book review on lord of the flies

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Lord of the flies, common sense media reviewers.

Gripping story of marooned schoolboys and mob mentality.

Lord of the Flies book cover: Title in white letters on red background with leaves and reaching light-skinned hands in the foreground and two light-skinned boys standing on either side of the red background

A Lot or a Little?

What you will—and won't—find in this book.

The book's basic premise is that some people, depr

The novel raises questions about personal choice a

Ralph is the main character who's elected leader i

The British schoolboys depicted in the novel are W

One boy is bullied. Two characters are murdered: O

A taunt includes calling a character's asthma "ass

Educational Value

The book's basic premise is that some people, deprived of the rules and restrictions of society, will revert to barbaric behavior. This central conflict between nature versus nurture when it comes to morality is found on every page. Readers will also learn something about survival on an unpopulated island.

Positive Messages

The novel raises questions about personal choice and individual humanity in appalling situations. People are capable of selflessness, even when their own lives are at stake. There are times when it's critical to put the needs of the group ahead of individual needs or wants.

Positive Role Models

Ralph is the main character who's elected leader in the name of staying "civilized." He thinks strategically and shows compassion and perseverance, but his motives are questionable, and he does not succeed in his leadership of the group. Piggy, who is brainy and logical, represents the rational side of human beings; unfortunately, he's also deeply unpopular. Only Simon, who looks after the younger boys, seems naturally kind and good, as if born that way. Jack seeks power ruthlessly, but is charismatic, so he's able to command leadership, even when it results in more chaos. Other characters represent baser, more violent human impulses or the innocence of children. The characters, and how they relate to one another, underscore the value of ethics in collaborative situations.

Diverse Representations

The British schoolboys depicted in the novel are White. Their descent into "savagery," a term used repeatedly throughout the book, relies on racist stereotypes of Indigenous peoples from Africa, Asia, and the Americas being more violent and less civilized. The character Jack explicitly differentiates between "savages" and the English, suggesting that only the English know how to "have rules and obey them" and "are best at everything." A boy described as fat is nicknamed Piggy. He also has asthma. For those reasons, he's viewed as weak by the others. Women are not present and are only mentioned when the boys miss their mothers. The comparison to tying their hair back like "a girl" is used in a derogatory manner by the boys.

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Violence & Scariness

One boy is bullied. Two characters are murdered: One is beat to death and another falls to his death after being hit by a boulder pushed by one of the other boys. The acts are described in detail. Frequent mention of blood. Brief torture sequence. Boys hunt a pig and poke a sharp stick up its rear end while it's still alive. The setting and atmosphere are fraught with the potential for violence.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

A taunt includes calling a character's asthma "ass-mar."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Lord of the Flies has been described as dark, brutal, pessimistic, and tragic. Written from the point of view of British author William Golding, the novel tells the story of a group of White British school boys who survive after their plane crash lands on a remote island in the Pacific Ocean. The boys bully and eventually kill two members of their group, one in a brutal, frenzied beating, in the other murder, a character causes a boy to fall off a cliff. Both scenes are described in bloody detail. The book often compares being "civilized" with Britishness, while the boys' violent behavior is depicted as more primitive and draws on negative stereotypes of Indigenous peoples -- a false idea that was historically used to justify the colonization and oppression of people in places such as Africa, Asia, and the Americas. The story deals with a fundamental issue of humanity: Are people naturally prone to evil? This and other issues in the novel are well-suited for parent-child discussion.

Where to Read

Community reviews.

Parents say (12)
Kids say (111)

Based on 12 parent reviews

Great book for deep discussion

The classic of savagery, what's the story.

In LORD OF THE FLIES, a group of British schoolboys is marooned on a tropical island and left to fend for themselves, unsupervised by any adults. At first, the boys enjoy their freedom, playing and exploring the island. But soon the group splits into two factions: those who try to preserve the discipline and order they've learned from society, and those who choose to give in to every instinct and impulse, no matter how chaotic or cruel.

Is It Any Good?

This novel has been a perennial favorite since its first publication in 1954, and when he was awarded the Nobel Prize for Literature, William Golding was lauded for his deep concern for humanity. Today, Lord of the Flies remains a staple of school reading lists, although some of its dated views about the nature of savagery are worth reexamining and discussing. Golding's prose is unadorned and straightforward, and the result is page-turning entertainment -- as well as a highly thought-provoking work of literature.

Talk to Your Kids About ...

Families can talk about how Lord of the Flies is considered a classic and is often required reading in school. Why do you think that is? Are there aspects of the novel that seem dated now? How does the depiction of the boys' bad behavior rely on stereotypes?

The boys on the island hope to survive their ordeal. How do they persevere through their difficult circumstances? What helps them survive?

Do you think people are born "good" or "evil" -- is our behavior always the result of choice? How is it that good people are capable of bad behavior, and vice versa? How do you think you might behave under the circumstances of the novel?

Is it always best to sacrifice your own wants and needs for the common good of a community? What are some examples of when characters show compassion ? What effect does compassion have on the characters and the events of this story?

What do you think some of the prominent elements of the story -- the conch, Piggy's glasses, the sow's head, the island's "beast" -- might symbolize?

Book Details

Author : William Golding
Genre : Literary Fiction
Topics : Adventures , Friendship
Character Strengths : Compassion , Perseverance
Book type : Fiction
Publisher : Perigree
Publication date : January 1, 1954
Number of pages : 304
Last updated : August 16, 2023

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Book Review

Lord of the Flies by William Golding

Publisher: Faber and Faber | Genre: Allegory, Social Commentary

Title : Lord of the Flies

Author: William Golding

Publisher: Faber and Faber

Genre: Allegory, Social Commentary

First Publication: 1954

Language: English

Setting Place: Deserted Tropical Island

Protagonist: Ralph

Major Characters: Ralph, Piggy, Jack, Simon, Samneric, Roger

Narration: Third person Omniscient

Theme: Evil, Outlets for violence, Human nature, Loss of innocence, Savagery Vs Civilization

Book Summary : Lord of the Flies by William Golding

In the midst of a nuclear war, a plane carrying a group of British school boys crashed on a deserted island. Without adult supervision they must work together and govern themselves to survive. At first the boys are civilized and elect Ralph, a boy of twelve years old, as a leader. Things start out okay and boys use Conch shell as a talking stick.

The first day goes rather smoothly and they discuss about hot to get rescued and what they have to do until then any ship come to bring them home. Ralph is determined about creating a smoke signal, so Samneric, a pair of twin boys, is assigned the duty to start and watch a signal fire. Another group, the choirboys lead by Jack, elect themselves to become the hunters and provide meat for the group. Simon, an enlightened boy and Piggy, a scientific thinker, quickly become the counsel for Ralph. Besides these boys, there are several younger boys about the age of six.

“Maybe there is a beast… maybe it’s only us.”

Jack and his group become increasingly interested in killing sows. They begin to paint their faces and track the animals for hunting. All the boys begin to be afraid of an imaginary beast in the jungle. Their fears are further fueled when a dead man with a parachute landed on the top of the mountain. The boys begin to see Jack as a protector and look to him for leadership.

Then the conflict increased between Ralph and Jack. Most of the boys on island joined Jack’s tribe, except Ralph, Piggy, Sam and Eric and a couple of the littluns. Jack and group have become complete savages partaking in daily hunting and tribal dancing.

Character List: Lord of the Flies by William Golding

Character List - Lord of the Flies | The Bookish Elf

Ralph- The main protagonist of the story, a twelve year old boy who was elected as leader of the boys. Ralph tries to maintain discipline, order, structure. He represents the civilizing instinct of human beings.

Jack – The antagonist of the novel, and one of the older boys and leader of the choir. Jack becomes increasingly dark and disturbed during his stay on island. He represents the evil that exists within all men in uncivilized situations.

Piggy – Piggy is Ralph right hand man. Though criticized for his weight, asthma and lack of physical agility, He is the scientific mind and the rational thinker of Ralph’s team.

Roger – An oddly secretive and sadistic older boy who thrives on preying on those who are younger and weaker. Roger quickly becomes Jack’s first follower and carries out Jack’s evil wishes.

Sam and Eric – Also known as “samneric”, they are twin boys who seem to be one person. They are follower of Ralph and enjoy their duty of keeping the fire signal going.

Maurice- He is Jack’s key supporters, accompanies him on the raids on Ralph’s camp.

Simon – The “enlightened” boy with a true natural sense of morality who spends a lot of time alone with nature. Simon helps and comforts the younger boys in their dreadful moments.

The Lord of the Flies – It’s the name given to the sow’s head that Jack’s gang transfixes on spear as an offering to the “beast.” The Lord of the Flies comes to symbolize the primeval instincts of power and barbaric nature that take control of Jack’s tribe.

Littluns- The littlest boys, around ages six and up.

Book Review - Lord of the Flies | The Bookish Elf

Book Review: Lord of the Flies by William Golding

In 1954, William Golding wrote Lord of the Flies, when the world was in the middle of the silent yet terrifying Cold War soon after the World War II . It is not only a tale of boys surviving after their plane crashed on a deserted island; it is an allegorical novel about the conflicts between savagery and civilization.

The significant symbolism which is rather easy to comprehend, made it one of the most popular and admired books in history. Lord of the Flies by William Golding presents a memorable and haunting account of believable characters portrayed so subtly and accurately.

“The thing is – fear can’t hurt you any more than a dream.”

Lord of the Flies by William Golding is based on a series of events following a plane crash that leaves a group of young school-going children stranded on a deserted Island during the Cold War. Lord of the Flies by William Golding is the story of those boy’s shocking survival. The dreams of all the boys have finally come true: after all, who wouldn’t want a whole island all to themselves to play on without any nagging from adults? Soon after a day or two, the boys realize they needed a leader. The main protagonist, Ralph, is elected as a leader of the group because to his popularity and leadership skills, with Piggy as his sidekick.

All the boys befriend one another, because there is nowhere to go. As the days pass, Jack gets hungrier for authority. What seemed to be a joyous escape from the chaotic adult world at first, soon advances into something far more disturbing and sinister.

I remain convinced to this day that Lord of the Flies is one of those controversial classic books that depends upon how you read it. On the surface it could be read as a simple moralistic tale – a portrayal of what happens when you take people away from society.

“The greatest ideas are the simplest.”

It may look as if Lord of the Flies is just a children’s adventure story. However, there is also a truth concealed deep inside the novel where Golding makes reader conscious of certain issues. The issues it concerns are: society, human nature, good vs. evil, ecological balance and cooperation. This is an allegorical novel where Golding employs the scene of a deserted island and a group of English school boys to serve as a framework, through which he explores the theme of his book.

William Golding uses this deceptively simple setup to question just how civilized we really are and how quickly we can descend into a mob of crazies. The question for the reader is whether these are but immature children or an allegory for the adult world and how quickly mob rule can take over and how few dare to go against the herd.

This story is a powerful depiction of human nature and its role in the rise and fall of democracy. Central to this story is the theme of fear: how it can be used as a means to control people and how it chisels away at our humanity.

“Which is better–to have laws and agree, or to hunt and kill?”

The three main characters Ralph, Jack and Piggy are archetypes of a natural leader, a bully and a nerd. They are not terribly complex people but they are still quite vivid characters who are defined more by their action than their brief moments of introspection. The early chapters have a spirit of adventure or perhaps a child’s idea of utopia, a world without adult supervision. As the characters degenerate into savagery the tone of the book become very dark and disturbing.

William Golding’s prose style is deliberately prosaic; there are no lyrical passages to speak of. This has the effect of amplifying the visceral impact of the narrative. There are however, some creepy surreal scenes involving a pig’s head on a stick. The ending of the novel is clearly telegraphed by the trajectory of the preceding chapters but it is still very effective for all that.

Symbols and motifs:

You will love the action-packed provocative tale of survival in Lord of the Flies by William Golding but also learn three very important characteristics of human nature. First: Human’s desire for social and political order through governments, legislatures and parliaments, depicted by the conch and platform. Second: Human’s natural tendency towards violence, savagery and every nation’s need for military and defense, depicted by the choir-boys-turned-hunters-turned-murderers. And third, our beliefs in the divine interventions and supernatural powers, depicted by the sacrifices and ceremonial dances to appease the “beast”.

Those who didn’t have the opportunity to read it before must not put it on hold any longer.

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I JUST finished this book and my review will post in July. So glad to see you liked it, too! This is required high school reading for most folks in the states, but glad I read it later (really later) in life as I don’t think the story and its meaning would have meant as much without the real-world experience I have now. Truly appreciate and enjoy your in-depth reviews. Well done!

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Lord of the Flies William Golding Penguin Books Published December 16, 2003 (Originally Published 1954)

Amazon | bookshop | goodreads, about lord of the flies.

Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, LORD OF THE FLIES is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

LORD OF THE FLIES is one of those iconic books that gets referenced all the time in our culture, but I’d never read it before. My daughter had to read it for school last year, and she had some anxiety about the content. I decided to read it first so she’d be ready for anything that might be difficult for her.

I read the book last fall as things were heating up before the presidential election here in the US. At that time, I actually wrote an initial review. But because I kept pushing back the date for posting the review, I have updated the review and added some more stuff that I’ve thought about on reflection.

Before I started reading LORD OF THE FLIES, I felt really weird reading all these big name authors talking about how pivotal this book has been for their writing. I think it’s Suzanne Collins who says that she reads LORD OF THE FLIES every year. That seemed really weird to me for a book with such a dark reputation. Every year? I mean, no offense meant. When a book resonates with you like that, I get wanting to read it every year. For a long time I had a book that I read every year, too. I guess I just found myself surprised about people feeling that way about a book that’s often referenced to describe uncontrolled violence or mayhem.

Anyway. So I went into the book with both some dread (expecting violence, which can be hard for me to read), and some, I don’t know, fascination, I guess?

The thing that still stands out to me most about the book is how easily some boys began to think of others as not human, as animals to be hunted. There’s a moment, after one boy has been killed where two boys talk around what happened. One boy comes right out and says that it was murder. The other boy recoils and tries to defend what happened as something else. He tries to explain it away as something not evil and wrong. It doesn’t work, and for a moment they’re both confronted with the horrible truth.

Watching the vigilantism and the violent language increasingly used by elected officials and repeated online while reading LORD OF THE FLIES was really creepy, y’all. Like, it seriously marked me. I would read a scene and feel like, this is awfully close to the way people are talking to each other or about each other right now. Or I’d get to a scene and think, well, surely our leaders won’t sink this low. And then. Stuff happened.

I couldn’t stop– and still can’t stop– thinking about the way the story explores the power of fear. The collapse of reason that happens when people are afraid and respond with that fear and anger. The steady shift toward things that once seemed unimaginable. I knew what was coming because I’d heard enough about the book that I basically knew what to expect. And yet, the violence of it and the dehumanization of it still shocked and shook me.

Reading this book, I can see not only from the story why it endures, but also from the writing. Like, I felt genuinely pulled into the tale. Even when I wasn’t reading, I thought about it. I wanted to know what would happen. Even though I already pretty much knew what was coming, I couldn’t look away from what was happening. It gripped me and paralyzed me with horror. (Much the way I felt weeks later watching the coverage of the January 6 insurrection.)

Honestly, I won’t say I enjoyed it– not like, celebrated reading it. But it really moved me. I think I would read it again. I think I NEED to read it again.

Content Notes

Recommended for Ages 16 up.

Representation All the boys are British private school students.

Profanity/Crude Language Content Mild profanity used infrequently.

Romance/Sexual Content None.

Spiritual Content The boys fear a mysterious evil they call the Beast. They leave food sacrifices for it, hoping that this will keep the Beast away from them.

Violent Content At least one racist comment equating Indians with savages. Multiple violent descriptions of hunting and killing pigs. Boys beat another boy to death. A boy falls to his death after being hit with a rock.

Drug Content None.

Note: This post contains affiliate links, which do not cost you anything to use, but which help support the costs of running this blog.

About Kasey

2 responses to review: lord of the flies by william golding.

My interest is piqued to give the book another chance. I read it a while back, while I was I in middle school, and at that time I had little idea about what was happening (I lost my way about halfway through), and I hadn’t heard much about the story like you had before diving into the text, so I suspect that the full impact (philosophical, political, psychological, social) wasn’t felt.

Yay! Yeah, I have definitely had that experience with books that I read in school before and then again later. I hope that if you read it again, you are able to connect with it a lot more. 🙂 Thanks, Abigail!

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International edition
Australia edition
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Half-naked boys holding long sticks in a scene from the 1990 film, Lord of the Flies

What Lord of the Flies is really about

David Shariatmadari’s account of my father’s novel Lord of the Flies was a little sweeping when he declared: “William Golding sought to show that boys were, by their nature, little devils” ( A real-life Lord of the Flies: the troubling legacy of the Robbers Cave experiment , 17 April) .

The boys in Lord of the Flies make quite a good fist of creating a democratic society, at least to begin with. Ralph, the democratically elected leader, admonishes Jack to stick to “the rules”, because “the rules are the only thing we’ve got”. In an interview the author said that the novel was about the importance of the rule of law. It was also about the complexity of human beings.

My father greatly distrusted simple judgments. He was careful to give Jack some good qualities, and to make him attractive. It’s possible to imagine that under different circumstances Jack and Ralph would have been friends, would have helped each other’s weaknesses, and admired each other’s strengths. But the author shows that this cannot happen on the island because the boys in their isolation are suffering unchecked “from the terrible disease of being human”.

Your writer states that, in contrast to Lord of the Flies, “context was everything” in the Robbers Cave experiment, and that Muzafer Sherif believed that “competition over scarce resources could drive people to enmity; place a common obstacle in their way, and they cooperate” (though this begs the questions how well they cooperate and for how long). But William Golding also sought to examine the boys’ reaction in the face of such obstacles; it is the removal of law and order that engenders the eventual savage responses. For him too, context was everything, not least the novel’s opening, in the savage context of a nuclear war. Judy Golding Carver Bristol

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William Golding

LORD OF THE FLIES

by William Golding ‧ RELEASE DATE: Jan. 1, 1954

Pub Date: Jan. 1, 1954

ISBN: 0399501487

Page Count: 212

Publisher: Coward-McCann

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1955

TEENS & YOUNG ADULT LITERARY FICTION | TEENS & YOUNG ADULT GENERAL TEEN

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The Literary Edit

Review: Lord of the Flies – William Golding

When I was about fourteen, one of my best friends Sian and I gate crashed a year-ten drama trip to a near by theatre to watch Lord of the Flies. I remember little of the play itself other than the deeply unsettling feeling I was left with when the curtains closed. Thus upon discovering that William Golding’s Lord of the Flies was featured on the BBC’s Big Read, I was somewhat reluctant to read it. However, having been recommended it by my cousin Hal, and upon finding a battered copy in a book shop near my work, I decided to give it a go.

Published in 1954, Lord of the Flies is a dystopian novel by nobel-prize winning English author William Golding, about a group of boys stuck on an uninhabited island who try to govern themselves with disastrous results. When it was first published, Golding’s debut novel suffered from poor sales but when re-released in the 1960s it went on to be a best-seller, and soon became required reading in many schools and colleges.

The main protagonists are Ralph, Piggy, Roger, Jack and Simon all of whom are vividly portrayed throughout the novel. Ralph is chief of the group; Piggy, poor-sighted and overweight is his side-kick, Roger is one of the first to develop animalistic tendencies, Jack epitomises the worst aspects of human nature while Simon is a representation of peace and tranquility.

The novel follows the boys as they try to survive on the island by implementing a set of rules and regulations to follow. However, as the rules disintegrate, Jack forms his own tribe of terror, and events in the book progress from simple bullying to stylised animal rape and eventually murder. Golding effectively uses these episodes to explore the darkness of man’s heart, and the novel can show us what we are capable of in a similar situation.

A chilling yet compelling read with stunning imagery and great use of symbolism, Lord of the Flies is both a great piece of literature and a dire warning about humanity.

About Lord of the Flies

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable tale about “the end of innocence, the darkness of man’s heart.”

About William Golding

Sir William Gerald Golding was a British novelist, poet, and playwright best known for his 1954 novel Lord of the Flies.

Golding spent two years in Oxford focusing on sciences; however, he changed his educational emphasis to English literature, especially Anglo-Saxon. During World War II, he was part of the Royal Navy which he left five years later. His bellic experience strongly influenced his future novels. Later, he became a teacher and focused on writing.

Some of his influences are classical Greek literature, such as Euripides, and The Battle of Maldon , an Anglo-Saxon oeuvre whose author is unknown. The attention given to Lord of the Flies , Golding’s first novel, by college students in the 1950s and 1960s drove literary critics’ attention to it.

He was awarded the Booker Prize for literature in 1980 for his novel Rites of Passage, the first book of the trilogy To the Ends of the Earth. He was awarded the Nobel Prize for Literature in 1983 and was knighted in 1988.

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2 comments on “Review: Lord of the Flies – William Golding”

the story shows us the Brutal Truth of life. Normally people blame the society, that because of the society they became evil. But the story tells us that There is evil inside us, sooner or later, we all have to face it.

Man as an Island

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By William Boyd

July 16, 2010

In the late 1960s, some 15 years after the publication of “Lord of the Flies,” William Golding confessed to a friend that he resented the novel because it meant that he owed his reputation to what he thought of as a minor book, a book that had made him a classic in his lifetime, which was “a joke,” and that the money he had gained from it was “Monopoly money” because he hadn’t really earned it. Golding was drinking heavily at the time (he had a lifelong struggle with alcoholism) and one may have to take his bitterness advisedly, but these remarks reveal an interesting artistic conundrum. What is it like to owe virtually your entire reputation as a writer to a single book? One thinks of J. D. Salinger, Ralph Ellison, Joseph Heller — to cite only the 20th-century American exemplars — but such one-book writers are legion in all literatures. John Carey seems to allude to the category in this biography’s subtitle (even though Carey eventually disputes the implication). However, if anyone thinks of William Golding today, it is almost certain that his name will be conjoined with his extraordinary first novel.

A blessing and then a curse of some sort — though by the time the book finally appeared in 1954, Golding wouldn’t have cared about any downside. He was a 42-year-old provincial schoolteacher, desperate merely to have a novel published (it was the fourth book he had written, incidentally); renown and wealth were not even remotely considered. In fact, even “Lord of the Flies” was rejected by many publishers before an alert junior editor at Faber & Faber, Charles Monteith, saw its potential and encouraged Golding to make changes. By 1980, sales in the United States alone had reached seven million.

Golding, to other writers, is a model of the late starter (along with Anthony Burgess and Muriel Spark). You don’t need to be young to make your name, so his career asserts, and once Golding had achieved that first success it never really left him. “Lord of the Flies” was swiftly followed by “The Inheritors” (1955) and “Pincher Martin” (1956), both published to great, if not universal, acclaim. A new and highly distinctive voice seemed to have arrived in contemporary British literature. The critical reception was not always so favorable for subsequent novels ( “Free Fall,” in 1959, suffered a near-unanimous pasting), but it is fair to say that Golding’s life as a writer was forever financially secure thanks to the rock-solid, never-ending sales of “Lord of the Flies.”

Golding was born in Cornwall in 1911. He was only eight years younger than Evelyn Waugh and is effectively part of that generation of English novelists (including Graham Greene, Anthony Powell and Aldous Huxley) who had reached their maturity by the time of World War II. But we never think of Golding in their company because his success as a writer was entirely postwar — he seems in some way more modern and contemporary.

Golding joined the navy a year after war broke out (he was already married with a child). At D-Day in 1944 and the Battle of Walcheren some months later, he was in command of a rocket-firing landing craft, a vessel designed to deliver a terrifying “shock and awe”-style blanket barrage of thousands of small deadly rockets. Golding, operating the firing mechanism on the bridge of his ship, clearly saw the indiscriminate, devastating effect of the wall of fire and destruction that was unleashed as his myriad rockets erupted on beachheads and coastal villages.

He survived the war unharmed and with some reluctance went back to the tedium of schoolmastering in Wiltshire. Carey makes the valid point that his war in the navy was profoundly destabilizing for him in various ways (both personally and artistically), and many of the key themes in his work can be traced to these formative and disturbing experiences.

Carey summarizes the abiding obsession in the novels as the collision of “the spiritual and the miraculous” with “science and rationality,” and it is this persistent hypersensitivity to the numinous and immaterial aspects of the world and the human condition that sets Golding apart from the broad river of social realism that so defines the 20th-century English novel. He was a kind of maverick in the way D. H. Lawrence was, or Lawrence Durrell, or John Fowles — to name but three — and I think this strangeness explains how throughout his life, after his initial success, the critical responses to his work were so violently divided. You either loved William Golding, it seemed, or you hated him.

Golding himself was abnormally thin-skinned when it came to criticism of his work. He simply could not read even the mildest reservation and on occasion left the country when his books were published. What is fascinating about “William Golding” is the portrait that emerges of a man of almost absurdly dramatic contrasts. He fought with commendable bravery at D-Day, yet in life was the most timid arachnophobe. He was married for more than 50 years, yet was probably a repressed homosexual. He was an accomplished classical musician and excellent chess player and an embarrassing, infantile drunk. He loathed and detested the stilted conventions of the British class system (particular scorn was directed at the Bloomsbury group), and yet when already a Nobel laureate and a member of the elite group to whom the queen grants the title Companion of Literature, he still frenetically lobbied his important friends to secure him a knighthood — successfully — and was a proud member of two of London’s stuffiest gentlemen’s clubs. Time and again the impression is of a man in a form of omnipresent torment of one kind or another: sometimes it would be mild and possibly amusing; at other moments, debilitating and damagingly neurotic.

John Carey has had unrestricted access to the Golding archive, and it is unlikely that this biography will ever be bettered or superseded. Moreover, Carey, an emeritus professor of English literature at Oxford and one of the most respected literary critics in Britain, writes with great wit and lucidity as well as authority and compassionate insight. Perhaps because he has had the opportunity of reading the mass of Golding’s unpublished intimate journals, he brings unusual understanding to the complex and deeply troubled man who lies behind the intriguing but undeniably idiosyncratic novels.

And the fiction is highly unusual and uneven, right up to the end of Golding’s energetic working life — his last novel, “Fire Down Below,” was published in 1989, only four years before his death at the age of 81 — emblematic of the warring forces in his imagination, of a writer (in Carey’s words) “interested in ideas rather than people, and in seeing mankind in a cosmic perspective rather than an everyday social setting.” Anthony Burgess described his talent as “deep and narrow,” and Golding’s own demons often drove him to analyze the extent and limits of his achievement. After the publication of “The Inheritors,” as the acclaim flowed in, Golding remarked that he saw himself “spiraling up towards being a . . . universally admired, but unread,” novelist. This was horribly prescient. With the exception of “Lord of the Flies,” Golding’s strange, haunting, difficult novels have few readers these days, and his posthumous reputation is neglected and in decline. At the very least, Carey’s superb biography should take us back to the work again and allow us to make up our own minds, anew.

WILLIAM GOLDING

The man who wrote “lord of the flies”: a life.

By John Carey

Illustrated. 573 pp. Free Press. $32.50

William Boyd’s most recent novel, “Ordinary Thunderstorms,” was published earlier this year.

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Book Review: The Lord of the Flies by William Golding

By: Author Laura

Posted on Published: 27th April 2022 - Last updated: 12th April 2024

Categories Book Reviews , Books

Wondering whether Lord of the Flies by William Golding is worth your time? This Lord of the Flies book review explains why you should read this short classic!

Lord of the Flies Summary

William Golding’s Lord of the Flies is a dystopian classic. When a group of schoolboys are stranded on a desert island, what could go wrong?

A plane crashes on a desert island. The only survivors are a group of schoolboys. By day, they discover fantastic wildlife and dazzling beaches, learning to survive; at night, they are haunted by nightmares of a primitive beast.

Orphaned by society, it isn’t long before their innocent childhood games devolve into a savage, murderous hunt …

Lord of the Flies Book Review

Lord of the Flies is a book that had been on my TBR (to-be-read pile) forever. I first read this in my mid-twenties and wish I had studied this at school, which is where most readers encounter this.

It’s all about a group of schoolboys who become stranded on a desert island. But don’t let the young ensemble lead you into thinking this is a children’s book. Lord of the Flies is a lot darker than I imagined and I was horrified at some of the events and scenes that took place.

At first, the young boys attempt to mimic an orderly adult society on the island. They group together to keep a fire lit so that any passing ships will see the smoke from the island.

But without any adults to supervise them, the boys begin to become violent, cruel and brutal in their bid to survive.

The small society they have attempted to build on this remote island eventually descends into chaos, prompting the reader to question the capacity for supposedly civilised humans to be savage.

And trust me when I say the ending really is just that – savage.

Although Lord of the Flies is a relatively simple tale, Golding’s writing is rich and the symbolism is clever. This story aims to show how savage humans can be when left to their own devices and there’s no order or morals.

Although Golding uses the island setting to demonstrate this point, this book leaves you feeling uncomfortable as you start to realise that man in a “civilised” society may not be any better.

Golding reminds us that we all have the capacity for darkness and cruelty. This story stays with readers long after they have turned the last page because it is so haunting. And it’s haunting because it’s clear that this could so easily happen in the society we live in today.

It also poses the interesting political question of democracy vs authoritarianism. Should we be forced to follow someone who is deemed to be a “rational” or “moral” leader, or be allowed to follow whoever presents a view that most aligns with our desires, whatever they may be.

Lord of the Flies is a classic for a reason. It’s well worth a read and really quite readable as classics go. If you’re looking for an short classic book to get yourself into reading classics then Lord of the Flies is a great book to start with.

Reading this book is also important so that you understand some Lord of the Flies references that get bandied about in conversation on occasion. Who are Ralph and Piggy? And what is a conch?

If you haven’t read this classic book yet then add this to your book wishlist ASAP. It’s chilling, but well-written and a good read.

Lord of the Flies Quotes

“Maybe there is a beast… maybe it’s only us.”

“The thing is – fear can’t hurt you any more than a dream.”

“We did everything adults would do. What went wrong?”

“The greatest ideas are the simplest.”

“What are we? Humans? Or animals? Or savages?”

“We’ve got to have rules and obey them. After all, we’re not savages. We’re English, and the English are best at everything.”

Buy Lord of the Flies now: Amazon | Waterstones | Blackwells

If you liked this post, check out these: Books Like The Hunger Games Books Like The Handmaid’s Tale Young Adult Dystopian Books for Teens 15 Gothic Books to Read

Editor of What’s Hot?

FAVBOOKSHELF

Tuesday 30th of August 2022

absolutely adored the review! got convinced to pick it up by the end of the review and the quotes were definitely a cherry on top.

matthew atkinson

Tuesday 3rd of May 2022

What a great review...exactly what i was thinking but was unable to put that into writing! I didn't study this book at school either, i was i had, quite a strange and brutal read and setting.

Book Review: Lord of the Flies by William Golding

A group of boys find themselves adrift on an island. They wake up with no idea where they are. They must make rules to survive. These rules will be the breaking of them. Lord of the Flies by William Golding explores an incredibly realistic “simulation” if you will, of what would happen if the aforementioned were to happen.

Lord of the Flies by William Golding book review

A group of boys (notably no women) of different ages, all pre-adult, land on an island after a crash. What begins as a jolly holiday with the boys enjoying their time begins to become a bit more serious when they realise they need to survive. A leader needs to be chosen, that leader needs to make rules and everyone else needs to agree that this leader and these rules are the way things should be on the island. What ensues is a wonderful exploration in the psyche of a group of young men. Who’s the alpha male? Who decided he should be the leader? These questions start to get asked and things begin to slip between the group.

It’s a book that isn’t overly easy to read. There is some bullying involved, there are some moments that some may even deem a little disturbing. However, I felt these added to the realism of the interactions between the boys. This, as a result, built up a more realistic set of circumstances.

Characters – 4.5/5

There are a fair few characters to get your head around in this book. Without giving away spoilers, the main two are Ralf and Piggy who you meet early on and then other boys are slowly introduced who become big figures within the group. There’s fantastic chemistry between the different characters and Golding had to write different characters so that they brought different ideas and suggestions to the story. In doing this, he created bonds, he created characters you love and some you are forced to dislike.

There’s not a vast amount more to say about the characters. None of them stands out as my favourite, however, I understand all of their roles within the novel. You’ve got the butt of the joke, the smart one, the erratic one, the emotional one. They’re all there and Golding integrates them all very intelligently into the storyline.

Lord of the Flies summary – 4/5

Lord of the Flies is a fascinating read that if you don’t look too deeply into it is a gripping story in its own right. But when you then start to think of what Golding has done in giving us a very respectable tale of the likely actions and turmoil that the same situation would bring in real life.

I was deciding between three or four stars for this review as it wasn’t a book I found myself instantly buzzed about after reading it as I do with a lot of my five stars. However, I can respect the diverse character personalities and the fact Golding tackles some of the darker aspects that would arise from such a situation.

Read more of my Classic book reviews here.

2 thoughts on “ Book Review: Lord of the Flies by William Golding ”

I read this in high school so it’s been awhile. I remember liking it okay, but maybe I should re- read it again.

[…] Read my full Lord of the Flies review here. […]

Themes and Analysis

Lord of the flies, by william golding.

Lord of the Flies by William Golding is a powerful novel. It's filled with interesting themes, thoughtful symbols, and a particular style of writing that has made it a classic of British literature.

About the Book

Article written by Lee-James Bovey

P.G.C.E degree.

Several key themes are prevalent throughout the book. It is sometimes referred to as a “book of ideas” and these ideas are explored as the plot unfolds.

Lord of the Flies Themes

The impact of humankind on nature.

This is evident from the first chapter when the plane crashing leaves what Golding describes as a “scar” across the island. This idea is explored further in the early chapters the boys light a fire that escapes their control and yet further diminishes what might be considered an unspoiled island. Some interpret the island almost as a Garden of Eden with the children giving in to temptation by slaughtering the animals there. The final chapter furthers the destruction of nature by mankind as the whole island appears to have been ruined thanks to the effects of the boy’s presence on the island.

Civilization versus savagery

This can be seen throughout as the boys struggle with being removed from organized society. To begin with, they cope well. They construct a form of government represented by the conch that theoretically draws them together and gives them all a voice. As they break away from society this adherence to the rules they have constructed is evident. Golding’s ideas of what savagery is might be outdated and rooted in colonial stereotypes but they are evident for all to see as the boys use masks to dehumanize themselves and their increasing obsession with hunting leads to an increasingly animalistic nature.

Nature of humanity

Perhaps the biggest underlying theme is the idea of the true nature of mankind. Golding explores the idea that mankind is innately evil and that it is only the contrast between society and civilization that prevents that nature from being prevalent. Of course, this overlooks that civilization is a human construct and if all men’s biggest motivation were their inner evil, then that construct would never have existed. Golding’s views largely spring from his role in the navy where he was witness to the atrocities of war but are also informed by his work as a teacher.

Analysis of Key Moments in Lord of the Flies

There are many key moments in ‘ Lord of the Flies ‘ that highlight the boy’s descent into savagery.

Blowing the conch – this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in theory the object which allows them all to have a say and therefore run a democratic society.
The fire gets out of control – This shows the effects that the boys are already having on the island. It also demonstrates how lost the boys are without adults there to guide them as they lose one of the boys and nobody even knows his name.
Jack fails to kill the pig/Roger throws stones – both of these events show how the boys are currently constrained by the expectations of society. We see as time passes these restraints are lifted and that firstly, Jack can kill a pig and finally, and perhaps more dramatically, Roger is not only okay with hitting somebody with a stone but taking their life with one.
The hunters put on masks – By covering up their faces, they seem to become free from the constraints of society. It is if it liberates them from humanity and allows them to act on more primal, animalistic urges.
Sam and Eric find “the beast” – When Sam and Eric feel they have discovered the beast it sets a ripple of panic throughout. This fear sways the boys towards Jack’s leadership as he continues to manipulate the situation to his advantage. If not for this then Simon might never be murdered.
Creating of the Lord of the Flies – Successfully killing the pig is itself an iconic moment but then leaving a pigs head on a pole is both a gruesome image (one worthy of the book’s title) and also plays a pivotal role in Simon’s story arc.
Simon’s death – Simon is the one character who never seems to succumb to primal urges and therefore his death if looked at symbolically could be seen as the death of hope for boys.
Piggy’s death – Piggy’s character represents order and reason. With his death, any chance of resolving the issues between Jack and Ralph vanishes. The conch being smashed at the same time is also symbolic and represents the complete destruction of society.
The rescue – This is not the happy ending that one might expect with all the boys crying due to their loss of innocence. There is an irony as well as the boys will not be rescued and taken to a Utopia but rather to a civilization plagued by a war that mirrors the war zone they have just left.

Style, Literary Devices, and Tone in Lord of the Flies

Throughout this novel, Golding’s style is straightforward and easy to read. There are no lengthy passages nor does he choose particularly poetic words to describe the events. His writing is powerful without these stylistic devices. The same can be said for his use of literary devices. When used, they are direct. For example, the use of symbolism (see below) and metaphor is very thoughtful but not hard to interpret.

William Golding also employs an aloof or distant tone throughout the book. This reflects the way that the boys treat one another.

Symbols in Lord of the Flies

The conch shell.

The conch shell is one of the major symbols of this novel. It’s used from the beginning of the novel to call the boys together for meetings on the beach. It’s a symbol of civilization and government. But, as the boys lose touch with their civilized sides, the conch shell is discarded.

The Signal Fire

The signal fire is a very important symbol in the novel. It’s first lit on the mountain and then later on the beach with the intent of attracting the attention of passion ships. The fire is maintained diligently at first but as the book progresses and the boys slip farther from civilization, their concentration on the fire wanes. They eventually lose their desire to be rescued. Therefore, as one is making their way through the book, gauging the boys’ concentration on the fire is a great way to understand how “civilized” they are.

The beast is an imaginary creature who frightens the boys. It stands in for their savage instincts and is eventually revealed to be a personification of their dark impulses. It’s only through the boy’s behaviour that the beast exists at all.

What are three themes in Lord of the Flies ?

Three themes in ‘ Lord of the Flies ‘ are civilization vs. savagery, the impact of humankind on nature, and the nature of humanity.

What is the main message of the Lord of the Flies ?

The main message is that if left without rules, society devolves and loses its grasp on what is the morally right thing to do. this is even the case with kids.

How does Ralph lose his innocence in Lord of the Flies ?

He loses his innocence when he witnesses the deaths of Simon and Piggy. These losses in addition to the broader darkness of the island change him.

About Lee-James Bovey

Lee-James, a.k.a. LJ, has been a Book Analysis team member since it was first created. During the day, he's an English Teacher. During the night, he provides in-depth analysis and summary of books.

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Lord of the Flies Book Review

Nobel Prize winner William Golding's classic "Lord of the Flies" explores and exposes the darkest parts of human nature, and the childhood desire of independence. Shield your eyes if you must, as insanity and gore take hold.

When a group of British boys crash land on a desert island, their first reaction is "Yeah! No Adults!". But when it comes time to govern themselves, that's when they start to head down a slippery slope and the tension starts to rise.

Ralph, the main character, discovers a conch shell, and when he blows it, all the other boys that were on the island come to the sound of the shell. This earns him the spot as Chief, much to the other main character, Jack's, dismay.

Ralph's goal as chief was to keep a fire burning all the time, so that if a ship passed by, it would see the smoke and come rescue them. Jack, however, could've cared less about the fire, and more about hunting, and his role as head of the hunters.

As the chapters progress, the tension between the two rises, and is ultimately pushed over the edge when a ship passes by, but Jack and his hunters had let the fire go out so they could go hunting. A furious Ralph calls Jack out in front of all of the boys, and Jack leaves to form is own tribe.

But his new tribe didn't play by the rules. Each day, the members grew more and more savage in their hunting clan. Their only cares were the hunt, and trying to one up Ralph's group. They attacked them unprovoked, and stole from them. They were aggressive, and highly dangerous as more and more savagery was brought out in them.

The book also speaks of a "beast", whose existence is unjustified. The thought of it strikes terror in some, but challenge in others. The boys attempt to find it and kill it, but are never successful.

But the "beast" also strikes respect, especially from the "savages". During a fateful hunt in the heart of the climax, the savage tribe hunts down a pig for their feast and pyretic dance. As an offering of respect to the beast, they cut off the pig's head, and put the bloody thing on a stick, and jam it into the ground. This "Lord of the Flies" represents the craze and bloodthirst in these boys, but also the so called "beast" being the humans themselves.

This boiling conflict can definitely be described as people versus people; Jack versus Ralph and their building tension that is ultimately set over the edge. But also, Jack's lot of boys versus Ralph's lot. It can also be described as person versus self, with Jack and Ralph both unaware of what this island has birthed and planted in them. This fast paced, high intensity, inter webbing conflict is exciting and engaging throughout the entire book.

Another significant character, and my favorite, Piggy, is also a boy on the island. As his name implies, he's fat, but as Ralph realizes, he's very bright and is an excellent thinker. This earns Piggy Ralph's respect, and friendship. They use Piggy's glasses to light the fire. This is a symbol of how someone may seem useless-- fat and lazy, but are more valuable then perceived. Piggy is also a significant symbol in the book. He represents civility, as he keeps this while everyone else is being subconsciously changed by the island and the lack of rules and civilization. His appearance, paired with his intellectual capacities and ability to stay rational justifies this. Much would be different in the book without him and his mind.

As it seems every character and item is symbolic, there is much to take away from this masterful craft. The Pig Head represents the humans being the beast. The conch, I believe, represents order and something to go around or follow. Something sacred and divine, but fragile at the same time. Ralph represents order, and civility, while Jack represents savagery and primal instincts. This balance, or fight, between order and savagery is a main theme to take away, and how people's desire for power can bring out these primeval surges.

I think I, and many others can relate to this book and learn from this book. While I've never been stranded on a deserted island having to govern myself, I feel I can relate to Ralph. I have had many experiences where I have tried to keep everyone orderly but their "primal urges", or craze, was difficult to. Like Ralph, I got very frustrated by that, because when everyone is going nuts while your trying to keep things orderly, it's annoying.

I also feel that if some of my friends were in this position, they would be succumbed to the beckoning of the urges of savagery and human darkness, but in society, they're not. We never see what these boys were like before landing on the island, but we can get a pretty good idea from how they develop, evolve, and change when going through this.

Overall, I feel this craft of literature is stellar writing. From the deep symbolism, heart-racing conflict, and picture-painting detail, I loved the book despite the grossness of it, and despite the lunacy and bloodshed that took place.

The rich symbolism is a strong strength. So much can be learned and taken away from this story, from each character and item, and this quality is a distinct strength.

However, while I thoroughly enjoyed it and was thoroughly impressed, there were a few easy to spot weaknesses I would have changed. Golding uses the same words over and over, and it was slightly infuriating to read. There was too much word repetition, such as "savage" and "hunt" being way overused. In the same way, every time he said "Ralph's fair hair" was aggravating, like the word repitition. Also, I feel he included things that didn't matter or affect the plot. like four pages about a littlun crying.

Despite all this, I thought this was a phenomenal book. It's quick moving pace, deep symbolism, and powerful themes made it a keeper in my eyes. If you can get past the gore, the savagery, the killing, and the insanity, I would recommend this book because of all this. There is much that can be learned and interpreted from this book, and if you dare look past the present topics that make us nauseous, it will challenge your analytical capacity and leave an impact.

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Book Review

Lord of the flies.

William Golding
Coming-of-Age

Readability Age Range

Riverhead Books, a division of Penguin Group

Year Published

This coming-of-age book by William Golding is published by Riverhead Books, a division of Penguin Group and is written for ages 13 and up. The age range reflects readability and not necessarily content appropriateness.

Plot Summary

When a plane wreck strands a group of British boys on a tropical island without adults, the children initially revel in their freedom and try to develop a society by holding assemblies, appointing hunters, and tending a signal fire to alert passing ships. It isn’t long before their “savage natures” take over; they argue, paint their faces and hunt bloodthirstily, eventually even killing some of their own. They fear and stalk “the Beast,” whom they believe to be a dangerous creature on the island. In fact, there is no such animal — their anxiety about the Beast symbolizes their fear of the emerging monster within each of them. In the end, they are rescued and returned to the “civilized” world — a world in the throes of a war.

Christian Beliefs

Literary critics consider Simon a “Christ figure.” He demonstrates compassion for his fellow man and looks for goodness in a rapidly-declining civilization. His conversation with The Lord of the Flies (which is a rotting pig’s head the boys have left as an offering to the Beast) is likened to the temptation Christ experienced during his fasting in the wilderness (Matthew 4:1-11). The loss of innocence the boys experience is sometimes compared to the fall of man (Genesis 3:1-21).

Other Belief Systems

Lord of the Flies contrasts democracy and anarchy.

Authority Roles

The boys initially elect Ralph as their chief; he chooses Jack and Simon to assist him. Ralph’s primary concern is to keep a signal fire going in case a ship passes; he tries to maintain order and structure within the group. As Jack’s lust for hunting and blood increases, he convinces most of the boys to join a new tribe under his leadership. He is dominating and brutal, rousing the boys to kill pigs and, eventually, other humans for sport.

Profanity & Violence

Ralph makes fun of Piggy’s asthma ( a—-mar ). Characters use God’s name in vain, and d–n you once or twice. Violence intensifies as the characters become less civilized: First they kill pigs with spears, enjoying the pigs’ squealing and blood. They often dance and chant, “Kill the pig. Cut her throat. Spill her blood. Bash her in.” They even spear the head of one pig, leaving it as an offering for the Beast. By the end, boys are killing other boys by mobbing and hunting them, simply because they “get caught up” in the frenzy of their savage rituals.

Sexual Content

Discussion topics.

Get free discussion questions for this book and others, at ThrivingFamily.com/discuss-books .

Additional Comments

Golding was awarded the 1983 Nobel Prize in literature.

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From text to tech: lord of the flies character transformation in gifs.

In this summative project over The Lord of the Flies , students put on their critical thinking caps to infer where characters from the book end up later in life, after the events in the book. Students have a lot of fun getting creative and exploring the "after" of the characters they got to know so well throughout our time reading!

By analyzing the before, during, and after of a chosen character, students crafted animated representations aligned with the storyline and character development as depicted by William Golding.

I encouraged students to consider previous discussion we have had over symbols in the book and commentary that the author is making about the world, people, etc.. Through their GIFs, students offer interpretations of Golding's commentary on humanity, society, and civilization, all supported by textual evidence and critical thinking.

Project Instructions for students:

Task: Create a GIF illustrating the before, during, and after stages of a character's journey on the island, as portrayed in The Lord of the Flies . Consider where your chosen character ends up later in life, based on what we know of their characters in the book. *Make sure students choose a character who has an after; i.e., not Piggy or Simon...
Argument: Accompany your GIF with a concise paragraph explaining your interpretation and argument regarding Golding's commentary within the novel. Elaborate on the insights gained from the "microcosm" activity to strengthen your argument.

Technical Instructions (Using Keynote):

Creating the Presentation:

Open Keynote app and select a blank theme.
Begin crafting images depicting the before, during, and after phases of the character's journey. *I always spend some time teaching students how to put together shapes, colors, images, etc. in Keynote, so they have somewhere to start. A 20 minute mini-lesson over creating GIFs on Keynote is not a bad idea for this project.

Creating the GIF:

Select the slides to be included in the GIF.
Apply "magic move" to ensure smooth transitions between slides.
Export the presentation as a GIF, which will be saved to the camera roll for submission. Make sure to select all slides to be included in the GIF!

Voila! You now have a creative and analytical GIF.

Creating Characters with AI Art Part 1 - Exploring Prompts

Smashing Apps: Kaligo, iMovie and AR Makr

In Action: Visualize Descriptive Language

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Lily Gladstone and Riley Keough shine in Hulu’s dark true-crime drama ‘Under the Bridge’

Lily Gladstone in a blue law-enforcement uniform.

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“Based on a true story” — why do we care? Does it matter whether the events of a dramatic work “really happened,” or sort of happened, more or less in the way we’re being told? Is it a come-on to prurient interests, when the subject is dark or sensational? Is it to appear educational? Is it to advertise that things that seem too incredible to be true really are true, to make what’s shocking even more shocking, or to prop up a story that can’t stand on its own?

If I had a definite answer for you, there wouldn’t have been so many question marks in the preceding paragraph. All of the above, maybe.

“Dragnet” changed the names to protect the innocent, but nowadays it’s the fashion to keep the names, while the facts, found wanting on their own, might get a fictional assist. In “Under the Bridge,” a limited series based on Rebecca Godfrey’s well-received 2005 book about the 1997 murder of 14-year-old Reena Virk in green and watery Victoria, British Columbia, some of the names are the same; others have been changed, as they were on the page, in accordance with Canadian law protecting the identities of young people accused or convicted of a crime; and yet other names have been made up, along with the characters who wear them.

Riley Keough tries to bond with teenage girls in "Under the Bridge."

Godfrey’s book falls under the rubric of true crime, if of a particularly literary sort; she was interviewed about it in the Paris Review, and Mary Gaitskill wrote the introduction to its 2019 rerelease. Still, unless you feel it’s imperative that this story of a teenager fatally set upon other teenagers has a basis in reality, it might be best to regard the TV adaptation as fiction clear through — “Lord of the Flies” wasn’t based on anything, after all — something like the fifth season of “ True Detective ,” perhaps, especially given Riley Keough and Lily Gladstone are in starring roles.

Godfrey isn’t a presence in “Under the Bridge,” but, played by Keough, she’s become a major character in the series — a subject nearly, an active participant, a person with her own measure of trauma to address. Developed by Quinn Shephard, whose 2017 film “ Blame ” is also a story of toxic teenhood, the adaptation is true to the facts of the case itself, as reported by Godfrey and others. Much of what surrounds it, however, has been invented or altered for your entertainment — especially as it concerns the investigation, in which the author, returning home to Victoria for the first time in 10 years, becomes an unofficial detective, if one with mixed motives.

She has come, coincidentally, to write a book, on “the misunderstood girls of Victoria,” of which she was once one, when these characters fall into her lap.

Vritika Gupta plays Reena, an outsider desperate to belong, a child awkwardly attempting to imitate an adult, chafing at the strictures of her conservative Jehovah’s Witness parents (Archie Panjabi as Suman and Ezra Faroque Khan as Manjit). To her happy surprise, she finds herself recruited into a tribe of more sophisticated girls — which is to say, they smoke and drink and take drugs. Their leader, Josephine (Chloe Guidry), wears John Gotti’s picture in a locket and controls a legion of “minions” who shoplift on her behalf. (They call themselves the Crip Mafia Cartel, while the police refer to them as “Bic” girls, as in the lighter, “’cause we’re disposable.”) Her lieutenants are Kelly (Izzy G.), Jo’s best friend, and Dusty (Aiyana Goodfellow), who is relatively nice. After a honeymoon period, a series of unfortunate events will lead to the even more unfortunate event that has brought us all here.

Rebecca’s return to town has its own measure of friction. (She doesn’t get along with her mother, either.) Significantly, it brings her back into contact with local police officer Cam (Gladstone), with whom Rebecca and her late brother once were close. (Just how close is hinted at, but never explored.) When Reena’s father and her uncle Raj (Anoop Desai) come to file a missing persons report, Cam is ready at first — along with the rest of the department, including her adoptive father (Matt Craven), the police chief — to write her off as a runaway. But she’ll change her tune and wind up spearheading the investigation, while she wars with Rebecca over her intentions and intrusions and questionable journalistic ethics.

Vritika Gupta sits on a school bench next to a bus.

“Perry Smith told Capote things he never told anyone else,” says Rebecca, suggesting she can get the kids to talk.

“So you think you’re writing ‘ In Cold Blood ,’ eh?” implying she isn’t.

Reena’s family background, going back two generations, is explored in a dedicated episode, but there is little context given the other young characters; we get bits of information that lead us to understand they’re products of parental fecklessness, pop cultural influence or brain chemistry without belaboring the point. That’s good, in a way — explicit psychologizing of behavior is a dramatic dead end. But it doesn’t add up to much more than the sorry fact that kids, with their developing brains, can make bad decisions, and compound bad decisions with worse decisions, and take actions that aren’t the product of any decisions at all.

The performances alone make “Under the Bridge” worth watching. Keough, who resembles Godfrey a little, is a world away from Daisy Jones , held together by her literary project, inhabiting the ghost of the bad kid she once was, or pretends to have been, to gain the teenagers’ trust. (She becomes an accomplice, almost.) Gladstone does a lot with a character whose main quality is stolidity; I wish they’d gone a little more into her relationship with Rebecca, but this is a show with a lot on its plate.

And then there are the kids, who are astonishingly good. As Reena, Gupta, heartbreaking in her hopefulness, is especially good. But all the young actors — including Javon Walton as Warren, the odd boy out — are original and human in roles that could easily invite cliche.

Apart from the performances, which alone make the series worth watching, and the overall authenticity of the production, what to make of these eight hours of nearly unrelieved sadness? (The closest the series comes to unalloyed joy, untainted by the knowledge of tragedy to come, is the minute or so in which Rebecca and Cam dance to Siouxsie and the Banshees’ cover of Iggy Pop’s “The Passenger,” though even that will be alloyed soon enough.)

The conventional crime-solving aspects of the drama drive “Under the Bridge” in the earlier episodes, as does Rebecca’s prodigal’s return plotline. But we wind up mostly with a mess of loss. The characters are too particular on the one hand, and the mean girls trope too familiar on the other, to usefully generalize into a statement about the plight of teenage girls. Though there are many well-written scenes — the performances would not be so impressive if there weren’t — over eight episodes, the series, with its shifting attention and skips back and forth in time, loses emotional force; it sustains one’s interest, certainly, but less so one’s sympathies.

A little light does break in at the end. Justice is served, as the series switches briefly into a courtroom drama — though Rebecca has her doubts about whether it’s truly being served. There’s a late-series development that indicates a different future for Cam (with a quickly passing nod to Canada’s institutional racist history). Rebecca will go on to write her book — she has a contract for it before the series ends — and, sometime after the series ends, sell it to the screen. (A closing title card notes that Godfrey was involved in the series’ development before her death in 2022 .)

And here we are.

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COMMENTS

The Lord of the Flies by William Golding
On the outside Lord of the Flies may appear to be simply a story about boys trying to live on a deserted island, but reading between the lines will allow the reader to understand and appreciate ...
Lord of the Flies Book Review
Our review: Parents say ( 12 ): Kids say ( 111 ): This novel has been a perennial favorite since its first publication in 1954, and when he was awarded the Nobel Prize for Literature, William Golding was lauded for his deep concern for humanity. Today, Lord of the Flies remains a staple of school reading lists, although some of its dated views ...
Lord Of The Flies by William Golding
The Lord of the Flies - It's the name given to the sow's head that Jack's gang transfixes on spear as an offering to the "beast.". The Lord of the Flies comes to symbolize the primeval instincts of power and barbaric nature that take control of Jack's tribe. Littluns- The littlest boys, around ages six and up.
Review: Lord of the Flies by William Golding
Lord of the Flies William Golding Penguin Books Published December 16, 2003 (Originally Published 1954) Amazon | Bookshop | Goodreads About Lord of the Flies. At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys.
Lord of the Flies by William Golding
143 books3,921 followers. Sir William Gerald Golding was a British novelist, playwright, and poet. Best known for his debut novel Lord of the Flies (1954), he published another twelve volumes of fiction in his lifetime. In 1980, he was awarded the Booker Prize for Rites of Passage, the first novel in what became his sea trilogy, To the Ends of ...
Lord of the Flies Review: Golding's Inner Savage
3.4. Lord of the Flies Review. 'Lord of the Flies' is an interesting novel, despite the fact that in today's world it may be considered problematic. In some areas, the dialogue appears forced and stilted. The plot may feel stilted at some points but, most of the descriptions are wonderful. Pros.
A Summary and Analysis of William Golding's Lord of the Flies
Lord of the Flies: plot summary. The novel begins with a plane carrying a group of British schoolboys being shot down; the boys land on a desert island. Two of them, Ralph and Piggy, find a conch shell on the beach, and they use it to signal to the rest of the schoolboys, who then start to form their own 'society', with a leader elected among them.
What Lord of the Flies is really about
The boys in Lord of the Flies make quite a good fist of creating a democratic society, at least to begin with. Ralph, the democratically elected leader, admonishes Jack to stick to "the rules ...
LORD OF THE FLIES
A fantasy is a singular - and singularly - believable spellbinder, and within the framework of its premises achieves a tremendous impetus and impact. During an atomic war, a group of boys aged from about six to twelve crash-land on an uninhabited tropical island. There Ralph, a responsible boy, is chosen chief and a certain routine established; a fire is made and to be kept going as a signal ...
Review: Lord of the Flies
Published in 1954, Lord of the Flies is a dystopian novel by nobel-prize winning English author William Golding, about a group of boys stuck on an uninhabited island who try to govern themselves with disastrous results. When it was first published, Golding's debut novel suffered from poor sales but when re-released in the 1960s it went on to ...
Their Inner Beasts: 'Lord of the Flies' Six Decades Later
By Lois Lowry. Oct. 27, 2016. "Lord of the Flies" was published in 1954, the year that I turned 17, and I read it not long after. I was in the habit then (as I still am today) of finding, in ...
Book Review
WILLIAM GOLDING. The Man Who Wrote "Lord of the Flies": A Life. By John Carey. Illustrated. 573 pp. Free Press. $32.50. William Boyd's most recent novel, "Ordinary Thunderstorms," was ...
Book review
Golding's book is one of those and is widely considered to be one of the all-time great novels. My lovely 1965 edition of Lord of the Flies is older than me and has a cover price of three shillings and sixpence! Lord of the Flies was Golding's first novel, published in 1954.
Lord of the Flies: Full Book Summary
Lord of the Flies Full Book Summary. In the midst of a raging war, a plane evacuating a group of schoolboys from Britain is shot down over a deserted tropical island. Two of the boys, Ralph and Piggy, discover a conch shell on the beach, and Piggy realizes it could be used as a horn to summon the other boys. Once assembled, the boys set about ...
Lord of the Flies Book Review: A Short But Punchy Classic
Lord of the Flies Book Review. Lord of the Flies is a book that had been on my TBR (to-be-read pile) forever. I first read this in my mid-twenties and wish I had studied this at school, which is where most readers encounter this. It's all about a group of schoolboys who become stranded on a desert island. But don't let the young ensemble ...
Book Review: Lord of the Flies by William Golding
Characters - 4.5/5. There are a fair few characters to get your head around in this book. Without giving away spoilers, the main two are Ralf and Piggy who you meet early on and then other boys are slowly introduced who become big figures within the group. There's fantastic chemistry between the different characters and Golding had to write ...
Lord of the Flies
Lord of the Flies is the 1954 debut novel of British author William Golding. ... and it was described in one review as "not only a first-rate adventure but a parable of our times". ... There have been three film adaptations based on the book: Lord of the Flies (1963), directed by Peter Brook; Alkitrang Dugo (1975), a Filipino film, ...
Lord of the Flies: Study Guide
Lord of the Flies by British author William Golding was first published in 1954. Set against the backdrop of a deserted island during an unspecified wartime, the novel tells the gripping story of a group of boys stranded after their plane crashes. Initially, the boys attempt to establish a society with rules and order, choosing a boy named ...
Lord of the Flies Themes and Analysis
Analysis of Key Moments in Lord of the Flies. There are many key moments in ' Lord of the Flies ' that highlight the boy's descent into savagery. Blowing the conch - this introduces us to the conch which acts as a symbol of society and civilization throughout the novel. It is both the device that brings the children together and in ...
Lord of the Flies Book Review
Lord of the Flies Book Review. Nobel Prize winner William Golding's classic "Lord of the Flies" explores and exposes the darkest parts of human nature, and the childhood desire of independence. Shield your eyes if you must, as insanity and gore take hold. When a group of British boys crash land on a desert island, their first reaction is "Yeah!
Lord of the Flies
His conversation with The Lord of the Flies (which is a rotting pig's head the boys have left as an offering to the Beast) is likened to the temptation Christ experienced during his fasting in the wilderness (Matthew 4:1-11). ... Book reviews cover the content, themes and worldviews of fiction books, not their literary merit, and equip ...
Lord of the Flies: By William Golding
Lord of the Flies, by William Golding, a book review Lord of the flies is a story that follows a group of british boys stranded on an island; we think the time period is around world war two. The boys soon organize themselves into somewhat constructive groups, but as the story progresses truths about human nature are slowly revealed.
From Text to Tech: Lord of the Flies Character
From Text to Tech: Lord of the Flies Character Transformation in GIFs. in Teaching & Learning This post is public. In this summative project over The Lord of the Flies, students put on their critical thinking caps to infer where characters from the book end up later in life, after the events in the book. Students have a lot of fun getting ...
'Under the Bridge' review: Lily Gladstone, Riley Keough shine
The performances alone make "Under the Bridge" worth watching. Keough, who resembles Godfrey a little, is a world away from Daisy Jones, held together by her literary project, inhabiting the ...

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Review: Lord of the Flies – William Golding

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Characters – 4.5/5