertical, like a fence, wall or car. They’ll feel more anchored and their body angle will offer the photo some character without seeming unnatural.

7. Pet Photography

From cats to dogs to horses, the heart and soul of your pets can be captured with the right technique. Incorporate natural light in your shoot keep watch of your pet’s eyes. Expressions and personality often shine through and it’s a great time to capture these moments.

8. Motherhood

Being a mother is one of life’s greatest gifts. When we’re parents, beautiful moments take place along with messy and chaotic ones. Encapsulate the full spectrum of motherhood with photos from quiet moments like snuggling with your child to lively times like cooking together in the kitchen.

With any photography project, it’s important that your images tell a story.

9. Panoramic Pictures

A popular technique for landscapes, panoramic photography enlarges the viewpoint beyond the normal size of a camera lens. To ensure there are no gaps in your panoramic shot, overlap your image by 15-30%.

You’ll also want to keep your camera as level as possible to ensure the photo is even throughout. Don’t forget that panos work well for vertical shots, too, like waterfalls and deep canyons.

10. Sunsets Photos

Sunsets make for stunning photos—especially when executed well. For maximum beauty, be sure to slightly underexpose the sunset for rich and dramatic colors. Use manual mode and a fast shutter speed for underexposure, or use aperture priority with exposure compensation.

Make your sunset even more magnificent by arranging an object or scene in the foreground of the sunset, like a lake or mountain.

Mist and fog are natural elements that can enhance the beauty of your photography. Check the weather to determine when fog might pop up. Oftentimes the best lighting for fog photos occurs in the wee hours of the morning or late in the evening after sunset. The low lighting causes a slower shutter speed, which means a shakier camera.

Keep your camera as still as possible or use a tripod. The best places for foggy photos? Open bodies of water and other sweeping landscapes like fields and low rolling hills.

12. Cityscapes

Hovering skyscrapers and diverse skylines are part of what makes cityscapes such attractive photography. For a cityscapes project, try different vantage points across the city to see what works best (think: a popular lookout compared with a more secret locale).

Prepare for an after sunset shoot, allowing the city lights to pop against the dark sky. Remember to use a wide angle lens to cover as much ground as possible.

13. Water (Rain, Ocean)

Whether you’re hoping to create scenes of smooth, flowing water or capture dynamic waves crashing against a seawall, it’s critical to have better than average camera equipment. For nearly every water shot, a tripod is also essential to keep the frame still for the length of the exposure (usually two to four seconds).

Pack along a lens-friendly cloth to remove splashes and water marks. Plan to get wet if you’re banking on a stunning water shot.

14. Seasons

Each season offers its own charms—from snowy branches to colored leaves. Select a location for your seasons project where you’ll snap photos throughout all four seasons. Once the year is complete, you’ll have a collection of stunning images that tell the story of your special place over the course of a year.

15. Star Trails

Spectacular from edge to edge, star trails photography is an adventure to shoot. The first step is to find a clear sky full of stars, but free of pollution and other light interference. Anchoring your camera on a tripod, set your camera to shoot on manual mode. The faster the lens you have, the better.

Once you have your shot prepared, select drive mode for consecutive shots rather than a single frame. With your remote, let your camera take photos for thirty minutes up to a few hours, depending on the length of star trails you’re creating.

Capturing still images with a remote-controlled drone opens up the options for angles and perspectives in your photography. Consider sending a drone above a beach, golf course or mountaintop.

Increase the altitude of your drone for a more impressive viewpoint and try GPS mode for a more stable shot.

17. Food Photography

As a still life technique, food photography requires a few main ingredients: good lighting, props and style. Place your items near natural lighting or use a flash to give the photo a balanced look. When it comes to the arrangement, consider adding in table setting details like plates and silverware.

Amplify the photo’s texture with decorative pieces like colorful fruits and sprigs of herbs. For a well-rounded food photography project, shoot a variety of foods and dishes.

18. Black and White Month

Instead of using the full color spectrum, this project idea prompts you to capture images in black and white only. Two-toned photography provides a different perspective or feel to your work, and gives you a chance to highlight people, places and objects in a novel way.

For instance, a close-up of hands be enticing when displayed in color, but in black and white, the image paints the story that all humankind is united.

19. Everyday Moments

Photos that showcase a slice of regular life contain a certain genuine beauty. When preparing for everyday moment shots, make sure subjects are comfortable. People should interact as if you aren’t even present.

The true magic happens when you’re able to capture two people’s true connection.

20. Random Acts of Kindness

The random acts of kindness project prompts you to capture someone doing something thoughtful or helpful for another person. By photographing these moments, you’re telling a larger story of humanity.

To be successful in this project, you’ll need to keep a keen eye out for small acts of generosity, like a young man holding the door or a little girl smiling at a stranger.

21. Shoes For a Week

Narrow your photography focus for a week by capturing different styles of footwear. From boots to sandals to athletic shoes, diversify your image collection. Be sure to utilize a range of angles to create unique stories for each photo (i.e. a guy lounging with shoes on, two people talking while standing, a woman running).

22. Comfort Zone Challenge

Pushing the limits of your creativity often leaves you with impressive and surprising results. With the comfort zone challenge, throw caution to the wind and experiment without expectations.

Maybe that means you’ll shoot a paragliding experience, a fireworks explosion or animals in action. When you’re snapping shots, play around with your shutter speed, aperture, focal length and movement.

23. 30 Strangers

Taking a photo of someone whom you’ve only just met can be thrilling. It can also be personally and professionally rewarding. Through the 30 strangers project, you’ll capture 30 portraits of people you’ve never met before. Find people on the street, in a shopping mall or at a park.

Be sure to ask each person’s consent first before posting publicly. The 30 strangers challenge will certainly stretch you outside of your artistic comfort zone.

24. Duotone

Duotone photography refers to a multitone production of an image, usually imposed through photo editing techniques. The superimposition of a contrasting color halftone (normally black) over another color halftone enhances the middle tones of an image.

Photographs with one main object, like a flower, seashell or tree, are ideal for creating duotone effects.

25. Perspective

Perspective photography can take many forms: those shot from a low angle, ones with strong leading lines and those that look straight up into the sky. Whether your scene is a railroad track or skyscraper, your image should emphasize the angle and the unique perspective you’re hoping to give the viewer.

Train your eye to notice patterns, lines and reflections you can capture from different angles.

Not only is coffee delicious and rejuvenating, it’s also a work of art. Collaborate with a barista on a latte design or the type of mug to use. Choose a simple backdrop so the coffee remains the focal point.

A dark backdrop is best if you’re aiming to capture the steam rolling off of a warm drink.

27. Create a Photo Album

Let your memories last forever by creating a photo album for a recent vacation, an adventurous summer or a year filled with fun. Design your photo album with a theme in mind to build cohesion. Vary your layouts from page to page for texture and personality.

28. Traffic Lights

When photographing traffic lights and other light trails, the best time is during or after twilight on a night when minimal wind is present. Based on your camera angle and objects, you’ll need to adjust and experiment with your settings.

Often times, shutter priority mode is ideal along with a shutter speed of six seconds. Make stability a non-issue with a tripod, and remember you won’t be using a flash.

29. Happy Days

Allow joy to take the center stage of your photos. Whether they’re candid shots of family members interacting or a single subject, make sure the smiles are natural. Enhance the happiness level by highlighting the subject with ample natural lightening.

30. Photo Scavenger Hunt

Challenge yourself and your fellow photographers by setting up a photo scavenger hunt . Rather than choosing objects and locations to capture, create a list of photography styles to achieve. For instance, your list might include building a motion blur or catching a clear action shot. At the end of your hunt, you’ll have a collection of impressive photographs.

31. Night Scenes

Night scenes, also known as low light photography, allow you to make the most of dark scenes that are hard to capture. When less light is present, it means you’ll also have slower shutter speeds, which equals more camera shake. For this reason, landscapes and long exposures at night time require tripods.

Whether you’re shooting special moments around the campfire or gazing up at the stars, utilize a wide aperture or a low f-number to let in as much light as possible.

32. Polaroids

Polaroids offer a timeless feel and give photos a natural frame. When creating a collection of polaroids, be sure to switch up your angles and perspectives. Try a few upclose shots of objects along with macro shots of mountains and lakes.

For polaroids with human subjects, allow for plenty of natural light and aim for candids.

33. Letters/Signs

With any inanimate object, the challenge with photography is to bring it to life. With letters and signs, try to enrich the shot with the surrounding scene whether it’s greenery or a neat light fixture. Angle your lens in a way that makes the lettering most striking.

Build a full photography project with at least five to ten different signs.

34. Action Shots

To nail a clear action shot—for sports, animals or anything else—the most important aspect is to be prepared. Consider pre-focusing your shot, so when the subject enters the frame, you’re ready.

Because it may take several shots to capture even one solid photo, shoot in short bursts for a few seconds at a time. Keep extra space at either edge of your frame to allow for your subject’s movement.

35. Abstract

Fundamental to abstract photography are lines and curves. The shapes you highlight will guide the viewer’s eye to a certain engaging element. To get up close and personal with an object or design, use a macro lens. With the macro, your photo composition will have clearer resolution and sharpness. Complete your project by gathering a collection of abstract photo pieces.

36. New Lens

Your camera equipment plays a large role in your work as a photographer. Your tools, like your lenses, can fundamentally change the structure your art.

To sharpen your skills, try using a single lense for an entire month. Ideally, the lense will be new to you—allowing you to master the new tool and broaden your photography skills.

37. Architecture

Photographing architecture—whether modern or classic—presents unique challenges. Consider capturing an array of building styles for your portfolio and don’t forget to mix up your angles. Vary your shots by choosing a different weather conditions and times of day.

Through your diversity of shots, you’ll have richer story of the buildings’ relationship with the environment.

38. Thankful

To enhance your gratitude and happiness, consider completing a thankful project where you take one photo every day of something you’re grateful for. From flowers to pets to family members, find subjects that have personal meaning to you.

By capturing what you’re thankful for, you connect deeper with the people, places and things that surround you.

39. Sunday Mornings

Whether you’re enjoying a cup of coffee or a good book, snap a photo every Sunday morning for one month or a year. Capturing everyday occurrences through photography is a form of artistic journaling, helping you to document life’s big and small moments.

40. Top View

The angle of your shot makes all the difference in how appealing and engaging it is. Try a series of photos where your perspective comes from the top. Amp up the creativity by getting higher for your shoot and using a wide angle lens.

A busy environment, like a packed street or active household, can become a striking composition when using a top view perspective because it offers necessary distance from the cluttered setting.

41. Guilty Pleasures

We all have foods and activities we love despite feeling that they might not be held in high regard. Perhaps your guilty pleasure is cream-filled donuts or binge watching reruns of your favorite sitcom.

Collecting images of your guilty pleasures will likely bring you humor and levity, knowing that these items are a part of you, but they don’t necessarily define you.

42. Silhouettes

Forming a distinct contrast between light and dark, silhouettes highlight one or multiple subjects. Ensure your subject is backlit with the sun behind them. The best times to shoot silhouettes are in the morning or late evening.

Build a stunning image by setting the scene with open space, like in a field or along the beach. Set up your camera angle facing the sun, then ask your subject to stand between the sun and you. Play around with the exact angle until you have a strong contrast.

Create a collection of photos shot with prism filters on your lens or by placing a prism in front of your lens. The light that dances off of the prism will add creative effects to your photography by dispersing light before it hits the camera. Secure your camera on a tripod so you can have your hands free to play with the prism and lighting.

Prism photography can include large subjects like nature scenes and architecture or smaller objects like books and candles.

44. Symmetry

Finding subjects that offer you symmetry is the foundational step for this photography project idea. Look for symmetry in architecture and nature, but don’t leave out human and animals subjects. Smaller details, like hands or feet, often make for the perfect symmetrical photo.

Bokeh photography is denoted by one unique characteristic: a blur produced in the out-of-focus area of an image. The blur, produced by a lens, helps direct the focus of the photo. A fast lens is necessary to achieve this technique, with at least an f/2.8 aperture.

With a wide open lens, you can create bokeh with subjects like butterflies, humans and fencing around a baseball field. These photos are perfect for framing around your home .

46. Action Figures

Due to their size, action figures are easy to rearrange and shoot from multiple angles. Bring the scene to life by having the figures interact with each other. If you’re looking for an extra challenge, tell a story through your action figures, like one you would find in a comic book. Include action shots against a simple backdrop.

47. Steel Wool

Although it may seem like steel wool photography would require expensive equipment, it is a surprisingly inexpensive technique. For this project, you’ll need the following: a camera, lens, tripod, shutter cable, steel wool, string, stainless steel whisk, lighter and protective gloves. In a dark location—away from combustible items and other people—burn steel wool that’s loosely packed in a whisk.

As the steel wool burns, spin the whisk either vertically or horizontally to create the desired effect. The burning will only last about ten seconds, so you’ll want to set up for at least five seconds of exposure time. Steel wool photography creates wild and interesting images, but be sure to follow safety precautions to avoid hazards.

To enhance your skills and test out a nifty shooting technique, try macro photography on tiny subjects like insects, match-heads and flowers. Keeping your budget in mind, choose a magnification lens that lets you make super small items appear larger than life. For your macro project, vary your subjects.

Consider nature’s smallest members, miniature household items and up close shots of human elements for your portfolio.

49. Double Exposure

Double exposure, also known as multiple exposure, is a technique that combines two images in a single image. By using double exposure, you can create a distinct effect like a mirror image or ghost-like presence. The layering technique can be done with or without photoshop, depending on your equipment and skill set.

50. Escapism

Photography, like any type of art, can be a form of escapism. Through the camera, we can create images that help us step out of reality and into our daydreams. Prepare for your escapism photography project by thinking of your ‘happy places’ or locations you go to get away.

After brainstorming, head to one of those locations and shoot scenes that offer a mystical aura—whether it’s birds fluttering in the forest or the clouds lifting off of the mountains.

51. Shadow Art

Just as light is a critical element to photography, so is darkness. With shadow art, the focus is placed on the subject as it blocks light from reaching a surface, like a sidewalk or table. Experiment with the angle, distance and size of your light source to alter the intensity and scale of your shadows.

Consider humans as your subjects, but inanimate objects, too, like musical instruments, buildings and action figures.

52. Texture

From brick walls to tiled roofs to wooden fences, textures are all around us. Complete a photo challenge where you take one shot of a textured surface every day. Turn on your auto focus to ensure the object is in perfect focus. Adjust your distance from the subject based on how much detail you want in your image. This idea is perfect if you’re also looking for creative Instagram photo ideas .

Aim for a ninety degree angle when you shoot the image so your texture is lined up straight with the camera.

53. 365 Wardrobe

On each day of the year, snap photos of your clothes before you begin the day. Arrange them differently—sometimes orderly, sometimes more carelessly—to gain a sense of how your mood changed from day to day. Remember to include accessories like purses, shoes, belts and headbands.

54. Suspend Time

Photography is a powerful art medium: it can even pause time. Whether you’re suspending an item with a fishing line or taking a shot of someone jumping, you can create the look of time being stopped. Start this photography project by choosing three items or people you’d like to suspend.

55. Balloons

Bursting with color or more neutral tones, balloons make for versatile props. Let helium balloons off into the sky and capture photos as they float up. Surround the birthday girl with balloons in an otherwise empty room. Or tie a balloon to a child’s wrist and photograph them as they wander through a park.

56. Hotel Carpet

If you travel frequently, the hotel carpet project may be the right kind of fun for you. Next time you’re walking through a hotel lobby, glance down at the carpet beneath your feet. All sorts of patterns and colors are used in hotel carpets across the world. Take a snapshot (ideally at a 90-degree angle) of each carpet for a collection that will help you remember all of the places you’ve been.

Across neighborhoods and cities, doors provide insight to each home’s character. For this photography project, set out on an adventure to collect as many styles and sizes of doors as possible. Choose a macro approach, where the whole door makes the shot, or go micro by narrowing the frame to door handles and styles of wood.

58. Juxtaposition

To build juxtaposition in your photographs, place two opposite subjects next to one another. Like a blue ocean and a green forest, the contrast between the two is noticeable yet stunning. Types of juxtaposition might include a person and their shadow or a thin item next to a thicker item. For this photography project, try several contrasting subjects or locations.

Photos full of irony can be humorous or thought-provoking. Maybe you snap an image of a tow truck hauling another tow truck or you notice a descriptive sign in a place that doesn’t quite seem to fit. When it comes to ironic photos, a keen eye is needed along with a quick wit.

60. Fairy Lights

Fairy lights make for beautiful focal points. You can wrap the lights around a tree, weave them between human subjects or fill mason jars with them. Build a larger scene by ensuring no backdrop distractions are present or capture the fairy lights up close.

Regardless of what subjects and scenes you decide to shoot, proper exposure is crucial.

For this photography project, choose smoke as your primary accent. Incense sticks are easy to use and allow you to play with various colors. Your setup should ensure ample ventilation for the smoke to escape the room. Some photographers merge two photographs (one of the smoke and one of the object) to design a special scene, like one of a toy train blowing smoke or a tea kettle steaming.

62. Vintage Cars

From sporty models to classic town cars, vintage vehicles never go out of style. Look for vintage makes at car rallies and exhibitions, although sometimes you’ll come across them in your everyday happenings. The golden hours, right after sunrise or right before sunset, are ideal for shooting cars. Highlight specific parts, like bumpers, trunks and hoods for diverse perspectives.

63. Faces In Things

You’ve probably seen images that double as a face and another object. In this photography project, you’ll create a similar effect. Take a close look at nature, food and furniture to locate hidden human faces. Compile as many faces as you can, and see if your friends can guess what’s in the images.

Alter your perspective by shooting your subject through a picture frame. The frame technique works best outdoors where you can place ample distance between your lens and your subject. Consider creating scenes with a woman standing on the beach, a tree in an open field or a tall building at the end of a street.

65. Reflections

Any body of water—like a lake, river, pond or swimming pool—can act as your reflective tool for this photography project. You’ll want to avoid direct light on the water to eliminate glare. Practice using reflections on waterfront cityscapes or mountains overlooking a lake.

66. Take My Hand

When you can represent human connection in photography, the emotion of the image is strengthened. Head out on a hike or stroll through a garden to practice photographing two hands linked together.

67. Picception

A relatively new technique, picception images incorporate another camera or photo into the shot. It can be a picture-in-a-picture style or something more subtle like a photograph of someone taking a photograph. While often informal, picception shots can be formal if intentionally designed.

Often eye-catching, neon photos provide a stunning mix of light, shape and color. Whether you’re on the Vegas strip or exploring your hometown at night, take photos of neon signs with your camera’s evaluative meter exposure setting. Choose a low ISO of 200 or 100 to avoid noise. Be sure to place your camera on a tripod for stability.

No matter which photography projects you decide to complete, remember to enjoy the process and save copies of your photos. Design a themed calendar or metal print to showcase your results.

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Photography Classes @ MERHS

• Current Photo 1 Assignments

THIS CLASS CONTENT HAS BEEN MOVED TO GOOGLE CLASSROOM, but free to any teachers who want it, curriculum documents can be found below.

SOME CONTENT IS HERE AS PDFS AND A ZIP FILE OF ALL MY PRESENTATIONS:

and the dropbox link to all the files: https://www.dropbox.com/s/g74ezm5kit6tcln/photo%201%20slides%20and%20materials.zip?dl=0

Photo 1 has shooting assignments due just about EVERY OTHER WEEK. 

• expectations
• PHOTO PLAGIARISM POLICY:  All photos must be taken by you specifically for each of the the assignments. Do not “recycle” previously taken photos.
• DUE DATE POLICY

OLD CURRICULUM CONTENT BELOW

Unit 1 – intro

• DISCUSS : Is photography art? How is it similar to and different from other kinds of art (painting, sculpture, etc).
• VIDEO : some peoples opinions about photography and art. watch and then  DISCUSS
• TAKE NOTES: How do photographers see the world?
• ASSIGNMENT – Think about what it means for a photo to be “good”. Then take 2 good photos of ANYTHING using a digital camera. Bring in the memory card on the due date.
• DISCUSS : why are some photographs better than others?
• ACTIVITY: Get on computers and go to explore photos on this site   Find several photographs that you think are good. Think about what makes them good. Find several photographs that you don’t think are good. Think about what is in the photo that you don’t like.
• VIDEO : What is photography?
• ACTIVITY: make a magazine collage with one background image and 4 elements from other photos
• DIGITAL SKILL:   Look at examples . Then create a photoshop collage using either a cat or a dog. Make sure to use at least 5 different source photos, and be creative. This is an assignment for practicing how to use the selecting tools, the transform tools, and cutting and pasting. Make sure you chose the selection tool that is right for the job. Sometimes combining selection tools can be the best solution. Make sure the edges are nice and neat. The goal is to NOT be aware that it has been photoshopped. Taking the time to make sure it is neat and done well makes a big difference in the quality of the image.
• VIEW: 9/11 images DISCUSS : Are these photos important? In what way are they or why aren’t they?
• VIDEO: Am. Photo
• DISCUSS :  What choices must a photographer make before beginning a work?
• TAKE NOTES:   what are the 5 active choices that photographers make with their cameras?
• TAKE NOTES:   more choices
• VIDEO : leading and reframing
• DISCUSS :  What skills and vocabulary do I need to appreciate visual art?
• in class critique: learning to look
• how drives work
• what drive we use for class
• how to get to different drives
• how to use card reader
• using Adobe Bridge to import photos
• how to use Bridge to view and work with photos
• how to turn in your photos

Unit 2 – shadows and light

• pinterest examples
• how to come up with ideas infographic
• DISCUSS : how are your photos graded? how would you grade photos? then check out the  rubric
• VIDEO: Am.Photo 2
• TAKE NOTES : l ens choices   more examples  and in portraiture   2 3 
• TAKE NOTES:   color to b&w     tone and value     contrast/ exposure     judging tone/contrast
• ACTIVITY : make a 5×7 painting, matching a full range of tones
• DIGITAL SKILL: how to use levels and curves to achieve a full range of tones
• VIDEO and DISCUSS : ethics ( TAL )
• DISCUSS : How do people express themselves through art today?
• DISCUSS :  culling is important
• DIGITAL SKILL:  handcolor examples (layer blend) and directions

Unit 3 – composition (principles and elements of art and design)

• examples on pinterest
• REMINDER :  rubric
• ACTIVITY : find examples  of each of the P&E of the assignment, and put them in a google doc. make sure to label them.
• ACTIVITY : play photo dice game and take photos in class
• DISCUSS :  What inspires me?
• TAKE NOTES: photography has styles/periods/movements and STRAIGHT PHOTOGRAPHY is one of them. Paul Strand was one of those photographers.
• in class critique
• DIGITAL SKILL:   dreamscape (layers)  create a memory/dream/nightmare using at least: 5 sources, 1 adjustment layer with a clipping mask, 1 filter, and 1 layer style

Unit 4 – camera controls

• camera basics
• camera settings explained
• shutter & aperture
• REVIEW SHUTTER SPEED AND APERTURE : get in groups of 2 and pick from the following : infogram ,  jeopardy , or write and act out a skit. Make sure to include the definitions/explanations of both shutter speed and aperture, the 4 visual effects, and cheater/real settings to get those effects.
• DIGITAL SKILL:  fixing tools
• DEMO : size & crop demo

Unit 5 – portraits

• posing models
• VIDEO : working with models – mario testino
• VIDEO : hipster posing
• class studio demo
• REVIEW :  rubric
• VIEW :  kim and kanye
• VIDEO : the job of a photo retoucher
• DIGITAL SKILL:  makeovers ,  makeover instructions
• VIDEO: avedon or leibovitz
• VIDEO: lachappell
• VIDEO: patrick d
• DISCUSS :  How do I use art in my everyday life?
• CRITIQUE : camera control photos
• review so far

Unit 6 – aesthetics

• plain vs. glorified
• more examples 1   2 3   4
• DISCUSS :  What makes my art look good?
• is it art?  and price of art  ( judd reinhardt hirst andre )
• VIDEO : Marina and Ulay
• written: philosophy
• VIDEO : museum of bad art
• CREATIVE WRITING ACTIVITY : photoeye story
• DISCUSS :  How does art reflect culture?  How does art shape culture?

Unit 7 – diptych or sequence 

• examples  and more examples
• VIDEO : Duane Michals
• some peer examples included here
• ACTIVITY : practice creating diptychs
• ASSIGNMENT: – take two or more photos to put together in a diptych. they must interact with each other in a way that makes them say something more than if they were alone.
• ACTIVITY : presentation-  individual photographers

Unit 8 – color 

• color theory
• color and mood
• photo examples
• color temperature / white balance
• DON’T FORGET:   rubric
• DIGITAL SKILL :  color correction activity
• VIDEO : colors of the year   VIEW : pantone explanation,   ben moore ,   ACTIVITY : play bendoku  and take color test
• ACTIVITY : make a mood board full of things that are big and important or trending in teenagers lives right now, and then predict what a “teen color of next year” would be. (new photoshop file that is  2000×3000 pixels @ 72 dp, at least 30 sources images, and include box with 2017 teen color of the year. then save it in the TEEN COLOR folder)
• DIGITAL SKILL:   creative color wheel (show 3 primary and 3 secondary, color the objects yourself, use at least 3 source photos, make it interesting)
• TEST : color quiz
• DIGITAL SKILL:   PHOTOSHOP QUIZ

Unit 9 – conceptual

• ASSIGNMENT: pick 2 sound words, turn in 2 photos:  snap, crackle, pop, whistle, rustle, swoosh, bass, crescendo, resonance, boom, echo, screech, rattle, thud, scream, click, shout, whistle, twack, shhhh, shush, tsk tsk, squeak, creak, symphony, boing, chime, ring, silence, tap, knock, hiss  
• Instructions : do NOT photograph something making that sounds, rather think about the sound, figure out how the noise would LOOK, and photography something that looks how the sounds feels.
• VIDEO: MOMA  handout and video
• DIGITAL SKILL : add tattoos  and instructions (use warp tool)
• DIGITAL SKILL: social issue / meaning 1 2 3 4
• DISCUSSION: how can images help with social issues?

Unit 10 – commercial

• VIDEO : working as a commercial photographer
• photo assignment and presentation requirements
• digital skills 6: creative color wheel
• VIDEO : food photos
• VIDEO : shooting love
• group presentation: commercial photos

Unit 11 – you the artist

• examples 1 2 3 4 5
• VIDEO : Culinary Canvas
• more ex. 6 7 8
• proposal form
• ASSIGNMENT: – come up with your own assignment based on your interests or a conceptual idea
• writing: c.s. script
• DIGITAL SKILL: Frankenstein
• make portfolio of 8 best photos
• study guide for exam

Other Links

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• stencil how to
• stencil examples
• MCAS activities

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Android Police

How to take and submit a photo to a google classroom.

Get your photo assignments submitted successfully

If your teacher or professor asks you to upload a picture to your Google Classroom assignment, there are two ways to do so. You can attach a photo from a linked Google Drive account or upload photos from your device. We show you both methods and offer tips to ensure your teacher doesn't receive a blurred or low-quality photo.

While one of the top Chromebooks for students is the best way to use apps like Google Classroom and Google Drive, you can follow this guide on any device, including iPhones and iPads. We recommend familiarizing yourself with Google Drive as its integration into Google Classroom makes managing your classwork a breeze.

We show you how to upload a photo stored on your device or Google Drive to your classroom. We also show you how to upload it as part of an assignment submission and your class stream.

If you're uploading a photo of a document to Google Classroom, use Google Drive. It has a built-in feature for scanning documents with your phone's camera. We also outline alternative methods for scanning documents.

What is Google Classroom?

How to upload a photo to google drive.

If you took your photo on a device that doesn't have access to Google Classroom, upload it to Google Drive. This is the easiest way to transfer the photo between devices and then to Google Classroom, regardless of what you used to take the photo. For example, you can take a photo from your iPhone and then use a Chromebook to upload the photo to your classroom.

For these steps, we use the Google Drive app on Android, but you can follow the same steps if you use Google Drive on iOS. If you arent taking a photo of a document, take your photo before you start these steps.

Ensure you're uploading your photos to the same Google Drive account linked to your Classroom account.

• Open the Google Drive app.
• Navigate to the folder to which you want to upload your photo.
• Tap Upload if you've taken the photo or Scan if you are uploading a document.
• Select your photo or take a picture of your document.

Tips for scanning a document with Google Drive

Google Drive's built-in document scanning feature is handy, but it's easy to take a blurry or unreadable image. Follow these tips to scan documents clearly:

• Place your document on a high-contrast surface (for example, place white paper on a dark background).
• Use Manual capture mode to ensure you get the document in focus.
• Tap Clean after scanning your document to remove smudges or stains.
• Rename your document after scanning it.

Alternative ways to scan a document with your phone

While Google Drive is the easiest way to scan a document with your phone, it isn't the only way. If you can't or don't want to use Google Drive to scan your documents, try these methods:

• The Microsoft Office Lens app isn't integrated with Google Drive or Classroom, but it has the best document scanning capabilities.
• The Adobe Scan app is another good alternative, but we recommend scanning your documents with Google Drive or Microsoft Office Lens.

How to upload a photo to an assignment

Before you follow these steps, ensure you can access your image on the device you use Google Classroom on. This could mean linking your Google Drive account or storing the photo on the same device.

Before submitting your assignment, double-check that the important details of your photo can be easily seen. Quality can be lost after uploading or transferring a photo between devices, meaning your teacher or professor can't use your photo.

• Go to classroom.google.com .
• Open your class.
• Select the Classwork tab.
• Click the assignment you want to upload images to.
• Click View assignment .
• Click Add or create under the Your Work heading.
• Click Google Drive to attach a photo stored in Google Drive or click File to attach a photo stored on your device.

How to upload a photo to the class stream

You'll first need to create a post to upload a photo to your Google Classroom's class stream. Below, we show the steps for creating a post with an attached photo. If you've created your post, skip to step 5.

• Select the Stream tab.
• Click Announce something to your class .
• Click Add .
• Click Post .

Upload clear photos to Google Classroom

Uploading a clear photo ensures your assignment is submitted successfully. While you can upload photos from your computer, Google Drive keeps your photos and documents organized, so use the cloud storage service to upload your photos. If you regularly need to scan large amounts of documents for your class, use Google Stack to scan and organize documents .

8 Ways to Create AI-Proof Writing Prompts

C reating 100 percent AI-proof writing prompts can often be impossible but that doesn’t mean there aren’t strategies that can limit the efficacy of AI work. These techniques can also help ensure more of the writing submitted in your classroom is human-generated. 

I started seeing a big uptick in AI-generated work submitted in my classes over the last year and that has continued. As a result, I’ve gotten much better at recognizing AI work , but I’ve also gotten better at creating writing prompts that are less AI-friendly. 

Essentially, I like to use the public health Swiss cheese analogy when thinking about AI prevention: All these strategies on their own have holes but when you layer the cheese together, you create a barrier that’s hard to get through. 

The eight strategies here may not prevent students from submitting AI work, but I find these can incentivize human writing and make sure that any work submitted via AI will not really meet the requirements of the assignment. 

1. Writing AI-Proof Prompts: Put Your Prompt Into Popular AI tools such as ChatGPT, Copilot, and Bard 

Putting your writing prompt into an AI tools will give you an immediate idea of how most AI tools will handle your prompt. If the various AI chatbots do a good, or at least adequate, job immediately, it might be wise to tweak the prompt. 

One of my classes asks students to write about a prized possession. When you put this prompt into an AI chatbot, it frequently returns an essay about a family member's finely crafted watch. Obviously, I now watch out for any essays about watches. 

2. Forbid Cliché Use

Probably the quickest and easiest way to cut back on some AI use is to come down hard on cliché use in writing assignments. AI tools are essentially cliché machines, so banning these can prevent a lot of AI use. 

Equally as important, this practice will help your students become better writers. As any good writer knows, clichés should be avoided like the plague. 

3. Incorporate Recent Events

The free version of ChatGPT only has access to events up to 2022. While there are plugins to allow it to search the internet and other internet-capable AI tools, some students won’t get further than ChatGPT. 

More importantly, in my experience, all AI tools struggle to incorporate recent events as effectively as historic ones. So connecting class material and assignments to events such as a recent State of Union speech or the Academy Awards will make any AI writing use less effective. 

4. Require Quotes

AI tools can incorporate direct quotations but most are not very good at doing so. The quotes used tend to be very short and not as well-placed within essays. 

Asking an AI tool for recent quotes also can be particularly problematic for today’s robot writers. For instance, I asked Microsoft's Copilot to summarize the recent Academy Awards using quotes, and specifically asked it to quote from Oppenheimer's director Christopher Nolan’s acceptance speech. It quoted something Nolan had previously said instead. Copilot also quoted from Wes Anderson’s acceptance speech, an obvious error since Anderson wasn’t at the awards .  

5. Make Assignments Personal

Having students reflect on material in their own lives can be a good way to prevent AI writing. In-person teachers can get to know their students well enough to know when these types of personal details are fabricated. 

I teach online but still find it easier to tell when a more personalized prompt was written by AI. For example, one student submitted a paper about how much she loved skateboarding that was so non-specific it screamed AI written. Another submitted a post about a pair of sneakers that was also clearly written by a "sole-less" AI (I could tell because of the clichés and other reasons). 

6. Make Primary or Scholarly Sources Mandatory

Requiring sources that are not easily accessible on the internet can stop AI writing in its tracks. I like to have students find historic newspapers for certain assignments. The AI tools I am familiar with can’t incorporate these. 

For instance, I asked Copilot to compare coverage of the first Academy Awards in the media to the most recent awards show and to include quotes from historic newspaper coverage. The comparison was not well done and there were no quotes from historical newspaper coverage. 

AI tools also struggle to incorporate journal articles. Encouraging your students to include these types of sources ensures the work they produce is deeper than something that can be revealed by a quick Google search, which not only makes it harder for AI to write but also can raise the overall quality.  

7. Require Interviews, Field Trips, Etc. 

Building on primary and scholarly sources, you can have your students conduct interviews or go on field trips to historic sites, museums, etc. 

AI is still, thankfully, incapable of engaging in these types of behavior. This requires too much work for every assignment but it is the most effective way to truly ensure your work is human- not computer-written. 

If you’re still worried about AI use, you can even go a step further by asking your students to include photos of them with their interview subjects or from the field trips. Yes, AI art generators are getting better as well, but remember the Swiss cheese analogy? Every layer of prevention can help. 

8. Have Students Write During Class

As I said to start, none of the methods discussed are foolproof. Many ways around these safeguards already exist and there will be more ways to bypass these in the future. So if you’re really, really worried about AI use you may want to choose what I call the “nuclear option.” If you teach in person you can require students to write essays in person. 

This approach definitely works for preventing AI and is okay for short pieces, but for longer pieces, it has a lot of downsides. I would have trouble writing a long piece in this setting and imagine many students will as well. Additionally, this requirement could create an accusatory class atmosphere that is more focused on preventing AI use than actually teaching. It’s also not practical for online teaching. 

That all being said, given how common AI writing has become in education, I understand why some teachers will turn to this method. Hopefully, suggestions 1-7 will work but if AI-generated papers are still out of hand in your classroom, this is a blunt-force method that can work temporarily. 

Good luck and may your assignments be free of AI writing! 

• 7 Ways To Detect AI Writing Without Technology
• Best Free AI Detection Sites
• My Student Was Submitting AI Papers. Here's What I Did